Kristof and Sheryl WuDunn as our guides, we undertake an odyssey through Africa and Asia to meet the extraordinary women struggling there, among them a Cambodian teenager sold into sex slavery and an Ethiopian woman who suffered devastating injuries in childbirth. Drawing on the breadth of their combined reporting experience, Kristof and WuDunn depict our world with anger, sadness, clarity, and, ultimately, hope.They show how a little help can transform the lives of women and girls abroad. That Cambodian girl eventually escaped from her brothel and, with assistance from an aid group, built a thriving retail business that supports her family. The Ethiopian woman had her injuries repaired and in time became a surgeon. A Zimbabwean mother of five, counseled to return to school, earned her doctorate and became an expert on AIDS.Through these stories, Kristof and WuDunn help us see that the key to economic progress lies in unleashing women’s potential. They make clear how so many people have helped to do just that, and how we can each do our part. Throughout much of the world, the greatest unexploited economic resource is the female half of the population. Countries such as China have prospered precisely because they emancipated women and brought them into the formal economy. Unleashing that process globally is not only the right thing to do; it’s also the best strategy for fighting poverty.Deeply felt, pragmatic, and inspirational, Half the Sky is essential reading for every global citizen.

    Feminist, political, and activist writers alike will present their ideas for a paradigm shift from the “No Means No” model—an approach that while necessary for where we were in 1974, needs an overhaul today.Yes Means Yes will bring to the table a dazzling variety of perspectives and experiences focused on the theory that educating all people to value female sexuality and pleasure leads to viewing women differently, and ending rape. Yes Means Yes aims to have radical and far-reaching effects: from teaching men to treat women as collaborators and not conquests, encouraging men and women that women can enjoy sex instead of being shamed for it, and ultimately, that our children can inherit a world where rape is rare and swiftly punished. With commentary on public sex education, pornography, mass media, Yes Means Yes is a powerful and revolutionary anthology.

    Preciado shows the ways in which the synthesis of hormones since the 1950s has fundamentally changed how gender and sexual identity are formulated, and how the pharmaceutical and pornography industries are in the business of creating desire. This riveting continuation of Michel Foucault's The History of Sexuality also includes Preciado's diaristic account of his own use of testosterone every day for one year, and its mesmerizing impact on his body as well as his imagination.

    Wells (1862-1931), born to slaves in Mississippi, who began her activist career by refusing to leave a first-class ladies’ car on a Memphis railway and rose to lead the nation’s firstcampaign against lynching. For Wells the key to the rise in violence was embedded in attitudes not only about black men but about women and sexuality as well. Her independent perspective and percussive personality gained her encomiums as a hero -- as well as aspersions on her character and threats of death. Exiled from the South by 1892, Wells subsequently took her campaign across the country and throughout the British Isles before she married and settled in Chicago, where she continued her activism as a journalist, suffragist, and independent candidate in the rough-and-tumble world of the Windy City’s politics.In this eagerly awaited biography by Paula J. Giddings, author of the groundbreaking book When and Where I Enter, which traced the activisthistory of black women in America, the irrepressible personality of Ida B. Wells surges out of the pages. With meticulous research and vivid rendering of her subject, Giddings also provides compelling portraits of twentieth-century progressive luminaries, black and white, with whom Wells worked during some of the most tumultuous periods in American history. Embattled all of her activist life, Wells found herself fighting not only conservative adversaries but icons of the civil rights and women’s suffrage movements who sought to undermine her place in history.In this definitive biography, which places Ida B. Wells firmly in the context of her times as well as ours, Giddings at long last gives this visionary reformer her due and, in the process, sheds light on an aspect of our history that isoften left in the shadows.

    In this searing cradle-to-grave review, Murray tackles health issues from prenatal care to challenges faced by aging women. Looking at how gender inequality affects basic nutrition, Murray makes clear the issues are political more than they are medical. In an inspiring look, From Outrage to Courage shows how women are organizing the world over. Women’s courage to transform their situations and communities provides inspiration and models for change. From China to India, from Indonesia to Kenya, Anne Firth Murray takes readers on a whirlwind tour of devastation—and resistance.

    As the bombs fell, she lived an adolescence of excess and transgression, defying death in nightclubs. The more oppressive the country became, the more drugs and anonymous sex she had, fueling the resentment by day of the same men who would spend the night with her. As the war dies down, she begins to incur the consequences of her lifestyle. On his deathbed, her father's last wish is for his favorite song, "Sinnerman" by Nina Simone, to be played at his funeral instead of the traditional suras of the Koran. When she does just that, the results are catastrophic.In this dramatic true story, Darina Al-Joundi is defiantly passionate about living her life as a liberated woman, even if it means leaving everyone and everything behind.

    It is the journey of a young woman who discovers herself in the stories of other women who share her same name and coincidentally share experiences of violence and abuse that plagued her own childhood. Through her physical journey across the country she is thrust into her own emotional journey. She embraces each woman she meets, is strengthened by their connections, confronts the father that molested her, and ultimately finds faith, divine purpose, and wholeness.

    Now they've developed the action plan that women all over the country requested - a guide to negotiation that starts before you get to the bargaining table.Ask for It explains why it's essential to ask (men do it all the time) and teaches you how to ask effectively, in ways that feel comfortable to you as a woman. Whether you currently avoid negotiating like the plague or consider yourself hard-charging and fearless, Babcock and Laschever's compelling stories of real women will help you recognize how much more you deserve whether it's a raise, that overdue promotion, an exciting new assignment, or even extra help around the house. Their four-phase program, backed by years of research, will show you how to identify what you're really worth, maximize your bargaining power, develop the best strategy for your situation, and manage the reactions and emotions that may arise on both sides. Guided step-by-step, you'll learn how to draw on the special strengths you bring to the negotiating table to reach agreements that benefit everyone involved.This collaborative, problem-solving approach will propel you to new places both professionally and personally and open doors you thought were closed. Because if you never hear no, you're not asking enough.

    It explores the use of art to survive abuse, incest, madness and depression, and the often deep-seated impulse toward self-destruction including cutting, eating disorders, and addiction. Here, some of our most compelling cartoonists, novelists, poets, dancers, playwrights, and burlesque performers traverse the pains and passions that can both motivate and destroy women artists, and mark a path for survival. Taken together, these artful reflections offer an honest and hopeful journey through a woman's silent rage, through the power inherent in struggles with destruction, and the ensuing possibilities of transforming that burning force into the external release of art. With contributions by Nan Goldin, bell hooks, Patricia Smith, Cristy C. Road, Carol Queen, Annie Sprinkle, Elizabeth Stephens, Carolyn Gage, Eileen Myles, Fly, Diane DiMassa, Bonfire Madigan Shive, Inga Muscio, Kate Bornstein, Toni Blackman, Nicole Blackman, Silas Howard, Daphne Gottleib, and Stephanie Howell.

    But as soon as you announce you're expecting, you may be bombarded with advice from every angle -- well-meaning friends, relatives, medical professionals, even strangers want to weigh in on what you should or shouldn't do, and it's easy to feel overwhelmed by their conflicting recommendations.Our Bodies, Ourselves: Pregnancy and Birth will help you sort fact from fiction, giving you the most accurate research, up-to-date information, and the firsthand experiences of numerous women who have been exactly where you are today. You'll get the tools you need to take care of yourself and your baby during and after your pregnancy, from tips on eating well during pregnancy to strategies for coping with stress and depression. Learn everything you need to know about:CHOOSING A GOOD HEALTH CARE PROVIDERSELECTING A PLACE OF BIRTH UNDERSTANDING PRENATAL TESTINGCOPING WITH LABOR PAINSPEEDING YOUR PHYSICAL RECOVERYADJUSTING TO LIFE AS A NEW MOTHER OUR BODIES, OURSELVES: PREGNANCY AND BIRTH IS AN ESSENTIAL RESOURCE FOR WOMEN THAT WILL GUIDE YOU THROUGH THE MANY DECISIONS AHEAD.

    this life-soaked book remains close to the fluids of body and soul... It's an obvious gift-book for women going through a life passage, but it could also be important for men, who are closer to the mysteries presented here than they might wish to be. Thomas Moore, author of Care of the Soul.

    political sphere as an affective space of attachment and identification. In this book, Berlant chronicles the origins and conventions of the first mass-cultural “intimate public” in the United States, a “women’s culture” distinguished by a view that women inevitably have something in common and are in need of a conversation that feels intimate and revelatory. As Berlant explains, “women’s” books, films, and television shows enact a fantasy that a woman’s life is not just her own, but an experience understood by other women, no matter how dissimilar they are. The commodified genres of intimacy, such as “chick lit,” circulate among strangers, enabling insider self-help talk to flourish in an intimate public. Sentimentality and complaint are central to this commercial convention of critique; their relation to the political realm is ambivalent, as politics seems both to threaten sentimental values and to provide certain opportunities for their extension. Pairing literary criticism and historical analysis, Berlant explores the territory of this intimate public sphere through close readings of U.S. women’s literary works and their stage and film adaptations. Her interpretation of Uncle Tom’s Cabin and its literary descendants reaches from Harriet Beecher Stowe to Toni Morrison’s Beloved, touching on Shirley Temple, James Baldwin, and The Bridges of Madison County along the way. Berlant illuminates different permutations of the women’s intimate public through her readings of Edna Ferber’s Show Boat; Fannie Hurst’s Imitation of Life; Olive Higgins Prouty’s feminist melodrama Now, Voyager; Dorothy Parker’s poetry, prose, and Academy Award–winning screenplay for A Star Is Born; the Fay Weldon novel and Roseanne Barr film The Life and Loves of a She-Devil; and the queer, avant-garde film Showboat 1988–The Remake. The Female Complaint is a major contribution from a leading Americanist.

    If I Die in Juárez traces the lives of three young women—Evita, a street child; Petra, a maquiladora worker; and Mayela, a Tarahumara Indian girl—who together uncover Juárez’s forbidden secret: the abduction and murder of young women. Bound together by blood, honor, an ancient chant, and a mysterious photo, the girls bring the murderous streets of Juárez to life. Based on the author’s interviews with relatives of murdered women, If I Die in Juárez is brilliantly crafted to give readers the experience of walking in the shoes of women who daily risk being abducted and murdered in the “capital city of murdered women,” joining thousands of others who for more than a decade have disappeared from Juárez, las desaparecidas, brutally murdered by assassins who have gone unpunished. The agony of one of the darkest tales in human history brings to light a strange hope, illusive yet constant, resisting lies, betrayal, and the desert’s silent sentence of death. Read an in-depth review of If I Die in Juárez here or click here for a study guide. If I Die in Juárez was also reviewed on KNAU's Southwest Book Review program. Listen here!

    Through stories, visualizations, and creative exercises, the wisdom arising from the female body has been distilled into this guide for us to explore the feminine nature as never before. Based on her work with women in the pelvic space as a womens health physical therapist, Kent has created a whole new way of discovering the female form. Kent draws from her experiences with the physical body and the female energy system to provide a framework for us to explore our inherently creative nature: this inner range of the wild feminine. Kent teaches us how to read the physical and energetic patterns of the pelvic bowl and restore access to the natural resourcesthe wildnesswithin our bodies. Along the way, Kent infuses this guide with healing stories and rituals for every woman to cultivate her creative ground, change core patterns that diminish her radiance, and receive sustenance from her own wild feminine.

    An American artist born in Cuba, she explored in her work her Caribbean roots through the lens of exile. She meticulously documented her ephemeral site-specific artworks, on beaches and in rivers, across flowery fields, and against walls of rock. Here for the first time, Olga Viso, the leading authority on the artist, presents a beautifully curated representative selection of photographs and drawings from the artist's archive, only a small selection of which has been previously published. The volume traces Mendieta's early studies as an art student in Iowa; the genesis of her signature works, the archetypal female forms known as siluetas; and public art projects, including ones being developed at the time of her tragic death in 1985. Interspersed throughout are revealing pages from Mendieta's notebooks: sketches, shopping lists for materials, recipes for gunpowder mixtures, and photographic source materials. Viso's accompanying essay reveals the artist's experimental approach and rigorous working methods, provides insights into the forces that inspired and shaped her work, and shows how the genius of Mendieta's vision has survived its physical manifestations.

    . . and will shape the next hundred years of politics and culture.”—The Commonwealth Club of California, hailing Baumgardner as one of Six Visionaries for the Twenty-First Century“If Jennifer Baumgardner ever needs another mom, I’ll be the first in line to adopt her. She’s smart, fearless, and a formidable force for change.”—Barbara Ehrenreich, author of Nickel and DimedIn Abortion & Life, author and activist Jennifer Baumgardner reveals how the most controversial and stigmatized Supreme Court decision of our time cuts across eras, classes, and race. Stunning portraits by photographer Tara Todras-Whitehill of folk singer Ani DiFranco, authors Barbara Ehrenreich and Gloria Steinem, and others accompany their elucidating accounts of their own abortion experiences.In this bold new work, Baumgardner explores some of the thorniest issues around terminating a pregnancy, including the ones that the pro-choice establishment has been the least sensitive or effective in confronting.Jennifer Baumgardner is the producer/creator of the award-winning film I Had an Abortion. She is the co-author (with Amy Richards) of Manifesta: Young Women, Feminism, and the Future and Grassroots: A Field Guide for Feminist Activism (both Farrar, Straus & Giroux). Her most recent book is Look Both Ways: Bisexual Politics (FSG, 2007). She writes regularly for women’s magazines like Glamour, Elle, and Allure, as well as more political outlets such as The Nation, Harper’s, and NPR’s All Things Considered. She lives in New York City.

    A little-known but richly deserving American historical figure, Belva is an inspiration for modern-day readers. Despite all the changes in society since Belva's time, there is still a lot to fight for, and Belva shows the way. The book also includes a glossary and a timeline of women's suffrage events.

    Due to fear-fueled news reports and public perceptions about the changing composition of the nation’s racial and ethnic makeup—the so-called Latinization of America—the reproduction of Mexican immigrant women has become a central theme in contemporary U. S. politics since the early 1990s.In this exploration, Elena R. Gutiérrez considers these public stereotypes of Mexican American and Mexican immigrant women as “hyper-fertile baby machines” who “breed like rabbits.” She draws on social constructionist perspectives to examine the historical and sociopolitical evolution of these racial ideologies, and the related beliefs that Mexican-origin families are unduly large and that Mexican American and Mexican immigrant women do not use birth control. Using the coercive sterilization of Mexican-origin women in Los Angeles as a case study, Gutiérrez opens a dialogue on the racial politics of reproduction, and how they have developed for women of Mexican origin in the United States. She illustrates how the ways we talk and think about reproduction are part of a system of racial domination that shapes social policy and affects individual women’s lives.

    The result is a revealing and ultimately tragic account of ruined lives – both the victims’ and the killers’ – in a country where state and religion conspire to hush up the killing of hundreds of women every year.Ayse Onal has won many awards for her work as a journalist, including the Courage in Journalism Award, and has reported on Turkish politics, organised crime and conflicts in the Middle East. She has been blacklisted by the government, threatened by Islamic fundamentalists, placed on death lists, arrested and shot. She lives in Istanbul.

    But there has been little public space for dialogue about the complex relationship between feminism, women, and war. The editors of Feminism and War have brought together a diverse set of leading theorists and activists who examine the questions raised by ongoing American military initiatives, such as:- What are the implications of an imperial nation/state laying claim to women's liberation? - What is the relation between this claim and resulting American foreign policy and military action? - Did American intervention and invasion in fact result in liberation for women in Afghanistan and Iraq? - What multiple concepts are embedded in the phrase 'women’s liberation'? - How are these connected to the specifics of religion, culture, history, economics, and nation within current conflicts? - What is the relation between the lives of Afghan and Iraqi women before and after invasion, and that of women living in the US? - How do women who define themselves as feminists resist or acquiesce to this nation/state claim in current theory and organizing?Feminism and War reveals and critically analyzes the complicated ways in which America uses gender, race, class, nationalism, imperialism to justify, legitimate, and continue war. Each chapter builds on the next to develop an anti-racist, feminist politics that places imperialist power, and forms of resistance to it, central to its comprehensive analysis.

    In this playful yet penetrating pair of poems, it is the character of Lyn Hejinian's thought meeting our character of thought that is one of the most exciting and most constant dramatic events of the book—the richly sensational & subversive crescendos register as both melodic and discordant soundtrack.

    Poor women are pressured to undergo sterilization. Women addicted to illicit drugs risk arrest for carrying their pregnancies to term. Courts, child welfare, and law enforcement agencies fail to recognize the efforts of battered and incarcerated women to care for their children. Pregnant inmates are subject to inhumane practices such as shackling during labor and poor prenatal care. And decades after Roe, the criminalization of certain procedures and regulation of abortion providers still obstruct women's access to safe and private abortions.In this important work, Jeanne Flavin looks beyond abortion to document how the law and the criminal justice system police women's rights to conceive, to be pregnant, and to raise their children. Through vivid and disturbing case studies, Flavin shows how the state seeks to establish what a "good woman" and "fit mother" should look like and whose reproduction is valued. With a stirring conclusion that calls for broad-based measures that strengthen women's economic position, choice-making, autonomy, sexual freedom, and health care, Our Bodies, Our Crimes is a battle cry for all women in their fight to be fully recognized as human beings. At its heart, this book is about the right of a woman to be a healthy and valued member of society independent of how or whether she reproduces.

    Judy's poetry is rangy and provocative.  It has been written at the heart of so many of the important social movements of the last forty years that the proper word is foundational--Judy Grahn's poetry is foundational to the spirit of movement.  People consistently report that Judy's poetry is also uplifting--an unexpected side effect of work that is aimed at the mind as well as the heart. Judy continues to insist that love goes beyond romance, to community, and that community goes beyond the everyday world, to the connective worlds of earth and spirit.

    To do this the author considers the biblical ideal for human beings and then proceeds to offer a biblical foundation for each of the topics under discussion--identity, body image, personal relationships, marriage, church life, and language for God. Along the way she examines the cultural nature of gender roles and the ways in which they have become entangled with ecclesial expectations. This book will help women better appreciate themselves as women, gain a better understanding of their value in God's eyes, and recognize their potential for meaningful engagement in a variety of relationships and vocational callings.

    Natural Liberty is a guide for women interested in self-induced abortion methods and covers modern methods of medical abortion and menstrual extraction to alternative methods of herbs, homeopathy, acupuncture, massage, and yoga. Sage-femme Collectives addresses the lay reader, however this detailed guide includes new information that will be of interest to scholars as well as educated adults.

    I'm gonna tell it like I'm on the end of your bed, talking to you. I'm not gonna cover up, cause there's no need. You'll see how it's all a flippin miracle. The whole weird year. It's only one year in my life, Ma, but it's all the stuff you slept through when I was a kid. All the stuff you fished through when you got up. I'm warning you, Ma, this is the truth." Startling poetry in the grittiest of emotional word go ... raw, tender and laugh-out-loud Whiplash digs its nail into you from the funny - a kickarse gem of a book. Told with landscapes, Whiplash puts Farren on the map as a wordsmith of astonishing talent.Winner of White Ribbon Award from Women Demand Dignity Advocacy Groupbook: Whiplash

    In Matters of Choice, Iris Lopez presents a comprehensive analysis of the dichotomous views that have portrayed sterilization either as part of a coercive program of population control or as a means of voluntary, even liberating, fertility control by individual women. Drawing upon her twenty-five years of research on sterilized Puerto Rican women from five different families in Brooklyn, Lopez untangles the interplay between how women make fertility decisions and their social, economic, cultural, and historical constraints. Weaving together the voices of these women, she covers the history of sterilization and eugenics, societal pressures to have fewer children, a lack of adequate health care, patterns of gender inequality, and misinformation provided by doctors and family members.Lopez makes a stirring case for a model of reproductive freedom, taking readers beyond victim/agent debates to consider a broader definition of reproductive rights within a feminist anthropological context.

    These are sassy, brilliant, magnetic, cunning and tough-as-nails women who defied the social mores of their eras. These anti-heroines battled against the odds and often against the status quo, succeeding in turning the power structure, if only for a short time, directly on its head. Some were cruel, some were visionary and some were blinded by ambition or love. (Murdoch Books)

    A phenomenological approach to this question offers some help, notably through Heidegger's analyses of "Dasein", "being-in-the-world" and "being with'. Nevertheless, according to Heidegger, it remains almost impossible to identify an other outside of our own world. "Otherness" is subjected to the same values by which we are ourselves defined and thus we remain in "sameness'. In this age of multiculturalism and in the light of Nietzsche's criticism of our values and Heidegger's deconstruction of our interpretation of truth, Irigaray questions the validity of the "sameness" that sits at the root of Western culture.

    According to their story of origin, a handful of exiles arrived on the island of Djerba, Tunisia, in 586 B.C., carrying a single stone from the destroyed Temple in Jerusalem. Drawing from this cosmology, the poems follow a stranger who arrives into an ancient community that is both at home and deeply estranged on the island. Its people occupy the uneasy space of all insular communities, deciding when to let the world in and when to shut it out. The poems are about the daily lives and deeper cosmos of the Jews of Djerba as well as the Muslims next door. In her exploration, Stone sees vivid recurring images of keys, stones, homes, the laughter of girls, the eyes of men, the color blue, and the force of blood or bombs. With this journey of faith, doubt, longing, and home, Stone has brought readers a rare look into a story that resonates powerfully with questions of cultural preservation and coexistence.

    Today, Delphy remains a prominent and controversial feminist thinker, a rare public voice denouncing the racist motivations of the government’s 2011 ban of the Muslim veil. Castigating humanitarian liberals for demanding the cultural assimilation of the women they are purporting to “save,” Delphy shows how criminalizing Islam in the name of feminism is fundamentally paradoxical.Separate and Dominate is Delphy’s manifesto, lambasting liberal hypocrisy and calling for a fluid understanding of political identity that does not place different political struggles in a false opposition. She dismantles the absurd claim that Afghanistan was invaded to save women, and that homosexuals and immigrants alike should reserve their self-expression for private settings. She calls for a true universalism that sacrifices no one at the expense of others. In the aftermath of the Charlie Hebdo massacre, her arguments appear more prescient and pressing than ever.

    Wright Mills AwardDraws a vivid picture of the race and gender inequalities that harm young African American women in poor urban communitiesMuch has been written about the challenges that face urban African American young men, but less is said about the harsh realities for African American young women in disadvantaged communities. Sexual harassment, sexual assault, dating violence, and even gang rape are not uncommon experiences. In Getting Played, sociologist Jody Miller presents a compelling picture of this dire social problem and explores how inextricably, and tragically, linked violence is to their daily lives in poor urban neighborhoods.Drawing from richly textured interviews with adolescent girls and boys, Miller brings a keen eye to the troubling realities of a world infused with danger and gender-based violence. These girls are isolated, ignored, and often victimized by those considered family and friends. Community institutions such as the police and schools that are meant to protect them often turn a blind eye, leaving girls to fend for themselves. Miller draws a vivid picture of the race and gender inequalities that harm these communities--and how these result in deeply and dangerously engrained beliefs about gender that teach youths to see such violence--rather than the result of broader social inequalities--as deserved due to individual girls' flawed characters, i.e., she deserved it.Through Miller's careful analysis of these engaging, often unsettling stories, Getting Played shows us not only how these young women are victimized, but how, despite vastly inadequate social support and opportunities, they struggle to navigate this dangerous terrain.

    She was soon breaking state records, but life away from the courts was less happy. Here, Lisa recounts her metamorphosis from a gangly teen to a world-famous athlete.

    on her struggle against caste, patriarchy, work with peasants.

    Culled from newspapers, journals, and books, White Ink collects the best of these conversations, which address the major concerns of Cixous's critical work and features two dialogues with twentieth-century intellectuals Michel Foucault and Jacques Derrida.The interviews in White Ink span more than three decades and include a new conversation with Susan Sellers, the book's editor and a leading Cixous scholar and translator. Cixous discusses her work and writing process. She shares her views on literature, feminism, theater, autobiography, philosophy, politics, aesthetics, religion, ethics, and human relations, and she reflects on her roles as poet, playwright, professor, woman, Jew, and, her most famous, "French feminist theorist." Sellers organizes White Ink in such a way that readers can grasp the development of Cixous's commentary on a series of vital questions. Taken together, the revealing performances in White Ink provide an excellent introduction this thinker's brave and vital work--each one an event in language and thought that epitomizes Cixous's intellectual and poetic force.

    Michelle Abate uncovers the origins, charts the trajectory, and traces the literary and cultural transformations that the concept of "tomboy" has undergone in the United States. Abate focuses on literature including Louisa May Alcott's Little Women and Carson McCullers's The Member of the Wedding and films such as Peter Bogdanovich's Paper Moon and Jon Avnet's Fried Green Tomatoes. She also draws on lesser-known texts like E.D.E.N. Southworth's once wildly popular 1859 novel The Hidden Hand, Cold War lesbian pulp fiction, and New Queer Cinema from the 1990s.

    Goss writes that she chose to focus on these poets because ''of all the poets I could have included they are the most talented among those whose talents have gone largely unrecognized.'' Coleridge, Mew, and Warner, Goss argues, ''are only three examples of what I consider a broader phenomenon, the rest of the ice that must be present, underwater, when we see icebergs floating on a northern sea. That underwater ice is the tradition of women writing fantastical poetry.'' Goss's essays explore important themes of that writing, and her poems are written in conversation with Coleridge, Mew, and Warner's poems.

    Includes the following titles: Ganesha,Kartikeya, andAyyappan.

    However, although motherhood can catapult us into a state of internal disarray, it can also provide us with a unique chance to make ourselves anew. How then do we understand this radical potential for transformation within maternal experience? In Maternal Encounters, Lisa Baraitser takes up this question through the analysis of a series of maternal anecdotes, charting key destabilizing moments in the life of just one mother, and using these to discuss many questions that have remained resistant to theoretical analysis - the possibility for a specific feminine-maternal subjectivity, relationality and reciprocity, ethics and otherness.Working across contemporary philosophies of feminist ethics, as well as psychoanalysis and social theory, the maternal subject, in Baraitser's account, becomes an emblematic and enigmatic formation of a subjectivity 'called into being' through a relation to another she comes to name and claim as her child. As she navigates through the peculiarity of maternal experience, Baraitser takes us on a journey in which 'the mother' emerges in the most unlikely, precarious and unstable of places as a subject of alterity, transformation, interruption, heightened sentience, viscosity, encumberment and love.This book presents a major new theory of maternal subjectivity, and an innovative and accessible way into our understanding of contemporary motherhood. As such, it will be of interest to students of family studies, gender studies, psychoanalysis, critical psychology and feminist philosophy as well as counselling and psychotherapy.

    The books aims at showing that this workhas not been finished yet, by means of demonstrating how lives ofwomen were led before the emergence of feminism, what changes occurredand what is yet to be done. The structure of the book corresponds tothis idea: if one tried to decompose one's everyday life – wherepublic and private mingle, where we work, vote, read, make love, doour best to stay in touch with the world around us, speak, go toexibitions, church and peace rallies – one would find things which hadbeen unimaginable just hundreds years ago, but are part and parcel ofour world today. The book "Somebody Said Feminism? How FeminismAffected Women in XXI Century" wants to show that feminism contributedlargely to this, although we are quite often unaware of it.The books represents 26 young feminist authors from Serbia, some ofwhich are already known to the local audience and some of whichpublish for the first time. By order of their appearance in the book,these are Dragana Obrenic, Marija Perkovic, Tijana Krstec, DianaMiladinovic, Milica Lezajic, Jasmina Stevanovic, Lidija Vasiljevic,Paula Petricevic, Natasa Zlatkovic, Milena Timotijevic, Carna Cosic,Mima Rasic, Vera Kurtic, Marina Simic, Hana Copic, Jelena Visnjic,Mirjana Mirosavljevic, Iva Nenic, Ivana Velimirac, Nadja Duhacek,Jelena Miletic, Katarina Loncarevic, Jana Bacevic, Ana Bukvic, KsenijaPerisic, Marija Mladenovic and Adriana Zaharijevic.The texts are dealing with rights and freedoms (vote, work, education,divorce and abortion), the intersection of public and private (familyand marriage, religion, women's health, prostitution), identities anddifferences (lesbians, Roma women, race and gender), representation ofwomen (language, media, popular culture), arts (literature, theatre,visual arts), theory and activism (peace politics, globalization offeminism, anthropology, psychology), and history of feminism.Along with the individual contributions, the book contains eightappendices: on suffrage timeline, on women presidents and primeministers, on famous women in medicine, on female genital mutilation,on women Nobel prize winners, with a special emphasis on Peace Nobelprize winners, and on feminist positions and theories (contributed byNatasa Zlatkovic and Adriana Zaharijevic). Finally, the book providesa concise historical timeline of important dates for feminism in theworld and Serbia specifically.

    In Power Lines, Aimee Carrillo Rowe explores the formation and transformative possibilities of transracial feminist alliances. She draws on her conversations with twenty-eight self-defined academic feminists, who reflect on their academic careers, alliances, feminist struggles, and identifications. Based on those conversations and her own experiences as an Anglo-Chicana queer feminist researcher, Carrillo Rowe investigates when and under what conditions transracial feminist alliances in academia work or fail, and how close attention to their formation provides the theoretical and political groundwork for a collective vision of subjectivity. Combining theory, criticism, and narrative nonfiction, Carrillo Rowe develops a politics of relation that encourages the formation of feminist alliances across racial and other boundaries within academia. Such a politics of relation is founded on her belief that our subjectivities emerge in community; our affective investments inform and even create our political investments. Thus experience, consciousness, and agency must be understood as coalitional rather than individual endeavors. Carrillo Rowe’s conversations with academic feminists reveal that women who restrict their primary allies to women of their same race tend to have limited notions of feminism, whereas women who build transracial alliances cultivate more nuanced, intersectional, and politically transformative feminisms. For Carrillo Rowe, the institutionalization of feminism is not so much an achievement as an ongoing relational process. In Power Lines, she offers a set of critical, practical, and theoretical tools for building and maintaining transracial feminist alliances.

    Using a case-study approach, Constance Backhouse explores nine sexual assault trials from across the country throughout the twentieth century. We move from small towns to large cities, from the Maritimes to the Northwest Territories, from the suffrage era to the period of the women s liberation movement. Each of these richly-textured vignettes offers insight into the failure of the criminal justice system to protect women from sexual assault, and each is highly readable and provocative. The most moving chapters document the law s refusal to accommodate a woman who could only give evidence in sign language, and the heartbreak of a child rape trial. Backhouse deals sensitively and deftly with these difficult stories. This book is the best kind of legal history a vivid exploration of the past which also gives us the tools to assess the efficacy (or in this case lack of efficacy) of the legal system.Published for the Osgoode Society for Legal History.

    imperialism, racial/gender oppression, and the economic violence of capitalist globalization? This book explores what happens when scholars create active engagements between the academy and communities of resistance. In so doing, it suggests a new direction for antiracist and feminist scholarship, rejecting models of academic radicalism that remain unaccountable to grassroots social movements. The authors explore the community and the academy as interlinked sites of struggle. This book provides models and the opportunity for critical reflection for students and faculty as they struggle to align their commitments to social justice with their roles in the academy. At the same time, they explore the tensions and challenges of engaging in such contested work.

    Using sources ranging from the writings of the famous twelfth-century female practitioner, Trota of Salerno, all the way to the great tomes of Renaissance male physicians, and covering both medicine and surgery, this study demonstrates that men slowly established more and more authority in diagnosing and prescribing treatments for women's gynecological conditions (especially infertility) and even certain obstetrical conditions.Even if their hands-on knowledge of women's bodies was limited by contemporary mores, men were able to establish their increasing authority in this and all branches of medicine due to their greater access to literacy and the knowledge contained in books, whether in Latin or the vernacular. As Monica Green shows, while works written in French, Dutch, English, and Italian were sometimes addressed to women, nevertheless even these were often re-appropriated by men, both by practitioners who treated women nd by laymen interested to learn about the secrets of generation.While early in the period women were considered to have authoritative knowledge on women's conditions (hence the widespread influence of the alleged authoress Trotula), by the end of the period to be a woman was no longer an automatic qualification for either understanding or treating the conditions that most commonly afflicted the female sex--with implications of women's exclusion from production of knowledge on their own bodies extending to the present day.

    On one of the worst days of her life, tragedy strikes, landing her at an all white school. Although she is working on getting along, the racist students make it impossible, and before long, the administration crosses the line, forcing Manjani into political action. Then one of her events gets out of hand, sending Manjani on the run. Her journey leads to a place where bittersweet lessons about liberation are learned as her comrades turn against her. Only tough love, spiritual revelations, and self-determination will help her find her place in the struggle.

    At the very dawn of religion, God was a woman…the female deity in the Near and Middle East was revered as Goddess—much as people today think of God…the original status of the Goddess was as supreme deity…the Great Goddess was regarded as immortal, changeless, omnipotent; and the concept of fatherhood had not yet been introduced into religious thought.” As a critical thinker, I know that sometimes a lie is told when the truth is declared halfway or haphazardly. Stone, who happens to be a White female artist and college professor, never mentioned the racial make-up of the female divinities of the world’s earliest civilizations she wrote about. I don’t know understand how Stone could write a book about When God Was a Woman and then later write a book on Three Thousand Years of Racism, which focuses on uncovering evidence of racism imposed by Indo-Europeans after they conquered most of the same regions discussed in When God Was a Woman, and fail to connect the probability that the Goddesses she first wrote about were originally depicted as Black women. How can she admit that “historical, mythological and archaeological evidence suggests that it was these northern people who brought with them the concepts of light as good and dark as evil (very possibly the symbolism of their racial attitudes toward the darker people of the southern areas) and of a supreme male deity;” but not admit that the Goddess of theses Black people was also Black before they and She were conquered by White people (i.e., Indo-Europeans). Whether this failing was accidental or intentional is irrelevant, yet one could assume that the Goddesses would originally resemble the people who worship them. According to Albert Churchward, “the earliest members of the human race appeared in the interior of the African continent about two million years ago, then from the region of the Great Lakes they spread over the entire continent. Groups of these early men wandered down the Nile Valley, settled in Egypt, and then later dispersed themselves to all parts of the world…As these early Africans wandered over the world, they differentiated into the various human subspecies that now inhabit our planet. The men who remained in the tropical and equatorial regions retained their dark complexions, whereas those that settled in the temperate zones lost a portion of their dusky pigmentation and developed a fairer skin.” Provided that the original racial profile of the Nile, Indus, and Tigris-Euphrates River Valley as well as the Aegean civilizations has been clandestinely confirmed as Black/African, then the female divinities worshipped in these civilizations should also logically be Black/African. Accordingly, in the beginning, to revise Stone, God was a Black woman.

    . . ”So begins Daphne Marlatt’s haunting and multi-layered long poem, which reads with all the urgency and depth of a novel. Set in present-day and 1950s Vancouver, The Given begins with the news of a mother’s death, then opens up to become an intricate tapestry of lives, as Marlatt deftly interweaves the past with the present, replicating the arc of memory itself, while questing for — and questioning — the meaning of home and identity. Circling around the narrator’s mother — theatrical, troubled, imprisoned in the small existence of a 1950s housewife, and a persistent presence in the lives of others — The Given is a ceremony performed for her, and for all “those who have left, who go on burning in us.” In luminous, deeply resonant fragments, Marlatt resoundingly answers the drive to live with deep attention in a now that is, for all of us, “tangled in the past.”

    She unapologetically blew the lid off Cold War sexual repression in 1956 with her Sex Variant Women in Literature-the first-ever study of homosexual, bisexual, and cross-dressing characters appearing in more than 300 works, from ancient times to the present. Joanne Passet’s Sex Variant Woman is a fascinating portrait of Foster, who served as the first librarian at the Kinsey Institute before leaving to publish her controversial book. It is also a riveting look into the pre-Stonewall past, the intense sexual repression and persecution endured by homosexuals, the groundbreaking advances put forth by a cadre of activists, and the rise of feminism and gay and lesbian liberation decades later.

    The book joins a psychological approach with a political-theoretical one that traces both this psychology (based on loss in intimate life) and resistance to it (based on the love of equals) to the Roman Republic and Empire and to three Latin masterpieces: Virgil's Aeneid, Apuleius's The Golden Ass, and Augustine's Confessions. In addition, this book explains many other aspects of our present situation including why movements of ethical resistance are often accompanied by a freeing of sexuality and why we are witnessing an aggressive fundamentalism at home and abroad.

    This new kind of science fiction was set in a place called galactic suburbia, a literary frontier that was home to nearly 300 women writers. These authors explored how women’s lives, loves, and work were being transformed by new sciences and technologies, thus establishing women’s place in the American future imaginary.Yaszek shows how the authors of galactic suburbia rewrote midcentury culture’s assumptions about women’s domestic, political, and scientific lives. Her case studies of luminaries such as Judith Merril, Carol Emshwiller, and Anne McCaffrey and lesser-known authors such as Alice Eleanor Jones, Mildred Clingerman, and Doris Pitkin Buck demonstrate how galactic suburbia is the world’s first literary tradition to explore the changing relations of gender, science, and society.Galactic Suburbia challenges conventional literary histories that posit men as the progenitors of modern science fiction and women as followers who turned to the genre only after the advent of the women’s liberation movement. AsYaszek demonstrates, stories written by women about women in galactic suburbia anticipated the development of both feminist science fiction and domestic science fiction written by men.

    The ancient Greek myth of the traveling uterus, shrieking Clytemnestra, Freud’s Dora, the French-Victorian electromechanical vibrator, the films of John Waters—one doesn’t have to look far to see the manifestation of female hysteria as a cultural symptom. Terri Kapsalis’s The Hysterical Alphabet is an abecedary offering condensed history of hysteria with levity, playfulness, and critical insight. Drawn from medical writings and images ranging from ancient Egypt to the present, each letter introduces an episode direct from the annals of medical lore. The Hysterical Alphabet tracks centuries of female malady, heartily disproving the theory that time heals all wombs.

    Womens natural voices, and true leadership, are often stifled under misconceptions and over-learned responses. Yet these obstacles can be removed, and the brain can be changed to unlock womens authentic voices allowing them to speak from the heart, build trust, and own their power as leaders.

    Wade, the debate over reproductive rights has dominated America's courts, legislatures, and streets. The contributors to The Reproductive Rights Reader embrace reproductive justice for all women, but challenge mainstream legal and political solutions based on protecting free choice via neutral governmental policies, which frequently ignore or jeopardize the interests of women of color and the poor. Instead, the pieces in this interdisciplinary book--including both legal cases and articles by legal scholars, historians, sociologists, political scientists and others--favor a critical analysis that addresses the concrete material conditions that limit choices, the role of law and social policy in creating those conditions, and the gendered power dynamics that inform and are reinforced by the regulation of human reproduction.The selections demonstrate that the right to choice is not an automatic guarantee of reproductive justice and gender equality; to truly achieve this ideal it is essential to recognize the complexity of women's reproductive experiences and needs. Divided into four sections, the book examines feminist critiques of medical knowledge and practice; and the legal regulation of pregnancy termination, conception and child-bearing, and behavior during pregnancy.

    Its centrepiece is a re-imagining of the story of the rape of Europa by Jupiter as a bull. Her latest collection also includes a series of poems exploring post-traumatic stress disorder, and further versions of the French poet Jules Supervielle with their Second World War background. Europa is a dark, unified book whose poems move towards regeneration.

    

    KOstenberger then critiques the relevant works of well-known feminist scholars and the ways they interpret certain passages of Scripture related to Jesus and his approach to women.This practical resource points the way to a better understanding of the biblical message regarding Jesus' stance toward women and offers both men and women a biblical view of their roles in the church and the home.

    In her analysis, Aaronette M. White highlights feminist fathering practices; how men establish egalitarian relationships with women; the variety of Black masculinities; and the interplay of race, gender, class, and sexuality politics in American society. Coming from a wide range of family backgrounds, ages, geographical locations, sexualities, and occupations, each man also shares what he experiences as the personal benefits of feminism, and how feminism contributes to his efforts towards social change. Focusing on the creative agency of Black men to redefine the assumptions and practices of manhood, the author also offers recommendations regarding the socialization of African American boys and the reeducation of African American men in the interest of strengthening their communities.

    They show how the complex interweaving of gender, class, and race impacts the health status of Latinas—and how family, spirituality, and culture affect the experience of illness. Here are stories of Latinas living with conditions common to many: hypertension, breast cancer, obesity, diabetes, depression, osteoarthritis, rheumatoid arthritis, dementia, Parkinson’s, lupus, and hyper/hypothyroidism. By bringing these narratives out from the shadows of private lives, they demonstrate how such ailments form part of the larger whole of Latina lives that encompasses family, community, the medical profession, and society. They show how personal identity and community intersect to affect the interpretation of illness, compliance with treatment, and the utilization of allopathic medicine, alternative therapies, and traditional healing practices. The book also includes a retrospective analysis of the narratives and a discussion of Latina health issues and policy recommendations. These Latina cultural narratives illustrate important aspects of the social contexts and real-world family relationships crucial to understanding illness. Speaking from the Body is a trailblazing collection of personal testimonies that integrates professional and personal perspectives and shows that our understanding of health remains incomplete if Latina cultural narratives are not included.

    During the same time, Bombay’s sex industry grew vast in scale. Ashwini Tambe explores why these remarkably similar laws failed to achieve their goal and questions the actual purpose of such lawmaking. Against the backdrop of the industrial growth of Bombay, Codes of Misconduct examines the relationship between lawmaking, law enforcement, and sexual commerce. Ashwini Tambe challenges linear readings of how laws create effects and demonstrates that the regulation and criminalization of prostitution were not contrasting approaches to prostitution but different modes of state coercion. By analyzing legal prohibitions as productive forces, she also probes the pornographic imagination of the colonial state, showing how regulations made sexual commerce more visible but rendered the prostitute silent.Codes of Misconduct engages with debates on state control of sex work and traces how a colonial legacy influences contemporary efforts to contain the spread of HIV and decriminalize sex workers in India today. In doing so, Tambe’s work not only adds to our understanding of empire, sexuality, and the law, it also sheds new light on the long history of Bombay’s transnational links and the social worlds of its underclasses.

    In this personal and anecdotal handbook, she turns her attention to the baby boomer and shows how, ultimately, reaching your fifties and beyond is just the beginning.Starting from her own experiences whether it be her childhood, the death of her husband, her battle with prejudice against women in the media, laughter and the love of friends, irritations with brainless ageism, the importance of travel, sex and good health all is of huge relevance and will give the fifty-something-plus-year-old a huge jolt of recognition, or a shocked gasp, or a laugh. Interspersed with practical advice and the occasional nostalgic rant, this is a fun celebration and an inspiration for the nations 17 million baby boomers.

    But what--or who--must be lost, fragmented, or buried in that process? We have inherited a model of marriage so flawed, Frances E. Dolan contends, that its logical consequence is conflict.Dolan ranges over sixteenth- and seventeenth-century Puritan advice literature, sensational accounts of true crime, and late twentieth-century marriage manuals and films about battered women who kill their abusers. She reads the inevitable Taming of the Shrew against William Byrd's diary of life on his Virginia plantation, Noel Coward's Private Lives, and Barbara Ehrenreich's assessment in Nickel and Dimed of the relationship between marriage and housework. She traces the connections between Phillippa Gregory's best-selling novel The Other Boleyn Girl and documents about Anne Boleyn's fatal marriage and her daughter Elizabeth I's much-debated virginity. By contrasting depictions of marriage in the sixteenth and seventeenth centuries and our own time, she shows that the early modern apprehension of marriage as an economy of scarcity continues to haunt the present in the form of a conceptual structure that can accommodate only one fully developed person. When two fractious individuals assert their conflicting wills, resolution can be achieved only when one spouse absorbs, subordinates, or eliminates the other.In an era when marriage remains hotly contested, this book draws our attention to one of the histories that bears on the present, a history in which marriage promises both intimate connection and fierce conflict, both companionship and competition.

    Few, however, have sought to investigate these themes by juxtaposing historical and contemporary frameworks. Black Womanhood examines an especially charged icon--the black female body--and contemporary artists' interventions upon historical images of black women as exotic Others, erotic fantasies, and supermaternal Mammies.This book presents icons of the black female body as seen from three separate but intersecting perspectives: the traditional African, the colonial, and the contemporary global. The display and contemplation of such iconic images addresses complex and often competing forces of self-presentation and the representation of others. Peeling back layers of social, cultural, and political realities, Black Womanhood explores how historic icons inform contemporary artistic responses to the black female body through an examination of themes such as beauty, fertility and sexuality, maternity, and women's roles and power in society.More than 200 historical and contemporary images accompany written contributions by artists, curators and scholars. This compelling volume makes a valuable contribution to ongoing discussions of race, gender, and sexuality by promoting a deeper understanding of past and present readings of black womanhood, both in Africa and in the West.

    A world where girls and women know how to pick themselves up and brush themselves off. These are the clever girls. The funny girls. The girls who know there is no sin in being born one.

    As threatening evidence that sex is not the natural basis upon which oppositional gender roles are built, the intersexed are made to disappear into normative categories, thus aligning once again the rightful place of male and female as opposites.

    Part audiobook, part-blog, and part-anthology, brings together a smart, diverse group of queer male writers all critically examining maleness and the construction of masculinity and gender norms for men.

    Nine of Gage's most popular one-act plays, including: Bite My Thumb, Patricide, Jane Addams and the Devil Baby, Battered on Broadway, Louisa May Incest, The Rules of the Playground, The Obligatory Scene, The Pele Chant, and Entr'acte, or The Night Eva Le Gallienne Was Raped.

    Born in Tehran in 1974, she has exhibited widely in Europe and the US, and her work has been collected by museums worldwide.She came to the limelight in the late 90s with her Untitled Qajar series, in which she examines the paradoxical position of women in Iran. Women in traditional clothing pose with items such as a bicycle – permitted a hundred years ago, and now forbidden to women.Ghadirian’s oeuvre is a spirited wink at authority. With witty parodies of domesticity, she neatly sidesteps both restrictions and expectations.Rose Issa is a curator and writer who has championed visual art and film from the Arab world and Iran for nearly thirty years. Her gallery, Rose Issa Projects, showcases the best in upcoming and established artists from the Arab world and Iran, www.roseissa.com.Shadi Ghadirian was born in 1974 in Tehran, Iran and graduated with a BA in Photography from the Azad University, Tehran in 1988.

    Jeffrey Weinstock analyzes this tradition as an essentially feminist attempt to imagine alternatives to a world of limited possibilities. In the process, he recovers the lives and works of authors who were important during their lifetimes and in the development of the American literary tradition, but who are not recognized today for their contributions.Between the end of the Civil War and roughly 1930, hundreds of uncanny tales were published by women in the periodical press and in books. These include stories by familiar figures such as Edith Wharton, Harriet Beecher Stowe, and Charlotte Perkins Gilman, as well as by authors almost wholly unknown to twenty-first-century readers, such as Josephine Dodge Bacon, Alice Brown, Emma Frances Dawson, and Harriet Prescott Spofford. Focusing on this tradition of female writing offers a corrective to the prevailing belief within American literary scholarship that the uncanny tale, exemplified by the literary productions of Irving, Poe, and Hawthorne, was displaced after the Civil War by literary realism.Beyond the simple existence of an unacknowledged tradition of uncanny literature by women, Scare Tactics makes a strong case that this body of literature should be read as a specifically feminist literary tradition. Especially intriguing, Weinstock demonstrates, is that women authors repeatedly used Gothic conventions to express discontentment with circumscribed roles for women creating types of political intervention connected to the broader sphere of women's rights activism.Paying attention to these overlooked authors helps us better understand not only the literary marketplace of their time, but also more familiar American Gothicists from Edgar Allan Poe to Shirley Jackson to Stephen King.

    From the mom deconstructing playground "power games" with her first-grade child, to the mother who speaks out against misogyny during an awkward road trip with her college-age daughter and friends, to the mother of sons worrying about the threat of a future military draft, The Maternal Is Political brings together the voices of women who are transforming the political and social: one child, one babysitter, one peace march at a time.

    Celebrating the 100th anniversary of the passing of the Commonwealth Franchise Act 190—which gave Australian women the right to vote—this collection of the best of Judy Horacek's cartoons is challenging, hilarious, tragic, and thoughtful, all while painting a vivid picture of where women are today.

    The contributors see feminist mothering as practices of mothering that seek to challenge and change the norms of patriarchal motherhood that are limiting and oppressive to women. For many women, practicing feminist mothering offers a way to disrupt the transmission of sexist and patriarchal values from generation to generation. Contributors explore the ways in which women integrate activism, paid employment, nonsexist childrearing practices, and non-child-centered interests in their lives--and other caregivers into their children's lives--in order to challenge existing societal inequality and create new egalitarian possibilities for women, men, and families.

    Gary L. Lemons explores the meaning of black male feminism by examining his experiences at the New York City college where he taught for more than a decade--a small, private, liberal arts college where the majority of the students were white and female. Through a series of classroom case studies, he presents the transformative power of memoir writing as a strategic tool for enabling students to understand the critical relationship between the personal and the political. From the insightful inclusion of his own personal narratives about his childhood experience of domestic violence, to stories about being a student and teacher in majority white classrooms for most of his life, Lemons takes the reader on a provocative journey about what it means to be black, male, and pro-feminist.

    Many years after the premature death of her mother, she undertook a period of soul searching and came to believe that, like her mother and so many women of our time, she had overcorrected in the direction of the masculine, her "successful" life of outer accomplishment and committed social activism having come at the expense of a rich and satisfying inner life.Her search took her around the globe--to Africa, Bali, Russia, China, and Ireland--where she encountered the longing to retrieve sacred female wisdom among the women she met. Finding her way back to her innate female wisdom restored a sense of balance between external and internal worlds, activism and contemplation, and public and private realms and gave her a sense of equanimity that had eluded her for decades. Gail's poetic and heartfelt story is for anyone who has ever struggled to build and sustain an interior life in our driven and fast-paced society--and for mothers and daughters everywhere.

    Our changing understanding of the body now challenges the ways we conceive power, ideology, subjectivity and social and cultural process. The Body: The Key Concepts highlights and analyzes the debates which make the body central to current sociological, psychological, cultural and feminist thinking.Today, questions around the body are intrinsic to a wide range of debates--from technological developments in media and communications, to socio-cultural questions around representation, performance, class, race, gender and sexuality, to the more 'physical' concerns of health and illness, sleep, diet and eating disorders, body parts and the senses.The Body: The Key Concepts is the ideal introduction for any student seeking a concise and up-to-date analysis of the complex and influential debates around the body in contemporary culture.

    Both were building their respective careers in Washington—Nies as the speechwriter and chief staffer to a core group of antiwar congressmen, her husband as a Treasury department economist. They lived in the carriage house of the famed Marjorie Merriweather Post estate. But when her husband brought home a list of questions from an FBI file with Judith's name on the front, Nies soon realized that her life was about to take a radical turn. Shocked to find herself the focus of an FBI investigation into her political activities, Nies began to reevaluate her role as grateful employee and dutiful wife. In The Girl I Left Behind, she chronicles the experiences of those women who, like herself, reinvented their lives in the midst of a wildly shifting social and political landscape.In a fresh, candid look at the 1960s, Nies pairs illuminating descriptions of feminist leaders, women's liberation protests, and other pivotal social developments with the story of her own transformation into a staunch activist and writer. From exposing institutionalized sexism on Capitol Hill in her first published article to orchestrating the removal of a separate "Ladies Gallery" on the House floor to taking leadership of the Women in Fellowships Committee, Nies discusses her own efforts to enlarge women's choices and to change the workplace—and how the repercussions of those efforts in the sixties can still be felt today.A heartfelt memoir and piercing social commentary, The Girl I Left Behind recounts one woman's courageous journey toward independence and equality. It also evaluates the consequences of the feminist movement on the same women who made it happen—and on the daughters born in their wake.

    As neuroscientific research shows, even the immediate sensation of pain is shaped by psychological state and interpretation. At the same time, many individuals and cultures find meaning, particularly religious meaning, even in chronic and inexplicable pain.This ambitious interdisciplinary book includes not only essays but also discussions among a wide range of specialists. Neuroscientists, psychiatrists, anthropologists, musicologists, and scholars of religion examine the ways that meditation, music, prayer, and ritual can mediate pain, offer a narrative that transcends the sufferer, and give public dignity to private agony. They discuss topics as disparate as the molecular basis of pain, the controversial status of gate control theory, the possible links between the relaxation response and meditative practices in Christianity and Buddhism, and the mediation of pain and intense emotion in music, dance, and ritual. The authors conclude by pondering the place of pain in understanding--or the human failure to understand--good and evil in history.

    

    It is designed to demonstrate in action the rich interplay between gender and other markers of social position and (dis)privilege, such as race, class, ethnicity, and nationality. Presents a unified and comprehensive vision of gender studies, and its new directions, injecting a much-needed infusion of new ideas into the field; Organized thematically and written in a lucid and lively fashion, each chapter gives insightful consideration to the differing views on its topic, and also clarifies each contributor's own position; Features original contributions from an international panel of leading experts in the field, and is co-edited by the well-known and internationally respected David Theo Goldberg.