From the trilogy's darker themes of violence and social control to fashion and weaponry, the collection's exploration of the Hunger Games reveals exactly how rich, and how perilous, protagonist Katniss' world really is.• How does the way the Games affect the brain explain Haymitch's drinking, Annie's distraction, and Wiress' speech problems?• What does the rebellion have in common with the War on Terror?• Why isn't the answer to "Peeta or Gale?" as interesting as the question itself?• What should Panem have learned from the fates of other hedonistic societies throughout history and what can we?The Girl Who Was On Fire covers all three books in the Hunger Games trilogy.

    The pervasiveness of images of torture, horror, and war has all but demolished the twentieth-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away?Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture (Kafka to reality TV), the visual to the verbal (Paul McCarthy to Brian Evenson), and the apolitical to the political (Francis Bacon to Kara Walker), Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

    Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the haunting science fiction of J.G. Ballard; from the enduring legacies of Thomas Jefferson and George Orwell to the persistent agonies of anti-Semitism and jihad. Hitchens even looks at the recent financial crisis and argues for the enduring relevance of Karl Marx. The book forms a bridge between the two parallel enterprises of culture and politics. It reveals how politics justifies itself by culture, and how the latter prompts the former. In this fashion, Arguably burnishes Christopher Hitchens' credentials as (to quote Christopher Buckley) our "greatest living essayist in the English language."

    Chesterton was a master essayist. But reading his essays is not just an exercise in studying a literary form at its finest, it is an encounter with timeless truths that jump off the page as fresh and powerful as the day they were written.The only problem with Chesterton's essays is that there are too many of them. Over five thousand! For most GKC readers it is not even possible to know where to start or how to begin to approach them.So three of the world's leading authorities on Chesterton - Dale Ahlquist, Joseph Pearce, Aidan Mackey - have joined together to select the "best" Chesterton essays, a collection that will be appreciated by both the newcomer and the seasoned student of this great 20th century man of letters.The variety of topics are astounding: barbarians, architects, mystics, ghosts, fireworks, rain, juries, gargoyles and much more. Plus a look at Shakespeare, Dickens, Jane Austen, George MacDonald, T.S. Eliot, and the Bible. All in that inimitable, formidable but always quotable style of GKC. Even more astounding than the variety is the continuity of Chesterton's thought that ties everything together. A veritable feast for the mind and heart.While some of the essays in this volume may be familiar, many of them are collected here for the first time, making their first appearance in over a century.

    And by sharing our stories we share ourselves. By listening to others' stories, we share their lives and perhaps gain connections. One Story, One Song is all about connections, something we all need."—Globe and MailIn One Story, One Song, Richard Wagamese invites readers to accompany him on his travels. His focus is on stories: how they shape us, how they empower us, how they change our lives. Ancient and contemporary, cultural and spiritual, funny and sad, the tales are grouped according to the four Ojibway storytelling principles: balance, harmony, knowledge and intuition.Whether the topic is learning from his grade five teacher about Martin Luther King, gleaning understanding from a wolf track, lighting a fire for the first time without matches or finding the universe in an eagle feather, these stories exhibit the warmth, wisdom and generosity that make Wagamese so popular. As always, in these pages, the land serves as Wagamese�s guide. And as always, he finds that true home means not only community but conversation—good, straight-hearted talk about important things. We all need to tell our stories, he says. Every voice matters.

    prisons are routinely subjected to physical, sexual, and mental abuse. While this has been documented in male prisons, women in prison often suffer in relative anonymity. Women Inside addresses this critical social justice issue, empowering incarcerated and formerly incarcerated women to share the stories that have previously been silenced. Among the narrators:•Irma Rodriguez, in prison on drug charges. While in prison in 1990, Irma was diagnosed HIV positive, but after a decade and a half of aggressive and toxic treatment, Irma learned that she never had HIV.•Sheri Dwight, a domestic violence survivor who was sent to prison for attempting to kill her batterer. While in prison, she underwent surgery for abdominal pain and learned more than four years later that she had been sterilized without her consent.

    In fourteen linked essays, If You Knew Then What I Know Now reinvents the memoir with all-encompassing empathy—for bully and bullied alike. A father pitches baseballs at his hapless son and a grandmother watches with silent forbearance as the same slim, quiet boy sets the table dressed in a blue satin dress. Another essay explores origins of the word "faggot" and its etymological connection to "flaming queen." This deft collection maps the unremarkable landscapes of childhood with compassion and precision, allowing awkwardness its own beauty. This is essay as an argument for the intimate—not the sensational—and an embrace of all the skinned knees in our stumble toward adulthood.Ryan Van Meter grew up in Missouri and studied English at the University of Missouri-Columbia. After graduating, he lived in Chicago for ten years and worked in advertising. He holds an MA in creative writing from DePaul University and an MFA in nonfiction writing from the University of Iowa. His essays have appeared in The Gettysburg Review, Indiana Review, Gulf Coast, Arts & Letters, and Fourth Genre, among others, and selected for anthologies including Best American Essays 2009. In the summer of 2009, he was awarded a residency at the MacDowell Colony. He currently lives in California where he is an assistant professor of creative nonfiction at the University of San Francisco.

    Many young people endure bullying that makes them feel they have nowhere to turn--especially LGBT kids and teens who often hide their sexuality for fear of being bullied. Without openly gay mentors, they don't know what the future may hold. After a number of suicides by LGBT students who were bullied in school, syndicated columnist Dan Savage uploaded a video to YouTube with his partner, Terry Miller, to inspire hope for LGBT youth. The video launched the 'It Gets Better Project', initiating a worldwide phenomenon. This is a collection of expanded essays and new material from celebrities and everyday people who have posted videos of encouragement, as well as new contributors. We can show LGBT youth the happiness, potential, and positivity their lives will have if they can get through their teen years. "It Gets Better" reminds teenagers in the LGBT community that they are not alone--and it WILL get better.

    He has been invited to talk shows and events to discuss everything from the death of Jerry Falwell to the sainthood of Mother Teresa, from U.S. policy in the Middle East to the dangers of religious fundamentalism and beyond. And he is always armed with pithy discourse that is as intelligent as it is quotable.The Quotable Hitchens gathers for the first time the eminent journalist, public intellectual, and all-around provocateur Christopher Hitchen's most scathing, inflammatory, hilarious, and clear-cut commentary from the course of his storied career. Drawn from his many TV appearances, debates, lectures, interviews, articles, and books, the quotations are arranged alphabetically by subject--from atheism and alcoholism to George Orwell and Bertrand Russell, from Islamofascism and Iraq to smoking and sex--and perfectly capture the wit and range of "intellectual willing to show his teeth in the case of righteousness."

    The Hall of Uselessness forms the most complete collection yet of Leys’ fascinating essays, from Quixotism to China, from the sea to literature.Leys feuds with Christopher Hitchens, ponders the popularity of Victor Hugo and analyses the posthumous publication of Nabokov’s unfinished novel. He offers valuable insights into Mao’s Cultural Revolution and the Khmer Rouge, and discusses Orwell, Waugh and Confucius. He considers the intertwined nature of Chinese art, culture and history alongside the joys and difficulties of literary translation. The Hall of Uselessness is an illuminating compendium from a brilliant and highly acclaimed writer – a long-time resident of Australia who is truly a global citizen.

    Cindy writes her zine like she is figuring out the human condition. She makes writing about the simplest and most common things--playing music, childhood, cooking, or sex--resonate with universal understanding. She helps us make sense of more complex things like the satisfaction from doing useful work, natural curiosity, the ability to use logic, gender dynamics, introspection, the need for challenge and change, combating depression and creating art and literature. She shares and explores the emotions involved with having an abortion, rape, dealing with the death of family, or sexual harassment in a context that is enlightening and personal, feeling like a close friend opening up to you. What's most impressive though is that she relates these things into every article in her zine seamlessly.

    Here, word for word is that amazing speech to inspire you to find what it is that you "Love".

    His two-year-old blog This is a Crazy Planets has gained a large following on SPOT.ph, and his best works are now compiled in a book of the same title. With Lourd's various entries on everyday life's absurdities, This is a Crazy Planets mirrors Filipino pop culture in a way that is both humorous and endearing. "Lourd is able to say what we're dying to say, but can't-or can't articulate well enough," says Sison.

    Underlying his reportage is a constant struggle with the nature of war and its impact on human civilization. "War is always about betrayal," Hedges notes. "It is about betrayal of the young by the old, of cynics by idealists, and of soldiers and Marines by politicians. Society's institutions, including our religious institutions, which mold us into compliant citizens, are unmasked."

     In Believing Is Seeing Academy Award-winning director Errol Morris turns his eye to the nature of truth in photography. In his inimitable style, Morris untangles the mysteries behind an eclectic range of documentary photographs, from the ambrotype of three children found clasped in the hands of an unknown soldier at Gettysburg to the indelible portraits of the WPA photography project. Each essay in the book presents the reader with a conundrum and investigates the relationship between photographs and the real world they supposedly record. During the Crimean War, Roger Fenton took two nearly identical photographs of the Valley of the Shadow of Death-one of a road covered with cannonballs, the other of the same road without cannonballs. Susan Sontag later claimed that Fenton posed the first photograph, prompting Morris to return to Crimea to investigate. Can we recover the truth behind Fenton's intentions in a photograph taken 150 years ago? In the midst of the Great Depression and one of the worst droughts on record, FDR's Farm Service Administration sent several photographers, including Arthur Rothstein, Dorothea Lange, and Walker Evans, to document rural poverty. When Rothstein was discovered to have moved the cow skull in his now-iconic photograph, fiscal conservatives-furious over taxpayer money funding an artistic project-claimed the photographs were liberal propaganda. What is the difference between journalistic evidence, fine art, and staged propaganda? During the Israeli-Lebanese war in 2006, no fewer than four different photojournalists took photographs in Beirut of toys lying in the rubble of bombings, provoking accusations of posing and anti-Israeli bias at the news organizations. Why were there so many similar photographs? And were the accusers objecting to the photos themselves or to the conclusions readers drew from them? With his keen sense of irony, skepticism, and humor, Morris reveals in these and many other investigations how photographs can obscure as much as they reveal and how what we see is often determined by our beliefs. Part detective story, part philosophical meditation, Believing Is Seeing is a highly original exploration of photography and perception from one of America's most provocative observers.

    Its declarative sentences—seductive, abject, caustic, moving, informative, and utterly inventive—herald a new world, one in which we are blessedly 'here with outfits like strings of light and no future.' I hail its weirdness, its 'armpit frankess,' its indelible portrait of occulted relation, and above all, its impeccable music."—Maggie NelsonConstruction becomes quiet, the saw buzz and the bang little white wisps that stop at my edges. We'll get used to most anything, at least enough to keep going. The will of the wisp. I want to poke a hole in my words so that people notice you are not here. Comfortable divots you could fill some day, if you wanted to. My mother sighs, my friends sigh. "You're so sad," they say. I'm not, I'm really not. I'm just trying to breathe fully. The shadow of the mountain turns with the day, encroaching. When it settles on me I put the hammer down and walk to where it is still warm.In Syzygy, Beauty, T Fleischmann builds an essay of prose blocks, weaving together observations on art, the narrator's construction of a house, and a direct address to a lover. Playing with scale and repetition, we are kept off-center, and therefore always looking, as the speaker leads us through an intimate relationship that is complicated and deepened by multiple partners, gender transitions, and itinerancy.

    In this eclectic and compelling collection of stories about discovering the incarnated Spirit of God every time he turns around, often in the most unlikely of people, places, and things. In 37 short snapshots, he captures the spiritual essence of everyday life from the perspective of a committed Catholic who loves his faith, his family, his community, and his church, even with all their warts and failings.

    In “Disparity,” for example, Yu Hua illustrates the mind-boggling economic gaps that separate citizens of the country. In “Copycat,” he depicts the escalating trend of piracy and imitation as a creative new form of revolutionary action. And in “Bamboozle,” he describes the increasingly brazen practices of trickery, fraud, and chicanery that are, he suggests, becoming a way of life at every level of society. Characterized by Yu Hua’s trademark wit, insight, and courage, China in Ten Words is a refreshingly candid vision of the “Chinese miracle” and all its consequences, from the singularly invaluable perspective of a writer living in China today.

    In Oslo, actress Liv Ullmann read a long statement the activist had prepared for his 2009 trial. It read in part: I stand by the convictions I expressed in my June Second Hunger Strike Declaration twenty years ago I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies.That statement is one of the pieces in this book, which includes writings spanning two decades, providing insight into all aspects of Chinese life. These works not only chronicle a leading dissident s struggle against tyranny but enrich the record of universal longing for freedom and dignity. Liu speaks pragmatically, yet with deep-seated passion, about peasant land disputes, the Han Chinese in Tibet, child slavery, the CCP s Olympic strategy, the Internet in China, the contemporary craze for Confucius, and the Tiananmen massacre. Also presented are poems written for his wife, Liu Xia, public documents, and a foreword by Vaclav Havel.This collection is an aid to reflection for Western readers who might take for granted the values Liu has dedicated his life to achieving for his homeland.

    The result is Persistence: All Ways Butch and Femme. The stories in these pages resist simple definitions. The people in these stories defy reductive stereotypes and inflexible categories. The pages in this book describe the lives of an incredible diversity of people whose hearts also pounded for some reason the first time they read or heard the words "butch" or "femme."Contributors such as Jewelle Gomez (The Gilda Stories), Thea Hillman (Intersex), S. Bear Bergman (Butch is a Noun), Chandra Mayor (All the Pretty Girls), Amber Dawn (Sub Rosa), Anna Camilleri (Brazen Femme), Debra Anderson (Code White), Anne Fleming (Anomaly), Michael V. Smith (Cumberland), and Zoe Whittall (Bottle Rocket Hearts) explore the parameters, history, and power of a multitude of butch and femme realities. It's a raucous, insightful, sexy, and sometimes dangerous look at what the words butch and femme can mean in today’s ever-shifting gender landscape, with one eye on the past and the other on what is to come.Includes a foreword by Joan Nestle, renowned femme author and editor of The Persistent Desire: A Femme-Butch Reader, a landmark anthology originally published in 1992.Ivan E. Coyote is the author of seven books (including the novel Bow Grip, an American Library Association Stonewall Honor Book) and a long-time muser on the trappings of the two-party gender system.Zena Sharman is the assistant director of Canada's national Institute of Gender and Health.

    Moraga, one of the most influential figures in Chicana/o, feminist, queer, and indigenous activism and scholarship. Combining moving personal stories with trenchant political and cultural critique, the writer, activist, teacher, dramatist, mother, daughter, comadre, and lesbian lover looks back on the first ten years of the twenty-first century.Moraga considers decade-defining public events such as 9/11 and the campaign and election of Barack Obama, and she explores socioeconomic, cultural, and political phenomena closer to home, sharing her fears about raising her son amid increasing urban violence and the many forms of dehumanization faced by young men of color. Moraga describes her deepening grief as she loses her mother to Alzheimer’s; pays poignant tribute to friends who passed away, including the sculptor Marsha Gómez and the poets Alfred Arteaga, Pat Parker, and Audre Lorde; and offers a heartfelt essay about her personal and political relationship with Gloria Anzaldúa.Thirty years after the publication of Anzaldúa and Moraga’s collection This Bridge Called My Back, a landmark of women-of-color feminism, Moraga’s literary and political praxis remains motivated by and intertwined with indigenous spirituality and her identity as Chicana lesbian. Yet aspects of her thinking have changed over time. A Xicana Codex of Changing Consciousness reveals key transformations in Moraga’s thought; the breadth, rigor, and philosophical depth of her work; her views on contemporary debates about citizenship, immigration, and gay marriage; and her deepening involvement in transnational feminist and indigenous activism. It is a major statement from one of our most important public intellectuals.

     Born in 1931, the illegitimate child of an abandoned mother, Thomas Bernhard was brought up by an eccentric grandmother and an adored grandfather in right-wing, Catholic Austria. He ran away from home at age fifteen. Three years later, he contracted pneumonia and was placed in a hospital ward for the old and terminally ill, where he observed first-hand—and with unflinching acuity—the cruel nature of protracted suffering and death. From the age of twenty-one, everything he wrote was shaped by the urgency of a dying man’s testament—and where this account of his life ends, his art begins. Included in this edition is My Prizes, a collection of Bernhard’s viciously funny and revelatory essays on his later literary life. Here is a portrait of the artist as a prize-winner: laconic, sardonic, shaking his head with biting amusement at the world and at himself.

    Rubin, a pioneering theorist and activist in feminist, lesbian and gay, queer, and sexuality studies since the 1970s. Rubin first rose to prominence in 1975 with the publication of “The Traffic in Women,” an essay that had a galvanizing effect on feminist thinking and theory. In another landmark piece, “Thinking Sex,” she examined how certain sexual behaviors are constructed as moral or natural, and others as unnatural. That essay became one of queer theory’s foundational texts. Along with such canonical work, Deviations features less well-known but equally insightful writing on subjects such as lesbian history, the feminist sex wars, the politics of sadomasochism, crusades against prostitution and pornography, and the historical development of sexual knowledge. In the introduction, Rubin traces her intellectual trajectory and discusses the development and reception of some of her most influential essays. Like the book it opens, the introduction highlights the major lines of inquiry pursued for nearly forty years by a singularly important theorist of sex, gender, and culture.

    Fragments of Your Ancient Name--whose title comes from a poem by German mystic Rainer Maria Rilke--assembles a remarkable collection of reflections for each day of the year.This unique and profound devotional will heighten awareness of the many names by which God is known around the world. Whether drawing from the Psalms, Sufi saints, Hindu poets, Native American rituals, contemporary writers, or the Christian gospels, Rupp stirs the imagination and the heart to discover a new dimension of God. Each name is explored in a ten-line poetic meditation and is complemented by a simple sentence that serves as a reminder of the name of God throughout the day.

    most outspoken and fearless political activist.War has spread from the borders of India to the forests in the very heart of the country. Combining brilliant analysis and reportage by one of India's iconic writers. Broken Republic examines the nature of progress and development in the emerging global superpower. and asks fundamental questions about modern civilization itself. In three incisive essays Roy lays bare the corruption at the centre of government and industry. explores life with the Maoist guerrilla movement and reveals the thwarted search for justice and democracy in India.

    Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us—with a laidback, erudite Southern charm that’s all his own—how we really (no, really) live now. In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV’s Real World, who’ve generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrina—and back again as its residents confront the BP oil spill. Gradually, a unifying narrative emerges, a story about this country that we’ve never heard told this way. It’s like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we’ve never imagined to be true. Of course we don’t know whether to laugh or cry when faced with this reflection—it’s our inevitable sob-guffaws that attest to the power of Sullivan’s work.

    Drawing together horror theory and historical analysis, she outlines how neoliberalism, corruption, and drug trafficking—culminating in the misnamed “war on drugs”—has shaped the political landscape on both sides of the border. Working from and against this context, Rivera Garza posits that collective grief is an act of resistance against state violence, and that writing is a powerful mode of seeking social justice and embodying resilience.She states: “As we write, as we work with language—the humblest and most powerful force available to us—we activate the potential of words, phrases, sentences. Writing as we grieve, grieving as we write: a practice able to create refuge from the open. Writing with others. Grieving like someone who takes refuge from the open. Grieving, which is always a radically different mode of writing.”

    TARDIS Eruditorum tells the ongoing story of Doctor Who from its beginnings in the 1960s to the present day, pushing beyond received wisdom and fan dogma to understand that story not just as the story of a geeky sci-fi show but as the story of an entire line of mystical, avant-garde, and radical British culture. It treats Doctor Who as a show that really is about everything that has ever happened, and everything that ever will. This volume focuses on the earliest years of the program, looking at how it emerged from the existing traditions of science fiction in the UK and how it quickly found its kinship with the emerging counterculture of the 1960s. Every essay from the Hartnell era has been revised and expanded from its original form, and the eight new essays exclusive to the collected edition have been augmented by a further eleven, providing nineteen book-exclusive essays on topics like what happened before An Unearthly Child, whether the lead character's name is really Doctor Who, and how David Whitaker created the idea of a Doctor Who novel. Plus, you'll learn: How acid-fueled occultism influenced the creation of the Cybermen. Why The Celestial Toymaker is irredeemably racist. The Problem of Susan Foreman

    Kael called movies "the most total and encompassing art form we have," and she made her reviews a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. To read The Age of Movies, the first new selection in more than a generation, is to be swept up into an endlessly revealing and entertaining dialogue with Kael at her witty, exhilarating, and opinionated best. Her ability to evoke the essence of a great artist-an Orson Welles or a Robert Altman-or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here in this career spanning collection are her appraisals of the films that defined an era-among them Breathless, Bonnie and Clyde, The Leopard, The Godfather, Last Tango in Paris, Nashville-along with many others, some awaiting rediscovery, all providing the occasion for masterpieces of observation and insight, alive on every page.

    Written to be read over a long commute or a short journey, they are original and exclusively in digital form. This is Elif Shafak's examination of national identity."You know, I never understand. How come their children are so quiet and well disciplined?""Yeah," said the distressed father, his voice suddenly softer. "Blond children never cry, do they?"As Elif Shafak stands in line at the airport, she overhears a Turkish father expressing to a friend his bewilderment at the cultural differences he's experienced since immigrating to northern Europe. Is it true, she wonders, that the citizens of these countries are genuinely happier? Why do people leave their homes for other countries? And what lessons can we all learn, for the creation of truly harmonious societies, from the experiences of immigrants?In the light of the recent backlash against multiculturalism and the influx of millions of Muslims into Europe from the east, this powerful and personal essay uses the lived experience of immigrants to examine this most hotly debated subject.

    His book includes essays on Sudan, India, Cuba, Germany and California. In each piece, there is a central image as the key to unlocking the personality of a place.

    Memoir. FINE FINE MUSIC is a collection of stories about the other side of rock and roll and coming of age in the land that time forgot. Lake Ronkonkoma is stuck in 1981, an alcoholic blackout of unnatually tan people waxing their Camaros to Foreigner on cassette and knowing the words to every Billy Joel song whether you want to or not. From an internship making Seamonkey costumes, a childhood fear of My Buddy dolls, and a heartbreaking crush on Aerosmith, funny lady Cassie J. Sneider delivers her tales of growing up in a land of fist-pumping Snookies with the antagonistic wit of a record store clerk.

    Artists' manifestos are nothing if not revolutionary. They are outlandish, outrageous, and frequently offensive. They combine wit, wisdom, and world-shaking demands. This collection gathers together an international array of artists of every stripe, including Kandinsky, Mayakovsky, Rodchenko, Le Corbusier, Picabia, Dali, Oldenburg, Vertov, Baselitz, Kitaj, Murakami, Gilbert and George, together with their allies and collaborators - such figures as Marinetti, Apollinaire, Breton, Trotsky, Guy Debord and Rem Koolhaas. This title is edited with an Introduction by Alex Danchev.

    As he traversed the worlds of abstract expressionism and figurative painting, Diebenkorn became one of America's most beloved postwar artists. The Ocean Park series, begun in 1967and comprising works in a variety of media, is arguably the most celebrated of his illustrious career. This book features beautifully reproduced works that radiate with color, allowing readers to appreciate the artist's evolving palette as well as his brilliant geometric explorations. The paintings, prints, drawings, and collages that make up the series are examined from diverse perspectives in essays that bring to light new influences and conceptual frameworks that reposition the Ocean Park series, as well as the artist's role in the history of postwar art. The result is a timely re-examination of a major body of work that will excite the numerous fans of this quintessential California artist.

    Stone explains that the practices of yoga and meditation are not about escaping reality but about living fully in the here and now, opening to our experience, and gaining access to stillness within the flow of life. The essence of yoga and Buddhist practice is opening the heart—our own and the heart of the world. With that awareness, Stone encourages us to get involved in our communities, to speak out when we see wrongdoing, and to find ways of helping others.

    Writer and “This American Life” radio producer Scott Carrier decided to go there too. He wanted to see for himself: who are these fanatics, the fundamentalists, the Taliban and the like? What do they want?’In his new book, Prisoner of Zion, Carrier writes about his adventures, but also about the bigger problem. Having grown up among Mormons in Salt Lake City, he argues it will never work to attack the true believers head-on. The faithful thrive on persecution. Somehow, he thinks, we need to find a way—inside ourselves—to rise above fear and anger.Prisoner of Zion is Scott Carrier’s second collection of dramatic tales and essays.

    In these ambitious, bustling essays, McSweeney resituates poetry as a medium amid media; hosts “strange meetings” of authors, texts, and artworks across the boundaries of genre, period, and nation; and examines such epiphenomena as translation, anachronism, and violence. Through readings of artists as diverse as Wilfred Owen, Andy Warhol, Harryette Mullen, Roberto Bolaño, Aimé Césaire, and Georges Bataille, The Necropastoral shows by what strategies Art persists amid lethal conditions as a spectacular, uncanny force.

    Here and There is an engaging collection of travel tales by acclaimed writer A.A. Gill. Short, sharp, and to the point, Gill’s perspective is always unique. He is controversial and charming, cynical and humorous, and each story bursts with his quick wit and colorful prose. Take a trip with A.A. Gill as he ponders why croissants and cappuccinos just aren’t what they used to be, reveals the appealing nature of slowness, and comes to understand why Freud came up with psychoanalysis. He’ll keep you entranced as he discovers the strong, beautiful rhythm of Budapest, learns about the new trend of "glamping" (glamorous camping), experiences the murderous cold of Svalbard, and stumbles upon lobster-shaped coffins in Ghana. With his unique voice, A.A. Gill delivers a collection of stories that highlights the very best of his travel writing. Here and There, complete with introduction and an extra piece written exclusively for this collection, is a must-read for anyone with a curiosity for travel that can’t be sated.

    He continued to write the column for almost 20 years, using it as a workshop in which to develop ideas for his later books. Yet over the course of this time, the prolific writer allowed many uncollected gems to fade into obscurity. More Notes of a Dirty Old Man: The Uncollected Columns gathers many of these fugitive pieces, unseen in decades, into a single volume. Filled with his usual obsessions—sex, booze, gambling—More Notes features Bukowski's offbeat insights into politics and literature, his tortured relationships with women, and his lurid escapades on the poetry circuit. Highlighting his versatility, the book ranges from thinly veiled autobiography to fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters, climaxing with a long, hilarious adventure among French filmmakers, "My Friend, The Gambler," based on his experiences making the movie Barfly. From his days at the post office through his later fame, More Notes follows the entire arc of Bukowski's career, making it a valuable addition to his oeuvre.

    It won't feed aspiring writers' dreams of fame and fortune. This book is about survival: how to generate ideas when you needed them yesterday, dialogue and plot on the quick, and what your manuscript is up against in the slush piles of the world. For non-fiction writers, Starve Better offers writing techniques such as how to get (relatively) high-paying assignments in second and third-tier magazines, how to react to your first commissioned assignment, and how to find gigs that pay NOW as the final notices pile up and the mice eat the last of the pasta in the cupboard. Humor, essays and some of the most widely read blog pieces from Nick Mamatas, author and editor of fiction that has caught the attention of speculative fiction's most prestigious awards, come together for the first time in a writers' guide that won't teach anyone how to get rich and famous... but will impart the most valuable skill in the business: how to starve better.Blurb: "Mamatas offers up a no-nonsense guide that should be required reading for all writers. Prepare to have some illusions shattered... because you need them shattered. A great resource from a guy with the experience to back up the advice." -Jeff VanderMeer, author of City of Saints and Madmen and FinchAbout the Author: Nick Mamatas is the author of three and a half novels, over seventy short stories, and hundreds of feature articles, and is also an editor and anthologist. His fiction has been nominated for the Bram Stoker and International Horror Guild awards and translated into German, Italian, and Greek; his editorial work with Clarkesworld earned the magazine World Fantasy and Hugo award nominations. Nick's reportage, short stories, and essays have appeared in venues such as Razor, Asimov's Science Fiction, Silicon Alley Reporter, the Village Voice, The Smart Set, The Writer, Poets & Writers and anthologies including Supernatural Noir and Lovecraft Unbound. He teaches at Western Connecticut State University in the MFA program in Creative and Professional Writing, was a visiting writer at Lake Forest College and the University of California, Riverside's Palm Desert Campus, and runs writing classes in the San Francisco Bay Area.

    Issue Zero contains 25 articles under 13 different headingsSt Pauli------------* The Conversion of St Pauli?, by Uli Hesse—Back in the Bundesliga, Europe's most noted counter-cultural club is having to balance its ethos with the desire for a secure financial futureInterview------------* Guus Hiddink — Philippe Auclair talks to Guus Hiddink about his latest challenge, as coach of TurkeyGoing Wrong-------------------* An African Parable, by Luke Alfred—For African teams, it's often after qualifying for the World Cup that the real challenge begins* The Dark Heart of Russian Football, by James Appell—Will winning the right to host the World Cup force Russia to confront the corruption that stains its domestic game?* Double Trouble, by Joel Richards—Argentina's short seasons are fun, but are they behind a culture of short-termism?* How Roy Race Ruined English Football, by Scott Murray—He may be Britain's most popular comic footballer, but Roy of the Rovers embodies everything wrong about the English gameEthics----------* Man and Superman, by Gabriele Marcotti—Why football has some questions to answer about the ethics of performance enhancementStony Ground---------------------* Matters of Blood, by Andy Brassell—The travails of Corsica's football clubs reflect the struggles of the island and its quest for autonomy"First Time Around", by Michael Orr—As Portland celebrates winning an MLS franchise, memories are stirred of the Timbers' debut season in the NASLTheory----------* The Dutch Style and the Dutch Nation, by Simon Kuper—How the Netherlands' move away from liberalism is reflected in its football* Xavi and the Square Pass, by Musa Okwonga—How going sideways became the future* The Search for Space, by Michael Cox—How a theory of political polling explains why New Labour was like Dennis BergkampBosnian Coaching---------------------------* The Professor of Mostar, by Saša Ibrulj—Sulejman Rebac never won a trophy as manager, but 35 years after his retirement, his influence continues to be felt * The Watchmaker of Travnik, by Vladimir Novak—After six decades in football, could Ćiro Blažević's odyssey be coming to an end in China?Verona-----------* Verona's Great Romance, by James Horncastle—Recalling the drama of Italy's unlikeliest championsSausages---------------* Bangers and Cash, by Philippe Auclair- How Uli Hoeness became a sausage magnate* Garrincha's Swedish Son, by Lars Sivertsen—When Garrincha toured Sweden with Botafogo, memories weren't all he left behindPolemics-------------* What's Good for the Goose..., by Paul Tomkins—Just because a manager has had success with one club does not mean his methods will transfer to another* Why The Away Goals Rule Must Be Abolished, by Ian Hawkey—The away goals rule is an archaism that is encouraging defensive play* Tradition and the Individual Talent, by Jacob Steinberg—There's more to judging players than goals and medals* How the Champions League is Selling European Football Short, by Ouriel Daskal—Could it be that the commercialisation of the Champions League has not gone far enough?* Dessert Comes at the End, by Raphael Honigstein—Football's administrators must beware killing the golden gooseFootball Manager-------------------------* The Heidenheim Chronicles, by Iain Macintosh—When somebody takes their game of Football Manager just a little too seriously...Greatest Games------------------------* Crvena Zvezda 2 Bayern Munich 2, by Jonathan Wilson—European Cup semi-final second leg, Marakana, Belgrade, 24 April 1991Eight Bells----------------* European Cup Upsets, by Rob Smyth—A selection of the European Cup's most unexpected results

    Robinson's disarming honesty and wry irony shine through her depictions of her and her mother's trip to Graceland, the potlatch where she and here sister received their Indian names, how her parents first met in Bella Bella (Waglisla, British Columbia), a look at b'gwus, the Sasquatch. Readers of memoir, Canadian literature, Aboriginal history and culture, and fans of Robinson's delightful, poignant, sometimes quirky tales will love The Sasquatch at Home.

    On the 45th day, in accordance to Craigslist policy, the essays began to erase themselves.

    Deulen’s artful storytelling and dialogue also draw the reader into complicated questions about class, race, and gender.In “Aperture,” she considers how she has contributed to her autistic brother’s isolation from family and from the world. “Theft” investigates her mother’s romantic stories about conquistadors in the context of the Mexican heritage of her biracial family. Throughout the collection Deulen experiments formally, alternating traditional narrative with “still life” essays and collages that characterize a particular time, place, and sensibility.Deulen is remarkable in her ability to present her own confusion and culpability, and she also writes with compassion for others, such as her own suicidal and unpredictable father or a boy in her class who sets the teacher’s hair on fire. In part because she herself so poorly fits the identities she might be assigned—white in appearance, she is in fact half Latina; raised in a poor neighborhood, she has acquired an education associated with the middle class—Deulen sees “otherness” as a useless category and the enemy of intimacy, which she embraces despite its risks.The Riots seeks to create what Frost called “a momentary stay against confusion,” and Deulen investigates her own act of creation even as she uses the craft of writing to put parentheses around the chaos of continuous living.

    Poet Laureate’s Pulitzer Prize and National Book Award-winning poetry collection, Time and Materials, as well as his earlier book of essays, the NBCC Award-winner Twentieth Century Pleasures. Haas brilliantly discourses on many of his favorite topics—on writers ranging from Jack London to Wallace Stevens to Allen Ginsberg to Cormac McCarthy; on California; and on the art of photography in several memorable pieces—in What Light Can Do, a remarkable literary treasure that might best be described as “luminous.”

    Anything Goes is a collection of some of his finest work written between 2005 and 2009 for New English Review. A note on the cover from New English Review Press: This jazz age photograph by Alfred Cheney Johnston reflects the classical conviction that the human form expresses a spiritual level of beauty, the artwork of God, if you will. It is also a statement about the essential humanism of Dr. Dalrymple's work. One cannot look at that figure and see an animal or a machine. Rather one sees something truly beautiful and truly human.

    Photography. Titled after pirate Jean Lafitte's name for Galveston Island, CAMPECHE is a cautionary lyric composed of poems and photographs in which a real place is overlaid with the parable of a mythical world on the verge of an apocalyptic flood. Like the body fishermen of the Yellow River, this book combs water for remains and meditates on evidence, while attempting to reckon with the self as a troubled song within a greater song. "If the soul is a souvenir in human shape, / the sun is half its shadow and discloses / who is what when in public." This is the first book of Joshua Edwards's eschatological trilogy.

    As a girl, I sat beside my dad in coffee shops and feed stores, listening to livestock men cuss the weather, examine cattle prices, and make deals. I held the halter rope while he shod the remudas of large ranches as well as reset the shoes on people’s family pets. I begged to go when he trotted off into desert mornings with crews of men on horseback. And I dreamed of living on a cow camp, of the kind of ranch romance that Texas rancher Tom Moorhouse talks about with his drawling, twanging long a sounds.” —from the author’s prefaceFrom the Texas panhandle to the mountains of Arizona, Amy Auker has lived the cowboy life—as wife, as mother, as cook, as ranch hand, as writer. In fine-grained detail she captures the prairie light, the traffic on small farm-to-market roads, the vacant stillness of shipping pens when fall works are over. But she also captures the unmistakable westernness of the people and creatures around her: the son who must get back on the horse that just bucked him off, the husband who gives great gifts, the animals whose names and temperaments are as recognizable as family. Auker understands those who live in the sway of nature’s moods far off the main roads, and she commends them to us in luminous prose backlit by her own hard-earned experience.

    Generations of theorists, however, have expunged life from their accounts, treating it as the mere output of patterns, codes, structures or systems variously defined as genetic or cultural, natural or social. Building on his classic work The Perception of the Environment, Tim Ingold sets out to restore life to where it should belong, at the heart of anthropological concern.Being Alive ranges over such themes as the vitality of materials, what it means to make things, the perception and formation of the ground, the mingling of earth and sky in the weather-world, the experiences of light, sound and feeling, the role of storytelling in the integration of knowledge, and the potential of drawing to unite observation and description.Our humanity, Ingold argues, does not come ready-made but is continually fashioned in our movements along ways of life. Starting from the idea of life as a process of wayfaring, Ingold presents a radically new understanding of movement, knowledge and description as dimensions not just of being in the world, but of being alive to what is going on there.

    Time and time again, Piazza identifies the unlikely, precious connections between recent events, art, letters, and music; through his words, these byways of popular culture provide an unexpected measure of the times.” —Elvis Costello

    The only responsible way to learn the nuances of the land is to study the soil and vegetation in their natural state and pass this knowledge on to future generations.In Nature as Measure, a collection of Jackson’s essays from Altars of Unhewn Stone and Becoming Native to This Place, these ideas of land conservation and education are written from the point of view of a man who has practiced what he’s preached and proven that it is possible to partially restore much of the land that we’ve ravaged. Wes Jackson lays the foundation for a new farming economy, grounded in nature’s principles and located in dying small towns and rural communities. Exploding the tenets of industrial agriculture, Jackson seeks to integrate food production with nature in a way that sustains both.

    This volume brings together her short fiction, as well as hybrid works that include modernized fairy tales, a Socratic dialogue, and a ballet. Loy’s narratives address issues such as abortion and poverty, and what she called “the sex war” is an abiding theme throughout. Stories and Essays of Mina Loy also contains dramatic works that parody the bravado and misogyny of Futurism and demonstrate Loy’s early, effective use of absurdist technique. Essays and commentaries on aesthetics, historical events and religion complete this beguiling collection, cementing Mina Loy’s place as one of the great writers of the twentieth century.

    Along the way, he fills a need for a brutally honest literary examination of not only grief and suffering, but also of recovery.

    Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Novels by John Irving.

    Recently dumped and working for a boss she despises, she is determined to shake up her life as a single woman in the city of Madison. She takes a side job as a home party consultant selling kitchenware, hoping that it will be the spice that turns her life around. Through failed recipes and cold ovens, Sadie works to create something that's a bit sweeter, a lot richer, and oh, so very delicious.

    With biting wit, bracing satire, and boundless good cheer, Mary Jo-distinguished member of the First Family of Circle Pines, Minnesota; she'll explain-takes you on a poignant, hilarious journey through the world of keepin' on. Dispatched from her Midwestern home state, then New York, Texas, and exotic points beyond, these very personal stories and essays, with illustrations by Len Peralta, reveal a warm, smart, funny writer who can spot the absurdities in what she deals with every day, and make her readers LOL at them. There's nobody else like Mary Jo Pehl. But then, there's nobody else like you, either. Hey, you two should get together! Read this book, and you will, my friend: you will.

    It is about being a poet. It is also about the long process of becoming one," writes Eavan Boland. These inspiring essays are both critical and deeply personal, allowing the adventure, passion, and struggle of becoming a woman poet to be viewed from different perspectives. Boland traces her own experiences as a woman, wife, and mother and their effects on her poetry. In the opening essay, she explores the story of her mother, a painter, and her influence on Boland's own concepts of art and womanhood. She examines the work of women poets such as Adrienne Rich, Elizabeth Bishop, Gwendolyn Brooks, and Sylvia Plath, whose poetry provided light and guidance for her own work. And finally, in "Letter to a Young Woman Poet," she addresses an unseen young poet of the future, and looks to a world where this future artist can change the poetic past as well as the present.

    Set in places as far afield as France and Montana, Saskatchewan and Florida, this is a beautifully written book that is also an elegant treatise on everything from dogs, birds, and wildlife to food, wine, and women.

    Each issue addresses some of the most passionate political and cultural controversies of the day, and reviews the most engrossing new books and the ideas that illuminate them.

    A profound meditation on railways, love and loss, at once intimate and committed, it moves from the industrial to the metaphysical, from the tectonic shifts of globalization to the interior pulses of memory, and from the present to a past that still exists in vivid, essential traces.This sensual and exploratory dialogue is accompanied throughout by the evocative photography of Tereza Stehlíková, charting its own atmospheric passage by train through the forested, winter landscapes of Southern Bohemia.Summoning potent, hidden histories and deeply personal journeys, Railtracks seeks, with a rigorous and reflective urgency, to bear witness to the pain of separations and the consolation of meetings.

    From Bayou Tigre to Half Moon Bayou, these sluggish streams meander through lowlands, marshes, and even uplands to dominate the state's landscape. In Bayou-Diversity, conservationist Kelby Ouchley reveals the bayou's intricate web of flora and fauna.Through a collection of essays about Louisiana's natural history, Ouchley details an amazing array of plants and animals found in the Bayou State. Baldcypress, orchids, feral hogs, eels, black bears, bald eagles, and cottonmouth snakes live in the well over a hundred bayous of the region. Collectively, Ouchley's vignettes portray vibrant and complex habitats. But human interaction with the bayou and our role in its survival, Ouchley argues, will determine the future of these intricate ecosystems. Bayou-Diversity narrates the story of the bayou one flower, one creature at a time, in turn illustrating the bigger picture of this treasured and troubled Louisiana landscape.

    His writings treat an extraordinary range of subjects, including politics, economics, ecology, farming, work, marriage, religion, and education. But as this enlightening new book shows, such diverse writings are united by a humane vision that finds its inspiration in the great moral and literary tradition of the West.In The Humane Vision of Wendell Berry , Mark T. Mitchell and Nathan Schlueter bring together a distinguished roster of writers to critically engage Berry’s ideas. The volume features original contributions from Rod Dreher, Anthony Esolen, Allan Carlson, Richard Gamble, Jason Peters, Anne Husted Burleigh, Patrick J. Deneen, Caleb Stegall, Luke Schlueter, Matt Bonzo, Michael Stevens, D. G. Hart, Mark Shiffman, and William Edmund Fahey, as well as a classic piece by Wallace Stegner.Together, these authors situation Berry’s ideas within the larger context of conservative thought. His vision stands for reality in all its facets and against all reductive “isms”—for intellect against intellectualism, individuality against individualism, community against communitarianism, liberty against libertarianism. Wendell Berry calls his readers to live lives of gratitude, responsibility, friendship, and love—notions that, as this important new book makes clear, should be at the heart of a thoughtful and coherent conservatism.

    You'll laugh you'll cry you'll finish reading a better person. It's hard to describe..so get it, you'll like it.

    Indeed, Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence.The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. It could be compared to some sections of Wallace Stevens' "Thirteen Ways of Looking at a Blackbird" or to Claude Monet's paintings of Rouen Cathedral.Forms of play: head butting; mounting, either at the back or at the front; trotting away by yourself; trotting together; going off bucking and prancing by yourself; resting your head and chest on the ground until they notice and trot toward you; circling each other; taking the position for head-butting and then not doing it.***She moos toward the wooded hills behind her, and the sound comes back. She moos in a high falsetto before the note descends abruptly, or she moos in a falsetto that does not descend. It is a very small sound to come from such a large, dark animal.

    A compelling take on Pop art from esteemed critic Hal FosterWho branded painting in the Pop age more brazenly than Richard Hamilton, Roy Lichtenstein, Andy Warhol, Gerhard Richter, and Ed Ruscha? And who probed the Pop revolution in image and identity more intensely than they? In The First Pop Age, leading critic and historian Hal Foster presents an exciting new interpretation of Pop art through the work of these Pop Five.Beautifully illustrated in color throughout, the book reveals how these seminal artists hold on to old forms of art while drawing on new subjects of media; how they strike an ambiguous attitude toward both high art and mass culture; and how they suggest that a heightened confusion between images and people is definitive of Pop culture at large.As The First Pop Age looks back to the early years of Pop art, it also raises important questions about the present: What has changed in the look of screened and scanned images today? Is our media environment qualitatively different from that described by Warhol and company? Have we moved beyond the Pop age, or do we live in its aftermath?A masterful account of one of the most important periods of twentieth-century art, this is a book that also sheds new light on our complex relationship to images today.

    Some of the essays previously appeared in a collection published only in South Africa, Resident Alien, but others are collected here for the first time. The collection comprises twenty-three pieces; the title story investigates the provenance of the world famous song “The Lion Sleeps Tonight,” which Malan traces back to a Zulu singer named Solomon Linda who recorded a song called “Mbube” in the 1930s, which went on to be covered by Pete Seeger, REM, and Phish, and was incorporated into the musical “The Lion King.” In other stories, Malan follows the trial of Winnie Mandela and plunges into the explosive controversy over President Mbeki’s AIDS policies of the 1990s.The stories, combined with Malan’s sardonic interstitial commentary, offer a brilliantly observed portrait of contemporary South Africa.

    The best of Tom Lubbock, one of Britain's most intelligent, outspoken and revelatory art critics, is collected here for the first time.There are electrifying insights - using Hitchcock's Suspicion to explore the lighting effects in a Zurbarán still life, imagining three short films to tease out the meanings of El Greco's Boy Lighting a Candle - and cool judgements - how Vuillard's genius is confined to a single decade, when he worked at home, why Ingres is really 'an exciting wierdo'.Ranging with passionate perspicacity over eight hundred years of Western art, whether it's Giotto's raging vices, Guston's 'slobbish, squidgy' pinks, Géricault's pile of truncated limbs or Gwen John's Girl in a Blue Dress, Tom Lubbock writes with immediacy and authority about the fifty works which most gripped his imagination.

    

    The PCs, the i- phones, the i-pods, the tablet PCs all will be a constant reminder of the genuine and witty ways that Steve handled and fondled. He was always lost in a world of his own. He hugged the glory and the downfalls with equal aloofness. Not once were his beliefs shattered. Throughout his life, he struggled and dared to bring his dreams come true. His dreams had a silvery lining of consistency, persuasion and intention. He was unique in every way. The life threatening disease of cancer could not prevent him from working till his last breath, literally. Though stubborn and dominant by nature he stood as a magician in the field of technology. Here is a simple gesture to pay him respect and honour. A magnificent journey presented authentically.

    H. Lawrence, Giorgos Seferis, Zbigniew Herbert, Paul Valéry), composers and painters (Brahms, Rembrandt), and modern heroes (Helmuth James Graf von Moltke) who have influenced his work.A wry and philosophical defense of mystery, Slight Exaggeration recalls Zagajewski’s poetry in its delicate negotiation between the earthbound and the ethereal, “between brief explosions of meaning and patient wandering through the plains of ordinary days.” With an enduring inclination to marvel, Zagajewski restores the world to us—necessarily incomplete and utterly astonishing.

    In a career spanning thirty-five years and forty books, he has challenged and provoked us with writing that is decidedly unafraid of the tensions between ordinary and poetic language, and between everyday life and its adversaries. Attack of the Difficult Poems, his latest collection of essays, gathers some of his most memorably irreverent work while addressing seriously and comprehensively the state of contemporary humanities, the teaching of unconventional forms, fresh approaches to translation, the history of language media, and the connections between poetry and visual art.Applying an array of essayistic styles, Attack of the Difficult Poems ardently engages with the promise of its title. Bernstein introduces his key theme of the difficulty of poems and defends, often in comedic ways, not just difficult poetry but poetry itself. Bernstein never loses his ingenious ability to argue or his consummate attention to detail. Along the way, he offers a wide-ranging critique of literature’s place in the academy, taking on the vexed role of innovation and approaching it from the perspective of both teacher and practitioner.From blues artists to Tin Pan Alley song lyricists to Second Wave modernist poets, The Attack of the Difficult Poems sounds both a battle cry and a lament for the task of the language maker and the fate of invention.

    Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.'Julian Barnes began writing about art with a chapter on Géricault's The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays , chiefly about French artists, for a variety of journals and magazines. Gathering them for this book, he realised that he had unwittingly been retracing the story of how art made its way from Romanticism to Realism and into Modernism.

    R. Nagaraj, the foremost non-Brahmin intellectual to emerge from India’s non-English-speaking world, presents his vision of the Indian caste system in relation to Dalit politics—the Dalit being a self-designation for many groups in the lower castes of India. Nagaraj argues that the Dalit movement rejected the traditional Hindu world and thus dismissed untouchable pasts entirely; but he believes rebels too require cultural memory. Their emotions of bewilderment, rage, and resentment can only be transcended via a politics of affirmation.He theorizes the caste system as a mosaic of disputes about dignity, religiosity, and entitlement. Examining moments of caste defiance, he argues for a politics of cultural affirmation and creates a new cultural identity for Dalits. More significantly, he argues against self-pity and rage in artistic imagination, and for recreating the banished worlds of gods and goddesses.Nagaraj’s importance lies in consolidating and advancing some of the ideas of India’s leading Dalit thinker and icon, B. R. Ambedkar. He suggests an inclusivist framework to build an alliance of all the oppressed communities of India.

    “I actually wrote them myself.” The teachers exploded in laughter. They got the joke: lesser politicians were not bright enough to do the same. During the 2008 presidential campaign, Obama supporters pointed to the first of those two books, the 1995 memoir, Dreams from My Father, as proof of Obama’s superior intellect. Time magazine called Dreams “the best-written memoir ever produced by an American politician.” The Obama campaign machine traded on the candidate’s literary reputation, encouraging volunteers to “get out the vote and keep talking to others about the genius of Barack Obama.” There was just one small flaw, as writer and literary detective Jack Cashill discovered months before the November 2008 election: nothing in Obama’s history suggested he was capable of writing either Dreams or his 2006 book, The Audacity of Hope. In fact, as Cashill continued his research, he came to the shocking conclusion that the real craftsman behind Dreams was terrorist emeritus Bill Ayers. “This was a charge,” David Remnick admits in his definitive Obama biography, The Bridge, “that if ever proved true, or believed to be true among enough voters, could have been the end of the candidacy.” Deconstructing Obama tells the story of what happens when a citizen journalist discovers a game-changing reality that the media refuse to acknowledge. Despite their rejection, Cashill expanded his research into Obama’s literary canon. As he came to see, if Dreams serves as sacred text, the poem “Pop” is the Rosetta stone, the key to deciphering Obama’s shrouded past, his fragile psyche, and his uniquely cryptic political life. In unlocking that past, Cashill discovered that the story that Obama has been telling all his life varies from the true story in ways big and small. In fact, much of Obama’s life story appears to be a wholly constructed fabrication, one that Jack Cashill “deconstructs” to show the world just who Barack Obama really is.

    Politics. Literary Criticism THE MODERN PREDICAMENT is George Scialabba's second essay collection, following his acclaimed WHAT ARE INTELLECTUALS GOOD FOR? (Pressed Wafer, 2009). In 23 compact, lucid essays ranging across philosophy (Kierkegaard, Nietzsche), literature (D. H. Lawrence, T. S. Eliot), history (Michael Foucault, Christopher Lasch) and politics (Michael Harrington), Scialabba poses a number of searching questions, directly and eloquently, continually returning to one: Is moral progress possible, and at what price? In her introduction Barbara Ehrenreich writes, "As long as we exist as a species, we'll be debating what constitutes morality and virtue, and we could hardly have a better guide than George Scialabba." James Woods hails THE MODERN PREDICAMENT as a stimulating encounter with "one of America's best all-round intellects."

    A series of eight talks on anatta, or not-self, given at a ten-day retreat in Provence, France. Also there are relevant selections from the Pali Canon at end of the book. Freely Available at dhammatalks.org

    These essays cover Coronado's first-hand accounts of sinking Icelandic whaling vessels, A.L.F. raids on fur farms, and more. This updated edition contains 17 pages of new material not included in the previous printing. Coronado is perhaps the best known former member of the Animal Liberation Front, jailed for his role in a series of A.L.F. arson attacks against the fur industry.Flaming Arrows includes:*First hand accounts of raids on animal research labs *Animal Liberation Front history *A detailed narrative on the A.L.F.'s "Operation Bite Back" *Letters from prison And much more.Also included are excerpts from every issue of Strong Hearts, Coronado's jailhouse zine.In the last 20 years, Rod has been a source of inspiration and strength in the struggle for earth and animal liberation. Rod has served multiple prison terms, including a sentence for A.L.F. arsons. Many have read Rod's writing in publications such as No Compromise, Bite Back, and the Earth First! Journal. Coronado's biography "Operation Bite Back" was published in 2009.Flaming Arrows is a powerful collection of writings from one man who risked it all for animals and the Earth."As Earth warriors, we choose to be participants in the ancient battle between good and evil. On our side stand the waters and wind, and all things wild and of the Earth. On the other side, consumed with greed and in persuit of power, control and money, stand all the dark forces that lay waste to Her." - Rod Coronado"[Rod Coronado is] a danger to the community... I know he wasn't tried here for being a violent anarchist. This trial isn't about Rod Coronado being a violent terrorist, but he is one." - Assistant U.S. Attorney Wallace Kleindienst

    Collected here for the first time is an anthology of pieces artist Tracey Emin wrote for The Independent newspaper in London-a weekly column that ran to great acclaim between 2005 and 2009-that touch on everything from the themes behind her work to her process, inspirations, and her alternately humorous and profound observations of daily life. Moving from diatribes on contemporary art and culture to confessional pieces chronicling her travels abroad and reflecting on her private life in London, the columns bring together elements of essay and diary that present a unique perspective on life and the work of the queen of the Young British Artists. Edited and introduced by the artist, and illustrated with forty reproductions of photographs that recall the original format of the columns, Tracey Emin: My Life in a Column makes a giant of the art world at once more familiar and more profound.

    Our spring issue flexes its muscles to bring you history's greatest writing from the factory and cubicle.Among the contributors: Gloria Steinem, Nikolai Gogol, Barbara Ehrenreich, Mike Judge, Thorstein Veblen, Hesiod, Richard Yates, Theodore Dreiser, Robert Frost, Harriet Jacobs, Marie Curie, Bernard Mandeville, Usama Ibn Munqidh, John Calvin.

    Touching on the works of Emerson, Thoreau, Proust, and Plato, among others, Beachy-Quick outlines the problem of duality in modern thought—the separation of the mind and body, word and referent, intelligence and mystery, human and natural—and makes the case for a fuller kind of nature poetry, one that strives to overcome this false separation, and to celebrate the notion that “wonder is the fact that the world has never ceased to be real.”

    It should be taken in small quantities in very extreme cases; as when one is going to faint.Work: Doing what you do not like.This quirky, original compilation serves up the eccentric wit and thought-provoking aphorisms of one of the twentieth century's liveliest and most articulate minds. Assembled by the president of the American Chesterton Society, it features alphabetical entries of "Chesternitions"—pithy and poetic definitions of words in the spirit of Samuel Johnson. Great for casual browsing or cover-to-cover study, the volume includes more than two dozen of Chesterton's distinctive drawings.

    He goes on to compose a powerful, precise, and playfully chaotic book-length lyric memoir on art, process, friendship, place, and imagination. Zach Savich is the author of Full Catastrophe Living (University of Iowa Press, 2009), Annulments (Center for Literary Publishing, Colorado State University, 2010), The Man Who Lost His Head (Omnidawn, 2010), and The Firestorm (Cleveland State University Poetry Center, 2011). More work can be found at: the Boston Review, I Thought I Was New Here, Denver Quarterly, and Jellyfish. Zach is the book review editor at The Kenyon Review.

    This collection of linked prose explores Neilsen Glenn's journey into poetry and deepening understanding of poetry as a model of secular compunction that serves as a form of prayer. Here are personal essays about loss from childhood through to adulthood as well as essays about Neilsen Glenn's initiation into the practice of poetry that was both timely and necessary. Neilsen Glenn is the author of four books of poetry and her non-fiction has been shortlisted and won awards in contests sponsored by Prairie Fire, Event, as well as the National Magazine Awards. She has been the Poet Laureate of Halifax.

    Peter Schwartz, the acclaimed futurist and business strategist, first popularized scenario planning-a powerful tool for navigating uncertainty-in "The Art of the Long View" in 1991. At that time, his knowledge about foresight and scenarios was drawn mostly from his previous planning and consulting experience at Royal Dutch Shell and the Stanford Research Institute. Global Business Network (GBN)-the innovative company Schwartz had cofounded-was a mere three years old. Since then GBN has undertaken hundreds of scenario projects with a diverse range of clients: Fortune 500 companies in every sector, nonprofits, NGOs, and governmental groups around the world. This little book, completed in late-2010, reflects on that legacy. It shares GBN's mistakes as well as successes and what Schwartz got right in the original "The Art of the Long View," (e.g., the rise of the global teenager, two out of the three scenarios for 2005) and wrong (e.g., the transformative power of the Web). Finally, Schwartz looks forward once more-examining the next great global driving force (hint: more troubling than teenagers) and constructing three scenarios for the year 2025.

    Arguably the most influential television personality of all time, Ms. Winfrey and her show have had an impact on American culture that cannot be overstated. This beautifully illustrated book will explore and celebrate the legacy of the show using essays and tributes from a stellar group of contributors including Maya Angelou, Bono, Ellen DeGeneres, Nelson Mandela, Toni Morrison, Julia Roberts, Maria Shriver, Gloria Steinem, John Travolta, and more. The book will feature photographs from the Harpo archive, spanning the 25 years the show has been on the air, including the farewell season. Essays within the book will be dedicated to different themes (e.g., personal growth, social action, and literature) and will explore how the show has touched people’s lives and impacted the conversation around those issues. The essays will be followed by narrative text, which will guide the reader through the history of the show’s involvement with each topic and will include stories about the events, people, and organizations that have acted as touchstones or provided insights along the way. Accompanying the essays and narrative text will be images from the show, behind-the-scenes photographs, as well as signature portraits of the contributing celebrities taken by noted photographers.The book will allow Oprah Winfrey Show fans to understand the broad cultural impact of the show, while revisiting favorite guests, episodes, and stories.Praise for Oprah Winfrey Show: Reflections on an American Legacy:“A lavish and loving tribute to the television personality, icon, and philanthropist makes a powerful case for Oprah’s centrality and influence on American culture. . . . The book shines when it . . . gives us, in its gorgeous photographs, behind-the-scenes glimpses of the empty studio, the primping process (with no fewer than three makeup artists), and the vast army of producers and writers behind Oprah’s magic.” “A big, glossy paean to the queen of talk . . . A chance to relive the first twenty-five years of ‘aha’ moments.” —USA Today “[A] sumptuous tribute to the talk-show icon.” —Washington Post (A Best Book of 2011)   “This is a perfect gift for any Oprah fan or anyone just looking for inspiration.” —Dallas Morning News —Publishers Weekly

    As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical writings--some of which have gained a cult following through online postings--he has earned a reputation as an unusually eloquent and illuminating guide to the work of many of the most important figures in twentieth-century photography. Among the artists Papageorge discusses in this essential volume are Eugene Atget, Brassai, Robert Frank (with Walker Evans), Robert Adams and his close friend Garry Winogrand. The book also includes texts that examine the more general questions of photography's relationship to poetry, and how the evolution of the medium's early technologies led to the twentieth- century creation of the artist-photographer. Among the previously unpublished pieces in Core Curriculum are an unfinished poem written in response to Susan Sontag's On Photography, a profile of Josef Koudelka and a commencement speech delivered at the Yale School of Art in 2004. Core Curriculum also includes a number of interviews with this esteemed photographer/teacher/ author, ranging in topic from his own photographic work and background in poetry to his energetic observations on the art of photography.Tod Papageorge (born 1940) earned his BA in English literature from the University of New Hampshire in 1962, where he began taking photographs during his last semester. He is the recipient of two Guggenheim Fellowships and two National Endowment for the Arts Fellowships. In 1979, Papageorge was named Yale University's Walker Evans Professor of Photography and director of graduate studies in photography, both positions he continues to hold today.

    Also, experiments in style which culminated in Thoreau's classic Walden. Foreword. Introduction. Selected Bibliography. Index.

    Also included are examples of his psychoanalytical writings, such as "The Transformational Object" and "Psychic Genera," that deepen and renew interest in unconscious creative processes. Two recent essays, "Character and Interformality" and "The Wisdom of the Dream" extend his work on aesthetics and the role of form in everyday life. 　This is a collection of papers that will appeal to anyone interested in human experience and subjectivity.

    Collecting Himself is a one-of-a-kind compilation of James Thurber's vintage writings, featuring previously unanthologized articles, essays, interviews, reviews, cartoons, parodies, as well as Thurber's reflections on his work in theater and at the New Yorker. An eclectic body of work that offers a glimpse into Thurber the man, the philosopher, and the critic.

    Now in his late fifties, he has clocked up many thousands of hours of reflection. It shows in his prose, which proceeds at a refreshingly deliberative pace as it draws the reader into his patterns and rhythms.In this deeply appealing and engaging collection of essays, Birkerts looks back through his own life, as well as at the generations before him, and ahead at the lives of his children. We read how the writer witnesses his son's frightening sailing accident, how he feels when he encounters his own prose from many years ago, how finding a cigarette lighter or a lost ring releases a cascade of memories. The objects he sees around him--old friends, remembered places--are excavated, their layers exposed.But most winning of all is the emerging character of Birkerts himself. We come to have great respect for this competitive but deeply loyal friend, the caring father who respects his children's independence even as he tries to connect with them, the traveler, the onetime bookseller, the writer at all stages of his writing life, and throughout it all, the attentive, passionate reader.

    The editors have sought to capture that duality in this anthology, a collection of writings that exemplifies the diverse, exuberant, and intrepid forms of the contemporary essay. Designed for use in any writing course focusing on the craft of the essay, the anthology includes healthy selections of lyric and formally adventurous essays, as well as those focused on nature and travel writing, and more nuanced explorations of place. This anthology tells a rich story about the wealth of experimentation and diversity of approaches to the essay in the twenty-first century. Readers will be engaged and surprised.

    These stories are set in Cincinnati, New Jersey, Indiana, Baltimore, East Berlin, and Washington, D.C., but all of them have one thing in common: they are stories about surviving the disasters and dysfunctional relationships we all have with friends, family, and lovers.

    K. Chesterton’s writing in the full range of genres he mastered.Chesterton was a towering literary figure of the early twentieth century, accomplished and prolific in many literary forms. A forceful proponent of Christianity and a critic of both conservatism and liberalism, he set out to describe nothing less than the spiritual journey of humanity in Orthodoxy and The Everlasting Man, his most enduring books. He is famous as well for his beloved Father Brown detective stories, his satirical and comic verse, his profoundly witty paradoxes and aphorisms, and his penetrating studies of such figures as Charles Dickens, St. Francis of Assisi, and St. Thomas Aquinas. The Everyman Chesterton contains samples of his poems, stories, essays, and biographies, as well as the influential works of religious, political, and social thought in which he championed the common man and for which he is most admired.Table of Contents:AUTOBIOGRAPHYHearsay EvidenceThe Man with the Golden KeyCHARLES DICKENSThe Dickens PeriodThe Boyhood of DickensThe Youth of DickensThe Pickwick PapersThe Great PopularityDickens and AmericaDickens and ChristmasThe Time of TransitionLater Life and WorksThe Great Dickens CharactersOn the Alleged Optimism of DickensA Note on the Future of DickensTHE VICTORIAN AGE IN LITERATUREThe Victorian Compromise and Its EnemiesThe Great Victorian NovelistsThe Great Victorian PoetsORTHODOXYIntroduction in Defence of Everything ElseThe ManiacThe Suicide of ThoughtThe Ethics of ElflandThe Flag of the WorldThe Paradoxes of ChristianityThe Eternal RevolutionThe Romance of OrthodoxyAuthority and the AdventurerTHE EVERLASTING MANIntroduction: The Plan of This BookThe Riddles of the GospelThe Strangest Story in the WorldThe Witness of the HereticsThe Escape from PaganismThe Five Deaths of the FaithConclusion: The Summary of This BookST THOMAS AQUINASOn Two FriarsThe Aristotelian RevolutionA Meditation on the ManicheesThe Approach to ThomismThe Permanent PhilosophyThe Sequel to St ThomasFATHER BROWN STORIESThe Blue CrossThe Queer FeetThe Wrong ShapeThe Resurrection of Father BrownThe Miracle of Moon CrescentThe Dagger with WingsThe Doom of the DarnawaysThe Song of the Flying FishThe Red Moon of MeruThe Chief Mourner of MarneThe Scandal of Father BrownThe Quick OneThe Blast of the BookThe Green ManThe Crime of the CommunistThe Vampire of the VillagePOEMSWine and WaterAntichrist, or the Reunion of Christendom: An OdeElegy in a Country ChurchyardLepantoThe Secret PeopleThe Rolling English RoadThe Donkey

    Feminist Studies. Poetics. A MEGAPHONE collects a number of enactments that Juliana Spahr and Stephanie Young did between the years of 2005-2007. In these enactments, they attempted to think with the playful dogmatism of a feminist tradition that they call "crotchless pants and a machine gun" (obviously referencing Valie Export) in order to locate what might still be useful today about the somewhat beleaguered "second wave" feminist traditions. To that end, Spahr and Young lectured in Oulipian slenderized baby talk about figures such as Carolee Schneemann and Marina Abramovic; they counted the numbers of women and men and tansgendered people in various poetry anthologies; and they invited writers from outside the US to talk about being a writer where they live (over seventy-five writers from Puerto Rico to Morocco to Croatia to South Africa to Syria to Micronesia to Korea responded). Also included in A MEGAPHONE are discussions of that always contested relationship between feminism and "experimental" poetry by Julian T. Brolaski, E. Tracy Grinnell, Paul Foster Johnson, Christian Peet, Barbara Jane Reyes, Dale Smith, and A. E. Stallings. The book ends with a (soma)tic writing exercise from CAConrad, one designed to encourage readers and writers to create open, yet still meaningful, feminist alliances.

    A lifelong gardener, Simonds works the soil and the soul for wide-ranging revelations about everything from flowers that keep time, to the strange gift of compost, to great gardens of the world, to things lost and found underground.She is joined on her journey by a host of companions — including her Beloved, who tills by her side; the Rosarian, who tends to both bud and thorn in roses and life; and the Frisarian, who weeds unwelcome visitors to make room for new growth. Intelligent and intimate, irreverent and elegant, A New Leaf offers a cornucopia of enrichment and inspiration for the fertile mind.

    He looks for—and sometimes stumbles upon—the spiritual significance of circumstances and places and those who inhabit them, from the Jewish dead in a long-neglected cemetery in Poland to a dog slaughtered on a highway fronting the Black Sea to gunshots ringing out in rural Michigan. Again and again Vivian probes what such phenomena suggest about the times we live in—and what they share with every time that ever was.

    Best known for his Lambda Literary Award-winning book Coming Out Under Fire: The History of Gay Men and Women in World War II (1990), Berube also wrote extensively on the history of sexual politics in San Francisco and on the relationship between sexuality, class, and race. John D'Emilio and Estelle Freedman, who were close colleagues and friends of Berube, have selected sixteen of his most important essays, including hard-to-access articles and unpublished writing. The book provides a retrospective on Berube's life and work while it documents the emergence of a grassroots lesbian and gay community history movement in the 1970s and 1980s. Taken together, the essays attest to the power of history to mobilize individuals and communities to create social change.

    Indeed, use of the term has extended far beyond scholarship to the realm of politics and journalism, where it has appeared in speeches at the centers ofpower and on the front pages of the world's leading newspapers. Seen by scholars in numerous fields as a hallmark characteristic of our age, an idea crucial for understanding our present social, political, and cultural conditions, collective memory now guides inquiries into diverse, thoughconnected, phenomena. Nevertheless, there remains a great deal of confusion about the meaning, origin, and implication of the term and the field of inquiry it underwrites.The Collective Memory Reader presents, organizes, and evaluates past work and contemporary contributions on collective memory. Combining seminal texts, hard-to-find classics, previously untranslated references, and contemporary landmarks, it will serve as a key reference in the field. In addition toa thorough introduction, which outlines a useful past for contemporary memory studies, The Collective Memory Reader includes five sections-Precursors and Classics; History, Memory, and Identity; Power, Politics, and Contestation; Media and Modes of Transmission; Memory, Justice, and the ContemporaryEpoch-comprising ninety-one texts. A short editorial essay introduces each of the sections, while brief capsules frame each of the selected texts.An indispensable guide, The Collective Memory Reader is at once a definitive entry point into the field for students and an essential resource for scholars.

    

    Throughout this provocative and uplifting book, writers describe their various experiences in nature and portray how careful, and mindful, attention to the larger world around us brings rewarding and surprising discoveries. They give us the literary, personal, and spiritual stories that point a way toward calm and quiet for which many people today hunger. Contributors to The Way of Natural History highlight their individual ways of paying attention to nature and discuss how their experiences have enlivened and enhanced their worlds. The anthology is a rich array of writings that provide models for interacting with the natural world, and together, create a call for the importance of natural history as a discipline.