There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime - Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day" - sent to her publisher shortly before her death - is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.Contents:The geranium -- The barber -- Wildcat -- The crop -- The turkey -- The train -- The peeler -- The heart of the park -- A stoke of good fortune -- Enoch and the gorilla -- A good man is hard to find -- A late encounter with the enemy -- The life you save may be your own -- The river -- A circle in the fire -- The displaced person -- A temple of the Holy Ghost -- The artificial nigger -- Good country people -- You can't be any poorer than dead -- Greenleaf -- A view of the woods -- The enduring chill -- The comforts of home -- Everything that rises must converge -- The partridge festival -- The lame shall enter first -- Why do the heathen rage? -- Revelation -- Parker's back -- Judgement Day.

    This new bilingual selection brings together some two hundred poems--the largest collection of Borges' poetry ever assembled in English, including scores of poems never previously translated. Edited by Alexander Coleman, the selection draws from a lifetime's work--from Borges' first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los Conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    But his research reveals even more about his own life than he's willing to admit. What emerges is an enthralling portrait of four generations in the life of an American family.Wallace Stegner's Pultizer Prize-winning novel is a story of discovery—personal, historical, and geographical.

    "The best book on the dope decade." -- "NY Times Book Review"

    Galway Kinnell's poetry has always been marked by richness of language, devotion to the things and creatures of the world, and an effort to transform every understanding into the universality of art.

    Now Richard Zenith has collected in a single volume all the major poetry of "one of the most extraordinary poetic talents the century has produced" (Microsoft Network's Reading Forum). Fernando Pessoa was as much a creator of personas as he was of poetry, prose, and criticism. He wrote under numerous "heteronyms," literary alter egos with fully fleshed identities and writing styles, who supported and criticized each other's work in the margins of his drafts and in the literary journals of the time. From spare minimalism to a revolutionary exuberance that recalls Leaves of Grass, Pessoa's oeuvre was radically new and anticipated contemporary literary concerns to an unnerving degree. The first comprehensive edition of Pessoa's poetry in the English language, Fernando Pessoa & Co. is a work of extraordinary depth and poetic precision. "Zenith's selection of Pessoa is a beautiful one-volume course in the soul of the twentieth century." -- Booklist

    A fair selection of the master's short story output. Roger Colet has written the introduction for the Penguin Classic edition..

    It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken.

    Author of pervious studies of Joyce, T.S. Eliot, Wyndham Lewis and Pound (to name a few), Kenner bestrides modern literature if not like a colossus then at least a presence of formidable proportions. A new book by him is certainly an event....A demanding, enticing book that glitters at the same time it antagonizes...."The Pound Era presents us with an idiosyncratic but sharply etched skeletal view of our immediate literary heritage."—The New York Times

    Ditie is called upon to serve not the King of England, but Haile Selassie. It is one of the great moments in his life. Eventually, he falls in love with a Nazi woman athlete as the Germans are invading Czechoslovakia. After the war, through the sale of valuable stamps confiscated from the Jews, he reaches the heights of his ambition, building a hotel. He becomes a millionaire, but with the institution of communism, he loses everything and is sent to inspect mountain roads. Living in dreary circumstances, Ditie comes to terms with the inevitability of his death, and with his place in history.

    Patrick Hanan praises the volume as -the highest achievement in the contemporary Chinese story.- Henry Miller considers Pai Hsien-yung -a master of portraiture.- Stories from this collection have already been translated into French, German, Italian, Dutch, Hebrew, Japanese and Korean.

    Richard Brautigan is the author of "Willard & His Bowling Trophies", "Trout Fishing in America", "In Watermelon Sugar" & "A Confederate General From Big Sur".Revenge of the lawn --1692 Cotton Mather newsreel --1/3, 1/3, 1/3 --The gathering of a Californian --A short story about contemporary life in California --Pacific Radio fire --Elmira --Coffee --The lost chapters of Trout fishing in America: "Rembrandt Creek" and "Carthage Sink" --The weather in San Francisco --Complicated banking problems --A high building in Singapore --An unlimited supply of 35 millimeter film --The Scarlatti Tilt --The wild birds of heaven --Winter rug --Ernest Hemingway's typist --Homage to the San Francisco YMCA --The pretty office --A need for gardens --The old bus --The ghost children of Tacoma --Talk show --I was trying to describe you to someone --Trick or treating down to the sea in ships --Blackberry motorist --Thoreau rubber band --44:40 --Perfect California day --The post offices of eastern Oregon --Pale marble movie --Partners --Getting to know each other --A short history of Oregon --A long time ago people decided to live in America --A short history of religion in California --April in god-damn --One afternoon in 1939 --Corporal --Lint --A complete history of Germany and Japan --The auction --The armored car --The literary life in California, 1964 --Banners of my own choosing --Fame in California, 1964 --Memory of a girl --September California --A study in California flowers --The betrayed kingdom --Women when they put their clothes on in the morning --Halloween in Denver --Atlantisburg --The view from the dog tower --Greyhound tragedy --Crazy old women are riding the buses of America today --The correct time --Holiday in Germany --Sand Castles --Forgiven --American flag decal --The World War I Los Angeles airplane

    Inviting reflection on the meaning of love and eloquently rendering the chain of moments that the experience of love leads us through, this famous inspirational poet channels the same proverbial simplicity and lyrical beauty that made his poem "The Prophet" instantly and internationally loved.

    Embracing postmodernism's "games for games' sake" ethos, Lem joins the contest with hilarious and grotesque results, lampooning the movement's self-indulgence and exploiting its mannerisms.Beginning with a review of his own book, Lem moves on to tackles (or create pastiches of) the French new novel, James Joyce, pornography, authorless writing, and Dostoevsky, while at the same time ranging across scientific topics, from cosmology to the pervasiveness of computers. The result is a metafictional tour de force by one of the world's most popular writers.

    Set in the darkest days of the Great Depression, this is the timeless story of an 11-year-old orphan’s rollicking journey through the Deep South with a con man who just might be her father. Brimming with humor, pathos, and an irresistible narrative energy, this is American storytelling at its finest. Paper Moon is tough, vibrant, and ripe for rediscovery.

    Surrounded by the magic of beautiful women and literature, a boy must endure the deprivations of war as he suffers the hardships of growing up. His sleepy country has just thrown off centuries of tyranny, but new waves of domination inundate his city. Through the boy's eyes, we see the terrors of World War II as he witnesses fascist invasions, allied bombings, partisan infighting, and the many faces of human cruelty as well as the simple pleasures of life. Evacuating to the countryside, he expects to find an ideal world full of extraordinary things but discovers instead an archaic backwater where a severed arm becomes a talisman and deflowered girls mysteriously vanish. Woven between the chapters of the boy's story are tantalizing fragments of the city's history. As the devastation mounts, the fragments lose coherence, and we perceive firsthand how the violence of war destroys more than just buildings and bridges.

    These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward.”The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.

    Plunging toward its riveting finale, Malina brutally lays bare the struggle for love and the limits of discourse between women and men.

    He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA Film School, and the script was purchased by Paramount. The film, directed by Hal Ashby, was released in 1971 and it bombed. But soon this quirky, dark comedy began being shown on college campuses and at midnight-movie theaters, and it gained a loyal cult following. This novelization was written by Higgins and published shortly after the film’s release but has been out of print for more than 30 years. Even fans who have seen the movie dozens of times will find this companion valuable, as it gives fresh elements to watch for and answers many of the film’s unresolved questions.

    Here is a selection of statements and writings which illuminate the course of Indian history and the abiding values of Indian life - living in harmony with nature.

    It discloses a little-known tradition of absurdism that persisted during the Stalinist period, a testimony to both the hardiness of the Russian imagination in the face of socialist realism and the vitality of an important cultural and literary tradition.

    Simultaneous hardcover re-issue by Random House.

    He had led migration of Bohemian Paris across the city from Montmartre to Montparnasse, he had helped formulate the principles of 'Cubism', having written one of the first books on the subject, and coined the word 'Surrealist'; and he had demonstrated in his own work those innovations we have come to associate with the most vital investigations of the avente - garde.

    It tell us, for example, what the sixties were truly all about, not by reporting on the psychedelic decade but by recreating it, from the inside out. In the process, this stunningly original seriocomic thriller is fully capable of simultaneously eating a literary hot dog and eroding the borders of the mind.

    But unlike her first collection of stories, the women in these tenderly wrought tales face their problems head on, proving powerful and self-possessed even when degraded by others—sometimes by those closest to them. But even as the female protagonists face exploitation, social asymmetries, and casual cruelties, Walker leavens her stories with ample wit and, as always, an eye for the redemptive power of love. A collection that reveals a master of fiction approaching the fullness of her talent, these are the stories Walker produced while penning The Color Purple. This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.

    Contains:-The Seven Messengers-The End of the World-Appointment with Einstein-The Saucer Has Landed-The Survivor's Story-Prank-The Walls of Anagoor-Human Greatness-The Colomber-The Writer's Secret-The Bewitched Jacket-The Elevator-The Ubiquitous-The Wind-The Eiffel Tower-The Falling Girl-Quiz at the Prison-Elephantiasis-The Scandal on Via Sesostri-The Scrivners-What Will Happen on October 12th?-The Count's Wife-The Bogeyman

    Her suicide was the culmination of thirteen years of mental crises which are described with disarming, honest lucidity in 'The Man Of Jasmine', subtitled Impressions from a Mental Illness. Zurn's mental collapse was initiated when she encountered in the real world her childhood fantasy figure "the man of jasmine": he was the writer Henri Michaux, and her meeting him plunged her into a world of hallucination in which visions of her desires, anxieties and events from her unresolved past simply overwhelmed her present life. Her return to "reality" was constantly interrupted by alternate visionary and depressive periods. Zurn's compelling narrative also reveals her uneasy relationship with words and language, which she attempted to resolve by the compulsive writing of anagrams. Anagrams allowed her to dissect the language of everyday, to personalise it, and to make it reveal hidden at its core astonishing messages, threats and evocations. They formed the basis of her interpretation of the split between her inner & outer lives and underpin the texts included in this selection. The Man of Jasmine is certainly one of the greatest descriptions of mental collapse, but it is much more. Zurn's familiarity with Surrealist conceptions of the psyche, and her extraordinary self-possession during the most alarming experiences are allied to vivid descriptive powers which make this a literary as well as a psychological masterpiece.

    Life's losers, an astonishing number of whom seem to be writers, can bring their manuscripts to the library, where they will be welcomed, registered and shelved. They will not be read, but they will be cherished. In comes Vida, with her manuscript. Her book is about her gorgeous body, in which she feels uncomfortable. The librarian makes her feel comfortable, and together they live in the back of the library until the trip to Tijuana changes them in ways neither of them had ever expected.

    The memoir of its author depicts Hungary between 1944 and 1948.

    Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers.This classic 1971 novel--the one that catapulted its author to national fame--is the perfect introduction to the grimly hysterical world of legendary writer, poet, and Dirty Old Man Charles Bukowski and his fictional alter ego, Chinaski.

    This essential collection also includes the complete texts of After the Fall, The American Clock, The Last Yankee, and Broken Glass, winner of the Olivier Award for Best Play of 1995, as well as excerpts from Miller's memoir Timebends. An essay by Harold Clurman and Christopher Bigsby's introduction discuss Miller's standing as one of the greatest American playwrights of all time and his importance to twentieth-century literature.Contents:Biographical notesIntroduction to the Original Edition by Harold ClurmanIntroduction to the Revised Edition by Christopher BigsbyTimebends (excerpt from the autobiography) (1987)The Golden Years (excerpt from a play) (1939-1940)Death of a Salesman (1949)The Crucible (1953)After the Fall (1964)The American Clock (1980)The Last Yankee (1993)Broken Glass (1994)

    In old Doc's books, they recognize a man who knew horses and cattle to the bone and could tell about them with honest prose and a sly cowboy sense of humor. I've read them all, as have most of the cowboys I know."-John R. Erickson, rancher and author of the Hank the Cowdog series. Ben K. Green takes us back to the deep Southwest and the never-a-dull-moment years he spent as a practicing horse doctor along the Pecos and the Rio Grande. With precious little formal schooling but a perfect corral-side manner and plenty of natural wit, Green became the first to hang up a shingle in the trans-Pecos territory. Hear him tell the tales of his struggles with mean stockmen, yellowweed fever, banditos, poison hay, and "drouth." His canny mix of science and horse sense when treating animals "that ain't house pets" is 100-proof old time pleasure. A veterinarian in the far Southwest for much of his life, Ben K. Green retired to ranch in Texas until his death in 1974.

    Schindler, JrIn what is one of the greatest Catholic poetic works of our century, Péguy offers a comprehensive theology ordered around the often-neglected second virtue which is incarnated inhis celebrated image of the ‘little girl Hope'.

    His evocations of small-town Pennsylvania life, and of his own religious, artistic, and sexual awakening, transfixed readers of The New Yorker and of the early collections Pigeon Feathers (1962) and The Music School (1966). In these and the works that followed—the formal experiments and wickedly tart tales of suburban adultery in Museums and Women (1972) and Problems (1979), the portraits of middle-aged couples in love and at war with aging parents and rebellious children in Trust Me (1987) and The Afterlife (1994), and the fugue-like stories of memory, desire, travel, and unquenched thirst for life in Licks of Love (2000) and My Father’s Tears (2009)—Updike displayed the virtuosic command of character, dialogue, and sensual description that was his signature.   Here, in two career-spanning volumes, are 186 unforgettable stories, from "Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to "The Full Glass” (2008), the author’s toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure.

    In them we find loneliness, love, and the passage of time, demonstrating the range and complexity of a true master of short fiction.

    ...y no se lo trago la tierra won the first national award for Chicano literature in 1970 and has become the standard literary text for Hispanic literature classes throughout the country. It is now an award-winning, motion picture entitled And the Earth Did Not Swallow Him.... and the Earth did not devour him / Tomás Rivera --from Voices of the fields: children of migrant farmworkers tell their stories / S. Beth Atkin --Christmas / Langston Hughes --Children for hire / Verena Dobnik and Ted Anthony --First confession / Frank O'Connor --Aria: a memoir of a bilingual childhood / Richard Rodriguez

    Among the best of Sorrentino's novels, Imaginative Qualities is also, quite simply, the best American novel ever written about writers and artists.

    An adaptation of the Greek classic Oedipus Rex, set in an indeterminate period of a Yoruba kingdom, the story centers on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events.

    Victor Serge’s final work, here translated into English for the first time, is at once the most ambitious, bleakest, and most lyrical of this neglected major writer’s works.The novel is arranged into four sections, like the panels of an immense mural or the movements of a symphony. In the first, D, a lifelong revolutionary who has broken with the Communist Party and expects retribution at any moment, flees through the streets of prewar Paris, haunted by the ghosts of his past and his fears for the future. Part two finds D’s friend and fellow revolutionary Daria caught up in the defense of a besieged Leningrad, the horrors and heroism of which Serge brings to terrifying life. The third part is set in Germany. On a dangerous assignment behind the lines, Daria finds herself in a city destroyed by both Allied bombing and Nazism, where the populace now confronts the prospect of total defeat. The novel closes in Mexico, in a remote and prodigiously beautiful part of the New World where D and Daria are reunited, hoping that they may at last have escaped the grim reckonings of their modern era.A visionary novel, a political novel, a novel of adventure, passion, and ideas, of despair and, against all odds, of hope, Unforgiving Years is a rediscovered masterpiece by the author of The Case of Comrade Tulayev.

    Grandpa is blind, and so when John visits him he gets to see things from a new perspective. If he closes his eyes, everything comes alive through sound and touch. This house is the place where John gets to experience the special way Grandpa sees and moves in the world.

    Rulers such as Prince Basil of Onessa, who founded the Empire but whose treacherous ways made him a byword for infamy, and the romantic Alexis the Bastard, who dallied in the fleshpots of Egypt, studied Taoism and Buddhism, returned to save the Empire from civil war, and then retired “to learn how to die,” come alive in The Glory of the Empire, along with generals, politicians, prophets, scoundrels, and others. D’Ormesson also goes into the daily life of the Empire, its popular customs, and its contribution to the arts and the sciences, which, as he demonstrates, exercised an influence on the world as a whole, from East to West, and whose repercussions are still felt today. But it is all fiction, a thought experiment worthy of Jorge Luis Borges, and in the end The Glory of the Empire emerges as a great shimmering mirage, filling us with wonder even as it makes us wonder at the fugitive nature of power and the meaning of history itself.

    The sole voice of reason among the advisers to Tsar Nikolai II, Stolypin died at the hands of the anarchist Mordko Bogrov, and with him perished Russia's last hope for reform. Translated by H.T. Willetts."August 1914" is the first volume of Solzhenitsyn's epic, "The Red Wheel; "the second is "November 1916." Each of the subsequent volumes will concentrate on another critical moment or "knot," in the history of the Revolution. Translated by H.T. Willetts.

    An external examination of the Gita, the Original Sanskrit stanzas, their English translation, commentaries on the stanzas, and a comparison of Eastern with Western doctrines etc.

    The same girl, now on the cusp of adulthood, shares her family’s growing fears that her father has disappeared. Acclaimed author Ann Petry penned these and the other unforgettable narratives in Miss Muriel and Other Stories more than seventy years ago, yet in them contemporary readers recognize characters who exist today and dilemmas that recur again and again: the reluctance of African Americans to seek help from the police, the rage that erupts in a black man worn down by brutality, the tyranny that the young can visit on their elders regardless of race. Originally published between 1945 and 1971, Petry’s stories capture the essence of African American experience since the 1940s.

    Weaving together the stories of a diverse array of characters, Boll explores the often bizarre & always very human courses chosen by people attempting to survive in a world marked by political madness, absurdity & destruction. At the center of his tale is Leni Pfeiffer, a German woman whose secret romance with a Soviet prisoner of war both sustains & threatens her life. As the narrator interviews those who knew Pfeiffer, their stories come together in a dazzling mosaic, rich in satire, yet hinting at the promise of a saner world.

    As if they were dictated at the "front line," so to speak, Tent Posts is a book of theoretical urgency, ideas written down quickly (and brilliantly) by the great Belgian author.

    

    H. Abrams definitively studies the Romantic Age (1789–1835)—the age in which Shelley claimed that "the literature of England has arisen as it were from a new birth." Abrams shows that the major poets of the age had in common important themes, modes of expression, and ways of feeling and imagining; that the writings of these poets were an integral part of a comprehensive intellectual tendency which manifested itself in philosophy as well as poetry, in England and in Germany; and that this tendency was causally related to drastic political and social changes of the age.But Abrams offers more than a work of scholarship, for he ranges before and after, to place the age in Western culture. he reveals what is traditional and what is revolutionary in the period, providing insights into those same two forces in the ideas of today. He shows that central Romantic ideas and forms of imagination were secularized versions of traditional theological concepts, imagery, and design, and that modern literature participates in the same process. Our comprehension of this age and of our own time is deepened by a work astonishing in its learning, vision, and humane understanding.

    S. Eliot since it was first published, Eliot and His Age remains the best introduction to the poet’s life, ideas, and literary works. It is the essential starting place for anyone who would understand what Eliot was about. Russell Kirk’s view of his older friend is sympathetic but not adulatory. His insights into Eliot’s writings are informed by wide reading in the same authors who most influenced the poet, as well as by similar experiences and convictions.Kirk elaborates here a significant theory of literary meaning in general, showing how great literary works awaken our intuitive reason, giving us profound visions of truth that transcend logical processes. And he traces Eliot’s political and cultural ideas to their true sources, showing the balance and subtlety of Eliot’s views. Eliot and His Age is a literary biography that will endure when much of the more recent writing on Eliot is gathering dust.

    Above all, no one has done more to set new standards for sheer technique in this field. He is a man of towering imagination and acknowledged genius at handling the most intricate of plots.It is an invidious task to choose from such a rich body of work as Ballard's the sixteen finest stories. But here are presented the author's own favorites:1 - The Voices of Time (1960)2 - The Drowned Giant (1964)3 - The Terminal Beach (1964)4 - Manhole 69 (1957)5 - Storm-Bird, Storm-Dreamer (1966)6 - The Sound-Sweep (1959)7 - Billenium (1961)8 - Chronopolis (1960)9 - Build-Up (1957)10 - The Garden of Time (1962)11 - End Game (1964)12 - The Watchtowers (1962)13 - Now Wakes the Sea (1963)14 - Zone of Terror (1960)15 - The Cage of Sand (1962)16 - Deep End (1961)No writer has ever written better in this genre; few have equaled these stories. This is a collection to savor and reread."I know Ballard has made waves; I know he will not stop; I am most pleased to watch where he is going." - Theodore SturgeonJ.G. Ballard is a British novelist, writer and critic. As the apostle of the so-called New Wave in SF writing he has had an enormous influence on the development of modern SF. Among his many works, much of which have been outside the realm of SF, are novels such as The Drowned World and The Crystal World and such short story collections as Vermillion Sands and Billenium.

    Poetry was at the center of Jack Kerouac’s sense of mission as a writer. “I’d better be a poet / Or lay down dead,” he wrote in “San Francisco Blues.” The celebrated “spontaneous bop prosody” of his prose was a direct outgrowth of the poetry that filled his notebooks throughout his writing life. This landmark edition gathers for the first time all of Kerouac’s major poetic works—Mexico City Blues, The Scripture of the Golden Eternity, Book of Blues, Pomes All Sizes, Old Angel Midnight, Desolation Pops, Book of Haikus—along with a rich assortment of his uncollected poems, six published here for the first time.Kerouac wrote poetry in forms as diverse as the classical Japanese haiku (and his own American variants of it, which he sometimes called “Pops”), the Buddhist sutra, the prose poetry of Old Angel Midnight (which he described as “the haddal-da-babra of babbling world tongues coming in thru my window at midnight”), doggerel ballads and free-form songs, the psalms preserved in early notebooks, and the poetic “blues” he developed in Mexico City Blues and other serial works, seeing himself as “a jazz poet blowing a long blues in an afternoon jam session on Sunday.”But his sense of form was closely allied to a commitment to spontaneous utterance—to a poetry awake to “All the endless conception of living beings / Gnashing everywhere in Consciousness / Throughout the ten directions of space”—and a longing for transcendent experience that marked his work from the beginning. “My only ambition,” he wrote in 1943, “is to be free in art.” That freedom came at a high personal price. Kerouac’s collected poems immerse us in what editor Marilène Phipps-Kettlewell describes as “the impenetrable complexities, engulfing vulnerabilities, and insoluble demands that life made on his heart and mind.”Many poets have found Kerouac a liberating influence on their work. Robert Creeley called him “a genius at the register of the speaking voice, a human voice talking”; Michael McClure saw him as using “the whole of his life . . . as an instrument of perception”; for Allen Ginsberg he was “a poetic influence over the entire planet”; and Bob Dylan singled out Mexico City Blues as crucial to his own artistic development.

    Many in Japan regarded the suicide as a sensational act. However, the publication of Mishima's final cycle of novels, which had been conceived eight years prior to his death, revealed that his death was carefully considered--a gesture of historical import in perfect accord with the morbid and esoteric aesthetic that pervades his writing. In 1961 Mishima asked Eikoh Hosoe to photograph him, giving him full artistic direction in making these surreal and alluring photographs. The props that surround the writer and the baroque interior of his home are antithetical to the pure Japanese sensibility of understatement and reveal Mishima's dark, theatrical imagination.

    William Butler Yeats' writing captures all the magic and mystery of his native Ireland, and here are some 26 of his finest, most mesmerizing verses. In "The Stolen Child," fairies come in the night to entice a boy away forever to "where the wave of moonlight glosses the dim grey sands with light." Yeats claimed that a Greek folk song inspired "The Song of Wandering Aengus": the excerpt here follows Aengus on his quest to locate an enchanted girl. Visions of a fierce and terrible battle-where "unknown perishing armies beat about my ears"--emerge in "The Valley of the Black Pig," all seen in a dream. Matching the beauty of Yeats' written images are a series of exquisite and evocative paintings, which range from panoramic natural landscapes to compelling portraits of characters both human and fantastic. And, as always, this acclaimed series features fascinating biographical information, introductions to each verse, and full annotations that define difficult unfamiliar vocabulary.

    The editors of this volume, Robert Pring-Mill and Donald D. Walsh, have chosen a representative selection of Cardenal’s shorter protest poems, epigrams, religious, and Amerindian verse. Also included are two of Cardenal’s most impressive longer works: the haunting and melodic elegy, “Coplas on the Death of Merton,” and the title poem, “Apocalypse,” in which the theme of an ever-threatening nuclear holocaust is the core of a modern rendering of the Book of Revelations. At Our Lady of Solentiname, his religious community on an island in Lake Nicaragua, living and working in the manner of the early Christians, Father Cardenal embodies what he professes: “Now in Latin America, to practice religion is to make revolution.” An informative introduction has been contributed by Robert Pring-Mill of Oxford University. The translations are by Thomas Merton, Robert Pring-Mill, Kenneth Rexroth and Mireya Jaimes-Freyre, and Donald D. Walsh, who also translated In Cuba, Cardenal’s assessment of Fidel Castro’s revolutionary society, published by New Directions in 1974.

    This classic work by the author of Ideas Have Consequences boldly examines the Intellectual roots of our current cultural crisis.

    S. Lewis) that the poet's sympathies are obviously with God and the angels loyal to him.The achievement of Stanley Fish's Surprised by Sin was to reconcile the two camps by subsuming their claims in a single overarching thesis: Paradise Lost is a poem about how its readers came to be the way they are--that is, fallen--and the poem's lesson is proven on a reader's impulse every time he or she finds a devilish action attractive or a godly action dismaying.Fish's argument reshaped the face of Milton studies; thirty years later the issues raised in Surprised by Sin continue to set the agenda and drive debate.

    It is both a valuable introduction to the Romantics and an influential work of literary criticism. The perceptive interpretations of the major poems of Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Beddoes, Clare, and Darley develop the themes of Romantic myth-making and the dialectical relationship between nature and imagination.For this new edition, Harold Bloom has added an introductory essay on the historical backgrounds of English Romantic poetry and an epilogue relating his book to literary trends.

    Its close accounts of friendship since boyhood with two men surely unknown to Dom and certainly to each other is interleaved with the story of Dom himself. This narrative which at first seems beamed from the narrator’s fear that he may have helped cause Dom’s supposed suicide, opens into the violent geography of Dom’s career as late-Sixties activist-ideologue.It is in one of Dom’s ideas — the physicist’s field-state turned into the psychic space of human community — that the narrator imagines a new way of gauging relationships. Experiences ambush him, memorable, measurably ominous yet open — a boy’s deep and almost disappearing dive into a mountain quarry pool; the flight of a boomerang thrown from the Brooklyn Bridge out toward the Statue of Liberty. New sectors swing into the narrator’s account of middle-class life in the Brooklyn Heights of the 1940s and 50s. Delicate anatomies of old girlfriends performed with nostalgic instinct; anxious confidences, painful and building, roused now by the narrator’s thoughts of his daughter, his wife, and the son from her first marriage.All the while, the two friends Al (from the country) and Bob (from the city) grow toward each other on these pages, as Dom, increasingly alive, seems increasingly distant. Yet at last — as if by some strange grace of nature — the narrator is given a sense of his own life very like the field-state into which he has tried to work his way by use of a controlling craft: the craft of an anthropologist ... that of an only child dwelling on friendships ... that of an artist looking for America both in its public stars like Dom and more faithfully in familiar mysteries of private life.

    Each period is represented by a wide range of selections. The book showcases the entire range of our literary heritage, from our unique ethno-epics, to a wide-ranging literature of religion and morality, to the literature of the Propaganda and Revolution, to our first forays into western literary types. This also includes works of little-known but landmark authors, as well as indigenious literary forms.

    THE TABLETS takes its place as a worthy successor of the great American long poems of our century: Pound's Cantos, Williams' Paterson, Olson's Maximus, Zukofsky's A. The first edition, published in 1968, included eight tablets. Over the years, THE TABLETS continued to grow. The present edition is the first to include all twenty-seven tablets that Schwerner had completed at the time of his death, along with the poet's own commentary on the work in the form of Journals/Divagations. This edition also includes a CD of Schwerner reading extensive selections of THE TABLETS. Schwerner's poem mimics the conventions observed in real scholarly editions of ancient cuneiform texts ... THE TABLETS is a Chinese-box puzzle, in place of a primal scene of archeological insight, a game of hide-and-seek, in place of 'knowledge, ' uncertainty, speculation, make-believe and trompe l'oeil effects--Brian McHale

    It illuminates important aspects of Japanese literature for the general reader and places each subject within the context of the tradition as a whole.

    Conveniently arranged by topic, the source of each quote is fully identified for subjects ranging from love and marriage to truth, beauty, death, music, and more.

    

    But now it languishes in uneasy decay, populated only by forgotten movie stars, solitary impresarios and artistic and literary failures, a place where love and lust pall before the stronger pull of evil.Contents:· The Cloud-Sculptors of Coral D [Vermillion Sands] · ss F&SF Dec ’67 · Prima Belladonna [Vermillion Sands] · ss Science-Fantasy #20 ’56 · The Screen Game [Vermillion Sands] · nv Fantastic Oct ’63 · The Singing Statues [Vermillion Sands] · ss Fantastic Jul ’62 · Cry Hope, Cry Fury! [Vermillion Sands] · ss F&SF Oct ’67 · Venus Smiles [“Mobile”; Vermillion Sands] · ss Science-Fantasy #23 ’57 · Say Goodbye to the Wind [Vermillion Sands] · ss Fantastic Aug ’70 · Studio 5, The Stars [Vermillion Sands] · nv Science-Fantasy #45 ’61 · The Thousand Dreams of Stellavista [Vermillion Sands] · nv Amazing Mar ’62

    A revised edition was published in 1989 by Barzun after the death of Taylor in 1985. The book was awarded a Special Edgar Award from the Mystery Writers of America in 1972.

    Nesbit, John Farquarson, Ltd."The Handkerchief" adapted from THE SULTAN'S FOOL AND OTHER NORTH AFRICAN TALES by Robert Gilstrap and Irene Estabrooke, copyright 1958, Holt, Rinehart and Winston, Inc."The Son of the Baker of Barre" from SEA-SPELL AND MOOR-MAGIC by Sorche Nic Leadhas, copyright 1968 by Leclaire G. Algier."The Practical Princess" by Jay Williams, copyright 1969 by Jay Williams."The Twelve Dancing Princesses" from FAVORITE FAIRY TALES TOLD IN FRANCE by Virginia Haviland, text copyright 1959 by Virginia Haviland."The Princess and the Vagabone" from THE WAY OF THE STORYTELLWE by Ruth Sawyer, copyright 1942, copyright renewed 1970 by Ruth Sawyer.

    But his political vision had deep spiritual roots. Dostoevsky's searing struggle with the question of God is famously presented in the legend of the Grand Inquisitor in The Brothers Karamazov.

    His contribution to German letters in the 20th century is undeniable, but his work centers so strongly on the grotesque and horrible that he has never risen to the levels of adoration reserved for poets like Rilke. This is understandable, but a bit of a shame. (Benn's obsession with images of death, decay, and disfigurement are not surprising, considering the fact that during World War I he was stationed in Brussels, where he was in charge of treating the venereal diseases of prostitutes and prisoners of war.) Benn was also a supporter of National Socialism in its early days but turned against the regime after the Night of the Long Knives. Primal Vision is a comprehensive collection of his poems and prose. The prose works are translated into English (including his essay 'National Socialism and Art'), and the poems are printed in both English translation and in the original German. This book is perfect for English readers who have never before encountered Benn.

    Yet Parry's articles and French dissertations--highly original contributions to the study of Homer--have until now been difficult to obtain. The Making of Homeric Verse for the first time collects these landmark works in one volume together with Parry's unpublished M.A. thesis and extracts from his Yugoslavian journal, which contains notes on Serbo-Croatian poetry and its relation to Homer. Adam Parry, the late son of the scholar, has translated the French dissertations, written an introduction on the life and intellectual development of his father, and provided a survey of later work on Homer conducted in Parry's glorious tradition.

    "It is primarily about the countryside, not the wilderness; countrysides are common and within reach of almost everyone." In fact, Borland's countrysides are still just beyond your own doorstep, where meadow, woods, riverbank and roadside wait, each of them filled with everyday wonders. And although the author acknowledges that many of his readers will only follow his eloquent lead vicariously, his book is an invitation to "getting up and out," exploring nature in person and discovering the interdependence of animals and plants. Originally published in 1962, Beyond Your Doorstep is now more timely than ever as a source of inspiration for anyone with a desire to know more about the living things we so often look at but never actually see or understand.

    Unlike what is usually considered Chinese poetry, it is a hybrid of prose and rhymed verse, more expansive than the condensed lyrics, verging on what would be called Whitmanesque. The thirteen long poems included here are descriptions of and meditations on such subjects as mountains and abandoned cities, the sea and the wind, owls and goddesses, partings and the idle life. Burton Watson is universally considered the foremost English-language translator of classical Chinese literature of the past five decades. His graceful translations are accompanied by a comprehensive introduction to the development and characteristics of the "fu" form, as well as excerpts from contemporary commentary on the genre. A pathbreaking study of premodern Chinese literature, "Chinese Rhyme-Prose" was selected as one of sixty-five masterpieces for the UNESCO Collection of Representative Works. First published in 1971, it has been out of print for decades.

    Brian goes for a ride on a mysterious steam train that takes him back into his childhood.

    troops prepared to assault the airfields and harbors of Kyushu, the southernmost island. Over a million Japanese dug into the beaches, furiously building underground fortifications, gun emplacements, and suicide craft, prepared to die to the last man if need be.THE NAME OF THE PLAN -- DOWNFALL.Lighter than a Feather is the dramatic story of the epic battle for Kyushu, based on the assumption that the atomic bomb was not dropped, and that Downfall actually did place. Written by the author of Von Ryan's Express, it is the most ambitious, brilliant, and generally exciting novel ever to come out of the Pacific war, a monumental feat of unrelenting action and superb characterization.Lighter than a Feather is narrated by the participants of both sides. These are some of the people who make up the cast: Cadet Hiroshi Arai, a seventeen-year-old kamikaze pilot torn between fear of certain death and a warrior's code of honor; war-happy Lester Waddell, expert marksman, who suddenly realizes that for weeks he's been killing the same Japanese over and over again; Miho Naito, a pretty young girl who has the misfortune to surrender to Staff Sergeant "Stud" Simmons; Maurie Stokes, chaplain's assistant, who with patient tolerance discharges what seems to be his primary assignment--looking (vainly) for Japanese Christians; and Jiro Matsuyama, sixty-one, a little deaf and blind in on eye, sitting n the ashes of his home, watching the battle.These are the figures Westheimer understands so well and whom he portrays with such consummate skill. Combining the depth and authenticity of a true historical narrative with the magnificent satisfaction of a first-rate work of fiction, his novel projects with unfaltering ability both the essence of the Japanese and American people at war and the breathtaking excitement of one of the most daring military operations in the history of the Pacific.

    Please put price both in barcode and separately on back cover.

    Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of the novel. The young man, whose story is to be told, also emerges from his obsessions.Madly transfixing details—noodles, toilet paper, toothpaste, a first subway ride, a sock full of dollars—become milestones in a discovery of America. These details, combined with Federman's feel for the desperation of his characters, create a book that is simultaneously hilarious and frightening. The concrete play of its language, its use of found materials, give the viewer/reader a sense of constant and strange discovery. To turn these pages is to turn the corners of a world of words as full as any novel of literary discourse ever presented. Double or Nothing challenges the way we read fiction and the way we see words, and in the process, gives us back more of our own world and our real dilemmas than we are used to getting.Picked for American Book Review's 100 Best First Lines from Novels

    Two of the three novellas here have never before been published in English, and all of them show an early preoccupation with the themes-illness and madness, isolation, tragic friendships-that would obsess Bernhard throughout his career. Amras, one of his earliest works, tells the story of two brothers, one epileptic, who have survived a family suicide pact and are now living in a ruined tower, struggling with madness, trying either to come fully back to life or finally to die. In Playing Watten, the narrator, a doctor who lost his practice due to morphine abuse, describes a visit paid him by a truck driver who wanted the doctor to return to his habit of playing a game of cards (watten) every Wednesday—a habit that the doctor had interrupted when one of the players killed himself. The last novella, Walking, records the conversations of the narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard’s highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking.Three Novellas offers a superb introduction to the fiction of perhaps the greatest unsung hero of twentieth-century literature. Rarely have the words suffocating, intense, and obsessive been meant so positively.

    

    

    His room is described, the sound of the elevator, its vibrations, the light at different hours, the shifting positions of the men waiting below for him who follow him in their Buick, slowly at a distance, then so close that only their faces are visible in his rearview mirror. Chronology is jumbled. It is never certain when and whether he is apprehended. The climax is all through the story. The reader constructs his own story, his own terror.