These proletarian heroes, with names like Lonnie, Loo, Sweet Pea, and Packy, work the furnaces, forges, slag heaps, assembly lines, and loading docks at places with unglamorous names like Brass Craft or Feinberg and Breslin’s First-Rate Plumbing and Plating. Only Studs Terkel’s Working approaches the pathos and beauty of this book. But Levine’s characters are also significant for their inner lives, not merely their jobs. They are unusually artistic, living ‘at the borders of dreams.’ One reads The Tempest ‘slowly to himself’; another ponders a diagonal chalk line drawn by his teacher to suggest a triangle, the roof of a barn, or the mysterious separation of ‘the dark from the dark.’ What Work Is ranks as a major work by a major poet . . . very accessible and utterly American in tone and language.” —Daniel L. Guillory, Library Journal

    Roth watches as his eighty-six-year-old father—famous for his vigor, charm, and his repertoire of Newark recollections—battles with the brain tumor that will kill him. The son, full of love, anxiety, and dread, accompanies his father through each fearful stage of his final ordeal, and, as he does so, discloses the survivalist tenacity that has distinguished his father's long, stubborn engagement with life.

    Funny and laid-back, his clear, often brief poems are easy to understand and enjoy -- which is why his readings are sometimes standing-room-only affairs. Collins may be a college professor and NEA-grant recipient, but he's not above using a disinfectant ad as an epigraph. "Public restrooms give me the willies," reads the epigraph to a poem appropriately titled "The Willies." That man-on-the-street brand of humor, utterly stripped of academic pretense, is trademark Collins. QUESTIONS ABOUT ANGELS, a reissue of Collins's fourth volume of poems, offers 70 pages of well-formed, very American verse that -- not surprisingly -- doesn't require a shelf of dictionaries. In fact, just as he laughs at epigraphs, Collins gleefully pokes fun at the very concept of dictionaries. Here, for example, are the opening lines to "The Hunt," which initially offer the flowing, dreamy verse many expect from a poet:       Somewhere in the rolling hills and farm country      that lie beyond speech      Noah Webster and his assistants are moving      across the landscape tracking down a new word.Then Collins really gets going, letting his claws dig in. In the next stanza, that trademark humor really shows:      It is a small noun about the size of a mouse,       one that will seldom be used by anyone,       like a synonym for isthmus      but they are pursuing the creature zealouslyCollins could be talking about poetry itself, a form "zealously pursued" but too often "seldom used." Despite the deadpan tone, these are poems that are aware of poetic tradition. QUESTIONS ABOUT ANGELS opens with a poem called "American Sonnet," which announces that "We do not speak like Petrarch or wear a hat like Spenser." Collins seems to believe that his particular American landscape and culture requires a variation on the standard forms of Western tradition. This country, he seems to say, demands a rethinking of it all.Part of that rethinking is a probe of the whole idea of a "poet." Collins asks the questions his students would love to ask, if they only had the guts. How, he asks, do you know for sure if a poet is contemporary? This, of course, is a twist on the earlier, unspoken-but-understood question of "What makes a sonnet a sonnet, anyway?" addressed in the first poem.Just as he produced an American "sonnet" that rolls off the tongue with the ease of banter, Collins comes up with an American, can-do answer to the "who's a contemporary poet?" question:       It is easy to find out if a poet is a contemporary poet      and thus avoid the imbroglio of calling him Victorian      or worse, Elizabethan, or worse, medieval.      If you look him up in The Norton Anthology of English Literature      and the year of his birth is followed only by a dash      and a small space for the numerals only spirits know,       then it is safe to say that he is probably aliveThough clothed in simple words and humor, Collins is actually taking a pretty sophisticated jab in these two stanzas, which are the first part of the appropriately titled poem "The Norton Anthology of English Literature." Is a poet worthy simply because he is in the anthology? And do these omnipresent anthologies really define periods and countries? Coming just a few pages after the Noah Webster reference, Collins may also be pushing his readers to wonder about the anthologizers' research processes.Collins loves to mix poems to history's overachievers with odes to underachievers or family pets who never seemed to have much, if any, ambition. In one of the book's sweeter poems, Collins offers praise of a character named Riley. Here's the last stanza of the very brief poem "The Life of Riley: A Definitive Biography," where yet again, Collins mixes the quotidian and the poetic, letting his linguistic ability peep through the everyman persona at key moments:      He never had a job, a family or a sore throat.       He never mowed a lawn.       Passersby would always stop to remind him      whose life it was he was living.       He died in a hammock weighing a cloud. In a book that mentions weighing a dog and stripping layers of clothing off as he writes, it makes sense that this poet doesn't flinch from depicting the weighing of a cloud. Like the character who never had a sore throat, Collins writes glitch-free poems that are both a breeze and a blast to read. --Aviya Kushner

    

    "A story of tragedy and courage that should be reade by all."—Dallas Morning News.

    Walker’s complete poems, including new and previously unpublished verse, collected for the first time-with author’s notes that provide historical perspective on spiritual and political issues of the last three decades. This title has been selected as a Common Core Text Exemplar (Grades 9-10, Poetry)

    A national bestseller, voted by Time as the #1 novel of 1991, selected as one of the "Best Books of 1991" by Publishers Weekly, and nominated for a National Book Critics Circle Award--a magnificent story that probes the meaning of love, science, music, and art, by the brilliant author of Three Farmers on Their Way to a Dance.

    He seems to be writing the poems we all need to read right now." --Antioch Review Larry Levis was born in Fresno, California, in 1946. His first book of poems, Wrecking Crew, won the United States Award from the International Poetry Forum, and was published in the Pitt Poetry Series in 1972. His second book, The Afterlife, won the Lamont Award from the American Academy of Poets in 1976. In 1981, The Dollmaker's Ghost was a winner of the Open Competition of the National Poetry Series. Among his other awards were three fellowships in poetry from the National Endowment for the Arts, a Fulbright Fellowship, and a Guggenheim Fellowship. Larry Levis died in 1996.

    Philip Levine's New Selected Poems (1984) by adding to it a generous choice of major from each of the two volumes that followed it: Sweet Will (1985) and A Walk With Tom Jefferson (1988).

    Here, in a new selection of 200 poems from five decades, is the distinctive voice of Robert Creeley, reminding us of what has made him one of the most important and affectionately regarded poets of our time.

    This time it takes an emergency room to keep her from death. Now, the beautiful and talented photographer retreats to an island paradise off Georgia's coast to find solitude - and herself. As she becomes increasingly involved with the strange and handsome twin scions of the powerful Drummond family, she feels her traumatic memories begin to fade. But when a killer launches a series of gruesome murders, Liz discovers that there is no place to hide - not even in her lover's arms.

    Darby first met him when his car plowed into hers at a busy intersection. She's been running into him --literally--ever since. It doesn't matter that Bruce is a hunk and that most of the girls at school have crushes on him. To Darby he's nothing but a clumsy, conceited jerk.Than David Matthews, a guy Darby likes even less, starts asking her out. In desperation, Darby asks Bruce to pretend he's her boyfriend. It's supposed to be a temporary arrangement to get David to lose interest in her. Darby doesn't count on falling for Bruce in the process! She's already convinced David that she and Bruce are in love. Now can she convince Bruce?

    Vincent Millay, perhaps the premier American lyricist of the twentieth century.

    With it came omnipotence. Now it's up to Earth's super heroes to make a desperate attempt to thwart this mad god's insane plunge into galactic self-destruction.

    J. O'Rourke's savagely funny and national best-seller Parliament of Whores has become a classic in understanding the workings of the American political system. Originally written at the end of the Reagan era, this new edition includes an extensive foreword by the renowned political writer Andrew Ferguson -- showing us that although the names and the players have changed, the game is still the same. Parliament of Whores is an exuberant, broken-field run through the ethical foibles, pork-barrel flimflam, and bureaucratic bullrorfle inside the Beltway that leaves no sacred cow unskewered and no politically correct sensitivities unscorched.

    Now in paperback, "Complete Short Poetry" gathers all of Zukofsky's poetry outside his 800-page magnum opus entitled" "A""--including work that appeared in "All: The Collected Short Poems, 1923-1964," the experimental transliteration (with Celia Zukofsky) of Catullus, the limited edition "80 Flowers," as well as several fugitive pieces never before collected."Zukofsky is the American Mallarm," writes Hugh Kenner, "and given the peculiar intentness of the American preoccupation with language--obsessive, despite what you may read in the newspapers--his work is more disorienting by far than his exemplar's ever was. Mallarm had a long poetic tradition from which to deviate into philology. Zukofsky received a philological tradition, which he raised to a higher power."

    The major shifts in global politics that came about with the dismantling of the Eastern bloc have left the United States unchallenged as the preeminent military power, but American economic might has declined drastically in the face of competition, first from Germany and Japan ad more recently from newly prosperous countries elsewhere. In Deterring Democracy, the impassioned dissident intellectual Noam Chomsky points to the potentially catastrophic consequences of this new imbalance. Chomsky reveals a world in which the United States exploits its advantage ruthlessly to enforce its national interests--and in the process destroys weaker nations. The new world order (in which the New World give the orders) has arrived.

    As we read the wisdom of these peoples, it is possible to feel a reconnection with our land and ourselves. This beautiful collection of the best of Native American wisdom features the thoughts of Chief Joseph, Sitting Bull, Red Cloud, Black Elk, Ohiyesa, and many others on Native American ways of living, learning, and dying. Taken from orations, recorded observations of life and social affairs, and other first-person testimonies, this book selects a wide range of Native American wisdom and distills it to its essence in short, digestible quotes that are meaningful and timeless -- perhaps even more timely now than when they were written.

    Columbus is often a child's first lesson about encounters between different cultures and races. The murky legend of a brave adventurer tells children whose version of history to accept, and whose to ignore. It says nothing about the brutality of the European invasion of North America.We need to listen to a wider range of voices. We need to hear from those whose lands and rights were taken away by those who "discovered" them. Their stories, too often suppressed, tell of 500 years of courageous struggle, and the lasting wisdom of native peoples. Understanding what really happened to them in 1492 is key to understanding why people suffer the same injustices today.More than 80 essays, poems, interviews, historical vignettes, and lesson plans reevaluate the myth of Columbus and issues of indigenous rights. Rethinking Columbus is packed with useful teaching ideas for kindergarten through college.

    To this lineage add Peter Jernigan, who views the world with ferocious intelligence, grim rapture, and a chainsaw wit that he turns, with disastrous consequences, on his wife, his teenaged son, his dangerously vulnerable mistress—and, not least of all, on himself. This novel is a bravura performance: a funny, scary, mesmerizing study of a man walking off the edge with his eyes wide open—wisecracking all the way.

    Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies—a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle's disappearance, the innocent entertainments of his youth—the sexy sirens, the screwball comedies, the high romance—take on a sinister appearance. His tortured quest takes him from Hollywood's Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there's more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment.

    . . .

    On December 16, 1985, he was gunned down in a spectacular shooting on Manhattan's fashionable East Side. At the time of his death, Paul Castellano was under indictment. So were most of the major Mafia figures in New York. Why? Because in 1983 the FBI had hidden a microphone in the kitchen of Castellano's Staten Island mansion. The 600 hours of recorndings led to eight criminal trials. And this book.Agents Joe O'Brien and Andris Kurins planted that mike. They listened to the voices. Now they bring you the most revealing look inside the Mafia ever ... in the Mafia's own words.

    In MUSIC OF THE SWAMP, he focuses his magic and imagination on a single theme--a boy's utterly helpless love for his utterly hopeless father.

    Because of his success, King has been endlessly interviewed, yet one question remains: What's the real story behind his phenomenal success? Now the editor of The Stephen King Companion answers that question. 32 pages of photos and illustrations.

    These jeweled, intricate poems, like the multilayered "In Search of Evanescence," locate and reflect the America that must be "unseen to be believed."Somewhere between cartographer and stargazer, the Nostalgist links images of water, desert, and myth, returning to Tucson in the monsoons, or seeing Chile in his rearview mirror, all the while creating an intense and vital vision.

    An unrivaled master of vote swapping, back room deals, and election-day skulduggery, he was nevertheless an outspoken New Dealer with a genuine commitment to the poor and the underprivileged. With aides and colleagues he could be overbearing, crude, and vindictive, but at other times shy, sophisticated, and magnanimous. Perhaps columnist Russell Baker said it best: Johnson was a character out of a Russian novel...a storm of warring human instincts: sinner and saint, buffoon and statesman, cynic and sentimentalist. But Johnson was also a representative figure. His career speaks volumes about American politics, foreign policy, and business in the forty years after 1930. As Charles de Gaulle said when he came to JFK's funeral: Kennedy was America's mask, but this man Johnson is the country's real face. In Lone Star Rising, Robert Dallek, winner of the prestigious Bancroft Prize for his study of Franklin D. Roosevelt, now turns to this fascinating sinner and saint to offer a brilliant, definitive portrait of a great American politician. Based on seven years of research in over 450 manuscript collections and oral histories, as well as numerous personal interviews, this first book in a two-volume biography follows Johnson's life from his childhood on the banks of the Pedernales to his election as vice-president under Kennedy. We see Johnson, the twenty-three-year-old aide to a pampered millionaire Representative, become a de facto Congressman, and at age twenty-eight the country's best state director of the National Youth Administration. We see Johnson, the human dynamo, first in the House and then in the Senate, whirl his way through sixteen- and eighteen-hour days, talking, urging, demanding, reaching for influence and power, in an uncommonly successful congressional career. Dallek pays full due to Johnson's failings--his obsession with being top dog, his willingness to cut corners, and worse, to get there-- but he also illuminates Johnson's sheer brilliance as a politician, the high regard in which key members of the New Deal, including FDR, held him, and his genuine concern for minorities and the downtrodden. No president in American history is currently less admired than Lyndon Johnson. Bitter memories of Vietnam have sent Johnson's reputation into free fall, and recent biographies have painted him as a scoundrel who did more harm than good. Lone Star Rising attempts to strike a balance. It does not neglect the tawdry side of Johnson's political career, including much that is revealed for the first time. But it also reminds us that Lyndon Johnson was a man of exceptional vision, who from early in his career worked to bring the South into the mainstream of American economic and political life, to give the disadvantaged a decent chance, and to end racial segregation for the well-being of the nation.

    Hatch offers a provocative reassessment of religion and culture in the early days of the American republic, arguing that during this period American Christianity was democratized and common people became powerful actors on the religious scene. Hatch examines five distinct traditions or mass movements that emerged early in the nineteenth century—the Christian movement, Methodism, the Baptist movement, the black churches, and the Mormons—showing how all offered compelling visions of individual potential and collective aspiration to the unschooled and unsophisticated. "Rarely do works of scholarship deserve as much attention as this one. The so-called Second Great Awakening was the shaping epoch of American Protestantism, and this book is the most important study of it ever published."—James Turner, Journal of Interdisciplinary History "The most powerful, informed, and complex suggestion yet made about the religious, political, and psychic 'opening' of American life from Jefferson to Jackson. . . . Hatch's reconstruction of his five religious mass movements will add popular religious culture to denominationalism, church and state, and theology as primary dimensions of American religious history."—Robert M. Calhoon, William and Mary Quarterly "Hatch's revisionist work asks us to put the religion of the early republic in a radically new perspective. . . . He has written one of the finest books on American religious history to appear in many years."—James H. Moorhead, Theology Today The manuscript version of this book was awarded the 1988 Albert C. Outler Prize in Ecumenical Church History from the American Society of Church History Awarded the 1989 book prize of the Society for Historians of the Early American Republic for the best book in the history of the early republic (1789-1850) Co-winner of the 1990 John Hope Franklin Publication Prize given by the American Studies Association for the best book in American Studies Nathan O. Hatch is professor of history and vice president for Graduate Studies and Research at the University of Notre Dame.

    Adorable, absurd, and irresistible reading for the sophisticated cat. Illustrated.

    Today, these brutal events are symbolized by one word, Katyn—a crime that still bitterly divides Poles and Russians. Paul’s richly updated account covers Russian attempts to recant their admission of guilt for the murders in Katyn Forest and includes recently translated documents from Russian military archives, eyewitness accounts of two perpetrators, and secret official minutes published here for the first time that confirm that U.S. government cover-up of the crime continued long after the war ended.Paul’s masterful narrative recreates what daily life was like for three Polish families amid momentous events of World War II—from the treacherous Nazi-Soviet invasion in 1939 to a rigged election in 1947 that sealed Poland’s doom. The patriarch of each family was among the Polish officers personally ordered by Stalin to be shot. One of the families suffered daily repression under the German General Government. Like thousands of other Poles, two of the families were deported to Siberia, where they nearly died from forced labor, starvation, and neglect. Through painstaking research, the author reconstructs the lives of these families including such stories as a miraculous escape on the last transport of Poles leaving Russia and a mother’s daring ski trek over the Carpathian Mountains to rescue a daughter she had not seen in six years. At the heart of the drama is the Poles’ uncommon belief in “victory in defeat”—that their struggles made them strong and that freedom and independence, inevitably, would be regained.

    Their Byzantine attempts to reach Tannu Tuva would span a decade, interrupted by Feynman's appointment to the committee investigating the Challenger disaster, and his tragic struggle with the cancer that finally killed him. Tuva or Bust! chronicles the deepening friendship of two zany, brilliant strategists whose love of the absurd will delight and instruct. It is Richard Feynman's last, best adventure.

    The acclaimed author of Ceremony has undertaken a weaving of ideas and lives, fate and history, passion and conquest in an attempt to re-create the moral history of the Americas, told from the point of view of the conquered, not the conquerors.

    When she arrived in Colorado in 1907, Dr. Susan Anderson had a broken heart and a bad case of tuberculosis. But she stayed to heal the sick, tend to the dying, fight the exploitative railway management, and live a colorful, rewarding life.

    The former is a psychological thriller set in the Hollywood of the 1940s, while the latter reinvents the 1930s gangster film.

    It is a story of pioneering technology, of the American entrepreneurial spirit, and of the tragic collision between the corporation and the lone inventor. Published in conjunction with the PBS documentary. 8 pages of photographs.

      Here are Paul Bunyan, that king-sized lumberjack who could fell “ten white pines with a single swing”; John Henry, with his mighty hammer; Mose, old New York’s biggest, bravest fireman; Sally Ann Thunder Ann Whirlwind, who could “outgrin, outsnort, outrun, outlift, outsneeze, outsleep, outlie any varmint”; and other uniquely American characters, together in one superb collection.   In the tradition of the original nineteenth-century storytellers, Mary Pope Osborne compiles, edits, and adds her own two cents’ worth—and also supplies fascinating historical headnotes. Michael McCurdy’s robust colored wood engravings recall an earlier time, perfectly capturing all the vitality of the men and women who carved a new country out of the North American wilderness.

    Heffner—American historian, noted public television moderator/producer, and Rutgers University professor—Elie Wiesel covers fascinating and often perilous political and spiritual ground, expounding on issues global and local, individual and universal, often drawing anecdotally on his own life experience.We hear from Wiesel on subjects that include the moral responsibility of both individuals and governments; the role of the state in our lives; the anatomy of hate; the threat of technology; religion, politics, and tolerance; nationalism; capital punishment, compassion, and mercy; and the essential role of historical memory. These conversations present a valuable and thought-provoking distillation of the thinking of one of the world’s most important and respected figures—a man who has become a moral beacon for our time.From the Hardcover edition.

    Born in Montgomery, Alabama, this southern belle turned flapper was talented in dance, painting, and writing but lived in the shadow of her husband's success. Her writing can be experienced on its own terms in Matthew Bruccoli's meticulously edited The Collected Writings of Zelda Fitzgerald.The collection includes Zelda's only published novel, Save Me the Waltz, an autobiographical account of the Fitzgeralds' adventures in Paris and on the Riviera; her celebrated farce, Scandalabra; eleven short stories; twelve articles; and a selection of letters to her husband, written over the span of their marriage, that reveals the couple's loving and turbulent relationship.Zelda Sayre Fitzgerald has long been an American cultural icon. The Collected Writings affirms her place as a writer and as a symbol not only of the Lost Generation but of all generations as she struggled to define herself through her art.

    The cases include children, adolescents, and adults receiving individual and group therapy in psychiatric, medical, educational or community settings. With authors from nine countries, the book details a broad spectrum of approaches and techniques in music therapy. It can be used as a reference, a textbook for training students, or as an introduction to the field. The essence of music therapy is captured, not in the single voice of one therapist but in a resounding chorus of many. It does this by telling the moving stories of people from around the world who have been helped through music therapy and the relationships developed with these exceptional music therapists.

    Louise, a 90-pound stalker, hippies led by a murderous ex-con, and illegal Mayan excavators disrupt his laid-back lifestyle.

    Confidential, the basis of the motion picture, includes Blood on the Moon, Because the Night, and Suicide Hill. 50,000 first printing.

    both destined to generations of proud leadership, shameful intrigue, and passion for the sandy crest of land that became their heritage...This is the story of the Bigelow and Hilyard clans, from their first years on America's shores, through the fury of her wars and the glory of her triumphs, to our own time when young Geoff Hilyard must fight to save both his marriage to a Bigelow heir and the windswept coast he loves. It is a struggle that will take him deep into the past, to a centuries-old feud that never died..And on a dangerous quest for a priceless relic of American history that has lain hidden in the Cape for over two hundred years.

    Series editor Richard Beeman, author of "The Penguin Guide to the U.S. Constitution," draws together the great texts of American civic life, including the founding documents, pivotal historical speeches, and important Supreme Court decisions, to create a timely and informative mini-library of perennially vital issues. As president, Abraham Lincoln endowed the American language with a vigor and moral energy that have all but disappeared from today's public rhetoric. His words are testaments of our history, windows into his enigmatic personality, and resonant examples of the writer's art. Renowned Lincoln and Civil War scholar Allen C. Guelzo brings together this volume of "Lincoln Speeches" that span the classic and obscure, the lyrical and historical, the inspirational and intellectual. The book contains everything from classic speeches that any citizen would recognize--the first debate with Stephen Douglas, the "House Divided" Speech, the Gettysburg Address, the Second Inaugural Address--to the less known ones that professed Lincoln fans will come to enjoy and intellectuals and critics praise. These orations show the contours of the civic dilemmas Lincoln, and America itself, encountered: the slavery issue, state v. federal power, citizens and their duty, death and destruction, the coming of freedom, the meaning of the Constitution, and what it means to progress.

    He encounters enterprising owners, dedicated managers, die-hard fans, Hall of Fame instructors, and hopeful players. 8-page insert.

    In fact, many of the Founders and their children learned to read from the Primer. This pocket-size edition is an historical reprint of the 1777 version used in many schools during the Founding Era.

    Dunn's landscape at the end of the century embraces the spectrum of urgencies and obsessions that we live with and for. It's a landscape that we share with citizens and spies, revelers and mourners, women who weep, men who keep secrets, and especially with the poet himself.

    He has just read with disbelief what he considers to be a criminally unfair biography of David Debrizzi, the renowned French concert pianist. Resting comfortably on the terrace of a Swiss sanatorium, La Valoise takes a pen in hand to rebut Sir Geoffrey's Life. He weeds through its distortions and omissions, its exaggerations and personal attacks, and supplies the version of the truth that he intended to incorporate into his own biography, The Death of David Debrizzi. 'Never have I begrudged you your Life,' writes La Valoise, 'any more than you would deny me my Death... Given the state of my health, and the treachery of my bastard of a British publisher - who loathes me merely because I am French - I feel it is safe to say that your Life will stand alone on the shelves for posterity, while my Death will remain untold.' Paul Micou's third novel at last gives La Valoise his say.

    The book relates the story of creation, of the four worlds (ages) through which the earth has passed and the three worlds yet to come. Past are the worlds of Love (when the love of the creating Great Mystery was poured on the earth), Ice (perhaps some racial memory of the Ice Age), Water (when whites came to Turtle Island, the primeval land mass of Indian myth) and Separation (recalling not only humanity's divorce from creation but also continental drift). Now is the dawning of the World of Illumination, from which we will pass through the World of Prophecy to the World of Completion, when all of creation will be reunited as one. With its emphasis on interdependence and the equality of all parts of creation, the book's heart is in the right place, and parts of it reflect the genuine oral tradition of the IroquoisSeneca are an Iroquos tribe per Jace . However, laden with New Age jargon and often impenetrable, this work ultimately will leave even sympathetic readers pondering its sincerity. — Copyright 1991 Reed Business Information, Inc.

    Some of our most original intellects--Albert Einstein, Thomas Edison, Lewis Carroll, and Winston Churchill--relied heavily on visual modes of thought, processing information in terms of images instead of words or numbers.Thomas G. West examines the learning difficulties experienced by both famous and everyday people, and he explores how recent neurological research shows an association between visual talents and verbal difficulties. In the Mind's Eye probes new data on dyslexics to see how computers enhance the creative potential of visual thinkers, as well as interactive computer applications at all levels of education and work. Updated with a new preface, epilogue, and expanded notes, this volume could be the clarion call for educators and corporations to mine this untapped resource of highly creative talent in our midst.

    Poems discuss a journey across the ocean, a veterans' cemetery, money, an abandoned collection of dolls, and a man who escapes from his prison cell to commit a murder.

    A thrilling adventure in every sense, Amazon Beaming details a mindbending journey into the geographical--and spiritual--unknown. Full-color photographs.

    A Louisiana farmer sees the image of Christ appear on the freezer door and questions the meaning of faith. In a Maine resort town, Miss Langevin, a spinster who could write a book on disappointment, now gets a chance to help another woman escape it. And in the title story, a science teacher's modest dreams and painful memories erode his existence like water entering stone.

    This two-volume Library of America edition presents for the first time Wright’s major works in the form in which he intended them to be read. The authoritative new texts, based on Wright’s original typescripts and proofs, reveal the full range and power of his achievement as an experimental stylist and as a fiery prophet of the tragic consequences of racism in American society.Native Son exploded onto the American literary and cultural scene in 1940. The story of Bigger Thomas, a young black man living in the raw, noisy, crowded slums of Chicago’s South Side, captured the hopes and yearnings, the pain and rage of black Americans with an unprecedented intensity and vividness. The text printed in this volume restores the changes and cuts—including the replacement of an entire scene—that Wright was forced to make by book club editors who feared offending their readers. The unexpurgated version of Wright’s electrifying novel shows his determination to write honestly about his own controversial protagonist. As he wrote in the essay “How ‘Bigger’ Was Born,” which accompanies the novel: “I became convinced that if I did not write of Bigger as I saw and felt him, I’d be acting out of fear.”This volume also contains Wright’s first novel, Lawd Today!, published posthumously in 1963, and his collection of stories, Uncle Tom’s Children, which appeared in 1938. Lawd Today! interweaves news bulletins, songs, exuberant wordplay, and scenes of confrontation and celebration into a kaleidoscopic chronicle of the events of one day—Lincoln’s birthday, February 12—in the life of a black Chicago postal clerk. The text for this edition reinstates Wright’s stylistic experiments, and the novel emerges as a far livelier work of the imagination.Uncle Tom’s Children first brought Wright to national attention when it received the Story prize for the best work submitted to the Federal Writers’ Project. The characters in these tales struggle to survive the cruelty of racism in the South, as Wright asks “what quality of will must a Negro possess to live and die with dignity in a country that denied his humanity.” All five stories Wright included in the 1940 second edition are published in this volume, along with his sardonic autobiographical essay “The Ethics of Living Jim Crow.”This volume includes notes on significant changes in Wright’s texts and a detailed chronology of his life.

    Hallie's father, considering this a dangerous place for a young woman of nineteen to live alone, told her he thought she was going on a wild goose chase. "Then I'll gather my geese," she told him, with determination and independence. These traits stayed with Hallie all her life, and were indispensable in her role as a ranch wife. Raised as a "proper" Southern woman, Hallie was not prepared for the difficulties she faced when she moved to her new home, the Stillwell Ranch, in 1918. But she quickly became an invaluable part of the workings on the ranch. She watched and learned from her husband, Roy Stillwell, and she adjusted to the new life-style that she grew to love. The ranch hands, who thought she would only last six months, came to respect her and her abilities to do as much work as any man on the ranch. They became a family. Then Roy and Hallie started a family of their own. Three children were a handful, and the Stillwell family split its time between the ranch and a home in town. On the ranch outside Marathon, near the Mexican border, work was hard and joy came in the simple things. After working cattle all day, relaxing under the arbor in front of the house was a pleasure. Hallie had a favorite rock out behind the house, and she often sat on it to watch the sun set, take a break from her energetic youngsters, or otherwise gain some tranquility and perspective.The ranch and its inhabitants survived two world wars, the depression, droughts, an influenza epidemic, as well as the everyday troubles of ranching in the Big Bend country. Hallie's story, told in a personal and engaging way, is fascinating reading for anyone interested in the history of pioneering ranching in Texas.

    Will they manage to excape the mutant killer eels to discover what lies behind the barbed wire of the Fortress and who the mysterious Lassitter Peach is?

    This two-volume Library of America edition presents for the first time Wright’s major works in the form in which he intended them to be read. The authoritative new texts, based on Wright’s original typescripts and proofs, reveal the full range and power of his achievement as an experimental stylist and as a fiery prophet of the tragic consequences of racism in American society.Wright’s wrenching memoir Black Boy, an eloquent account of his struggle to escape a life of poverty, ignorance, and fear in his native South, was an immediate bestseller when it appeared in 1945. But Wright’s complete autobiography, Black Boy (American Hunger), is a far more complex and probing work. Its original second section, in which Wright chronicled his encounter with racism in the North, his apprenticeship as a writer, and his disillusion with the Communist party, was cut at the insistence of book club editors and was only published posthumously as a separate work. Now that the two parts of Wright’s autobiography are finally printed together, Black Boy (American Hunger) appears as a new and different work—a unique contribution to the literature of self-discovery and a searing vision of racism in Northern slums as well as Southern shanties.Richard Wright’s novel The Outsider (1953) appears here in a text that restores the many stylistic changes and long cuts made by his editors without his knowledge. This text, based on Wright’s final, corrected typescript, casts new light on his development of the style he called “poetic realism.” The “outsider” of Wright’s story is Cross Damon, a black man who works in the Chicago post office. When Damon is mistakenly believed to have died in a subway accident, he seizes the opportunity to invent a new life for himself. In this, his most philosophical novel, Wright reconsiders the existentialist themes of man’s freedom and responsibility as he traces Damon’s doomed attempts to lead a free life.This volume includes notes on significant changes in Wright’s texts and a detailed chronology of his life.

    Now, for the first time, all of Jeffers' completed poems, both published and unpublished, are presented in a single, comprehensive, and textually authoritative edition.The first three volumes of this four-volume work, will present chronologically all of Jeffers' published work from 1920 to 1963. The present volume consists of poems written from 1939 to Jeffers' death in 1963, including the dramatic poems The Bowl of Blood, Medea, and The Double Axe byt were eventually omitted for reasons that are unclear; and those poems from his last years, which appeared posthumously in The Beginning and the End, that seem to be completed drafts.

    16 pages of photographs.

    An in-depth look at the evolution of America's top-secret plan to wrest control of the Pacific from Japan and destroy its economic and military might.

    In these, "the sort of stories you might tell in front of a fire", Calvin Trillin brings together twelve funny, troubling, moving and always revealing narratives--extended pieces that have appeared in The New Yorker over the past seven years.

    The book is a vivid account of their mutual passion for music and the piano. It reflects the struggles and triumphs of Vladimir Horowitz, a flaming genius who was also insecure and

    I must admit I'm not exactly the same girl you left-I'm twice as independent as I used to be and to top it off, I sometimes think I've become 'hard as nails'. . . . Also--more and more I've been living exactly as I want to . . . I do as I damn please."[These tough words from the wife of a soldier show that World War Ii changed much more than just international politics.]"From a fascinating collection of letters, filled with wonderfully distinctive human stories, Judy Barrett Litoff and David C. Smith have shpaed a rare and brilliant book that transports the reader back in time to an unforgettable era."--Doris Kearns Goodwin, author of The Fitzgeralds and the Kennedys and Lyndon Johnson and the American Dream."This is a wonderful volume, full of admirable women struggling in a difficult situation, doing their best for their families and their country. Ah, the memories it brings back! Highly recommended for those who lived through the war, and for those who want to understand it."--Stephen E. Ambrose, author of Eisenhower and D-Day, June 6, 1944"Offering a remarkable view into the lives of ordinary women during wartime, this book will enlighten and catch at the hearts of general readers and cause historians to reconsider how women experienced World War II."-Susan M. Hartmann, author of The Home Front and Beyond."From among 25,000 of an estimated six billion letters sent overseas during World War II, Litoff and Smith have culled and skillfully edited a sampling by 400 American women. These letters, starting with one to a seaman wounded at Pearl Harbor, are compelling documents of home-front life in varied ethnic, cultural, and financial milieus. Tragic, touching, and funny, the correspondence is full of prosaic news and gossip about jobs and neighbors, along with accounts of births and intimate allusions to love-making. The stress of separation was intensified for women whose loved ones were hospitalized, or imprisoned as either conscientious objectors or security risks. Some women wrote General MacArthur and others for news of missing men or to obtain details of their deaths. Many of these heartrending documents also express acceptance-and even pride-in the sacrifices required by war."--Publishers Weekly."Other scholars of WW II have published letters written home by servicemen, but this is the first collection sampling the letters written by sisters, sweethearts, wives, and mothers, saved by thousands of servicemen. Chapters are organized around themes that were important to these women: courtship, marriage, motherhood, work, sacrifices. . . . What women tell readers in these letters about their concerns and their wartime feelings will cause historians [readers?] to rethink what has been written about the homefront."--Choice."Despite the popular appeal of Rosie the Riveter, nine out of ten mothers with children under six were not in the labor force, which helps to account for the vast outpouring of mail from the home front to 'our boys' in the European and Pacific theaters. Some couples wrote every day for four years. This is the rich historic documentation that the authors have drawn upon to create a panoramic pastiche of indefatigable, energetic, patriotic female letter writers in the war years. . . . One is struck by the hard-headed practicality of many of the letters-stories of plucky, sometimes even grumpy, coping. There are letters of growing independence, with strong and at times explicit indication that the boyfriend or husband will be facing a very different woman upon his return from the one he 'knew' when he disembarked for his own, often terrible, venture. . . . Every war leaves mothers with broken hearts. What this volume most remarkably demonstrates is just how prepared American women on the home front were for that dread eventuality."--Jean Bethke Elshtain in the Journal of American History."Fascinating and often heartbreaking letters. . . . The letters illuminate a time when sex roles were first showing the changes that would culminate in the women's movement. 'I must admit I'm not exactly the same girl you left, ' Edith Speert wrote to her husband, Victor, in 1945. 'I'm twice as independent as I used t be, and I sometimes think I've become hard as nails. I don't think my changes will affect our relationship.'. . . In the end, it is the small human dramas in these letters that stand out. Anne Gudis, miffed to distraction by her soldier-swain Sam Kramer, writes what may be the shortest Dear John on record: 'Mr. Kramer: Go to hell! With love, Anne Gudis.' A woman working at a Honolulu nightclub assures a pilot that she'll wait for him-until she's 20. The wife of an Air Corps navigator reads in a news story that only 15 of 1,500 Allied bombers were lost in a raid over Europe and later learns that her husband died in one of the 15. And a grieving mother whose son died in the Pacific asks Gen. Douglas MacArthur, in desperation, 'Please general he was a good boy, wasn't he? Did he die a hard death?'"--Smithsonian."'They made it possible for me to retain my sanity in an insane world, ' wrote one pilot about the letters his wife sent him throughout World War II. The letters contained in this collection explain the soldier's sentiments. Whether full of passionate longing for a missing sweetheart or merely detailing domestic gossip, the letters offer a rich introduction to how American women experienced the war. Since military authorities ordered soldiers not to keep any letters written them by their loved ones, the authors have done a magnificent service in obtaining letters that soldiers either surreptitiously hid or whose authors copied them before sending them on."--Library Journal.

    One of the best commentaries on Exodus ever to appear in English, now in paperback!

    But despite his noisy objections, Aunt Hattie shears Amos once again and knits his wool into a brightly colored sweater for Uncle Henry.Poor Amos decides that this time he has had enough — and he sets out to reclaim what is rightfully his.

    

    Not to be confused with 63 Dream Palace and Other Stories .

    32 pages of photographs.

    Bustles, hoops, pantalets, shirtwaists, top hats, waistcoats, bowlers, other Victorian-era attire, as well as hairdressing and tonsorial styles. Introduction to fashions of each decade.

     Like the Roman God Janus, he had two faces: considered cold, aloof, petty, obstinate and vindictive, he was also witty, intelligent, affectionate, impervious to fear and loyal to a fault. Raised in Mississippi, at his brother’s behest he entered West Point and began the first of two Army careers; in the 1850s he would be named Secretary of War by Franklin Pierce. A staunch defender of slavery, Davis was an unusual owner: he encouraged them to learn new skills, administer their own justice and provided them with a comfortable living. Yet Davis did not fully comprehend human nature. To him his logic was irrefutable, and he was never able to see how his remarks, while not necessarily ill-meant, might cause offence. However, his life was plagued by sickness and grief. In addition to his own health issues his first wife died tragically young, as did four of his six children with his second. A complex portrait of a complex man, William C. Davis’ endeavour methodically explores the life of the leader of the Lost Cause and how the man was made. Praise for Jefferson Davis: The Man and His Hour “The fullest and best biography yet written, a work that will remain a standard authoritative account of the life of the Confederate President.” — David Herbert Donald, New York Times Book Review “A dispassionate, well-researched, and skillful biography of a complex and controversial figure.” — Kirkus Reviews William C. Davis is an American historian and former Professor of History who specialises in the Civil War and Southern States. A prolific writer, he has written or edited more than forty works on the subject and is four-time winner of the Jefferson Davis Award.

    Individually, each of these 27 stories is authentic and immediate, as memorable as family history passed from one generation to the next; taken together, they comprise a vivid, enduring portrait of the struggles of immigrant Jews—particularly women—on New York's Lower East Side.

    A leading feminist activist, author, and nationally known lecturer writes of her struggle to integrate a feminist head with a Jewish heart.

    Bitter Music presents Partch's ideas about the place of music in society, his work as a composer, his compositions, and his unique instruments.The anthology opens with "Bitter Music," a journal Partch kept while he wandered the American West as a transient during the Depression. Partch himself had thought the journal was lost. Deeply personal, it provides important biographical information on a formative period in his life and hints at the insecurity that pervaded his career, the institutional support he enjoyed one year and the economic hardship he endured the next. An important work of American Depression literature, the journal is unique for its inclusion of musically notated speech and folk and popular music. A second journal, "End Littoral" records a hiking trip along the rugged California coastline. The anthology also offers twelve essays detailing Partch's provocative analysis of the relation of music and the composer to society. Two are published here for the first time; the others appeared in often obscure or ephemeral publications between 1941 and 1972. Included as well are twelve extended discussions by Partch of his own compositions, in the form of introductions or program notes, of which ten are published here for the first time. The anthology concludes with librettos or scenarios for six of his major narrative or dramatic compositions.

    A masterpiece of old-fashioned storytelling that vividly evokes one woman's remarkable life and her struggle to make peace with the past. Reading tour.

    A collection of stories that trace loss of love, elided empathy, and persistent memory in the cycles of knowing and not knowing one another.

    Essays and poems on one woman's responsibility for the land borne out of love for it.

    In human terms and living case histories, Haynes Johnson captures the drama and tragedy of an era nurtured by greed and a morality that found virtue in not getting caught."It is morning again in America," Reagan's campaign commercials told us, and for too long we embraced that convenient lie. Indeed, the problems that came to plague us in that decade are with us even more today, as Johnson memorably demonstrates in—his afterword, "Notes on an Era," written especially for this new paperback reissue. This book will remain a signature work of political analysis for years to come.

    So it was with some suspicion that the shy, sweet San Francisco heiress woke one morning with a tall, dark, dangerously handsome husband she couldn't recall marrying. Lydia had lost her memory, and was desperate to discover if there was truly a love to remember. For as she looked at Nathan Hunter's lean, muscular frame, she longed to abandon herself to the sensual stranger, and believe—if only for a little while—that the possessive passion in his smoky gray eyes was really for her.HE ACHED TO HAVE HERBusiness and pleasure weren't supposed to mix, but in this case Nathan Hunter was willing to make an exception. After all, it was in his best interests to keep his new bride's mind off the secrets of her past. Making sure she didn't remember her hatred for him turned out to be the easy part, as he initiated the innocent Lydia to womanhood. Not so easy was keeping sight of his own goals as Lydia's sweet surrender wove a seductive spell around Nathan's heart, arousing emotions he had thought forever buried...

    Contains two novellas: - The Eye of the Heron (1978)- The Word for World is Forest (1972)

    Ranging from simple descriptions of cockroach races and a typewriter repaired with rubber bands and a toothbrush, to profoundly affecting glimpses into horrific abusive childhoods, to eloquent, emotionally powerful statements about facing execution, these remarkable letters reveal the human side of capital punishment. The second edition includes new chapters that focus in particular on how inmates, knowing that the only realistic alternative to death is a life sentence without parole, cope with long periods of imprisonment in a hostile system that remorselessly seeks to take their lives. The additional material also gives insight into the ways in which death row prisoners flower as human beings despite their harsh, isolated, and traumatic environment. As Sister Helen Prejean writes in her foreword, "Take this guided tour through Hell-guided by those who should know: the prisoners themselves. This is a book that speaks from the heart to the heart. Hopes, fears, anguish, desolation, anger — they're all here. There isn't a page that doesn't make us laugh, cry, or shout. This book is their story — the story of those cast aside by society. Not human like we are? Come and see for yourself."

    Parkman traveled through the West in 1846 after graduating from Harvard. His first book, The Oregon Trail, is a vivid account of his frontier adventures and his encounters with Plains Indians in their final era of nomadic life. The Conspiracy of Pontiac and the Indian War after the Conquest of Canada, Parkman’s first historical work, portrays the fierce conflict that erupted along the Great Lakes in the aftermath of the Seven Years’ War and chronicles the defeats in which the eastern Native American tribes “received their final doom.”The Oregon Trail (1849) opens on a Missouri River steamboat crowded with traders, gamblers, speculators, Oregon emigrants, “mountain men,” and Kansas Indians. In his search for Natives untouched by white culture, Parkman meets the Whirlwind, a Sioux chieftain, and follows him through the Black Hills. His descriptions of natives’ buffalo hunts, feasts and games, feuds, and gift-giving derive their intensity from his awareness that he was recording a vanishing way of life. Praised by Herman Melville for its “true wild-game flavor,” The Oregon Trail is a classic tale of adventure that celebrates the rich variety of life Parkman found on the frontier and the immensity and grandeur of America’s western landscapes.In The Conspiracy of Pontiac (1851), Parkman chronicles the consequences of the French defeat in Canada for the eastern Native American tribes. At the head of the Native American resistance to the Anglo-American advance in the 1760s was the daring Ottawa leader Pontiac, whose attacks on the frontier forts and settlements put in doubt the continuation of western expansion. A powerful narrative of battles and skirmishes, treaties and betrayals, written with eloquence and fervor and filled with episodes of heroism and endurance, The Conspiracy of Pontiac captures the spirit of a tragic and tumultuous age.

    It offers an exicting and provocative analysis of the body and body metaphors in an encyclopedic work of truly international and interdisciplinary nature".-- Louis Gottschalk Prize "Stafford's books is ... full of intriguing, even intoxicating, ideas. For anyone involved with images it opens unexplored avenues of thought, forcing one to question traditional assumptions about both images and text". -- Helene Roberts, Visual ResourcesIn this erudite and profusely illustrated history of perception, Barbara Stafford explores a remarkable set of body metaphors deriving from both aesthetic and medical practices that were developed during the enlightenment for making visible the unseeable aspects of the world. While she focuses on these metaphors as a reflection of the changing attitudes toward the human body during the period of birth of the modern world, she also presents a strong argument for our need to recognize the occurrence of a profound revolution -- a radical shift from a text-based to a visually centered culture.Co-recipient of the 1992 Louis Gottschalk Prize, The American Society for Eighteenth Century Studies

    Abandoned by their mother after the death of their father, three youngsters are determined to keep their situation a secret so that the authorities will not split them up and send them to foster homes.

    But as anthropologist Jack Weatherford, author of INDIAN GIVERS, brilliantly shows, the Europeans actually grafted their civilization onto the deep and nourishing roots of Native American customs and beliefs. Our place names, our farming and hunting techniques, our crafts, the very blood that flows in our veins--all derive from American Indians ways that we consistently fail to see.

    The US opposition to this scheme forced an ignominious withdrawal, and Nasser was triumphant. Above all, Britain's imperial posture was decisively over. "Suez" is acknowledged as the classic work on the subject.

    Now available in this splendid new edition, The Illustrated Battle Cry of Freedom boasts some seven hundred pictures, including a hundred and fifty color images and twenty-four full-color maps. McPherson has selected all the illustrations and has written extensive captions (some 35,000 words in all, virtually a book in themselves), many of which offer new information and interpretations that significantly enhance the text. This collector's quality, leather-bound edition of The Illustrated Battle Cry of Freedom is hand-signed and numbered by the author. It features high-quality paper, colored end-papers, gold-foil edging, and packaged in a sturdy box-wrap.

    Hedren, Western Historical Quarterly "[Gray] has applied rigorous analysis as no previous historian has done to these oft-analyzed events. His detailed time-motion study of the movements of the various participants frankly boggles the mind of this reviewer. No one will be able to write of this battle again without reckoning with Gray"-Thomas W. Dunlay, Journal of American History "Gray challenges many time honored beliefs about the battle. Perhaps most significantly, he brings in as much as possible the testimony of the Indian witnesses, especially that of the young scout Curley, which generations of historians have dismissed for contradictions that Gray convincingly demonstrates were caused not by Curley but by the assumptions made by his questioners . . . The contrasts in [this] book. . . restate the basic components of what still attracts the imagination to the Little Bighorn."-Los Angeles Times Book Review "Gray's analysis, by and large, is impressively drawn; it is an immensely logical reconstruction that should stand the test of time. As a contribution to Custer and Indian wars literature, it is indeed masterful."-Jerome A. Greene, New Mexico Historical Review John S. Gray was a distinguished historian whose books included the acclaimed Centennial Campaign: The Sioux War of 1876. Custer's Last Campaign is the winner of the Western Writers of American Spur award and the Little Bighorn Associates John M. Carroll Literary Award.

    This New York Times best seller tells the glamorous, scandalous, and tragic story of a handsome, sophisticated Englishman who became a bobby-sox idol, a lover of Ava Gardner and Lana Turner, a Kennedy in-law, a member of Sinatra’s Rat Pack, and an intimate confidante of Marilyn Monroe and Elizabeth Taylor.

    SOFT COVER

    His photographs capture some of the most spectacular but least-known scenery in the western states. The Great Basin Desert sweeps from the Sierra to the Rockies, from the Snake River Plain to the Mojave Desert. "Biogeography" would be one way to sum up Trimble's focus on the land: what lives where, and why. He introduces concepts of desert ecology and discusses living communities of animals and plants that band Great Basin mountains—from the exhilarating emptiness of dry lake-beds to alpine regions at the summits of the 13,000-foot Basin ranges.This is the best general introduction to the ecology and spirit of the Great Basin, a place where "the desert almost seems to mirror the sky in size," where mountains hold "ravens, bristlecone pines, winter stillness—and unseen, but satisfying, the possibility of bighorn sheep." Trimble's photographs come from the backcountry of this rugged land, from months of exploring and hiking the Great Basin wilderness in all seasons; and his well-chosen words come from a rare intimacy with the West.

    "The dream of Jan Scruggs, the man behind the movement to build the wall, and the fulfillment of that dream, is detailed up to the opening of the memorial. Designed for proficient independent readers, this book is honest and accurate. It is a sensitive statement about the price of war and the hope for peace, and will impart to young people the facts of this turbulent period in our history

    Significations is a criticism of several major approaches (phenomenological, historical, theological) to the study of religion in the United States, in which the author attempts (1) a reevaluation of some of the basic issues forming the study of religion in America, (2) an outline of a hermeneutics of conquest and colonialism generated during the formation of the social and symbolic order called the "New World," and (3) a critique of the categories of civil religion, innocence, and theology from the perspective of the black experience and the experience of colonized peoples.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    At the same time, these fictions explore their characters' sense of place in the landscape of human relations. In the title story a man's obsessional love brings him to destruction. In "The Field of Lost Shoes," a clandestine and futile meeting of former lovers at a Civil War museum and battle site becomes an encounter between the man and the woman's young son. "Watching him run into the field with wheat up to his elbows and the beat of an imaginary drummer on his lips, I knew what cruelty was," muses the narrator. "Cruelty was forgetting the delicate paper heart of a child." The powerful final entry is "Kettle of Hawks," a tale of love and seduction and ruptured trust. Hagy has a voice that seeks the cadences and rhythms of the rural South or Midwest while maintaining an integrity and individual distinction. Thus these stories display an authenticity that goes well beyond the talented mimicry and impersonation of much first-person short fiction today. This accomplished collection should bring Hagy to the attention of those who value the art of fiction.Copyright 1990 Reed Business Information, Inc.

    This widely admired epistle was her poems, which were never conventionally published in book form during her lifetime. Since the posthumous discovery of her work, general readers and literary scholars alike have puzzled over this paradox of wanting to communicate widely and yet apparently refusing to publish. In this pathbreaking study, Martha Nell Smith unravels the paradox by boldly recasting two of the oldest and still most frequently asked questions about Emily Dickinson: Why didn't she publish more poems while she was alive? and Who was her most important contemporary audience? Regarding the question of publication, Smith urges a reconception of the act of publication itself. She argues that Dickinson did publish her work in letters and in forty manuscript books that circulated among a cultured network of correspondents, most important of whom was her sister-in-law, Susan Huntington Gilbert Dickinson. Rather than considering this material unpublished because unprinted, Smith views its alternative publication as a conscious strategy on the poet's part, a daring poetic experiment that also included Dickinson's unusual punctuation, line breaks, stanza divisions, calligraphic orthography, and bookmaking--all the characteristics that later editors tried to standardize or eliminate in preparing the poems for printing. Dickinson's relationship with her most important reader, Sue Dickinson, has also been lost or distorted by multiple levels of censorship, Smith finds. Emphasizing the poet-sustaining aspects of the passionate bonds between the two women, Smith shows that theirrelationship was both textual and sexual. Based on study of the actual holograph poems, Smith reveals the extent of Sue Dickinson's collaboration in the production of poems, most notably Safe in Their Alabaster Chambers. This finding will surely challenge the popular conception of the isolated, withdrawn Emily Dickinson. Well-versed in poststructuralist, feminist, and new textual criticism, Rowing in Eden uncovers the process by which the conventional portrait of Emily Dickinson was drawn and offers readers a chance to go back to original letters and poems and look at the poet and her work through new eyes. It will be of great interest to a wide audience in literary and feminist studies.

    Like the cowboy herding the dogies, they have cared little about the cost their activities imposed on others; what has mattered is the immediate benefit they have derived from their transformation of the land. Drawing on a recent flowering of scholarship on the western environment, western gender relations, minority history, and urban and labor history, as well as on more traditional western sources, It’s Your Misfortune and None of My Own is about the creation of the region rather than the vanishing of the frontier. Richard White tells how the various parts of the West—its distinct environments, its metropolitan areas and vast hinterlands, the various ethnic and racial groups and classes—are held together by a series of historical relationships that are developed over time. Widespread aridity and a common geographical location between the Missouri River and the Pacific Ocean would have provided but weak regional ties if other stronger relationships had not been created. A common dependence on the deferral government and common roots in a largely extractive and service-based economy were formative influences on western states and territories. A dual labor system based on race and the existence of minority groups with distinctive legal status have helped further define the region. Patterns of political participation and political organization have proved enduring. Together, these relationships among people, and between people and place, have made the West a historical creation and a distinctive region. From Europeans contact and subsequent Anglo-American conquest, through the civil-rights movement, the energy crisis, and the current reconstructing of the national and world economies, the West has remained a distinctive section in a much larger nation. In the American imagination the West still embodies possibilities inherent in the vastness and beauty of the place itself. But, Richard White explains, the possibilities many imagined for themselves have yielded to the possibilities seized by others. Many who thought themselves cowboys have in the end turned out to be dogies.

    NEW YORK’S 50 BEST PLACES TO FIND PEACE AND QUIET, takes the reader to 50 oases of serenity around the city—from gardens to spas, meditation centers to wildlife refuges—each a revitalizing place of calm amidst the daily bustle and grind of urban life. "If you’re at wit’s end and frantic for tranquility, relax…you can buy [this] sweet little book." The New York Times.

    

    Using the work of Lacan, Kristeva and Freud, Juliet MacCannell confronts the failure of modernity to bring about the social equality promised by the Enlightenment. On the verge of its destruction, the Patriarchy has reshaped itself into a new, and often more oppressive regime: that of the Brother. Examining a range of literary and social texts - from Rousseau's Confessions to Richardson's Clarissa and from Stendhal's De L'Amour to James's What Maisie Knew and Jean Rhys's Wide Sargasso Sea - MacCannell illustrates a history of the suppression of women, revealing the potential for a specifically feminine alternative.

    A stunning combination of master storytelling and deft translation, with a foreword by Pulitzer Prize-winning poet Gary Snyder.

    He thinks he made a lucky escape, until he is caught and sentenced to 45 years inside America's toughest prison, US Penitentiary Alcatraz Island.This is one man's true story of life inside America's most notorious prison, from terrifying times in solitary confinement to daily encounters with the "Birdman." An inspiring, moving, and dramatic tale.