Feminist, political, and activist writers alike will present their ideas for a paradigm shift from the “No Means No” model—an approach that while necessary for where we were in 1974, needs an overhaul today.Yes Means Yes will bring to the table a dazzling variety of perspectives and experiences focused on the theory that educating all people to value female sexuality and pleasure leads to viewing women differently, and ending rape. Yes Means Yes aims to have radical and far-reaching effects: from teaching men to treat women as collaborators and not conquests, encouraging men and women that women can enjoy sex instead of being shamed for it, and ultimately, that our children can inherit a world where rape is rare and swiftly punished. With commentary on public sex education, pornography, mass media, Yes Means Yes is a powerful and revolutionary anthology.

    Chapters cover the transsexual and transvestite communities in the years following World War II; trans radicalism and social change, which spanned from 1966 with the publication of The Transsexual Phenomenon, and lasted through the early 1970s; the mid-'70s to 1990-the era of identity politics and the changes witnessed in trans circles through these years; and the gender issues witnessed through the '90s and '00s. Transgender History includes informative sidebars highlighting quotes from major texts and speeches in transgender history and brief biographies of key players, plus excerpts from transgender memoirs and discussion of treatments of transgenderism in popular culture.

    Preciado shows the ways in which the synthesis of hormones since the 1950s has fundamentally changed how gender and sexual identity are formulated, and how the pharmaceutical and pornography industries are in the business of creating desire. This riveting continuation of Michel Foucault's The History of Sexuality also includes Preciado's diaristic account of his own use of testosterone every day for one year, and its mesmerizing impact on his body as well as his imagination.

    Through extensive research and interviews, as well as years of experience working in the field, the authors cover gender variance from birth through college. What do you do when your toddler daughter's first sentence is that she's a boy? What will happen when your preschool son insists on wearing a dress to school? Is this ever just a phase? How can you explain this to your neighbors and family? How can parents advocate for their children in elementary schools? What are the current laws on the rights of transgender children? What do doctors specializing in gender variant children recommend? What do the therapists say? What advice do other families who have trans kids have? What about hormone blockers and surgery? What issues should your college-bound trans child be thinking about when selecting a school? How can I best raise my gender variant or transgender child with love and compassion, even when I barely understand the issues ahead of us? And what is gender, anyway? These questions and more are answered in this book offering a deeper understanding of gender variant and transgender children and teens.

    The bodies in this book have been shaped by the full sweep of the feminine experience. They belong to 54 women from all over the country, ages 19 to 95, of all sizes and shapes, ethnicities, and life experiences, who were willing to expose their naked physical forms in This Is Who I Am. They are ordinary women only in the sense that none is a professional model. They are in all other ways extraordinary—courageous, curious, thoughtful, speaking unflinchingly about their bodies, then allowing themselves to be photographed to inspire other women to make peace with their physical selves, "to glorify the real beauty of all women."Certainly, the feminine nude form is not new to artists and photographers. But the portraits in This Is Who I Am, taken by award-winning photographer Rosanne Olson, with a steady, unjudgmental eye, speak loudly to the American obsession of feminine perfection—slim hips and full breasts, high cheekbones and tiny waists, taut skin and eternal youth—and even more loudly to the way real women, with real bodies and real lives, look.By turns tender, personal, and moving, this tribute to contemporary womanhood is the perfect gift for mothers to give to daughters, daughters to cousins, cousins to friends.

    William Jelani Cobb, Ryan Mack, Kendrick B. Nathaniel, and Dr. Andre L. Brown deliver an essential collection of essays for Black men at all stages of their lives on surviving and thriving in an unjust world.The Black Male Handbook answers a collective hunger for new direction, fresh solutions to old problems, and a different kind of conversation—man-to-man and with Black male voices, all from the hip hop generation. The book tackles issues related to political, practical, cultural, and spiritual matters, and ending violence against women and girls. The book also features an appendix filled with useful readings, advice, and resources. The Black Male Handbook is a blueprint for those aspiring to thrive against the odds in America today. This is a must-have book, not only for Black male readers, but the women who befriend, parent, partner, and love them.

    servicemen. More than 100,000 women married GIs and moved to the United States. Haunting the Korean Diaspora explores the repressed history of emotional and physical violence between the United States and Korea and the unexamined reverberations of sexual relationships between Korean women and American soldiers.

    Due to fear-fueled news reports and public perceptions about the changing composition of the nation’s racial and ethnic makeup—the so-called Latinization of America—the reproduction of Mexican immigrant women has become a central theme in contemporary U. S. politics since the early 1990s.In this exploration, Elena R. Gutiérrez considers these public stereotypes of Mexican American and Mexican immigrant women as “hyper-fertile baby machines” who “breed like rabbits.” She draws on social constructionist perspectives to examine the historical and sociopolitical evolution of these racial ideologies, and the related beliefs that Mexican-origin families are unduly large and that Mexican American and Mexican immigrant women do not use birth control. Using the coercive sterilization of Mexican-origin women in Los Angeles as a case study, Gutiérrez opens a dialogue on the racial politics of reproduction, and how they have developed for women of Mexican origin in the United States. She illustrates how the ways we talk and think about reproduction are part of a system of racial domination that shapes social policy and affects individual women’s lives.

    But there has been little public space for dialogue about the complex relationship between feminism, women, and war. The editors of Feminism and War have brought together a diverse set of leading theorists and activists who examine the questions raised by ongoing American military initiatives, such as:- What are the implications of an imperial nation/state laying claim to women's liberation? - What is the relation between this claim and resulting American foreign policy and military action? - Did American intervention and invasion in fact result in liberation for women in Afghanistan and Iraq? - What multiple concepts are embedded in the phrase 'women’s liberation'? - How are these connected to the specifics of religion, culture, history, economics, and nation within current conflicts? - What is the relation between the lives of Afghan and Iraqi women before and after invasion, and that of women living in the US? - How do women who define themselves as feminists resist or acquiesce to this nation/state claim in current theory and organizing?Feminism and War reveals and critically analyzes the complicated ways in which America uses gender, race, class, nationalism, imperialism to justify, legitimate, and continue war. Each chapter builds on the next to develop an anti-racist, feminist politics that places imperialist power, and forms of resistance to it, central to its comprehensive analysis.

    To do this the author considers the biblical ideal for human beings and then proceeds to offer a biblical foundation for each of the topics under discussion--identity, body image, personal relationships, marriage, church life, and language for God. Along the way she examines the cultural nature of gender roles and the ways in which they have become entangled with ecclesial expectations. This book will help women better appreciate themselves as women, gain a better understanding of their value in God's eyes, and recognize their potential for meaningful engagement in a variety of relationships and vocational callings.

    . . and will shape the next hundred years of politics and culture.”—The Commonwealth Club of California, hailing Baumgardner as one of Six Visionaries for the Twenty-First Century“If Jennifer Baumgardner ever needs another mom, I’ll be the first in line to adopt her. She’s smart, fearless, and a formidable force for change.”—Barbara Ehrenreich, author of Nickel and DimedIn Abortion & Life, author and activist Jennifer Baumgardner reveals how the most controversial and stigmatized Supreme Court decision of our time cuts across eras, classes, and race. Stunning portraits by photographer Tara Todras-Whitehill of folk singer Ani DiFranco, authors Barbara Ehrenreich and Gloria Steinem, and others accompany their elucidating accounts of their own abortion experiences.In this bold new work, Baumgardner explores some of the thorniest issues around terminating a pregnancy, including the ones that the pro-choice establishment has been the least sensitive or effective in confronting.Jennifer Baumgardner is the producer/creator of the award-winning film I Had an Abortion. She is the co-author (with Amy Richards) of Manifesta: Young Women, Feminism, and the Future and Grassroots: A Field Guide for Feminist Activism (both Farrar, Straus & Giroux). Her most recent book is Look Both Ways: Bisexual Politics (FSG, 2007). She writes regularly for women’s magazines like Glamour, Elle, and Allure, as well as more political outlets such as The Nation, Harper’s, and NPR’s All Things Considered. She lives in New York City.

    Beyond (Straight and Gay) Marriage boldly moves the discussion forward by focusing on the larger, more fundamental issue of marriage and the law. The root problem, asserts law professor and LGBT rights activist Nancy Polikoff, is that marriage is a bright dividing line between those relationships that legally matter and those that don't. A woman married to a man for nine months is entitled to Social Security survivor's benefits when he dies; a woman living for nineteen years with a man or woman to whom she is not married receives nothing.Polikoff reframes the debate by arguing that all family relationships and households need the economic stability and emotional peace of mind that now extend only to married couples. Unmarried couples of any sexual orientation, single-parent households, extended family units, and myriad other familial configurations need recognition and protection to meet the concerns they all share: building and sustaining economic and emotional interdependence, and nurturing the next generation. Couples should have the choice to marry based on the spiritual, cultural, or religious meaning of marriage in their lives, asserts Polikoff. While marriage equality for same-sex couples is a civil rights victory, she contends that no one should have to marry in order to reap specific and unique legal results. A persuasive argument that married couples should not receive special rights denied to other families, Polikoff shows how the law can value all families, and why it must.

    Whether focused on a lesson, a teacher, or the girls themselves as they collectively school -- or refuse to -- the poems explore ways girls are trained in the broadest sense of the word.Gossips, the second section, is a shorter sequence narrated by women as they talk about other women in a variety of isolations; these poems, told from the outside looking in, highlight a speculative voicing of all the gossips cannot know. In Early Lessons, the third section, children narrate as they also observe similarly solitary women, the children's innocence allowing them to see in farther than the gossips can. The fourth section offers studies of women and men in situations in which gender, with all of its complexities, figures powerfully.The follow-up to the Pulitzer Prize-winning collection Late Wife, Figure Studies upholds Emerson's place among contemporary poetry's elite.The Mannequin above Main Street MotorsWhen the only ladies' dress shop closed, she was left on the street for trash, unsalvageable, one arm missing, lost at the shoulder, one leg at the hip. But she was wearing a blue-sequined negligee and blonde wig, so they helped themselves to her on a lark -- drunken impulse -- and for years kept her leaning in a corner, beside an attic window, rendered invisible. The dusk was also perpetual in the garage below, punctuated only by bare bulbs hung close over the engines. An oily grime coated the walls, and a decade of calendars promoted stock-car drivers, women in dated swimsuits, even their bodies out of fashion. Radio distorted there; cigarette smoke moaned, the pedal steel conceding to that place a greater, echoing sorrow. So, lame, forgotten prank, she remained, back turned forever to the dark storagebehind her, gaze leveled just above anyone's who could have looked up to mistake in the cast of her face fresh longing -- her expression still reluctant figure for it.

    Since the 1950s, standard treatment has involved determining a sex for these infants and performing surgery to normalize the infant’s genitalia. Over the past decade intersex advocates have mounted unprecedented challenges to treatment, offering alternative perspectives about the meaning and appropriate medical response to intersexuality and driving the field of those who treat intersex conditions into a deep crisis. Katrina Karkazis offers a nuanced, compassionate picture of these charged issues in Fixing Sex, the first book to examine contemporary controversies over the medical management of intersexuality in the United States from the multiple perspectives of those most intimately involved. Drawing extensively on interviews with adults with intersex conditions, parents, and physicians, Karkazis moves beyond the heated rhetoric to reveal the complex reality of how intersexuality is understood, treated, and experienced today. As she unravels the historical, technological, social, and political forces that have culminated in debates surrounding intersexuality, Karkazis exposes the contentious disagreements among theorists, physicians, intersex adults, activists, and parents—and all that those debates imply about gender and the changing landscape of intersex management. She argues that by viewing intersexuality exclusively through a narrow medical lens we avoid much more difficult questions. Do gender atypical bodies require treatment? Should physicians intervene to control the “sex” of the body? As this illuminating book reveals, debates over treatment for intersexuality force reassessment of the seemingly natural connections between gender, biology, and the body.

    Poor women are pressured to undergo sterilization. Women addicted to illicit drugs risk arrest for carrying their pregnancies to term. Courts, child welfare, and law enforcement agencies fail to recognize the efforts of battered and incarcerated women to care for their children. Pregnant inmates are subject to inhumane practices such as shackling during labor and poor prenatal care. And decades after Roe, the criminalization of certain procedures and regulation of abortion providers still obstruct women's access to safe and private abortions.In this important work, Jeanne Flavin looks beyond abortion to document how the law and the criminal justice system police women's rights to conceive, to be pregnant, and to raise their children. Through vivid and disturbing case studies, Flavin shows how the state seeks to establish what a "good woman" and "fit mother" should look like and whose reproduction is valued. With a stirring conclusion that calls for broad-based measures that strengthen women's economic position, choice-making, autonomy, sexual freedom, and health care, Our Bodies, Our Crimes is a battle cry for all women in their fight to be fully recognized as human beings. At its heart, this book is about the right of a woman to be a healthy and valued member of society independent of how or whether she reproduces.

    Walker's art continues, in other words, to pose awkward questions straightforwardly. Her imagery derives from the visual language of the antebellum South and the tradition of the minstrel show, which she directs to more disquieting ends. Where her source material parodied African-American culture with a terrifyingly casual jocularity--permitting white Americans to vicariously transgress their own taboos by depicting social chaos and unbridled sexuality--Walker applies that jocularity to her depictions of violence against African-Americans, lending them a hollow, almost slapstick character that is very much at odds with their original function. This latest book features work from a new series that addresses, among other themes, the atrocities committed against former slaves after the Emancipation Proclamation of 1863 and the Reconstruction program implemented by Congress between 1866 and 1877. These narratives are elaborated into or against geometric scenarios more abstract and compacted than previous sequences by Walker, and with a more extensive use of color.

    From its earliest days, Chicago was viewed as a grimy upstart consumed by business and the almighty dollar. Nicknames such as hog butcher to the world, gangland, and second city persist even today. In response to this perception, a small number of wealthy women purchased and wore high fashion in the hope of claiming Chicago as chic; fashion, they believed, was a powerful way to overcome this prejudice and to re-imagine Chicago as a place of beauty, sophistication, and elegance. The Chicago History Museum, one of the city s earliest cultural institutions, now houses many of these chic creations from designers such as Worth, Poiret, Dior, Halston, Miyake, and Versace. This volume showcases the designs and the designers, as well as the women who wore them and helped make Chicago chic.

    imperialism, racial/gender oppression, and the economic violence of capitalist globalization? This book explores what happens when scholars create active engagements between the academy and communities of resistance. In so doing, it suggests a new direction for antiracist and feminist scholarship, rejecting models of academic radicalism that remain unaccountable to grassroots social movements. The authors explore the community and the academy as interlinked sites of struggle. This book provides models and the opportunity for critical reflection for students and faculty as they struggle to align their commitments to social justice with their roles in the academy. At the same time, they explore the tensions and challenges of engaging in such contested work.

    A Fragile Freedom investigates how African American women in Philadelphia journeyed from enslavement to the precarious status of “free persons” in the decades leading up to the Civil War and examines comparable developments in the cities of New York and Boston. Erica Armstrong Dunbar argues that early nineteenth-century Philadelphia, where most African Americans were free, enacted a kind of rehearsal for the national emancipation that followed in the post–Civil War years. She explores the lives of the “regular” women of antebellum Philadelphia, the free black institutions that took root there, and the previously unrecognized importance of African American women to the history of American cities.

    Many of those women won esteemed prizes for their reporting, including the Pulitzer, the Overseas Press Club Award, the George Polk Award, the National Book Award, and the Bancroft Prize for History. Tragically, several lost their lives covering the war, while others were wounded or taken prisoner. In this gripping narrative, veteran journalist Joyce Hoffmann tells the important yet largely unknown story of a central group of these female journalists, including Dickey Chapelle, Gloria Emerson, Kate Webb, and others. Each has a unique and deeply compelling tale to tell, and vivid portraits of their personal lives and professional triumphs are woven into the controversial details of America's twenty-year entanglement in Southeast Asia.

    Few, however, have sought to investigate these themes by juxtaposing historical and contemporary frameworks. Black Womanhood examines an especially charged icon--the black female body--and contemporary artists' interventions upon historical images of black women as exotic Others, erotic fantasies, and supermaternal Mammies.This book presents icons of the black female body as seen from three separate but intersecting perspectives: the traditional African, the colonial, and the contemporary global. The display and contemplation of such iconic images addresses complex and often competing forces of self-presentation and the representation of others. Peeling back layers of social, cultural, and political realities, Black Womanhood explores how historic icons inform contemporary artistic responses to the black female body through an examination of themes such as beauty, fertility and sexuality, maternity, and women's roles and power in society.More than 200 historical and contemporary images accompany written contributions by artists, curators and scholars. This compelling volume makes a valuable contribution to ongoing discussions of race, gender, and sexuality by promoting a deeper understanding of past and present readings of black womanhood, both in Africa and in the West.

    But what--or who--must be lost, fragmented, or buried in that process? We have inherited a model of marriage so flawed, Frances E. Dolan contends, that its logical consequence is conflict.Dolan ranges over sixteenth- and seventeenth-century Puritan advice literature, sensational accounts of true crime, and late twentieth-century marriage manuals and films about battered women who kill their abusers. She reads the inevitable Taming of the Shrew against William Byrd's diary of life on his Virginia plantation, Noel Coward's Private Lives, and Barbara Ehrenreich's assessment in Nickel and Dimed of the relationship between marriage and housework. She traces the connections between Phillippa Gregory's best-selling novel The Other Boleyn Girl and documents about Anne Boleyn's fatal marriage and her daughter Elizabeth I's much-debated virginity. By contrasting depictions of marriage in the sixteenth and seventeenth centuries and our own time, she shows that the early modern apprehension of marriage as an economy of scarcity continues to haunt the present in the form of a conceptual structure that can accommodate only one fully developed person. When two fractious individuals assert their conflicting wills, resolution can be achieved only when one spouse absorbs, subordinates, or eliminates the other.In an era when marriage remains hotly contested, this book draws our attention to one of the histories that bears on the present, a history in which marriage promises both intimate connection and fierce conflict, both companionship and competition.

    In this first in-depth exploration of Baldwin’s “Turkish decade,” Magdalena J. Zaborowska reveals the significant role that Turkish locales, cultures, and friends played in Baldwin’s life and thought. Turkey was a nurturing space for the author, who by 1961 had spent nearly ten years in France and Western Europe and failed to reestablish permanent residency in the United States. Zaborowska demonstrates how Baldwin’s Turkish sojourns enabled him to re-imagine himself as a black queer writer and to revise his views of American identity and U.S. race relations as the 1960s drew to a close.Following Baldwin’s footsteps through Istanbul, Ankara, and Bodrum, Zaborowska presents many never published photographs, new information from Turkish archives, and original interviews with Turkish artists and intellectuals who knew Baldwin and collaborated with him on a play that he directed in 1969. She analyzes the effect of his experiences on his novel Another Country (1962) and on two volumes of his essays, The Fire Next Time (1963) and No Name in the Street (1972), and she explains how Baldwin’s time in Turkey informed his ambivalent relationship to New York, his responses to the American South, and his decision to settle in southern France. James Baldwin’s Turkish Decade expands the knowledge of Baldwin’s role as a transnational African American intellectual, casts new light on his later works, and suggests ways of reassessing his earlier writing in relation to ideas of exile and migration.

    In this comprehensive overview of Catholicism and sexuality Salzman and Lawler, well-published and widely respected Catholic theologians, examine and challenge these principles. Remaining firmly within the Catholic tradition, they contend that the church is being inconsistent in its teaching by adopting a dynamic, historically conscious worldview on certain issues of morality--viz., politics, economics, race, interpretation of scripture, gender--while adopting a static, classicist worldview on sexuality. And while some documents from Vatican II gave hope for a renewed understanding of sexuality--viz., in Gaudium et Spes, "the marital act promotes self-giving by which spouses enrich each other"--the church has not carried out the full implications of this approach. In short, say the authors: emphasize relationships, not acts, and recognize Christianity's culturally conditioned understanding of homosexuality. The book has two objectives: 1) to explore normative implications for sexual ethics of the methodological and anthropological developments in the Catholic tradition, by looking at the history of Catholic teaching on sexuality, contemporary debates between traditionalists and revisionists, anthropology (i.e., the nature of being human), marriage, cohabitation, homosexuality, and reproductive technologies; 2) to stimulate further dialogue among theologians, and between theologians and the Magisterium (official church teaching). No doubt that will happen! Includes a foreword by Charles Curran.

    In-depth interviews, enhanced by research with outside professionals, are combined with 326 black-and-white photographs of the jailed and jailers, in order to create a bridge between those who are imprisoned and the general population who can make the necessary changes if called to action.

    The volume continues in the tradition of earlier third-wave anthologies in its inclusive and diverse vision of feminisms and feminists, while forging new ground in its focus on third-wave mothers and third-wave practices of mothering. In exploring how the institution of motherhood is shaped by today’s political and social realities, Mothering in the Third Wave examines contemporary experiences of feminist mothering while connecting to earlier writing on the subject since the 1970s. Recommended for readers of any generation interested in the complexities of feminist mothering in the twenty-first century.” – Astrid Henry, author of Not My Mother’s Sister: Generational Conflict and Third-Wave Feminism

    Gary L. Lemons explores the meaning of black male feminism by examining his experiences at the New York City college where he taught for more than a decade--a small, private, liberal arts college where the majority of the students were white and female. Through a series of classroom case studies, he presents the transformative power of memoir writing as a strategic tool for enabling students to understand the critical relationship between the personal and the political. From the insightful inclusion of his own personal narratives about his childhood experience of domestic violence, to stories about being a student and teacher in majority white classrooms for most of his life, Lemons takes the reader on a provocative journey about what it means to be black, male, and pro-feminist.

    Where possible, they provide concrete examples of how taking gender into account has yielded new research results and sparked creativity, opening new avenues for future research. Several government granting agencies, such as the National Institutes of Health and the European Commission, now require that requests for funding address whether, and in what sense, sex and gender are relevant to the objectives and methodologies of the research proposed, yet few research scientists or engineers know how to do gender analysis. This book begins to rectify the situation by shedding light on the how and the why.

    Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum, Elsa Maria Bug, and numerous others engaged in a challenging, self-reflective commentary on current styles. By regularly publishing on these topics in the illustrated press and popular literature, they transformed traditional genres and carved out significant public space for themselves. This book re-evaluates paradigmatic concepts of German modernism such as the flaneur, the Feuilleton, and Neue Sachlichkeit in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity. Mila Ganeva is Associate Professor of German at Miami University, Oxford, Ohio.

    Yet unlike many of her New York–based contemporaries, Coleman lived her life in the American West, first in New Mexico and later in California. Her work thus offers a rare view of African American life in that region. Broader in scope than any previous anthology of Coleman’s writings, this volume collects the author’s finest stories, essays, and poems, including many not published since they first appeared in African American newspapers during the 1920s, ’30s, and ’40’s. Editors Cynthia Davis and Verner D. Mitchell introduce these writings with an in-depth biographical essay that places Coleman in the context of the Harlem Renaissance movement. The volume also features vintage family photographs, a detailed chronology, and a genealogical tree covering five generations of the Coleman family. Based on extensive research and written with the full cooperation of the Coleman family, Western Echoes of the Harlem Renaissance gives readers new understanding of this overlooked writer’s life and literary accomplishments.

    Enjoy this easy-to-understand presentation of the cleverly camouflaged combat tactics between men and women.Driscoll and Davis pick up where Mars and Venus leaves off, and take you out as far as your mind is willing to travel.Just the ticket for those who want to:See behind the myth and masks and understand the seemingly endless and mysterious misunderstandings;Laugh at our shared foibles;Resuscitate a burned-out relationship;Make a good relationship sweeter, warmer, and more admirable.

    It not only furthers the emerging feminist theorizing on global governance, but also provides a theoretically informed and empirically based analysis of both institutions and transformative practices.

    She goes on to show how women have engaged with institutions of governance in developing countries, looking in particular at political participation, deliberative democracy, representation, leadership and state feminism. Through this engagement, Rai claims, vital new political spaces have been created. Though Rai focuses in-depth on how these debates have played out in India, the book's argument is highly relevant for politics across the developing world.  This is a unique and compelling synthesis of gender politics with ideas about development from an authoritative figure in the field.

    In this intensely thoughtful memoir, Spencer Mitchell probes the motivations that impelled her, a single, Jewish woman, to document the turmoil roiling the Arab world in the 1980s and 1990s, as well as how her experiences as a photojournalist "compelled [me] to set aside [my] cameras and reexamine the way images are created, scenes are framed, and how 'real life' is packaged for specific news stories."In Danger Pay, Spencer Mitchell takes us on a harrowing journey to PLO military training camps for Palestinian children and to refugee camps in the Gaza Strip before, during, and after the first intifada. Through her eyes, we experience the media frenzy surrounding the 1985 hijackings of TWA Flight #847 and the Italian cruise liner Achille Lauro. We meet Middle Eastern leaders, in particular Yasser Arafat and King Hussein of Jordan, with whom Spencer Mitchell developed close working relationships. And we witness Spencer Mitchell's growing conviction that the Western media's portrayal of conflicts in the Middle East actually helps to fuel those conflicts--a conviction that eventually, as she says, "shattered my career."Although the events that Spencer Mitchell records took place a generation ago, their repercussions reverberate in the conflicts going on in the Middle East today. Likewise, her concern about "the triumph of image over reality" takes on greater urgency as our knowledge of the world becomes ever more filtered by virtual media.

    Since that beginning, so much has happened in this already vast field that it would be hard to find a major issue or subject that has not been addressed by scholars and activists. This comprehensive reader sets out to provide a map of the development of women s studies and the ever expanding terrain that it has been investigating. The introduction explores the growth of the field from the upheavals of the 1970s to the transformed conjunctures of the 1990s. In the process, the often elusive relationships between women s studies, the women s movement and the structures of higher education are highlighted. Over eighty edited essays have been brought together in this single volume under distinct thematic clusters from the new beginnings of the 1970s to politics, history, development, violence, the law, education, health, family and household, caste and tribe, religion and communalism, sexualities, and literature and the media. This reader is for both newcomers to women s studies and for those who have long been part of it.

    Yet she is not merely a whimsical fantasy. This volume concentrates on the medieval English Loathly Lady tales, which develop the motif as a vehicle for social ideology. One of the primary agendas of this collection is to promote the non-canonical Loathly Ladies as worthwhile subjects for scholarly consideration. The examinations here of the medieval English Loathly Lady tales engage with a myriad of concerns, including anxieties about virginity and sex, power and assimilation, beauty and beastliness. These broad examinations of this enigmatic literary motif are an excellent contribution to the field and will be of great interest to scholars.