In My Fantoms Richard Holmes, the celebrated biographer of Shelley and Coleridge, has found a brilliantly effective new way to bring this great but too-little-known writer into English. My Fantoms assembles seven stories spanning the whole of Gautier’s career into a unified work that captures the essence of his adventurous life and subtle art. From the erotic awakening of “The Adolescent” through “The Poet,” a piercing recollection of the mad genius Gérard de Nerval, the great friend of Gautier’s youth, My Fantoms celebrates the senses and illuminates the strange disguises of the spirit, while taking readers on a tour of modernity at its most mysterious. ”What ever would the Devil find to do in Paris?” Gautier wonders. “He would meet people just as diabolical as he, and find himself taken for some naïve provincial…”Tapestries, statues, and corpses come to life; young men dream their way into ruin; and Gautier keeps his faith in the power of imagination: “No one is truly dead, until they are no longer loved.”

    “Gothic” is an epithet with a strange history – evoking images of death, destruction, and decay. Ironically, its negative connotations have made the gothic an ideal symbol of rebellion for a wide range of cultural outsiders. Popularly associated with black-clad teenagers and rock musicians, gothic fashion encompasses not only subcultural styles (from old-school goth to cyber-goth and beyond) but also high fashion by such designers as Alexander McQueen, John Galliano of Christian Dior, Rick Owens, Olivier Theyskens, and Yohji Yamamoto. Fashion photographers, such as Sean Ellis and Eugenio Recuenco, have also drawn on the visual vocabulary of the gothic to convey narratives of dark glamour. As the text and lavish illustrations in this book suggest, gothic fashion has deep cultural roots that give it an enduring potency.

    A quarterly mook (magazine/book hybrid) that's a combination fashion magazine, culture guide, and art book, the Bible caters to fans of two separate but related fashions: Gothic and--to a greater extent--Lolita. Volume 1 of the U.S. edition offers content from four volumes of this definitive Japanese mook for the first time in English, along with exciting original content covering the Gothic and Lolita culture in North America.

    But, in their immodest comfort, the Prince and his guests are not as safe as they hope from the horrors of the outside world ...

    It is a dreary place populated by the dispirited and the disillusioned, where the young nurture desperate dreams of escape. And Kate is no different. But her plans to run away to the city are crushed one very ordinary morning when the quiet in Brent Prior is shattered by an inexplicable act of violence.In the wake of the tragedy, Kate's beloved father is stricken by a strange illness, and she and her brother fall under the care of the manor's caretaker and maid.Then, as if attuned to the melancholy that has stricken Mansfield House, a fog rolls in. Villagers begin to vanish. Lithe fleeting shadows are glimpsed in the mist, and a disfigured man arrives in Brent Prior.A man who has come back to settle an old score.A man who calls himself the Master of the Moors.

    Please enjoy this historical and classic work. All of our titles are only 99 cents and are formatted to work with the Nook. Also, if it is an illustrated work, you will be able to see all of the original images. This makes them the best quality classic works available for the lowest price. So enjoy this classic work as if it were the original book!

    Until now, few of the 124 pages have been transcribed or analyzed. This comprehensive work reproduces the handwritten notes both in facsimile and in annotated transcription. It also includes Stoker's typewritten research notes and thoroughly analyzes all of the materials, which range from Stoker's thoughts on the novel's characters and settings to a nine-page calendar of events that includes most of the now-familiar story. The coauthors draw on their extensive knowledge of Dracula and vampires to guide readers through the construction of the novel, and the changes that were made to its structure, plot, setting and characters. Nine appendices provide insight into Stoker's personal life, his other works and his early literary influences.

    A quarterly mook (magazine/book hybrid) that's a combination fashion magazine, culture guide, and art book, the Bible caters to fans of two separate but related fashions: Gothic and--to a greater extent--Lolita. Volume 2 of the U.S. edition offers content from volume 25 (June 2007) of this definitive Japanese mook for the first time in English, along with exciting original content covering the Gothic and Lolita culture in North America.

    Tieck's transition to Romanticism is seen in the series of plays and stories published under the title Volksmarchen von Peter Lebrecht (1797), a collection which contains the admirable fairy-tale Der Blonde Eckbert, and the witty dramatic satire on Berlin literary taste, Der Gestiefelte Kater. With his school and college friend Wilhelm Heinrich Wackenroder (1773-1798), he planned the novel Franz Sternbalds Wanderungen (1798), which, with Wackenroder's Herzensergiessungen (1798), was the first expression of the romantic enthusiasm for old German art. His writings between 1798 and 1804 include the satirical drama, Prinz Zerbino (1799), and Romantische Dichtungen (1799-1800). The latter contains Tieck's most ambitious dramatic poems, which were followed in 1804 by the remarkable "comedy" in two parts, Kaiser Oktavianus. These dramas, in which Tieck's poetic powers are to be seen at their best, are typical plays of the first Romantic school.

    The youngest child, Betty, is a normal, pretty little girl - but she's a useless witch. Her attempts at magic often go wrong, with unexpected yet welcome results. The next-door neighbours should've known better than to rob a family of witches and wizards. But they did, and they're about to find out what the Floods do to bad neighbours. Playschool: Look through the cobwebbed, murky arched window in deepest Patagonia, and this is what you might see...Every day five of the Flood children travel halfway round the world to Quicklime College, the ultimate school for witches and wizards. There's no time for silly games flying around on broomsticks. Sports day is coming up, and before you even wonder how four-legged Satanella copes with the three-legged race, here's a secret for you. Orkward Warlock, the vilest child in the school, and his sidekick, The Toad, hate the big happy Floods family. And they're plotting to kill the Floods - on sports day.

    It infests the Dublin neighbourhood with an authentic population of ghosts, ghouls and goblins. Each story is filled with regional history, local atmosphere and architectural details.

    Uključuje priče: - Zov Ktulua (The Call of Cthulhu), - Pohodilac mraka (The Haunter of the Dark), - Snovi u veštičjoj kući (The Dreams in the Witch House),- Stvorenje na pragu (The Thing on the Doorstep), - Sena iz drugog vremena (The Shadow out of Time) i - Kroz kapije Srebrnog ključa (Through the Gates of the Silver Key).

    Jacquiz Helmut and Balbo Blakeney, among other eccentric characters, pursue the jewels across four countries and eight centuries. Horror, intrigue and high comedy shape the story as it races towards an unforgettable climax.

    Illustrators, street artists, sculptors, photographers, filmmakers, installation artists, and painters are all reflecting this renewed interest in gothic imagery. Horror has become a more accepted part of everyday lifeand art, as always, is a reflection of life. Here death metal, the war on terror and throwaway pop culture meet, feeding the popular fascination for all things gothic.Among the art featured is the iconoclastic work of Ken Kagami, Terence Koh, Ricky Swallow, the photographic collages of Marnie Weber, the drawings of Chloe Piene and Wes Lang, the paintings of Matt Greene and Iris Van Dongen, the outsider punk art of Pure Evil, and the illustrations of French.

    The Afterword is by leading UK playwright, novelist and eminent Sherlockian, David Stuart Davies.

    Shakespeare's plays are full of ghosts, suspense, fear-inducing moments and cultural anxieties which many writers in the Gothic mode have since emulated, adapted and appropriated.The contributors to this volume consider:Shakespeare's relationship with popular Gothic fiction of the eighteenth century how, without Shakespeare as a point of reference, the Gothic mode in fiction and drama may not have developed and evolved in quite the way it did the ways in which the Gothic engages in a complex dialogue with Shakespeare, often through the use of quotation, citation and analogy the extent to which the relationship between Shakespeare and the Gothic requires a radical reappraisal in the light of contemporary literary theory, as well as the popular extensions of the Gothic into many modern modes of representation. In Gothic Shakespeares, Shakespeare is considered alongside major Gothic texts and writers - from Horace Walpole, Ann Radcliffe, Matthew Lewis and Mary Shelley, up to and including contemporary Gothic fiction and horror film. This volume offers a highly original and truly provocative account of Gothic reformulations of Shakespeare, and Shakespeare's significance to the Gothic.Contributors include: Fred Botting, Elizabeth Bronfen, Glennis Byron, Sue Chaplin, Steven Craig, John Drakakis, Michael Gamer, Jerrold Hogle, Peter Hutchings, Robert Miles, Dale Townshend, Scott Wilson and Angela Wright.

    Jeffrey Weinstock analyzes this tradition as an essentially feminist attempt to imagine alternatives to a world of limited possibilities. In the process, he recovers the lives and works of authors who were important during their lifetimes and in the development of the American literary tradition, but who are not recognized today for their contributions.Between the end of the Civil War and roughly 1930, hundreds of uncanny tales were published by women in the periodical press and in books. These include stories by familiar figures such as Edith Wharton, Harriet Beecher Stowe, and Charlotte Perkins Gilman, as well as by authors almost wholly unknown to twenty-first-century readers, such as Josephine Dodge Bacon, Alice Brown, Emma Frances Dawson, and Harriet Prescott Spofford. Focusing on this tradition of female writing offers a corrective to the prevailing belief within American literary scholarship that the uncanny tale, exemplified by the literary productions of Irving, Poe, and Hawthorne, was displaced after the Civil War by literary realism.Beyond the simple existence of an unacknowledged tradition of uncanny literature by women, Scare Tactics makes a strong case that this body of literature should be read as a specifically feminist literary tradition. Especially intriguing, Weinstock demonstrates, is that women authors repeatedly used Gothic conventions to express discontentment with circumscribed roles for women creating types of political intervention connected to the broader sphere of women's rights activism.Paying attention to these overlooked authors helps us better understand not only the literary marketplace of their time, but also more familiar American Gothicists from Edgar Allan Poe to Shirley Jackson to Stephen King.

    Whether set in rural England or a summery New England village, or in snowy London or a haunted house in Boston, each ghostly tale harkens in some way to the mysterious realm of vegetation. "Scott Thomas' stories have a delicate muscularity and a poignancy that lingers long after reading them. The Garden of Ghosts is a rare and beautiful collection. The tales within deserve to be doled out in increments and savored as one would a good cigar paired with a 20-year-old whiskey." -- Jeff Vandermeer, Author of Shriek: An Afterward "Thomas rises from the eerie evolution of Nathaniel Hawthorne, Edgar Allen Poe, Ambrose Bierce, F. Marion Crawford and H.P. Lovecraft." -- Jonathan Sisson, The Quoddy Tides

    Oh death, where is thy sting? Oh grave, where is thy victory? The trustees of a Victorian scientific society are visiting the recently bereaved, offering to 'solve' their grief. They have an unhealthy interest in any unusual object coveted by the deceased. An antique typewriter belonging to Ellen's late father has been claimed by the trustees under his will, but it's missing and someone is using it to send her messages. The coded messages carry knowledge only her father could own. They tell of secrets only the dead can unlock.

    Best known as author of the story which inspired the still-controversial fear-film FREAKS, Robbins first stunned the public with this intense account of a ruthless war on society waged by a triad of carny castaways.

    Hoffmann was Germany's greatest author of fantastic and supernaturalist fiction, a composer, music critic, draftsman and caricaturist. He was himself the subject of Offenbach's opera "The Tales of Hoffmann", and his work inspired Tchaikovsky's ballet "The Nutcracker" (1892) and Delibes' ballet "Coppelia" (1870). Hoffmann's fiction, exploring the darker side of the human spirit, influenced Poe, Dickens, Baudelaire and Kafka. His highly readable, entertaining and eerie stories are thick with references to ghosts, madness and hypnotic influence. Supernatural and sinister characters appear in the lives of his heroes and heroines, exposing the tragic and grotesque. "The Sand-Man and Other Night Pieces" is the definitive collection of Hoffmann's stories of the supernatural, including classic translations by J.T. Bealby, A. Ewing and Thomas Carlyle, and adding important, more recent translations by Everett Bleiler and Helen Grant. It is edited and introduced by Jim Rockhill.

    Compiled by multi-award winning editor, Ellen Datlow, it presents some of the foremost talents of the genre, who have come together to reimagine tales inspired by Poe. Sharyn McCrumb, Lucius Shepard, Pat Cadigan, M. Rickert, and more, have lent their craft to this anthology, retelling such classics as "The Fall of the House of Usher," "The Tell-Tale Heart" and "The Masque of the Red Death," exploring the very fringes of the genre.

    We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    Gothic Art Now brings together for the first time the finest, the freshest, the darkest and the most exciting talents from around the world. The work covers the most compelling gothic art across various media, from paintings and illustrations to photography, sculpture, and digital art.Featured gothic art includes the breathtaking sculptures of H.R. Giger, the ethereal watercolors of Natalia Pierandrei, the grim fairytale paintings of David Stoupakis, the hypnotic oil paintings of David Bowers, the haunting photography of Shannon Hourigan, the sinister dolls of Scott Radke, the delicately dismal portraits of Dorian Cleavanger, and numerous other terrifying and thought-provoking artistic creations in literature, digital media, film, and advertising. Inside information from the artists on how they created their work along with a full artist directory are also featured.Contents:Foreword by acclaimed gothic art author and illustrator BromIntroductionFemmes FatalesMen in BlackGothic EleganceIndustrial Goth Lurking HorrorDark FantasyCreepy CreationsGrim Comics

    Nor are its Gothic avatars.The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of Horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity.Re-examining key concepts such as the uncanny, the sublime, terror, shock and abjection in terms of their bodily and technological implications, this book advances current critical and theoretical debates on Gothic horror to propose a new theory of cultural production based on an extensive discussion of Freud’s idea of the death drive.Limits of Horror will appeal to students and academics in Literature, Film, Media and Cultural Studies and Cultural Theory.

    Cyrus and Kemp confess a mutual burning compulsion toward vocational kleptomania. Their shared obsession, as things get out of hand, leads the powerless to retribution, redistribution, and sweeping social disruption. Revolution is in our cubicles; the program herein renders a volcano from a mountain of waste.

    But it is a dangerous love, filled with unhappiness and suffering. When Catherine finally breaks Heathcliff 's heart, Heathcliff decides to break everyone else's and plans a terrible revenge.

    Innsmouth, Sesqua Valley and other areas are tainted, countries as far apart as Australia and Denmark are tainted, and on continents like Asia you can't escape it either - no place is safe from the ultimate fear. From the deepest oceans to shadowy woods, dark cities, across wars and unspeakable realms of the unknown - to forbidden books, strange cultists, dread lore & mad, ancient Gods from beyond time & space. The world is not safe; no one is safe.Welcome to this collection of ELDRITCH HORRORS: DARK TALES. Stories by Paul S. Kemp (of Forgotten Realms fame), W. H. Pugmire (with new Sesqua Valley tale!), Gary Hill, Thomas Strømsholt, Paul Mackintosh, Leigh Blackmore, Don Webb, Henrik Sandbeck Harksen, Dan Clore, Blake Wilson, Linda Navroth, Ron Shiflet, Simon Bleaken, Benjamin Szumskyj.Cover and 14 interior b/w illustrations by Internationally acclaimed artist, Jørgen Mahler Elbang.

    Preserved through von Hagens' unique process of plastination, the bodies shown in the controversial exhibit are posed to mimic life and art, from a striking re-creation of Rodin's The Thinker, to a preserved horse and its human rider, a basketball player, and a reclining pregnant woman--complete with fetus in its eighth month. This interdisciplinary volume analyzes Body Worlds from a number of perspectives, describing the legal, ethical, sociological, and religious concerns which seem to accompany the exhibition as it travels the world.

    All she wants are answers. Damien Kirk was once a world-renowned cellist, celebrated across five continents for his musical gift. Now he lives in self-imposed isolation on a small Caribbean island. Biography writer Victoria Benedict is looking for a story-and she's not the type to take no for an answer. Her appearance on his doorstep shatters his reclusive existence. Determined to be rid of her, Damien demands a quid pro quo: a kiss for each answer to her interview questions. Her response is as arousing as it is unexpected. As Damien and Victoria escalate their sensual game of cat and mouse, Victoria discovers the passionate soul underneath Damiens cold exterior-and a shocking story of secrets and betrayal. Warning: This title contains the following: sex, scorching kisses, killer breakfasts, a hot tropical island and a happily ever after.

    When the new shop assistant begins to unravel the mystery, she puts her own life at risk. A grim sense of foreboding permeates a story as threatening as its setting - a dark mile of derelict buildings where vagrants live.