These two men -- ambitious, powerful, ruthless -- are locked in a relentless struggle to build an empire, fuelled by their all-consuming hatred. Over 60 years and three generations, through war, marriage, fortune, and disaster, Kane and Abel battle for the success and triumph that only one man can have.

    A tall, blond Englishman with opaque, gray eyes. A killer at the top of his profession. A man unknown to any secret service in the  world. An assassin with a contract to kill the world's most heavily guarded man.One  man with a rifle who can change the course of history. One man whose mission is so secretive not even his employers know his name. And as the minutes count down to the final act of execution, it seems that there is no power on earth that can stop the Jackal.

    But his research reveals even more about his own life than he's willing to admit. What emerges is an enthralling portrait of four generations in the life of an American family.Wallace Stegner's Pultizer Prize-winning novel is a story of discovery—personal, historical, and geographical.

    "The best book on the dope decade." -- "NY Times Book Review"

    In a future world racked by violence and environmental catastrophes, George Orr wakes up one day to discover that his dreams have the ability to alter reality. He seeks help from Dr. William Haber, a psychiatrist who immediately grasps the power George wields. Soon George must preserve reality itself as Dr. Haber becomes adept at manipulating George's dreams for his own purposes. The Lathe of Heaven is an eerily prescient novel from award-winning author Ursula K. Le Guin that masterfully addresses the dangers of power and humanity's self-destructiveness, questioning the nature of reality itself. It is a classic of the science fiction genre.

    Now living in New York City among old friends, far from Europe's chilling atrocities, Ross soon meets Natasha, a beautiful model and fellow migre, a warm heart to help him forget his cold memories.Yet even as the war draws to its violent close, Ross cannot find peace. Demons still pursue him. Whether they are ghosts from the past or the guilt of surviving, he does not know. For he is only beginning to understand that freedom is far from easy--and that paradise, however perfect, has a price. . . .

    At the center of the novel is the great mansion called Penmarric. It is to Penmarric that Mark Castallack, a proud, strange, and sensitive man, brings his bride Janna--the first act in a tempestuous drama that was to span three generations....

    It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken.

    Ditie is called upon to serve not the King of England, but Haile Selassie. It is one of the great moments in his life. Eventually, he falls in love with a Nazi woman athlete as the Germans are invading Czechoslovakia. After the war, through the sale of valuable stamps confiscated from the Jews, he reaches the heights of his ambition, building a hotel. He becomes a millionaire, but with the institution of communism, he loses everything and is sent to inspect mountain roads. Living in dreary circumstances, Ditie comes to terms with the inevitability of his death, and with his place in history.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    Embracing postmodernism's "games for games' sake" ethos, Lem joins the contest with hilarious and grotesque results, lampooning the movement's self-indulgence and exploiting its mannerisms.Beginning with a review of his own book, Lem moves on to tackles (or create pastiches of) the French new novel, James Joyce, pornography, authorless writing, and Dostoevsky, while at the same time ranging across scientific topics, from cosmology to the pervasiveness of computers. The result is a metafictional tour de force by one of the world's most popular writers.

    Offering all the qualities of his general bestselling fiction, this is Tom Sharpe's blazing satire of South African apartheid, companion to Indecent Exposure.

    Set in the darkest days of the Great Depression, this is the timeless story of an 11-year-old orphan’s rollicking journey through the Deep South with a con man who just might be her father. Brimming with humor, pathos, and an irresistible narrative energy, this is American storytelling at its finest. Paper Moon is tough, vibrant, and ripe for rediscovery.

    Surrounded by the magic of beautiful women and literature, a boy must endure the deprivations of war as he suffers the hardships of growing up. His sleepy country has just thrown off centuries of tyranny, but new waves of domination inundate his city. Through the boy's eyes, we see the terrors of World War II as he witnesses fascist invasions, allied bombings, partisan infighting, and the many faces of human cruelty as well as the simple pleasures of life. Evacuating to the countryside, he expects to find an ideal world full of extraordinary things but discovers instead an archaic backwater where a severed arm becomes a talisman and deflowered girls mysteriously vanish. Woven between the chapters of the boy's story are tantalizing fragments of the city's history. As the devastation mounts, the fragments lose coherence, and we perceive firsthand how the violence of war destroys more than just buildings and bridges.

    With the sure touch of a master, Michener pulls us into the dark center of their private world, whether it's in Spain, Marrakech, or Mozambique, and exposes the naked nerve ends with shocking candor and infinite compassion."A superior, picaresque novel...and a revealing mirror held up to contemporary society."JOHN BARKHAM REVIEWS

    Plunging toward its riveting finale, Malina brutally lays bare the struggle for love and the limits of discourse between women and men.

    He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA Film School, and the script was purchased by Paramount. The film, directed by Hal Ashby, was released in 1971 and it bombed. But soon this quirky, dark comedy began being shown on college campuses and at midnight-movie theaters, and it gained a loyal cult following. This novelization was written by Higgins and published shortly after the film’s release but has been out of print for more than 30 years. Even fans who have seen the movie dozens of times will find this companion valuable, as it gives fresh elements to watch for and answers many of the film’s unresolved questions.

    Thus it was with the Master of Cock Shield Farm, Angus McBain, a man too easily tempted to sin, and those in and around his household.

    Cowboys refuse to be stigmatized as drinkers and exploited by the wealthy cattle owners who don't pay liveable wages. Those very same ranchers want to take away the cowboys' right to own cattle because this ownership, the ranchers believe, would lead to thieving. So, in 1883, the dictum is set: If you're a cowboy, you can't own a cow. When rumors of such legislation travel from wagon to wagon, the cowboys decided to rally and fight for their rights--they gather together and strike.

    Palfrey arrives at the Claremont Hotel where she will spend her remaining days. Her fellow residents are magnificently eccentric and endlessly curious, living off crumbs of affection and snippets of gossip. Together, upper lips stiffened, they fight off their twin enemies—boredom and the Grim Reaper. Then one day Mrs. Palfrey strikes up an unexpected friendship with Ludo, a handsome young writer, and learns that even the old can fall in love.

    It tell us, for example, what the sixties were truly all about, not by reporting on the psychedelic decade but by recreating it, from the inside out. In the process, this stunningly original seriocomic thriller is fully capable of simultaneously eating a literary hot dog and eroding the borders of the mind.

    Her suicide was the culmination of thirteen years of mental crises which are described with disarming, honest lucidity in 'The Man Of Jasmine', subtitled Impressions from a Mental Illness. Zurn's mental collapse was initiated when she encountered in the real world her childhood fantasy figure "the man of jasmine": he was the writer Henri Michaux, and her meeting him plunged her into a world of hallucination in which visions of her desires, anxieties and events from her unresolved past simply overwhelmed her present life. Her return to "reality" was constantly interrupted by alternate visionary and depressive periods. Zurn's compelling narrative also reveals her uneasy relationship with words and language, which she attempted to resolve by the compulsive writing of anagrams. Anagrams allowed her to dissect the language of everyday, to personalise it, and to make it reveal hidden at its core astonishing messages, threats and evocations. They formed the basis of her interpretation of the split between her inner & outer lives and underpin the texts included in this selection. The Man of Jasmine is certainly one of the greatest descriptions of mental collapse, but it is much more. Zurn's familiarity with Surrealist conceptions of the psyche, and her extraordinary self-possession during the most alarming experiences are allied to vivid descriptive powers which make this a literary as well as a psychological masterpiece.

    Life's losers, an astonishing number of whom seem to be writers, can bring their manuscripts to the library, where they will be welcomed, registered and shelved. They will not be read, but they will be cherished. In comes Vida, with her manuscript. Her book is about her gorgeous body, in which she feels uncomfortable. The librarian makes her feel comfortable, and together they live in the back of the library until the trip to Tijuana changes them in ways neither of them had ever expected.

    When she begins spending more time in town, she is surrounded by women -- her mother, an agnostic, opinionated woman who sells encyclopedias to local farmers; her mother's boarder, the lusty Fern Dogherty; and her best friend, Naomi, with whom she shares the frustrations and unbridled glee of adolescence.Through these unwitting mentors and in her own encounters with sex, birth, and death, Del explores the dark and bright sides of womanhood. All along she remains a wise, witty observer and recorder of truths in small-town life. The result is a powerful, moving, and humorous demonstration of Alice Munro's unparalleled awareness of the lives of girls and women.

    Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers.This classic 1971 novel--the one that catapulted its author to national fame--is the perfect introduction to the grimly hysterical world of legendary writer, poet, and Dirty Old Man Charles Bukowski and his fictional alter ego, Chinaski.

    His evocations of small-town Pennsylvania life, and of his own religious, artistic, and sexual awakening, transfixed readers of The New Yorker and of the early collections Pigeon Feathers (1962) and The Music School (1966). In these and the works that followed—the formal experiments and wickedly tart tales of suburban adultery in Museums and Women (1972) and Problems (1979), the portraits of middle-aged couples in love and at war with aging parents and rebellious children in Trust Me (1987) and The Afterlife (1994), and the fugue-like stories of memory, desire, travel, and unquenched thirst for life in Licks of Love (2000) and My Father’s Tears (2009)—Updike displayed the virtuosic command of character, dialogue, and sensual description that was his signature.   Here, in two career-spanning volumes, are 186 unforgettable stories, from "Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to "The Full Glass” (2008), the author’s toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure.

    They know that she sucks her thumb and that she smells bad. But they don’t really know anything important about her.They don’t know that she lives in two houses. One is with her brothers and sisters and sick mother. There is no father in that house, and nobody to take care of the children. Everything is sad and dismal, except for Fran Ellen’s baby sister, Flora, whom she loves best in the world. To keep Flora, Fran Ellen has to lie about that house.The other house that Fran Ellen lives in is the Bears’ House. Most of the kids think it is only a dolls’ house. For Fran Ellen it is a real house, bright with fun and laughter. In that house Mama Bear cooks and cleans and gives Fran Ellen a beautiful dress with red and yellow flowers. In that house Papa Bear holds Fran Ellen on his lap when she feels unhappy. There is Baby Bear in the Bears’ House, and Goldilocks too. They give Fran Ellen the best birthday party she ever had.Nobody really knows anything important about Fran Ellen. Only that she sucks her thumb, and smells bad.

    ...y no se lo trago la tierra won the first national award for Chicano literature in 1970 and has become the standard literary text for Hispanic literature classes throughout the country. It is now an award-winning, motion picture entitled And the Earth Did Not Swallow Him.... and the Earth did not devour him / Tomás Rivera --from Voices of the fields: children of migrant farmworkers tell their stories / S. Beth Atkin --Christmas / Langston Hughes --Children for hire / Verena Dobnik and Ted Anthony --First confession / Frank O'Connor --Aria: a memoir of a bilingual childhood / Richard Rodriguez

    Among the best of Sorrentino's novels, Imaginative Qualities is also, quite simply, the best American novel ever written about writers and artists.

    Arranged in chronological order, this ongoing series includes the original cast listings and production notes.Volume 1 leads with Battle of Angels Williams's first produced play (1940), and early version of Orpheus Descending. this is followed by the texts of his first great popular successes: The Glass menagerie (1945) and the Pulitzer Prize-winning A Streetcar Named Desire (1947), which established Williams's reputations once and for all as a genius of the modern American theatre.

    The Temptation of Angélique is the third book telling of our heroine's adventures in the New World.Published in 1966 in two parts, its main theme is Angélique's romantic encounter with the renegade Gold Beard and its repercussions - hence the book's title.As with all the other Angélique books, however, there are plenty of other sub-plots to keep the reader guessing.

    Victor Serge’s final work, here translated into English for the first time, is at once the most ambitious, bleakest, and most lyrical of this neglected major writer’s works.The novel is arranged into four sections, like the panels of an immense mural or the movements of a symphony. In the first, D, a lifelong revolutionary who has broken with the Communist Party and expects retribution at any moment, flees through the streets of prewar Paris, haunted by the ghosts of his past and his fears for the future. Part two finds D’s friend and fellow revolutionary Daria caught up in the defense of a besieged Leningrad, the horrors and heroism of which Serge brings to terrifying life. The third part is set in Germany. On a dangerous assignment behind the lines, Daria finds herself in a city destroyed by both Allied bombing and Nazism, where the populace now confronts the prospect of total defeat. The novel closes in Mexico, in a remote and prodigiously beautiful part of the New World where D and Daria are reunited, hoping that they may at last have escaped the grim reckonings of their modern era.A visionary novel, a political novel, a novel of adventure, passion, and ideas, of despair and, against all odds, of hope, Unforgiving Years is a rediscovered masterpiece by the author of The Case of Comrade Tulayev.

    A thought provoking novel, in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders.

    Rulers such as Prince Basil of Onessa, who founded the Empire but whose treacherous ways made him a byword for infamy, and the romantic Alexis the Bastard, who dallied in the fleshpots of Egypt, studied Taoism and Buddhism, returned to save the Empire from civil war, and then retired “to learn how to die,” come alive in The Glory of the Empire, along with generals, politicians, prophets, scoundrels, and others. D’Ormesson also goes into the daily life of the Empire, its popular customs, and its contribution to the arts and the sciences, which, as he demonstrates, exercised an influence on the world as a whole, from East to West, and whose repercussions are still felt today. But it is all fiction, a thought experiment worthy of Jorge Luis Borges, and in the end The Glory of the Empire emerges as a great shimmering mirage, filling us with wonder even as it makes us wonder at the fugitive nature of power and the meaning of history itself.

    A fisher survives his first year in the wilderness through the help of a kind Ojibway.

    Weaving together the stories of a diverse array of characters, Boll explores the often bizarre & always very human courses chosen by people attempting to survive in a world marked by political madness, absurdity & destruction. At the center of his tale is Leni Pfeiffer, a German woman whose secret romance with a Soviet prisoner of war both sustains & threatens her life. As the narrator interviews those who knew Pfeiffer, their stories come together in a dazzling mosaic, rich in satire, yet hinting at the promise of a saner world.

    a nice paperback with illustrators from ages 8 to 63 book having 64 pages

    A collection of 14 cautionary tales in which the hapless heroes and heroines defy the laws of the adult world with interesting results.

    For three weeks, he had been afraid of going to sleep . . .'Young officer John Hilliard returns to his battalion in France following a period of sick leave in England. Despite having trouble adjusting to all the new faces, the stiff and reserved Hilliard forms a friendship with David Barton, an open and cheerful new recruit who has still to be bloodied in battle. As the pair approach the front line, to the proximity of death and destruction, their strange friendship deepens. But each knows that soon they will be separated . . .'A remarkable feat of imaginative and descriptive writing' The Times'The feeling of men under appalling stress at a particular moment in history is communicated with almost uncanny power' Sunday Times'Truly Astonishing' Daily Telegraph

    Its close accounts of friendship since boyhood with two men surely unknown to Dom and certainly to each other is interleaved with the story of Dom himself. This narrative which at first seems beamed from the narrator’s fear that he may have helped cause Dom’s supposed suicide, opens into the violent geography of Dom’s career as late-Sixties activist-ideologue.It is in one of Dom’s ideas — the physicist’s field-state turned into the psychic space of human community — that the narrator imagines a new way of gauging relationships. Experiences ambush him, memorable, measurably ominous yet open — a boy’s deep and almost disappearing dive into a mountain quarry pool; the flight of a boomerang thrown from the Brooklyn Bridge out toward the Statue of Liberty. New sectors swing into the narrator’s account of middle-class life in the Brooklyn Heights of the 1940s and 50s. Delicate anatomies of old girlfriends performed with nostalgic instinct; anxious confidences, painful and building, roused now by the narrator’s thoughts of his daughter, his wife, and the son from her first marriage.All the while, the two friends Al (from the country) and Bob (from the city) grow toward each other on these pages, as Dom, increasingly alive, seems increasingly distant. Yet at last — as if by some strange grace of nature — the narrator is given a sense of his own life very like the field-state into which he has tried to work his way by use of a controlling craft: the craft of an anthropologist ... that of an only child dwelling on friendships ... that of an artist looking for America both in its public stars like Dom and more faithfully in familiar mysteries of private life.

    When actress Jennifer learns of her sister's death, she takes responsibility for raising her 2 year old nephew, whose father, Richard is missing in action in Vietnam. Because Richard's nefarious brother is also trying to get custody of the boy - and his fortune - Jenny enters into a marriage of convenience with handsome doctor, Bradley Maxwell, and moving to the Desert Winds.A hasty ceremony, a quick kiss and Jennifer and Bradley were united for life. Jenny didn't expect to live happily ever after with her new husband. After all, they didn't love each other. Jenny herself almost regretted the marriage, they have many challenges trying to make their marriage work. But it wasn't long before her flair for the dramatic started changing Desert Winds and the lives of everyone in it. Including her own!

    But now it languishes in uneasy decay, populated only by forgotten movie stars, solitary impresarios and artistic and literary failures, a place where love and lust pall before the stronger pull of evil.Contents:· The Cloud-Sculptors of Coral D [Vermillion Sands] · ss F&SF Dec ’67 · Prima Belladonna [Vermillion Sands] · ss Science-Fantasy #20 ’56 · The Screen Game [Vermillion Sands] · nv Fantastic Oct ’63 · The Singing Statues [Vermillion Sands] · ss Fantastic Jul ’62 · Cry Hope, Cry Fury! [Vermillion Sands] · ss F&SF Oct ’67 · Venus Smiles [“Mobile”; Vermillion Sands] · ss Science-Fantasy #23 ’57 · Say Goodbye to the Wind [Vermillion Sands] · ss Fantastic Aug ’70 · Studio 5, The Stars [Vermillion Sands] · nv Science-Fantasy #45 ’61 · The Thousand Dreams of Stellavista [Vermillion Sands] · nv Amazing Mar ’62

    Caught between the indifference of her father, the excitement of her social-climbing mother, and her prodigal boyfriend's militancy, Yoruba persuades her sister debutantes to challenge the aging doyennes in one of the most sidesplitting scenes in American literature.Nominated for a Pulitzer in 1972, Killens's uproarious satire captures the conflicts within black society in the 1960s. The Cotillion is the fourth title in Coffee House Press's acclaimed Black Arts Movement series.John Oliver Killens was born in Macon, Georgia in 1916. Co-founder of the Harlem Writers Guild, he taught at Howard and Columbia Universities. His other novels include And Then We Heard the Thunder, and The Great Black Russian.

    

    A land where men and women are marked for life. Where they are bound to irrevocable destinies by the proclamations of the Faceless Man-an unseen power which terrorises and controls the world.Durdane is a place where defiance is punished with death. But this kingdom of myriad mystery and incalculable peril is now threatened by a menace from without-the dreaded Rogushkoi. And only one youth, Gastel Etzwane, dares to challenge the unchallengeable, the power of the Faceless Man, in an extraordinary struggle for mastery and for the survival of Durdane...

    Federman gives each of these pages a shape or structure, most often a diagram or picture. The words move, cluster, jostle, and collide in a tour de force full of puns, parodies, and imitations. Within these startling and playful structures Federman develops two characters and two narratives. These stories are simultaneous and not chronological. The first deals with the narrator and his effort to make the book itself; the second, the story the narrator intends to tell, presents a young man's arrival in America. The narrator obsesses over making his narrative to the point of not making it. All of his choices for the story are made and remade. He tallies his accounts and checks his provisions. His questioning and indecision force the reader into another radical sense of the novel. The young man, whose story is to be told, also emerges from his obsessions.Madly transfixing details—noodles, toilet paper, toothpaste, a first subway ride, a sock full of dollars—become milestones in a discovery of America. These details, combined with Federman's feel for the desperation of his characters, create a book that is simultaneously hilarious and frightening. The concrete play of its language, its use of found materials, give the viewer/reader a sense of constant and strange discovery. To turn these pages is to turn the corners of a world of words as full as any novel of literary discourse ever presented. Double or Nothing challenges the way we read fiction and the way we see words, and in the process, gives us back more of our own world and our real dilemmas than we are used to getting.Picked for American Book Review's 100 Best First Lines from Novels

    Two of the three novellas here have never before been published in English, and all of them show an early preoccupation with the themes-illness and madness, isolation, tragic friendships-that would obsess Bernhard throughout his career. Amras, one of his earliest works, tells the story of two brothers, one epileptic, who have survived a family suicide pact and are now living in a ruined tower, struggling with madness, trying either to come fully back to life or finally to die. In Playing Watten, the narrator, a doctor who lost his practice due to morphine abuse, describes a visit paid him by a truck driver who wanted the doctor to return to his habit of playing a game of cards (watten) every Wednesday—a habit that the doctor had interrupted when one of the players killed himself. The last novella, Walking, records the conversations of the narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard’s highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking.Three Novellas offers a superb introduction to the fiction of perhaps the greatest unsung hero of twentieth-century literature. Rarely have the words suffocating, intense, and obsessive been meant so positively.

    

    Rosa Maria Arquimbau’s masterpiece relives forty years of Catalan history from the proclamation of the Republic to the end of the 1960s and recreates the frivolous atmosphere of sexually liberal republican Barcelona and the desolation of a country defeated by the Fascists.

    The Nobel and Pulitzer Prize-winning author took seventy-two major 'stories' and retold them in the language of today, combining the exciting flavor of history with the accessibility and drama of fiction.The Story Bible is for young and old, for readers familiar with the Bible, and for those for whom it will be an introduction. And most importantly, it is for everyone, regardless of one's religious views. Here, in words that reflect Pearl S. Buck's awesome talent to bring human courage and human compassion vividly to life, are the stories of the Creation of the World and the Garden of Eden, Noah and the Flood, the Tower of Babel, the Ten Commandments, Jesus in the Wilderness, the Raising of Lazarus, the Way to the Cross, and so much more. Both the Old and the New Testaments are complete -- told memorably, magically, masterfully.

    This fictionalized account of a true incident remains one of Japan’s most poignant stories about soldiers’ courage and the dangers of reckless leadership.Jiro Nitta (1912–80) was one of Japan’s most popular authors and a winner of the Naoki Prize.

    Aleck Maury is a teacher and scholar whose pursuit of sport comes at the expense of his career, and often, his family. Maury elevates the techniques of shooting and angling into an art form.

    Step into the feverish world of Humphrey Mackevoy and discover the thrills of split bark, the unplumbed joys of virgin wood, and the erotic pull of a laburnum in moonlight. Humphrey risks nasty splinters under cover of darkness as his love affair with “Labby” unfolds. But can he defend himself against the local busybodies who are determined to save their trees from the mysterious drill holes that keep appearing overnight? As Humphrey struggles to protect his dark secret, he becomes drawn into a dramatic plot of subterfuge and downright confusion. He might conquer his passion for the soft contours of a young sapling, but will he ever escape the clutches of Mummy—a darkly comic figure drawn to give the best of us nightmares? Read this, and a walk through the park may never be the same again.

    

    By virtue of the novel’s clever structure, the reader’s comprehension of events is limited so as to allow them a powerful experience: Johnson’s humorous yet deeply compassionate depiction of what it means to live life and grow old.