Control of this vast territory was meant to provide the basis for Germany's rise to unquestioned world power. Eastern Europe was to be the Reich's Wild West, transformed by massacre and colonial settlement. Western Europe was to provide the economic resources that would knit an authoritarian and racially cleansed continent together. But the brutality and short-sightedness of Nazi politics lost what German arms had won and brought their equally rapid downfall.Time and again, the speed of the Germans' victories caught them unprepared for the economic or psychological intricacies of running such a far-flung dominion. Politically impoverished, they had no idea how to rule the millions of people they suddenly controlled, except by bludgeon.Mazower forces us to set aside the timeworn notion that the Nazis' worldview was their own invention. Their desire for land and their racist attitudes toward Slavs and other nationalities emerged from ideas that had driven their Prussian forebears into Poland and beyond. They also drew inspiration on imperial expansion from the Americans and especially the British, whose empire they idolized. Their signal innovation was to exploit Europe's peoples and resources much as the British or French had done in India and Africa. Crushed and disheartened, many of the peoples they conquered collaborated with them to a degree that we have largely forgotten. Ultimately, the Third Reich would be beaten as much by its own hand as by the enemy.Throughout this book are fascinating, chilling glimpses of the world that might have been. Russians, Poles, and other ethnic groups would have been slaughtered or enslaved. Germans would have been settled upon now empty lands as far east as the Black Sea—the new "Greater Germany". Europe's treasuries would have been sacked, its great cities impoverished and recast as dormitories for forced laborers when they were not deliberately demolished. As dire as all this sounds, it was merely the planned extension of what actually happened in Europe under Nazi rule as recounted in this authoritative, absorbing book.

    Prussian troops lay siege to an outpost in the far south of Denmark. The conflict is over control of the Duchy of Schleswig, recently annexed by Denmark to the alarm of its largely German-speaking inhabitants. Danish troops make a valiant attempt to hold out but are overrun by the might of the Prussian onslaught. Of little strategic importance, the struggle for Schleswig foreshadowed the same forces that, fifty years later, would tear Europe apart. Prussia's victory would not only rejuvenate its nascent militarism, but help it claim leadership of the new German Empire. Told in rich detail through first-hand accounts, Tom Buk-Swienty's magisterial account of the Schleswig conflict tells the story of this pivotal war. 1864 shows how a minor regional conflict foreshadowed the course of diplomacy that led to the First World War and brutally presaged the industrialised future of warfare. But most of all, in its human detail, from touching letters between husbands and wives to heartbreaking individual stories of loss, 1864 is a gripping, epic human drama that shows the effect all wars have on the soldiers, on families and on the individual men and women who must live its realities.

    Irgang’s personal record of his unforgettable experiences as a combat infantryman during World War II has its beginning on the dawn of that famous “longest day” when Allied troops set foot on Normandy beaches. We know the surface facts of that invasion—what was planned, how it was executed, and what happened—but what most of us don’t know are the thoughts of those brave men who fought their way across France and into Germany. What were they thinking? How did they meet the terror of each new day? In this revealing look at a young American soldier’s European tour of duty, the inner facts we have wanted to discover are found. And they are revealed truthfully and with a freshness of reality that would be impossible to recapture unless the observations had been jotted down, as they were, soon after the events took place. Irgang’s keen eye, his unliterary terseness, his sometimes blunt way of stating brutal truths—all these contribute toward making this book more than one man’s record of the war. In its unpretentiousness, Etched in Purple says vividly and powerfully what hundreds of other soldiers would have said had they found a means of expression: that World War II would always be etched in purple in their memories.

    • 130,000 references • All headwords in blue for quick reference • Broad range of entries including idiomatic expressions and illustrative phrases • Specialist terms from many different fields • Detailed grammar information • The authoritative reference work for serious users

    It offers a vital master class for actors and directors, full of sound practical advice and guidance, and is packed with techniques for bringing the text to life and keeping it alive, both in rehearsal and performance.

    In deciphering the reasons behind Nazism's ideological grip on the German people, the author argues that its basic appeal lay in the Volksgemeinschaft - a 'people's community' that seemed to be part of a great project to right the wrongs of Versailles, make the country strong, and rid the body politic of corrupting elements.

    Blackletter, also known as Fraktur or Gothic type, was commonly used throughout Europe in the Middle Ages. By the end of the Renaissance it had mostly been replaced by the typeface Latin Antiqua. The use of Blackletter type became taboo in Germany after World War II because it was incorrectly associated with the Nazis, who actually banned its use in 1941 because it was falsely believed to be a Jewish invention. Revelations about the true history and meaning of Blackletter type have resulted in a resurgence in usage by graphic designers. Companies such as Nike, Reebok, and Coca-Cola now use Fraktur intheir advertising. It decorates posters, album covers, and even skin in the form of tattoos. But a comprehensive collection of the most beautiful classic faces, as well as the best new variations, has been missing until now.Fraktur Mon Amour reproduces 300 variations of Blackletter fonts, ranging from historical fonts to contemporary reinventions, in a sensuous, beautifully crafted, hot-pink prayer book-style catalog that is destined to become a fetish object for designers and type enthusiasts. Each Blackletter font is presented on a full page along with its complete alphabet, date of origin, the name of its designer, and its original foundry. On the facing page is a composition created from that font that explores the subversive beauty of this unique typeface. In addition, 137 of these fonts—including four created exclusively for this book—are collected on an enclosed CD (Mac and PC) for free private and restricted commercial use. Fraktur Mon Amour is the winner of several awards, including the Type Directors Club of New York's 2007 Award for Typographic Excellence.

    When Hitler told the assembled masses that they were a people with no past, he meant that they had no past following their humiliation in World War I of which to be proud. The Nazis' constant use of classical antiquity—in official speeches, film, state architecture, the press, and state-sponsored festivities—conferred on them the prestige and heritage of Greece and Rome that the modern German people so desperately needed. At the same time, the lessons of antiquity served as a warning: Greece and Rome fell because they were incapable of protecting the purity of their blood against mixing and infiltration. To regain their rightful place in the world, the Nazis had to make all-out war on Germany's enemies, within and without.

    In 1939, these theologians established the Institute for the Study and Eradication of Jewish Influence on German Religious Life. In The Aryan Jesus, Susannah Heschel shows that during the Third Reich, the Institute became the most important propaganda organ of German Protestantism, exerting a widespread influence and producing a nazified Christianity that placed anti-Semitism at its theological center.Based on years of archival research, The Aryan Jesus examines the membership and activities of this controversial theological organization. With headquarters in Eisenach, the Institute sponsored propaganda conferences throughout the Nazi Reich and published books defaming Judaism, including a dejudaized version of the New Testament and a catechism proclaiming Jesus as the savior of the Aryans. Institute members--professors of theology, bishops, and pastors--viewed their efforts as a vital support for Hitler's war against the Jews. Heschel looks in particular at Walter Grundmann, the Institute's director and a professor of the New Testament at the University of Jena. Grundmann and his colleagues formed a community of like-minded Nazi Christians who remained active and continued to support each other in Germany's postwar years. The Aryan Jesus raises vital questions about Christianity's recent past and the ambivalent place of Judaism in Christian thought.

    Empowered by their close bond, they espoused vehemently anti-Nazi views in a Europe swept up in fascism and were openly, even defiantly, gay in an age of secrecy and repression. Although their father’s fame has unfairly overshadowed their legacy, Erika and Klaus were serious authors, performance artists before the medium existed, and political visionaries whose searing essays and lectures are still relevant today. And, as Andrea Weiss reveals in this dual biography, their story offers a fascinating view of the literary and intellectual life, political turmoil, and shifting sexual mores of their times.            In the Shadow of the Magic Mountain begins with an account of the make-believe world the Manns created together as children—an early sign of their talents as well as the intensity of their relationship. Weiss documents the lifelong artistic collaboration that followed, showing how, as the Nazis took power, Erika and Klaus infused their work with a shared sense of political commitment. Their views earned them exile, and after escaping Germany they eventually moved to the United States, where both served as members of the U.S. armed forces. Abroad, they enjoyed a wide circle of famous friends, including Andre Gide, Christopher Isherwood, Jean Cocteau, and W. H. Auden, whom Erika married in 1935. But the demands of life in exile, Klaus’s heroin addiction, and Erika’s new allegiance to their father strained their mutual devotion, and in 1949 Klaus committed suicide.             Beautiful never-before-seen photographs illustrate Weiss’s riveting tale of two brave nonconformists whose dramatic lives open up new perspectives on the history of the twentieth century.

    The many air raids and the destruction wrought during the final Battle of Berlin have left their traces, as have the Nazis - megalomaniac restructuring plans to transform Berlin into the future world metropolis "Germania." Maik Kopleck's "PastFinder" takes you to the well-known and lesser known sites of Nazi history in Berlin. It gives a concise account of the historic events and introduces the most important personalities. Several maps and a clear graphic design let you put together your own sightseeing tour and provide quick orientation at each location.

    He dispels the nimbus of unintelligibility surrounding Heidegger's thought, a nimbus that Heidegger himself helped create and that has tended to confine serious Heidegger scholarship to closed circles. This is not a work about the "exisistentialist" Heidegger, the "Nazi" Heidegger, the "gnostic" Heidegger, or the "mystic" Heidegger. Nor is it a "diluted" Heidegger for beginners. "Rephrasing Heidegger" interprets the philosopher on his own terms, covering all the main aspects of "Being and Time," and is particularly interesting for its detailed analysis of the structure and contents of this epoch-making philosophical work."Rephrasing Heidegger" includes a unique glossary of technical terms which recur frequently throughout "Being and Time" whose translation is problematic or uncertain. It also includes a German-English lexicon which catalogues the translations of Heidegger's terms in the most important English translations of Being and Time.This is the first detailed commentary in English by a Heidegger specialist trained at Heidegger's own university by the world-renowned Heidegger scholar Prof. F.-W. von Herrman, the editor of the most important volumes of Heidegger's collected works in German.

    The objective was to seize Berlin before the Western Allies.Sixteen days later, the former capital of the Third Reich fell to the conquering armies of Generals Georgi Zhukov and his rival Ivan Koniev. The cost to capture the largest urban complex on mainland Europe from a handful of understrength Heer and Waffen-SS divisions, supported by Volkssturm and Hitlerjugend formations armed mainly with Panzerfaust anti-armour rockets, was exceptionally high. The Red Army suffered more casualties among its soldiers than during the six month siege of Stalingrad, and it lost more armoured vehicles than during the Battle of Kursk.Total losses among the defenders and civilian population remain unknown. Central Berlin was left a wasteland. The scars of the street fighting are still visible today, seventy-five years after the battle.When Bloody Streets was first published in 2008 it detailed the tactical street fighting in Berlin day-by-day for the first time through vivid first person accounts and period aerial imagery of the city. Ten years later this ground breaking study is back in print completely revised. Previously unpublished first person accounts from both the German and Soviet perspectives supplement archival documents that include new data from the operational war diaries of the 1st Belorussian and 1st Ukrainian Fronts. The book is highly illustrated throughout with period images of the city, aerial overviews, and wartime photos.Building on more than 15 years of research, the second edition of Bloody Streets is a capstone to the author's prior works on the final climatic battles along the Eastern Front. It will remain a benchmark study of the Battle of Berlin for years to come.https://helionbooks.wordpress.com/202...

    Bloc Life collects first hand testimony of the people who lived in East Germany, Czechoslovakia and Romania during the Cold War era, and reveals a rich tapestry of experience that goes beyond the headlines of spies and surveillance, secret police and political corruption. In fact, many of the people remember their lives under communism as 'perfectly ordinary' and even hanker for the 'security' that it offered.From political leaders, athletes and pop stars, to cooks, miners and cosmonauts, the stories collected in Bloc Life evoke the moods, preoccupations and experiences of a world that vanished almost overnight.

    Ship 16 sank twenty-two British and Allied ships during its 110,000 miles and 602 days continuously - at sea until she was sunk by HMS Devonshire. Her exploits in the Atlantic and Indian Oceans over almost two years created huge problems for the Allies as they tried to find the mystery ship with twenty-six disguises. Sinking ship after ship, Atlantis also searched them for documents. Finding secret files on the Automedon regarding British troop dispositions in the Far East, this document hastened Japan's entry into the war. Eventually sunk in November 1941, the 350 crew of Atlantis, as Ship 16 had been named, were rescued by U-boat which towed them to the safety of the supply ship Python. Sunk again, four U-boats eventually took the survivors of both Atlantis and Python to safety in France. The story is told by the ship's First Officer and was recounted from his diaries kept aboard the Atlantis.

    By their metaphysical and visual presence, his pictures are as familiar to us and as influential as de Chirico's visions are in painting. This monograph on List's oeuvre presents for the first time all phases of his creativity: the early fotografia metafisica; his Greece photographs blending Antiquity, Mediterranean light and Eros in visions of Classical Hellas; his sensitive homoerotic pictures; his artist portraits of the 40s through to the 60s; and the human interest photography of his late work. Essays by noted authors explore List s particular interests and the photo-historic context of his oeuvre. A selection of List s own writings, a comprehensive chronology, a bibliography, a list of exhibitions, and a list of publications complete this lavish volume.

    He was born Georg Ehrenfried Groß in Berlin, but changed his name in 1916 out of a romantic enthusiasm for America. Anti-Nazi, Grosz left Germany in 1932, and in 1933 was invited to teach at the Art Students League of New York, where he would teach intermittently until 1955. Over 500 illustrations, drawings, and paintings in this book document the entire output of the artist’s German and American years, including drawings spanning from when the artist was the age of fifteen to his paintings made during his U.S. period. Also included are sketches of stage designs he created between 1919–1954 for theatre pieces by Bernard Shaw, Iwan Goll, Georg Kaiser, Paul Zech, and Jaroslav Kaek, as well as numerous collages. The volume is complete with unpublished photographs from the painter’s private life and two essays by Enrico Crispolti and Philippe Dagen.

    After a dramatic week of negotiations, military offensives, and the beginning of a Communist revolution, the German Imperial regime collapsed. The Allies eventually granted an armistice to a new German government, and at 11:00 on November 11, the guns officially ceased fire—but only after 11,000 more casualties had been sustained. The London Daily Express proclaimed it “the greatest day in history.”Nicholas Best tells the story in sweeping, cinematic style, following a set of key participants through the twists and turns of these climactic events, and sharing the impressions of eyewitnesses including Adolf Hitler, Charles de Gaulle, Harry S. Truman, Anthony Eden, and future famous generals MacArthur, Patton, and Montgomery.

    For the French it was a defeat more complete and humiliating than Waterloo.Douglas Fermer's fresh study of this traumatic moment in European history reconsiders how the mutual fear and insecurity of two rival nations tempted their governments to seek a solution to domestic tensions by waging war against each other. His compelling narrative shows how war came about, and how the dramatic campaign of summer 1870 culminated in a momentous clash of arms at Sedan. He gives fascinating insights into the personalities and aims of the politicians and generals involved, but focuses too on the experiences of ordinary soldiers and civilians.

    The Confederacy lies in ruins and those who survived struggle to rebuild homes and lives in this triumphant conclusion to the saga of the Becker and Richter families in the Texas Hill Country. This is Book Three of the Adelsverein Trilogy. See also Adelsverein: The Gathering - Book One of the Adelsverein Trilogy and Adelsverein: The Sowing - Book Two of the Adelsverein Trilogy.

    Established during the first months of the Nazi dictatorship in 1933, several million men, women and children of many nationalities had been incarcerated in the camps by the end of the Second World War. At least two million lost their lives.This comprehensive volume offers the first overview of the recent scholarship that has changed the way the camps are studied over the last two decades. Written by an international team of experts, the book covers such topics as the earliest camps; social life, work and personnel in the camps; the public face of the camps; issues of gender and commemoration; and the relationship between concentration camps and the Final Solution. The book provides a comprehensive introduction to the current historiography of the camps, highlighting the key conclusions that have been made, commenting on continuing areas of debate, and suggesting possible directions for future research.

    Waged against boredom, brutality, disease, hunger and despair, it was a battle for survival, fought without the aid of weapons against fully armed enemy captors. Based on interviews and correspondence with ex-POWs and their relatives over the last 25 years, Prisoner of War is a major survey of Allied POWs from all walks of life. Extraordinary stories of extremes – courage, hope and desperation are revealed in the words of those that were there. Arranged chronologically, the book follows those involved from capture, through interrogation, imprisonment, escape, to final liberation and homecoming. Rich with incident and emotion, Prisoner of War is a compelling look at the lives of extraordinary individuals behind the wire.

    

    His activities as a painter, printmaker, and book illustrator reveal a distinctly individual style, and his skill in many different media helped him to create a highly successful workshop.Financially more successful than his contemporary Albrecht Durer, Cranach's influence on the development of German painting was profound. His outstanding gifts are evident not only in his portrayal of landscape, animals, and the female nude, but also in devotional paintings and portraiture, in his later work as chief propagandist of the Protestant cause, and in his inventive treatments of biblical and mythological subjects.Published to accompany a major traveling exhibition, this handsome publication stimulates our appreciation of the artist by bringing together works of many different themes, both sacred and profane, notable for their originality. Superbly illustrated throughout, the book contains seven insightful essays by leading authorities.

    To mark the achievement of Richard Evans in writing the definitive account of the Third Reich, the publisher has released a limited edition boxed set of the critically acclaimed The Coming of the Third Reich, The Third Reich in Power and The Third Reich At War.

    Encompassing early gangster pictures and science fiction, avant-garde and fantasy films, sexual intrigues and love stories, the classics of silent cinema and Germany's first talkies, each chapter illuminates, among other things: the technological advancements of a given film, its detailed production history, its critical reception over time, and the place it occupies within the larger history of the German studio and of Weimar cinema in general. Readers can revisit the careers of such acclaimed directors as F. W. Murnau, Fritz Lang, and G. W. Pabst and examine the debuts of such international stars as Greta Garbo, Louise Brooks, and Marlene Dietrich. Training a keen eye on Weimer cinema's unusual richness and formal innovation, this anthology is an essential guide to the revolutionary styles, genres, and aesthetics that continue to fascinate us today.

    As the operator and unionist who represented Berlin’s metalworkers, he was main organiser of the ‘Revolutionary Stewards,’ a clandestine network that organised a series of mass strikes between 1916 and 1918. With strong support in the factories, the Revolutionary Stewards were the driving force of the Revolution. By telling Müller's story, this study gives a very different account of the revolutionary birth of the Weimar Republic. Using new archival sources and abandoning the traditional focus on the history of political parties, Ralf Hoffrogge zooms in on working class politics on the shop floor and its contribution to social change.First published in German by Karl Dietz Verlag as Richard Müller - Der Mann hinter der Novemberrevolution, Berlin, 2008, this English edition was completely revised for the English speaking audience and contains new sources and recent literature

    But in the years leading up to her leap into the fray, Meinhof was known throughout Europe as a respected journalist, who informed and entertained her loyal readers with monthly magazine columns.What impels someone to abandon middle-class privilege for the sake of revolution? In the 1960s, Meinhof began to see the world in increasingly stark terms: the United States was emerging as an unstoppable superpower, massacring a tiny country overseas despite increasingly popular dissent at home; and Germany appeared to be run by former Nazis. Never before translated into English, Meinhof's writings show a woman increasingly engaged in the major political events and social currents of her time. In her introduction, Karin Bauer tells Meinhof's mesmerizing life story and her political coming-of-age; Nobel Prize–winning author Elfriede Jelinek provides a thoughtful reflection on Meinhof's tragic failure to be heard; and Meinhof ’s daughter—a relentless critic of her mother and of the Left—contributes an afterword that shows how Meinhof's ghost still haunts us today.

    In 1958, 15-year-old Michael Berg becomes ill on the streets of Blumenstrasse, Germany, and 36-year-old tram conductor Hanna Schmitz, a complete stranger, helps him home. After months of battling scarlet fever, Michael visits Hannah to thank her when he catches her undressing. Instantly he is attracted. Overwhelmed by an obsession, he returns for another visit, where she asks for help carrying coal up to her apartment. He becomes dirty doing so, and she bathes him; after which they are drawn in to a passionate, secretive affair. As their physical relationship deepens, Hanna has him read aloud to her, chiefly from the great works of Western literature. While Hannah remains distant from Michael emotionally, he soon becomes enamored. Suddenly, Hanna disappears without a goodbye. Eight years later, as a student in law school, Michael attends a war crimes trial for a group of middle-aged women who had served as guards at Auschwitz. To Michael's surprise, Hanna is one of the defendants. Conflicted for having loved a felon but intrigued by Hanna's compliance to accept sole responsibility for the offense, Michael soon learns Hanna is protecting what is to her a far more terrible secret than a Nazi past... The Reader is a haunting story about truth and reconciliation, and about a generation that must come to terms with the crimes of another.

    There is her lover, Callum Finella, a twenty-year-old Scottish prisoner of war who was brought from the stalag to her family’s farm as forced labor. And there is a twenty-six-year-old Wehrmacht corporal, who the pair know as Manfred–who is, in reality, Uri Singer, a Jew from Germany who managed to escape a train bound for Auschwitz.As they work their way west, they encounter a countryside ravaged by war. Their flight will test both Anna’s and Callum’s love, as well as their friendship with Manfred–assuming any of them even survive. Perhaps not since The English Patient has a novel so deftly captured both the power and poignancy of romance and the terror and tragedy of war. Skillfully portraying the flesh and blood of history, Chris Bohjalian has crafted a rich tapestry that puts a face on one of the twentieth century’s greatest tragedies–while creating, perhaps, a masterpiece that will haunt readers for generations.

    The posters—most of them never before published—feature barnstormers, gliders, and flying boats, the earliest passenger flights, the first luxury-liners, mail carriers, jets, and much more. Spanning a century and a half, they combine the popular art and the commerce of their eras, with both explored in the entertaining, informative text by a longstanding National Air and Space Museum curator. From 19th-century circus impresarios offering rides in gaudy hot-air balloons to the sleek 21st-century airliners, the posters provide a fascinating illustrated history of flight as it evolved from an exotic realm inhabited only by visionaries and daredevils into our modern world of speedy jets and frequent flyers—no longer extraordinary, perhaps, but still echoing with the exhilarating thrill and glamorous excitement captured here.Countless visitors to the museum’s traveling poster exhibition and the permanent exhibition "America by Air" will delight in the gorgeous and wonderful graphics collected in this appealing, affordable book—and so will aviation buffs, armchair travelers, and poster connoisseurs everywhere.

    Now believed to be a combination of bubonic plague and two other rarer plague strains, the Black Death ravaged the continent for several terrible years before finally fading away in 1352. Most historians believe that the pandemic, which also swept across parts of Western Asia and North Africa, annihilated 33 to 60 percent of Europe's population - roughly 25 to 45 million men, women, and children. This massive depopulation had a deep impact on the course of European history, speeding up or initiating important social, economic, religious, and cultural changes.

    Christmas arrives, with its snow and multitude of family and army presents. But the surprise won't come from inside the generous parcels which lie in the French, Scottish, and German trenches. That night, a momentous event will turn the destinies of four characters: an Anglican priest, a French lieutenant, an exceptional German tenor and the one he loves, a soprano and singing partner. During this Christmas Eve, the unthinkable happens: soldiers come out of their trenches, leaving their rifles behind to shake hands with the enemy."

    'Embracing the Darkness' is an enthralling account of this fascinating aspect of the western cultural experience. A belief in the supernatural, and in black magic, has been central to western cultural life for 3000 years. From the Salem witch trials and the macabre novels of Dennis Wheatley, to the seductive sorceresses of Warner Brother's Charmed, and Derek Jarman's punk film 'Jubilee', witchcraft has profoundly shaped the western imagination. In this fascinating study, John Callow brings the twilight world of the witch, mage and necromancer vividly to life.

    Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum, Elsa Maria Bug, and numerous others engaged in a challenging, self-reflective commentary on current styles. By regularly publishing on these topics in the illustrated press and popular literature, they transformed traditional genres and carved out significant public space for themselves. This book re-evaluates paradigmatic concepts of German modernism such as the flaneur, the Feuilleton, and Neue Sachlichkeit in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity. Mila Ganeva is Associate Professor of German at Miami University, Oxford, Ohio.

    Increasing academic attention toward death as a historical subject in its own right is very much linked to its pre-eminent place in 20th-century history, and Germany, predictably, occupies a special place in these inquiries. This collection of essays explores how German mourning changed over the 20th century in different contexts, with a particular view to how death was linked to larger issues of social order and cultural self-understanding. It contributes to a history of death in 20th-century Germany that does not begin and end with the Third Reich.

    In one of the largest military campaigns of all time, involving 2 million Soviets and 800,000 Germans, the Red Army advanced 170 miles in two weeks and destroyed German Army Group Center. Using recently declassified Soviet documents as well as German and Soviet unit histories, Dunn recounts this landmark operation of World War II.

    Separated from her German husband, Mary Hunt Jentsch was forced to protect her two children, surviving nightly air raids, rooftop fires, hunger, and the invading Red Army. Including a foreword by Jentsch’s grandson, this moving account is an invaluable testament to the difficulties of wartime.

    Here at the Wall, the power blocs of the world confronted each other. Here, intelligence agencies of the East and West ran their spy centers. Here, each system attempted to present its own way of life as ideal. Only after the peaceful revolution of 1989 in the GDR was the divided city able to grow together again and to become the capital of a reunited Germany.Maik Kopleck's "PastFinder" takes you to the well-known and lesser known sites of this history. It gives a concise account of the historic events and introduces the most important personalities. Several maps and a clear graphic design let you put together your own sightseeing tour and provide quick orientation at each location.