Revealing the drawing principles behind one hundred inspiring masterpieces, the book presents work by Leonardo, Michelangelo, Rubens, Raphael, Titian, Rembrandt, and other greats. These superb portrayers of figures knew that the secret of drawing them was seeing how underlying bone and muscle structures mold the body’s surface forms. Readers are shown how to learn from these great examples as the authors guide them through all the steps they would take in a life class or studio working with live models.

    Also note that the trunk splits into two branches, then those branches split in two, then those in two, and so on, and so on, until you have a full tree, be it straight, squiggly, curved up, curved down, or bent sideways by the wind."

    Every full-page colour plate is accompanied by a commentary, and the artists covered include Giotto, Leonardo, Rubens, Rembrandt, Monet, Manet, Cezanne, Matisse and Picasso.

    

    The result is a body of work of extreme beauty - serene, tranquil, inspiring. This first volume contains forty plates in full color, many never before published in any form.

    An in-depth study of moving works of art from various European countries exposes the sensual beauty of these objects as well as their allegorical representation of religious beliefs. Black-and-white and color photos. 11" x 12 1/2".

    

    How to Draw the Human Head: Techniques and Anatomy

    This new edition reproduces the look and feel of the original volume, which reconfigured into a book format the 24 text-embedded images of Fischer's 1977 photographic series Gay Semiotics. The photographs in Gay Semiotics present the codes of sexual orientation and identification Fischer saw in San Francisco's Castro and Haight Ashbury districts, ranging from such sexual signifiers as handkerchiefs and keys to depictions of the gay fashion "types" of that era--from "basic gay" to "hippie" and "jock." Gay Semiotics also features Fischer's critical essay, which is marked by the same wry, anthropological tone found in the image/text configurations. Fischer's book circulated widely, finding a worldwide audience in both the gay and conceptual art communities. Fischer's insistence on the visual equivalence of word and image is a hallmark of the loose photography and language group that included Fischer, Lutz Bacher, Lew Thomas and others working in the San Francisco Bay Area. First published as an artist's book in 1978 by NFS Press, at a time when gay people had been forced to both evaluate and defend their lifestyles, Gay Semiotics earned substantial critical and public recognition. Thirty-seven years later, the book remains a proactive statement from a voice within the gay community from a moment in history just before the devastation wrought by AIDS. Hal Fischer (born 1950) grew up in Highland Park, Illinois. He arrived in San Francisco in 1975 to pursue an MA in photography at San Francisco State. Through his work as an art reviewer and photographer, he soon became embedded in the Bay Area's artistic and intellectual scene. He continues to live and work in San Francisco.

    Book by Freas, Frank Kelly

    This led to the release of six follow-up hits, inspired a host of imitations, and generated a long-playing sub-genre in art and design publishing.Album Cover Album is edited and compiled by two designers who were among the most innovative pioneers of the work that it celebrates. Storm Thorgerson's Hipgnosis earned world renown for the epic photo shoots and iconic designs that went so perfectly with the music of Pink Floyd. Meanwhile, Roger Dean's dreamscapes and unique typography became as much a part of the rock generation as the Yes albums they adorned. Album Cover Album features their selection of more than 600 sleeves in full color, and showcases the astonishing diversity and excellence of design that the medium produced in its first three decades.This new edition retains the lavish 12-inch format of the original and replays the ingeniously themed compositions of each page. The album is given a fresh spin by a new preface from Peter Gabriel and new forewords by Storm Thorgerson and John Wetton, plus a 21st-century typographic facelift. The result is a celebration of the enduring appeal of vinyl.

    These plates show, more than any of his other works, a man at once inspired by and prey to his dazzling imagination and the demands of his inner daemon.