Yet it is also one of the most puzzling, with an intriguing and sometimes violent history, from the sixth century BCE to the present day. Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was--more like Calcutta or the Costa del Sol?--and what it can tell us about ordinary life there. From sex to politics, food to religion, slavery to literacy, Beard offers us the big picture even as she takes us close enough to the past to smell the bad breath and see the intestinal tapeworms of the inhabitants of the lost city. She resurrects the Temple of Isis as a testament to ancient multiculturalism. At the Suburban Baths we go from communal bathing to hygiene to erotica. Recently, Pompeii has been a focus of pleasure and loss: from Pink Floyd's memorable rock concert to Primo Levi's elegy on the victims. But Pompeii still does not give up its secrets quite as easily as it may seem. This book shows us how much more and less there is to Pompeii than a city frozen in time as it went about its business on 24 August 79.

    For frontline troops, casualty rates at Cassino and along the notorious Gothic Line were as high as they had been on the Western Front in the First World War. There were further similarities too: blasted landscapes, rain and mud, and months on end with the front line barely moving. And while the Allies and Germans were fighting it out through the mountains, the Italians were engaging in bitter battles too. Partisans were carrying out a crippling resistance campaign against the German troops but also battling the Fascists forces as well in what soon became a bloody civil war. Around them, innocent civilians tried to live through the carnage, terror and anarchy, while in the wake of the Allied advance, horrific numbers of impoverished and starving people were left to pick their way through the ruins of their homes and country. In the German-occupied north, there were more than 700 civilian massacres by German and Fascist troops in retaliation for Partisan activities, while in the south, many found themselves forced into making terrible and heart-rending decisions in order to survive.Although known as a land of beauty and for the richness of its culture, Italy's suffering in 1944-1945 is now largely forgotten. This is the first account of the conflict there to tell the story from all sides and to include the experiences of soldiers and civilians alike. Offering extensive original research, it weaves together the drama and tragedy of that terrible year, including new perspectives and material on some of the most debated episodes to have emerged from the Second World War.

    A true "Renaissance man," Lorenzo dazzled contemporaries with his prodigious talents and magnetic personality. Known to history as Il Magnifico (the Magnificent), Lorenzo was not only the foremost patron of his day but also a renowned poet, equally adept at composing philosophical verses and obscene rhymes to be sung at Carnival. He befriended the greatest artists and writers of the time -- Leonardo, Botticelli, Poliziano, and, especially, Michelangelo, whom he discovered as a young boy and invited to live at his palace -- turning Florence into the cultural capital of Europe. He was the leading statesman of the age, the fulcrum of Italy, but also a cunning and ruthless political operative. Miles Unger's biography of this complex figure draws on primary research in Italian sources and on his intimate knowledge of Florence, where he lived for several years. Lorenzo's grandfather Cosimo had converted the vast wealth of the family bank into political power, but from his earliest days Lorenzo's position was precarious. Bitter rivalries among the leading Florentine families and competition among the squabbling Italian states meant that Lorenzo's life was under constant threat. Those who plotted his death included a pope, a king, and a duke, but Lorenzo used his legendary charm and diplomatic skill -- as well as occasional acts of violence -- to navigate the murderous labyrinth of Italian politics. Against all odds he managed not only to survive but to preside over one of the great moments in the history of civilization. Florence in the age of Lorenzo was a city of contrasts, of unparalleled artistic brilliance and unimaginable squalor in the city's crowded tenements; of both pagan excess and the fire-and-brimstone sermons of the Dominican preacher Savonarola. Florence gave birpth to both the otherworldly perfection of Botticelli's Primavera and the gritty realism of Machiavelli's The Prince. Nowhere was this world of contrasts more perfectly embodied than in the life and character of the man who ruled this most fascinating city.

    Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.The Sistine Secrets tells the fascinating story of how Michelangelo embedded messages of brotherhood, tolerance, and freethinking in his painting to encourage "fellow travelers" to challenge the repressive Roman Catholic Church of his time."Driven by the truths he had come to recognize during his years of study in private nontraditional schooling in Florence, truths rooted in his involvement with Judaic texts as well as Kabbalistic training that conflicted with approved Christian doctrine, Michelangelo needed to find a way to let viewers discern what he truly believed. He could not allow the Church to forever silence his soul. And what the Church would not permit him to communicate openly, he ingeniously found a way to convey to those diligent enough to learn his secret language."—from the PrefaceBlech and Doliner reveal what Michelangelo meant in the angelic representations that brilliantly mocked his papal patron, how he managed to sneak unorthodox heresies into his ostensibly pious portrayals, and how he was able to fulfill his lifelong ambition to bridge the wisdom of science with the strictures of faith. The Sistine Secrets unearths secrets that have remained hidden in plain sight for centuries.

    Mussolini fought in these trenches, as did most of his collaborators. But so did many of the greatest modernist writers in Italian and German - Ungaretti, Gadda, Musil.

    Carmine's flavors are the tastes Americans love to cook and eat at home--fresh garlic, bubbling tomato sauce, and pasta boiled just to the perfect al dente. Try any of the recipes in Carmine's Family-Style Cookbook and bring home that classic Italian flavor to your family.

    From humble origins in the town of Corleone, they manipulated the Cosa Nostra's code of honor--deceiving and bludgeoning to the summit of the secret brotherhood, purging rivals and launching terrorist campaigns which decimated anti-mafia judges, police and politicians. Journalist John Follian focuses on the three godfathers who headed the clan from the 1950s on. Luciano "The Professor" Leggio, Salvator "The Beast" Riina and Bernardo "The Tractor" Provenzano--who forged a vicious gang bent on the subversion of democracy.Cutting through the romantic aura of Hollywood films, "The Last Godfathers "portrays the true face of the Corleone mob, delving into the bloody facts behind the myth of the modern mafia.

    For almost four centuries this astonishing story of a woman’s absolute power over the Vatican has been successfully buried—until now.

    Murphy is a superb storyteller, and her fast-paced narrative captures the intrigue, the scandal, the romantic affairs, and the violence that were commonplace in the Florentine court. She brings to life an extraordinary woman, fluent in five languages, a free-spirited patron of the arts, a daredevil, a practical joker, and a passionate lover. Isabella, in fact, conducted numerous affairs, including a ten-year relationship with the cousin of her violent and possessive husband. Her permissive lifestyle, however, came to an end upon the death of her father, who was succeeded by her disapproving older brother Francesco. Considering Isabella's ways to be licentious and a disgrace upon the family, he permitted her increasingly enraged husband to murder her in a remote Medici villa. To tell this dramatic story, Murphy draws on a vast trove of newly discovered and unpublished documents, ranging from Isabella's own letters, to the loose-tongued dispatches of ambassadors to Florence, to contemporary descriptions of the opulent parties and balls, salons and hunts in which Isabella and her associates participated. Murphy resurrects the exciting atmosphere of Renaissance Florence, weaving Isabella's beloved city into her story, evoking the intellectual and artistic community that thrived during her time. Palaces and gardens in the city become places of creativity and intrigue, sites of seduction, and grounds for betrayal. Here then is a narrative of compelling and epic proportions, magnificent and alluring, decadent and ultimately tragic.

    His name was Leonardo, and he was destined to change the world forever. Caterina suffered much cruelty as an unmarried mother and had no recourse when her boy was taken away from her. But no one knew the secrets of her own childhood, nor could ever have imagined the dangerous and heretical scheme she would devise to protect and watch over her remarkable son. This is her story.

    Topics range from expressive hand gestures to patron saints, pasta, parmesan, shoes, opera, the Vespa, the Fiat 500, gelato, gondolas, and more. History, folklore, superstitions, traditions, and customs are tossed in a delicious sauce that also includes a wealth of factual information for the sophisticated traveler:• why lines, as we know them, are nonexistent in Italy• why a string of coral beads is often seen around a baby’s wrist• what the unlucky number of Italy is (it’s not thirteen, unless seating guests at a table, when it IS thirteen–taking into account the outcome of the Last Supper)• why red underwear begins to appear in shops as the New Year approaches In addition to the lyrical and poetic, Italianissimo provides useful and indispensable information for the traveler: deciphering the quirks of the language (while English has only one word for “you,†in Italy there are three), the best place to find balsamic vinegar (in Modena, of course), the best gelato (in Sicily, where they first invented it using the snow from Mount Etna). There are also recommendations for little-known museums and destinations (the Bodoni museum, the Pinocchio park, legendary coffee bars).This is a new kind of guidebook overflowing with enlightening and hilarious miscellaneous information, filled with luscious graphics and unforgettable photographs that will decode and enrich all trips to Italy–both real and imaginary.

    Few books about living in foreign climes are written as entertainingly, beautifully or romantically." -- Sydney Morning HeraldWINNER OF THE GROLLO RUZZENE FOUNDATION PRIZEWhen Chris travelled from Sydney to Dublin, he never dreamed his life was about to change forever. There he meets Daniela - one L, smile as you say it to pronounce it correctly - and it's amore at first sight. Before he can say si, he's uprooted to follow her to her sun-kissed hometown of Andrano, Puglia, tucked in the heel of southern Italy.The whitewashed houses, olive groves and cobblestone lanes are beautiful, but soon Chris is getting to grips with everyday Italian life. There's infuriating bureaucracy, an anarchic road system and - biggest challenge of all - Daniela's mamma, who's determined to convert him to the Catholic faith and build an extension on her house where the couple might live la dolce vita.

    But the theory of perspective that changed the course of Western art originated elsewhere-it was formulated in Baghdad by the eleventh-century mathematician Ibn al Haithan, known in the West as Alhazen. Using the metaphor of the mutual gaze, or exchanged glances, Hans Belting-preeminent historian and theorist of medieval, Renaissance, and contemporary art-narrates the historical encounter between science and art, between Arab Baghdad and Renaissance Florence, that has had a lasting effect on the culture of the West.In this lavishly illustrated study, Belting deals with the double history of perspective, as a visual theory based on geometrical abstraction (in the Middle East) and as pictorial theory (in Europe). How could geometrical abstraction be reconceived as a theory for making pictures? During the Middle Ages, Arab mathematics, free from religious discourse, gave rise to a theory of perspective that, later in the West, was transformed into art when European painters adopted the human gaze as their focal point. In the Islamic world, where theology and the visual arts remained closely intertwined, the science of perspective did not become the cornerstone of Islamic art. Florence and Baghdad addresses a provocative question that reaches beyond the realm of aesthetics and mathematics: What happens when Muslims and Christians look upon each other and find their way of viewing the world transformed as a result?

    Artemio was my husband's great-grandfather. For reasons not understood by my husband's family, Grandpa Artemio's death was never investigated. It was not reported to the police, nor did Bruna Bruni, Artemio's wife, ever demand justice. How could that be possible, I asked my mother-in-law - mafia? 'No, no, you don't understand,' she answered. 'Things were different in the mountains one hundred years ago. Grandpa and Grandma were poor farmers, no one could have cared less about them. Grandpa was a nobody and life was cheap in Tuscany then.:When Australian author and journalist Lisa Clifford moved to Florence to be with her Italian husband, an unsolved murder in his family became part of her life. The more Lisa found out about it, the more intrigued she became - so much so that she was driven to investigate the tragic events of a century ago. Soon it was not just the murder that obsessed her but also the harsh existence of Artemio and his family, one that had continued unchanged since the middle ages and had none of the warmth and sophistication of the Florentine life she knew. Death in the Mountains is Lisa's brilliant recreation of the life and death of Artemio Bruni, and an evocation of the world of the Tuscan mountains in the early 20th century. It is both a murder mystery and a beautifully observed picture of a lost Italy.

    1390/95–1455), known as Fra Angelico. From the delicate altarpieces of his early career to the serene frescos in the monastery of San Marco in Florence and the many magnificent works he executed for the Popes in the Vatican, Fra Angelico’s paintings are here discussed in the context of the time and places in which they were created, and are beautifully reproduced in their true, glorious colours.

    Motivated by wanderlust, a sense of duty and the call of faith, some 20,000 Catholic men from around the world rallied to Vatican City to defend her gates against Sardinian marauders. Volunteers came from France, Belgium, Spain, Ireland, Austria, and many other countries, including the United States. The battles that ensued lasted over 10 years, among a shifting array of allies and enemies and are among history’s most fascinating yet largely overlooked episodes. Napoleon, Pius IX, and Bismarck all make appearances in the story, but at the center were the Zouaves--steeped in a knightly code of honor, and unflinching in battle as any modern warrior--as the Church they vowed to defend to the death teetered at the brink of destruction.

    JULIUS CESAR, the triumvir and the founder of the Roman Empire, was the grandnephew of C. Julius Caesar, the dictator, his adoptive father. Originally named, like his true father, C. Octavius, he entered the Julian family after the dictator’s death, and, according to the usual practice of adopted sons, called himself C. Julius Caesar Octavianus. But the name Octavianus soon fell into disuse, and by his contemporaries he was commonly spoken of as Caesar, just as Scipio Emilianus was commonly called Scipio.The victory of Actium (Sept. 2, 31 BC), and the death of Marcus Antonius (Aug. 1, 30 BC) placed the supreme power in the hands of Caesar, for so we may best call him until he becomes Augustus. The Roman world lay at his feet and he had no rival. He was not a man of genius and his success had perhaps been chiefly due to his imperturbable self-control. He was no general; he was hardly a soldier, though not devoid of personal courage, as he had shown in his campaign in Illyricum. As a statesman he was able, but not creative or original, and he would never have succeeded informing a permanent constitution but for the example of the great dictator. In temper he was cool, without ardor or enthusiasm. His mind was logical and he aimed at precision in thought and expression. His culture was wide, if superficial; his knowledge of Greek imperfect. In literary style he affected simplicity and correctness; and he was an acute critic. Like many educated men of his time, he was not free from superstition. His habits were always simple, his food plain, and his surroundings modest. His family affections were strong and sometimes misled him into weakness. His presence was imposing, though he was not tall, and his features were marked by symmetrical beauty; but the pallor of his complexion showed that his health was naturally delicate. It was due to his self-control and his simple manner of life that he lived to be an old man...

    It follows up 2007's A Day In Tuscany, which found the author re-acclimating to the rhythms of home following a three-month U.S. tour promoting his debut book, 2004's Too Much Tuscan Sun - Confessions Of A Chianti Tour Guide. The New York Times called that popular title - much in the spirit of Castagno's newest work - an "engaging jaunt into the Italian countryside." Publisher's Weekly rated it "Brain candy to be enjoyed with a bottle of red."A case of red is in order for Too Much Tuscan Wine, which celebrates the region's world-renowned viniculture and those who joyously imbibe it (sometimes with less than joyful outcomes, as some chapters will attest.). Absolutely vintage Castagno, the book features Dario as the protagonist in a heady flow of real-life adventures in which copious amounts of "vino rosso" are imbibed with an enthusiasm surely to be matched by readers as they drink in his words. The story begins when he's contacted out of the blue - and propelled into the red - by "Mia Lane," an American editor who proposes that he write a book about Tuscany's winemaking heritage. As the manuscript develops based on suggestions from Mia, so does the depth of feelings expressed in their e-mail correspondence. Part muse, part mystery women, she captures the author's imagination, and eventually, his soul when he learns her true identity. In chapters including "The Poolio," "The Final Truss," "Crappy New Year," "The Madre Of Them All," "In Vino Veritas" and "Mimi," Dario Castagno's latest book - peppered with wine proverbs - overflows with humor, reverie, romance, adventure and a heartfelt toast to the treasures of Tuscany, where more than the landscape is lush!

    In his quest to recover Balmamion's memory Herbie Sykes rediscovers the romantic, parochial community of Italian cycling in the 60s. This is a book about courage, deceit, joy and the sadness of lost careers.

    1500-1577) was arguably the most famous chef of the Italian Renaissance. He oversaw the preparation of meals for several Cardinals and was such a master of his profession that he became the personal cook for two Popes. At the culmination of his prolific career he compiled the largest cookery treatise of the period to instruct an apprentice on the full craft of fine cuisine, its methods, ingredients, and recipes. Accompanying his book was a set of unique and precious engravings that show the ideal kitchen of his day, its operations and myriad utensils, and are exquisitely reproduced in this volume.Scappi's Opera presents more than one thousand recipes along with menus that comprise up to a hundred dishes, while also commenting on a cook's responsibilities. Scappi also included a fascinating account of a pope's funeral and the complex procedures for feeding the cardinals during the ensuing conclave. His recipes inherit medieval culinary customs, but also anticipate modern Italian cookery with a segment of 230 recipes for pastry of plain and flaky dough (torte, ciambelle, pastizzi, crostate) and pasta (tortellini, tagliatelli, struffoli, ravioli, pizza).Terence Scully presents the first English translation of the work. His aim is to make the recipes and the broad experience of this sophisticated papal cook accessible to a modern English audience interested in the culinary expertise and gastronomic refinement within the most civilized niche of Renaissance society.

    Virginia Cox documents this tradition and both explains its character and scope and offers a new hypothesis on the reasons for its emergence and decline.Cox combines fresh scholarship with a revisionist argument that overturns existing historical paradigms for the chronology of early modern Italian women’s writing and questions the historiographical commonplace that the tradition was brought to an end by the Counter Reformation. Using a comparative analysis of women's activities as artists, musicians, composers, and actresses, Cox locates women's writing in its broader contexts and considers how gender reflects and reinvents conventional narratives of literary change.

    Telling the engrossing lives of two half-sisters who meet coincidentally in Tunisia, their mothers, and the elusive father who ties all their stories together, Igiaba Scego’s virtuosic novel spreads thickly over Argentina’s horrific dirty war, the chaotic final years of Siad Barre’s brutal dictatorship in Somalia—which ended in catastrophic civil war—and the modern-day excesses of Italy’s right-wing politics.United by the Italian government’s attempts to establish authoritarian politics in Somalia, Argentina, and at home, Scego’s kaleidoscopic plot investigates deep questions about our complicity in the governments that we often feel powerless to affect. In its myriad characters, locations, and languages, it brings new definition to identity in a fast-changing world of migrants and political upheaval. Most of all, Scego’s five poignant lives anchor this sprawling work as they fight to build family ties while overcoming past violations, including governmental torture and sexual assault. A masterwork equally as adept with the lives of nations as those of human beings, Beyond Babylon brings much-needed insight, compassion, and understanding to our turbulent world.

    By their metaphysical and visual presence, his pictures are as familiar to us and as influential as de Chirico's visions are in painting. This monograph on List's oeuvre presents for the first time all phases of his creativity: the early fotografia metafisica; his Greece photographs blending Antiquity, Mediterranean light and Eros in visions of Classical Hellas; his sensitive homoerotic pictures; his artist portraits of the 40s through to the 60s; and the human interest photography of his late work. Essays by noted authors explore List s particular interests and the photo-historic context of his oeuvre. A selection of List s own writings, a comprehensive chronology, a bibliography, a list of exhibitions, and a list of publications complete this lavish volume.

    Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Cézanne. As the British critic William Hazlitt noted in 1844, “This great and learned man might be said to see nature through the glass of time.” This beautiful catalogue presents the first in-depth examination of Poussin’s landscapes. Featured here are more than 40 paintings, ranging from the artist’s early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter’s visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon.

    Sailing in a late nineteenth-century yawl, his journey starts in Venice and finishes in Istanbul. Along the way he takes in spectacular ruins, like the Acropolis in Athens and the Lycian Tombs in Turkey; sacred sites like the monasteries of Mount Athos and the Hagia Sophia in Istanbul; and beautiful Dubrovnik (destroyed and rebuilt in the last decade). Ancient history and bygone legends intertwine as Francesco visits these wonderful ancient sites, bringing the past vividly to life, and taking readers on a thrilling cultural odyssey. Beautifully illustrated throughout, this book will be a must for fans of Francesco everywhere.

    Features 24 walking tours of Rome including: Vatican City the Catacombs Trastevere themed tours such as "Romantic Rome" and "Peaceful Places of the Aventine"

    What will your Rome Encounter Be? Admiring the brush-clutching rebel, Caravaggio, at the Villa BorgheseNibbling aperitivi and flaking out on funky furniture at Freni e FrizioniGazing into the Gallery of Mirrors in Palazzo Doria Pamphilj, Rome 's snack-sized VersaillesLocking lips, and padlocks, on the Ponte MilvioFinding your inner fashionista on the streets of MontiGetting into the counterculture groove in Rome 's centri sociali (social centres) Discover Twice The City In Half The Time Full-color pull-out map and detailed neighborhood maps for easy navigationOur Italian author recommends the very best sights, restaurants, shops and entertainmentUnique itineraries and highlights help you plan the perfect short break in the Eternal CityLocal experts reveal Rome 's secrets: from leading archaeologist Fausto Zevi to Francesco Apreda, Executive Chef at on-trend Im go

    It contains dishes for everyone, whether you live by yourself or with a friend, partner, children, or as part of a big family. Food for modern life, Gino's recipes are straight-forward and unpretentious, focusing on flavor rather then complicated cooking techniques or expensive ingredients.

    In a feature unique to Italy, the people who prepared a condemned man or woman spiritually and psychologically for execution were not priests or friars, but laymen. This volume includes some of the songs, stories, poems, and images that they used, together with first-person accounts and ballads describing particular executions. Leading scholars expand on these accounts explaining aspects of the theater, psychology, and politics of execution.

    The cast of characters is as colorful as before, although this time most of them are headed for salvation. The canto-by-canto commentary allows each contributor his or her individual voice and results in a deeper, richer awareness of Dante's timeless aspirations and achievements.

    Theodore Electris, newly married and idealistic, was called up to the Greek-Italian front in the remote mountains of Albania. Homesick, hungry and desperately missing his young wife, Chrysoula, he kept an intimate journal to preserve his experiences for her.Translated by his daughter, Helen Electrie Lindsay, Electris’s entries and letters come together in Written on the Knee. Fully illustrated and accompanied by supporting reference material, the collection serves as both an authentic historical document of Greek involvement in WWII and a story of love, separation and family ties threatened and strengthened by war.Often overlooked in the scope of WWII, Greece’s six-month conflict with Mussolini’s forces played a pivotal role in the war’s outcome. The small country’s fierce resistance against the Italians delayed Hitler’s move into the Soviet Union, which many historians believe turned the war in favor of the Allies.From Dr. Electris’s first entry to his last, Written on the Knee captures the true story of love and war during a crucial time in modern history.

    In C is for Ciao: An Italy Alphabet, young readers are invited to explore Italy's rich history, diverse geography, and many traditions. Sumptuous artwork magnifies each letter topic's poem and expository text. R is for the city, Rome, whose beauty will astound you. Modern life is bustling while antiquities surround you. Renowned Italians such as Augustus Caesar (first Roman emperor), Amerigo Vespucci (Florentine explorer), and Leonardo da Vinci (Renaissance artist and scientist) come to life alongside stunning monuments, breathtaking scenery, and history-in-the-making moments that have shaped Italy and the world at large. Governor Mario Cuomo adds a personal message reflecting on his Italian heritage.

    The fully updated guide includes unique cutaways, floorplans and reconstructions of the must-see sites, plus street-by-street maps of all the fascinating cities and towns. The new-look guide is also packed with photographs and illustrations leading you straight to the best attractions on offer.The uniquely visual DK Eyewitness Travel guide will help you to discover everything region-by-region; from local festivals and markets to day trips around the countryside. Detailed listings will guide you to the best hotels, restaurants, bars and shops for all budgets, whilst detailed practical information will help you to get around, whether by train, bus or car. Plus, DK's excellent insider tips and essential local information will help you explore every corner of Italian Riviera effortlessly.DK Eyewitness Italian Riviera Travel Guide - showing you what others only tell you.

    Home of St. Catherine and St. Bernardino, Siena was equally renowned for its architectural beauty and its religious devotion. Through the use of color photographs, maps, and reproductions of original manuscripts, Burckhardt invites the reader to walk the streets of a city whose history mirrors the development of Christianity in Europe.

    Discover Ancient Rome! Based on surviving evidence, readers will learn about the rich culture and peoples of this ancient city with a look into home life, work, education, entertainment, and more!

    The posters—most of them never before published—feature barnstormers, gliders, and flying boats, the earliest passenger flights, the first luxury-liners, mail carriers, jets, and much more. Spanning a century and a half, they combine the popular art and the commerce of their eras, with both explored in the entertaining, informative text by a longstanding National Air and Space Museum curator. From 19th-century circus impresarios offering rides in gaudy hot-air balloons to the sleek 21st-century airliners, the posters provide a fascinating illustrated history of flight as it evolved from an exotic realm inhabited only by visionaries and daredevils into our modern world of speedy jets and frequent flyers—no longer extraordinary, perhaps, but still echoing with the exhilarating thrill and glamorous excitement captured here.Countless visitors to the museum’s traveling poster exhibition and the permanent exhibition "America by Air" will delight in the gorgeous and wonderful graphics collected in this appealing, affordable book—and so will aviation buffs, armchair travelers, and poster connoisseurs everywhere.

    The illustrated volume Florence: Art and Architecture combines interesting and easily understood texts with an abundance of opulent color illustrations into a first class cultural experience. Prominent Florentine scholars and museum directors accompany the reader on a journey to the unique artistic treasures of this city on the Arno. The experts introduce superb historical buildings and sculptures in their historical contexts, and as "insiders" lead you through world famous painting galleries such as the Accademia and the Palazzo Pitti. Over 500 high quality illustrations, often over more than one page, as well as thematic essays on book illumination, the art of the goldsmith and the treasures of the Medicis round out the text. Whether as an especially beautiful gift or to grace your own bookshelves, this exceptional book is a bibliophile's jewel, and at the same time an enthralling art guide through one of the most gorgeous cities in the world.

    This comprehensive, two volume work presents the extraordinary panorama of Italian painting spanning the period from 1300 to 1610, including all the great masters and their most famous works.

    Now believed to be a combination of bubonic plague and two other rarer plague strains, the Black Death ravaged the continent for several terrible years before finally fading away in 1352. Most historians believe that the pandemic, which also swept across parts of Western Asia and North Africa, annihilated 33 to 60 percent of Europe's population - roughly 25 to 45 million men, women, and children. This massive depopulation had a deep impact on the course of European history, speeding up or initiating important social, economic, religious, and cultural changes.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Ranging across European and international borders, he examines the metaphors, facts, and fictions about Italy that were born in the Romantic age and continue to haunt the global literary imagination.The themes of the book include the emergence of Italy as the “world’s university” (Goethe) and “mother of arts” (Byron), the influence of Dante’s Commedia on Romantic autobiography, and the representation of the Italian body politic as a woman at home and abroad. Luzzi also provides a critical reevaluation of the three crowns of Italian Romantic letters—Ugo Foscolo, Giacomo Leopardi, and Alessandro Manzoni—profoundly influential writers largely undiscovered in Anglo-American criticism. Reaching out to academic and general readers alike, the book offers fresh insights into the influence of Italian literary, cultural, and intellectual traditions on the foreign imagination from the Romantic age to the present.

    As a midfielder with Roma, Juventus and Milan, he won four Italian league championships and two cups, and played for his country 32 times, scoring a goal at Wembley in 1973 in Italy's first ever win in England. As a manager, Capello's fierce determination has seen him win championships - nine of them in 16 years - with every club he has taken charge of, from the great Milan team he helped create in the early 1990s to Real Madrid with David Beckham in 2007.Now he faces his greatest challenge yet, the challenge that he has said is his long-cherished dream, and the last of his glittering coaching career. To restore England to the top of the world football tree, to take his adopted country to the World Cup in South Africa in 2010, and to win it. For Capello, nothing less than the best will do. For England, it is win or bust. And you don't want to lose under Capello.In this, the first ever biography of the new England manager, award-winning writer Gabriele Marcotti travels from Capello's early days in Italy to his first months in his new job at Soho Square to tell the story of the man behind the steely glare, the method behind the sometimes manic behaviour. Capello's drive for success at any cost has seen him make more than a few enemies over the years, and Marcotti has talked to them all, as well as his closest associates. No-one has ever got this close to Capello before, and this is the story not just of a remarkable career, but of the life of a truly extraordinary man.

    The authors explain the cultural background of the era and explore the particular characteristics that distinguish Sicilian baroque.

    Although less than twenty of Leonardo da Vinci's paintings are known to exist today, some of them-the Mona Lisa, The Last Supper, along with his drawing of the Vitruvian man-are among the most identifiable, reproduced, and popular works in the world. This monograph explores Leonardo as not just a painter but also a scientist, naturalist, architect, and engineer, showing how the artist's oeuvre reflected his boundless curiousity and imagination. Overflowing with impeccably reproduced images, this book offers full-page spreads of masterpieces as well as highlights of smaller details-allowing the viewer to appreciate every aspect of the artist's technique and oeuvre. Chronologically arranged, the book covers important biographical and historic events that reflect the latest scholarship. Additional information includes a list of works, timeline, and suggestions for further reading.