There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime - Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day" - sent to her publisher shortly before her death - is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.Contents:The geranium -- The barber -- Wildcat -- The crop -- The turkey -- The train -- The peeler -- The heart of the park -- A stoke of good fortune -- Enoch and the gorilla -- A good man is hard to find -- A late encounter with the enemy -- The life you save may be your own -- The river -- A circle in the fire -- The displaced person -- A temple of the Holy Ghost -- The artificial nigger -- Good country people -- You can't be any poorer than dead -- Greenleaf -- A view of the woods -- The enduring chill -- The comforts of home -- Everything that rises must converge -- The partridge festival -- The lame shall enter first -- Why do the heathen rage? -- Revelation -- Parker's back -- Judgement Day.

    Edited by Holly Stevens, it includes some poems not printed in his earlier Collected Works.

    Now Richard Zenith has collected in a single volume all the major poetry of "one of the most extraordinary poetic talents the century has produced" (Microsoft Network's Reading Forum). Fernando Pessoa was as much a creator of personas as he was of poetry, prose, and criticism. He wrote under numerous "heteronyms," literary alter egos with fully fleshed identities and writing styles, who supported and criticized each other's work in the margins of his drafts and in the literary journals of the time. From spare minimalism to a revolutionary exuberance that recalls Leaves of Grass, Pessoa's oeuvre was radically new and anticipated contemporary literary concerns to an unnerving degree. The first comprehensive edition of Pessoa's poetry in the English language, Fernando Pessoa & Co. is a work of extraordinary depth and poetic precision. "Zenith's selection of Pessoa is a beautiful one-volume course in the soul of the twentieth century." -- Booklist

    Daley, politician and self-promoter extraordinaire, from his inauspicious youth on Chicago's South Side through his rapid climb to the seat of power as mayor and boss of the Democratic Party machine. A bare-all account of Daley's cardinal sins as well as his milestone achievements, this scathing work by Chicago journalist Mike Royko brings to life the most powerful political figure of his time: his laissez-faire policy toward corruption, his unique brand of public relations, and the widespread influence that earned him the epithet of "king maker." The politician, the machine, the city--Royko reveals all with witty insight and unwavering honesty, in this incredible portrait of the last of the backroom Caesars.New edition includes an Introduction in which the author reflects on Daley's death and the future of Chicago.

    On 1 July 1916 the British Army went over the top and attacked the German trenches. It was the first day of the battle of the Somme, and on that day the British suffered nearly 60,000 casualties, two for every yard of their front. With more than fifty times the daily losses at El Alamein and fifteen times the British casualties on D-day, 1 July 1916 was the blackest day in the history of the British Army. But, more than that, it was a watershed in the history of the First World War. The Army that attacked on that day was the volunteer Army that had answered Kitchener's call. It had gone into action confident of a decisive victory. But by sunset on the first day on the Somme, no one could any longer think of a war that might be won. After that it was a struggle that had simply to be endured. Martin Middlebrook's research has covered not just official and regimental histories and tours of the battlefields, but interviews with hundreds of survivors, both British and German. As to the action itself, he conveys the overall strategic view and the terrifying reality of an new kind of war for front-line soldiers.

    This story recounts his experiences and the invaluable aid given by the local people, especially the woman who became his life-long love.

    Now living in New York City among old friends, far from Europe's chilling atrocities, Ross soon meets Natasha, a beautiful model and fellow migre, a warm heart to help him forget his cold memories.Yet even as the war draws to its violent close, Ross cannot find peace. Demons still pursue him. Whether they are ghosts from the past or the guilt of surviving, he does not know. For he is only beginning to understand that freedom is far from easy--and that paradise, however perfect, has a price. . . .

    Patrick Hanan praises the volume as -the highest achievement in the contemporary Chinese story.- Henry Miller considers Pai Hsien-yung -a master of portraiture.- Stories from this collection have already been translated into French, German, Italian, Dutch, Hebrew, Japanese and Korean.

    Ditie is called upon to serve not the King of England, but Haile Selassie. It is one of the great moments in his life. Eventually, he falls in love with a Nazi woman athlete as the Germans are invading Czechoslovakia. After the war, through the sale of valuable stamps confiscated from the Jews, he reaches the heights of his ambition, building a hotel. He becomes a millionaire, but with the institution of communism, he loses everything and is sent to inspect mountain roads. Living in dreary circumstances, Ditie comes to terms with the inevitability of his death, and with his place in history.

    These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward.”The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

    Richard Brautigan is the author of "Willard & His Bowling Trophies", "Trout Fishing in America", "In Watermelon Sugar" & "A Confederate General From Big Sur".Revenge of the lawn --1692 Cotton Mather newsreel --1/3, 1/3, 1/3 --The gathering of a Californian --A short story about contemporary life in California --Pacific Radio fire --Elmira --Coffee --The lost chapters of Trout fishing in America: "Rembrandt Creek" and "Carthage Sink" --The weather in San Francisco --Complicated banking problems --A high building in Singapore --An unlimited supply of 35 millimeter film --The Scarlatti Tilt --The wild birds of heaven --Winter rug --Ernest Hemingway's typist --Homage to the San Francisco YMCA --The pretty office --A need for gardens --The old bus --The ghost children of Tacoma --Talk show --I was trying to describe you to someone --Trick or treating down to the sea in ships --Blackberry motorist --Thoreau rubber band --44:40 --Perfect California day --The post offices of eastern Oregon --Pale marble movie --Partners --Getting to know each other --A short history of Oregon --A long time ago people decided to live in America --A short history of religion in California --April in god-damn --One afternoon in 1939 --Corporal --Lint --A complete history of Germany and Japan --The auction --The armored car --The literary life in California, 1964 --Banners of my own choosing --Fame in California, 1964 --Memory of a girl --September California --A study in California flowers --The betrayed kingdom --Women when they put their clothes on in the morning --Halloween in Denver --Atlantisburg --The view from the dog tower --Greyhound tragedy --Crazy old women are riding the buses of America today --The correct time --Holiday in Germany --Sand Castles --Forgiven --American flag decal --The World War I Los Angeles airplane

    Set in the darkest days of the Great Depression, this is the timeless story of an 11-year-old orphan’s rollicking journey through the Deep South with a con man who just might be her father. Brimming with humor, pathos, and an irresistible narrative energy, this is American storytelling at its finest. Paper Moon is tough, vibrant, and ripe for rediscovery.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    Surrounded by the magic of beautiful women and literature, a boy must endure the deprivations of war as he suffers the hardships of growing up. His sleepy country has just thrown off centuries of tyranny, but new waves of domination inundate his city. Through the boy's eyes, we see the terrors of World War II as he witnesses fascist invasions, allied bombings, partisan infighting, and the many faces of human cruelty as well as the simple pleasures of life. Evacuating to the countryside, he expects to find an ideal world full of extraordinary things but discovers instead an archaic backwater where a severed arm becomes a talisman and deflowered girls mysteriously vanish. Woven between the chapters of the boy's story are tantalizing fragments of the city's history. As the devastation mounts, the fragments lose coherence, and we perceive firsthand how the violence of war destroys more than just buildings and bridges.

    Plunging toward its riveting finale, Malina brutally lays bare the struggle for love and the limits of discourse between women and men.

    Don't look for them in nature books, in parks or pet shop cages, The Drippet, Piffle and the rest live only on these pages.

    The most celebrated black American of his day, Robeson was blacklisted, silenced and had his US passport withheld because of his criticism of McCarthyism, his fascination with the Soviet Union and his strong support of African independence. He wrote Here I Stand as a bold answer to his accusers and it remains today a passionate and defiant challenge to the prevailing fear and racism that continues to characterize American society.'(Robeson's) nobility, his language, his encouragement and his praise put me forever in his debt because it inspired me fully to be like him, and to use my life as he had used his, to put into it the commitment of the liberation of his people and all people.' Harry Belafonte in Restoring Hope'Robeson's book is a perennial, first published in 1958, and now a voice from a different time. It anticipates for black persons the moral support of the American majority with an intensity that now seems evangelical. It's full of probably tragic hope. It should be read.' The Boston Globe'This amazing man, this great intellect, this magnificient genius with his overwhelming love of humanity is a devastating challenge to a society built on hypocrisy, greed and profit-seeking at the expense of common humanity.' The New York Times

    Contains:-The Seven Messengers-The End of the World-Appointment with Einstein-The Saucer Has Landed-The Survivor's Story-Prank-The Walls of Anagoor-Human Greatness-The Colomber-The Writer's Secret-The Bewitched Jacket-The Elevator-The Ubiquitous-The Wind-The Eiffel Tower-The Falling Girl-Quiz at the Prison-Elephantiasis-The Scandal on Via Sesostri-The Scrivners-What Will Happen on October 12th?-The Count's Wife-The Bogeyman

    The material is intended to open up a new world of understanding for the reader.

    Safe in Palestine during World War II, she volunteered for a mission to help rescue fellow Jews in her native Hungary. She was captured by the Nazis, endured imprisonment and torture, and was finally executed at the age of twenty-three. Like Anne Frank, she kept a diary from the time she was thirteen. This new edition brings together not only the widely read and cherished diary, but many of Hannah's poems and letters, memoirs written by Hannah's mother, accounts by parachutists who accompanied Hannah on her fateful mission, and insightful material not previously published in English.

    The land, cultures, battles, feast days, heroes, and villains of Scripture come alive through spectacular color-filled articles and images of meticulous clarity and detail.Special features include: * Four-color guide to all the books of the Bible* 119 articles by an international team of experts* Over 500 color photographs* 68 maps, 30 charts* Complete 'Rapid Fact-Finder' reference section

    Palfrey arrives at the Claremont Hotel where she will spend her remaining days. Her fellow residents are magnificently eccentric and endlessly curious, living off crumbs of affection and snippets of gossip. Together, upper lips stiffened, they fight off their twin enemies—boredom and the Grim Reaper. Then one day Mrs. Palfrey strikes up an unexpected friendship with Ludo, a handsome young writer, and learns that even the old can fall in love.

    One of the best-known of Jakov Xoxa's, the literary work was written in 1964 only to be published 7 years later.The story revolves around the romantic love between the two main characters, Vita and Adil, and the ill fates of three Albanian families which all meet in a little town called Trokth in Albania. The seemingly independent stories that revolve around the three families are well interwoven with the fates of the two lovers.

    Includes many photos of Cohen and article/interview with him that originally appeared in Rolling Stone Magazine. The music notation includes guitar tablature. Songs included are:"Avalanche""Sing Another Song, Boys""Famous Blue Raincoat""No Diamonds in the Mine""Last Year's Man""Love Calls You By Your Name""Joan of Arc""Dress Rehearsal Rag"

    Life's losers, an astonishing number of whom seem to be writers, can bring their manuscripts to the library, where they will be welcomed, registered and shelved. They will not be read, but they will be cherished. In comes Vida, with her manuscript. Her book is about her gorgeous body, in which she feels uncomfortable. The librarian makes her feel comfortable, and together they live in the back of the library until the trip to Tijuana changes them in ways neither of them had ever expected.

    One of the ship's crew of 10 is a human empath whose role as ship's Sensor is to detect any presence of intelligent life, but upon their arrival they find vast forests and open fields of grasses, without animals of any kind ... not even an insect. Unable to stand the irritatating emotional excreta of his fellow crewmates, the empath sets up an outpost to do a species count on the local flora, but when he fails to report in on the radio, the others suspect the native vegetation may not be as harmless as it seems. Locus Poll Award Nominee, Hugo Award Nominee

    Among the best of Sorrentino's novels, Imaginative Qualities is also, quite simply, the best American novel ever written about writers and artists.

    A man is distressed. A thief scampers over rooftops. A child is in danger. A harangued salesclerk weeps. A dog save the day.The intriguing story of The Sopping Thursday is unlike any other Edward Gorey book, both because of its unique gray-and-black illustrations and because it has a happy ending (if one is to dismiss any worry about the child featured in the last frame). In just thirty images and thirty short lines of text, Gorey manages to create a complex tableau of characters and a plot worthy of film noir.

    The Chinese-backed guerrillas called it the War of the Running Dogs—their contemptuous term for those in Malaya who remained loyal to the British. The British Government referred to this bloody and costly struggle as the "Malayan Emergency." Yet it was a war that lasted 12 years and cost thousands of lives. By the time it was over Malaya had obtained its independence—but on British, not on Chinese or Communist, terms. Here is the war as it was. Here are the planters and their wives on their remote rubber estates, the policemen, the generals and the soldiers, the Malays, Chinese and Indians of a polyglot country, all fighting an astute, ruthless, and well organized enemy.

    Paz himself translated many of the poems from the Spanish. Some distinguished contributors to this bilingual edition include, among others, Paul Blackburn, Lysander Kemp. Denise Levertov, and Muriel Rukeyser. Paz's poems, although rooted in the mythology of South America and his native Mexico, nevertheless have an international background, transfiguring the images of the contemporary world. Powerful, angry, erotic, they voice the desires and rage of a generation.

    Carey was very young, and quite unused to the sophisticated life the Reddins led. When Oliver unexpectedly married her, she wondered why he had chosen her for his bride – especially when he didn’t treat her as one.

    A boy visualizes all the incredible things his flying machine will be able to do when he finishes building it in the barn.

    Rulers such as Prince Basil of Onessa, who founded the Empire but whose treacherous ways made him a byword for infamy, and the romantic Alexis the Bastard, who dallied in the fleshpots of Egypt, studied Taoism and Buddhism, returned to save the Empire from civil war, and then retired “to learn how to die,” come alive in The Glory of the Empire, along with generals, politicians, prophets, scoundrels, and others. D’Ormesson also goes into the daily life of the Empire, its popular customs, and its contribution to the arts and the sciences, which, as he demonstrates, exercised an influence on the world as a whole, from East to West, and whose repercussions are still felt today. But it is all fiction, a thought experiment worthy of Jorge Luis Borges, and in the end The Glory of the Empire emerges as a great shimmering mirage, filling us with wonder even as it makes us wonder at the fugitive nature of power and the meaning of history itself.

    When she begins spending more time in town, she is surrounded by women -- her mother, an agnostic, opinionated woman who sells encyclopedias to local farmers; her mother's boarder, the lusty Fern Dogherty; and her best friend, Naomi, with whom she shares the frustrations and unbridled glee of adolescence.Through these unwitting mentors and in her own encounters with sex, birth, and death, Del explores the dark and bright sides of womanhood. All along she remains a wise, witty observer and recorder of truths in small-town life. The result is a powerful, moving, and humorous demonstration of Alice Munro's unparalleled awareness of the lives of girls and women.

    They were expecting her glamorous cousin Claire. From the bestselling author of Australian outback romance. Over 12 million books sold worldwide. Mrs Franklin thinks Claire would make an excellent wife for her nephew, Lang. So she writes to Claire's Great Aunt Cassie with an invitation to come out to Australia. Somehow, Cassie accepts on behalf of the wrong great niece. Lang runs the family's properties and is the most eligible bachelor around. Ann is immediately drawn to him, but senses that he is more interested in his pretty young neighbour, Luie. Ann's gentle and helpful nature soon win over the Franklins, including Lang. But then a telegram announces that Claire intends to travel to Australia. Ann fears that, as always, she will be overshadowed by her more sophisticated cousin. And to make matters worse, her own motives in coming to Australia are under suspicion. Then, one person's foolish actions lead to grave danger. The outcome will force everyone to examine their true feelings. Lucy Walker's gentle, clean romances give readers a fascinating insight into the landscape, people and customs of the Western Australian outback in the mid-twentieth century.

    was killed, Jane Elliott, a third-grade teacher in Riceville, Iowa, gave her pupils a unique lesson in discrimination. The first day, brown-eyed children were declared “superior,” given special privileges, and encouraged to discriminate against their suddenly “inferior” blue-eyed classmates. The next day, roles were reversed. What happened astonished both students and teacher. On both days, children labeled “inferior” took on the look and behavior of genuinely inferior students; they did inferior work. “Superior” students excelled in their work and delighted in discriminating against their erstwhile friends. Jane Elliott repeated the exercise with succeeding classes, and the third year, it was filmed for an award-winning television documentary, “The Eye of the Storm.” The original edition of A Class Divided, written by William Peters, the producer-director-writer of the documentary, expanded on the story revealed in the television program.This new edition of A Class Divided continues the story of Jane Elliott and her sixteen third-graders of 1970, eleven of whom returned to Riceville in 1984 for a reunion with their former teacher. In the new chapters, Peters reports on that meeting and its evidence that the long-ago lesson has had a profound and enduring effect on the students’ lives and attitudes—indeed, on the way they are raising their own children. Peters also relates the surprising reactions of employees of the Iowa Department of Corrections and other adults to the same exercise.The students’ reunion and the session with adult Corrections workers were covered in Peters’ recent Emmy-Award winning documentary, “A Class Divided.” This new edition of A Class Divided expands significantly on the material covered in both documentaries.

    As the eleventh in the teaching lineage known as the Trungpa tulkus, he underwent a period of intensive training in mediation, philosophy, and fine arts, receiving full ordination as a monk in 1958 at the age of eighteen. The following year, the Chinese Communists invaded Tibet, and the young Trungpa spent many harrowing months trekking over the Himalayas, narrowly escaping capture. Trungpa's account of his experiences as a young monk, his duties as the abbot and spiritual head of a great monastery, and his moving relationships with his teachers offers a rare and intimate glimpse into the life of a Tibetan lama. The memoir concludes with his daring escape from Tibet to India. In an epilogue, he describes his emigration to the West, where he encountered many people eager to learn about the ancient wisdom of Tibetan Buddhism.

    Victor Serge’s final work, here translated into English for the first time, is at once the most ambitious, bleakest, and most lyrical of this neglected major writer’s works.The novel is arranged into four sections, like the panels of an immense mural or the movements of a symphony. In the first, D, a lifelong revolutionary who has broken with the Communist Party and expects retribution at any moment, flees through the streets of prewar Paris, haunted by the ghosts of his past and his fears for the future. Part two finds D’s friend and fellow revolutionary Daria caught up in the defense of a besieged Leningrad, the horrors and heroism of which Serge brings to terrifying life. The third part is set in Germany. On a dangerous assignment behind the lines, Daria finds herself in a city destroyed by both Allied bombing and Nazism, where the populace now confronts the prospect of total defeat. The novel closes in Mexico, in a remote and prodigiously beautiful part of the New World where D and Daria are reunited, hoping that they may at last have escaped the grim reckonings of their modern era.A visionary novel, a political novel, a novel of adventure, passion, and ideas, of despair and, against all odds, of hope, Unforgiving Years is a rediscovered masterpiece by the author of The Case of Comrade Tulayev.

    H. Abrams definitively studies the Romantic Age (1789–1835)—the age in which Shelley claimed that "the literature of England has arisen as it were from a new birth." Abrams shows that the major poets of the age had in common important themes, modes of expression, and ways of feeling and imagining; that the writings of these poets were an integral part of a comprehensive intellectual tendency which manifested itself in philosophy as well as poetry, in England and in Germany; and that this tendency was causally related to drastic political and social changes of the age.But Abrams offers more than a work of scholarship, for he ranges before and after, to place the age in Western culture. he reveals what is traditional and what is revolutionary in the period, providing insights into those same two forces in the ideas of today. He shows that central Romantic ideas and forms of imagination were secularized versions of traditional theological concepts, imagery, and design, and that modern literature participates in the same process. Our comprehension of this age and of our own time is deepened by a work astonishing in its learning, vision, and humane understanding.

    At the time of the Thirty Years War, Albrecht von Wallenstein became the supreme commander of the armies of the Habsburg Monarchy and became one of Europe's most powerful princes and one of the most important figures to emerge from the turmoil of the Thirty Years War.

    

    Poetry was at the center of Jack Kerouac’s sense of mission as a writer. “I’d better be a poet / Or lay down dead,” he wrote in “San Francisco Blues.” The celebrated “spontaneous bop prosody” of his prose was a direct outgrowth of the poetry that filled his notebooks throughout his writing life. This landmark edition gathers for the first time all of Kerouac’s major poetic works—Mexico City Blues, The Scripture of the Golden Eternity, Book of Blues, Pomes All Sizes, Old Angel Midnight, Desolation Pops, Book of Haikus—along with a rich assortment of his uncollected poems, six published here for the first time.Kerouac wrote poetry in forms as diverse as the classical Japanese haiku (and his own American variants of it, which he sometimes called “Pops”), the Buddhist sutra, the prose poetry of Old Angel Midnight (which he described as “the haddal-da-babra of babbling world tongues coming in thru my window at midnight”), doggerel ballads and free-form songs, the psalms preserved in early notebooks, and the poetic “blues” he developed in Mexico City Blues and other serial works, seeing himself as “a jazz poet blowing a long blues in an afternoon jam session on Sunday.”But his sense of form was closely allied to a commitment to spontaneous utterance—to a poetry awake to “All the endless conception of living beings / Gnashing everywhere in Consciousness / Throughout the ten directions of space”—and a longing for transcendent experience that marked his work from the beginning. “My only ambition,” he wrote in 1943, “is to be free in art.” That freedom came at a high personal price. Kerouac’s collected poems immerse us in what editor Marilène Phipps-Kettlewell describes as “the impenetrable complexities, engulfing vulnerabilities, and insoluble demands that life made on his heart and mind.”Many poets have found Kerouac a liberating influence on their work. Robert Creeley called him “a genius at the register of the speaking voice, a human voice talking”; Michael McClure saw him as using “the whole of his life . . . as an instrument of perception”; for Allen Ginsberg he was “a poetic influence over the entire planet”; and Bob Dylan singled out Mexico City Blues as crucial to his own artistic development.

    

    A portrait of Gerald and Sara Murphy, members of the circle of famous artists and writers in the Roaring Twenties.

    . . cutting through the confusion and heretical dangers associated with Bible interpretation." --Moody Magazine

    

    There was grandmother Baba, erect and small, bellowing messages from porch to boathouse via a megaphone; Mother and siblings, at work on Father's clerical vocation ("Guess what God's done now!"); and Father, gentle and high-spirited, bird-walk guide, organizer of expeditions, and an enthusiast like the others, of bracing seascapes. There is a delicate, compassionate portrait of Uncle Tink, a mental retardate in his twenties (but only ""two or three inside""), which encompasses a natural, affectionate and genial hilarity at some of his pecadillos. Warm but not the least cloying.

    He is arguably the key figure after Sartre in exploring the relation between literature and philosophy.This collection of 29 critical essays and reviews on art, politics, literature, and philosophy documents the wide range of Blanchot's interests, from the enigmatic paintings in the Lascaux caves to the atomic era. Essays are devoted to works of fiction (Louis-René des Forêts, Pierre Klossowski, Roger Laporte, Marguerite Duras), to autobiographies or testimonies (Michel Leiris, Robert Antelme, André Gorz, Franz Kafka), or to authors who are more than ever contemporary (Jean Paulhan, Albert Camus).Several essays focus on questions of Judaism, as expressed in the works of Edmond Jabès, Emmanuel Levinas, and Martin Buber. Among the other topics covered are André Malraux's "imaginary museum," the Pléiade Encyclopedia project of Raymond Queneau, paperback publishing, the work of Claude Lévi-Strauss, Benjamin's "Task of the Translator," Marx and communism, writings on the Holocaust, and the difference between art and writing. The book concludes with an eloquent invocation to friendship on the occasion of the death of Georges Bataille.

    Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers.This classic 1971 novel--the one that catapulted its author to national fame--is the perfect introduction to the grimly hysterical world of legendary writer, poet, and Dirty Old Man Charles Bukowski and his fictional alter ego, Chinaski.

    Its close accounts of friendship since boyhood with two men surely unknown to Dom and certainly to each other is interleaved with the story of Dom himself. This narrative which at first seems beamed from the narrator’s fear that he may have helped cause Dom’s supposed suicide, opens into the violent geography of Dom’s career as late-Sixties activist-ideologue.It is in one of Dom’s ideas — the physicist’s field-state turned into the psychic space of human community — that the narrator imagines a new way of gauging relationships. Experiences ambush him, memorable, measurably ominous yet open — a boy’s deep and almost disappearing dive into a mountain quarry pool; the flight of a boomerang thrown from the Brooklyn Bridge out toward the Statue of Liberty. New sectors swing into the narrator’s account of middle-class life in the Brooklyn Heights of the 1940s and 50s. Delicate anatomies of old girlfriends performed with nostalgic instinct; anxious confidences, painful and building, roused now by the narrator’s thoughts of his daughter, his wife, and the son from her first marriage.All the while, the two friends Al (from the country) and Bob (from the city) grow toward each other on these pages, as Dom, increasingly alive, seems increasingly distant. Yet at last — as if by some strange grace of nature — the narrator is given a sense of his own life very like the field-state into which he has tried to work his way by use of a controlling craft: the craft of an anthropologist ... that of an only child dwelling on friendships ... that of an artist looking for America both in its public stars like Dom and more faithfully in familiar mysteries of private life.

    Renowned author Barthelme presents Mathilda's escapade in a witty and whacky text with collage illustrations made entirely from 19th-century engravings. Full color.

    Library of Congress catalog card number 79-169172

    bestseller list, and its sequel was equally popular. Long out of print, both books, along with a wealth of exciting new interviews, are brought together in Elvis to form the most exhaustive account available of the King’s life. Telling the complete story of Presley’s rise and fall, from his poverty-stricken childhood in Tupelo through his musical development and emergence as pop’s first superstar to his decline and death, the book explores Presley’s singular appeal, his far-reaching influence, and his extraordinary legacy. Featuring newly published firsthand interviews with people close to Elvis — including high school teachers, girlfriends, directors, agents, recording engineers, bodyguards, sidemen, karate instructors, medical professionals, and even his personal jeweler — Elvis presents a comprehensive and amazingly intimate look at this cultural icon.

    When two boys try to pursue him, they are mystified by the speed at which he travels over a road that no longer exists. Includes seven other stories that include young ghosts and their earthly friends.

    Long identified with leftist causes, the journalist Eugene Lyons was by background and sentiment predisposed to early support of the Russian Revolution. A "friendly correspondent," he was one of a coterie of foreign journalists permitted into the Soviet Union during the Stalinist era because their desire to serve the revolution was thought to outweigh their desire to serve the truth. Lyons first went to the Soviet Union in 1927, and spent six years there. He was there as Stalin consolidated his power, through collectivization and its consequences, as the cultural and technical intelligentsia succumbed to the secret police, and as the mechanisms of terror were honed. As Ellen Frankel Paul notes in her major new introduction to this edition, "It was this murderous reality that Stalin's censors worked so assiduously to camouflage, corralling foreign correspondents as their often willing allies." Lyons was one of those allies.Assignment in Utopia describes why he refused to see the obvious, the forces that kept him from writing the truth, and the tortuous path he traveled in liberating himself. His story helps us understand how so many who were in a position to know were so silent for so long. In addition, it is a document, by an on-the-scene journalist, of major events in the critical period of the first Five-Year Plan.As Ellen Frankel Paul notes in her major new introduction to this new edition, Assignment in Utopia is particularly timely. The system it dissects in such devastating detail is in the process of being rejected throughout Eastern Europe and is under challenge in the Soviet Union itself. The book lends insight into the "political pilgrim" phenomenon described by Paul Hollander, in which visitors celebrate terrorist regimes, seemingly oblivious to their destructive force. The book is valuable for those interested in the Stalinist era in the Soviet Union, those interested in radical regimes and political change, as well as those interested in better understanding current events in Europe. It will also be useful for the tough questions it poses about journalistic ethics.

    Summer of '42 is the story of Hermie and the lovely Dorothy, of Hermie's frantic efforts to become a man, and of his glorious and heartbreaking initiation into sex.

    

    

    Peter, and the Capitoline Hill. He then turns to an examination of the artist's architectural drawings, theory, and practice. As Ackerman points out, Michelangelo worked on many projects started or completed by other architects. Consequently this study provides insights into the achievements of the whole profession during the sixteenth century. The text is supplemented with 140 black-and-white illustrations and is followed by a scholarly catalog of Michelangelo's buildings that discusses chronology, authorship, and condition. For this second edition, Ackerman has made extensive revisions in the catalog to encompass new material that has been published on the subject since 1970.

    It was a voyage of high adventure, undertaken when such voyages were almost unheard of. Maury and his crew of one survived two major storms in the Atlantic. In the book's conclusion, he loses his beloved boat in another storm, on the reefs of Fiji.

    

    Selected by Professor Eugenio Florit, the poems are presented in the full original Spanish text, with expert literal English translations on the facing pages. Enjoy the poetic inspiration, imagery, insight, and wisdom of such masters as Lope de Vega, Miguel de Unamuno, Federico García Lorca, Margués de Santillana, Jorge Manrique, Garcilaso de la Vega, Fray Luis de León, San Juan de la Cruz, Francisco de Quevedo y Villegas, Gustavo Adolfo Bécquer, Antonio Machado, Rafael Alberti, Pedro Salinas, and many more. In addition to the poetic texts, Professor Florit has also provided a wealth of biographical and critical commentary, outlining the significance of the poets and their works in the long tradition of Spanish literature. Portraits of the poets are included where available.

    Bullock felt that his photographs were more than surface reflections, that they portrayed the interaction of "space and time" defined by light. This volume contains Bullock's most influential and best-known images, spanning his entire photographic career. An essay by David Fuess illuminates Bullock's life and work, drawing from a series of revealing interviews conducted with Bullock just prior to his death. Wynn Bullock devoted most of his life to exploring the natural universe and man's relationship to it; the vehicle of his search was the photograph. The penetrating, enigmatic and almost mystical nature of his images is accomplished through formal beauty matched with provocative imagery. Bullock wanted to jolt people to new heights of visual and self-awareness by encouraging them to relate to nature directly, unencumbered by traditional modes of visual and abstract thinking. His dramatic photographs have been characterized as showing the inner essence of nature, powerfully reflecting its mysterious beauty on a level extending beyond the everyday.

    Growing up together in the small town of Barton-Upon-Humber in Lincolnshire, England, Peter Knott is everything that Brian Plender wishes he were. Knott is suave, good-looking, an exemplary student and popular. The friendship they maintain is as important to Plender as it is forgettable to Knott, and eventually leads to a lasting humiliation for Brian.Years later Brian Plender is a dangerous man. A private investigator who specializes in extortion, blackmail, and intimidation, Plender is a manipulative psychopath capable of anything should it improve his status. Knott meanwhile is a family man adrift, beholden to his wife for money, which he makes photographing catalogs for her father’s large mail order company. His wandering eye and a taste for younger women, lingerie—something his wife doesn’t altogether go for—and access to a parade of girls looking to break into modeling has led Knott through a series of sordid affairs.When at a bar, which he uses to set up marks, Plender spots Knott with a girl too young to be his wife and he decides to follow the pair and see what happens. At first it's out of curiosity but soon it turns to a darker, more opportunisitic motivation. What follows is an edge-of-your-seat trip into a nightmare that manages to be both incredibly creepy and eerily profound.

    

    

    

    Here are over 700 recipes—ranging from appetizers, to desserts, to food for the baby—selected for their good taste as food (not fad)... for the ecologically concerned... and for those who want to eliminate highly refined, super-processed, additive-filled foods from their diet.

    Helbert and his mother like doing a lot of things together, but their experiment with a plum stone gets out of hand.

    According to Thorstein Veblen, absentee ownership is the main and immediate controlling interest in the life of civilized men. It is the paramount issue between the civilized nations, and guides the conduct of their affairs at home and abroad. World War I, says Veblen, arose out of a conflict of absentee interests and the peace was negotiated with a view to stabilize them. Part I of the book is occupied with a summary description of that range of economic circumstances and that sequence of economic growth and change that led up through the nineteenth century and have come to a head in the twentieth century. Part II is an objective, theoretical analysis of those economic circumstances described in the first part of the book. Marion Levy writes in his introduction about the phrase "absentee ownership" and how it has a definite connotation, representing a dark figure in the economic system, a frustration of desired levels of self-sufficiency. In the early days, the giants of business enterprise had faces--Rockefeller, Vanderbilt, Ford, Edison--but they all turned into faceless bureaucracies, says Levy. The giants may not have been nice, but they had faces and human traits. Absentee ownership wiped that out for the common man. Veblen's book continues to be of vital importance to the studies of economics, political theory, and sociology.

    Today, as a result of an official policy of hostility and discrimination - carried to the lengths of keeping his name out of reference works and removing his poems from pre-war anthologies - he is virtually unknown to a whole generation of poetry readers in Czechoslovakia.Yet Lysohorsky, the victim of erratic political persecution since 1934, has continued to write poetry, both in Lachian and in German. Four volumes of translation into Russian have been followed by two into French and one into German. In recent years, his poems have appeared increasingly in periodicals throughout the world. The present volume is the first publication in book form of his poetry in English translation.

    First published in France in 1958, Jean-Jacques Rousseau remains Starobinski's most important achievement and, arguably, the most comprehensive book ever written on Rousseau. The text has been extensively revised for this edition and is published here along with seven essays on Rousseau that appeared between 1962 and 1970.

    Later, her father marries a kind Birgit, and she lives with them although remains resentful of her father. When she is seventeen, she visits her stepmother's parents in Norway, and finally begins to confront old conflicts and bitterness, and to clarify goals for the future, including a better relationship with her father.

    I have to admit that although ultimate certitude is a goal that cannot be attained within the rationalist framework, our culture would be poor and miserable without people who keep trying to reach this goal, and it hardly could survive when left entirely in the hands of the skeptics." - From the author's conclusion. "Kolakowski's Husserl and the Search for Certitude consists of his three Cassirer Lectures, delivered at Yale in 1974. In broad, general terms, he places Husserl in the tradition of philosophers, from Descartes to the Logical positivists, who were engaged in the attempt to discover some knowledge which was certain and indubitable. His final view is that such a quest must fail. But he also argues that unless it is undertaken, the tension and disharmonies which exist between the claims of the skeptics and relativists on the one hand, and those who believe in the possibility of absolute certainty on the other, must come to an end. And since he believes that this tension is to a large extent the source of all culture and intellectual life, we should be disastrously impoverished if the search were finally given up. . . . [Kolakowski's] purpose is to show the ways in which Husserl pursued, and inevitably failed to reach, his goal, and to justify, at least in part, the claim he made for his philosophy, that iswas the defense of culture and civilization. The lectures are elegant, persuasively clear and delightful." - Mary Warnock, Times Literary Supplement

    

    Julia felt it was her duty to repair the damage - but was that what she really wanted?

    begins with a macro view on the progress of civilization, ending with his crucible vision on the unique and transformative aspects of mankind.

    She never suspected that the attractive stranger she met on holiday in Barbados might be connected with Russian espionage. Until the secret police intervened in their love affair to suggest that Judith might help them obtain the secrets she dealt with at the UN - or see her lover die.

    The author concentrates on the many problems and contradictions which confront educated black minorities in their attempts to develop modern, egalitarian states.

    Then came the Coyote fire, rushing down from the mountains, sparing Millar's house but burning the trees and brush harboring her wild friends. In the aftermath, Millar hiked through the ashes and watched the canyon slowly heal itself.(from the back cover)

    

    This volume contains Harold Pinter's early screenplays : The Servant, Accident, The Pumpkin Eater, The Quiller Memorandum and The Go-Between.

    A witch and her black cat help a farmer solve the problem of an imp who is bringing bad luck to his farm.

    Bernard Millot tries to make this argument in Divine Thunder, a historical overview of the Japanese suicide pilots.This book was originally published in French in 1970, and the English translation came out the following year. The book was also translated into Japanese. Bernard Millot is a French aviation journalist and historian and is the author of a two-volume history of the Pacific War.The first two chapters cover the historical background leading up to Japan's use of kamikaze pilots against the American fleet. The first chapter deals with Japan's ancient traditions such as the bushido code followed by the samurai, and the second one gives several examples during World War II when Japanese soldiers willingly sacrificed themselves to inflict damage on the enemy. Chapters 3 to 8 summarize the history of the kamikazes from the creation of the first kamikaze corps in October 1944 until the end of the war, with one chapter devoted to nautical kamikazes such as the kaiten torpedo steered inside by a pilot toward its target. The first half of the final chapter contains details on several suicide planes under development but never employed by the end of the war. This section has little relevance to the book's overall theme. The last half of the final chapter provides conclusions on Japan's use of the kamikaze pilot.Millot classifies the kamikaze pilots into three psychological categories. First, some pilots were spontaneous heroes who firmly embraced Japan's martial tradition and who possessed a strong sense of patriotism. Second, some men with deep religious beliefs accepted self-sacrifice as a way of elevating themselves spiritually. The third category consisted of men who thought logically that suicide attacks were the only way to deliver a damaging blow against the enemy. Although Millot's categorization of the pilots into three types may have some merit, he provides almost no evidence to support such an analysis. He briefly mentions final letters written by the pilots and includes two long letters in the book, but he does not even indicate to which category these pilots belong. He also fails to mention that the military usually censored the pilots' correspondence, so some last letters may not represent their true beliefs and feelings. Finally, the author never considers that there may have been another category of pilots who did not really support the kamikaze attacks but decided to carry them out only because of social pressure and military discipline.Much of the source material for Divine Thunder comes directly from a few well-known published sources on the kamikazes and the Pacific War. For example, the book's two letters written by kamikaze pilots were first published more than a decade earlier (1958) in The Divine Wind by Inoguchi and Nakajima. The book also lacks Japanese sources other than a few works translated into English. Although the book's descriptions of the overall history of kamikaze operations seem generally accurate, at times Millot will make statements with little or no support. For example, he mentions the "Japanese have a deeply mystical turn of mind" (p. 11), "their mystical predisposition toward self-sacrifice" (p. 65), and "the mystically patriotic fervor" behind the kamikaze attacks (p. 67). However, he never really explains this so-called mysticism and how it related to the creation of the kamikaze suicide missions.Readers who want a general history of Japanese kamikaze operations should avoid this book and try either The Divine Wind by Inoguchi and Nakajima or The Sacred Warriors by Warner and Warner. In comparison to Divine Thunder, these two books have more original material and provide better reasoning and support for their conclusions.

    A twenty-year-old English girl finds herself drawn into another dimension while trying to solve the mysterious disappearance of her godfather.

    After preliminary snarls, the three become involved in a mysterious puzzle with occult overtones. Carrigona, the island, is a seal-nursery; the seals are connected to St. Culzean and their ancestors, especially Malise and his granddaughter Lucy. Lucy's portrait, with its piercing eyes, provokes the teens; Miranda's singing (during which her hands look strangely like Lucy's) unsettles the seals -- they leave the island for the first time in centuries. A young pup remains, wounded, and he becomes a household pet, diverting the teens to more earthy pursuits. But there is a serious threat for the seals -- they've moved to an unfriendly island -- which adds some suspense. Eventually the seals return, but only after Miranda turns against her country cousins and looks for adventure elsewhere.