We are very pleased to be the first U.S. publisher to offer Ediths timeless watercolors.

    GIGER'S NECRONOMICON: A startling milestone on the darkly lit road once traveled by the likes of Bosch, Brueghel, Lovecraft, Poe and Kafka. Giger's remarkable book of the dead gives us some of the most powerful images ever an artist drew from the well of the imagination.

    A classic collection of the acclaimed photographer's limited edition portfolios, now available in a gorgeous trade paperback edition.

    Using the seemingly commonplace materials that he collected in five-and-dime stores and other shops in New York City - cordial glasses, mirrors, marbles, and maps among them - along with clippings from books and magazines, childhood games, and Victorian illustrations, Cornell beckons us into a world at once distantly magical and tantalizingly, nostalgically "home."" Diane Waldman first met Cornell in 1963, when she was writing her master of fine arts' thesis on the subject of his art, and their friendship continued until his death. Over the years, Waldman has written often about Cornell, adding to the analysis of his art her own personal knowledge gained from interviews with the artist and his family as well as Cornell's letters and papers. In this volume she probes Cornell's elusive imagery in his earliest Surrealist-inspired collages of the 1930s, his masterful box constructions of the 1940s and 1950s, his experimental films, and his final collages in his last years.

    and Doonesbury. Old favourites Katzenjammer Kids, Mutt and Jeff, Gasoline Alley, Bringing up Father, Mickey Mouse, Little Orphan Annie, Dick Tracy, L'il Abner, Barnaby, Pogo and many more fill this collection of American comic classics.

    They fall in love and discover that their "life's work" is murdering children. Set in Victorian-type era, inspired by the Moors Murders that rocked 1960s England.

    In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.Discussing expressionism / Ernst BlochRealism in the balance / Georg LukacsAgainst Georg Luckacs / Bertolt BrechtConversations with Brecht / Walter BenjaminLetters to Walter Benjamin / Theodor AdornoReply / Walter BenjaminReconciliation under duress ; Commitment / Theodor AdornoReflections in conclusion / Fredric Jameson

    The contributors range from William Shakespeare to Ogden Nash and include Hans Christian Andersen, Robert Frost, Langston Hughes and Louisa May Alcott. The book closes with the recipes for Fannie Merritt Farmer's Christmas Dinner, from her 1896 cookbook.

    Clean and unmarked. Fold out in place. Age tanning at edges, especially at top edge. Scuff at bottom front cover, possibly where label was removed. Some edge wear, no tears. Proceeds benefit Oro Valley Public Library.

    His selection of essays, each important in its own right, also serves as ‘the best... introduction so far to Barthes’ career as the slayer of contemporary myths’. (John Sturrock, New Statesman)

    Revealing the drawing principles behind one hundred inspiring masterpieces, the book presents work by Leonardo, Michelangelo, Rubens, Raphael, Titian, Rembrandt, and other greats. These superb portrayers of figures knew that the secret of drawing them was seeing how underlying bone and muscle structures mold the body’s surface forms. Readers are shown how to learn from these great examples as the authors guide them through all the steps they would take in a life class or studio working with live models.

    Drawings.

    Instructions for creating a variety of shapes and figures using thumbprints and a few simple lines.

    The most comprehensive book ever published on drawing hands, it uses a revolutionary system for visualizing the hand in an almost infinite number of positions.

    A bevy of topics, including the proper way to sharpen and hone tools, hollow grinding methodology, and obtaining proper grinding angles, are detailed in this comprehensive cabinet-making sourcebook. Lessons devoted to using and understanding various woods, including common or exotic pieces, learning how to read grain, and the pros and cons in working with air-dried wood versus kiln-dried wood, will educate any level of woodworker. Chapters devoted to resawing as well as problems and concerns due to moisture content and wood movement are also included.

    Also note that the trunk splits into two branches, then those branches split in two, then those in two, and so on, and so on, until you have a full tree, be it straight, squiggly, curved up, curved down, or bent sideways by the wind."

    Every full-page colour plate is accompanied by a commentary, and the artists covered include Giotto, Leonardo, Rubens, Rembrandt, Monet, Manet, Cezanne, Matisse and Picasso.

    A collection of drawings depicting survivors' memories of the atomic bombing of Hiroshima in 1945.PrefaceHiroshima on that day The bomb & I Bomb flash! 8:15 A.M.What I saw on that dayThe enflamed city Where is my child? Where is my wife? Hands of help The city of the deadThe pictures about the atomic bombIndex

    Such an account of the human needs met by architecture remains sadly incomplete unless the expressive visual qualities of buildings are recognized as among their foremost effects.A fresh approach is overdue—an attempt to analyze these psychological qualities with the principles of visual perception. Such an attempt is made in this new volume by Rudolf Arnheim, who has been known, since the publication of his Art and Visual Perception, as an authority on the psychological interpretation of the visual arts. As he now turns his experienced eye to the visual aspects of buildings, he amplifies his theories with new features specific to the medium of the architect. Arnheim explores the unexpected perceptual consequences of architecture with his customary clarity and precision. Of particular interest is his thorough analysis of order and disorder in design, the nature of visual symbolism, and the relations between practical function and perceptual expression.Arheim's ability to deal with theoretical principles in a concrete and easily accessible way assures him the attention of the general reader whose concern with the arts leads to the aesthetic and psychological aspects of the broader environment. At the same time, Arnheim's strikingly original approach will stimulate professionals and students concerned with the theory and practice of modern and historical architecture.

    Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.

    An in-depth study of moving works of art from various European countries exposes the sensual beauty of these objects as well as their allegorical representation of religious beliefs. Black-and-white and color photos. 11" x 12 1/2".

    Presenting 48 joints, selected from among the several hundred known and used today, this visually exciting book will please anyone who has ever been moved by the sheer beauty of wood. With the clear isometric projections complementing the 64 pages of stunning photographs, even the weekend carpenter can duplicate these bequests from the traditional Japanese carpenter, which can be applied to projects as large as the buildings for which most of them were originally devised or to projects as small as a sewing box.

    Among the numerous reproductions of Dalí’s paintings and drawings are several that he created expressly for this book. Then he has taken late-nineteenth-century French academic works and fifteenth-century miniatures depicting the wine-making process and altered them, giving them his own inimitable stamp. The results are unexpected, outrageous, and amusing. Large color reproductions of specific grapes and pictures of wine paraphernalia, such as bottles and labels, add an informative counterpoint to Dalí’s surrealistic visions.The text also treats wine on several levels. Part I of the book presents ”Dix Vins du Divin” (Ten Divine Dali Wines) by Max Gérard. In his entertaining and detailed descriptions of ten celebrated wines – the wine of Ay, Shiraz, the wine of King Minos, Lacrima Christi, Châteauneuf-du-Pape, the Great Red Bordeaux, Romanée-Conti, Château d’Yquem, Sherry and California wines – he manages to convey the general history of wine since man first discovered the pleasures of fermented grape juice. In Part II, “Ten Gala Wines,” Louis Orizet regroups all the world’s wines into ten categories according to the sensations they produce: Wines of Joy, of Purple, of Aestheticism, of Dawn, of Sensuality, of Light, of Generosity, of Frivolity, of Veils, and of the Impossible. He includes botanical or chemical information on the growing of grapes and the making of wine, gastronomical notes on which foods go best with each wine, and a long section filled with practical advice on the storing, serving, and drinking of wine. Both parts are spiced with lyric passages and enriched by apt quotations from a variety of famous wine-loving authors.Baron Philippe de Rothschild, owner of the renowned Mouton-Rothschild vineyard, has contributed a poem on wine. And, to round out the volume, there is a general listing of the world’s wines and of French wines, accompanied by maps showing the geographical locations of the wine-growing areas.More than 140 illustrations, including 124 in full color

    After a spell in Mexico City during the early 1920s--where he ran a studio with Tina Modotti--he moved to California and commenced the work for which he is most famous: close-ups of nature, nudes and landscapes. This volume celebrates Weston's nudes, of which Hilton Kramer wrote: "To Weston's eye... the landscape of the human body was an unending revelation of forms both voluptuous and abstract. His genius as an artist lay in his ability to respond to both with equal passion."

    The result is a body of work of extreme beauty - serene, tranquil, inspiring. This first volume contains forty plates in full color, many never before published in any form.

    In this incisive study, Albert Bermel looks closely at Artaud's work as a playwright, director, actor, designer, producer and critic, and provides a fresh insight into his ideas, innovations and, above all, his writings.Tracing the theatre of cruelty's origins in earlier dramatic conventions, tribal rituals of cleansing, transfiguration and exaltation, and in related arts such as film and dance, Bermel examines each of Artaud's six plays for form and meaning, as well as surveying the application of Artaud's theories and techniques to the international theatre of recent years.

    

    This led to the release of six follow-up hits, inspired a host of imitations, and generated a long-playing sub-genre in art and design publishing.Album Cover Album is edited and compiled by two designers who were among the most innovative pioneers of the work that it celebrates. Storm Thorgerson's Hipgnosis earned world renown for the epic photo shoots and iconic designs that went so perfectly with the music of Pink Floyd. Meanwhile, Roger Dean's dreamscapes and unique typography became as much a part of the rock generation as the Yes albums they adorned. Album Cover Album features their selection of more than 600 sleeves in full color, and showcases the astonishing diversity and excellence of design that the medium produced in its first three decades.This new edition retains the lavish 12-inch format of the original and replays the ingeniously themed compositions of each page. The album is given a fresh spin by a new preface from Peter Gabriel and new forewords by Storm Thorgerson and John Wetton, plus a 21st-century typographic facelift. The result is a celebration of the enduring appeal of vinyl.

    This new edition reproduces the look and feel of the original volume, which reconfigured into a book format the 24 text-embedded images of Fischer's 1977 photographic series Gay Semiotics. The photographs in Gay Semiotics present the codes of sexual orientation and identification Fischer saw in San Francisco's Castro and Haight Ashbury districts, ranging from such sexual signifiers as handkerchiefs and keys to depictions of the gay fashion "types" of that era--from "basic gay" to "hippie" and "jock." Gay Semiotics also features Fischer's critical essay, which is marked by the same wry, anthropological tone found in the image/text configurations. Fischer's book circulated widely, finding a worldwide audience in both the gay and conceptual art communities. Fischer's insistence on the visual equivalence of word and image is a hallmark of the loose photography and language group that included Fischer, Lutz Bacher, Lew Thomas and others working in the San Francisco Bay Area. First published as an artist's book in 1978 by NFS Press, at a time when gay people had been forced to both evaluate and defend their lifestyles, Gay Semiotics earned substantial critical and public recognition. Thirty-seven years later, the book remains a proactive statement from a voice within the gay community from a moment in history just before the devastation wrought by AIDS. Hal Fischer (born 1950) grew up in Highland Park, Illinois. He arrived in San Francisco in 1975 to pursue an MA in photography at San Francisco State. Through his work as an art reviewer and photographer, he soon became embedded in the Bay Area's artistic and intellectual scene. He continues to live and work in San Francisco.

    How to Draw the Human Head: Techniques and Anatomy

    This account chronicles how his concern with artistic & human values led him to cross what he called the 'river of fire' & become a committed socialist--committed not only to the theory of socialism but also to the practice of it in the day-to-day struggle of working people in Victorian England. While both the British Labor Movement & the Marxists have venerated Morris, this legacy of his life proves that many of his ideas didn't accord with the dominant reforming tendencies, providing a unique perspective on Morris scholarship.

    A four thousand-year-old hippo comes to life and shows a youngster the highlights of the Metropolitan Museum of Art.

    The classical story of Cupid and Psyche, as presented in Walter Pater's novel, Marius the Epicurean.

    

    --Tod PapageorgePublic Relations is a distillation of a photographic project begun by Garry Winogrand in 1969 when he was awarded a Guggenheim Fellowship to photograph what he called "the effect of media on events." With his characteristic zeal, passion, spontaneity and intensity, Winogrand photographed an array of public events including museum openings, press conferences, sports games, demonstrations, award ceremonies, a birthday party and a moon shot. The photographs depict our emerging dependence on the media as well as how the media changes and sometimes even creates the event itself. First published to accompany a 1977 exhibition at The Museum of Modern Art, New York.

    Previously unpublished photographic portraits as well as selections from Imogen Cunningham's earlier work confront the condition of old age and testify to the wisdom, dignity, despair, and loneliness of the elderly.

    Advancing to a well-illustrated series of guiding principles, the author discusses the cultivation of an artistic appreciation for trees and offers preliminary drawing exercises. The third, and most extensive, section explores color choices and techniques. Progressing from simple to complex methods, Hill proposes the best materials for use in formats from monoprints and drypoint to mezzotint and etching. Additional topics include composition, style, patterns, and texture. A pioneer in the development of art therapy, Hill draws upon his vast experience in teaching students at every level to offer an accessible approach that will benefit all readers. A Foreword by Sir George Clausen introduces the text.

    Book by Freas, Frank Kelly

    Drawing on examples from Greek and Roman models to Renaissance and baroque theatres to contemporary buildings around the world, it discusses such requirements as structural systems, seating, acoustics and visual volume in detail, considering the optimum conditions for both musical and dramatic performance. This edition includes, as an appendix, a new set of drawings, in addition to the original 900 illustrations.

    One can really get lost in these images. Klarwein did the cover for the Miles Davis album "Bitches' Brew".

    Schapiro applies evidencefrom numerous sources, such as literature, folklore, and politicalhistory, to reconstruct and interpret this rich artistic period.

    Today there is a revival of interest in his illustrations, and this volume brings together for the first time the best of his illustrations from 24 books, as well as magazine art, bookplates, and advertising material — examples in all. Many of his most famous illustrations are included, with several selections each from Candide (1928), Moby Dick (1930), The Canterbury Tales of Geoffrey Chaucer (1930), Salamina (1935), The Complete Works of William Shakespeare (1936), and Goethe's Faust (1941), among others. Illustrations for lesser-known works such as A Basket of Poses (1924), Venus and Adonis (1931), and To Thee, America! (1946) are also reproduced. The entire collection is dominated by Kent's highly individual style of formalized realism and by his well-known subject matter — heroic, or sensual, male and female figures and dramatic scenes of nature, usually in a far-off wilderness. Concentrating on the exceptional works of the '20s and '30s, the volume does include some early material from 1914 and 1915, and a selection of later work from the 1940s and from Rockwell Kent's Greenland Journal (1963). Fridolf Johnson, for many years editor of The American Artist and a respected designer, has written a new introduction tracing Kent's development as an illustrator, captions for the illustrations, and an annotated bibliography of the works represented. The illustrations have been selected by Fridolf Johnson with the collaboration of John F. H. Gorton, Director, The Rockwell Kent Legacies.

    Book by Hillcourt, William, Rockwell, Norman

    Fawlty Towers (Complete scripts of The Builders; The Hotel Inspectors; Gourmet Night)

    A wonderful photographic collection based on the design and theme of its forerunner, The Family of Man.

    '

    He paints a rock, for example, with a split dry brush, with the palette knife, wet-in-wet, with a series of glazes, by scratching and scraping, by texturing with sponges - and by combining several of these techniques. Best of all, every illustration is in color. The book is in three sections. The first section, 'Notes on Landscape Painting,' describes how the artist selects and mixes his colors, analyzes the many special techniques for which Szabo is famous, and then tells how he paints the seven most common landscape subjects. In these seven sections, Szabo makes valuable suggestions for painting trees; weeds, grass, and flowers; forms of the land ranging from rocks and soil to mountains and hills; still and moving water; snow, ice, and frost; skies and weather, including clouds, storms, rain, fog and mist; and finally, the structures made by man. The second section reproduces 173 studies of all these subjects, every one in full color. Here the reader sees fascinating closeups that show how this famous watercolorist paints every detail of the landscape: the texture of tree bark and the intricate detail of leaves; the wispy shapes of weeds and grass, and the delicate colors of wildflowers; the bold shapes and rough textures of rocks crowned with moss; the sparkling transparent colors of water, broken by reflections of land and sky colors; the luminous lights and shadows of snow; skies ranging from clear blue to fiery sunsets. The third and final section reproduces 24 of Zoltan Szabo's finest landscapes, full-page size, and in full color. On the facing page, two significant sections of that painting are reproduced close to life-size so that the reader can study the painter's techniques...." Bibliography, Index

    To some, like William Wordsworth, the only explanation for the remarkable spiritual world Blake witnessed and brought to life in his books was 'insane genius'. Although such a view persisted well into the twentieth century, this is the pivotal work which challenged that perspective and changed forever our understanding of William Blake's genius, placing him in the esoteric tradition. For many this book will be a revelation; for lovers of Blake it is indispensable.

    of London. This hardcover reprint includes the complete text and illustrations of four Dean titles: ABC Apple Pie, ABC Nursery Rhymes, Nursery Rhymes Old and New, and The Pied Piper of Hamelin. Each page features full-page color illustrations by Janet and Anne Grahame Johnstone.

    August Sander developed a personal style characterized by startlingly direct photographs of German people of all classes and callings, to produce a body of work unparalleled in the history of photography.

    Seven huge, detailed, trifold posterspanorama of a vanishing village will awaken concern and inspire reflection about how people live on the land.

    These plates show, more than any of his other works, a man at once inspired by and prey to his dazzling imagination and the demands of his inner daemon.

    

    

    

    What about an Italian cassone or coffer, or an ornate 19th-century pipe rack? This book will show you how to make these and many other projects. The book combines practical instruction with numerous photographic illustrations and working diagrams. The summation of years of research and practical work, this volume is the definitive work in English on the craft of traditional wood carving.For the serious-minded beginner, the instructional content is well-organized, easy-to-follow, and very precise. The authors begin with the basics: what tools and appliances are necessary, what woods to use, instruction in the actual cutting of wood. There are chapters on how to translate your ideas into wood, how to design, trace or outline your project. The various methods of practical carving are described; incised, pierced, and chip carving; carving in the round; Gothic carving; styles of carved ornament; etc. Many specific projects are offered: from the simplest — small boxes, bread platters, chests, chairs and stools — to the more complex — tables, cupboards and cabinets, beds, sideboards, even staircases, or for that matter, almost any item you can imagine in wood.Authoritative, complete, and profusely illustrated with 1,146 working drawings and photographic examples, it contains a wealth of encyclopedic information. There is much here you could find nowhere else.

    

    

    In the Russian Styleby Jacqueline Kennedy Onassis184 pagesPublished: 1976Genre: CatalogPublisher: VikingLanguages: EnglishISBN Hardcover: 0670396966ISBN Softcover: No softcover edition availablePrint Status: out of print

    As an art, the tea ceremony is an occasion to appreciate the clean lines of the tea room's design, the feel of the bowl in the hand, the company of friends, and a simple moment of purity. As a discipline, it has roots in the twelfth century and intimate connections to architecture, landscape gardening, ceramics, painting, flower arrangement, and, of course, Zen Buddhism.Written by contemporary tea masters, The Tea Ceremony takes a clear and comprehensive look at the sources and inspiration of this ancient discipline. The authors trace the practice from its earliest origins to the present day, considering in detail the individuals who helped it evolve. They discuss all the elements of the ceremony-including art, architecture, incense, flowers, and the influence of Zen-and show how readily the study of tea can serve as a spiritual path to greater insight and calm.Originally published in 1973, The Tea Ceremony has been revised extensively. Along with a rewritten and updated text, entirely new photographs and line drawings have been selected. Over 75 step-by-step stills of the tea ritual itself, featuring a number of close-up shots, give the reader a fuller visual understanding of the ceremony. Numerous line drawings illuminating the more important elements of the ceremony have been inserted for the first time, and for those readers wishing to delve further into the subject, bilingual charts of tea terms have been appended.This lavish new edition of The Tea Ceremony adds an important dimension to the literature of tea, capturing the aesthetic spirit that lies at the heart of the ritual.Includes: o More than 330 photographs and illustrations of tea houses, gardens, prize tea utensils, and scenes from the ceremony. o An extensive photographic sequence illustrating the tea ceremony. o Appendices of famous tea houses, tea terms with their equivalents in English, line drawings of the numerous shapes for tea utensils, and a lengthy glossary.

    

    

    Guptill, Edited by Susan E. Meyer Watson - Guptill Publications New York Copyright 1977, First Printing 1977, First Edition

    Paperback, as pictured; mild wear, mild aging, some yellow highlighting (art)

    

    Often enduring great hardship, they nevertheless adapted themselves to life among the Tartar peoples, closely observing their customs and traditions. In this book they provide a unique visual record of their experiences.

    Reproduced directly from original portfolio editions, the etchings foreshadow the Surrealist movement with fantasies about love and death, sexual psychoses, fetish obsessions, and bizarre nightmares.

    It combines a focus on the nature and importance of technique with practical suggestions for developing drawing skills with a variety of tools, including felt pen, pencil, crayon, brush and ink, charcoal, casein, tempera, and wash.Norman Rockwell praised this book as "a real contribution not only to illustration, but to art." Rockwell and author Robert Fawcett were founding faculty members of the Famous Artists School, a correspondence course that has coached legions of professionals and amateurs. Known as the "Illustrator's Illustrator," Fawcett stresses design and composition in his step-by-step demonstrations, which feature 100 illustrations. His realistic depictions of landscapes and human figures convey solid fundamentals of drawing that every artist, illustrator, student, and hobbyist needs to know.