For two jaded middle-aged couples, coming face-to-face with what might have been proves to be a shattering experience. The genius script by Sondheim and Goldman makes a cinematic, nightmarish hallucination of past and present blended together, employing lush era musical theatre pastiche and a deft eye for storytelling to tell not only the story of Ben, Phyllis, Sally and Buddy, but also the story of how the promise of America between the World Wars disintegrated into memory. Considered by many to be one of the best American musicals of all time, and still at the peak of form and craft. Those that saw the original Broadway production in 1971 and the all-star Lincoln Center concert in 1985 remember it as one of the most dazzling and poignant shows ever."A stunning musical…a pastiche so brilliant as to be breathtaking."—New York Daily News"Follies is utterly magnificent."—Women’s Wear DailyStephen Sondheim is the preeminent composer and lyricist of the American musical theatre. His best known works include West Side Story, Gypsy, Sunday in the Park with George, Into the Woods, Company, among others. Mr. Sondheim celebrates his 70th birthday this year.The late James Goldman is best known for his play and screenplay A Lion in Winter and also was the author of Blood, Sweat and Stanley Poole and A Family Affair.

    This essential collection also includes the complete texts of After the Fall, The American Clock, The Last Yankee, and Broken Glass, winner of the Olivier Award for Best Play of 1995, as well as excerpts from Miller's memoir Timebends. An essay by Harold Clurman and Christopher Bigsby's introduction discuss Miller's standing as one of the greatest American playwrights of all time and his importance to twentieth-century literature.Contents:Biographical notesIntroduction to the Original Edition by Harold ClurmanIntroduction to the Revised Edition by Christopher BigsbyTimebends (excerpt from the autobiography) (1987)The Golden Years (excerpt from a play) (1939-1940)Death of a Salesman (1949)The Crucible (1953)After the Fall (1964)The American Clock (1980)The Last Yankee (1993)Broken Glass (1994)

    Arranged in chronological order, this ongoing series includes the original cast listings and production notes.Volume 1 leads with Battle of Angels Williams's first produced play (1940), and early version of Orpheus Descending. this is followed by the texts of his first great popular successes: The Glass menagerie (1945) and the Pulitzer Prize-winning A Streetcar Named Desire (1947), which established Williams's reputations once and for all as a genius of the modern American theatre.

    Paperback book

    13 selections from one of the most popular musicals ever. Includes: All Good Gifts * Bless the Lord * By My Side * Day by Day * Prepare Ye (The Way of the Lord) * and more.

    For more than thirty years, Simon's wry and astute observations on life, love, and the human condition have been making audiences laugh uproariously even as his beautifully realized characters touch their hearts. These five plays, including the Pulitzer- and Tony-award-winning Lost in Yonkers, show Simon at the pinnacle of his extraordinary career. Rumors Lost in Yonkers Jake's Women Laughter on the 23rd Floor London Suite Including the author's introduction: "How to Stop Writing and Other Impossibilities"

    This volume contains Harold Pinter's early screenplays : The Servant, Accident, The Pumpkin Eater, The Quiller Memorandum and The Go-Between.

    USA

    Oliver's introductory essay "The Negro and the American Theater" as well as nine plays from the period 1959-1969. The collection also boasts both biographical and introductory material on the plays and playwrights by Clinton Oliver and Stephanie Sills. The plays in this anthology are Lorraine Hansberry's A Raisin in the Sun, Ossie Davis's Purlie Victorious, Adrienne Kennedy's Funnyhouse of a Negro, Amiri Baraka's Dutchman (this book was published in 1971 so here he is credited as Leroi Jones), James Baldwin's Blues for Mister Charlie, Douglas Turner Ward's short plays Happy Ending and Day of Absence, Ed Bullins' The Gentleman Caller, and Charles Gordone's No Place to Be Somebody.

    His father's life now centers around his two young sons, a tiresome job at an aircraft plant, and two teenage girls who are boarded with the family by the state. Alan has come expecting to go to school full time and work part time at the plant, having accepted his father's encouragement to do so. But the older man is incapable of honesty, least of all emotional honesty, and his lies about school are worth about as much as his lies about love. In the end, his cruelty, insecurity and lechery bring on an inevitable collision that destroys all that the father and son had hoped for. Alan is driven away once more, embittered by the knowledge that he must live without the father he so desperately wants and needs.