It charts his successful battle to overcome a career-threatening growth hormone deficiency, following which he has proceeded to win almost every award and trophy, including an unprecedented four FIFA Ballons d'Or, the Oscar of world soccer.

    In the midst of this isolated bastion of democratic values, Miguel finds more than a new life— he finds someone to live for. Miren Ansotegui is a charismatic and graceful dancer who has her pick of the bachelors in Guernica, but focuses only on the charming and mysterious Miguel. The two discover a love that war and tragedy can not destroy.History and fiction merge seamlessly in this beautiful novel about the resilience of family, love, and tradition in the face of hardship. The bombing of Guernica was a devastating experiment in total warfare by the German Luftwaffe in the run-up to World War II. For Basques, it was an attack on the soul of their ancient nation; for the world, it was an unprecedented crime against humanity. In his first novel, Boling reintroduces the event and paints his own picture of a people so strong, vibrant, and proud that they are willing to do whatever it takes to protect their values, their country, and their loved ones.

    

    It chronicles the tumultuous history of Castile in the wake of the Christian capture of the Islamic city of Tulaytula, now Toledo, in the eleventh century and traces the development of Castilian culture as it was forged in the new intimacy of Christians with the Muslims and Jews they had overcome. The authors paint a portrait of the culture through its arts, architecture, poetry and prose, uniquely combining literary and visual arts. Concentrating on the eleventh and twelfth centuries, the book reveals the extent to which Castilian identity is deeply rooted in the experience of confrontation, interaction, and at times union with Hebrew and Arabic cultures during the first centuries of its creation. Abundantly illustrated, the volume serves as a splendid souvenir of southern Spain; beautifully written, it illuminates a culture deeply enriched by others.

    His apocalyptic vision provides an insightful diagnosis of our own time, as well as his own, and lifts his prophetic insight to the level of contemporaries such as Tocqueville and Burckhardt. Stressing the religious as the foundational realm of existence, he brought to light the inner contradictions of modernity which are reflected in Socialism and Liberalism.

    The climate of euphoria and hope that greeted the overthrow of the Spanish monarchy was utterly transformed just five years later by a cruel and destructive civil war. Here Julian Casanova, one of Spain's leading historians, offers a magisterial new account of this critical period in Spanish history. He exposes the ways in which the Republic brought into the open simmering tensions between Catholics and hardline anticlericalists, bosses and workers, Church and State, order and revolution. In 1936 these conflicts tipped over into the sacas, paseos and mass killings which are still passionately debated today. The book also explores the decisive role of the international instability of the 1930s in the duration and outcome of the conflict. Franco's victory was in the end a victory for Hitler and Mussolini and for dictatorship over democracy.

    She's bravely dismissed her cheating husband's generous divorce settlement, opting instead for a creatively satisfying, financially independent, bohemian lifestyle on a Spanish island in the sun. Falling in love with a pop music superstar eight years her junior was definitely not part of her plan. Common sense dictates staying away from Emilio Caliente and his cinnamon kisses: his life is in turmoil, his latest single has bombed, the press want to see him naked and his hellacious manager seems increasingly deranged. But surely the chain of extraordinary events that insists on bringing them together is proof that love is oblivious to common sense? Does Gemma dare follow her heart and wish upon a pop star without undermining everything else she set out to achieve? *** "The idea for 'Mucho Caliente!' formed while I was on holiday in Ibiza, visiting my best friend who lives there all year round. After a lazy day at a trendy beach, we sat sipping margaritas, admiring the sunset. A salsa band was playing at the beach bar, people were dancing. Among the dancers, I recognised a famous Latino pop star. My imagination took off and the result was 'Mucho Caliente!'" Francesca

    They left behind punishing lives in Canadian relief camps, mines, and urban flophouses to confront fascism in a country few knew much about. Michael Petrou has drawn on recently declassified archival material, interviewed surviving Canadian veterans, and visited the battlefields of Spain to write the definitive account of Canadians in the Spanish Civil War. Renegades is an intimate and unflinching story of idealism and courage, duplicity and defeat.

    G. Sanchez's latest book of fiction, contains two novellas centred on the twin themes of loss and emotional estrangement. The first and longest of the novellas is set in late nineteenth-century Gibraltar, a British outpost 'known throughout Christendom for the intemperance of its military men and the perpetual contrabanding conducted by its civilian classes.' Into this world of limited fin-de-siècle possibilities enters Charles Bestman, an Anglo-Gibraltarian returning home after twenty-five years of exile in mainland Britain. What is the secret that Bestman carries locked within his breast and why does he roam through the colony s lonely, gas-lit streets at night? In Roman Ruins, the second novella, the scene changes to Rome in the late 1990s. A Kosovan Serbian refugee chances upon a high powered Italian lawyer at a street crossing. Because of a chance remark, two separate lives are brought together in a bizarre arrangement that threatens to destabilise everything they took for granted about themselves. . . .

    James the Apostle preached throughout the Iberian peninsula. His bones found their way to the cathedral at Santiago de Compostela and today many pilgrims make trips to the shrine. This fully illustrated book covers all the routes to this holy place from Paris and Spain. Providing readers with historical context for the routes, it showcases all the stunning monuments and magnificent landscapes along the way.

    

    The posters—most of them never before published—feature barnstormers, gliders, and flying boats, the earliest passenger flights, the first luxury-liners, mail carriers, jets, and much more. Spanning a century and a half, they combine the popular art and the commerce of their eras, with both explored in the entertaining, informative text by a longstanding National Air and Space Museum curator. From 19th-century circus impresarios offering rides in gaudy hot-air balloons to the sleek 21st-century airliners, the posters provide a fascinating illustrated history of flight as it evolved from an exotic realm inhabited only by visionaries and daredevils into our modern world of speedy jets and frequent flyers—no longer extraordinary, perhaps, but still echoing with the exhilarating thrill and glamorous excitement captured here.Countless visitors to the museum’s traveling poster exhibition and the permanent exhibition "America by Air" will delight in the gorgeous and wonderful graphics collected in this appealing, affordable book—and so will aviation buffs, armchair travelers, and poster connoisseurs everywhere.

    Yet the many cultural dimensions of medieval Iberia make it pressingly relevant to current critiques of western modernity. This volume, which brings into dialogue historians and literary scholars in medieval and modern Iberian cultures, interrogates the contemporary significance of the distant Spanish past, particularly in regard to tensions in the relationship between the West and Islam. Rejecting an illusory space of neutrality, the search for relevance is envisioned as an ethically and politically necessary form of inquiry.

    It is a long-ignored but fundamental source for the study of Latin American cultural history. A theatrical version of the Spanish Conquest clearly influenced by Bartolome de Las Casas, the play centers on a group of American natives filing a complaint against the Spanish conquistadors--before a tribunal presided over by Death. They denounce the horrors and crimes committed against them by the conquistadors and colonizers in their idolatrous greed for gold. The play constitutes an allegorical summary of the debates of the day about the emergence of the Spanish Empire, the justification of conquest, the right to wage war against the Indians, the evangelization of the natives, the discrimination against the newly converted peoples of the New World, the exploitation of Indian labor, the extent of the emperor's sovereignty, and the right to resist tyranny. The translation by Carlos Jaúregui and Mark Smith-Soto is the first English edition of this important work. It is presented in an annotated, bilingual edition, with a critical introduction that discusses the origins and ideological significance of the play.

    Now believed to be a combination of bubonic plague and two other rarer plague strains, the Black Death ravaged the continent for several terrible years before finally fading away in 1352. Most historians believe that the pandemic, which also swept across parts of Western Asia and North Africa, annihilated 33 to 60 percent of Europe's population - roughly 25 to 45 million men, women, and children. This massive depopulation had a deep impact on the course of European history, speeding up or initiating important social, economic, religious, and cultural changes.

    Published in Madrid in 1599 by a Spanish-born soldier of fortune with long experience in the Americas, the book is a training manual for conquistadors. The Aztec and Inca Empires had long since fallen by 1599, but Vargas Machuca argued that many more Native American peoples remained to be conquered and converted to Roman Catholicism. What makes his often shrill and self-righteous treatise surprising is his consistent praise of indigenous resistance techniques and medicinal practices.Containing advice on curing rattlesnake bites with amethysts and making saltpeter for gunpowder from concentrated human urine, The Indian Militia is a manual in four parts, the first of which outlines the ideal qualities of the militia commander. Addressing the organization and outfitting of conquest expeditions, Book Two includes extended discussions of arms and medicine. Book Three covers the proper behavior of soldiers, providing advice on marching through peaceful and bellicose territories, crossing rivers, bivouacking in foul weather, and carrying out night raids and ambushes. Book Four deals with peacemaking, town-founding, and the proper treatment of conquered peoples. Appended to these four sections is a brief geographical description of all of Spanish America, with special emphasis on the indigenous peoples of New Granada (roughly modern-day Colombia), followed by a short guide to the southern coasts and heavens. This first English-language edition of The Indian Militia includes an extensive introduction, a posthumous report on Vargas Machuca’s military service, and a selection from his unpublished attack on the writings of Fray Bartolomé de Las Casas.

    Tourist brochures inviting visitors to sunny and romantic Andalusia, home of the ingenious gardens and intricate arabesques of Granada's Alhambra Palace, are not the first texts to trade on Spain's relationship to its Moorish past. Despite the fall of Granada to the Catholic Monarchs in 1492 and the subsequent repression of Islam in Spain, Moorish civilization continued to influence both the reality and the perception of the Christian nation that emerged in place of al-Andalus.In Exotic Nation, Barbara Fuchs explores the paradoxes in the cultural construction of Spain in relation to its Moorish heritage through an analysis of Spanish literature, costume, language, architecture, and chivalric practices. Between 1492 and the expulsion of the Moriscos (Muslims forcibly converted to Christianity) in 1609, Spain attempted to come to terms with its own Moorishness by simultaneously repressing Muslim subjects and appropriating their rich cultural heritage. Fuchs examines the explicit romanticization of the Moors in Spanish literature--often referred to as literary maurophilia--and the complex, often silent presence of Moorish forms in Spanish material culture. The extensive hybridization of Iberian culture suggests that the sympathetic depiction of Moors in the literature of the period does not trade in exoticism but instead reminded Spaniards of the place of Moors and their descendants within Spain. Meanwhile, observers from outside Spain recognized its cultural debt to al-Andalus, often deliberately casting Spain as the exotic racial other of Europe.

    It's heartfelt and lyrical narrative - as the author questions her closest relationships, and some of the stifling patterns she has fallen into. Yet it will be instantly recognisable to anyone who has ever tried to juggle relationships, the craving for solitude, and the urge to write or to devote oneself to a career which demands total focus.Delicately written, yet tough at the core, this memoir weaves together a journey to Spain with several years of internal change. Digging for Spain explores an intensely personal yet common rite of passage: that of a woman learning to separate her identity from motherhood, marriage, and beliefs formed in youthful inexperience.