It is hard enough to find thesequalities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers.Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age.It wasn’t until local historian John Maloof purchased a box of Maier’s negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work.

    Was it the outcome of what a photographer had in mind from the outset? Did it emerge from a diligently worked sequence? Was the right shot a matter of being in the right place at the right time?Here, for the first time, are the best contact sheets created by Magnum photographers. They reveal the creative methods, strategies, and editing processes used by some of the acknowledged greats of photography, from legends such as Henri Cartier-Bresson and Elliott Erwitt to Magnum’s latest generation, including Jonas Bendiksen, Trent Parke, and Alec Soth.Events, places, and people from over seventy years of history are contained in Magnum’s contact sheets, including the Normandy landings by Robert Capa, Che Guevara by René Burri, the Paris riots of 1968 by Bruno Barbey, Malcolm X by Eve Arnold, and New York street scenes by Bruce Gilden.With supporting texts by the photographers or by those selected by the estates of deceased Magnum members, and ancillary material such as press cards, notebooks, and filed captions, this landmark publication provides a depth of understanding and a critical analysis of the backstory to a photograph.

    During the time period he followed Gaga, Richardson took over 100,000 images and attended more than 30 Monster Ball dates around the world. From the 2010 MTV Video Music Awards to the Don't Ask, Don't Tell repeal rally in Portland, Maine, to the Thierry Mugler show at Maxime, Paris, Richardson captures Lady Gaga as you've never seen her before. A year-long global odyssey- -all access, nothing off limits--this is the book Lady Gaga fans have been waiting for.

    First, you will master these basic concepts:* Composition* Exposure* Shutter speed* Aperture* Depth-of-field* ISO* Natural light* Flash* Posing* Troubleshooting bad pictures* Using raw files* Studio lighting* Night photography* HDR* Macro/close-up photographyThen, you will learn the pro's secrets for photographing these subjects:* People (candid, casual, formal, and underwater portraits)* Weddings* Pets* Wildlife (mammals, birds, insects, fish, and more)* Landscapes* Cityscapes* Sunrises and sunsets* Flowers* Forests, waterfalls, and rivers* Fireworks* Stars

    They reveal an unexpected rebirth of imagination, an unknown burgeoning that took place from 1970 until 1990. Contrary to the twenties and thirties, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Their diversity announces the end of Soviet Union. Taking advantage of the collapsing monolithic structure, the holes of the widening net, architects revisited all the chronological periods and styles, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba sanatorium), others expressed their imagination in an expressionist way (Tbilisi wedding palace). A summer camp, inspired by sketches of a prototype lunar base, lays claim to its suprematist influence (Promethee). Then comes the speaking architecture widespread in the last years of the USSR: a crematorium adorned with concrete flames (Kiev crematorium), a technological institute with a flying saucer crashed on the roof (Kiev institute), a political center watching you like a Big Brother (Kaliningrad House of Soviet). This puzzle of styles testifies to all the ideological dreams of the period, from the obsession with the cosmos to the rebirth of privacy and it also outlines the geography of the USSR, showing how local influences made their exotic twists before bringing the country to its end.

    In 1972, the 13-year-old Woodman made a black-and-white photograph of herself sitting at the far end of a sofa in her home in Boulder, Colorado. Her face is obscured by her hair, light radiates from an unseen source behind her out at the viewer through her right hand. This photograph typifies much of what would characterize Woodman's work to come: a semi-obscured female form merging with or flailing against a somewhat bare and often dilapidated interior. In an oeuvre of around 800 photographs made in just nine years, Woodman performed her own body against the textures of wallpaper, door frame, baths and couches, radically extending the Surrealist photography of Man Ray, Hans Bellmer and Claude Cahun and creating a mood and language all her own. In the 30 years since her untimely death, Woodman has gained a following among successive generations of artists and photographers, a testament to her work's undeniable immediacy and enduring appeal Amid a renewed intensification of interest in Francesca Woodman, this volume is published for a major touring exhibition of her photographs and films at the San Francisco Museum of Modern Art and the Guggenheim. Containing many previously unpublished photographs, it is the definitive Francesca Woodman monograph.Francesca Woodman (1958-1981) was born in Denver, Colorado, to the well-known artists George and Betty Woodman. In 1975 she attended the Rhode Island School of Design, and in 1979 she moved to New York, to attempt to build a career in photography. In 1981, at the age of 22, she committed suicide.

    Gathering some of his most iconic images, many of which were taken in the far corners of the earth, this exquisite book brings a fresh perspective to his extensive catalog. Recognized as a pioneer of American color photography since the 1970s, Webb has consistently created photographs characterized by intense color and light. His work, with its richly layered and complex composition, touches on multiple genres, including street photography, photojournalism, and fine art, but as Webb claims, "to me it all is photography. You have to go out and explore the world with a camera." Webb's ability to distill gesture, color and contrasting cultural tensions into single, beguiling frames results in evocative images that convey a sense of enigma, irony and humor. Featuring key works alongside previously unpublished photographs, The Suffering of Light provides the most thorough examination to date of this modern master's prolific, 30-year career.The photographs of Alex Webb (born 1952) have appeared in a wide range of publications, including The New York Times Magazine, Life, Stern and National Geographic, and have been exhibited at the International Center of Photography, New York; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York. He is a recipient of the Leica Medal of Excellence (2000) and the Premio Internacional de Fotografia Alcobendas (2009). A member of Magnum Photos since 1976, Webb lives in New York City.

    The exploration of new technology, as well as the explanation of older technology. No matter what equipment Joe uses and discusses, the most important element of Joe's instruction is that it is straightforward, complete, and honest. No secrets are held back, and the principles he talks about apply generally to the shaping and quality of light, not just to an individual model or brand of flash.He tells readers what works and what doesn't via his let's-see-what-happens approach, he shows how he sets up his shots with plentiful sketches and behind-the-scenes production shots, and he does it all with the intelligence, clarity, and wisdom that can only come from shooting in the field for 30 years for the likes of National Geographic, Time, Life, and Sports Illustrated--not to mention the wit and humor of a clearly warped (if gifted) mind.

    On May 11, 1968, when her portrait of Eric Clapton was featured on the cover of Rolling Stone, she entered the record books as the first woman to have that honor. During her tenure as the leading photographer of the late 1960s’ musical scene, she captured many of rock’s most important musicians on film, including Aretha Franklin, Jimi Hendrix, Bob Dylan, Janis Joplin, Simon & Garfunkel, The Who, The Doors, and the Grateful Dead. In 1967, Linda went to London to document the "Swinging Sixties," where she met Paul McCartney at the Bag ’o Nails club and subsequently photographed the Beatles during a launch event for the Sgt. Pepper’s Lonely Hearts Club Band album. Paul and Linda fell in love, and were married on March 12, 1969. For the next three decades, until her untimely death, she devoted herself to her family, vegetarianism, animal rights, and photography. From her early rock ’n’ roll portraits, through the final years of the Beatles, via touring with Wings to raising four children with Paul, Linda captured her whole world on film. Her shots range from spontaneous family pictures to studio sessions with Stevie Wonder and Michael Jackson, as well as artists Willem de Kooning and Gilbert and George. Always unassuming and fresh, her work displays a warmth and feeling for the precise moment that captures the essence of any subject. Whether photographing her children, celebrities, animals, or a fleeting moment of everyday life, she did so without pretension or artifice.This retrospective volume—selected from her archive of over 200,000 images—is produced in close collaboration with Paul McCartney and their children. As such, it is a moving personal journal and a lasting testament to Linda’s talent.Additional to our limited and art editions, this book is also available as unlimited trade edition.

    The result is The French Cat, a stunning exploration of the country and its felines. Remarkable French landscapes, both urban and rural, are populated with cats brimming with personality—whether languidly strolling in a quaint village or regally perched on the doorstep of an elegant château. Rachael also tells the story of her new life in France with her husband and new baby in tow. This heartwarming narrative—along with engaging quotes from famous French cat lovers and literary greats—accompanies the images, making the eclectic and lushly illustrated record of Rachael’s journey an all-around delight for Francophiles and cat lovers alike. Praise for The French Cat: “A gorgeous love letter to her adopted country . . . these are evocative, beautifully composed landscapes and interiors that just happen to feature the small, inquisitive face of un petit chat.” —Publishers Weekly

    I felt protected in the atmosphere we created together. We had an inner narrative, producing our own unspoken film, with or without a camera." -Patti Smith, from her afterword Like a scene in Godard's Vivre sa vie or Dreyer's La Passion de Jeanne d'Arc, Patti Smith posed for the lens of a young photographer, Judy Linn. It was 1969, some years before Patti Smith entered the arena of rock and roll. Smith was a struggling poet, harboring a romantic ideal of the collaborative possibilities between an artist and model- a dream happily fulfilled within this intimate and high-spirited body of work. Linn's images of Smith range from the vulnerable to the iconic. Focusing on shifting influences and spotlighting her profound relationships with artists such as Robert Mapplethorpe and Sam Shepard, Linn has captured Smith like no one else, in the grainy atmosphere of a bygone New York. Judy Linn's photographs document the blooming of an enduring friendship and the evolution of two unique artists: gritty and visionary, fragile and tough.Praise for Patti Smith 1969-1976:"a striking new book, Patti Smith: 1969-1976 (out March 1) . . . collects photographs of the coolly photogenic star taken by her talented friend Judy Linn during the same time Kids describes. They're wonderfully composed shots of Smith looking like the star of a Godard film of her own making. The pictures show her fully ready for a closeup that would cement her boho image just a few years later, on the iconic cover of her first album, Horses, shot, of course, by Mapplethorpe himself." -New York Daily News "Here is Smith's acclaimed 2010 memoir, Just Kids, come to life-the shrines to Bob Dylan, the dress up-and the photos strike the same wistful note; as Smith writes in her afterword: 'once upon a time, we were young and beautiful and anyone we imagined we could be.'" -Publishers Weekly"Anticipating a new generation's excitement for Smith and Mapplethorpe, their friend Judy Linn has published a new book of her photographs, Patti Smith 1969-1976, that centers on the era covered in Just Kids, the time before Patti and Robert were famous. The book's a nice visual testament to their friendship, but it's also a bible of good clothing, an early record of one of the most stylish couples of all time." -The Fader.com"Linn's collection of photographs is the perfect complement to Smith's National Book Award-winning memoir, Just Kids . . . like Smith's memoir, the photos-uninterrupted by titles, captions, or any other text-serve two purposes: they tell the story of young artists finding their voice and style and serve as a love letter to '70s New York, four decades later." -Flavorwire.com

    Discover how the food stylist exercises unique techniques to make the food look attractive in the finished product. You’ll get a taste of the visual know-how that is required to translate the perceptions of taste, aroma, and appeal into a stunning, lavish finished photograph. Takes you through the art and techniques of appetizing food photography for everyone from foodies to food bloggers to small business owners looking to photograph their food themselves Whets your appetite with delicious advice on food styling, lighting, arrangement, and more Author is a successful food blogger who has become a well-known resource for fellow bloggers who are struggling with capturing appetizing images of their creations So, have the cheese say, "Cheese!" with this invaluable resource on appetizing food photography.

    In the years that followed, she published other notable monographs, including "Aila" (2004), "The Eyes, the Ear" (2005) and "Semear" (2007). And now, ten years after her precipitous entry onto the international stage, Aperture has published "Illuminance," the latest volume of Kawauchi's work and the first to be published outside of Japan. Kawauchi's photography has frequently been lauded for its nuanced palette and offhand compositional mastery, as well as its ability to incite wonder via careful attention to tiny gestures and the incidental details of her everyday environment. As Sean O'Hagan, writing in "The Guardian" in 2006, noted, "there is always some glimmer of hope and humanity, some sense of wonder at work in the rendering of the intimate and fragile." In "Illuminance," Kawauchi continues her exploration of the extraordinary in the mundane, drawn to the fundamental cycles of life and the seemingly inadvertent, fractal-like organization of the natural world into formal patterns. Gorgeously produced as a clothbound volume with Japanese binding, this impressive compilation of previously unpublished images is proof of Kawauchi's unique sensibility and her ongoing appeal to lovers of photography.

    And today, that means lifestyle photography, also referred to as "fine art wedding photography." Fine art wedding photography isn't just a catchy phrase; it's a modern approach in which design is paramount. Fine art wedding images are more graphic and stylized than traditional wedding photojournalism, as if they were pulled from the pages of a glossy wedding or lifestyle magazine. Acclaimed wedding photographer Jose Villa was a pioneer in fine art wedding photography before it became a trendy buzzword. Here, he shares his secrets for bringing a stylized sense of composition, lighting, posing, and most important, design, to your images, while still keeping them organic and narrative. You’ll learn Jose’s trademark technique of capturing the more natural moment after a pose, and tips for getting images right in-camera to avoid the need for heavy postproduction. Final chapters show you how to integrate design through the delivered product, whether an album or slideshow, and continue nurturing clients after the wedding by expanding to baby and family portraiture. Packed with real-life examples, solid techniques, and stunning images from one of the wedding industry's brightest stars, this book will both educate and inspire photographers seeking to update their work and satisfy a new generation of brides.

    Not just a how-to book, it is a how-does-it-work book, focusing on cameras, photographs, and photographers. Throughout, voices and photographs from the greatest of National Geographic photographers add authority to these pages. Chapters build from camera basics—like how a digital camera works, what different lenses do, and the definition of exposure—to advanced and specific techniques—such as taking the best family candids, underwater photography, or techniques for capturing fireworks on film. Every chapter includes a feature called "My Perspective," highlighting a National Geographic photographer and his or her work with a personal note on photography. Every chapter ends with a feature called "What Makes This Photograph Great?"—twelve different iconic National Geographic photographs are analyzed thoroughly for their subject matter, composition, lighting and exposure—by James P. Blair, longtime National Geographic photographer. A fascinating illustrated timeline of photography places milestone moments in the developing technology and art of photography into historic context. With something for everyone, novice and experienced amateur alike, designed in such a way that a reader can dip in and out of page after page, this complete reference will become a family favorite, to which young and old will refer over and over for years to come.

    She then discusses lighting and composition and shows how to style food using props, fabrics, and tabletops. Finally, she explains how to improve your photos through sharpening, color enhancement, and other editing techniques. Beautifully illustrated with large, vibrant photos, this book offers the practical advice and expert shooting tips you need to get the food images you want every time you pick up your camera. Follow along with your friendly and knowledgeable guide, photographer and author Nicole S. Young, and you will: •      Use your camera’s settings to gain full control over the look and feel of your images •      Master the photographic basics of composition, focus, depth of field, and much more •      Learn to enhance your food photographs using professional food styling techniques •      Get tips on different types of lighting, including strobes, flashes, and natural light •      Improve the look of your photos using Adobe Photoshop •      Go “behind the scenes” and walk through the process of creating great food photographs with an entire chapter of start-to-finish examples And once you’ve got the shot, show it off! Join the book’s Flickr group to share your photos, recipes, and tips at flickr.com/group/foodphotographyfroms....

    Each image alone exposes a nugget of our planet's magnificence; the totality of the collection goes beyond our imagination. Turning the pages, viewers are struck by the richness of life on Earth. One photograph is more awe-inspiring than the next--chosen by veteran National Geographic Magazine photo editors to present what is visually incredible. The photographs are drawn from the popular "Visions of Earth" feature in the magazine, (rated #1 by readers), from our own storied Image Collection, and from renowned photographers throughout the world, many never-before published.Enthralling images fill the book in a gallery of stunning landscapes, fascinating people, amazing animals, and unexpected glimpses of the usual and unusual. Puffins' beaks signal breeding time in Norway and a speckled emperor moth in South Africa diverts predators with an illusion. An elephant takes a morning dip in India's Andaman Sea while Siamese crocodiles race in Thailand and surfers in Australia relish a perfect day. Monks in Bhutan run to dinner and a little girl in red stands out among white-robed women in an Indonesian mosque. Spanish youth decked in colorful, oversize papier-mâché heads celebrate a festival in Catalonia and a flower of flame blooms from a man's kerosene-filled mouth in a Sikh celebration in India.Around the globe, amazing moments are captured in time, from a spray of flash frozen petal fragments in California to a truck show of chrome-covered and gleaming neon rigs half the world away in Japan. Visions of Earth is a welcome escape from the news of natural disasters, conflict, political upheaval, and social unrest that fills our lives. The book delights our senses, ignites our emotions, and renews our optimism, showcasing the many ways that our world is a marvel to behold and a privilege to call home.

    Fortunately, Swiss artist Ursus Wehrli is a man of obsessive order, as he demonstrates with eye-catching surprise in The Art of Clean Up. Already a bestseller in Germany, this compulsive title has sold more than 100,000 copies in less than a year, and the fastidiously arranged images have garnered blog love from NPR, Brain Pickings, swissmiss, and more. Tapping into the desire for organization and the insanity of über-order, Wehrli humorously categorizes everyday objects and situations by color, size, and shape. He arranges alphabet soup into alphabetical order, sorts the night sky by star size, and aligns sunbathers' accoutrements—all captured in bright photographs sure to astonish even the pickiest of neat freaks.

    You see everything from the complete lighting setup (and all the gear used), to the shoot (including all the camera settings and a contact sheet of the progression of the shoot), to the all-important part that most books don't dare include-the post-processing and retouching in Photoshop. This book also breaks new ground in the visual way it teaches you the lighting setup. There aren't any sketches or 3D models-you see the lighting layout in a full-page photo, taken from above during the live shoot, so you can see exactly where everything's positioned (the subject, the photographer, the lighting, the background-you name it-you see it all). Plus, you'll see side, over-the-shoulder, and more behind-the-scenes views, so you can absolutely nail the lighting every time.LEARN THE LIGHTING SETUPS THE PROS USE Each year, Scott trains thousands of professional photographers during his Light It. Shoot It. Retouch It. LIVE! seminar tour and now, for the first time ever, he's taken that incredibly popular style of learning and put in into book form. Now everyone can have a real-world reference for getting the same looks today's clients are clamoring for.You'll learn: The step-by-step layouts for creating the most-requested and sought-after lighting looks How to get more out of one light than you ever thought you could (this is worth it alone!) How to control and shape your light without breaking the bank The camera settings, gear, and power settings for every shot The retouching techniques the pros really use to make their subjects look their very best How to retouch hair, eyes, lips, skin, and lots of other little retouching tricks that make a really big difference How to create high-contrast portrait effects without buying expensive plug-ins A host of insider tricks, invaluable shortcuts, and kick-butt special effects to give you a real advantage over the competition Plus, Scott includes a special bonus chapter that shows how to create these same studio looks using off-camera hot shoe fl ashes and the modifi ers made for them. There's never been a book like it.

    There, three of Canada's most important salmon rivers—the Stikine, the Skeena, and the Nass—are born in close proximity. Now, against the wishes of all First Nations, the British Columbia government has opened the Sacred Headwaters to industrial development. Imperial Metals proposes an open-pit copper and gold mine, called the Red Chris mine, and Royal Dutch Shell wants to extract coal bed methane gas across a tenure of close to a million acres.In The Sacred Headwaters, a collection of photographs by Carr Clifton and members of the International League of Conservation Photographers—including Claudio Contreras, Paul Colangelo, and Wade Davis—portray the splendour of the region. These photographs are supplemented by images from other professionals who have worked here, including Sarah Leen of the National Geographic.The compelling text by Wade Davis, which describes the region's beauty, the threats to it, and the response of native groups and other inhabitants, is complemented by the voices of the Tahltan elders. The inescapable message is that no amount of methane gas can compensate for the sacrifice of a place that could be the Sacred Headwaters of all Canadians and indeed of all peoples of the world.The Sacred Headwaters, is a visual feast and a plea to save an extraordinary region in North America for future generations.Published in partnership with the David Suzuki Foundation.

    Now releasing at a price affordable for every fan, this lavish hardcover book with cloth cover and foil deboss contains 125 of Weston's well-known images and many lesser-known gems. Additionally, a detailed introduction, along with reproductions of many unseen photographs and ephemera help round out this ultimate tribute to a legendary photographer.Printed on lush and heavy paper stock, "Edward Weston: 125 Photographs" is a necessary addition to any serious art library. Its duotone reproductions are of the highest grade possible, made from newly created digital scans direct from the master images within the vaults of the Edward Weston Archive at the Center for Creative Photography in Tucson, Arizona.

    Adelman’s evocative duotone photographs of the landscape and people of Carver’s life in Washington, Oregon, California, and New York state are paired with selections from Carver’s poems, stories, and letters. This “visual biography” reveals that the great depth and melancholy Carver manifested in his character’s lives was often directly born out of the surrounding world and his inner demons. What results becomes a profound meditation on the intersection of the fictionalized world and the physical world.

    Yes, this book is an insane collection of some of the most mind-blowing Photoshop effects you've ever seen in one place. Ever wonder how that movie poster was created, or how they created that cool magazine ad, or maybe even how to take a seemingly mundane photo and give it the Hollywood treatment? Or maybe you just want to know how to do some really awesome stuff in Photoshop. Well, then, this book is for you! Whether you're a designer, artist, or even a photographer, there's something here for everyone. Moving through these projects, you'll start to see the potential of Photoshop's most powerful features and how, with a little experimentation, you can open up a whole new world of dazzling effects.You'll learn how to:- Create custom brush effects from scratch- See type as a design element- Create Hollywood-style effects that actually look like Hollywood-style effects- Take mundane photos and turn them into something mind-blowing- Create eye-popping commercial effects that clients will drool over- Get creative with 3D in Photoshop CS5 Extended- Create popular advertising effects you've seen in movies, on TV, and on the Web- Master dazzling photo effects for designers and photographers alikePlus, there are so many other things throughout the book that you'll be bursting with new ideas!

    This book covers all the dials, menus, and controls, showing you how to use each one. It explains how to change and use various lenses and offers advice on exposure, focus, printing, using flash, sharing photos online, and much more, all with plenty of full-color examples to show what you can achieve.Canon's popular T3i/600D offers a vast array of options for the new dSLR photographer; this book guides you through all the settings, dials, and menusExplains how to use Live View mode and record, edit, and play back videoProvides tips and advice on working with exposure, manipulating focus and color, switching from auto to manual controls, and using lighting creativelyShows how to get photos from the camera to the computer, then edit and manage them using different software packagesIllustrated with full-color photos from the author, showing what you can achieveThis fun and friendly book helps you to quickly and confidently take advantage of the many creative possibilities offered by your new Canon camera.

    This is not a traditional portrait photography book. The goal isn't flattery, but connection and depth. Whether you are a student, busy parent, or seasoned pro photographer, these exercises provide an accessible framework for exploration and growth.With titles like: Be Quiet, Turn the Camera Around, and the Fabric of Family, each of the 30 exercises encourages you to have fun and experiment at your own pace. With step-by-step instructions and using natural light, you will explore everything from street, lifestyle, candid, and environmental shots. The projects are small artistic endeavors meant to change how you see and the pictures that you make. All that's required is a camera, an intrepid attitude, curiosity, and some imagination.

    For over 15 years, he has been documenting people in the North Atlantic. In this book of nearly 200 photographs, Axelsson turns his lens on the Arctic, which is warming faster than any other region on earth. Axelsson's gorgeous photographs, mostly in black and white, show vast glaciers, sleds gliding across ice, and houses mostly buried in snow, but they also depict how the Inuit's way of life is transforming drastically as a result of climate change, prefiguring the enormous changes that are on their way to the rest of the world.

    Born in 1912 in Fort Scott, Kansas, the youngest of fifteen children in a poor tenant-farming family, Parks was working odd jobs in Minnesota when he saw the work of FSA photographers in a magazine and was inspired to buy a camera. His early pictures landed him a position as Roy Stryker’s apprentice in 1942. Among his extraordinary FSA photos is “American Gothic,” which shows charwoman Ella Watson posed with mop and broom against an American flag. After the FSA, Parks worked at Life magazine. He also became a respected writer and film director. He died in 2006.

    Everywhere you look, from group photos, to school graduation or sports portraits, to magazines, movie posters, and DVD covers, chances are, you ve seen compositing. In "Photoshop Compositing Secrets," Matt Kloskowski takes you through the entire process behind creating convincing, well-executed, and captivating composites. You ll see how to create images that run the gamut from real-world portraits for corporate, graduation, or group photos to sports portraits, templates, and collages, and even the surreal, dramatic composites that clients clamor for. You'll learn: One of the most important secrets to compositing: how to master selections in Photoshop (yes, even wispy hair), What background color, and camera and lighting setups work best for compositing, How to move a subject from one background to another, and the Photoshop lighting and shadowing techniques to make it look real, And all the Photoshop tips, tricks, and special effects you need to pull off a convincing, professional composite. No matter if you're a professional, an aspiring professional, or a hobbyist, "Photoshop Compositing Secrets "will sharpen your skills and open up a whole new avenue of photographic expression in an easy-to-understand way that will have you creating your own composites in no time.

    Dust-to-Digital's marvelously titled I Listen to the Wind That Obliterates My Traces compiles music, photographs and literary excerpts that reflect on or present music itself as subject matter, from the earliest days of the phonograph. Culled from artist Steve Roden's collection of thousands of vernacular photographs related to music, sound and listening, the many gems to be found in this book (and its accompanying two CDs) include accounts of the Barnum-esque Professor McRea ("Ontario's Musical Wonder" ) and anonymous African-American guitar players, and an amazing trove of photographs of early phonographs. Other images range from professional portraits to accidental double exposures, via photographic formats such as tintypes, ambrotypes, cdvs, cabinet cards, real photo postcards and albumen prints. The two CDs bring together a variety of recordings, including one-off amateur recordings, regular commercial releases and early sound effects records. An array of contemporaneous quotations on music and early music technology from writers such as Knut Hamsun, Vladimir Nabokov and Pär Lagerkvist, as well as an essay by Steve Roden, bind the volume's conception into a unique meditation on recorded music's earliest consciousness of itself.

    Her passion for forgotten and neglected buildings became a plea for preservation. Gone is a unique pairing of modern photographs and historical novella. Foote offers a heartbreaking look at one man's loss as Union troops burn his home in the last days of the Civil War. Dickerson shares fascinating and haunting photographs, shining a poignant light on the buildings which survived Sherman's burning rampage across the Confederacy, only to fall victim to neglect, apathy and poverty. GONE is a powerfully moving volume that will change how you see the forgotten buildings that hide in obscurity across the Southern landscape.

    Originally from suburban London and a self-professed car fanatic, he got into modeling by chance through a contest. Since then, he has taken the fashion world by storm, working with top photographers and stylists. This photographic homage traces Gandy’s career from early photo shoots to the acclaimed advertising campaign for the Dolce&Gabbana fragrance Light Blue, which captured the world’s imagination and transformed him into a global icon of virility, sex appeal, and charm. The Light Blue campaign alone garnered over eleven million online hits, and his image has been featured in a fifty-foot poster towering over Times Square in New York. This book includes photographs by Mario Testino, Steven Klein, Giampaolo Sgura, and Mariano Vivanco, among others.

    Their initial contact grew into a friendship that O'Brien chronicled for the Miami News, where he began his career as a staff photographer. O'Brien's photo essays conveyed empathy for the homeless and the disenfranchised and won two Robert F. Kennedy Journalism Awards. In 2006, O'Brien reconnected with the issue of homelessness and learned the problem has grown exponentially since the 1970s, with as many as 3.5 million adults and children in America experiencing homelessness at some point in any given year.In Hard Ground, O'Brien joins with renowned singer-songwriter Tom Waits, described by the New York Times as "the poet of outcasts," to create a portrait of homelessness that impels us to look into the eyes of people who live "on the hard ground" and recognize our common humanity. For Waits, who has spent decades writing about outsiders, this subject is familiar territory. Combining their formidable talents in photography and poetry, O'Brien and Waits have crafted a work in the spirit of Let Us Now Praise Famous Men, in which James Agee's text and Walker Evans's photographs were "coequal, mutually independent, and fully collaborative" elements. Letting words and images communicate on their own terms, rather than merely illustrate each other, Hard Ground transcends documentary and presents independent, yet powerfully complementary views of the trials of homelessness and the resilience of people who survive on the streets.

    It pays homage not only to the physical splendor of the horse--its grace, beauty, strength, and adaptability--but also to its remarkable diversity. Equestrian specialist Tamsin Pickeral traces the evolution of many different horse breeds from the dawn of written history to the present day. Separate chapters are devoted to-- The Ancient World-- the nomadic horse peoples of the Eurasian steppes, the Gotland Pony, used by the Goths as chariot horses, the Camargue, an ancient working breed that was taken into Spain by the Romans, and many more From the East-- Mongolian stocks, the influence of Ghengis Khan, the introduction of polo, the spread of the Arabian horse breed, and more The War Horse-- the rise of the heavy cavalry horse, Charles Martel and the influence of the Crusades on horse breeding, the Spanish and Portuguese originators of horse-riding cowboys, the horse in the Napoleonic wars, and more The New World-- the horse's arrival in South America, brought in by the Spanish, and the subsequent development of American breeds Racing Hunting and Sports Horses-- Racing thoroughbreds, Irish hunters, Holsteins, Australian breeds, and more Harness Horses, Carriage Driving, and Trotting-- the development of horses mainly used today for show and skill work, and German Oldenburg carriage horses, now widely used in riding competitions Agriculture and Industry-- The transformation of war horses into widely varied breeds that were developed for working the land, working in mines, serving as police horses, and moreMagnificent color photos by distinguished equine photographer Astrid Harrisson are complemented with reproductions of equine artworks from around the world--a total of 400 beautiful illustrations.

    It is a story of discovery. It is a story of hope.The story begins when a boy who loves the sea attends an event with underwater photographers and has an epiphany: "I had always wanted to explore the oceans, but I now understood how I would do this. I would do it with a camera." With sheer deter­mination, hard work, and a little bit of luck the boy, named Brian Skerry, realized his dream with more than 20 awe-inspiring articles for National Geographic magazine. Now, with Ocean Soul, he showcases his stunning photography and describes his adventurous life in a gripping portrait of the ocean as a place of beauty and mystery, a place in trouble, and ultimately, a place of hope that will rebound with the proper attention and care.

    Though he’s known for the raw power of his expression, Rollins has shown that the greatest statements can be made with the simplest of acts: to just bear witness, to be present.             In Occupants, Rollins invites us to do the same. The book pairs Rollins’s visceral full-color photographs—taken in Bangladesh, Burma, Cambodia, India, Indonesia, Northern Ireland, Saudi Arabia, South Africa, and elsewhere over the last few years—with writings that not only provide context and magnify the impact of the images but also lift them to the level of political commentary. Simply put, this book is a visual testimony of anger, suffering, and resilience. Occupants will help us realize what is so easy to miss when tragedy and terror become numbing, constant forces—the quieter, stronger forces of healing, solidarity, faith, and even joy.

    This beautifully designed volume featuring a circular fold-out poster jacket collects the best of these photographs, including intimate portraits, moments from performances, images documenting the recording of his Mutations album, as well as gorgeous photo sessions informed by surrealism, dada, op art, and other artistic influences. The 170 color and black and white photographs are supplemented by a foreword by filmmaker and collaborator Michel Gondry, and conversations with Beck that the cover the span of his career to date and shed light sometimes at strange angles on his music.

    Together, they reveal the splendor, drama, and variety of life on our planet.

    This book will show you how it is done, and expand your creative horizons with plenty of examples from artists working with anthotypes today. Anthotypes will simply make you look at plants in a whole new light. And, if that is not enough, anthotype is a totally environmentally friendly photographic process.From Malin FabbriAnthotypes will make you look at plants in a whole new light. It will show you how to make photographs from the juice of flowers, fruits and plants, using a totally environmentally friendly photographic process.Anthotype is a very delicate photographic process and an environmentally friendly way of making prints using nothing other than the photosensitive material of plants found in the garden, the flower market or in the wild. All you need to add is water, sunshine, inspiration and patience – a lot of patience!The process is very basic and simple. Utilizing nature’s own coloring pigments from flower petals, berries, plants, vegetables or even spices, images are produced using the action of light. The natural pigment is used to create a photographic image.What could be better? Your impact on the natural environment is virtually non-existent, and you can carry out your art with a clear conscience. Anthotyping is the ultimate environmentally friendly photo process.

    This year, for the first time, it is published by the Natural History Museum.From emotive portraits of endangered species to awe-inspiring shots of Earth's wildest landscapes, this outstanding collection covers a wide range of natural subjects and styles. Together, they reveal the splendor, drama, and variety of life on our planet.

    From breathtaking aerials of the Sicilian countryside to intimate portraits of celebrities and high society taken in magnificent villas, Slim Aarons: La Dolce Vita captures the essence of “the good life.” Slim Aarons first visited Italy as a combat photographer during World War II and later moved to Rome to shoot for Life magazine, yet even after relocating to New York, he would return to Italy almost every year for the rest of his life. The images collected here document the aristocracy, cultural elite, and beautiful people, such as Marcello Mastroianni, Ursula Andress, Joan Fontaine, and Tyrone Power, who lived la dolce vita in Italy’s most fabulous places during the last 50 years. The introduction by Christopher Sweet shares stories from Aarons’s years in Italy and new insights about his life and career. Also available from Slim Aarons: Slim Aarons: Women, Slim Aarons: Once Upon a Time, Slim Aarons: A Place in the Sun, and Poolside with Slim Aarons. Praise for Slim Aarons: La Dolce Vita: “Nostalgia-soaked images.” —Harper’s Bazaar “Sumptuous images.” —Publishers Weekly “It’s the next best thing to time travel.” —DuJour magazine

    

    For Catherine Anderson, it's just the beginning. In a wide array of projects using techniques from Photoshop to needle and thread, she shows beginner and experienced photographers alike how to turn their pictures into handmade objects of art-from books and collages to customized greeting cards.

    What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Put together by his widow, June Newton, his collection captures the magic of Helmut Newton photo shoots as only Polaroids can.

    The guy was Flip Nicklin’s father, Chuck, and the whale was an unlucky Bryde’s Whale that had gotten caught up in some anchor line. Hoping to free the whale, Chuck and some friends took their boat as near as they could, and, just before they cut it loose, Chuck posed astride it for a photo. That image, carried on wire services nationwide, became a sensation and ultimately changed the life of Chuck’s young son, Flip. In the decades since that day, Flip Nicklin has made himself into the world’s premier cetacean photographer. It’s no exaggeration to say that his photos, published in such venues as National Geographic and distributed worldwide, have virtually defined these graceful, powerful creatures in the mind of the general public—even as they helped open new ground in the field of marine mammalogy. Among Giants tells the story of Nicklin’s life and career on the high seas, from his first ill-equipped shoots in the mid-1970s through his long association with the National Geographic Society to the present, when he is one of the founders of Whale Trust, a nonprofit conservation and research group. Nicklin is equal parts photographer, adventurer, self-trained scientist, and raconteur, and Among Giants reflects all those sides, matching breathtaking images to firsthand accounts of their making, and highlighting throughout the importance of conservation and new advances in our understanding of whale behavior. With Nicklin as our guide, we see not just whales but also our slowly growing understanding of their hidden lives, as well as the evolution of underwater photography—and the stunning clarity and drama that can be captured when a determined, daring diver is behind the lens. Humpbacks, narwhals, sperm whales, orcas—these and countless other giants of the ocean parade through these pages, spouting, breaching, singing, and raising their young. Nicklin’s photographs bring us so completely into the underwater world of whales that we can’t help but feel awe, while winning, personal accounts of his adventures remind us of what it’s like to be a lone diver sharing their sea. For anyone who has marveled at the majesty of whales in the wild, Among Giants is guaranteed to be inspiring, even moving—its unmatched images of these glorious beings an inescapable reminder of our responsibility as stewards of the ocean.

    The coffee table art book not only features over 200 pages of Waits' portraits taken by Corbijn over four decades, but also includes over 50 pages of the first published collection of musings and photographs taken by Waits himself. The linen bound book has introductions written by film director Jim Jarmusch, and the longtime music critic Robert Christgau. WAITS/CORBIJN '77-'11 is the chronicle of an artistic collaboration that reaches back more than 35 years, to those first black-and-white photographs of Tom Waits taken by a young Anton Corbijn in Holland in 1977. Corbijn would go on to acclaim for his iconic enigmatic portraits of musicians and other artists--from U2 and Miles Davis to Robert De Niro and Clint Eastwood to Damien Hirst and Gerhard Richter--also becoming a designer, a pioneer in music video and more recently, an award-winning director of feature films. By 1977, Tom Waits was already known world-wide for a series of stunning, timeless albums, filled with songs of a noir-tinged Los Angeles that owed as much to writers like John Fante and Jack Kerouac as it did to jazz, blues and tin-pan alley that had soaked into Waits' pores from childhood. Ahead of Waits lay his partnership with Kathleen Brennan--leading to such touchstone recordings as Rain Dogs and Mule Variations--his film work with the likes of Francis Ford Coppola and Jim Jarmusch, and his stage projects with legendary director Robert Wilson. In those first photographs, then, are the seeds of these two intertwined careers, feeding off each other. Waits' vibrant persona helped Corbijn define his narrative, cinematic style of still photography: images that felt as if you were coming in on the middle of some unfolding drama. Corbijn complimented Waits' theatrical side in a way that synced beautifully with the experimental music he was making with Brennan. "Anton picks up a small black box, points it at you and all the leaves fall from the trees. The shadows now are long and scary, the house looks completely abandoned and I look like a handsome undertaker. I love working with Anton, he's someone with a real point of view. Believe me, I won't go jumping off rocks wearing only a Dracula cape for just anyone," Waits says. Waits' own photography, collected here for the first time under the title "Curiosities," gives a visual handle to the artistic intelligence millions of fans know only through his music. Photographs of Tom Waits by Anton Corbijn, photographs by Tom Waits of the vivid quotidian, stretching down through the years and presented for the first time in a beautiful clothbound book; side by side, these 226 images record one of the longest and most fruitful collaborations in the careers of both artists. "It's rare," Corbijn says, "to take photographs of someone over a 30+ year period. Our work together developed totally organically and that's a beauty in itself. We are very serious about our work but when it comes to working together, we're like children resisting maturity. It's liberating and a much needed legal drug."

    Kennedy appear among the nearly eighty thousand photographs of Charles “Teenie” Harris (1908–1998). But it’s in the images of other, ordinary people and neighborhoods that Harris shows us a city and an era teeming with energy, culture, friendship, and family. In jazz clubs, Little League games, beauty contests, church functions, boxing matches, political events, protest marches, and everyday scenes, Teenie Harris captured the essence of African American life in Pittsburgh.Harris’s career began as America emerged from the Great Depression and ended after the civil rights movement. As a photographer for the Pittsburgh Courier, one of the nation’s most influential black newspapers, Teenie hit the streets to record historic events and the people who lived them. The archive of Harris’s photography, part of the permanent collection of Carnegie Museum of Art, represents one of the most important documentations of twentieth-century African Americans and their communities. Today, even as Teenie Harris’s photography stands alongside that of Harlem’s famed James VanDerZee, his work in Pittsburgh’s Hill District surpasses that of all other photographers in its breadth and rich portrayal of black urban America.

    Until now, the legend of the doomed Terra Nova expedition has been constructed out of Scott's own diaries and those of his companions, the sketches of 'Uncle Bill' Wilson and the celebrated photographs of Herbert Ponting. Yet for the final, fateful months of their journey, the systematic imaging of this extraordinary scientific endeavor was left to Scott himself, trained by Ponting. In the face of extreme climactic conditions and technical challenges at the dawn of photography, Scott achieved an iconic series of images; breathtaking polar panoramas, geographical and geological formations, and action photographs of the explorers and their animals, remarkable for their technical mastery as well as for their poignancy. Lost, fought over, neglected and finally resurrected, Scott's final photographs are here collected, accurately attributed and catalogued for the first time: a new dimension to the last great expedition of the Heroic Age and a humbling testament to the men whose graves still lie unmarked in the vastness of the Great Alone.

    Asher is a master portraitist." — AKC Gazette From a Golden Retriever on a swing to a Standard Poodle tending bar, Greatest Clicks is a captivating collection of dog photographs that tickles the funny bone and touches the heart. The images—sweet, silly, and emotive—reveal the innocence and beauty of dogs and why we love them. Snapped by pet photographer and author Mark J. Asher (Old Friends), Greatest Clicks spans a ten year career, and includes a brief behind-the-lens story for each dog captured in the book.

    In these pages are the best war photos ever taken for LIFE; the best photo essays ever to grace our pages (including the works of Capa and Parks and Smith); the loveliest pictures from Hollywood (in fact, the best pictures of Marilyn Monroe ever taken by such as Halsmann, Eisenstaedt and her dear friend Milton Greene), the best sports pictures, the funniest pictures we ever ran. The best pictures from the space race, and the most significant pictures to the human race, including Lennart Nilsson's "Life Before Birth."This is a premium volume of LIFE, and beyond its 200-plus pages, which include a review of every LIFE cover ever published, there is, included here, the ultimate premium: The first-ever LIFE issue, with the Margaret Bourke-White photograph of the Fort Peck Dam on the cover, reprinted in its entirety, at actual size (which was really big 10 1/2" x 14") and able to be detached. We've come a long way: We, you, those places, LIFE itself. This book tells, and celebrates, that voyage.

    We talk with those who watched friends and family sail for foreign shores, and lose ourselves in a world where life was simpler, yet somehow happier; where storytelling, fiddle-playing, céilís and communal pastimes cemented the deep friendships that became the lifeblood of each community.As stories are shared beside the warmth of a fire in farmhouses in Kerry and Clare; in the turf sheds of Limerick and Tipperary; over cups of tea and glasses of whiskey in the kitchens of Wexford, Sligo and Dublin; in the cobbled yards of Wicklow and Tipperary; in the shadow of the hills of Leitrim and Donegal; on the pavements of Dublin City; and against the sound of crashing waves on the coast of Galway, we meet the people who have lived through times of change as the past comes alive through their words.Blacksmiths, saddlers, harness makers and coal miners, mattress makers, factory workers, bonesetters and cattle drivers, all are gathered here as we are afforded a glimpse of the inimitable spirit of the people of this country. The world continues to change but, gathered within these pages, are stories and to be cherished, to keep the past alive long into the future.

    These microscopic algae and the tiny animals that eat them float freely in the sunlit surface of the sea, where they underpin the whole marine food chain, provide the world with oxygen, and play an essential role in the global carbon cycle. Richard Kirby's high-magnification photographs and informative text bring out the beauty and variety of forms in the plankton, and explain how global change and rising sea temperatures are affecting this complex world with ramifications for the ecology of our entire planet.

    Photographer Iain McKell offers an extraordinary - and breathtakingly beautiful - glimpse into the lives of a real and raw group of present-day nomads whose culture is built around ideals of freedom, nature, and simplicity.

    In Sea, with cutting-edge photographic techniques, Laita unveils the full splendor and otherworldliness of the ocean’s inhabitants in an entirely new and thrilling way. Rippling reflections, stark backdrops, and surprising angles lay bare the astonishing beauty of the life that teems under the water’s surface. Leaping from the pages are piggybacking sea horses, iridescent jellyfish, ethereal but menacing stingrays, and deadly puffer fish. Laita’s masterful photography reveals their extraordinary colors, textures, and personalities to us as never before.

    The New York Times Magazine: Photographs reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, longtime photo editor of the Magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors and other collaborators whose voices have been a part of the magazine over the years. Issues of documentary photography are addressed in relation to more conceptual photography; the efficacy of storytelling; and what makes an image evidentiary, objective, subjective, truthful or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever. As such, The New York Times Magazine: Photographs serves as a springboard for a rigorous, necessary and revitalized examination of photography as presented within a modern journalistic context.

    Distinguished by an aesthetic that the designer has himself described as “grunge meets glamour,” this gritty elegance-tempered by a remarkable restraint-has won him a fanatical international following, with admirers ranging from Kate Moss to Courtney Love to Terence Koh. Debuting in New York in 2002 and relocating to Paris the following year, Owens cultivates an elusive appeal-without any express advertising-that has developed into something like an empire. Designed by Owens himself, this volume is full of monumental images detailing all aspects of the designer’s work and sensibility. The visual narrative of this book provides an instructive look at the process of design from an artist who is at once comfortable with innovation and respectful of traditional approaches.

    His monograph, "The Family Album of Lucybelle Crater," published posthumously in 1974, recorded his wife and family posed in various disquieting settings, wearing masks and holding dolls and evoking a penetrating emotional and psychological landscape. The book won his work critical acclaim and has been hugely influential in the intervening decades. "Dolls and Masks "opens the doors on the decade of rich experimentation that immediately preceded the production of his final opus, "The Family Album of Lucybelle Crater." Published to coincide with an exhibition at the Art Institute of Chicago, this handsome book presents more than 70 never-before-seen works from the Meatyard Archive, greatly expanding our understanding of Meatyard's elusive and captivating genius. Writer and historian Eugenia Parry and curator Elizabeth Siegel contribute essays that set the stage for this foray into the unknown work of one of the last century's most intriguing photographers.Ralph Eugene Meatyard (1925-1972) attended Williams College as part of the Navy's V12 program in World War II. Following the war, he married, became a licensed optician and moved to Lexington, Kentucky. When the first of his three children was born, Meatyard bought a camera to make pictures of the baby. Photography quickly became a consuming interest. He joined the Lexington Camera Club, where he met Van Deren Coke, under whose encouragement he soon developed into a powerfully original photographer. Meatyard's work is housed at the Museum of Modern Art, George Eastman House in Rochester, New York, Smithsonian Institution and many other important collections.

    Redheaded Peckerwood is Christian Patterson's second book; a body of photographs, documents and objects that utilizes the underlying narrative of a true crime story as a spine.

    Coney Island's Dreamland—destroyed by fire in 1911, Metropolitan Opera House—demolished in 1967, Moondance Diner—moved to Wyoming in 2007. A celebration of the cherished parts of New York that are no longer.  The New York landmarks remembered here include Coney Island's "Elephant Colossus," an elephant-shaped hotel rumored to be a brothel and destroyed by fire in 1896; the Manhattan Beach Hotel; South Street Seaport; Stanford White's Madison Square Garden; the Vanderbilt, Tiffany, and Astor mansions; Central Park's elevated railway; the first Waldorf Astoria Hotel; the 1939 World's Fair site; Manhattan Train Terminal on Brooklyn Bridge; Ebbet's Field—home of the Brooklyn Dodgers; and the Polo Grounds—home of the NY Giants baseball team. This collection celebrates old theaters and hotels that have burned or been razed, vanished ferry buildings, removed-from-service trolley cars, classic art deco diners, and the demolition that sparked a strong preservation movement in the city: Pennsylvania Station.

    Exhibition catalog produced in conjunction with the "Vivian Maier, Photographer" exhibit at the Russell Bowman Art Advisory in Chicago, Illinois, April 15-June 18, 2011.

    Bernard's iconic photograph of Marilyn standing over the subway grate in a billowing white dress is synonymous with Hollywood glamour and sex appeal, and many of the images here have never before been published. They cover key moments in Marilyn's life, including her first professional sitting in 1946, all enlivened by fascinating excerpts from Bruno's journal.Fans of the blonde bombshell will also treasure the stunning, frameable print included with this keepsake book, and both Jane Russell (Marilyn's co-star in Gentlemen Prefer Blondes) and Lindsay Lohan have contributed forewords.

    But in Botswana's Okavango Delta, the world's most awe-inspiring hunters are challenged not only by their waterlogged territory, but also by their formidable prey—the buffalo—who wield their massive horns with deadly accuracy. Pulsing with ancient rhythms of wild Africa, this harsh and eternal struggle is compelling, powerful, and poignant. Award-winning filmmakers and National Geographic Explorers-in-Residence Beverly and Dereck Joubert, give us an unforgettable glimpse of this iconic drama in the official companion book to their feature film, The Last Lions, and warn that due to declining numbers of lions in the wild, it may soon end forever. In fascinating text and breathtaking images, the Jouberts reveal both the beauty and danger of the Okavango Delta and its inhabitants. We follow a lone lioness, Ma di Tau—Mother of Lions—and three newborns as they flee a ferocious rival pride. Braving the Delta, despite their instinctive hatred of water, the lioness and her cubs head for an island lost in a labyrinth of streams. She and two cubs escape successfully; a lurking crocodile snatches the third. Soon, their refuge is invaded by a vast buffalo herd—aggressive, unafraid, a constant threat, yet the lions' only prey. But even as Ma di Tau hones her tactics and stalking skills, she is trapped between throngs of buffalo and a rival lion pride. So she does what all of her kind must—adapt or die. The Last Lions is a story of family and hope in a world of wild beauty and relentless predation that is a superbly photographed, sharply detailed intimate portrait of one dauntless mother struggling to protect her young and preserve her bloodline. It is a vivid, universal vision of the fate of lions everywhere, isolated on tiny islands amid a sea of humanity. Can we rescue them, or have we already, heedlessly, met the last lions? For decades the Jouberts have lived among great cats in the wild, observing, documenting, and often discovering unsuspected facets of lion behavior. A key message is that the inexorably rising tide of human population will soon drown what remains of that world unless we act now. The book draws attention to the numbers (500,000 in the 1950s to only 25,000 lions today) and highlights projects that have been enacted to help preserve wilderness for lion habitat.

    With Canon EOS Rebel T3i/600D: From Snapshots to Great Shots, you get the perfect blend of photography instruction and camera reference that will take your images to the next level! Beautifully illustrated with large, vibrant photos, this book teaches you how to take control of your photography to get the image you want every time you pick up the camera.Follow along with your friendly and knowledgeable guide, photographer and author Jeff Revell, and you will: Learn the top ten things you need to know about shooting with the Rebel Use the Rebel's automatic modes to get better shots right away Move on to the Creative zone, where you have full control over the look and feel of your images Master the photographic basics of composition, focus, depth of field, and much more Learn all the best tricks and techniques for getting great action shots, landscapes, and portraits Find out how to get great shots in low light Fully grasp all the concepts and techniques as you go, with assignments at the end of every chapter With Canon EOS Rebel T3i/600D: From Snapshots to Great Shots, you'll learn not only what makes a great shot work--you'll learn how to get that shot using your Rebel.And once you've got the shot, show it off! Join the book's Flickr group, share your photos, and discuss how you use your Rebel to get great shots at flickr.com/groups/canonrebelt3i600dfr....

    Martin Luther King, Jr.   This treasured collection includes images by legendary photographers such as Henri Cartier-Bresson, Bob Adelman, and Flip Schulke, and is an unparalleled photobiography  that presents intimate moments from King’s personal and public journey. We see King in all his manifestations—as a new father and doting husband, as a civil rights champion leading racial protests, and as a charismatic speaker preaching electrifying sermons. Triumphant events like King delivering his “I Have a Dream” speech and marching in Montgomery are beautifully captured,  as are private moments of him reflecting on his Nobel Peace Prize or working in his study.   Threaded together, these words and  images chronicle how Dr. King was not only a driving force  for change but also  a continually evolving individual. A collection to savor and celebrate, these great photographs are an enduring testament to the life and legacy of an international icon.

    In the sequel, The Photographer's Mind, he explained the way that professional photographers think a picture through before taking it. Both of these international best-sellers featured Michael's own photography: stunning landscapes, revealing portraits, and fascinating street photography. Now, in The Photographer's Vision, he examines the work of photography's greats, explaining how to look at a photo - and how to learn from looking at it.

    Mahler broke new ground in both composition and conducting, and today his music is more popular than ever. Selected by Gilbert Kaplan, a renowned expert, the beautifully reproduced images are enhanced by photographs of Mahler's family, his homes, the opera houses in which he worked—including the Metropolitan Opera in New York—and by a rich selection of drawings, paintings, and sculpture. This expanded edition, published to celebrate the 150th anniversary of Mahler's birth (and the 100th anniversary of his death), presents newly discovered photographs and works of art, and a selection of colorful postage stamps featuring Mahler. Informative captions and revealing commentary provide historical background.

    In the past decade he has pursued this tack, making wholly non-representational photographs that explore processes of exposure. From the delicate veils of color in the Blushes and Freischwimmer series, and the sculptural paper drops made of folded or rolled-up photographic paper, to the colorfully compelling works of the Lighter series, the printed object itself, divorced from its reproductive function, is always the point. "For me, the abstract picture is already objective because it's a concrete object and represents itself," Tillmans says; "the paper on which the picture is printed is for me an object, there is no separating the picture from that which carries it. That's why I like to show photographs sometimes framed and sometimes not, just taped to the wall." Designed by the photographer, and with 275 color reproductions of these works, Abstract Pictures impressively demonstrates how fruitfully Tillmans has mined this terrain.Wolfgang Tillmans (born 1968) began his career in photography documenting Hamburg's rave scene in the late 1980s. His earliest images were printed on digital copiers, and in the mid-1990s, living in London and then New York, Tillmans began to foreground the lo-fi properties of his printed images by exhibiting them pinned or taped to gallery walls. In 2005, at an exhibition at Maureen Paley gallery titled Truth Study Center, he further extended this approach by exhibiting photographs alongside newspaper cuttings, pamphlets and other kinds of printed matter, on custom-made wooden vitrines. This installation also brought to the fore more political themes in Tillmans' photography. In 2011 he traveled to Haiti to document reconstruction efforts following the previous year's earthquakes.

    'Panoramas of Lost London' reproduces historic photographs - many of them in the early days of photography - to capture individual buildings and streets that, along with their entire neighbourhood, were on the threshold of redevelopment.

    His captivating photographs serve as a visual record of the dramatic evolution of this exciting and diverse metropolis. Shulman’s best-known images consist of mid-century views of Modernist domestic interiors, notably the iconic Case Study House #22 of 1960, in which two well-dressed women sit inside the floor-to-ceiling window walls of a Pierre Koenig–designed house that seems to float like a spaceship over the light-spangled urban sprawl beyond. Not as well known but equally powerful are Shulman’s images of Union Station and downtown’s vintage office buildings, the dynamic Wilshire Boulevard corridor, the region’s eclectic coffee shops and movie theaters, the sweeping canopy of the Century Plaza Hotel, the diverse fabric of L.A.’s residential neighborhoods, and the panoramic vistas of the city of the future under construction. The author selected sixty images from the Getty Research Institute’s Shulman archive for this elegant book, for which he also wrote an informative essay on the photographer’s exceptional capacity to capture the diverse built environment of Los Angeles.

    The institute’s fifty acres are home to more than one hundred endangered animals.Fierce Beauty is a celebration of tigers, leopards, lions, ocelots, and other wild cats that inhabit The Institute of Greatly Endangered and Rare Species (TIGERS), a wildlife preserve in Myrtle Beach, South Carolina. The institute’s fifty acres are home to more than one hundred rare animals, from ligers (a hybrid cross between a male lion and a tigress) that stretch nearly twelve feet long to cheetahs capable of running seventy miles per hour.  Featuring dozens of exclusive new portraits from preeminent nature photographer Tim Flach, Fierce Beauty depicts the beauty, power, and grace of these remarkable creatures as never before. And with more than 300 images of wild cats and essays by such distinguished conservationists as zoologist and TV personality Jim Fowler, Dakota Zoo director Terry Lincoln, and a foreword by renowned actor Robert Duvall, Fierce Beauty enables readers to experience the vibrant form, bold markings, and striking personalities that make wild cats unique cohabitants of mankind.

    These field-tested projects invite students to create images representing their understanding of themselves and the world around them. The text includes classroom vignettes, project descriptions and lesson plans, and reflections and resources to help teachers explore important social and political topics with their students while also addressing standards across various disciplines and grade levels.Book features: Photography projects related to race, language, history, and body image. A framework for engaging students in essential social justice issues. A versatile model of arts integration in the social studies and literacy curriculum. Many examples of students' writings, photographs, and drawings. Step-by-step instructions to help teachers implement the projects.

    It involves the remodelling and painting of miniature model train set characters, which I then place and leave on the street. It is both a street art installation project and a photography project. The street-based side of my work plays with the notion of surprise and I aim to encourage city-dwellers to be more aware of their surroundings. The scenes I set up, more evident through the photography, and the titles I give these scenes aim to reflect the loneliness and melancholy of living in a big city, almost being lost and overwhelmed. But underneath this, there is always some humour. I want people to be able to empathise with the tiny people in my works.Special Dutch edition, bilingual, with brandnew afterword, contains some photographs from the Little People in the City book, but also plenty of new photgraphs and works made in Amsterdam and Rotterdam. Enjoy.

    Those lucky enough to find a home leave the kennels within a couple of days; those who do not are euthanized. In Animal Shelter Portraits, photographer Mark Ross turns an unflinching eye on the unfortunate animals stranded at kill shelters. Animal Shelter Portraits provides deeply compassionate and haunting portraits of our furred friends. Proceeds from the sale of this book will be donated to No Kill Advocacy Center, a national organization: www.nokilladvocacycenter.org.

    From Spring Training to the stretch run through the playoffs and the World Series, all capped off by the epic ticker tape parade, this treasury of exclusive photos and stories transports Giants fans inside the action and behind the scenes, including on the team plane with the World Series champions and their covered trophy on the jubilant flight home.

    The music producer Chris Walla puts it this way: Confronted with our significantly more banal everyday life, we re measuring our actual selves against our online selves with hopeful resignation. Doppelganger presents current trends in the depiction of human beings. In today s images and sculptures, personal identities are being intensified,altered, or created through the use of techniques such as deformation and construction/deconstruction as well as the obliteration of classical proportions, visual traditions, and what is generally considered beautiful and fashionable. The book shows permutations of the outer human shell created with costumes and masks as well as photo-technical and artistic manipulation. These take their visual cues from such diverse aesthetics as Dada, surrealism, high tech, cutting-edge fashion design, and the folklore of othercultures. Masquerades and artificial characters are used imaginatively to enhance and obscure true identities. With examples ranging from the intimate to the radical, Doppelganger explores how many or how few effects the depiction of a person can take in order to function as such. In doing so, the book shows that the unique visual appearances being created today often reveal more about the identities of their subjects and creators than their real faces ever could.

    This book uses those pictures to document the shoot."

    In 1977, before he entered on to the punk scene himself, Don Pyle bought a 35 mm camera and began photographing some of the earliest gigs of Toronto punk acts and other visiting punk artists. His trial-and-error education in photography resulted in this collection of images that document the early history of punk rock in Toronto and its influence on the local music scene, from the point of view of an awestruck fan. Influential punk musicians such as the Ramones, Iggy Pop, Patti Smith, and The Clash, as well as Toronto bands such as The Viletones, Teenage Head, and The Curse, are captured at their creative prime, on the forefront of a musical revolution. The original scratched, water-marked negatives have been completely restored and together with authentic ephemera reveal a significant yet underrepresented period in Toronto’s musical cultural development.

    His words and photographs shed light on the overlooked and forgotten while bringing life to neglected, far-flung neighborhoods. The Detroit chapter of the Society of Professional Journalists named Carlisle the 2011 Journalist of the Year for his work on the city. This collection features dozens of his previously unpublished photographs and forty-two of his most unforgettable stories, including a man who has a strip club in his living room, a bar in a ghost town, a coffee shop for the city s homeless, an art gallery in a mattress store and an old-fashioned debutante ball in the unlikeliest of places."

    Celebrated for her poetic grace and cinematic vision, Deborah Turbeville has produced fashion tableaux that draw the viewer into her otherworldly environments. A romantic and modernist, Turbeville bridges the boundaries between commercial fashion and fine arts photography. In this remarkable presentation, Turbeville reveals her highly individualistic point of view of fashion photography and the stories behind her photographs.  This first retrospective presentation of Turbeville's fashion photography was selected by the artist herself. In addition, she has designed the evocative layouts to create yet another masterwork. The presentation includes Turbeville's most famous photographs, among them the controversial Bathhouse series of 1975 for American Vogue with disturbingly isolated figures and her Woman in the Woods series of 1977 for Italian Vogue showing psychologically charged emotions, along with her numerous photography campaigns for labels like Sonia Rykiel, Valentino, Yamamonto, Ungaro, and Commes des Garçons, as well as commissions for Chanel and work that has never been seen before. Her most current project for Casa Vogue--Italian nobility dressed in special couture outfits--evokes Turbeville's vision of everlasting beauty.

    In the mid-1970s he started to photograph in the region, using a 4 x 5 camera, gaining and building a special trust among its often impoverished people, who have tended to not always welcome would-be documentarians. Adams not only records their lives and hardships with great empathy, but also depicts the grace and humanity of his subjects, photographing with an ease evident in the results. Salt and Truth is Adams' fourth monograph, and presents 80 new photographs taken mostly over the past eight years. The photographs in this collection are of children and animals, of working people and of a way of life rarely glimpsed by photographers.Shelby Lee Adams (born 1950) is an American photographer renowned for his environmental portraiture, primarily in the Appalachian mountains of eastern Kentucky. Adams' work has been featured in three monographs: Appalachian Portraits (1993), Appalachian Legacy (1998) and Appalachian Lives (2003). In 2010 he was awarded a Guggenheim Fellowship. Adams' work is represented in many major permanent collections, including the Art Institute of Chicago; the International Center of Photography in New York; Musee De L'Elysee Lausanne in Switzerland; The Museum of Modern Art, New York; The National Gallery of Canada, Ottawa; Stedelijk Museum, Amsterdam; Time Life Collection, New York; Victoria and Albert Museum, London; and the Whitney Museum of American Art, New York. Adams was also the subject of a 2002 documentary film by Jennifer Baichwal, The True Meaning of Pictures: Shelby Lee Adams' Appalachia.

    Combining Erwitt’s most famous images of instantly recognisable figures, and his extraordinary gift for recognising the eccentricities of the ordinary, Snaps comes complete with introductions from Erwitt’s close friends Charles Flowers and Murray Sayle, in a wonderfully personal collection of work.

     In Believing Is Seeing Academy Award-winning director Errol Morris turns his eye to the nature of truth in photography. In his inimitable style, Morris untangles the mysteries behind an eclectic range of documentary photographs, from the ambrotype of three children found clasped in the hands of an unknown soldier at Gettysburg to the indelible portraits of the WPA photography project. Each essay in the book presents the reader with a conundrum and investigates the relationship between photographs and the real world they supposedly record. During the Crimean War, Roger Fenton took two nearly identical photographs of the Valley of the Shadow of Death-one of a road covered with cannonballs, the other of the same road without cannonballs. Susan Sontag later claimed that Fenton posed the first photograph, prompting Morris to return to Crimea to investigate. Can we recover the truth behind Fenton's intentions in a photograph taken 150 years ago? In the midst of the Great Depression and one of the worst droughts on record, FDR's Farm Service Administration sent several photographers, including Arthur Rothstein, Dorothea Lange, and Walker Evans, to document rural poverty. When Rothstein was discovered to have moved the cow skull in his now-iconic photograph, fiscal conservatives-furious over taxpayer money funding an artistic project-claimed the photographs were liberal propaganda. What is the difference between journalistic evidence, fine art, and staged propaganda? During the Israeli-Lebanese war in 2006, no fewer than four different photojournalists took photographs in Beirut of toys lying in the rubble of bombings, provoking accusations of posing and anti-Israeli bias at the news organizations. Why were there so many similar photographs? And were the accusers objecting to the photos themselves or to the conclusions readers drew from them? With his keen sense of irony, skepticism, and humor, Morris reveals in these and many other investigations how photographs can obscure as much as they reveal and how what we see is often determined by our beliefs. Part detective story, part philosophical meditation, Believing Is Seeing is a highly original exploration of photography and perception from one of America's most provocative observers.

    Not all art craves attention, some of it hides in the secret places. Some of it is buried treasure, out in the urban wilderness, left scattered in empty rooms of derelict buildings like strange markings left by an unknown tribe. These works are gifts given only to the occasional explorer, found in abandoned factories, warehouses, industrial sites and deconsecrated churches. This is art you have to earn by leaving the designated areas and heading out past the No Entry signs of the urban environment. A diverse range of artists find themselves attracted to these twilight zones and in recent years something of a movement has come to light, huddled around the idea of urban decay and abandonment as the ultimate canvas. This burning curiosity to see what is behind the fence exists to a greater or lesser degree in most people, but for some it is irresistible. The intervention of street art in these places ranges from walled spaces saturated with layer upon layer of tagging to strange little installations intended to mess with your head. Surreal comments scrawled on windows can be found alongside hidden characters, placed to surprise you as you turn a corner. Is there some universal human urge to say 'I was here'?

    For more than twenty years and from Blackwood, Wales to Tokyo, Japan, Nicky Wire has kept a personal visual history of the band in their various stages from Generation Terrorists through Holy Bible and right up to last year's remarkable album, Postcards from a Young Man. Edited down from over 1,000 of Wire's personal polaroids and with accompanying text by the man himself, Death of The Polaroid promises to be a rich, visual biography of one of the most loved and iconoclastic British bands of the past two decades.

    Instead, it does something that virtually no other Elements book has ever done--it tells you flat-out which settings to use, when to use them, and why. If you're looking for one of those "tell-me-everything-about-the-Unsharp-Mask-filter" books, this isn't it. You can grab any other Elements book on the shelf, because they all do that. Instead, this book gives you the inside tips and tricks of the trade for organizing, correcting, editing, sharpening, retouching, and printing your photos like a pro. You'll be absolutely amazed at how easy and effective these techniques are--once you know the secrets.LEARN HOW THE PROS DO ITEach year we train thousands of digital photographers and, almost without exception, they have the same questions and face the same problems--that's exactly what we cover in this book.You'll learn: The real secrets of how the pros retouch portraits How to color correct any photo without breaking a sweat (you'll be amazed at how the pros do it!) How to use Camera Raw for processing not only RAW photos, but JPEGs and TIFFs, too! (And you'll learn why so many pros like it best--because it's faster and easier) The sharpening techniques the pros really use (there's an entire chapter just on this!) How to deal with common digital camera image problems, including removing noise and avoiding halos The most requested photographic special effects, and much more!THE BOOK'S SECRET WEAPONAlthough Elements 10 offers some digital photography features that Photoshop CS5 doesn't offer, there are plenty of features that Photoshop CS5 has that Elements 10 still doesn't have (things like paths, Channel Mixer, etc.). But in this book, you'll learn some slick workarounds, cheats, and some fairly ingenious ways to replicate many of those Photoshop features from right within Elements. Plus, since this book is designed for photographers, it doesn't waste your time talking about how to frame a shot, set your exposure, etc., and there's no talk about which camera or printer to buy. It's all Elements, step by step, cover to cover, in the only book of its kind, and you're gonna love it!

    Also born and raised in a working-class New Jersey home, photographer Frank Stefanko crossed paths with Springsteen by way of an introduction by a mutual friend, musician Patti Smith. Their meeting spurred a photographic collaboration that lasted from 1978 to 1982 and produced cover photos for Darkness on the Edge of Town and The River.Now, for the first time, 88 images from Frank Stefanko's archive of several thousand photos are seeing the light of day. Days of Hope and Dreams presents an unforgettable selection of the photographer's most candid and personal images from his time with Springsteen, accompanied by his behind-the-scenes recollections of their work and friendship.

    The characters portrayed vary widely: Erwitt captures everyone from infants to the elderly to dogs. The themes range from the buzz of street life to lovers caught in a casual embrace. True to Erwitt's distinctive style, these images are un-staged, and the subjects' spontaneity shines through heartbeat by heartbeat. Gifted storyteller that he is, Erwitt gives you a sense of what happens next, the end point being sometimes comic, sometimes poignant, and often involves a wink.

    With a life and career spanning nearly a century, Julius Shulman is credited with furthering the midcentury modernism movement through his flawless photographs of the pioneering architecture of Richard Neutra and Charles Eames, among others. While Shulman's pictures comprise the most published images of the modernist movement, this new monograph presents many never-before-seen images on a subject closest to Shulman's heart: Los Angeles and its environs--including Palm Springs and other suburbs. These affecting photographs show Los Angeles as a living organism, simultaneously vibrant and volatile depending on the neighborhood. This tension is apparent in Shulman's documentation of then-emerging areas like Century City, Wilshire Boulevard, and Echo Park, as well as his studies of landmarks like the Watts Towers and Grauman's Chinese Theatre. Many of the Los Angeles buildings and neighborhoods photographed by Shulman have since been overhauled, torn down, or otherwise altered beyond recognition, making these images some of the only lasting testaments to their existence. Selected from his personal collection as well as his official archives, the photographs included in this book represent not only lesser-known and never-before-seen material, but also some of Shulman's own personal favorites.

    His images include sites of perennial fascination, such as Vlad Dracul's ruined palace in the wilderness of Romania, and more recent places of vampire pilgrimage, like the Etruscan city of Volterra in Italy, home to Twilight’s ancient vampire coven. They are accompanied by his authoritative and entrancing text, filled with rare discoveries and travelers' tales, plus extracts from classics such as Bram Stoker's Dracula, and an introduction that charts the secret history of the vampire right up to the darkly romantic figure of today. Stunning, chilling, this title will satisfy gothic devotees and prove a timeless introduction for new fans of the vampire genre.

    Why entrust your memories to hastily taken snapshots--or worse yet, none at all? Let professional photographer (and mom) Me Ra Koh help you capture the moments with 40 beautiful "photo recipes" anyone can do, with any camera. Telling your baby's story in pictures has never been easier!

    Universally recognized as the definitive competition for photographic reporting, it draws submissions from photojournalists, newspapers, and magazines throughout the world.Publishing the results of the most recent competition, this book contains the most haunting and inspiring photographs from 2010—some 200 pictures selected from more than 100,000 images submitted by photographers, picture agencies, newspapers, and magazines throughout the world. These prize-winning works capture the most powerful, moving, and sometimes disturbing events of the year.

    The day he got the shot - Alan Ameche’s game-winning "Sudden Death" touchdown - was Leifer’s 16th birthday. This game, called "The Greatest Ever Played," signaled football’s emergence as America’s new national pastime; formerly half-empty stadiums welcomed sold-out crowds seemingly overnight, while football surpassed baseball in national television ratings. Starting then, on any given Sunday Leifer was most likely shooting a football game somewhere in America. . . . While best known for his iconic photograph of Muhammad Ali towering over a fallen Sonny Liston, it is his football pictures Leifer considers his best. This collection represents the best of his best, culled from over 10,000 rolls of film on the sport. With an introduction assembled from the best football columns of the era by famed sports columnist Jim Murray, and incisive captions detailing the legendary players, coaches, and games, this volume carries the guts and glory of the game into the end zone.After our limited and art editions, this book is now finally available as trade edition.

    Reed Bontecou. Photographs of wounded Civil War soldiers from New York regiments, on display for the first time since the 19th century, show the supreme sacrifices made by Americans and their families in sobering detail.

    In 1969 Sternfeld began working with a 35-mm camera and Kodachrome film, and First Pictures contains works from this time until 1980. Here Sternfeld develops traits that appear in his mature work: irony, a politicized view of America, concern for the social condition. But there are also pictures that bear little relation to his later work: color arrangements that parallel those of Eggleston, as well as street photography which Sternfeld ceased making in 1976. The photographs in First Pictures were made at a time when color photography was struggling to assert itself against the authoritative black-and-white tradition, making this book a revelation both in Sternfeld's oeuvre and in the history of contemporary photography.A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld's books published by Steidl include American Prospects (2003), Sweet Earth (2006) and Oxbow Archive (2008).

    You won't find the town of Elgin Park on a map, but you will find it all over the web and in the media. Called an Internet phenomenon by the New York Times, Michael Paul Smith's Flickr site has received over 20 million hits since he first posted his convincing yet dreamlike photographs of an imaginary town, inspired by the small Pennsylvania one he grew up in. Viewers of all ages from across the world will respond to the memories and feelings evoked by his perfectly executed miniature street scenes with model vintage cars, which are photographed outdoors against actual backgrounds. Without digital manipulation, Smith creates wondrously realistic scenes, which are beautifully reproduced in this exquisite volume. Gail Ellison, a longtime colleague of the artist, explains Smith's ingenious methods and also uncovers the themes of his art.

    From its iconic landmarks like Times Square and Coney Island to the visual poetry of its streets and skyline, New York presents an ever-changing visual collage best seen in color. Here, neon lights define the spirit of the night, a young Bob Dylan lingers in the snows of Greenwich Village, subway trains are rolling murals, and New Yorkers of every era become dramatic actors on the world’s greatest stage. Presenting work—much of it unknown—by major photographers, including such masters as André Kertész, William Klein, Helen Levitt, and Joel Meyerowitz, New York in Color is destined to be a classic photographic survey of the world’s most visually vibrant city.Praise for New York in Color: “Even in black-and-white, New York’s colors come through. They do so more vividly in New York in Color, a stunning, color-only anthology.” —New York Times “Shamis . . . is to be praised not only for his selections but also for the fine sequencing—we see a picture of Coney Island circa 1902, for instance, right before another circa 1956—that adds to our appreciation of the individual images.” —William Meyers, Wall Street Journal “The two hundred images represent a visual conversation about New York, one that is inflected with everything from soft, pastel hues to jolting reds and yellows. There is grit and grace, lightness and laughter. And, yes, tragedy—a selection of images near the end is devoted to the World Trade Center.” —New York Times Lens Blog  “Offer[s] a rare glimpse of colorful city life. . . . Flipping through the book shows that New York City life was never gray” —New York Post   “A fantastic collection and the perfect gift book for anyone who loves the city or fine photography.” —Connecticut Post “There’s no shortage of iconic black-and-white New York images. What you may be less familiar with, however, is the city’s rich history of color photography. This history is the subject of curator Bob Shamis’s stunning new coffee-table book, New York in Color, which is filled with some two hundred vibrant photos from the past hundred years.” —PureWow.com

    One of the most intelligent animals on earth, the pig is a fascinating creature with an abundance of personality. Photographer Stephen Green-Armytage captures these lively and energetic animals as they play and forage on the farm, prance around in the show ring, or strut across a studio backdrop. Extraordinary Pigs displays an enormous variety of swine, 38 in total, including tiny Kunekunes, wrinkled Meishans, spotted Gloucester Old Spots, curly-coated Mangalitzas, wild boars, and some miniatures, which are highly prized as pets. Breeds from around the world are featured here--from the United States, England, Wales, Austria, Belgium, Hungary, New Zealand, China, Vietnam, Africa, Indonesia, and the Philippines.

    Richly visual and wonderfully informative, it showcases 500 groundbreaking cameras from the museum's collection that forever changed our perception of the world, and of ourselves. Todd Gustavson, curator of technology at the George Eastman House, organizes the cameras into genealogical categories--from detective to digital, stereo to subminiature. Alongside the 35mm, you'll see curiosities like stereoscopic cameras, postcard cameras, and spy cameras hidden in watches, buttons, and fountain pens.Essays by experts in the field--including Robert Shanebrook, Martin Scott, and Mark Osterman--trace the technological development of the camera and provide insight into the innovators behind the lens.

    Exquisitely designed and produced, Patti Smith: Camera Solo accompanies the first museum exhibition of the artist's photography in the United States.Using either a vintage Land 100 or a Land 250 Polaroid camera, Smith photographs subjects inspired by her connections to poetry and literature as well as pictures that honor the personal effects of those she admires or loves. In the catalogue's interview, conducted by Susan Lubowsky Talbott, the artist talks about her "respect for the inanimate object" as well as the talismanic qualities of things in her life. We see, for instance, a picture of Mapplethorpe's slippers or a porcelain cup that belonged to her father, and are drawn into their intimacy and quiet power. Moreover, these images reveal how the camera has proven to be a means for Smith to retreat—undisturbed—to "a room of my own."From her explorations as a visual artist in the 1960s and 70s and her profound influence on the nascent punk rock scene in the late 1970s and 80s, to Just Kids, her National Book Award-winning memoir of life with her beloved friend Robert Mapplethorpe, Smith continues to make an indelible mark on the American cultural landscape.

    He worked in every genre and format, in black and white and in color, but two passions were constant: literature and the printed page. While his photographic books are among the most influential in the medium's history, Evans' more ephemeral pages remain largely unknown. From small avant-garde publications to mainstream titles such as Harper's Bazaar, Vogue, Architectural Forum, Life and Fortune he produced innovative and independent journalism, often setting his own assignments, editing, writing and designing his pages. Presenting many of his photo-essays in their entirety, Walker Evans: The Magazine Work assembles the unwritten history of this work, allowing us to see how he protected his autonomy, earned a living and found audiences far beyond the museum and gallery.

     * An exhibit of photos from To The Arctic was displayed in the Russell Senate Office Building Rotunda in Washington D.C. In this stunning, large-format, panoramic photo essay, renowned nature photographer Florian Schulz takes readers on a personal journey to the remote arctic. In contrast to the common perception of the arctic as a "vast nothingness," Schulz's images display an ecosystem of surprising richness that is teeming with life. Following the cycle of a year, To the Arctic showcases a pageant of wildlife oddly captivating forms of muskoxen, waves of migrating caribou, and some of the most extraordinary images ever captured of a mother polar bear and her two cubs. From expansive aerials of the rich reds and golds of the summer tundra, to stark landscapes of ice and amazing underwater images of sea life, Schulz's range of imagery, accompanied by his personal stories, helps us all understand that not only is this a place worth saving, it is the place that could save us all. Complementing Schulz's work is a foreword to the book by oceanographer Dr. Sylvia Earle, explorer-in-residence at the National Geographic Society and leader of the Sustainable Seas Expeditions. For an in depth preview of To The Arctic please visit www.WelcomeToTheArctic.org now. There you'll find a look inside feature, the To The Arctic blog, updates on the success of the campaign, and a trailer for the upcoming MacGillivray Freeman 3D IMAX(R) film of the same name.