Envious locals in Tulsa dubbed the Greenwood section "Black Wall Street" because of its economic success, but that success was obliterated by a riot in 1921. The riot completely razed Greenwood, destroying the lives of its 10,000 residents. This account sees the events through the eyes of a fictional reporter. It offers perspective and hope. The events of Memorial Day, 1921 were hidden for the better part of a century, but knowing the truth about that day is critical to understanding ourselves and our motives and will ultimately make us all safer in an unsafe world. Today, just as in 1921, media hype too often obscures truth and embraces hype because hype is more interesting. The truth about this event must no longer be kept secret. Follow Sam Stackhouse, an old man remembering, as he discovers truth and wisdom.

    Said once urged the legendary Eqbal Ahmad not to 'leave your works scattered to the winds, or even recorded on tape, but collected and published in several volumes for everyone to read. Then those who don’t have the privilege of knowing you will know what a truly remarkable, gifted man you are.'Unfortunately, Ahmad died suddenly before Said's wish came to fruition. Now, for the first time, Ahmad's most provocative ideas are available in book form.In these intimate and wide-ranging conversations, Ahmad discusses nationalism, ethnic conflict, the politics of memory, and liberation struggles around the world.Praise for Eqbal Ahmad:"Eqbal Ahmad, perhaps the shrewdest and most original anti-imperialist analyst of Asia and Africa, was a man of enormous charisma and incorruptible ideals. He had an almost instinctive attraction to movements of the oppressed and the persecuted, and a formidable knowledge of history. Arabs, for example, learned more from him about the failures of Arab nationalism than from anyone else. Ahmad was that rare thing, an intellectual unintimidated by power or authority." -Edward W. Said, author of Culture and Imperialism"Eqbal Ahmad was a shining example of what a true internationalist should be. Eqbal was at home in the history of all the world's great civilizations. He had an encyclopedic knowledge of states past and present, and he knew that states had a rightful role to play. But he also knew that states existed to serve people, not the other way around, and he had little to do with governments, except as a thorn in their side. To friends, colleagues, and students, however, he gave unstintingly of himself and his time. His example and his memory will inspire many to carry on his work."-Kofi Annan, Secretary-General of the United Nations"A very dedicated and honorable activist, Eqbal was right in the middle of everything. He was a student of revolution and imperialism and a very good one."-Noam Chomsky, MIT"Eqbal Ahmad was unique in combining compassion for the dispossessed-en masse and one by one; the intellectual capacity to analyze cultural, political, and economic issues on a transnational level; and an ability to raise his always eloquent voice on behalf of constructive and original solutions."-Victory Navasky, Publisher and Editorial Director, The Nation

    She encourages readers to examine the ways in which works of art challenge how we experience not only the artist's feelings, but our own. Discussing performance art, painting, and photography, Doyle provides new perspectives on artists including Ron Athey, Aliza Shvarts, Thomas Eakins, James Luna, Carrie Mae Weems, and David Wojnarowicz. Confronting the challenge of writing about difficult works of art, she shows how these artists work with feelings as a means to question our assumptions about identity, intimacy, and expression. They deploy the complexity of emotion to measure the weight of history, and to deepen our sense of where and how politics happens in contemporary art. Doyle explores ideologies of emotion and how emotion circulates in and around art. Throughout, she gives readers welcoming points of entry into artworks that they may at first find off-putting or confrontational. Doyle offers new insight into how the discourse of controversy serves to shut down discussion about this side of contemporary art practice, and counters with a critical language that allows the reader to accept emotional intensity in order to learn from it.

    His selection of essays, each important in its own right, also serves as ‘the best... introduction so far to Barthes’ career as the slayer of contemporary myths’. (John Sturrock, New Statesman)

    Arguing that Blacks have always been considered non-citizens in the United States, Samudzi and Anderson make the case for a new program of transformative politics for African Americans, one rooted in an anarchist framework. This is not a feel-good-and-make-peace book. With the passion of Ta-Nehisi Coates’s Between the World and Me, the raw truth of Michelle Alexander’s The New Jim Crow, and the revolutionary fervor of Emma Goldman’s timeless essays, As Black as Resistance shakes us from our slumber and energizes us for the road ahead.

    Presenting their case with persuasive eloquence and research, the authors examine cultural forms, art motifs, weapons, scripts, and skeletal evidence to link Asian civilizations to Africa's Nile Valley. Articles detail both the physical and cultural presence of Africans in Asia. Topics covered include the black presence and heavy intermittent influence in Sumer, Elam, and Arabia; contributions of Dravidians and Ethiopian blacks to the Indus Valley civilizations; the history of first Chinese emperor, Fu-Hsi; the origin of martial arts; parallels between Krishna, Guatama Buddha, and Jesus; and the nature of slavery in Arabia and Asia. Five major chapters have been added to this new edition, adding substantially to the range and depth of the original volume.

    The complete translation, from the Greek of A. O. Prickard's Oxford text, features an introduction by Grube, establishing the historical and critical context of the work, and a biographical index.

    This bestseller balances a comprehensive and up-to-date anthology of major documents in literary criticism and theory — from Plato to the present — with the most thorough editorial support for understanding these challenging readings.

    A courageous, humane, and provocative examination  of how differences in color and features among  African Americans have played and continue to play a  role in their professional lives, friendships,  romances, and families.

    Culture and Imperialism, by Edward Said, is a collection of thematically related essays that trace the connection between imperialism and culture throughout the 18th, 19th, and 20th centuries.

    

    Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

    Here is the most recent scholarship on the geographic, social, ethnic, economic, and cultural journey of "the other Americans, " together with vital portraits of black pioneers and seminal figures in the struggle for freedom, as well as additional material on historical developments in the Reagan, Bush, and Clinton years.

    This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer.  This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early  rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias.  In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.  From the Hardcover edition.

    Ong offers fascinating insights into oral genres across the globe and through time, and examines the rise of abstract philosophical and scientific thinking. He considers the impact of orality-literacy studies not only on literary criticism and theory but on our very understanding of what it is to be a human being, conscious of self and other.This is a book no reader, writer or speaker should be without.