Now, at last, The Essential Dykes to Watch Out For gathers a “rich, funny, deep and impossible to put down” (Publishers Weekly) selection from all eleven Dykes volumes. Here too are sixty of the newest strips, never before published in book form.Settle in to this wittily illustrated soap opera (Bechdel calls it “half op-ed column and half endless serialized Victorian novel”) of the lives, loves, and politics of a cast of characters, most of them lesbian, living in a midsize American city that may or may not be Minneapolis.Her brilliantly imagined countercultural band of friends -- academics, social workers, bookstore clerks -- fall in and out of love, negotiate friendships, raise children, switch careers, and cope with aging parents.Bechdel fuses high and low culture -- from foreign policy to domestic routine, hot sex to postmodern theory -- in a serial graphic narrative “suitable for humanists of all persuasions.”

    Hauntingly vivid, the poems march through a soldier's lingering psychological wounds, tackle the curious questions of school children on the meaning of "hate," and tangle with a lover's witty and vibrant description of longing. Gibson's poems deconstruct the current political climate through stunning imagery and careful crafting. With the same velocity, the poignant and vacillating love poems sweep the air out of the room. It's word-induced hypoxia. Pole Dancing to Gospel Hymns whispers with a bold and unforgettable internal voice rich with the kind of questioning that inspires action.

    Chapters cover the transsexual and transvestite communities in the years following World War II; trans radicalism and social change, which spanned from 1966 with the publication of The Transsexual Phenomenon, and lasted through the early 1970s; the mid-'70s to 1990-the era of identity politics and the changes witnessed in trans circles through these years; and the gender issues witnessed through the '90s and '00s. Transgender History includes informative sidebars highlighting quotes from major texts and speeches in transgender history and brief biographies of key players, plus excerpts from transgender memoirs and discussion of treatments of transgenderism in popular culture.

    African American Studies. LGBT Studies. PLEASE explores the points in our lives at which love and violence intersect. Drunk on its own rhythms and full of imaginative and often frightening imagery, PLEASE is the album playing in the background of the history and culture that surround African American/male identity and sexuality. Just as radio favorites like Marvin Gaye, Donny Hathaway, and Pink Floyd characterize loss, loneliness, addiction, and denial with their voices, these poems' chorus of speakers transform moments of intimacy and humor into spontaneous music. In PLEASE, Jericho Brown sings the influence soul culture has on American life with the accuracy of the blues.

    As Tala’s wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.Moving between the vast enclaves of Middle Eastern high society and the stunning backdrop of London’s West End, I Can’t Think Straight explores the clashes between East and West, love and marriage, conventions and individuality, creating a humorous and tender story of unexpected love and unusual freedoms.

    Preciado shows the ways in which the synthesis of hormones since the 1950s has fundamentally changed how gender and sexual identity are formulated, and how the pharmaceutical and pornography industries are in the business of creating desire. This riveting continuation of Michel Foucault's The History of Sexuality also includes Preciado's diaristic account of his own use of testosterone every day for one year, and its mesmerizing impact on his body as well as his imagination.

    C. Leyendecker captivated audiences throughout the first half of the 20th century. Leyendecker is best known for his creation of the archetype of the fashionable American male with his advertisements for Arrow Collar. These images sold to an eager public the idea of a glamorous lifestyle, the bedrock upon which modern advertising was built. He also was the creator instantly recognizable icons, such as the New Year’s baby and Santa Claus, that are to this day an integral part of the lexicon of Americana and was commissioned to paint more Saturday Evening Post covers than any other artist. Leyendecker lived for most of his adult life with Charles Beach, the Arrow Collar Man, on whom the stylish men in his artwork were modeled. The first book about the artist in more than 30 years, J. C. Leyendecker features his masterworks, rare paintings, studies, and other artwork, including the 322 covers he did for the Post. With a revealing text that delves into both his artistic evolution and personal life, J. C. Leyendecker restores this iconic image maker’s rightful position in the pantheon of great American artists.

    He tried out a blond named Vicky—a common male name in Finland—followed by a Tarzan-inspired Jack. Then in 1968 Tom settled on Kake, a dark-haired, mustached leatherman who often wore a tight white t-shirt bearing the motto “Fucker.” Kake lived up to this moniker, a sort of post-Stonewall, hyper-masculine Johnny Appleseed traveling the world on his motorcycle to spread the seeds of liberated, mutually satisfying, ecstatically explicit gay sex. Tom lived out many of his most personal fantasies through Kake, and Kake’s international fans made him the template for what came to be known as the gay clone look of the 1970s.Between 1968 and 1986, Tom published 26 episodes of Kake adventures, most as 20 page booklets. Tom of Finland – The Complete Kake Comics collects all these stories in one volume. Return with Kake to the days when men were men, sex was carefree, and everyone wore a big thick mustache.

    Through extensive research and interviews, as well as years of experience working in the field, the authors cover gender variance from birth through college. What do you do when your toddler daughter's first sentence is that she's a boy? What will happen when your preschool son insists on wearing a dress to school? Is this ever just a phase? How can you explain this to your neighbors and family? How can parents advocate for their children in elementary schools? What are the current laws on the rights of transgender children? What do doctors specializing in gender variant children recommend? What do the therapists say? What advice do other families who have trans kids have? What about hormone blockers and surgery? What issues should your college-bound trans child be thinking about when selecting a school? How can I best raise my gender variant or transgender child with love and compassion, even when I barely understand the issues ahead of us? And what is gender, anyway? These questions and more are answered in this book offering a deeper understanding of gender variant and transgender children and teens.

    Coyote featured insightful, deeply personal tales about gender, identity, and community, based on her own experiences growing up lesbian in Canada’s North. Ivan’s most recent book, Bow Grip, was her first novel; it was shortlisted for the Ferro-Grumley Prize for Women’s Fiction, was named a Stonewall Honor Book by the American Library Association, and won Canada’s ReLit Award for Best Novel of the Year.With The Slow Fix, Ivan returns to her short story roots in a collection that is disarming, warm, and funny, while it at the same time subverts our preconceived notions of gender roles. Ivan excels at finding the small yet significant truths in our everyday gestures and interactions. By doing so, she helps us to embrace not what makes us women or men, but human beings.Ivan E. Coyote is the author of five books, all published by Arsenal Pulp Press. Born in Canada’s Yukon Territory, she lives in Vancouver, BC.

    Doty's subjects—our mortal situation, the evanescent beauty of the world, desire's transformative power, and art's ability to give shape to human lives—echo and develop across twenty years of poems. His signature style encompasses both the plainspoken and the artfully wrought; here one of contemporary American poetry's most lauded, recognizable voices speaks to the crises and possibilities of our times.

    If she does her job well, they often lose theirs. So, it comes as a surprise when she finds herself being kissed one day at work. She's even more shocked to find out that the mysterious kissing bandit is a woman. Not in the habit of kissing women, Joslyn tries to brush off the unintentional mistake. But before long, she's forced to examine the rush of emotions that accompanied the kiss, especially when she meets Raven Malvolio. At first, she needs Raven to complete her analysis, but she doesn't expect to need the friendship that Raven offers. When those friendly feelings escalate to something more, Joslyn's confusion and underdeveloped emotional range might ruin her chance at a relationship that could surpass even her dreams. Uncommon Emotions takes a look at how someone can think she's happy with her life only to be surprised by the passion she's yet to feel.

    Since she never did find the story she was looking for all those years ago, she decided to write it.In Book I of the trilogy, Tamras arrives in Merin's house to begin her apprenticeship as a warrior, but her small stature causes many, including Tamras herself, to doubt that she will ever become a competent swordswoman. To make matters worse, the Lady Merin assigns her the position of companion, little more than a personal servant, to a woman who came to Merin's house, seemingly out of nowhere, the previous winter, and this stranger wants nothing to do with Tamras.

    It begins, blossoms, and then falls apart - as she sails solo on the ocean, pictorally speaking. The first Invincible Summer character to use a real name goes from hero to villain in these 5 issues. We're also treated to the usual vegan recipes, priceless moments, friendships, humor, fashion, and heart from this rad Portland lady.

    This series of photography books by designer Oldham highlights remarkable people, places, and spaces and feature essays by noted critics and cultural figures.

    Chronicle of a Plague, Revisited features ten pieces never previously republished outside Christopher Street, as well as a new introduction keenly describing and evaluating a historical moment that still informs and defines today’s world-particularly its community of homosexuals, which, arguably, is still recovering from the devastation of AIDS.

    It explores the use of art to survive abuse, incest, madness and depression, and the often deep-seated impulse toward self-destruction including cutting, eating disorders, and addiction. Here, some of our most compelling cartoonists, novelists, poets, dancers, playwrights, and burlesque performers traverse the pains and passions that can both motivate and destroy women artists, and mark a path for survival. Taken together, these artful reflections offer an honest and hopeful journey through a woman's silent rage, through the power inherent in struggles with destruction, and the ensuing possibilities of transforming that burning force into the external release of art. With contributions by Nan Goldin, bell hooks, Patricia Smith, Cristy C. Road, Carol Queen, Annie Sprinkle, Elizabeth Stephens, Carolyn Gage, Eileen Myles, Fly, Diane DiMassa, Bonfire Madigan Shive, Inga Muscio, Kate Bornstein, Toni Blackman, Nicole Blackman, Silas Howard, Daphne Gottleib, and Stephanie Howell.

    Using prose poems to suggest narrative logic, THE ORPHAN AND ITS RELATIONS "bridges," as Robert Creeley said of Robinson's work, "between the physically given world and that other we gloss with words, yet apprehend insistently as the defining presence of our lives themselves."

    As these teenagers navigate the rocky waters of adolescence, they wade through pains and passions that are typical of any young person coming of age. But they do so with few resources-material or emotional-in a world where the cards are stacked against their success. Journalist Kai Wright paints vivid, intimate portraits of these young men's sometimes tragic, often heroic lives. Manny is a working-class city kid making awkward teenage discoveries about his sexuality. In a troubled relationship with his mother and a stifling, combative school environment, he clumsily elbows out enough space to find himself. In the process, he and best friend Jason move from a budding love based on videogames and music to a troubled bond held together by drugs and sex for money. In one devastating instant, Manny will realize the demons Jason truly faces. Out of the wreckage of the life he builds with Jason, Manny drifts into an explosive social movement, fighting for public space for queer youth, and finds his calling as an activist. Julius's story, meanwhile, is a classic New York tale: a young, dynamic gay man flees his rural home, seeking freedom in the big city. With no one to help guide his journey in New York, however, Julius never finds his footing, tumbling rapidly through homelessness, hustling, and drug abuse. He gradually confesses that his primary goal remains elusive: discovering love, and holding on to it. Wright finds Julius in a gay-friendly shared house in a rough spot on the east side of Brooklyn. Carlos considers that same house a lifesaver, an unlikely safe haven in the middle of his childhood neighborhood, but he must balance his efforts at independence with the growing demands of his large Puerto Rican family, in which he serves as the lynchpin. In Drifting Toward Love, Wright tells these stories and more, weaving in years of reporting on the broader social, economic, and political dynamics that box in gay men of color as they come into their own. By the end, a powerful and sometimes troubling story has unfurled that offers a unique and vital snapshot of the often overlooked lives of young people like Manny, Julius, Carlos, and their friends. Kai Wright is a writer and editor living in Brooklyn, New York. His writing has appeared in Essence, Mother Jones, The Progressive, and the Village Voice. He is also publications editor for the Black AIDS Institute and author of two previous books on African American history.

    Ely Shipley's first book of poems, BOY WITH FLOWERS, won the 2007 Barrow Street Press book prize judged by Carl Phillips, the 2009 Thom Gunn Award, and was a Lambda Literary Award finalist. He also won the Utah Writer's Award in Poetry from the Western Humanities Review judged by Edward Hirsch and the Virginia Faulkner Award from Prairie Schooner.

    E. Patrick Johnson challenges stereotypes of the South as backward or repressive and offers a window into the ways black gay men negotiate their identities, build community, maintain friendship networks, and find sexual and life partners--often in spaces and activities that appear to be antigay. Ultimately, Sweet Tea validates the lives of these black gay men and reinforces the role of storytelling in both African American and southern cultures.

    Poems by Elizabeth Bradfield.

    Her work has appeared in the pages of Jane, Bitch, and Bust Magazines, as well as doing artwork for The Icarus Project, Plan-it X Records, INCITE, The Queers, Esther Bell, and other bands, books, and publications. Cristy is creating the visual voice of angry DIY punk rock youth. Featured on the Sister Spit tour.

    First collection of Dennis Cooper's poetry in 12 years

    From inside the often hilarious-but all too real-moments of his young life on the Homecoming Court and Debutante Ball circuit (in a dress), armed with only a decoder ring and a gifted tongue, Schofield comes out with truly unbelievable stories of a body in search of an identity. By turns slapstick and slap-to-the-face, this drama invites audiences and readers to explore gender, sex, sexuality, and self in their own first person.

    In the sterile dormitories and on the quiet winter greens of an American university, a young woman named M— deals with the repercussions of a strange encounter with an angel, one that has left a large bruise on her forehead. Was the event real or imagined? The bruise does not disappear, forcing M— to confront her own existential fears and her wavering desire to tell the story of her imagination. As a writer, M— is breathless, desperate, and obsessive, questioning the mutations and directions of her words while writing with fevered immediacy. Using rhythmic language, suffused with allusions to literature and art, Magdalena Zurawski recasts the bildungsroman as a vibrant and moving form.

    Gay & Lesbian Studies. "Put whippets in your heart and let the rabbits breed. They will." Like still-wet lagomorphs crawling over each other in innate proximity, Peggy Munson's poems confine the reader "inside a lantern, buzzing at the headlights." Munson addresses illness, family, and the blood running through both with malleable tenacity. Noelle Kocot describes Munson's work as "free from a lot of the burden of contemporary poetry conventions, existing] like a small island in the fiery sun, alone, yet willing to be utterly beautiful, utterly strange and utterly itself." PATHOGENESIS was a finalist or semifinalist for numerous prizes, including the Dorset Prize, the Carnegie-Mellon Poetry Series, the Beatrice Hawley Award, the Verse Prize, and the University of Wisconsin Pollack Prize. Munson is the author of the novel, ORIGAMI STRIPTEASE, a finalist for the Lambda Literary Awards.

    Drawing on historic and current data, James Neill asserts that, historically, human sexuality has been ambiguous, and that very few humans are, by nature, exclusively homosexual or heterosexual.

    

    When he is shipped off to Straight to God, an institution devoted to ''deprogramming'' troubled teenagers, Taylor Adams learns valuable lessons in love, courage, rebellion, and betrayal in a place where piety is a mask for cruelty and the greatest crimes go.

    Beyond (Straight and Gay) Marriage boldly moves the discussion forward by focusing on the larger, more fundamental issue of marriage and the law. The root problem, asserts law professor and LGBT rights activist Nancy Polikoff, is that marriage is a bright dividing line between those relationships that legally matter and those that don't. A woman married to a man for nine months is entitled to Social Security survivor's benefits when he dies; a woman living for nineteen years with a man or woman to whom she is not married receives nothing.Polikoff reframes the debate by arguing that all family relationships and households need the economic stability and emotional peace of mind that now extend only to married couples. Unmarried couples of any sexual orientation, single-parent households, extended family units, and myriad other familial configurations need recognition and protection to meet the concerns they all share: building and sustaining economic and emotional interdependence, and nurturing the next generation. Couples should have the choice to marry based on the spiritual, cultural, or religious meaning of marriage in their lives, asserts Polikoff. While marriage equality for same-sex couples is a civil rights victory, she contends that no one should have to marry in order to reap specific and unique legal results. A persuasive argument that married couples should not receive special rights denied to other families, Polikoff shows how the law can value all families, and why it must.

    From his window on one of the busiest street corners in the world, Littlewood watches the daily parade of fashion queens, prostitutes, gangsters, and celebrities that make up the population of this strangest of villages. Dirty White Boy is a vivid mosaic of modern London, caught between the ghosts of the past and the uncertainties of the future. With an unforgettable cast of characters ranging from Chico the camp queen to Pam the Fag Lady (with guest spots by stars like Kathy Griffin and Graham Norton), these compulsively readable true tales offer a wry panorama of Soho's rich and often raucous subcultures.

    Empowered by their close bond, they espoused vehemently anti-Nazi views in a Europe swept up in fascism and were openly, even defiantly, gay in an age of secrecy and repression. Although their father’s fame has unfairly overshadowed their legacy, Erika and Klaus were serious authors, performance artists before the medium existed, and political visionaries whose searing essays and lectures are still relevant today. And, as Andrea Weiss reveals in this dual biography, their story offers a fascinating view of the literary and intellectual life, political turmoil, and shifting sexual mores of their times.            In the Shadow of the Magic Mountain begins with an account of the make-believe world the Manns created together as children—an early sign of their talents as well as the intensity of their relationship. Weiss documents the lifelong artistic collaboration that followed, showing how, as the Nazis took power, Erika and Klaus infused their work with a shared sense of political commitment. Their views earned them exile, and after escaping Germany they eventually moved to the United States, where both served as members of the U.S. armed forces. Abroad, they enjoyed a wide circle of famous friends, including Andre Gide, Christopher Isherwood, Jean Cocteau, and W. H. Auden, whom Erika married in 1935. But the demands of life in exile, Klaus’s heroin addiction, and Erika’s new allegiance to their father strained their mutual devotion, and in 1949 Klaus committed suicide.             Beautiful never-before-seen photographs illustrate Weiss’s riveting tale of two brave nonconformists whose dramatic lives open up new perspectives on the history of the twentieth century.

    Judy's poetry is rangy and provocative.  It has been written at the heart of so many of the important social movements of the last forty years that the proper word is foundational--Judy Grahn's poetry is foundational to the spirit of movement.  People consistently report that Judy's poetry is also uplifting--an unexpected side effect of work that is aimed at the mind as well as the heart. Judy continues to insist that love goes beyond romance, to community, and that community goes beyond the everyday world, to the connective worlds of earth and spirit.

    But mild-mannered bank employee Andre Manly isn?t going to take this lying down! If only he could find a phone booth to change in?.

    Since the 1950s, standard treatment has involved determining a sex for these infants and performing surgery to normalize the infant’s genitalia. Over the past decade intersex advocates have mounted unprecedented challenges to treatment, offering alternative perspectives about the meaning and appropriate medical response to intersexuality and driving the field of those who treat intersex conditions into a deep crisis. Katrina Karkazis offers a nuanced, compassionate picture of these charged issues in Fixing Sex, the first book to examine contemporary controversies over the medical management of intersexuality in the United States from the multiple perspectives of those most intimately involved. Drawing extensively on interviews with adults with intersex conditions, parents, and physicians, Karkazis moves beyond the heated rhetoric to reveal the complex reality of how intersexuality is understood, treated, and experienced today. As she unravels the historical, technological, social, and political forces that have culminated in debates surrounding intersexuality, Karkazis exposes the contentious disagreements among theorists, physicians, intersex adults, activists, and parents—and all that those debates imply about gender and the changing landscape of intersex management. She argues that by viewing intersexuality exclusively through a narrow medical lens we avoid much more difficult questions. Do gender atypical bodies require treatment? Should physicians intervene to control the “sex” of the body? As this illuminating book reveals, debates over treatment for intersexuality force reassessment of the seemingly natural connections between gender, biology, and the body.

    But it has long been the subject of intense scrutiny by both prison administrators and reformers—as well as a source of fascination and anxiety for the American public. Historically, sex behind bars has evoked radically different responses from professionals and the public alike. In Criminal Intimacy, Regina Kunzel tracks these varying interpretations and reveals their foundational influence on modern thinking about sexuality and identity. Historians have held the fusion of sexual desire and identity to be the defining marker of sexual modernity, but sex behind bars, often involving otherwise heterosexual prisoners, calls those assumptions into question. By exploring the sexual lives of prisoners and the sexual culture of prisons over the past two centuries—along with the impact of a range of issues, including race, class, and gender; sexual violence; prisoners’ rights activism; and the HIV epidemic—Kunzel discovers a world whose surprising plurality and mutability reveals the fissures and fault lines beneath modern sexuality itself. Drawing on a wide range of sources, including physicians, psychiatrists, sociologists, correctional administrators, journalists, and prisoners themselves—as well as depictions of prison life in popular culture—Kunzel argues for the importance of the prison to the history of sexuality and for the centrality of ideas about sex and sexuality to the modern prison. In the process, she deepens and complicates our understanding of sexuality in America.

    The author and activist Thomas Glave has gathered outstanding fiction, nonfiction, memoir, and poetry by little-known writers together with selections by internationally celebrated figures such as José Alcántara Almánzar, Reinaldo Arenas, Dionne Brand, Michelle Cliff, Audre Lorde, Achy Obejas, and Assotto Saint. The result is an unprecedented literary conversation on gay, lesbian, bisexual, and transgendered experiences throughout the Caribbean and its far-flung diaspora. Many selections were originally published in Spanish, Dutch, or creole languages; some are translated into English here for the first time.The thirty-seven authors hail from the Bahamas, Barbados, Cuba, the Dominican Republic, Grenada, Guyana, Haiti, Jamaica, Panama, Puerto Rico, St. Vincent, St. Kitts, Suriname, and Trinidad. Many have lived outside the Caribbean, and their writing depicts histories of voluntary migration as well as exile from repressive governments, communities, and families. Many pieces have a political urgency that reflects their authors’ work as activists, teachers, community organizers, and performers. Desire commingles with ostracism and alienation throughout: in the evocative portrayals of same-sex love and longing, and in the selections addressing religion, family, race, and class. From the poem “Saturday Night in San Juan with the Right Sailors” to the poignant narrative “We Came All the Way from Cuba So You Could Dress Like This?” to an eloquent call for the embrace of difference that appeared in the Nassau Daily Tribune on the eve of an anti-gay protest, Our Caribbean is a brave and necessary book.Contributors: José Alcántara Almánzar, Aldo Alvarez, Reinaldo Arenas, Rane Arroyo, Jesús J. Barquet, Marilyn Bobes, Dionne Brand, Timothy S. Chin, Michelle Cliff, Wesley E. A. Crichlow, Mabel Rodríguez Cuesta, Ochy Curiel, Faizal Deen, Pedro de Jesús, R. Erica Doyle, Thomas Glave,Rosamond S. King, Helen Klonaris, Lawrence La Fountain-Stokes, Audre Lorde, Shani Mootoo,Anton Nimblett, Achy Obejas, Leonardo Padura Fuentes, Virgilio Piñera, Patricia Powell, Kevin Everod Quashie, Juanita Ramos, Colin Robinson, Assotto Saint, Andrew Salkey, Lawrence Scott,Makeda Silvera, H. Nigel Thomas, Rinaldo Walcott, Gloria Wekker, Lawson Williams

    Its roster of 24 male and female cartoonists spans generations, exploring the alternative gay boy experience and aesthetic from a host of diverse perspectives. Included are works by queer zinester and scene-maker Anonymous Boy, legendary underground cartoonist Howard Cruse, Andy Hartzell, author of the critically acclaimed graphic novel Fox Bunny Funny, and Tim Fish, creator and editor of Young Bottoms in Love.

    "In his wily, edgy and hyperactive debut collection of thematically linked poems, Marinovich follows a prodigal grandson--ostensibly the poet--who returns to Belgrade, or 'Marinovichland, ' over the course of five years. During each visit, the poet transcribes conversations and shapes them into 'typewriter portraits, ' poems meant to be like family photographs. Opening with the darkly beautiful 'Belgrade Eyes, ' Marinovich elegizes a relative who has committed suicide, unable to face 'twelve years of war.' Second-guessing his right to celebrate or mourn his own ethnic and familial history--'[w]ho are you to sing the dead you never knew?'--each poem comes closer to embracing the self-appointed role of bard journalist by addressing war and its aftermath in a removed albeit intimate manner: 'befriend radiation--/ deal with traces of/ depleted uranium bombing/by NATO in '99.' Later, Marinovich points out ironies in the U.S.: 'O look at this photo opportunity/ a Non-President jogging with a soldier with a prosthetic right leg.' Ranging from the highly political to the sweetly playful and tenderly sentimental, Marinovich, who is neither outsider nor insider in either of his homes, reveals that national identity can be fluid when 'from one side or another/ no one can be secure in the global cell"--Publishers Weekly, Sept. 20

    The crew has crash-landed on a strange jungle planet, and when Susan discovers why the Captain picked her to kidnapped she is shocked and runs away?right into the clutches of an alien monster named Blarg!

    While she?s buying every pair she can find, the Captain enters an intergalactic space race in hopes of getting a date with the most famous and beautiful pilot in the universe.

    Gays and lesbians play a very prominent role in American life today, whether grabbing headlines over political gains, starring in and being the subject of movies and television shows, or filling the streets of nearly every major city each year to celebrate Gay Pride. However, this was not always the case, and this book charts their journey along with the history of the country. First touching on colonial times, the book moves on to the Victorian period and beyond, including such historical milestones as the Roaring ’20s, the Kinsey study, the McCarthy witch hunts of the 1950s, the Beat generation, Stonewall, disco, AIDS, and present-day battles over gay marriage. Providing a sense of hope mixed with pride, author Linas Alsenas demonstrates how, within one century, gay women and men have gone from being socially invisible to becoming a political force to be reckoned with and proud members of the American public living openly and honestly. The book includes a bibliography and an index.

    Growing up, Joyce swiftly realizes that her Jewish family and their Egyptian culture are neither typically American nor typically American-Jewish; they eat kobeba instead of kugel and speak French instead of Yiddish. Struggling with her feelings of isolation from other Americans and frustrated by never getting full access to Egyptian-Jewish culture, Zonana sets out on a life-long journey to find her place in the world.She meets her extended family living in Colombia and Brazil and travels to Cairo to get a glimpse of her parents’ past. After she and her mother survive the devastation of Katrina, Zonana comes to see that “home” is not a location, but a spiritual state of mind. Zonana’s heritage and quest are also evoked in numerous photos and family recipes.

    Meanwhile, Susan succumbs to Stockholm Syndrome.

    

    These are young women who roll pennies to buy toilet paper and roll their own cigarettes, who watch the mail for the welfare cheque and watch their boyfriends and lovers out of the corners of their eyes. But they also watch their own children play in wading pools, and watch the horizon for other women and other possibilities. Outsiders looking in and insiders looking out, these stories are wreathed in cigarette smoke and blurry with beer. Mayor insists that all girls are pretty girls, and that even amid squalor and chaos, true beauty is achieved through the simple act of reaching for something, anything, more.

    Women's Studies. Chavisa Woods' LOVE DOES NOT MAKE ME GENTLE OR KIND is a collection of fiction focusing on the formative and tumultuous moments in the lives of two women as children and adults, whose relationship to one another is cast in an ambiguous light, and whose characters are abstracted within the context of each story. Primarily set in rural America and other transient realms, this book combines realism with elements of meta-fiction, magnifying the extraordinary interpersonal worlds created by the circumstances of their outer reality. "Woods writes about love with a calloused hand, filling the spaces left by others. Her words etch a dotted line across your heart, instructing it precisely in where to break" -Sabrina Chapadjiev.

    What if you don't follow the rules and it radically alters the course of your life?What if you get kicked out of the house and lose all your friends and everyone you love? Will you turn the corner into a world filled with unusual friends and create a new kind of family or self-destruct?BOOKLIST *STARRED* REVIEW

    He also edited Bullets & Butterflies: queer spoken word poetry and selected finalists for Best Gay Erotica 2008. His work has appeared in many publications including The James White Review, Genre, Long Shot, Virgins, Guerrillas & Locas, and Queer & Catholic. He is the recipient of the Marsha A. Gomez Cultural Heritage Award and a New York City Council citation for his many contributions to gay and Latino culture. "Just as blood curses through our queer Latino veins, so does a complex and sometimes contradictory history. The words captured in this volume of poetry perfectly capture a moment in time in which we all are in flux and yet still very much grounded in the moment. Personally, these poems speak to my being, my sexuality, my erotic desires, my future hopes and my wishes for new generations and yet they also stand for the danger that those words might also be fragile and easily forgotten. It is up to the reader to make these words count for something. And, simply said, it's just an amazing and moving collection of poems that truly represents who we are as queer Latinos at this crucial moment in time." -Andrs Duque, LGBT rights activist "An 800-year-old tradition of Hispanic poetry gets a substantial augmentation, and at the same time, a wondrous makeover, with the rich, varied, sensual, often bi-lingual work in this collection. It helps that the translations by Xavier are so true; and that the poets amassed from all over the Americas, are mas o menos gay in subject matter and attitude." - Felice Picano, author

    Prose poems that profile the interrelationship of the two central characters, looking deeply into their psyches and thoughts of race, class, and identity.

    What It Feels Like for a Girl is about many things: the friendships girls have at the most intense times in their lives. Pornography and its lessons for the young woman who has never experienced sex in an unfiltered way. What sex and love have to do with each other--if anything. How confusing desire can be. How so many things in this world are two things at once--thirteen is both young and old. Madonna is both the virgin and the whore, pornography is both arousing and terrifying. How teenage girls (like pornography, literature, art) hold a mirror up to the world and show it its true, beautiful, and ugly face. The girls have the kind of friendship only teenage girls have--intense, raw, dependent, playful, and emotional. And beneath the friendship is an attraction for one another, which one girl perceives as love, and the other believes to be a benign crush--nothing of any substance.

    Want is masterfully merciless and merciful at the same time.”—Terrance Hayes

    In sharp, non-stop dialogue, Brad Fraser brings each of his characters to life with a depth, humor, and emotion that tears open the nuclear family and finds the heart that is often lost and forgotten.

    In contrast, eroticism is explicitly celebrated in a large number of theological, scientific, and literary texts of the medieval Arab Islamicate tradition, where sexuality was positioned at the very heart of religious piety.In "Crossing Borders," Sahar Amer turns to the rich body of Arabic sexological writings to focus, in particular, on their open attitude toward erotic love between women. By juxtaposing these Arabic texts with French works, she reveals a medieval French literary discourse on same-sex desire and sexual practices that has gone all but unnoticed. The Arabic tradition on eroticism breaks through into French literary writings on gender and sexuality in often surprising ways, she argues, and she demonstrates how strategies of gender representation deployed in Arabic texts came to be models to imitate, contest, subvert, and at times censor in the West.Amer's analysis reveals Western literary representations of gender in the Middle Ages as cross-cultural, hybrid discourses as she reexamines borders cultural, linguistic, historical, geographic not as elements of separation and division but as fluid spaces of cultural exchange, adaptation, and collaboration. Crossing these borders, she salvages key Arabic and French writings on alternative sexual practices from oblivion to give voice to a group that has long been silenced."

    Ancient phrases become the warp and weave of an intricate tapestry so delicately woven it becomes impossible to distinguish the imported threads from the weaver's own. Readers familiar with the myriad translations of the few fragmented lines of Sappho's work left available to us may recognize a word here or a conjunct there but, as one renowned expert in antiquities discovered, the author has herself become the voice of The Poetess to the extent that invented passages read like newly discovered wonders from the past.

    The three longest pieces deal with Aaron Shurin’s coming into poetry and gay identity via a high school production of A Midsummer Night’s Dream, his deep relationships with poets Denise Levertov and Robert Duncan, and his personal history of venturing into San Francisco gay bars, starting in 1965 and ending just before Stonewall.Aaron Shurin is the author of fifteen books, including Involuntary Lyrics and The Paradise of Forms, named a Publishers Weekly Best Book of the Year.

    Michelle Abate uncovers the origins, charts the trajectory, and traces the literary and cultural transformations that the concept of "tomboy" has undergone in the United States. Abate focuses on literature including Louisa May Alcott's Little Women and Carson McCullers's The Member of the Wedding and films such as Peter Bogdanovich's Paper Moon and Jon Avnet's Fried Green Tomatoes. She also draws on lesser-known texts like E.D.E.N. Southworth's once wildly popular 1859 novel The Hidden Hand, Cold War lesbian pulp fiction, and New Queer Cinema from the 1990s.

    In a riotous assemblage of more than 200 pages, we find comprehensive bibliographies and sinful synopses for more than 120 zines by Alex Gartenfeld, excerpted illustrations and writings by zine makers, reprints of important articles in and about queer zines, a directory of important zine archives, and a list of zine outlets around the world. It also includes a 1980 interview with Boyd McDonald by Vince Aletti, Bimbox's pop-up genitalia (alas, not popping up here), Adam Block's early writings on zines from the Advocate, a "Where are They Now?" section that charts the careers of various queer zine pioneers, and excerpted interviews with GB Jones, Vaginal Davis, and Bruce LaBruce.

    These dramatic selections share themes of oppression countered by love, fear, anger, and humor–not only gay or lesbian, but universally human.Included are Harvey Fierstein's Torch Song Trilogy, Tererrence McNally's The Ritz, Lanford Wilson's Fifth of July, Paula Vogel's The Baltimore Waltz, and many more.Ben Hodges is an actor, director, theatre and independent film producer, and was executive director of Fat Chance Productions and the Ground Floor Theatre. He is editor of Forbidden Acts: Pioneering Gay and Lesbian Plays from the Twentieth Century, and co-editor of The Commercial Theater Institute Guide to Producing Plays and Musicals.

    In these twenty-five tales of love and lust, we unleash every type of woman and reveal their most secret sexual fantasies.Nicole Foster, the queen of lesbian erotica, has edited many anthologies, including Wet and Show & Tell.

    Regarded with both wonder and fear when first encountered by the West, First Nations women living with masculine and feminine principles in the same body had important roles to play in society, as healers and visionaries, before they were suppressed during the colonial invasion.she walks for days inside a thousand eye (a two-spirit story) creatively juxtaposes first-person narratives and traditional stories with the voices of contemporary two-spirit women, voices taken from nature, and the teachings of Water, Air, Fire and Mother Earth. The author restores the reputation of two-spirit woman that had been long under attack from Western culture as she re-appropriates the lives of these individuals from the writings of Western anthropologists and missionaries.Sharron Proulx-Turner creates a new kind of epic as she bears witness to the past. With gracious concern for tradition, and sly, soaring language, she retells a vital chapter from Canada's First Nations story.

    Ward documents the evolution of these organizations, including class and race conflicts within them, but she especially focuses on the misuses of diversity culture.Respectably Queer reveals how neoliberal ideas about difference are becoming embedded in the daily life of a progressive movement and producing frequent conflicts over the meaning of diversity. The author shows how queer activists are learning from the corporate model to leverage their differences to compete with other non-profit groups, enhance their public reputation or moral standing, and establish their diversity-related expertise. Ward argues that this instrumentalization of diversity has increased the demand for predictable and easily measurable forms of difference, a trend at odds with queer resistance.Ward traces the standoff between the respectable world of diversity awareness and the often vulgar, sexualized, and historically unprofessional world of queer pride festivals. She spotlights dissenting voices in a queer organization where diversity has become synonymous with tedious and superficial workplace training. And she shows how activists fight back when prevailing diversity discourses-the ones that diverse people are compelled to use in order to receive funding-simply don't fit.

    Reading Rocky Horror is the first edited collection devoted to The Rocky Horror Picture Show and makes up for academia’s neglect of this cult classic by assembling a variety of accessible contributions that examine the film from diverse perspectives including gender and queer studies, disability studies, cultural studies, genre studies, and film studies.

    This book also offers a festschrift by current scholars in honor of McNeill. John McNeill was co-founder of the New York City chapter of Dignity, a group for Catholic gays and lesbians. For over twenty-five years, he has been active in a ministry to gay Christians through retreats, workshops, lectures, publications, etc. In 2007, he was the recipient of the Human Rights Campaign Lifetime Achievement Award.

    This universal love story rendered through a post-modern gay lens slips from domestic comedy into a darkly fantastic fable examining t

    The Runaways try to stay off the radar, but the sins of their parents won't make that possible.

    Two groups made these the heart of a radical project of liberation: queers and surrealism. Better than many others, queers understand the power of these dark areas. The rich, complicated culture we've created for ourselves is constantly ready to allow us to follow our dreams and fantasies, carried by the surging waves of sexuality into some pretty and magical places. It's just as clear that the surrealists were chasing similar adventures as far back as the 'Twenties and 'Thirties. Given the similarity of their motivations, why have the two so often been in violent opposition to each other? Madder Love is an anthology of cutting-edge writing that wants to look at that a little closer. It opens up the surreal possibilities of queer literature while simultaneously displacing the historic homophobia of Surrealism. From dream states to erotic obsessions, from the muttering of the unconscious to parallel worlds (and the weirder cracks in this one) Madder Love tackles why surrealism can be so queer, and why being queer can be so surreal.

    Its originality lies in combining research which uses Egyptology's traditional strengths, philological and iconographic, with reflections on material culture and on the discipline of Egyptology itself. The authors are internationally-recognized authorities in their fields.

    She unapologetically blew the lid off Cold War sexual repression in 1956 with her Sex Variant Women in Literature-the first-ever study of homosexual, bisexual, and cross-dressing characters appearing in more than 300 works, from ancient times to the present. Joanne Passet’s Sex Variant Woman is a fascinating portrait of Foster, who served as the first librarian at the Kinsey Institute before leaving to publish her controversial book. It is also a riveting look into the pre-Stonewall past, the intense sexual repression and persecution endured by homosexuals, the groundbreaking advances put forth by a cadre of activists, and the rise of feminism and gay and lesbian liberation decades later.

    Snediker offers a much-needed counterpoint to queer theoretical discourse, which has long privileged melancholy, self-shattering, incoherence, shame, and the death drive. Recovering the forms of positive affect that queer theory has jettisoned, Snediker insists that optimism must itself be taken beyond conventional tropes of hope and futurity and reimagined as necessary for critical engagement.

    In this first in-depth exploration of Baldwin’s “Turkish decade,” Magdalena J. Zaborowska reveals the significant role that Turkish locales, cultures, and friends played in Baldwin’s life and thought. Turkey was a nurturing space for the author, who by 1961 had spent nearly ten years in France and Western Europe and failed to reestablish permanent residency in the United States. Zaborowska demonstrates how Baldwin’s Turkish sojourns enabled him to re-imagine himself as a black queer writer and to revise his views of American identity and U.S. race relations as the 1960s drew to a close.Following Baldwin’s footsteps through Istanbul, Ankara, and Bodrum, Zaborowska presents many never published photographs, new information from Turkish archives, and original interviews with Turkish artists and intellectuals who knew Baldwin and collaborated with him on a play that he directed in 1969. She analyzes the effect of his experiences on his novel Another Country (1962) and on two volumes of his essays, The Fire Next Time (1963) and No Name in the Street (1972), and she explains how Baldwin’s time in Turkey informed his ambivalent relationship to New York, his responses to the American South, and his decision to settle in southern France. James Baldwin’s Turkish Decade expands the knowledge of Baldwin’s role as a transnational African American intellectual, casts new light on his later works, and suggests ways of reassessing his earlier writing in relation to ideas of exile and migration.

    Surveying standard postmodernist approaches to Cahun, born Lucy Schwob, Gen Doy positions her photographs as part of her life as a woman, lesbian and political activist in the early twentieth century.

     The once glittering club world had all but disappeared by the time Mogutin arrived in America in the mid-1990s. Under Mayor Rudy Giuliani’s controversial “Quality of Life” campaign, downtown clubs paid the ultimate price: owners were branded community pariahs and paid crippling fines for alleged disruptiveness, while others were prosecuted for criminal acts; many legendary night spots were wiped off the map altogether. In his new book, Mogutin documents the ever-shrinking downtown gay scene, taking us inside a few remaining joints like the Cock, Boysroom, and Mr. Black. NYC Go-Go is a raunchy journey into the underworld inhabited by hustlers, go-go boys and their admirers. Some of them are “rough trade”—thugs with criminal pasts, busted for prostitution, drugs or armed assaults—while others are “gay for pay,” married with kids and hustling for their families. NYC Go-Go captures the spirit of a scene under fire with Mogutin’s trademark raw, in-your face style.

    As threatening evidence that sex is not the natural basis upon which oppositional gender roles are built, the intersexed are made to disappear into normative categories, thus aligning once again the rightful place of male and female as opposites.

    Part audiobook, part-blog, and part-anthology, brings together a smart, diverse group of queer male writers all critically examining maleness and the construction of masculinity and gender norms for men.

    Spanning from the late 1970s until 2005, this large, square volume features a comprehensive collection of the duo's signature highly retouched portraits. Whether depicting celebrities or friends, the work of Pierre et Gilles is both idealized and irreverent, always erotic and usually set against fantasy backgrounds. It was compared sympathetically to the work of David LaChapelle, Mariko Mori and even Gregory Crewdson in a 2000 "Artforum" review by Vince Aletti, where the oeuvre was fittingly described as a "seductively gaudy, frankly homoerotic utopia, where saints, sailors and movie stars inhabit the same candy-colored never-never land."

    Holy Communion is a rite-of-passage novel that follows a seven-year-old boy's first communion preparations and celebration.Throughout the four-day peroid the boy deals with cruel nuns,sadistic babysitters,his mother's unfortunate accident,a drunken father,plus a pedophile or two, but finds a way to cope in the midst of so much tragedy-first by indifference,later by defiance and rebellion.He also discovers that his urban surrondings in New York City give him autonomy,comfort, and satisfaction.Holy Communion is full of the boy's dispair and self-questioning,along with the author Mykola Dementiuk's powerful insights into the human condition.

    Nine of Gage's most popular one-act plays, including: Bite My Thumb, Patricide, Jane Addams and the Devil Baby, Battered on Broadway, Louisa May Incest, The Rules of the Playground, The Obligatory Scene, The Pele Chant, and Entr'acte, or The Night Eva Le Gallienne Was Raped.