Street life, drugs, art and nature, family, AIDS, politics, friendship and acceptance: Wojnarowicz challenges us to examine our lives -- politically, socially, emotionally, and aesthetically.

    One not infrequently sees cars or trucks sporting the bumper sticker "Have fun—beat the hell out of someone you love."

    . . . Gould is the Stan Musial of essay writing. He can work himself into a corkscrew of ideas and improbable allusions paragraph after paragraph and then, uncoiling, hit it with such power that his fans know they are experiencing the game of essay writing at its best."--John Noble Wilford, New York Times Book Review

    In a rare blend of scientific fact and poetic truth, the acclaimed author of A Natural History of the Senses explores the activities of whales, penguins, bats, and crocodilians, plunging headlong into nature and coming up with highly entertaining treasures.

    A portrayal of the reality behind the rhetoric, her essays also chronicle the consequences of these regimes: The Berlin Wall may have fallen, but ideology cannot be dismantled so quickly, and a lifetime lived in fear cannot be so easily forgotten.Many of the pieces focus on the intense connection Drakulic discovers between material things and the expression of one’s spirit, individuality, and femininity—an inevitable byproduct of a lifestyle that, through its rejection of capitalism and commoditization, ends up fetishizing both. She describes the moment one man was able, for the first time in his life, to eat a banana: He gobbled it down, skin and all, enthralled by its texture. Drakulic herself marvels at finding fresh strawberries in N.Y.C. in December, and the feel of the quality of the paper in an issue of Vogue.As Drakulic delves into the particular hardships facing women—who are not merely the victims of sexism, but of regimes that prevent them from having even the most basic material means by which to express themselves—she describes the desperate lengths to which they would go to find cosmetics or clothes that made them feel feminine in a society where such a feeling was regarded as a bourgeois affectation. There is small room for privacy in communal housing, and the banishment of many time-saving devices, combined with a focus on manual labor, meant women were slaves to domestic responsibility in a way that their Western peers would find unfathomable. From this vantage point, she provides a pointed critique of Western feminism as a movement borne out of privilege.How We Survived Communism and Even Laughed is a compelling, brilliant account of what it was really like to live under Communist rule and its inevitable repercussions.

    Yet most of us utter that sound every day. And have used it all our lives...Uh-oh is way up near the top of a list of small syllables with large meanings...Uh-oh...is a frame of mind. A philosophy. It says to expect the unexpected., and also expect to be able to deal with it as it happens most of the time. Uh-oh people seem not only to expect surprise, but they count on it, as if surprise were a dimension of vitality."These words from the opening of Uh-oh describe a special vitality that, in fact, infuses the writings of Robert Fulghum with the incomparable joie de vivre and sense of wonder that have made his books, All I Really Need to Know I Learned in Kindergarten and It Was on Fire When I Lay Down on It, modern classic, translated into twenty-five languages.In this third volume, Fulghum explores a variety of subjects from both sides of the refrigerator door—from meatloaf to the Salvation Army Band, from fireflies to funerals, from hiccups to a watch without hands. One again, Fulghum celebrates everyday life in all its richness, subtly weaving a theme of balance throughout, balance between the mundane and the holy, between humor and grief, and between what is and what might be.

    Assembled in Signposts in a Strange Land, these essays on language, literature, philosophy, religion, psychiatry, morality, and life and letters in the South display the imaginative versatility of an author considered by many to be one the greatest modern American writers.

    Husak" and the essay "The Power of the Powerless," are by now almost legendary for their influence on a generation of Eastern European dissidents; others, such as some of Havel's prison correspondence and his private letter to Alexander Dubcek, appear in English for the first time. All of them bear the unmistakable imprint of Havel's intellectual rigor, moral conviction, and unassuming eloquence, while standing as important additions to the world's literature of conscience.

    Sixteen performance artists discuss human sexuality, racism, sexism, and the ways in which art can be used to break down taboos and dogma.

    The Leroi Jones/Amiri Baraka Reader provides the most comprehensive selection of Baraka's work to date, spanning almost 40 years of a brilliant, prolific, and controversial career, in which he has produced more than 12 books of poetry, 26 plays, eight collections of essays and speeches, and two books of fiction. This updated edition contains over 50 pages of previously unpublished work, as well as a chronology and full bibliography.

    Creating a spiritual, progressive, feminist, and ultimately organic definition of Black intellectuality, they passionately discuss issues ranging in subject matter from theology and the Left, to contemporary music, film, and fashion.

    This book brings together the best of Leopold's essays.

    Award-winning author Sy Montgomery takes you on an exploratory adventure through the seasons, into the woods, along the seashore, over frozen lakes, and right outside the back door.

    

    Yet even as he grapples with the challenges of political change, he affirms his belief in a politics motivated by moral responsibility; in an economy tempered by compassion; and in the central roles of art and culture in the transformation of society. Summer Meditations is not only a timely and necessary testament of events in Eastern Europe but a profound reflection upon the nature and practice of politics and a stirring call for morality, civility, and openness in public life throughout the world.

    First published ten years ago, this collection of 25 powerful stories from contributors both famous and ordinary, privileged and poor, provides often harrowing insights into what happens when women are denied the right to choose. Testimonials from teenagers, college students, overloaded young mothers, and even a retired male Marine put a human face on one of this country’s most controversial issues and offer passionate arguments for access to legal and safe abortions.

    Overnight sensation and oft-times pariah, Tsvetaeva was a poet of extraordinary intensity whose work continues to be discovered by new readers. Yet, while she is considered to be one of the major influences on modern Soviet poetry, few know of her consummate gifts as a writer of prose. These select essays, most of which have never been available in translation before, display the dazzlingly original prose style and the powerful, dialogic voice of a poet who would like to make art's mystery accessible without diminishing it. The essays provide incomparable insight on poetry, the poetic process, and what it means to be a poet. The volume offers, among many fascinating topics, a celebration of the poetry of Pasternak and reflections on the lives and works of other Russian poets, such as Mandelstam, Mayakovsky, and Zhukovsky. Included in this richly diverse collection are the essays The Poet on the Critic, which earned Tsvetaeva the enmity of many, Art in the Light of Conscience, a spirited defense of poetry, and The Poet and Time, seen by many scholars as providing the key to understanding Tsvetaeva's work. The immense power and originality of Tsvetaeva's language, captured by Angela Livingstone's superb translation of the essays along with twelve of Tsvetaeva's poems on related themes, is testimony to why the Tsvetaev revival in the Soviet Union and interest in the West continue to gain momentum as the centenary of her birth approaches. The volume is made complete by the addition of an elegantintroduction by the translator, a chronology of Tsvetaeva's life, and an index of contemporary poets and writers mentioned in the essays.

    A photograph of a gravely joyful crowd gathered on a Prague street in November 1989 provokes reflection on the meaning of democracy and the reunion of a people with long-banished hopes and dreams.With the luminous essays in Keeping a Rendezvous, we are given to see the world as Berger sees it -- to explore themes suggested by the work of Jackson Pollock or J. M. W. Turner, to contemplate the wonder of Paris. Rendezvous are manifold: between critic and art, artist and subject, subject and the unknown. But most significant are the rendezvous between author and reader, as we discover our perceptions informed by John Berger's eloquence and courageous moral imagination.

    John Gross, former book critic for The New York Times, has collected classics and rare gems, representative samples and personal favorites, intimate essays and learned, serious reflections and hysterically funny satire, by both British and American writers. The authors Gross has gathered form a gallery of genius, all indispensable masters of rhetoric, from Samuel Butler to Samuel Johnson, from George Eliot to George Bernard Shaw, from John Dryden to Ben Franklin, from E.B. White to Joan Didion. Including book reviews and travel sketches, history lessons and meditations, reflections on art and on potato chips, these essays sample four centuries of eloquence and insight in a collection that is at once immensely enlightening, edifying, and entertaining.

    Today, she is newly liberated from six years' house arrest in Rangoon, where she was held as a prisoner of conscience, despite an overwhelming victory by her party in May 1990. This collection of writings, now revised with substantial new material, including the text of the Nobel Peace Prize speech delivered by her son, reflects Aung San Suu Kyi's greatest hopes and fears for her people and her concern about the need for international cooperation, and gives poignant and humorous reminiscences as well as independent assessments of her role in politics. Containing speeches, letters and interviews, some of which are newly added, these writings give a voice to Burma's 'woman of destiny', who was awarded both the Sakharov Prize for Freedom of Thought and the 1991 Nobel Peace Prize.'This book is bound to become a classic for a new generation of Asians who value democracy even more highly than Westerners do, simply because they are deprived of the basic freedoms that Westerners take for granted"--The New York Times

    The story of a young man who finds himself somewhat unexpectedly a fine arts major in college, a fledgling sculptor in Chicago, a gadabout painter in Hoboken, and who eventually winds up a writer sometimes called "a born storyteller".The author of more than fifty books, Pinkwater now chronicles his own early life.

    Paul Klee's words on his art, "I take a line out for a walk," describe precisely what the author of these essays does—he takes out such "lines" as gossip, gambling, height (or the lack of it), hats, smoking, fame or compulsive reading and "walks them" in his own discursive style.

    Ten of the essays have never appeared before in English. "Exemplary. . . . It should be celebrated." —Arthur C. Danto, New York Times Book Review"This book . . . express[es] Kolakowski's thought on God, man, reason, history, moral truth and original sin, prompted by observation of the dramatic struggle among Christianity, the Enlightenment and modern totalitarianism. It is a wonderful collection of topics." —Thomas Nagel, Times Literary Supplement"No better antidote to bumper-sticker thinking exists than this collection of 24 'appeals for moderation in consistency,' and never has such an antidote been needed more than it is now." —Joseph Coates, Chicago Tribune"Whether learned or humorous, these essays offer gems in prose of diamond hardness, precision, and brilliance." —Thomas D'Evelyn, The Christian Science MonitorA "Notable Books of the Year 1991" selection, New York Times Book Review—a "Noted with Pleasure" selection, New York Times Book Review—a "Summer Reading 1991" selection, New York Times Book Review—a "Books of the Year" selection, The Times.

    Anthony Burgess hailed him as "our best literary critic". Now, at last, all of Pritchett's best literary essays are collected here in a single volume--203 brilliant, witty, and insightful essays.

    The Sighted Singer makes available a revised and significantlyexpanded version of Against Our Vanishing and includes Grossman's recent treatise " Summa Lyrica: A Primer of the Commonplaces in Speculative Poetry." This combined edition provides a sophisticated yet accessible discussion—across generations—of "the fundamental discourse of poetic structure."

    Praised for his eloquence, he was also reviled by conservatives for his radical politics. This edition, thematically organized for ease of access, contains some of his best-known essays, such as The Indian Jugglers and The Fight, as well as more obscure pieces on politics, philosophy, and culture.

    He was also a brilliant essayist who took the destruction of his culture as one of his main subjects. This comprehensive volume contains most of Mandelstam's essays, reviews, memoirs, reportage, sketches, polemics, forewords, fragments, and notes -- and the major long prose works of the 1930s, including "Fourth Prose," "Journey to Armenia," and "Conversation about Dante."

    In these, "the sort of stories you might tell in front of a fire", Calvin Trillin brings together twelve funny, troubling, moving and always revealing narratives--extended pieces that have appeared in The New Yorker over the past seven years.

    Essays and poems on one woman's responsibility for the land borne out of love for it.

    Filled with moving, personal essays by concerned celebrities and thinkers, edited by Don Henley and Dave Marsh, it is a call to arms for anyone who cares about the environment and the future of the earth.

    Now, with The Best American Sports Writing, this hidden treasure is available to all in a new annual collection selected from more than 350 American and Canadian newspapers and magazines.

    A uniquely gifted musician, he combined outstanding performing virtuosity with supreme creative powers and remarkable intellectual discipline. More than two centuries after his lifetime, Bach's work continues to set musical standards.The noted Bach scholar Christoph Wolff offers in this book new perspectives on the composer's life and remarkable career. Uncovering important historical evidence, the author demonstrates significant influences on Bach's artistic development and brings fresh insight on his work habits, compositional intent, and the musical traditions that shaped Bach's thought. Wolff reveals a composer devoted to an ambitious and highly individual creative approach, one characterized by constant self-criticism and self-challenge, the absorption of new skills and techniques, and the rethinking of riches from the musical past.Readers will find illuminating analyses of some of Bach's greatest music, including the B Minor Mass, important cantatas, keyboard and chamber compositions, the Musical Offering, and the Art of Fugue. Discussion of how these pieces "work" will be helpful to performers--singers, players, conductors--and to everyone interested in exploring the conceptual and contextual aspects of Bach's music. All readers will find especially interesting those essays in which Wolff elaborates on his celebrated discoveries of previously unknown works: notably the fourteen "Goldberg" canons and a collection of thirty-three chorale preludes.Representing twenty-five years of scholarship, these essays--half of which appear here in English for the first time--have established Christoph Wolff as one of the world's preeminent authorities on J. S. Bach. All students, performers, and lovers of Bach's music will find this an engaging and enlightening book.

    The years have brought to him an increasing number of odd jobs, to which he has wittily responded. Here he contemplates our national monuments, the female body, the Fourth of July, the Gospel of Matthew, other writers, moralists, aspects of science, and more.

    Containing 74 essays written over the last ten years, this book covers a range of subjects including the literature of the perceived masters and of Rushdie's contemporaries, the politics of colonialism and the ironies of culture, film, politicians, the Labour Party, religious fundamentalism in America, racial prejudice and the preciousness of the imagination and of free expression.

    Constructing a conceptual framework of the legal process based on the link between politics and justice, Mirjan R. Damaska provides a new perspective that enables disparate procedural features to emerge as fascinating recognizable patterns. His book is "a significant work of scholarship . . . full of important insights."—Harold J. Berman

    This contains the poems of his years of persecution, from his journey to Armenia in 1930 until 1934, when he was arrested and exiled to the Urals for writing an unflattering poem about Stalin. Written and preserved by a miracle, his poems have become in Peter Levi's description "all gems and ingots" in the McKanes' translations.

    He left behind a small body of works: best known are the two novels, 'Young Adam' and 'Cain's Book': and a handful of erotic novels and translations. The shorter pieces here - stories, essays and the extracts many previously unpublished, demonstrate the range of Trocchi's writing, his preoccupation with human isolation, with the outsider figure and his role as a 'cosmonaut of inner space'.

    Now, however, John Cage is universally acknowledged as the most influential composer of his generation. Cage's activities as composer, graphic artist, poet, teacher, critic and—not least—writer are explored in this collection of readings by and about this avant-garde pioneer, covering his most innovative period, 1933–1970. The main concern of John Cage: An Anthology is, of course, music: here composers and critics such as Virgil Thompson, Henry Cowell, Edward Downes, and Michael Zwerin analyze Cage's contribution to sound; Cage comments on his own works, such as Sonatas and Interludes, Cartridge Music , and Williams Mix ; and the editor, Richard Kostelanetz, also includes Cage's groundbreaking essay, ”Future of Music: Credo” and his perceptive remarks about composers from Satie and Webern to Stockhausen, But this anthology by no means neglects the other aspects of Cage's creativity. Cage writes fondly here of his collaboration with Merce Cunningham, the space-time avant-garde dancer and choreographer; Barbara Rose and Dore Ashton review Cage's influence on the contemporary art scene; his poetry is both represented herein and analyzed by Kostelanetz; and his teaching is remembered vividly by his students. Including a newly updated bibliography, discography, and catalog of compositions, as well as more than sixty illustrations, this collection is invaluable not only for students, teachers, and scholars, but for all who take a lively interest in the growth of the avant-garde in the twentieth century.

    Includes: a critical introduction, "On Approaching the Essay"; headnotes that situate each essay in an illuminating context;Resources for Readers and Writers, as follows--"Montaigne and the Essay"; "Essayists on their Art"; "Talking about Style."An Instructors Resource Manual to accompany this book is also available.

    His scope includes everyone from Marion Barry and Nietzsche to Bernhard Goetz, Jackie Robinson, Spike Lee, and H.L. Mencken, and everything from food to IQ tests to the Black Sox. In essays like "What Black People Won't Eat, " and "The Natural Superiority of Black Athletes, " Wiley cuts to the heart of issues that continue to tear people apart, adding a new dimension to the dialogue about race.

    In one essay, taking off from ideas raised earlier by Zora Neale Hurston, Trinh considers with astonishment the search by Western "experts" for the hidden values of a person or culture, a process of legitimized voyeurism that, she argues, ultimately equates psychological conflicts with depth, while inner experience is reduced to mere personal feeling.When the Moon Waxes Red is an extended argument against reductive analyses, even those that appear politically adroit. Feminist struggle is heterogeneous. The multiply-hyphenated peoples of color are not simply placed in a duality between two cultural heritages; throughout, Trinh describes the predicament of having to live "a difference that has no name and too many names already." She argues for multicultural revision of knowledge so that a new politics can transform reality rather than merely ideologize it. By rewriting the always emerging, already distorted place of struggle, such work seeks to "beat the master at his own game."

    Routledge is an imprint of Taylor & Francis, an informa company.

    Paperback: 216 pages Publisher: Avon Books (P) (February 1991) Language: English ISBN-10: 0380712539 ISBN-13: 978-0380712533

    It is a revisionist approach to the history of photography, a critique of photographic modernism and the institutions promoting it, and a feminist exploration of the camera's role in producing (and reproducing) dominant social and sexual ideology. Considering the role of cultural institutions - art historians, collectors, and dealers in construction histories of photography - Solomon-Godeau critiques such institutionalized aesthetics while offering an implied counter-history of the medium. She considers also the place of photography within post-modernism, tracing its evolution from a critical practice to a stylistic option. Lastly, Solomon-Godeau examines the work of a feminist photographer who seeks to counter the sexual politics that photography normally confirms. This, in turn, includes themes concerning the massive production of photographic erotica and pornography that are taken up and considered in relation to contemporary feminist theory and art practice.

    In this new edition, everything, including the original twelve chapters, bibliography, appendix, etc., has been clarified, updated and expanded. This edition includes updated and new information on recovery procedures and materials such as lifting, photography and casting; chemical enhancement; updated information about footwear manufacturing; footwear sizing; and known impression techniques and materials.WHAT S NEW IN THE SECOND EDITION:Besides updating and expanding the twelve original chapters, Footwear Impression Evidence: Detection, Recovery and Examination, Second Edition adds three new chapters: one chapter on barefoot evidence, which concerns impressions made by the naked or sock-clad foot or those which remain in abandoned or discarded footwear; another new chapter on several cases in which the footwear impression evidence was of primary importance in bringing about a conviction or confession; and finally, a new chapter on the footwear impression evidence in the O.J. Simpson criminal and civil cases.

    Albert Schweitzer. Contains the most extensive explanation of Ohsawa's use of yin and yang thinking.

    

    This widely admired epistle was her poems, which were never conventionally published in book form during her lifetime. Since the posthumous discovery of her work, general readers and literary scholars alike have puzzled over this paradox of wanting to communicate widely and yet apparently refusing to publish. In this pathbreaking study, Martha Nell Smith unravels the paradox by boldly recasting two of the oldest and still most frequently asked questions about Emily Dickinson: Why didn't she publish more poems while she was alive? and Who was her most important contemporary audience? Regarding the question of publication, Smith urges a reconception of the act of publication itself. She argues that Dickinson did publish her work in letters and in forty manuscript books that circulated among a cultured network of correspondents, most important of whom was her sister-in-law, Susan Huntington Gilbert Dickinson. Rather than considering this material unpublished because unprinted, Smith views its alternative publication as a conscious strategy on the poet's part, a daring poetic experiment that also included Dickinson's unusual punctuation, line breaks, stanza divisions, calligraphic orthography, and bookmaking--all the characteristics that later editors tried to standardize or eliminate in preparing the poems for printing. Dickinson's relationship with her most important reader, Sue Dickinson, has also been lost or distorted by multiple levels of censorship, Smith finds. Emphasizing the poet-sustaining aspects of the passionate bonds between the two women, Smith shows that theirrelationship was both textual and sexual. Based on study of the actual holograph poems, Smith reveals the extent of Sue Dickinson's collaboration in the production of poems, most notably Safe in Their Alabaster Chambers. This finding will surely challenge the popular conception of the isolated, withdrawn Emily Dickinson. Well-versed in poststructuralist, feminist, and new textual criticism, Rowing in Eden uncovers the process by which the conventional portrait of Emily Dickinson was drawn and offers readers a chance to go back to original letters and poems and look at the poet and her work through new eyes. It will be of great interest to a wide audience in literary and feminist studies.

    Ranging from an autobiographical tour-de-force that describes a childhood spent with an alcoholic father to "Looking at Women," a reflection on male yearning and confusion, to a look at the place—or absence—of nature in recent American fiction.

    A collection of essays dealing with the desires and struggles of Mexicans to cross the border into the United States.

    Vast in scope, it ranges in place and time from the Ancient Egyptian Satire of the Trades to Vaclav Havel's Memorandum, in form from Chaucerian verse to Paris graffiti, and embraces protest songs, radio broadcasts, the text of seditious posters and the transcripts of trials; Charlotte Bronte and Lenny Bruce, Aesop and Aborigines.

    Interviews and illustrations of fifteen AIDS patients provide a sampling of what life is like with AIDS and how people cope with the treatments, medications, support or lack of support from friends and family.

    The exercises could serve as a foundation for music but they are intended to have a broader application than this. In today's noisy world it is more important than ever for whole populations to begin to listen more carefully and critically. Here are exercises dealing with soundmaking and listening, gradually leading on towards the designing of soundscapes, both personal and public.

    Krishnamurti shows that the connection between our inner world of thoughts and emotions is inextricably linked to the outer world of humanity and the environment.

    A revealing look at the Japanese through the window of their contemporary culture.

    A collection of black-and-white photographs taken by homeless children in Washington, D.C., showing their view of the world they must live in.

    It is illustrated with examples from the most controversial aspects of Christian moral doctrine, and a frank account is given of the roots of the upheaval in Roman Catholic moral theology in and after the 1960s. Essential reading for students of theology, ethics, and philosophy. McGivney Lectures. PRAISE FOR THE BOOK:"A very valuable resource for both critics and defenders of traditional moral theology."-- Theological Book Review