A national bestseller, voted by Time as the #1 novel of 1991, selected as one of the "Best Books of 1991" by Publishers Weekly, and nominated for a National Book Critics Circle Award--a magnificent story that probes the meaning of love, science, music, and art, by the brilliant author of Three Farmers on Their Way to a Dance.

    A hard-working bank clerk, Gustad Noble is a devoted family man who gradually sees his modest life unravelling. His young daughter falls ill; his promising son defies his father’s ambitions for him. He is the one reasonable voice amidst the ongoing dramas of his neighbours. One day, he receives a letter from an old friend, asking him to help in what at first seems like an heroic mission. But he soon finds himself unwittingly drawn into a dangerous network of deception. Compassionate, and rich in details of character and place, this unforgettable novel charts the journey of a moral heart in a turbulent world of change.From the Trade Paperback edition.

    The acclaimed author of Ceremony has undertaken a weaving of ideas and lives, fate and history, passion and conquest in an attempt to re-create the moral history of the Americas, told from the point of view of the conquered, not the conquerors.

    To this lineage add Peter Jernigan, who views the world with ferocious intelligence, grim rapture, and a chainsaw wit that he turns, with disastrous consequences, on his wife, his teenaged son, his dangerously vulnerable mistress—and, not least of all, on himself. This novel is a bravura performance: a funny, scary, mesmerizing study of a man walking off the edge with his eyes wide open—wisecracking all the way.

    Billed as The Lucky Chances, the sisters are the illegitimate and unacknowledged daughters of Sir Melchior Hazard, the greatest Shakespearean actor of his day. At once ribald and sentimental, glittery and tender, this rambunctious family saga is Angela Carter at her bewitching best.

    In Reading Turgenev, a lonely country girl escapes her loveless marriage in the arms of a bookish young man. In My House in Umbria, a former madam befriends the other survivors of a terrorist bombing with surprising results. Nominated for the Booker Award.

    Her critically acclaimed work has placed her among the ranks of Eudora Welty, Pat Conroy, and Carson McCullers, firmly establishing Godwin as a Southern literary novelist for the ages. Father Melancholy's Daughter, is widely recognized as one of the author's most poignant and accomplished novels -- a bittersweet and ultimately transcendent story of a young girl's devotion to her father, the rector of a small Virginia church, and of the hope, dreams, and love that sustain them both in the wake of the betrayal and tragedy that diminished their family.

    Her father, home on leave, peering into the blue wicker basket, comments, "It's about the size of a cat." Later, as sibling after sibling appears, Janet finds herself slipping further and further toward the periphery of family life. Brought up in the unrelenting chill of Calvinism and the Scottish climate, she turns from people to animals, to literature, and to her own fertile imagination.Written with lyricism, poignance, and great unexpected flashes of humor, the novel traces the chain of events that, in the dour setting of Scotland in the 1940s and 50s, cause the bizzare death of a young girl. People, birds, and beasts move in a gleeful danse macabre through a lowering landscape in a tale as rich in atmosphere as it is witty and mordant.

    Louise, a 90-pound stalker, hippies led by a murderous ex-con, and illegal Mayan excavators disrupt his laid-back lifestyle.

    In 1965, the happy Bedloe family is living an ideal, apple-pie existence in Baltimore.  Then, in the blink of an eye, a single tragic event occurs that will transform their lives forever--particularly that of seventeen-year-old Ian Bedloe, the youngest son, who blames himself for the sudden "accidental" death of his older brother.Depressed and depleted, Ian is almost crushed under the weight of an unbearable, secret guilt.  Then one crisp January evening, he catches sight of a window with glowing yellow neon, the CHURCH OF THE SECOND CHANCE.  He enters and soon discovers that forgiveness must be earned, through a bit of sacrifice and a lot of love...A New York Times Notable Book

    When fourteen children from the small town of Sam Dent are lost in a tragic accident, its citizens are confronted with one of life’s most difficult and disturbing questions: When the worst happens, whom do you blame, and how do you cope? Masterfully written, it is a large-hearted novel that brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief.

    Journalist Simon Behler finds himself in the house of Sinbad the Sailor after being washed ashore during a seagoing adventure. Over the course of six evenings, the two take turns recounting their voyages, merging medieval Baghdad and twentieth-century Maryland in a brilliantly entertaining weave of stories within stories.

    They have lived there all their lives, trapped still by the fear of their dead father, who governs his daughters' lives from beyond the grave.

    A hasty marriage leads to despair and desolation.

    A man of harsh sensibilities, he carves Caroline out of the deal because she has the nerve to be less than enthusiastic about her father's generosity. While Larry Cook deteriorates into a pathetic drunk, his daughters are left to cope with the often grim realities of life on a family farm—from battering husbands to cutthroat lenders. In this winner of the 1992 Pulitzer Prize for Fiction, Smiley captures the essence of such a life with stark, painful detail.

    During the next four decades, Wang Qiyao indulges in the decadent pleasures of pre-liberation Shanghai, secretly playing mahjong during the antirightist Movement and exchanging lovers on the eve of the Cultural Revolution. Surviving the vicissitudes of modern Chinese history, Wang Qiyao emerges in the 1980s as a purveyor of "old Shanghai"--a living incarnation of a new, commodified nostalgia that prizes splendor and sophistication--only to become embroiled in a tragedy that echoes the pulpy Hollywood noirs of her youth.From the violent persecution of communism to the liberalism and openness of the age of reform, this sorrowful tale of old China versus new, of perseverance in the face of adversity, is a timeless rendering of our never-ending quest for transformation and beauty.

    In each of these tales Margaret Atwood deftly illuminates the single instant that shapes a whole life: in a few brief pages we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age.  By superimposing the past on the present, Atwood paints interior landscapes shaped by time, regret, and life's lost chances, endowing even the banal with a sense of mystery.  Richly layered and disturbing, poignant at times and scathingly witty at others, the stories in Wilderness Tips take us into the strange and secret places of the heart and inform the familiar world in which we live with truths that cut to the bone.Contents:True trash --Hairball --Isis in darkness --The bog man --Death by landscape --Uncles --The age of lead --Weight --Wilderness tips --Hack Wednesday.

    Reprint.

    Individually, each of these 27 stories is authentic and immediate, as memorable as family history passed from one generation to the next; taken together, they comprise a vivid, enduring portrait of the struggles of immigrant Jews—particularly women—on New York's Lower East Side.

    With his family, Rafael lives on the edge of the refuse heap in a forgotten corner of America's Southwest. Desperately poor, he is determined to give his family some respite from their dire poverty, even if it means trading his own life to do it.Rafael finds a man who says he will pay many thousands of dollars in exchange for his life: and so he agrees to "star" in a snuff film.

    The beautiful story of a veteran caught between two worlds: a tiny, remote Pacific island and an ethnic New England town, where he is forced to make a critical choice in deciding once and for all where he belongs.

    Included here are "The Story of an Hour," a shocking reversal of the most profound event of her childhood; "An Egyptian Cigarette," the story of a drug trip; and the title story, about a sweet-voiced boy soprano who learns about adult life.Emil Toth, biographer of Kate Chopin as well as editor of her diaries and letters, discusses the author's style and the inspiration for her stories and provides insight into Chopin's controversial career in this long-awaited classic.--back coverA vocation and a voice ; Elizabeth Stock's one story ; Two portraits ; An idle fellow ; A mental suggestion ; An egyptian cigarette ; The white eagle ;The story of an hour ; Two summers and two souls ; The night came slowly ; Juanita ; The unexpected ; Her letters ; The kiss ; Suzette ; The falling in love of Fedora ; The recocery ; The blind man ;An easter day conversation ; Lilacs ; Ti demon ; The godmother

    Peter’s father is a powerful man, a union boss with mob connections, but all the power in the world is useless to a grieving son. Raised by his uncle, Peter tries to distance himself from the casual brutality of the family business, gravitating instead toward a small South Philly gym. Peter’s cousin Michael—his “brother”—moves in another direction: into small-time intimidation and the trappings of a union prince. Neither, however, can outrun the logic of violence as they’re dragged into a world of bad blood and a chilling cycle of betrayal and retribution. Praise for Brotherly Love “A first-rate novel and a masterly evocation of that undercivilized and unfree America . . . The grace and confidence of [Pete Dexter’s] prose conveys absolute authenticity.”—The New York Times Book Review “Enviably artful work—carefully wrought, canny in its insights, sly in its presentation, sneaky in its revelations.”—Chicago Tribune “Extraordinarily poignant . . . Brotherly Love is all bulletproof prose and flinty-eyed bravissimo. . . . But the quieter, sadder aspects of the novel are its strongest points.”—The Boston Globe “Tautly and often exquisitely written.”—Los Angeles Times

    Blurring the lines between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her two-year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved, or is subject to her cold indifference. With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in the pieces of its aftermath, she is able to find it.

    He is destined to be long remembered by whoever reads about his life. His is a great auk.The great auks were the only flightless species of North Atlantic bird. Their tiny wings were not capable of raising their large bodies into the air. Yet these ridiculous flipper-like appendages—pumping in perfect harmony with the vast splayed feet with their tough rubbery webbing—could propel the birds on or beneath the billowing ocean surface faster than six strong men could row a boat. When standing upright, the great auks resembled penguins.These noble birds have been extinct for more than one hundred years, but they live again in this amazing novel that follows them and their last leader from their North Atlantic summer mating grounds on Eldey Island south top the Carolinas. On the island and along three-thousand-mile migration route lurk many perils—storms, killer whales, fishhooks, scientists, and the "terrible tune of swishthump" that marks the onslaught of profiteering hunters with their murderous clubs. Before the story is finished, we witness the growth of the young great auk from the dramatic moment of hatching, into his adventures as a timorous fledgling, until the time when he himself becomes the monarch of hi dwindling flock. As the seven remaining birds begin their return to Eldey Island, the reader fears what he knows is inevitable, that these great auks are the last, that there will be no more. Such is the power of Allan Eckert's novel and its remarkable characters.

    . . . Touching and compelling."—The Washington PostThe Feminist Press brings back into print a literary gem. And the Bridge Is Love is a timeless collection of life stories about growing up in a Jewish family in Detroit during the Depression and becoming a writer in Washington, DC. The essays range from one on a friend who is dying to a hilarious account of binge eating at a wedding. In between these two poles is a world both modern and old-fashioned, vivid, yet vanishing.

    

    Vollmann's growing reputation as the American writer whose books tower over the work of his contemporaries by virtue of their enormous range, huge ambition, stylistic daring, wide learning, audacious innovation, and sardonic wit (Washington Post Book World). All these qualities are in evidence in this collection in which the character of the writer and that of some of his intimates - both real and imaginary - surface and resurface in a series of extraordinary situations and encounters. Two astonishing stories frame this collection. The first, The Ghost of Magnetism, tells about a young man leaving San Francisco to become a sort of literary hobo living on his freeze-dried memories. The last, The Grave of Lost Stories, describes the death of Poe in a fungus-encrusted tomb somewhere deep in the earth. Here is the colorful and disreputable group of people familiar to us from Vollmann's earlier fiction - pimps, tramps, pornographers, witch doctors and massage-parlor girls. Within these stories, Vollmann gives us one of the most searching, bizarre, and subversive views of America today.

    With Murther & Walking Spirits Davies reconfirms his stature as an irresistibly erudite practitioner of the art of fiction. A man who is killed in the first sentence of the novel leads the reader on a tour of his afterlife.

    Jack, 49, and American, has walked out on his fast-lane corporate career and troubled marriage to return to his first love, painting. He lives a hand-to-mouth existence in Paris, struggling to express his long-suppressed feelings through his art. While painting in the park (and blocking the sidewalk), an elderly blind woman walks into him, knocking him off his feet and getting herself smeared with paint. Mirabelle, 71, is small, elegant, and radiant. They fall slowly, carefully, and improbably in love, and into a tender physically passionate affair. While Mirabelle's tremendous sense of life inspires Jack to paint with new vision and freedom, he shares with her the mysteries of passion, and frees her from the traumatic event that blinded her in childhood.

    

    Because of Ford's influence, a journey begins that encompasses quirky scholars, bickering university faculty, the Renaissance giant Sir Walter Raleigh and, of course, ingenious plays.

    First published in 1991, it has remained in print continuously in its original edition and later in The Brennen Siding Trilogy. Now it's available again as a separate volume in the GLE Library Series.Brennen Siding, a hamlet on a small tributary of the famous Miramichi River, is home to an unforgettable crew -- Shadrack Nash and his friend Dryfly Ramsey; Dry's mother, the homely, destitute Shirley, and Nutbeam, the big-eared hermit she marries; the American sports who come to the Cabbage Island Salmon Club to fish; and, above all, Hilda Porter, the elderly schoolteacher who treasures the story of Trucanini, the last Tasmanian on earth. Hilda herself is the last of the Porters, and, amid the invasion of TV, Elvis, and rich Americans, Shad and Dry may be the last true natives of Brennen Siding.

    Here are stories written by the famous and by those whose names are less well known; recluses and extroverts; the rich and the impoverished; novelists and poets; heterosexuals, bisexuals, and lesbians. Many were American and English expatriates caught up in the artistic revolt of Paris between 1890 and 1940; others, who ventured forth in imagination only, drew on its innovative spirit. Many refuted traditional concepts of gender and sexuality; all challenged restrictive definitions of femininity. Colette, H. D., Susan Glaspell, Gertrude Stein, Virginia Woolf, Djuna Barnes, Katherine Mansfield, Anais Nin, Dorothy Richardson, Jean Rhys, and May Sinclair number among this period's host of accomplished women writers. A woman becomes obsessed by a life-size doll and rescues the memory of its original model from neglect; another keeps an array of Parisian gowns under lock and key rather than join the masquerade of fashion; two housewives use their attention to domestic detail to detect--and shield--a murderer. Here are writers who cast aside conventions. Rebellious, talented, provocative, they parade their tales of those who take life on their own terms--you know, that kind of woman.

    "The novels in this trilogy are not novels in any conventional sense. Scalapino rejects the orderly development of plot and character, striking instead at what she perceives to be the radical chaos of human experience by writing from an ever-shifting multitude of perspectives. This style makes for a kind of syntactical avalanche: 'The steely-blue-eyed man is middleaged having been married leaving each is presently so yet obviously becoming involved with a young woman across from him who blinks stumbling in speaking in a halting yet stupid way.' Remarkably, Scalapino makes the reader aware of the social and economic dimensions of her depictions of disrupted reality. In THE RETURN OF PAINTING, the verbal swarms cluster around AIDS patients and the homeless. Scalapino's approach reaches its galvanizing best in ORION. Openly asserting that her 'refusal of order is rebellion, ' poet Scalapino's writing is bold and invigorating. Yet ultimately, her book is like a tantalizing linguistic mobile, with words, phrases and perspectives now colliding, now combining to form a disjunctive portrait of reality that the reader can all too rarely grasp"--Publishers Weekly

    What she doesn't want is the baby's father. Yet five years after the birth of Christabel, Rowena is dead, tragically killed in a climbing accident. The battle for Christabel has begun...With signature skill, Margaret Forster reveals the conflicting personal interests that lie behind each character’s claim on the child. Drawn from the perspectives of social workers, grandparents, lovers and foster-mothers, this novel is a remarkable and heartfelt exploration of the complexities of motherhood.

    The contributions of thirty-five important contemporary authors--including Edward Abbey, Wendell Berry, Annie Dillard, Bobbie Ann Mason, and Garrison Keillor--highlight a superlative anthology that documents America's firm ties to its rural roots.