Also included is a piracy-protected disc that contains every Dilbert comic strip to April 2008.

    Organized by decade, each with an introduction by Jim Davis, this lavishly illustrated volume features more than four hundred strips, including thirty of Jim Davis's all-time favorites-with informative remarks from Jim on why they made the grade. Packed with early sketches, enlightening quotes, and fun facts (did you know that the Garfield comic was originally titled Jon?), this book shows how Garfield evolved from a witty kitty to a world-renowned fat cat.Of Jim Davis's "little hobby," Blondie cartoonist Dean Young writes: "Every one of [these] little treasures is an exquisite menagerie of comic timing, writing, and cartoon art. It's easy to see why his strip is continually voted one of the best on our planet by readers everywhere."So if you appreciate the unparalleled splendors of layered pasta, need something to ward off those nap attacks, or have a healthy appetite for humor, 30 Years of Laughs & Lasagna is just the ticket. Perhaps Jim Davis puts it best: "This whole line of work is to make people happy and smile." Garfield's millions of fans couldn't agree more.

    And laundry." --Baby Blues proverbWhen the recipe box has more pizza coupons than recipes, or for those parenting days when all you seem to accomplish is brushing your hair and making a tray of ice cubes, Baby Blues offers parental fatigue redemption. The brainchild of Rick Kirkman and Jerry Scott, this Baby Blues treasury features cartoons from Briefcase Full of Baby Blues and Night Shift. From prophetic Baby Blues proverbs like, "The grass is always greener on the knees of your kid's new white pants," to Dinner Table Olympics where Synchronized Whining is the main event, young parents Darryl and Wanda keep pace with energetic children Zoe, Hammie, and baby Wren, as Kirkman and Scott expertly navigate the daily nuances of newborns, nocturnal diaper changes, and the nirvana of family life.

    On the Media lauds Darby Conley as "the most successful cartoonist of the new generation." --National Public RadioAs Darby Conley's fourth treasury, this title presents strips from I'm Ready for My Movie Contract and Take Our Cat, Please!Named Best Comic Strip of the Year in 2002 by the National Cartoonists Society, Darby Conley's Get Fuzzy takes a keen and witty look at the dynamics of interspecies cohabitation.Beleaguered ad exec Rob Wilco is the mild-mannered guardian to Bucky, a sharp-fanged, self-absorbed house cat with a penchant for scheming and screenwriting, and Satchel, a gentle laid-back Shar-pei-Lab who frequently finds himself on the receiving end of Bucky's mischief.Inside this fourth treasury, Get Fuzzy fans will follow Bucky's vainglorious pursuit of fame while Rob holds a magazine intervention with Satchel.

    Do geeft book.' And we is like, 'OKay. Whatevers. Just pays us monees.'Den dey is say, 'Make book about frensheep.' And we is like, 'But we ees hate evrybodies.' ANd dey is go, 'But dat make most monees.' So we is like, 'Okay. We expert.'"And experts they are, as they show in such an endearing expression of care as, "If you is have a beeg butt, frend sometime honesst and say, 'you have beeg butt.'"Named Best Comic Strip of the Year by the National Cartoonists Society in 2004 and 2007, Pearls Before Swine has a devoted fan following of crockydiles and humans alike.

    Rick Kirkman and Jerry Scott have scoured their archives for the very best of the Baby Blues school--and education-related strips to include in this retrospective. From sack lunches to show-and-tell, this hilarious collection of Baby Blues strips will earn high marks from loyal readers everywhere.

    This oversized, full-color edition gathers for the first time all of the strips and presents them in the way the author intended. Introduction by acclaimed cartoonist Chris Ware (Jimmy Corrigan).

    Schulz, featuring his original black and white drawings, and the classic Peanuts quips that we've all come to love!Oh joy—here comes the first single-volume treasury containing every one of the eight Happiness Is… books!  These are Charles M. Schulz’s most beloved titles, and this attractive 480-page collection is a tremendous value.  With facsimile art that looks just like the original, Peanuts® A Treasury of Happiness is as warm, wise, and wonderful as ever.  The Peanuts’ gang has lost none of its popularity through the decades; fans snapped up our collectible doghouse-shaped Box Set, and the first printing completely sold out.  This once-in-a-lifetime book is sure to fly out of bookstores too!

    Each cartoon shows that a picture is worth a thousand words and transforms the news of the day into eye-catching, provocative, and hilarious images that draw people into the democratic process. His commentary on everything from the economy and markets to politics and international affairs offers a unique perspective on today's issues.

    Santa's Reading List in Armchair General, January 2009It is often said that a picture is worth a thousand words, but, during World War I, newspaper illustrations were worth even more, not only conveying the news to anxious families at home and soldiers in battle, but also entertaining and lifting the spirits of a nation at war.Featuring work by some of the most well-known illustrators of the period fromW. Heath Robinson to Bruce Bairnsfather, this thematic collection of 250 WorldWar I magazine illustrations is published in association with The Illustrated London News (the British Harper's).The illustrations included range from light-hearted strip cartoons and line drawings, to poignant sketches and dark and hard-hitting political satire. The images not only depict events as they happened, but reveal all the moods of a nation at war. Many are published here for the first time in 90 years, creating a unique, bittersweet portrayal of the Great War and a fascinating and very human, historical and artistic reference source.

    From the soul-satisfying symbolism of the Dark Ride to the majestic encounter in the Throne Room, this garden of unearthly delights is a place adventurous readers of all ages will want to visit and, eventually, move to. The book proper is a tidy brick (6"x9"x.5") of well-modulated chroma; 12 gorgeously colored pen-and-ink drawings packed into 24 super-thick cardboard pages, specially engineered to lay flat for optimum viewing pleasure.

    However, the Pax Britannica was not all that it seemed and the forces of Her Imperial Majesty were frequently called upon to fend of aggressor nations and quell rebellions in Britain's many colonies. In an age before computers, television, radio and the cinema the impact of cartoons and caricature was considerable, especially when the only sources of information were posters, newspapers and books. To a news-hungry public, anxious about world affairs, it was the cartoon, with its immediacy and universal accessibility—even to the barely literate—that could speak the message mere words could never convey. During the Crimean War it was John Leech and his colleagues at Punch who drew their own satirical version of events. And who could take Tsar Nicholas of Russia, Paul Kruger of the Transvaal or the Mad Mahdi of the Sudan at all seriously when the artists of Fun, Judy, Moonshine, Vanity Fair and others cocked a snook at all they held dear? However, Britain's enemies also had a wealth of talent laboring to counteract imperial propaganda and there were frequent, often vicious, attacks on Queen Victoria and her generals, admirals and politicians in French and German satirical magazines such as Simplicissimus, Le Grelot and Lustiger Blatter. Wars of Empire in Cartoons is divided into chapters covering the main conflicts of the second half of the 19th century year-by-year. Each chapter is prefaced with a concise introduction that provides a historical framework for the cartoons of that year. Altogether some 300 drawings from both sides of eachconflict have been skillfully blended to produce a unique visual history of the wars of the British Empire.