Describing the experiences of twenty ordinary people from around the world, all now unknown, he explores the everyday aspects of war: not only the tragedy and horror, but also the absurdity, monotony and even beauty. Two of these twenty will perish, two will become prisoners of war, two will become celebrated heroes and two others end up as physical wrecks. One of them goes mad, another will never hear a shot fired.Following soldiers and sailors, nurses and government workers, from Britain, Russia, Germany, Australia and South America - and in theatres of war often neglected by major histories on the period - Englund reconstructs their feelings, impressions, experiences and moods. This is a piece of anti-history: it brings this epoch-making event back to its smallest component, the individual.

    Drawing on a wealth of material from the vast Imperial War Museum Sound Archive, 'Forgotten Voices of the Somme' presents an intimate, harsh but often poignant insight into life on the front line: from the day-to-day struggle of extraordinary circumstances to the white heat of battle and the constant threat of injury or death.

    Warlord is the definitive chronicle of Churchill's crucial role as one of the world's most renowned military leaders, from his early adventures on the North-West Frontier of colonial India and the Boer War through his extraordinary service in both World Wars.Even though Churchill became one of the towering political leaders of the twentieth century, his childhood ambition was to be a soldier. Using extensive, untapped archival materials, D'Este reveals important and untold observations from Churchill's personal physician, as well as other colleagues and family members, in order to illuminate his character as never before. Warlord explores Churchill's strategies behind the major military campaigns of World War I and World War II—both his dazzling successes and disastrous failures—while also revealing his tumultuous relationships with his generals and other commanders, including Dwight D. Eisenhower.As riveting as the man it portrays, Warlord is a masterful, unsparing portrait of one of history's most fascinating and influential leaders during what was arguably the most crucial event in human history.

    Richard van Emden's new book tells that story as never before through the words and pictures of the men who were there. The Soldier's War includes incredible never-published-before letters and photographs to reveal the true stories of a lost generation.The Soldier's War traces the war chronologically, taking stories from each year of the fighting and following the British Tommy through devastating battles and trench warfare to the armistice in 1918. The book also reflects on other lesser-known and more personal aspects of the war, such as the work of stretcher-bearers, army chaplains, and burial parties.Each chapter will begin with an exploration of the soldiers' post-war attitudes to an emotive and controversial aspects of the conflict. What were their attitudes towards the enemy? What did the troops at the front line really think about their generals? Did they remember their time in the war with any fondness?Central to The Soldier's War are the original and as-yet-unseen photographs that punctuate the narrative. Many soldiers carried lightweight VPK cameras (Vest Pocket Kodaks) and used them (illegally) to photograph the war as it unfolded. Between seventy-five and a hundred remarkable images will for the first time show trench-warfare as it really happened.

    Their commander, General John J. Pershing, believed in the superiority of American "guts" over barbed wire, machine guns, massed artillery, and poison gas. In thirty-six hours, he said, the Doughboys would crack the German defenses and open the road to Berlin. Six weeks later, after savage fighting across swamps, forests, towns, and rugged hills, the battle finally ended with the signing of the armistice that concluded the First World War. The Meuse-Argonne had fallen, at the cost of more than 120,000 American casualties, including 26,000 dead. In the bloodiest battle the country had ever seen, an entire generation of young Americans had been transformed forever. To Conquer Hell is gripping in its accounts of combat, studded with portraits of remarkable soldiers like Pershing, Harry Truman, George Patton, and Alvin York, and authoritative in presenting the big picture. It is military history of the first rank and, incredibly, the first in-depth account of this fascinating and important battle.

    This vivid account captures the desperation of ordinary British soldiers fighting with their backs to the wall as they clung on to their fragile lines. Drawing on the dramatic personal accounts of men who were there—both commanders and ordinary grunts—the narrative brings to life the sheer suspense of waiting for the German attack, the desperate turmoil of the retreat, and the nail-biting turning of the tide that brought an end to the war. As a chronicle of the vast offensives of 1918, this history is unparalleled in its scope and depth.

    You're searching for a better life. Ellis Island, near New York City, is your first stop in your search for opportunity and freedom. Officials on the island have been processing immigrants there for decades, but not everyone gets through. If you pass the tests, you're on your way to a new life in the United States. If you don't, you may find yourself being sent back to your homeland. What path will you take? Will you: Be a Jewish youth leaving the violence of Russia in hopes of a better life in America? Be an Italian teen who lands at Ellis Island during World War I? A German immigrant who faces deportation? Everything in this book happened to real people. And YOU CHOOSE what you do next. The choices you make could lead you to opportunity, to wealth, to poverty, or even to death.

    My Bit is a fascinating and moving first-hand account of the First World War written by a working-class soldier.

    The book deals with the whole of the British Army's experience of the First World War - including Gallipoli and Mesopotamia - and not just the Western Front.

    This is especially true of the history of the Great War. In this, the first comprehensive survey of this exciting new field, Andrew Robertshaw and David Kenyon introduce the reader to the techniques that are employed and record, in vivid detail, many of the remarkable projects that have been undertaken. They show how archaeology can be used to reveal the position of trenches, dugouts and other battlefield features and to rediscover what life on the Western Front was really like. And they show how individual soldiers are themselves part of the story, for forensic investigation of the war dead is now so highly developed that individuals can be identified and their fate discovered.

    In the Great War, when fliers were still "knights of the air," Luke was an ungallant loner, a kid from Arizona who collected tarantulas, shot buzzards, and boxed miners. But during two torrid weeks in September 1918, he was the deadliest man on the Western Front. In only ten missions, he destroyed fourteen heavily-defended German balloons and four airplanes, a rampage unequaled even by the dreaded von Richtofen, and the second highest American tally of the entire war. Cocksure and constantly reprimanded, Luke was actually under arrest on the day of his final flight, but he stole a plane to join the fatal action that won him the first Congressional Medal of Honor awarded to a pilot. Blaine Pardoe retraces and refreshes Frank Luke's story through recently discovered correspondence. What emerges is a portrait of a life out of an "Old West" that was, by the late Teens, colliding with modernity. Frantic, short, and splendid, the life of Frank Luke, Jr. dramatizes the tragic intervention of an American spirit in the war that devastated Europe.

     This indispensable anthology brings together the works of three major poets from the First World War. Ivor Gurney (1890-1937) was a classical music composer and poet who published two volumes of poems, "Severn and Somme" and "War's Embers." Wilfred Owen's (1893- 1918) realistic poetry is remarkable for its details of war and combat. Isaac Rosenberg's (1890-1918) "Poems from the Trenches" is widely considered one of the finest examples of war poetry from the period. Carefully selected by Jon Stallworthy, a professor emeritus of English at the University of Oxford, these poems comprise a landmark publication that reflects the disparate experiences of war through the voices of the soldiers themselves.

    Empires collapsed, new countries were born, revolutions shocked and inspired the world. This tumult, sometimes referred to as ‘the literary war’, saw an extraordinary outpouring of writing. The conflict opened up a vista of possibilities and tragedies for poetic exploration, and at the same time poetry was a tool for manipulating the sentiments of the combatant peoples. In Germany alone during the first few months there were over a million poems of propaganda published. We think of war poets as pacifistic protestors, but that view has been created retrospectively. The verse of the time, particularly in the early years of the conflict—in Fernando Pessoa or Filippo Tommaso Marinetti, for example—could find in the violence and technology of modern warfare an awful and exhilarating epiphany. In this cultural history of the First World War, the conflict is seen from the point of view of poets and writers from all over Europe, including Rupert Brooke, Anna Akhmatova, Guillaume Apollinaire, Gabriele D’Annunzio, Vladimir Mayakovsky, Rainer Maria Rilke and Siegfried Sassoon. Everything to Nothing is the award-winning panoramic history of how nationalism and internationalism defined both the war itself and its aftermath—revolutionary movements, wars for independence, civil wars, the treaty of Versailles. It reveals how poets played a vital role in defining the stakes, ambitions and disappointments of postwar Europe.

    The major topics of the day: terrorism, globalization, immigration, consumerism, the collapse of moral values, and the rivalry of superpowers. The twentieth century was not born in the trenches of the Somme or Passchendaele—but rather in the fifteen vertiginous years preceding World War I.In this short span of time, a new world order was emerging in ultimately tragic contradiction to the old. These were the years in which the political and personal repercussions of the Industrial Revolution were felt worldwide: Cities grew like never before as people fled the countryside and their traditional identities; science created new possibilities as well as nightmares; education changed the outlook of millions of people; mass-produced items transformed daily life; industrial laborers demanded a share of political power; and women sought to change their place in society—as well as the very fabric of sexual relations.From the tremendous hope for a new century embodied in the 1900 World’s Fair in Paris to the shattering assassination of a Habsburg archduke in Sarajevo in 1914, historian Philipp Blom chronicles this extraordinary epoch year by year. Prime Ministers and peasants, anarchists and actresses, scientists and psychopaths intermingle on the stage of a new century in this portrait of an opulent, unstable age on the brink of disaster.Beautifully written and replete with deftly told anecdotes, The Vertigo Years brings the wonders, horrors, and fears of the early twentieth century vividly to life.

    After a dramatic week of negotiations, military offensives, and the beginning of a Communist revolution, the German Imperial regime collapsed. The Allies eventually granted an armistice to a new German government, and at 11:00 on November 11, the guns officially ceased fire—but only after 11,000 more casualties had been sustained. The London Daily Express proclaimed it “the greatest day in history.”Nicholas Best tells the story in sweeping, cinematic style, following a set of key participants through the twists and turns of these climactic events, and sharing the impressions of eyewitnesses including Adolf Hitler, Charles de Gaulle, Harry S. Truman, Anthony Eden, and future famous generals MacArthur, Patton, and Montgomery.

    Mussolini fought in these trenches, as did most of his collaborators. But so did many of the greatest modernist writers in Italian and German - Ungaretti, Gadda, Musil.

    Santa's Reading List in Armchair General, January 2009It is often said that a picture is worth a thousand words, but, during World War I, newspaper illustrations were worth even more, not only conveying the news to anxious families at home and soldiers in battle, but also entertaining and lifting the spirits of a nation at war.Featuring work by some of the most well-known illustrators of the period fromW. Heath Robinson to Bruce Bairnsfather, this thematic collection of 250 WorldWar I magazine illustrations is published in association with The Illustrated London News (the British Harper's).The illustrations included range from light-hearted strip cartoons and line drawings, to poignant sketches and dark and hard-hitting political satire. The images not only depict events as they happened, but reveal all the moods of a nation at war. Many are published here for the first time in 90 years, creating a unique, bittersweet portrayal of the Great War and a fascinating and very human, historical and artistic reference source.

    But it wasn't the enemy who were holding Bert, but his own army. Bert, along with 34 other conscientious objectors, had been court-martialed for refusing to fight, and was waiting to hear if he would be sentenced to death. The meeting was happy and affectionate, but then both brothers knew it may be their last.Through the amazing story of the Brocklesby family, Will Ellsworth-Jones explores the history of conscientious objection in World War I, charting the experiences of the men who took a stand despite being stigmatized, vilified and facing death. This amazing book also considers the men's lasting legacy. Without the courage of men such as Bert who were prepared to die for their beliefs, we wouldn't have the freedom to voice our beliefs and protest at our government's involvement in conflict. At the end of this touching book, the reader will ask themselves whether they would have had the courage to fight in the trenches, but more importantly whether they would have had the courage not to fight. Packed with unpublished letters, diaries, memoir extracts and oral interviews, We Will Not Fight is a fascinating look at conscientious objection in WWI, and its legacy.

     Warfare has taken -- continues to take -- a tremendous toll on every man, woman, and child in our society as war weaves itself into the fabric of our shared past, present, and future. Raw emotions and results of warfare are expressed here through voices of beloved poets such as Langston Hughes, Carl Sandburg, Walt Whitman, Denise Levertov, and e. e. cummings -- and are movingly combined with voices of newer poets, including several soldiers who had courage to write poetry from front lines. America at War exposes effects of war through hearts of poets and eyes of the artist, paying fitting tribute to those who have served, those now serving, and those who have given their lives so we all may live in peace.

    The period from late autumn 1916 onwards when the Canadian Corps was preparing for the April 1917 assault on the ridge, is given detailed treatment, with special emphasis (based on original German intelligence and interrogation files) on how the defenders built up a detailed picture of Allied plans and how they intended to counter them.The battle (9 - 14 April 1917) is described in detail and the conclusion summarizes the aftermath of the battle and its consequences for the way the German army prepared for the Third Battle of Ypres.The book employs a similar format to The German Army on the Somme 1914 - 1916 and The German Army at Passchendaele; the greater part of the text is based on the words of the German participants themselves.Commentary and evidence from senior commanders is introduced as necessary; the aim once more being to produce a work of popular history, which nevertheless provides an important contribution to the overall historiography of the Great War.

    As the operator and unionist who represented Berlin’s metalworkers, he was main organiser of the ‘Revolutionary Stewards,’ a clandestine network that organised a series of mass strikes between 1916 and 1918. With strong support in the factories, the Revolutionary Stewards were the driving force of the Revolution. By telling Müller's story, this study gives a very different account of the revolutionary birth of the Weimar Republic. Using new archival sources and abandoning the traditional focus on the history of political parties, Ralf Hoffrogge zooms in on working class politics on the shop floor and its contribution to social change.First published in German by Karl Dietz Verlag as Richard Müller - Der Mann hinter der Novemberrevolution, Berlin, 2008, this English edition was completely revised for the English speaking audience and contains new sources and recent literature

    officials during World War I discovered the enormous value of global communications.At the outbreak of war in 1914, British control of the cable network affected the Americans' ability to communicate internationally, and the development of radio worried the Navy about hemispheric security. The benefits of a U.S. network became evident during the war, especially in the gathering of intelligence. This led to the creation of a peacetime intelligence operation, later termed the "Black Chamber," that was the forerunner of the National Security Agency.After the war, U.S. companies worked to expand network service around the world but faced industrial limitations. Focused on security concerns, the Wilson administration objected to any collaboration with British companies that might alleviate this problem. Indeed, they went so far as to create a radio monopoly and use warships to block the landing of a cable at Miami.These efforts set important precedents for later developments in telephony, shortwave radio, satellites--even the internet. In this absorbing history, Winkler sheds light on the early stages of the global infrastructure that helped launch the United States as the predominant power of the century.

    Yet despite the importance of this effort, the training and operation of II Corps has received scant attention from historians.Mitchell A. Yockelson delivers a comprehensive study of the first time American and British soldiers fought together as a coalition force—more than twenty years before D-Day. He follows the two divisions that constituted II Corps, the 27th and 30th, from the training camps of South Carolina to the bloody battlefields of Europe. Despite cultural differences, General Pershing’s misgivings, and the contrast between American eagerness and British exhaustion, the untested Yanks benefited from the experience of battle-toughened Tommies. Their combined forces contributed much to the Allied victory.Yockelson plumbs new archival sources, including letters and diaries of American, Australian, and British soldiers to examine how two forces of differing organization and attitude merged command relationships and operations. Emphasizing tactical cooperation and training, he details II Corps’ performance in Flanders during the Ypres-Lys offensive, the assault on the Hindenburg Line, and the decisive battle of the Selle.Featuring thirty-nine evocative photographs and nine maps, this account shows how the British and American military relationship evolved both strategically and politically. A case study of coalition warfare, Borrowed Soldiers adds significantly to our understanding of the Great War.

    This is an account of Operation Albion, the highly successful sea borne operation launched by the Germans to change their minds. The Baltic Islands were pivotal for the defense of the Finnish Gulf and St. Petersburg, so their capture was essential for any campaign towards the Russian capital. Only after the fall of the islands did Russia begin peace negotiations (freeing nearly half a million German soldiers for the Kaiser's last gamble on the Western Front). This then was a campaign of great significance for the war on both Eastern and Western fronts.A large part of the High Sea Fleet took part in the invasion of the Baltic islands, including the most modern dreadnought battleships. The Russians mounted a resolute defense despite being heavily outgunned and over a ten day period there were many naval clashes around the islands as well as the campaign ashore, all of which are described in detail with the use of both Russian and German first hand accounts.This book shatters the myth that the Imperial German Navy spent the last two years of the war cowering in port.