Without a smattering of inside information, the baffled but hopelessly-bitten book buyer is drifting unarmed and unprepared into a minefield whose perilous complexities will usually only be made plain when an eagerly awaited parcel of dream volumes arrives and mangled contents are revealed in all their deceptive glory.... But all is not lost. Help is at hand! After a lifetime of avidly scanning the frequently poisonously-tinted pages of innumerable book catalogues, Ronald Searle has become expert in the art of decoding those esoteric, poetic and usually approximate, descriptions of literary come-ons. Now, licking his wounds, he publishes his hard-earned findings in this fully illustrated pioneer guide, designed to foil the devious machinations of scheming and wicked booksellers for ever more. No longer will the innocent book collector need to puzzle over the finer meaning of 'old half road', 'good working copy', blind tooled', or 'tail-edged shaved'. The unvarnished truth is here exposed at last, both in the shocking explicit drawings and in the devastatingly frank glossary whose revelations will startle even the most battle-scarred of bibliophiles. The result is one of the funniest, most entertaining books to have emerged from the brilliantly perceptive pen of the master. No book collector, and certainly no bookseller, can afford to be without it - even the wicked ones.

    Hardon has compiled an invaluable guide to books discussing what the Catholic Church is, what it believes, and what its great teachers have thought, felt and imagined. Father Hardon journeys through the centuries to find the authors he believes can be read for spiritual profit. In his appraisals of over a hundred writers, he considers pertinent biographical information, recommends favorites, and provides moving quotations from the books under discussion. This exceptional book is not just an anthology, but a planned program of self-education through systematic readings of the leading Catholic writers, from the Church Fathers to modern times. The selection will acquaint the reader with the ideas and ideals that have sustained the Catholic Church for over two thousand years.

    A selection of letters helps to create a complete picture of Sidney the man, and a generous assemblage of supplementary texts illustrates his inventiveness as a royal entertainer and describes the literary cult that grew up around him after his sudden death in 1586.

    Looking at novels from Horace Walpole's Castle of Otranto to Mary Shelley's Frankenstein, Kate Ferguson Ellis investigates the relationship between these two phenomena of middle-class culture--the idealization of the home and the popularity of the Gothic--and explores how both male and female authors used the Gothic novel to challenge the false claim of home as a safe, protected place. Linking terror -- the most important ingredient of the Gothic novel -- to acts of transgression, Ellis shows how houses in Gothic fiction imprison those inside them, while those locked outside wander the earth plotting their return and their revenge.

    

    A study of Anne Bronte dealing with her life and influences, this text forms part of a series which is designed to help in the reassessment of women's writing in the light of today's understanding.

    Here, with Lewis Carroll's incomparable text, is an absolute treasure trove of the countless ways artists have imagined Alice over the decades. This colorful collection offers hours of fascination to readers of all ages as they explore the many Alices of this Wonderland's rich history. Which Alice is your favorite?

    

    The taxonomically arranged catalogue that accompanied these books was a remarkable work, one that offered great insight into the broad and systematic nature of Jefferson's mind. Unfortunately, it was lost. Using Jefferson's notes and the first edition of the Library of Congress catalogue, Gilreath and Wilson recreated Jefferson's original compilation. It contains an extensive collection of legal books arranged under the general heading "Philosophy." Beginning with the broad designations of "Ethics," "Moral Philosophy," "Law of Nature and Nations" and "Religion" Jefferson proceeds to such topics as "Common Law," "Maritime Law and "Foreign Law." It is valuable both for its insights into Jefferson's legal mind and as a guide to the titles one would want to include in a first-class American law library of the period. James Gilreath was an American history specialist at the Library of Congress rare book and special collections division. Douglas L. Wilson is George A. Lawrence Distinguished Service Professor Emeritus; Co-director, Lincoln Studies Center, Knox College Galesburg, Illinois. CONTENTS Foreword Introduction Selected Reading List Editorial Note Catalogue I. Memory 1. Antient History 2. Modern History. Foreign 3. Modern History. British 4. Modern History. American 5. History-Ecclesiastical 6. Natural Philosophy 7. Agriculture 8. Chemistry 9. Surgery 10. Medicine 11. Animals. Anatomy 12. Animals. Zoology 13. Botany 14. Mineralogy 15. Occupations of Man. Technical Arts II. Philosophy 16. Ethics Moral Philosophy Law of Nature and Nations 17. Religion 18. Jurisprudence. Equity 19. Jurisprudence. Common Law 20. Jurisprudence. Law-Merchant 21. Jurisprudence. Law-Maritime 22. Jurisprudence. Law- Ecclesiastical 23. Jurisprudence. Foreign Law 24. Politics 25. Mathematics. Pure. Arithematic 26. Mathematics. Pure. Geometry 27. Physico-Mathematics. Mechanics, Statics, Dynamics, Pneumatics, Phonics, Optics 28. Astronomy 29. Geography III. Fine Arts 30. Architecture 31. Gardening, Painting, Sculpture 32. Music 33. Poetry. Epic 34. Romance, Tales-Fables 35. Pastorals, Odes, Elegies 36. Didactic 37. Tragedy 38. Comedy 39. Dialogue-Epistolary 40. Logic, Rhetoric, Orations 41. Criticism. Theory 42. Criticism. Bibliography 43. Criticism. Languages 44. Polygraphical Appendix Some pages from the printed catalogue of 1815

    Robert Alter’s illumination of the unique power of reading literature is especially valuable at a time when we are surrounded by electronic texts that distract more than engage and when the special claims of literature are disparaged by the high priests of literary theory. Alter explores the strategies that distinguish literature—the resources of style, the dynamics of allusion, the formal design of structure, the play of perspective in narrative. He draws on copious examples from the great works of literary art—from the Book of Genesis to Shakespeare, Conrad, and Nabokov—to illustrate his analysis of what makes reading a source of complex pleasure and insight.

    He relates theoretical issues to analyses of individual works.