The novel has prompted comparisons to Miguel de Cervantes, William Faulkner, Virginia Woolf, and even the Bible. The new edition of this critical volume brings together full-length essays that explore the nuances of Marquez's captivating fictive world. This study guide comes complete with an introductory essay by master scholar Harold Bloom, notes on the contributors, and reference features such as a chronology, bibliography, and index.

    Ideal for students as well as serious readers.

    Here in one volume is the measure of this enormous influence on the literary and intellectual history of our time. 8-page photo insert.

    Drawing from a number of aesthetic and literary sources, Perry Nodelman explores the ways in which the interplay of the verbal and visual aspects of picture books conveys more narrative information and stimulation than either medium could achieve alone. Moving from "baby" books, alphabet books, and word books to such well-known children's picture books as Nancy Ekholm Burkert's Snow White and the Seven Dwarfs, Gerald McDermott's Arrow to the Sun, Maurice Sendak's Where the Wild Things Are, and Chris Van Allsburg's The Garden of Abdul Gasazi, Nodelman reveals how picture-book narrative is affected by the exclusively visual information of picture-book design and illustration as well as by the relationships between pictures and their complementary texts.

    Over four hundred letters chronicle the author's career, recording his struggles in the publishing world, the battles over "Lolita," and his relationship with his wife.

    This bestseller balances a comprehensive and up-to-date anthology of major documents in literary criticism and theory — from Plato to the present — with the most thorough editorial support for understanding these challenging readings.

    -- Brings together the best criticism on the most widely read poets, novelists, and playwrights-- Presents complex critical portraits of the most influential writers in the English-speaking world -- from the English medievalists to contemporary writers

    Twelve essays exploring aspects of literacy and art criticism, retrospective sociology and the effects of relativism on moral behavior.

    Substantially revising the first edition, this volume condenses the findings of the most recent scholarship into highly readable prose and supplies a wealth of background information not found in Harvey's Companion. Indispensable to those studying classical literature in depth, the book will be equally accessible to the non-specialist. All Greek is transliterated, with translations given for all quotations from Greek and Latin. The main focus of the Companion remains the lives and works of the principal authors. Biographical entries offer the essential facts and sift the conjectural evidence, while entries on the major works include discussions of the philosophical dialogues and political speeches and plot summaries of the epic poems and plays. The various literary forms--epic, comedy, tragedy, rhetorical writing--are covered in depth, supplemented by articles on the origins of the Greek and Latin alphabets and languages. The Companion also puts this literature into its societal and historical contexts, including many articles on political, social, and artistic achievements. We learn, for example, about the political climate that produced the great speeches of Demosthenes and Cicero. Orators, statesmen, and generals stalk the pages, and major battles and conquests from the time of Alexander to the fall of Rome are summarized. Articles on contemporary social mores and religious beliefs help explain literary references, while the glories of philosophy, science, and art are celebrated from Cynics to Stoics, astronomy to water-clocks, and flute competitions to vase painting. Helpful maps supplement geographical entries, a chronological table provides an overview of the main historical and literary events, and a systematic set of cross-references links the entries. The breadth and accuracy of this volume will surely make it the standard reference book of its kind for years to come.

    Journalist, essayist, reviewer, playwright, and novelist, Robertson Davies has not only been a leading figure in Canadian literature since World War II, but, since the publication of Fifth Business in 1970, he has become known throughout the world.Conversations with Robertson Davies will be of interest both to the student of Canadian literature and culture and to the scholar examining Davies's plays and novels as well as to the general reader who would like to know more about the awesome man behind the Salterton and Deptford trilogies, What's Bred in the Bone, and The Lyre of Orpheus.A majority of this anthology of twenty-eight interviews has never before appeared in print. Along with these previously unpublished interviews, the reader finds a selection of the best print interviews: Tom Harpur of the Toronto Star proves Davies's spiritual beliefs, Ann Saddlemyer looks into his dreams, and author Terence M. Green questions Davies on the supernatural.

    And that is the author's magic". -- Fate"This is a very well-written, all-inclusive, and absolutely unstoppable book... a brilliant goldmine. The illustrations are superb". -- Gnosis MagazineA delightful work tracing the history of hollow earth theories to their origins. A journey into the human imagination as much as a journey to the center of the earth. Includes dozens of rare photographs and drawings. An excellent book for both teens and adults.

    --The Baroque side --What becomes of the signifier --Outcomes of the text --Reading Brillat-Savarin --An idea of research --Longtemps, je me suis couche de bonne heure ... --Preface to Renaud Camus's Tricks --One always fails in speaking of what one loves --Writers, intellectuals, teachers --To the seminar --The indictment periodically lodged ... --Learning the movie theater --The image --Deliberation

    Through a series of readings in the work of the decisive triumvirate of Victorian fiction, Dickens, Trollope and Wilkie Collins, Miller investigates the novel as an oblique form of social control.

    'The Art of Excess' combines intensive literary scholarship and wide-ranging multidisciplinary though to restore the meaning of criticism - evaluation - to the study of recent American fiction.

    His essays, written from the 1950s to the 1980s and collected here for the first time, show a poet deeply touched by and in touch with the concerns of his post-war generation. His spare prose illuminates many important literary and artistic figures—Ezra Pound, William Carlos Williams, Louis Zukofsky, Charles Olson, Robert Duncan, Allen Ginsberg, Franz Kline, Jackson Pollock, Frank Stella, Willem de Kooning, Philip Guston, John Chamberlain, and others—capturing the essence of their distinctively American achievements.

    to the present decade is the most imaginative single-volume guide to the French literary tradition available in English.Conceived for the general reader, this volume presents French literature not as a simple inventory of authors or titles, but rather as a historical and cultural field viewed from a wide array of contemporary critical perspectives. The book consists of 164 essays by American and European scholars, and covers the history of French literature from 842 to 1989.

    Presenting ideas that spark imaginations, these books help students to gain background knowledge on great literature useful for papers and exams. The goal of each study is to encourage creative thinking by presenting engaging information about each work and its author. This approach allows students to arrive at sound analyses of their own, based on in-depth studies of popular literature.Each volume:-- Illuminates themes and concepts of a classic text-- Uses clear, conversational language-- Is an accessible, manageable length from 140 to 170 pages-- Includes a chronology of the author's life and era-- Provides an overview of the historical context-- Offers a summary of its critical reception-- Lists primary and secondary sources and index

    At the height of his career, he often performed in six different plays on six consecutive days. He stopped reinventing himself when he died on April 23, 1616, but, as Gary Taylor tells us in this bold, provocative, irreverent history of Shakespeare's reputation through the ages, we have been reinventing him ever since. Taylor, who sparked a worldwide controversy in 1985 by announcing his discovery of a new Shakespeare poem Shall I die?, presents a brilliantly argued, wryly humorous discussion of the ways in which society reinvents Shakespeare--and to some extent all great literature--to suit its own ends. He reveals how Shakespeare's reputation has benefited from such diverse and unpredictable factors as the dearth of new plays after the Restoration; the decline of tragedy in the eighteenth century, when, as Taylor puts it, Shakespeare was kept on the menu because he was the only serious dish [the repertoire companies] knew how to cook; the changing social status of women in the nineteenth century; England's longstanding rivalry with France, which turned Shakespeare into the great advocate of conservative British values; and the current trend in academia toward shockingly unorthodox views, which has turned Shakespeare into the great ally of radical Marxist and feminist critics. Through the centuries, critics have cited the same Shakespeare--often the very same play--as the supporter of a vast array of world views. Examining each period's method of invoking the Bard's greatness to support a series of conflicting values, Taylor questions what actually constitutes greatness. He insists on examining the criteria of each epoch on its own terms in order to demonstrate how literary criticism can often become the most telling form of social commentary. Reinventing Shakespeare offers nothing less than a major reevaluation of Shakespeare, his writing, his place in world history, and the very bases of aesthetic judgment.

    It is in large measure the biography of an era . . . The reader comes away with the feeling that he has witnessed a panorama of intellectual history which transcends the records of individual failures and weaknesses.

    

    His notes also enhance an appreciation of the Odyssey by illuminating epic style, Homer’s methods of composition, his characterization, and the structure of the work.

    anthology of Jewish lit, tr Rothenberg/Lenowitz

    This second edition continues to offer the most comprehensive scrutiny of the Tales both as a whole and individually. In addition, Cooper incorporates themost significant recent scholarship and criticism, reflecting current research in the areas of Chaucer's historical and social context and developments in the interpretation of Chaucer's presentation of women.

    Looking at novels from Horace Walpole's Castle of Otranto to Mary Shelley's Frankenstein, Kate Ferguson Ellis investigates the relationship between these two phenomena of middle-class culture--the idealization of the home and the popularity of the Gothic--and explores how both male and female authors used the Gothic novel to challenge the false claim of home as a safe, protected place. Linking terror -- the most important ingredient of the Gothic novel -- to acts of transgression, Ellis shows how houses in Gothic fiction imprison those inside them, while those locked outside wander the earth plotting their return and their revenge.

    It describes how the fictional genre became the main vehicle for female self-expression.

    

    "Filled with insights into an enigma" ("USA Today"), "An Invisible Spectator" chronicles Paul Bowles's life and work--interwoven with vivid depictions of the writer's intimates, including Truman Capote, Gertrude Stein, Allen Ginsberg, and William Burroughs.

    His range extends from Matthew Arnold to Tom Wolfe, from George Santayana to S.J. Perelman.

    A study of Anne Bronte dealing with her life and influences, this text forms part of a series which is designed to help in the reassessment of women's writing in the light of today's understanding.

    Nicholas Howe proposes that the Anglo-Saxons fashioned a myth out of the 5th-century migration of their Germanic ancestors to Britain. Through the retelling of this story, the Anglo-Saxons ordered their complex history and identified their destiny as a people. Howe traces the migration myth throughout the literature of the Anglo-Saxon period, in poems, sermons, letters and histories from the sixth to the eleventh centuries.

    Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford and Joseph Conrad, The Waste Land of T.S. Eliot (and Ezra Pound), even the Lyrical Ballads of Wordsworth and Coleridge: men making books together. Wayne Koestenbaum's startling interpretation of literary collaboration focuses on homosexual desire: men write together, he argues, in order either to express or to evade homosexual feelings. Their writing becomes a textual intercourse, the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies seem to represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores--works of psychoanalysis, sexology, fiction, and poetry--emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality at the end of the last century, and open up a deeper understanding of connections today between the erotic and the literary.

    This conflict has come into focus at the intersection of several lines of reaction to the New-Critical and poetic-drama approaches practiced during the middle decades of the century: the revival of the "theater-centered" criticism that has flourished since the 60s; the rise of metatheatrical and metapoetic criticism in the same period; new developments in psychoanalysis and gender-theoretical criticism; new approaches to textual scholarship and editing; and the reorientation of social, political, cultural, and historical analysis associated with the new historicism.Harry Berger, Jr., confronts the first two of these developments. Beginning with a sustained critique of the theoretical premises and the practice of Richard Levine and Gary Taylor, he proposes a new approach that cuts between the extremes of theater-centered reading and armchair reading, and demonstrates this approach in a radically new interpretation of Richard II. The close articulation of critique, theory, and interpretation lays the ground for a new approach to the reading of Shakespeare, one that will be more fully demonstrated in Berger's extended study of the Henriad, now in progress, and to which Imaginary Audition serves as a kind of prologue.

    Essick first looks in detail at four of Blake's paintings and addresses some basic questions in semiotic theory based on the history of themotivated sign idea from Plato to Wilhelm von Humboldt. Converting this background into a hermeneutic, he then demonstrates Blake's contributions to the mystical tradition and his critique of 18th-century linguistic doctrines, presenting a parodic deconstruction of rationalist sign theory in TheBook of Urizen. Finally, Essick looks at Blake's compositional practices, his development of these into a transactional view of language, and the apocalyptic reordering of the relationship between meaning and being in Jerusalem.

    The Experiences of Tiresias, its title referring to the shepherd struck blind after glimpsing Athena's naked body, captures this ambivalence in exploring how the Greek male defines himself in relationship to the feminine. In these essays, Loraux disturbs the idea of virile men and feminine women, a distinction found in official discourse and aimed at protecting the ideals of male identity from any taint of the feminine. Turning to epic and to Socrates, however, she insists on a logic of an inclusiveness between the genders, which casts a shadow over their clear, officially defined borders.The emphasis falls on the body, often associated with feminine vulnerability and weakness, and often dissociated from the ideal of the brave, self-sacrificing male warrior. But heroes such as the Homeric Achilles, who fears yet fights bravely, and Socrates, who speaks of the soul through the language of the body, challenge these representations. The anatomy of pain, the heroics of childbirth, the sorrows of tears, the warrior's wounds, and the madness of the soul: all these experiences are shown to engage with both the masculine and the feminine in ways that do not denigrate the experiences for either gender.Originally published in 1995.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

    Covering every aspect of the genre, this book presents more than 400 of the best, most original, historically significant and even worst works of horror from film and literature.

    Spanning three decades, the essays concern themselves with the most central development themes in recent criticism, from the New Criticism to the much-debated “Newreading” and “New Historicism.” Two other essays discuss the emergence of the remarkably influential modern view that a work in the fine arts is an autonomous object, and another offers an extraordinary overview of the history of criticism from Plato and Aristotle to Jacques Derrida and Paul de Man.

    

    The essays emphasize Shakespeare's complexity and the danger of over-simplification.

    It discusses the organization of the dramatic festivals, describes the acting style, actors, costumes, dancing, music, and audiences' tastes and behavior, and provides a full presentation of the literary, epigraphic, and archaeological evidence on which any discussion of the dramatic festivals is based, such as the difficulties of interpretation.

    It was a stimulus and an endurance. On the home front or on service abroad, there was action and the fear of death. The Blitz concentrated the mind wonderfully. The arts flowered, poetry and painting, cinema and dancing. 'I would rather have been in London under siege between 1940 and 1945 than anywhere else,' John Lehmann said. 'except perhaps Troy in the time that Homer celebrated.'Then came a terrible victory with the knowledge of atom bomb and concentration camp. The post-war years of austerity prolonged rationing and deprivation until the end of the Forties. The arts that had bloomed now withered and dispersed. A myth grew of a lost decade, when we had won a war, lost a peace and not done much else and not much good. In fact, these were the years of the best work of Henry Moore and Francis Bacon, of TS Eliot and George Orwell, of Noel Coward and Laurence Olivier. It was a decade of miraculous invention.In this sweeping and important book, Andrew Sinclair recreates the world of the Forties with its encounters and its characters, its conflicts and its discoveries, its hopes and its disillusions. It was a world of pubs and clubs, where scarce drink could be found and the war forgot. It was the time of the short piece, the poem, the story and the sketch. Anyone who knew anyone in the loose coterie of Fitzrovia that took over from Bloomsbury could have anything published. Everything printed was read by a nation avid for learning and waiting for action.War Like A Wasp recreates a feverish and democratic time using the words of the period. In his original and witty account of the decade, Andrew Sinclair has made sure that nobody will ever think of the Forties in the same way again.

    Author Gregory Stephenson is well qualified to write about Corso, as the former editor of PEARL literary review and author of The Daybreak Boys: Essays on the Literature of the Beat Generation.

    Sociologist Robert Wuthnow notes remarkable similarities in the social conditions surrounding three of the greatest challenges to the status quo in the development of modern society - the Protestant Reformation, the Enlightenment, and the rise of Marxist Socialism.

    The daimon's call is the summons to find them, regardless of cost. Kafka made the journey alone for the most part, and he recorded his search in his writings. Here, Carotenuto reads two of Kafka's novels, The Trial and The Castle , from the perspective of Jungian psychology, and finds, if not love and truth, a creative response to the dilemmas of life.

    We've merely been taught to talk as if it had: as though weather maps were more 'real' than the breath of autumn; as though, for that matter, Reason was really 'cool.' What we're saying whenever we say is a theme this book illumines for anyone attentive." — Hugh Kenner, Johns Hopkins University "In this bold and powerful book, Lakoff and Turner continue their use of metaphor to show how our minds get hold of the world. They have achieved nothing less than a postmodern Understanding Poetry, a new way of reading and teaching that makes poetry again important." — Norman Holland, University of Florida

    Published in 1989 following critic David Kalstone's death, with the help of a number of his friends and colleagues, it was greeted with uniformly enthusiastic praise. Hailed at that time as "one of the most sensitive appreciations of Elizabeth Bishop's genius ever composed" and "a first-rate piece of criticism" and "a masterpiece of understanding about friendship and about poetry," it has been largely unavailable in recent years.

    Ha has taught at Vincennes, Saint Denis and is currently Professor of Philosophy at the University of California at Irvine. Several of his books have appeared in English, notable The Postmodern Condition, Just Gaming and The Dirrerend. The Lyotard Reader is a collection of Jean-Francois Lyotard's most important and significant papers to date. While they are all written from within philosophy, they seek to address subjects as wide-ranging as film, painting (Adami, Francken, Newman), psychoanalysis, Judaism and politics. The originality of Lyotard's work means that it can not be readily situated within any one philosophical tradition. Instead he returns philosophy itself to debates across a range of areas and, in so doing, redefines the philosophical enterprise. A number of chapters in The Lyotard Reader appear for the first time in English. This is the most comprehensive collection available of Lyotard's work, work has profoundly influenced debates on the Enlightenment, on modernity, on postmodernity, on the transmission f information, on literary theory and on philosophy.

    With thirteen in all, only six of them have been published in book form before.

    Like its predecessor it has three features which make it different from other histories, so that it is aimed at the widest possible audience. First, it does not separate church history from the wider history of the world in which it is set. Christians live in that wider world, and political, social and economic developments often determine the life of the church. Secondly, it provides direct quotations from the written sources. To make sure that the account covers British and American, as well as French and European, history, an English-speaking historian joins the French author. `The approach is ecumenical, covering with good balance the full range of denominational developments in the Western church and its missionary outreach . . . In general this is a clear, well-written account . . . the language is accessible not only to an adult but also to a student readership' (Expository Times).

    Only John Gerassi—the "non-godson" of Sartre, an atheist—was honored with the responsibility of being Sartre's official biographer. After drafting the commission with Sartre on the back of a menu at La Coupole, Gerassi recorded over one hundred hours of interviews with him between 1974 and 1979, and another hundred hours with Sartre's friends, colleagues, and enemies. Gerassi also immersed himself in Sartre's literary, philosophical, and personal writings. Gerassi had access to all of Sartre's files, unpublished manuscripts, and extensive notes for planned but undelivered lectures. Simone de Beauvoir gave many of Sartre's unpublished letters to Gerassi as well. Sartre trusted the integrity of Gerassi so completely that he considered Gerassi's biography to be the continuation of his own autobiography, Les mots. As a personal friend, Gerassi writes with advantages shared by no other biographer of Sartre.

    He argues that comparisons need cross cultures and time periods. Annotation copyright Book News, Inc. Portland, Or.

    Andrew Kennedy links Beckett's vision of a diminished humanity with his art of formally and verbally diminished resources, and traces the fundamental simplicity and coherence of Beckett's work beneath its complex textures. In the section on the plays, Dr Kennedy stresses the humour and tragicomic humanism alongside the theatrical effectiveness; and in a discussion of the fiction (the celebrated trilogy of novels) he relates the relentless diminution of 'story' to the diminishing selfhood of the narrator. An introduction outlines the personal, cultural and specifically literary contexts of Beckett's writing, while a concluding chapter offers up-to-date reflections on his oeuvre, from the point-of-view of the themes highlighted throughout the book. This study, complete with a chronological table and a guide to further reading, will prove stimulating for both new and advanced students of Beckett.

    Lloyd Eaton Conference on Science Fiction and Fantasy Literature at the University of California, Riverside.The concept of mindscape, Slusser and Rabkin explain, allows critics to focus on a single fundamental problem: "The constant need for a relation between mind and some being external to mind."The essayists are Poul Anderson, Wendy Doniger O’Flaherty, Ronald J. Heckelman, David Brin, Frank McConnell, George E. Slusser, James Romm, Jack G. Voller, Peter Fitting, Michael R. Collings, Pascal J. Thomas, Reinhart Lutz, Joseph D. Miller, Gary Westfahl, Bill Lee, Max P. Belin, William Lomax, and Donald M. Hassler.The book concludes with four authors discussing examples of mindscape. The participants are Jean-Pierre Barricelli, Gregory Benford, Gary Kern, and David N. Samuelson.