But Halt has sworn to rescue his apprentice, and he is joined by Horace as he travels by land through Gallica towards Skandia. Can Horace's swordfighting skills keep them safe on their journey? Will they be in time to rescue Will from a life of slavery? OAKLEAF BEARERS Skandia is being threatened by a massive invasion force of Temujai, the riders from the Eastern Steppes who are renowned for their fierceness in battle. Halt, Will, Horace and Evanlyn must work together with the Skandians if they are to defeat the invaders - but will the Oberjarl accept the help of his sworn enemies from Araluen? Are Will, Halt, Evanlyn and Horace destined to return home to Araluen? Read the full story of their adventures in Gallica and Skandia in this special edition of the third and fourth Ranger's Apprentice books.

    Only loyalty to the King can bring victory!As the Knights of the Prince await His triumphant return, they are steadfast in their mission to take His story into the kingdom and recruit as many as are willing. But when a new and dangerous threat is revealed, their mission is jeopardized. Sir Kendrick and his young charge, the impetuous Sir Duncan, are sent on a mission to discover the identity and origin of a secretive new order known as the Conquistero Knights. They travel to the city of Bel Lione where Lord Ra has been enticing young people in the kingdom to join his festivals, after which many choose not to return home. Their families keep quiet for fear of repercussion. When Sir Duncan disappears while trying to discover the truth of Lord Ra’s castle, Sir Kendrick attempts to find and enlist the help of a mysterious warrior. Time is short for he must save Duncan and call upon the knights of Chessington to join in the battle against the evil Lord Ra. Journey to Arrethtrae, where these knights of noble heart live and die in loyal service to the King and the Prince. These knights are mighty, for they serve a mighty King. They are…the Knights of Arrethtrae!

    It was fought by two badly matched armies that met in atrocious conditions on St Crispin's Day 1415, and resulted in an extraordinary victory that was celebrated in England long before Shakespeare immortalised it in Henry V. It has always been held to be the triumph of the longbow against the armoured knight, and of the common man against the feudal aristocrat, but those are history's myths. Bernard Cornwell, who has long wanted to write this story, depicts the reality behind the myths.Nicholas Hook is an English archer. He seems born to trouble and, when his lord orders him to London as part of a force sent to quell an expected Lollard uprising, Nick's headstrong behaviour leads to him being proscribed an outlaw. He finds refuge across the Channel, part of an English mercenary force protecting the town of Soissons against the French. What happened at the Siege of Soissons shocked all Europe, and propels Nick back to England where he is enrolled in the archer companyof the doughty Sir John Cornwaille, a leader of Henry V's army. The army was superb, but sickness and the unexpected French defiance at Harfleur, reduce it to near-shambolic condition. Henry stubbornly refuses to accept defeat and, in appalling weather, leads his shrunken force to what appears to be inevitable disaster.Azincourt culminates in the battle. Seen from several points of view on the English side, but also from the French ranks, the scene is vivid, convincing and compelling. Bernard Cornwell has a great understanding of men at war and battlefields and this is his masterpiece. This is what it must have been like to fight at Agincourt.

    His reign was one of the most dramatic and important of the entire Middle Ages, leading to war and conquest on an unprecedented scale, and leaving a legacy of division between the peoples of Britain that has lasted from his day to our own.Edward I is familiar to millions as ‘Longshanks’, conqueror of Scotland and nemesis of Sir William Wallace (‘Braveheart’). Yet this story forms only the final chapter of the king’s astonishingly action-packed life. Earlier Edward had defeated and killed the famous Simon de Montfort in battle; travelled across Europe to the Holy Land on crusade; conquered Wales, extinguishing forever its native rulers, and constructing – at Conwy, Harlech, Beaumaris and Caernarfon – the most magnificent chain of castles ever created. He raised the greatest armies of the English Middle Ages, and summoned the largest parliaments; notoriously, he expelled all the Jews from his kingdom. The longest-lived of all England’s medieval kings, he fathered no fewer than fifteen children with his first wife, Eleanor of Castile, and after her death he erected the Eleanor Crosses – the grandest funeral monuments ever fashioned for an English monarch.In this book, Marc Morris examines afresh the forces that drove Edward throughout his relentless career: his character, his Christian faith, and his sense of England’s destiny – a sense shaped in particular by the tales of the legendary King Arthur. He also explores the competing reasons that led Edward’s opponents (including Llywelyn ap Gruffudd and Robert Bruce) to resist him, and the very different societies that then existed in Scotland, Wales and Ireland. The result is a sweeping story, immaculately researched yet compellingly told, and a vivid picture of medieval Britain at the moment when its future was decided.

    Based on a true story never before told and impeccably researched, this is a testament to the power of sacrifice and the strength of love. When Roger Bigod, heir to the powerful earldom of Norfolk, arrives at court to settle an inheritance, he meets Ida de Tosney, young mistress to King Henry II. In Roger, Ida sees a chance for lasting love, but their decision to marry carries an agonizing price. It's a breathtaking novel of making choices, not giving up, and coping with the terrible shifting whims of the king.

    Children and parents love the activities, ranging from cooking projects to crafts, board games to science experiments, and puzzles to projects.Each Story of the World Activity Book provides a full year of history study when combined with the Textbook, Audiobook, and Tests—each available separately to accompany each volume of The Story of the World Activity Book. Activity Book 2 Grade Recommendation: Grades 1-6.

    This is a sample and contains only the first four chapters (105 pages which is the equivalent of 35% of the full novel). It is intended for people to "try before they buy".They killed the king. They pinned it on two men. They chose poorly.ABOUT THE BOOKThere’s no ancient evil to defeat, no orphan destined for greatness, just two guys in the wrong place at the wrong time.Royce Melborn, a skilled thief, and his mercenary partner, Hadrian Blackwater make a profitable living carrying out dangerous assignments for conspiring nobles until they become the unwitting scapegoats in a plot to murder the king. Sentenced to death, they have only one way out…and so begins this epic tale of treacheryand adventure, sword fighting and magic, myth and legend.

    Here is a celebration of swords and swordsmen that spans time and place -- from ancient warriors such as Beowulf to medieval knights; from stealthy ninja and samurai to legendary maidens of war. Illustrated with breathtaking intricacy, SWORDS reflects the passion of a true devotee, offering lavish background details on design and use as well as exquisite spreads showcasing specimens in all their shining glory.Back matter includes a bibliography.

    Commissioned by its magisterial patron, Jean de France, duc de Berry, this richly illuminated Book of Hours, intended for private devotion and now housed in The Cloisters at the Metropolitan Museum, counted among the duke’s large collection of prized possessions. The luminous scenes depicting the legends of the saints, the Hours of the Virgin, and the like, many with elaborately designed borders, exemplify the transcendent splendor of the Limbourg brothers’ talents.

    Despite the exciting and compelling descriptions in the Icelandic sagas and other contemporary accounts that have fueled this interest, we know comparatively little about Viking age arms and armor as compared to weapons from other historical periods. We know even less about how the weapons were used. While the sagas provide few specific combat details, the stories are invaluable. They were written by authors familiar with the use of weapons for an audience that, likewise, knew how to use them. Critically, the sagas describe how these weapons were wielded not by kings or gods, but by ordinary men, as part of their everyday lives. Viking Weapons and Combat Techniques provides an introduction to the arms and armor of the people who lived in Northern Europe during the Viking age, roughly the years 793–1066. Using a variety of available sources, including medieval martial arts treatises, and copiously illustrated with images of historical artifacts, battle sites, and demonstrations of modern replicas of Viking weapons, the author and his colleagues at Hurstwic (a Viking-age living history organization) and at the Higgins Armory Sword Guild have reconstructed the combat techniques of the Viking age and what is known about the defensive and offensive weapons of the time in general. Throughout, the author corrects some popular misconceptions about Viking warriors and warfare, such as the belief that their combat techniques were crude and blunt rather than sophisticated. In addition, the book provides an overview of Viking history and culture, focusing on the importance of weapons to the society as well as the Vikings’ lasting impact on Europe through their expeditions of trade and exploration.

    Its wide-ranging coverage of scholarship, its comprehensive philological aids, and its exceptionally thorough notes and glossary have ensured its continued use in spite of the fact that the book has remained largely unaltered since 1936. The fourth edition has been prepared with the aim of updating the scholarship while preserving the aspects of Klaeber's work that have made it useful to students of literature, linguists, historians, folklorists, manuscript specialists, archaeologists, and theorists of culture.A revised Introduction and Commentary incorporates the vast store of scholarship on Beowulf that has appeared since 1950. It brings readers up to date on areas of scholarship that have been controversial since the last edition, including the construction of the unique manuscript and views on the poem's date and unity of composition. The lightly revised text incorporates the best textual criticism of the intervening years, and the expanded Commentary furnishes detailed bibliographic guidance to discussion of textual cruces, as well as to modern and contemporary critical concerns. Aids to pronunciation have been added to the text, and advances in the study of the poem's language are addressed throughout. Readers will find that the book remains recognizably Klaeber's work, but with altered and added features designed to render it as useful today as it has ever been."

    Check out eight action-packed scenes for a bird's-eye view of the life and work of lords, ladies, knights, maids, and more. See the castle on market day and during an attack by an enemy lord. Watch knights compete in a tournament. Keep your eye on the calendar too. By spending a whole year in a castle, you can watch events unfold as the seasons change.

    The history of medieval food and cookery is studied with an eye to the real mechanics of food production and service - the equipment used, the household organisation, the architectural arrangements for kitchens, store-rooms, pantries, larders, cellars, and domestic administration.

    An enthusiastic practitioner of fencing, wrestling and other martial arts, he was determined to preserve the knowledge of the combat arts of his time. His dream is realized in this remarkable book by authors David James Knight and Brian Hunt.Mair collected a vast combat library, including works by Jorg Wilhalm, Antonius Rast, Gregor Erhart and Sigmund Ringeck, as well as copies of both the Codex Wallerstein and the Konigsegg-Talhoffe manuscript. Circa 1540, Mair produced the Opus Amplissimum de Arte Athletica, or Ultimate Book of the Art of Athletics, a massive compendium heavily influenced by the earlier works in his library but surpassing them in content and depth. Today only three complete manuscripts of his Opus survive in German and Austrian collections.In Polearms of Paulus Hector Mair, authors Knight and Hunt make their contribution to the endeavor that Mair began so many centuries ago. Working from both the German and Latin versions of Mair's Opus, they present chapters on combat with the poleax, halberd, spear and shortstaff, and lance and longstaff, with text in the original German and Latin, along with the English translation. The illustrations, taken from the Dresden codices, C93 and C94, have been meticulously restored to give a clear view of the techniques.This amazing volume, a labor of love of the arts of combat, belongs in the library of everyone with an interest in Renaissance martial arts.

    Her father’s chosen another successor, after promising that she would one day be Sorceress Queen. Then, he begs her to go fetch the very boy who is to usurp her place on his throne. When a reluctant knight, who only thinks of bedding women or hunting dragons is assigned as their escort, she's ready to flame them all into ash. Yet, she loves her father. And her beloved late mother’s spirit appears to condone this abominable turn of fate.Now Samara is headed back home with a child who doesn't want the role she's been forced to surrender, with a knight who doesn't want to be with either of them. When a dragon then interferes with her plans to safeguard the boy, Samara must decide. Is she a formidable sorceress who can handle this latest crisis, or was fate right to replace her as heir to her kingdom?

    Crisp depictions of battling warriors, everyday business and industry, architectural motifs, religious and secular celebrations, calligraphy, beasts of myth and legend, and other elements of daily medieval life and beliefs abound. Masterfully reproduced from rare sources, these genuine images were created by artists throughout medieval Europe. Ideal for use in a broad spectrum of graphic and craft projects, this treasury of illustrations will also delight students and enthusiasts of history.

    The cast of characters is as colorful as before, although this time most of them are headed for salvation. The canto-by-canto commentary allows each contributor his or her individual voice and results in a deeper, richer awareness of Dante's timeless aspirations and achievements.

    Beginning with The Epic of Gilgamesh, Ovid's Metamorphoses, and accounts in Petronius' Satyricon, the book analyzes the context that created the traditional image of the werewolf as a savage beast. The Catholic Church's response to the popular belief in werewolves and medieval literature's sympathetic depiction of the werewolf as victim are presented to support a modern view of the werewolf not only as "the beast within," but as a complex and varied cultural symbol.

    1226-1270) was one of the most important kings of medieval history and also one of the foremost saints of the later Middle Ages. As a saint, Louis became the centerpiece of an ideological program that buttressed the ongoing political consolidation of France and underscored Capetian claims of sacred kingship.M. Cecilia Gaposchkin reconstructs and analyzes the process that led to the monarch's canonization and the consolidation and spread of his cult. Differing political and religious ideals produced competing images of the sanctity of Louis in late-thirteenth and early fourteenth-century France. Drawing on hagiography, sermons, and liturgical evidence--the latter a rich but little-explored historical source--Gaposchkin shows how various groups (including Dominicans, Cistercians, and Franciscans) and individuals (such as Philip the Fair and Joinville) used commemoration of the saint-king to sanctify their own politics and notions of identity and religious virtue. Louis' cult was disseminated to a wider, nonelite public through sermons in the fourteenth and fifteenth centuries and then revived by the Bourbon kings in the seventeenth century.In deepening our knowledge of this royal saint, this elegantly written book opens the curtain on the religious sensibilities and secular politics of a transitional period in European history.

    Filth in all its manifestations—material (including privies, dung on fields, and as alchemical ingredient), symbolic (sin, misogynist slander, and theological wrestling with the problem of filth in sacred contexts) and linguistic (a semantic range including dirt and dung)—helps us to see how excrement is vital to understanding the Middle Ages. Applying fecal theories to late medieval culture, Morrison concludes by proposing Waste Studies as a new field of ethical and moral criticism for literary scholars.

    Very few pay attention to the continued contact between England and Scandinavia in the post-Norman Conquest period. This book aims to offer an alternative approach by presenting a history of the Viking Age which considers the whole area up to and beyond the Norman Conquest of 1066. The Vikings have been traditionally portrayed as brutal barbarians who sailed to Britain and Ireland to loot, rape and pillage. The evidence presented here suggests a considerably less dramatic but no less fascinating picture which reveals the Vikings' remarkable achievements and their influence in shaping the political history of these islands. Katherine Holman discusses their skills as farmers, their linguistic and artistic contribution, their rituals and customs and the conflict between paganism and Christianity, showing that the Viking cultural impact was complex and often rich....

    Incorporated into religious ceremonies, they contributed to the voiced, world-creating work of performance. At the same time, their decoration often included inscription, silent and self-referential. In the reliquary, silent inscription and spoken performance enshrined one another to produce a visual language about representation. Using texts by Chaucer, along with anonymous plays, lyrics, and hagiographic verse, The Medieval Poetics of the Reliquary shows how the reliquary’s visual language explicated the representational processes of late-medieval English poetry.

    Feminine Sanctity and Spirituality in Medieval Wales explores the meanings, manifestations, and related iconography of feminine sanctity in a specifically Welsh context, including Welsh sources on the Virgin Mary, valuable insights into the history of Welsh nunneries, and commentary on some of the lesser-known Welsh women saints such as Dwynwen and Tudful. Of interest to anyone working in the field of medieval Christendom and women’s studies, this volume draws powerful connections between Welsh source material and discoveries throughout England and Continental Europe.

    He found his one true love.(Sold previously under the title KnightStalker.)Sir Michel of Banesford has vowed to liege and Lord to stop the killings at any cost, and it has cost him much. Tracking a murderer into a future world he knows nothing about is challenging. When he rescues a comely lady from an attack and asks a night’s shelter from the storm in recompense, she reluctantly agrees. He soon comes to appreciate her strength in facing life on her own and her fierce protectiveness of her son. She is a lady he could love.Rachael is a single mother with a five-year-old son who suffers nightmares about a killer knight. She is clueless how to stop them. When a medieval re-enactor rescues her from an attack in the park near her flat, she feels she owes him at least one night’s shelter from the storm. But there is something about this knight that rings too true. Is he the killer in her son’s dark dreams?As Rachael helps Michel adjust to the present day, their love and attraction grows. But there is a killer to be caught, and her young son’s dreams are the key to stopping him.If you enjoy out-of-time contemporary romance with a touch of humor, mixed with a stout-hearted hero and a heroine who would lay down her life for those she loves, then you will enjoy reading the story of Michel and Rachael as they struggle with Michel’s adjustment to modern life, with their intense attraction to one another, and with their challenge of tracking down a killer before he kills again.Read this contemporary time travel romance and see the wonders of modern day life through the eyes of a medieval knight.

    In mainstream Judaism he is known and loved to this day mainly for his Bible commentary and his poetry, whereas to the Christian European world he was introduced through his astrological and scientific works. The Book of Nativities (Sefer Ha'Moladot) is Meira Epstein's third publication in the series of English translations of Avraham Ibn Ezra's astrological works. The other two are The Beginning of Wisdom (Reshit Hokhma), 1998, and The Book of Reasons (Sefer Ha'Te'amim), 1994. Together, these three, written by Ibn Ezra in this sequence, make one integral body of the astrological doctrine: Introduction of the fundamentals, further theoretical explanations, the application to the individual birth chart and prognosis work. Moladot is a prime example of Ibn Ezra's approach to astrology, in which he combines his Jewish religious beliefs and his philosophical principles with down-to-earth astrological doctrine and techniques.

    The pieces are photographed superbly in full colour, each with a description on the facing page. The book is arranged into three sections - devotional art, society and international influences - and the succesion of artefacts follows a logical thread, but this will mainly be a book to dip into, and a feast for the eyes.

    

    After years of work on the sources, Edmund King shows with rare clarity the strengths and weaknesses of the monarch. Keeping Stephen at the forefront of his account, the author also chronicles the activities of key family members and associates whose loyal support sustained Stephen’s kingship. In 1135 the popular Stephen was elected king against the claims of the empress Matilda and her sons. But by 1153, Stephen had lost control over Normandy and other important regions, England had lost prestige, and the weakened king was forced to cede his family’s right to succession. A rich narrative covering the drama of a tumultuous reign, this book focuses well-deserved attention on a king who lost control of his destiny.

    The suppression of heresy became a pretext for a vicious war that remains largely unstudied as a military conflict. Laurence Marvin here examines the Albigensian Crusade as military and political history rather than religious history and traces these dimensions of the conflict through to Montfort's death in 1218. He shows how Montfort experienced military success in spite of a hostile populace, impossible military targets, armies that dissolved every forty days, and a pope who often failed to support the crusade morally or financially. He also discusses the supposed brutality of the war, why the inhabitants were for so long unsuccessful at defending themselves against it, and its impact on Occitania. This original account will appeal to scholars of medieval France, the Crusades and medieval military history.

    Covers every aspect of the knight's life: their noble status, training, horsemanship, military exploits, romantic adventures, quests and crusades, and their epic rise and fall in feudal Europe and beyond.

    At the close of the Middle Ages, in the fourth generation of his dynasty, he made the duchy of Burgundy into a significant European power. The house of Burgundy celebrated its rise by establishing a glittering court life, in which objects of exquisite taste were constantly sought after. The essays in Splendour of the Burgundian Court biographies of rulers, political history, and analyses of court art form a comprehensive portrait of the Burgundian court. Its splendid full-color illustrations vividly bring to life both the brilliance and the drama of the epoch.The dukes of Burgundy ruled over a conglomeration of territories, each with its own political and legal traditions. Because their dynasty was relatively new and flanked by the much more powerful French kingdom and German empire, Burgundian dukes invested in lavish public ceremonial displays to assert their status and reinforce the court's position as a center of power. The theater of Burgundian rule depended upon the display of ever more elaborate objects, from clothing and armor to furniture, tableware, tapestries, and paintings-many of which are of outstanding quality. Charles the Bold grew up on this ritualized stage, and his eventful life is reflected in the ceremonies and objects that conveyed his authority. Splendour of the Burgundian Court welcomes readers into that world."

    The essays examine the canonization of the work from the late Heian through the medieval, Edo, Meiji, Taisho, Showa, and Heisei periods, revealing its profound influence on a variety of genres and fields, including modern nation building. They also consider parody, pastiche, and re-creation of the text in various popular and mass media. Since the Genji was written by a woman for female readers, contributors also take up the issue of gender and cultural authority, looking at the novel's function as a symbol of Heian court culture and as an important tool in women's education. Throughout the volume, scholars discuss achievements in visualization, from screen painting and woodblock prints to manga and anime. Taking up such recurrent themes as cultural nostalgia, eroticism, and gender, this book is the most comprehensive history of the reception of The Tale of Genji to date, both in the country of its origin and throughout the world.

    This title in the Basic Art series features a detailed chronological summary of the artist's life and work, cultural and historical importance, illustrations from the artist, and more.

    Handwriting is a versatile medium that has always allowed individual scribes the opportunity for self-expression, despite the limitations of the pen and the finite number of possible movements.The purpose of this study is to focus on the writing of scribes from late antiquity to the beginning of the sixteenth century, and to identify those features which are a scribe's personal contribution to the techniques and art of handwriting. The book opens with three chapters surveying the various environments in which scribes worked in the medieval West. The following five, based on the author's Lyell Lectures at the University of Oxford, then examine different aspects of the subject, starting with the basic processes of handwriting and copying. Next come discussions of developments in rapid handwriting, with its consequent influence on new alphabets; on more formal 'set hands'; and on the adaptation of movements of the pen to produce elements of style corresponding to changes in the prevailing sense of decorum. The final chapter looks at the significance of some customized images produced by handwriting on the page. The text is illustrated with 69 plates, and accompanied by a glossary of the technical terms applied to handwriting, which in itself makes a significant contribution to the subject.

    This is not so much because the site is today an isolated and lonely one, but rather because it lies on the very periphery of the early medieval kingdom of East Anglia, whose rulers - the Wuffingas - were buried there. In this extended meditation on the geography of a very special and evocative place, Tom Williamson explores the meaning of the cemetery's location. To understand the location of ancient monuments we need to examine not only the character of past landscapes, but also the ways that contemporaries may have experienced and felt about them: we need to reconstruct aspects of their mental world. Williamson argues that the cemetery was placed where it was not in order to display power and dominance over territory, but because the river, and its brooding estuary, had long held a special and central place in the lives and perceptions of a local society. As King Raedwald and his family rose to dominance over this river-people, they chose to be buried at the heart of their territory. Such approaches may help us to understand why the cemetery was established where it was within the territory of the Wuffingas: but they cannot explain why that group came to dominate the whole of East Anglia. For this, Williamson argues, we need to examine wider geographical contexts - patterns of movement, contact, and social allegiance which were engendered and shaped by landforms and topography at a regional and national level. It is only by joining aspects of the new 'phenomenological' approaches to the archaeology of landscape, to more traditional geographical interpretations, that we can appreciate the full significance of this important site. Combining a keen understanding of local and regional geography, Anglo-Saxon history, and current debates about approaches to past landscapes, this book is a masterly exploration of the context and meaning of an iconic set of monuments.

    Creatures of two worlds, angels provided ideal ground for exploring the nature of God and his creation, being perceived as 'models' according to which a whole range of questions were defined, from cosmological order, movement and place, to individuation, cognition, volition, and modes of language. This collection of essays is a significant scholarly contribution to angelology, centred on the function and significance of angels in medieval speculation and its history. The unifying theme is that of the role of angels in philosophical inquiry, where each contribution represents a case study in which the angelic model is seen to motivate developments in specific areas and periods of medieval philosophical thought.

    It presents a powerful literary history in which the fifteenth century is crucial to the overall story of English literature. William Kuskin argues that the development of print production is part of a larger social network involving the political, economic, and literary systems that produce the intangible constellations of identity and authority. For Kuskin, William Caxton (1422–1491), the first English printer, becomes a unique lens through which to view these issues. Kuskin contends that recognizing the fundamental complexity inherent in the transformation from manuscript to print—the power of literature to formulate its audience, the intimacy of capital and communication, the closeness of commodities and identity—makes possible a clear understanding of the way cultural, bibliographical, financial, and technological instruments intersect in a process of symbolic production.While this book is the first to connect the contents of late medieval literature to its technological form, it also speaks to contemporary culture, wrestling with our own paradigm shift in the relationship between literature and technology. “This is an important book about the origins of printing and print culture in England by North America’s leading younger scholar of William Caxton. It will contribute to debates about the English fifteenth century and the nature of Chaucerian reception. And it will offer a productive qualification and, at times, corrective to larger and more general accounts of print history.” —Seth Lerer, Avalon Foundation Professor in the Humanities, Stanford University  “This elegant, closely-argued study is one of the most important books to have yet appeared on Caxton and fifteenth-century English literary culture. Kuskin’s fine-grained attention to book history, his allegiance to the conceptual methodology of ‘history of the book’, and his command of literary history all combine to reconfigure our view of early print production, patronage, commerce, and literary authority. This is a major contribution to the history of vernacular textual production and vernacular knowledge in the fifteenth century—and to media history as a whole.” —Professor Ruth Evans, The University of Stirling "There are certainly recent books on Caxton, but none that takes the literary approach used here, which is what makes the book such an important contribution to the field. It serves as a solid introduction to the subject of printing in England in the fifteenth century. William Kuskin shows how print, through a 'logic of reproduction,' constructs and shapes its audience." —Maura Nolan, University of California, Berkeley

    One of the most significant features of the landscape in Southern Britain is the way that its character differs from region to region, with compact villages in the Midlands contrasting with the sprawling hamlets of East Anglia and isolated farmsteads of Devon. Even more remarkable is the very 'English' feel of the landscape in southern Pembrokeshire, in the far south west of Wales.Hoskins described the English landscape as 'the richest historical record we possess', and in this volume Stephen Rippon explores the origins of regional variations in landscape character, arguing that while some landscapes date back to the centuries either side of the Norman Conquest, other areas across southern Britain underwent a profound change around the 8th century AD.

    One answer was provided by a new genre of prose guides that adapted professional religious rules and routines for lay audiences. These texts engaged with many of the same cultural questions as poets like Langland and Chaucer; however, they have not received the critical attention they deserve until now. Nicole Rice analyses how the idea of religious discipline was translated into varied literary forms in an atmosphere of religious change and controversy. By considering the themes of spiritual discipline, religious identity, and orthodoxy in Langland and Chaucer, the study also brings fresh perspectives to bear on Piers Plowman and The Canterbury Tales. This juxtaposition of spiritual guidance and poetry will form an important contribution to our understanding of both authors and of late medieval religious practice and thought.

    The book offered Pizan a platform from which to expound her views on contemporary politics and to put forth a strict moral code to which she believed all governments should aspire. The text's intended recipient was the dauphin, Louis of Guyenne; Christine felt that Louis had the political and social influence to fill a void left by years of incompetent leadership. Drawing in equal parts from the Bible and from classical ethical theory, the Livre de paix was revolutionary in its timing, viewpoint, and content.This volume, edited by Karen Green, Constant J. Mews, and Janice Pinder, boasts the first full English translation of Pizan's work along with the original French text. The editors also place the Livre de paix in historical context, provide a brief biography of Pizan, and offer insight into the translation process.

    This philological approach to the (pre)history of cinema engages both old media such as scrolls, illuminated manuscripts, the Bayeux Tapestry, and new digital media such as DVDs, HD DVDs, and computers. Burt examines the uncanny repetitions that now fragment films into successively released alternate cuts and extras (footnote tracks, audiocommentaries, and documentaries) that (re)structure and reframe historical films, thereby presenting new challenges to historicist criticism and film theory. With a double focus on recursive narrative frames and the cinematic paratexts of medieval and early modern film, this book calls our attention to strange, sometimes opaque phenomena in film and literary theory that have previously gone unrecognized.

    But to allow for the possibility of such lands and races raised troubling questions: Was it truly impossible to reach the underside of the earth? And, if so, how could its inhabitants receive the word of God? In Terra Incognita, Alfred Hiatt draws on sources both literary and visual to understand the appeal of the antipodes. Examining maps and diagrams, as well as evidence contained in geographical and historical works, poetry, travel narratives, and legal documents, he challenges long-standing characterizations of medieval spatiality as exclusively symbolic and religious. Instead, Hiatt finds, the idea of people on the other side of the Earth provided a potent and malleable symbol for political theorists, satirists, scholars, and poets—as well as for map makers. Terra Incognita is, in the end, the history of a non-place, of lands conjured by the scientific imagination, which nevertheless drove exploration, and which continued to shape the world map, even as they slowly vanished from it.