Joining the professional web designers and programmers are new audiences who need to know a little bit of code at work (update a content management system or e-commerce store) and those who want to make their personal blogs more attractive. Many books teaching HTML and CSS are dry and only written for those who want to become programmers, which is why this book takes an entirely new approach. • Introduces HTML and CSS in a way that makes them accessible to everyone—hobbyists, students, and professionals—and it’s full-color throughout • Utilizes information graphics and lifestyle photography to explain the topics in a simple way that is engaging • Boasts a unique structure that allows you to progress through the chapters from beginning to end or just dip into topics of particular interest at your leisureThis educational book is one that you will enjoy picking up, reading, then referring back to. It will make you wish other technical topics were presented in such a simple, attractive and engaging way!

    With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man with the Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick's Spartacus in the early 1960s to Martin Scorsese's Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.

    Many of us are also teaching, even when it's not in our job descriptions. Whether it's giving a presentation, writing documentation, or creating a website or blog, we need and want to share our knowledge with other people. But if you've ever fallen asleep over a boring textbook, or fast-forwarded through a tedious e-learning exercise, you know that creating a great learning experience is harder than it seems.In Design For How People Learn, you'll discover how to use the key principles behind learning, memory, and attention to create materials that enable your audience to both gain and retain the knowledge and skills you're sharing. Using accessible visual metaphors and concrete methods and examples, Design For How People Learn will teach you how to leverage the fundamental concepts of instructional design both to improve your own learning and to engage your audience.

    It's at the heart of all visual communication and is one of the purest forms of design, one that can always be improved and refined. Typography Sketchbooks gets into the minds of designers who create typefaces, word images and logos through their private sketchbooks. The result of these wide-ranging typographic musings provide fascinating insights into the expressive quality of letters and words. Aimed at all those who use type, whether by hand or on-screen, this pleasing compendium stresses the importance of good typography at a time when reading habits are changing and celebrates a craft that has endured for centuries.

    then the victors imposed democracy on the vanquished. For a group of apprentice architects, artists, and designers, led by a visionary, the dire situation of their country was not an obstacle but an inspiration to plan and think… although they were very different characters, the architects worked closely together to realize their dreams, staunchly supported by a super-creative bureaucracy and an activist state... after 15 years of incubation, they surprised the world with a new architecture—Metabolism—that proposed a radical makeover of the entire land... Then newspapers, magazines, and TV turned the architects into heroes: thinkers and doers, thoroughly modern men… Through sheer hard work, discipline, and the integration of all forms of creativity, their country, Japan, became a shining example... when the oil crisis initiated the end of the West, the architects of Japan spread out over the world to define the contours of a post-Western aesthetic....” —Rem Koolhaas / Hans Ulrich Obrist Between 2005 and 2011, architect Rem Koolhaas and curator Hans Ulrich Obrist interviewed the surviving members of Metabolism—the first non-western avant-garde, launched in Tokyo in 1960, in the midst of Japan’s postwar miracle. Project Japan features hundreds of never-before-seen images—master plans from Manchuria to Tokyo, intimate snapshots of the Metabolists at work and play, architectural models, magazine excerpts, and astonishing sci-fi urban visions—telling the 20th century history of Japan through its architecture, from the tabula rasa of a colonized Manchuria in the 1930s to a devastated Japan after the war, the establishment of Metabolism at the 1960 World Design Conference in Tokoy, to the rise of Kisho Kurokawa as the first celebrity architect, to the apotheosis of Metabolism at Expo ’70 in Osaka and its expansion into the Middle East and Africa in the 1970s. The result is a vivid documentary of the last moment when architecture was a public rather than a private affair.

    Wada was ahead of his time in developing traditional and Western influenced colour combinations, helping to lay the foundations for contemporary colour research. Based on his original 6-volume work from the 1930s, this book offers 348 color combinations, as attractive and sensuous as the books own design.

    Considering this complex variety of data floating around us, sometimes the best — or even only — way to communicate is visually. This unique book presents a fascinating historical perspective on the subject, highlighting the work of the masters of the profession who have created a number of breakthroughs that have changed the way we communicate. Information Graphics has been conceived and designed not just for designers or graphics professionals, but for anyone interested in the history and practice of communicating visually. The in-depth introductory section, illustrated with over 60 images (each accompanied by an explanatory caption), features essays by Sandra Rendgen, Paolo Ciuccarelli, Richard Saul Wurman, and Simon Rogers; looking back all the way to primitive cave paintings as a means of communication, this introductory section gives readers an excellent overview of the subject. The second part of the book is entirely dedicated to contemporary works by the current most renowned professionals, presenting 200 graphics projects, with over 400 examples — each with a fact sheet and an explanation of methods and objectives — divided into chapters by the subjects Location, Time, Category, and Hierarchy.Features:200 projects and over 400 examples of contemporary information graphics from all over the world—ranging from journalism to art, government, education, business and much more Historical essays about the development of information graphics since its beginnings Exclusive poster (673 x 475 mm / 26.5 x 18.7 in) by Nigel Homes, who during his 20 years as graphics director for TIME revolutionized the way the magazine used information graphics

    With the right tools, we can start to make sense of all this data to see patterns and trends that would otherwise be invisible to us. By transforming numbers into graphical shapes, we allow readers to understand the stories those numbers hide. In this practical introduction to understanding and using information graphics, you'll learn how to use data visualizations as tools to see beyond lists of numbers and variables and achieve new insights into the complex world around us. Regardless of the kind of data you're working with-business, science, politics, sports, or even your own personal finances-this book will show you how to use statistical charts, maps, and explanation diagrams to spot the stories in the data and learn new things from it.You'll also get to peek into the creative process of some of the world's most talented designers and visual journalists, including Conde Nast Traveler's John Grimwade, National Geographic Magazine's Fernando Baptista, The New York Times' Steve Duenes, The Washington Post's Hannah Fairfield, Hans Rosling of the Gapminder Foundation, Stanford's Geoff McGhee, and European superstars Moritz Stefaner, Jan Willem Tulp, Stefanie Posavec, and Gregor Aisch. The book also includes a DVD-ROM containing over 90 minutes of video lessons that expand on core concepts explained within the book and includes even more inspirational information graphics from the world's leading designers.The first book to offer a broad, hands-on introduction to information graphics and visualization, The Functional Art reveals:- Why data visualization should be thought of as "functional art" rather than fine art - How to use color, type, and other graphic tools to make your information graphics more effective, not just better looking - The science of how our brains perceive and remember information - Best practices for creating interactive information graphics - A comprehensive look at the creative process behind successful information graphics - An extensive gallery of inspirational work from the world's top designers and visual artistsOn the DVD-ROM: In this introductory video course on information graphics, Alberto Cairo goes into greater detail with even more visual examples of how to create effective information graphics that function as practical tools for aiding perception. You'll learn how to: incorporate basic design principles in your visualizations, create simple interfaces for interactive graphics, and choose the appropriate type of graphic forms for your data. Cairo also deconstructs successful information graphics from The New York Times and National Geographic magazine with sketches and images not shown in the book.

    We want them to buy something, read more, or take action of some kind. Designing without understanding what makes people act the way they do is like exploring a new city without a map: results will be haphazard, confusing, and inefficient. This book combines real science and research with practical examples to deliver a guide every designer needs. With it you'll be able to design more intuitive and engaging work for print, websites, applications, and products that matches the way people think, work, and play.Learn to increase the effectiveness, conversion rates, and usability of your own design projects by finding the answers to questions such as: What grabs and holds attention on a page or screen?What makes memories stick?What is more important, peripheral or central vision?How can you predict the types of errors that people will make?What is the limit to someone's social circle?How do you motivate people to continue on to (the next step?What line length for text is best?Are some fonts better than others? These are just a few of the questions that the book answers in its deep-dive exploration of what makes people tick.

    Each category includes a short introduction, with expanded captions providing information on who the symbol was designed for, who designed it, when, and where appropriate, what the symbol stands for. These sections are interspersed with short case studies on both classic examples of symbols still in use, and exceptional examples of recently designed symbols.

    I would love to write that book, but at this time I have no indication that such a book would be worth writing. Most books fail in the market, and most of them fail not because they are poorly written or edited, but because there aren’t enough people interested in them. They are not the right it.What you are reading now is a pretotype edition of the book. I wrote and “edited” it in days instead of months, just to test the level of interest in such a book. I had a few friends and colleagues review it, but don’t be surprised if you find typos, misspellings, bad grammar, awkward formatting and all sorts of misteaks.Releasing it in its present state is not easy for me.The toughest thing about pretotyping is not developing pretotypes, that’s the fun part. The tough part is getting over our compulsion for prema- ture perfectionism and our desire to add more features, or content, before releasing the first version. The tough part is getting our pretotypes in front of people, where they will be judged, criticized and – possibly – rejected.Reid Hoffman, founder of LinkedIn once said: “If you are not embarrassed by the first version of your product, you’ve launched too late.”I am plenty embarrassed. I must be on the right track.http://www.pretotyping.org/pretotype-...

    This title is a comprehensive and refreshingly straightforward fabric design guide that teaches you everything you need to know to get started - from design and colour basics to creating repeat patterns, screen-printing tips, even selling your designs!

    His elegantly clear visual language not only defined product design for decades, but also our fundamental understanding of what design is and what it can and should do. Dieter Rams created ten rules of design more than twenty years ago. Sometimes referred to as the ten commandments, they are just as relevant today: Good design is innovative. Good design makes a product useful. Good design is aesthetic. Good design helps a product to be understood. Good design is unobtrusive. Good design is honest. Good design is durable. Good design is consistent to the last detail. Good design is environmentally friendly. Good design is as little design as possible. Less and More elucidates the design philosophy of Dieter Rams. The book contains images of hundreds of Rams's products as well as his sketches and models from Braun stereo systems and electric shavers to the chairs and shelving systems that he created for Vitsoe and his own company sdr+. In addition to the rich visual presentation of his designs, the book contains new texts by international design experts that explain how the work was created, describe its timeless quality, and put it into current context. In this way, the work of Dieter Rams is given a contemporary reevaluation that is especially useful in light of the rediscovery of functionalism and rationalism in today s design. Less and More shows us the possibilities that design opens for both the manufacturer and the consumer as a means of making our lives better through attractive, functional solutions that also save resources. "

    This unique book explains the key techniques of folding, such as pleated surfaces, curved folding and crumpling. An elegant, practical handbook, it covers over 70 techniques explained by clear step-by-step drawings, crease-pattern drawings, and specially commissioned photography.

    Anderson takes a fresh approach to designing sites and interactions based on the stages of seduction. This beautifully designed book examines what motivates people to act.Topics include: AESTHETICS, BEAUTY, AND BEHAVIOR: Why do striking visuals grab our attention? And how do emotions affect judgment and behavior? PLAYFUL SEDUCTION: How do you create playful engagements during the moment? Why are serendipity, arousal, rewards, and other delights critical to a good experience? THE SUBTLE ART OF SEDUCTION: How do you put people at ease through clear and suggestive language? What are some subtle ways to influence behavior and get people to move from intent to action? THE GAME OF SEDUCTION: How do you continue motivating people long after the first encounter? Are there lessons to be gained from learning theories or game design? Principles from psychology are found throughout the book, along with dozens of examples showing how these techniques have been applied with great success. In addition, each section includes interviews with influential web and interaction designers.

    Hackett, President and CEO, SteelcaseAn inspiring guidebook filled with ways to alter space to fuel creative work and foster collaboration.Based on the work at the Stanford University d.school and its Environments Collaborative Initiative, Make Space is a tool that shows how space can be intentionally manipulated to ignite creativity. Appropriate for designers charged with creating new spaces or anyone interested in revamping an existing space, this guide offers novel and non-obvious strategies for changing surroundings specifically to enhance the ways in which teams and individuals communicate, work, play--and innovate.Inside are: Tools--tips on how to build everything from furniture, to wall treatments, and rigging Situations--scenarios, and layouts for sparking creative activities Insights--bite-sized lessons designed to shortcut your learning curve Space Studies--candid stories with lessons on creating spaces for making, learning, imagining, and connecting Design Template--a framework for understanding, planning, and building collaborative environments Make Space is a new and dynamic resource for activating creativity, communication and innovation across institutions, corporations, teams, and schools alike. Filled with tips and instructions that can be approached from a wide variety of angles, Make Space is a ready resource for empowering anyone to take control of an environment.

    Artists use these journals to document their daily lives, produce their initial ideas for bigger projects, and practice their skills. Using a variety of media from paint to pencil to collage, these pages can become works of art themselves. They often feel fresh and alive because they are first thoughts and often not reworked. These pages capture the artist's personalities along with glimpses of their process of working and inspirations.In Drawn In, you can take a peek inside the sketchbooks of 44 high-profile, amazingly talented artists as they discuss their collections and how they use them. Featuring a spectrum of creators from illustrators and fine artists to graphic designers and cartoonists, this books offers an inside, full-color glimpse into pages filled with pencil and pen sketches, thumbnail drawings, unpublished comics, elaborate collages, loose clippings, and much more. Become inspired by these incredible artists and the pages they share in Drawn In!

    Yes, this book is an insane collection of some of the most mind-blowing Photoshop effects you've ever seen in one place. Ever wonder how that movie poster was created, or how they created that cool magazine ad, or maybe even how to take a seemingly mundane photo and give it the Hollywood treatment? Or maybe you just want to know how to do some really awesome stuff in Photoshop. Well, then, this book is for you! Whether you're a designer, artist, or even a photographer, there's something here for everyone. Moving through these projects, you'll start to see the potential of Photoshop's most powerful features and how, with a little experimentation, you can open up a whole new world of dazzling effects.You'll learn how to:- Create custom brush effects from scratch- See type as a design element- Create Hollywood-style effects that actually look like Hollywood-style effects- Take mundane photos and turn them into something mind-blowing- Create eye-popping commercial effects that clients will drool over- Get creative with 3D in Photoshop CS5 Extended- Create popular advertising effects you've seen in movies, on TV, and on the Web- Master dazzling photo effects for designers and photographers alikePlus, there are so many other things throughout the book that you'll be bursting with new ideas!

    Axel Vervoordt’s intense curiosity has fueled his work as an interior designer, spurring him to explore and draw inspiration from cultures around the globe. He was first exposed to Eastern art and philosophy years ago, but today it has become the guiding principle in his work, particularly the concept of Wabi. Developed in the twelfth century, Wabi advocates simplicity and humility, the rejection of all that is superfluous or artificial. Through extraordinary photographs from Japan and Korea to Belgium and Switzerland, Vervoordt invites us to explore the elements that inspire him: natural materials and time-worn objects that evoke the essence of Wabi. Today, together with the Japanese architect Tatsuro Miki, Vervoordt carries the principles of Wabi into his remarkable interiors. As Vervoordt reveals how he infuses his current creations with a fundamentally oriental approach, interiors devotees will gain new insight from this tribute to the designer’s latest sources of inspiration for the home.

    Why not apply the same approach to overcome challenges in the nonprofit world? This project, funded by International Development Enterprise (IDE) as part of a grant from the Bill & Melinda Gates Foundation, sought to provide NGOs and social enterprises with the tools to do just that. IDEO, in collaboration with nonprofit groups ICRW and Heifer International, developed the HCD Toolkit to help international staff and volunteers understand a community's needs in new ways, find innovative solutions to meet those needs, and deliver solutions with financial sustainability in mind. The HCD Toolkit was designed specifically for NGOs and social enterprises that work with impoverished communities in Africa, Asia, and Latin America. The free kit, available for download here, walks users through the human-centered design process and supports them in activities such as building listening skills, running workshops, and implementing ideas. The process has led to innovations such as the HeartStart defibrillator, Cleanwell natural antibacterial products, and the Blood Donor System for the Red Cross — all of which have enhanced the lives of millions of people. The HCD toolkit has been used by organizations throughout the developing world, including Acumen Fund, AyurVAID, Heifer International, ICRW, IDE, Micro Drip, and VisionSpring.

    It’s a mad jam of illustration and photography, collage and typography, bringing the contemporary music scene to exciting visual life for a generation of fans who’ve grown up in the post-album-art era.Gig Posters Volume 2 showcases bold artistic riffing by a hundred of today’s most talented designers, including David V. D’Andrea, Peter Cardoso, Graham Pilling, Tyler Stout, Marq Spusta, and Nashville’s legendary Hatch Show Print. You’ll peek inside their portfolios and hear the backstage stories of how these incredible art-and-music creations came to be.You’ll also find 101 perforated and ready-to-frame posters promoting the most dynamic musical acts of the twenty-first century, from the Black Keys, Flight of the Conchords, Ice-T, and My Morning Jacket to Norah Jones, the Avett Brothers, Coheed & Cambria, and many, many more.It’s an awesome compendium of pop-art-history in the making—and it’s also just what the walls of your apartment or office have been waiting for.

    Following the success of their first book, Architecture for Humanity brings readers the next edition, with more than 100 projects from around the world. Packed with practical and ingenious design solutions, this book addresses the need for basic shelter, housing, education, health care, clean water, and renewable energy. One-on-one interviews and provocative case studies demonstrate how innovative design is reimagining community and uplifting lives. From building-material innovations such as smog-eating concrete to innovative public policy that is repainting Brazil’s urban slums, Design Like You Give a Damn [2] serves as a how-to guide for anyone seeking to build change from the ground up.Praise for Design Like You Give a Damn [2]:<!--StartFragment--> “The resourcefulness of the projects in the book is inspiring, its information practical (see Stohr’s chapter on financing sustainable community development) and its numerous factoids sobering.” —TMagazine.blogs.NYTimes.com

    From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, d cor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues. This vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone.

    The larger her canvases grew, the more expressionistic her geographical visions became. Displaying a powerful command of image and type, Scher brilliantly transformed the surface area of our world. Paintings as tall as twelve feet depict continents, countries, and cities swirling in torrents of information and undulating with colorful layers of hand-painted boundary lines, place-names, and provocative cultural commentary. Collected here for the first time, Paula Scher MAPS presents thirty-nine of Scher's obsessively detailed, highly personal creations.

    These optimistic indicators paint a fascinating picture of the colorful capitalism that dominated the spirit of the 1950s and 60s, as concerns about the Cold War gave way to the carefree booze-and-cigarettes Mad Men era. Also included is a wide range of significant advertising campaigns from both eras, giving insight into the zeitgeist of the period. Bursting with fresh, crisp colors, these ads have been digitally mastered to look as bright and new as the day they first hit newsstands.

    Over the past five years, Seattle-based Kundig has continued his meteoric rise, collecting numerous awards, including the 2008 Cooper-Hewitt National Design Award for Architecture Design. Tom Kundig: Houses 2 features seventeen residential projects, ranging from a five hundred-square-foot cabin in the woods to a house carved into and built out of solid rock. In his new work, Kundig continues to strike a balance between raw and refined and modern and warm, creating inviting spaces with a strong sense of place. The houses seamlessly incorporate his signature inventive details, rich materials, and stunning sites from the majestic Northwestern forest to the severe high desert.

    Aimed principally at the student market, the book shows where ideas and inspiration come from and helps unlock the reader s creativity, providing numerous strategies to help solve creative briefs and design problems. Using an upbeat, dynamic and easy-to-understand A Z format, the book reveals techniques that can be exploited to deliver ideas with greater impact, with each entry offering a different starting point. Entries include everything from Intuition and Instinct to Happy Accidents and Hidden Messages, and feature a section explaining how to use the idea or technique, providing readers with an infallible tool kit of inspiration. Including hundreds of inspirational quotes from creative people and packed with great examples of advertising campaigns, posters, book and magazine covers, illustrations and editorial images, this indispensable creative primer also includes previously unpublished photographic work.

    It is like having a graphic design mentor who will help you come up with ideas, develop your concepts, and implement them in a way that is engaging and humorous. It gives readers the experience and ability that normally comes from years of on-the-job training. All of the essential techniques of graphic design and its digital implementation are covered. Read this book and gain 25 years of experience in how to think like a creative, act like a businessman and design like a god.This book is designed like a notebook, with all the authors' tips and knowledge already inside. However, it also includes blank pages that allow the user to personalize this reference book with specific notes that are relevant to his or her studio, suppliers or clients.

    Chase Bank's blue octagon. Mobil Oil's arresting red O. PBS's poetic silhouettes of "Everyman."Chermayeff & Geismar's visual identities are instantly recognizable by countless millions around the world (one identity--the official logo for the U.S. Bicentennial--even sits on Mars) and set the standard for what a successful trademark is.In Identify, celebrated designers Tom Geismar and Ivan Chermayeff, and partner, rising star Sagi Haviv (called a "logo prodigy" by The New Yorker) open up their studio for the first time in the firm's 55-year history and reveal the creative process that lead to the firm's iconic visual identities, from the oldest (Chase Bank and Mobil Oil in the 1960s) to the more recent (Armani Exchange and the Library of Congress in the 2000s).The team demonstrates how their approach to design has remained unaltered by cultural and technological change and is in fact more successful than ever in today's online and digital applications, due to the powerful simplicity that is the hallmark of the firm's work.A showcase of some of the world's most famous and enduring trademarks, an account of how they came to be, and an unprecented insider's peek into a legendary branding and graphic design firm. Identify: Basic Principles of Identity Design in the Iconic Trademarks of Chermayeff & Geismar unveils the thinking and the process behind identity design that works.

    An homage to the beauty of the bike, Cyclepedia showcases the innovations and legacies of bicycle design over the past century. Join longtime bike enthusiast and avid collector Michael Embacher for a tour of 100 bicycles, from the finest racing bikes and high-tech hybrids to the bizarrely specific (such as a bike designed to cycle on ice). Captivating photographs, detailed component lists, and anecdotal information illuminate the details that make each bicycle unique. Also including a foreword by cyclist and designer Paul Smith, Cyclepedia is the ultimate coffee-table book for devotees of the two-wheeled life.

    The Manual is a beautifully crafted journal that takes a fresh look, in print, at the maturing of the discipline and profession of web designIn lively, rich articles and vibrant, personal stories we explore the tiny distance between loving people and seeing them as mere specks, the deadliness of CSS galleries, the impact of the corruption of the web’s original vision as interconnected nodes, the way in which our increasingly scattered identities call for a new etiquette, the foundation of design in finely tuned critical thinking, and the urgent need to cull and surrender, focus on craftsmanship, and build a new visual language for web design.

    Author Mike Selinker (Betrayal at House on the Hill) has invited some of the world's most talented and experienced game designers to share their secrets on game conception, design, development, and presentation. In these pages, you'll learn about storyboarding, balancing, prototyping, and playtesting from the best in the business.

    One of the most prolific mid-20th century designers, Girard’s work spanned many disciplines, including textile design, graphic design, typography, illustration, furniture design, interior design, product design, exhibit design, and architecture. Exhaustively researched and lovingly assembled by designer Todd Oldham, this tome is the definitive must-have book on Girard’s oeuvre.Many of the designs featured here have never before been published. Oldham carefully went through the entire Girard archive to uncover many treasures as well as all of the most recognizable works by Girard. Girard is well known for his bold, colorful, and iconic textile designs for Herman Miller (1952-1975), which are extensively featured. These were often featured in conjunction with furniture designs by his contemporaries Charles and Ray Eames, and George Nelson. His designs for La Fonda del Sol restaurant (1960) are an experiment with typography as a communication tool and large-scale environmental graphic. Textiles and Objects (1961) was a very influential New York store sponsored by Herman Miller that featured Girard's designs inspired by his travels and folk art collection. The Girard Foundation (1962) houses his own personal and extensive collection of folk art, textiles, toys, and objects from around the world. His complete environmental design for Braniff International Airways (1965) gave him the opportunity to work at all scales with color, graphics, textiles, and furniture design. He designed every aspect of the project himself, from the minute-sized sugar packets and the ticket counters to the graphic colors of the planes themselves. Alexander Girard's playful yet sophisticated designs continue to inspire new generations of artists and designers. The breadth and scope of his work is truly remarkable. This highly anticipated tome is the first major retrospective of this very accomplished and prolific designer, and has been painstakingly edited by renowned New York-based designer Todd Oldham.

    Who wants mass-produced minimalism when you can have patterns with personality? Print & Pattern 2 is the latest book from the cult Print & Pattern website that celebrates all aspects of printed surface pattern. Featuring cute, colorful and contemporary designs on textiles, cards, gift wrap, stationery, wallpaper, tableware, books, illustration, and anything, the book will be a must for anyone who loves printed patterns and motifs.

    Culture, unlike race, is not a compulsory accident of birth, but an intellectual position. Today culture has a powerful new vector: the internet. Ideas - from a YouTube video to a viral marketing phenomenon or a fundamentalist religion - are travelling further and faster, and changing the cultural landscape like never before. In a new electronic democracy of ideas, cultural power is devolving to the creative individual. We will soon all have the means to create; we just have to decide whether it be art or bombs. In our symbol-drenched lives we desperately need a way of decoding the messages that bombard us. Written and designed by Rian Hughes, CULT-URE is the culmination of a decade's research into why and how we communicate. CULT-URE provides a thought-provoking exploration into media convergence within our digital age and an insider's guide into the changing nature of communications, perceptions and identities. Set to become a cult publication for the digital generation, CULT-URE is the 21st century answer to Marshall McLuhan's seminal The Medium is the Message. CULT-URE is your thought-provoking guide to surviving the new media revolution, and a potent inoculation against infection by dangerous ideas.

    Brass stencils are the perfect companion to Zentangle - the sections are already to fill with fun tangle patterns. Fresh ideas for fashion jewelry - rolled beads, see-thru resin, spools, shrink art make tangles useful, fashionable and easy to wear. Whether you enjoy relaxing, need a simple project while waiting, or want to create amazing art, you'll find appealing projects and ideas here; along with 40 new tangles to add to your life and design possibilities. Zentangle 6 will help you discover new creativity and explore new directions. Enjoy!

    Made in Russia presents fifty such masterpieces, from pioneers of Soviet technology such as the Sputnik, the Buran snowmobile, and the LOMO camera to icons of quotidian culture such as the fishnet shopping bag, the beveled glass, a Cold War-inspired arcade game, and Misha the Olympic bear. Edited by the journalist and author Michael Idov - a Soviet product himself - and including essays from Boris Kachka, Vitaly Komar, Gary Shteyngart, and Lara Vapnyar, the collection explores the provenance of these objects in the forgotten Soviet culture and the unique climate for design from which they could only have emerged.

    In fact, prequel would be a better word for this new book, since it is aimed towards the novice designer. Whereas Sketching shows you how to draw various aspects of shape and form, and serves more as a reference book, The Basics explains things in more detail, taking the reader by the hand and guiding him step by step through all the various aspects of drawing that novice designers come up against.The Basics explains the rudiments of learning to draw both clearly and comprehensively, using step-by-step illustrations, examples, and strategies. You will learn to use and master the different techniques and also how to apply sketches in the design process.It is the perfect book for those just starting out in sketching, for the first years of art and design courses, and for those who wish to revise the basics of good sketching; it is a simple and efficient way of learning all you've ever wanted to know but have never had explained to you.Koos Eissen is an associate professor at Delft University of Technology in the Netherlands, where he is responsible for the freehand and digital drawing classes at the Faculty of Industrial Design Engineering.Roselien Steur lectures at the Royal Academy of Arts in The Hague and specialises in design sketching workshops for professionals.

    But if no one remembers that past, it may not mean much to the future.”This succinct and thoughtful essay is the text of a talk commissioned for a symposium entitled The Future of Reading which was held at RIT in June 2010. Written and designed by Robert Bringhurst, this limited edition is carefully crafted and letterpress printed. 450 copies, printed on Mohawk Ticonderoga paper.

    The way we put them together is art. Focusing on tablescapes, wall decorations, mantels, and fabrics, Charles shows not just the results, but the wonderful journey and process of giving a room its soul and identity.

    It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California's mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames's plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.

    LOGOLOGY2 collects a diverse array of logos, symbols, icons, mascots, emblems and graphic

    Each a unique one-off, custom hand-drawn lettering had a stylistic freedom and creative energy unfettered by traditional typographic rules and regulations. This unique publication collects over 4,500 examples of custom lettering - from urgent rough block capitals to sophisticated looping copperplate scripts, elegant fashion brush scripts and dynamic illustrative sans serifs, the extraordinary range of graphic styles is as exciting as it is stylistically diverse. Custom Lettering of the 40s & 50s is an essential handbook for typographers, graphic designers, art directors, design students, and, of course, retro culture fans, lettering aficionados and printed ephemera collectors. Text in English, German & French.

    The 1980s were also the most visually provocative era of the last millennium. Every new vinyl single hit the stands wrapped in eye-catching sleeves that reflected the latest trends. Put The Needle On The Record is pop culture historian Matthew Chojnackis definitive guide to 7- and 12-inch vinyl single artwork from the 80s. He presents and compares more than 250 vinyl single covers representing nearly every prominent musician of the decade. Read the previously untold stories behind the most iconic images from the designers and visual talent behind Madonna, Prince, Pink Floyd, Queen, Adam Ant, Iron Maiden, The Clash, Pet Shop Boys, Van Halen, and more. Coupled with exclusive commentary from more than 100 of the 80s biggest musicians, including Annie Lennox, Duran Duran, Run-DMC, Devo, The B-52s, Erasure, The Human League, Scorpions, The Knack, and Yoko Ono, this is an authoritative journey back to the songs and images that continue to influence our culture.

    This collector's edition contains the newly updated and complete 7 book series including; The Charcoal Foundry, The Metal Lathe, The Metal Shaper, The Milling Machine, The Dividing Head, The Drill Press and The Sheet Metal Brake. As an added bonus, and for a limited time, those who purchase this book will also receive a bonus copy of 'Dave Gingery's Green Sand Casting Techniques' DVD at no additional charge. Build Your Own Metal Working Shop From Scrap is a progressive series of seven projects. Beginning with a simple charcoal fired foundry, you produce the castings for building the machine tools to equip your shop. Initially the castings are finished by simple hand methods, but it is not long before the developing machines are doing much of the work to produce their own parts. It does not take long to learn the simple craft of pattern-making and sand molding. Each project phase increases your knowledge and skill. There is no need to look for outside help. You can do it all in your own shop. No complicated math----No exotic equipment required----No large cash outlay. Lots of work to be sure, and some of it can be downright tedious, but the reward will be a practical small scale machine shop that you might never give yourself permission to buy, assuming you could afford it.

    The book’s starting point is the proposition that we all possess a higher or deeper intelligence than the everyday mind, and that learning to live and work harmoniously and energetically with this intelligence is the irreducible core of a successful artistic life. We can call this inner force the unconscious mind or the silent partner. We can call it the id or the secret self. But muse, daimon, and genius are so much more effective at conveying its subversive and electrifying emotional charge, and also its experiential reality.Your unconscious mind truly is your genius in the ancient sense of the word, the sense that was universal before it was fatefully altered several centuries ago by historical-cultural forces. Befriending it as such, and interacting with it as if it really is a separate, collaborating presence in your psyche, puts you in a position to receive its gifts, and it in the position to give them to you.

    The music producer Chris Walla puts it this way: Confronted with our significantly more banal everyday life, we re measuring our actual selves against our online selves with hopeful resignation. Doppelganger presents current trends in the depiction of human beings. In today s images and sculptures, personal identities are being intensified,altered, or created through the use of techniques such as deformation and construction/deconstruction as well as the obliteration of classical proportions, visual traditions, and what is generally considered beautiful and fashionable. The book shows permutations of the outer human shell created with costumes and masks as well as photo-technical and artistic manipulation. These take their visual cues from such diverse aesthetics as Dada, surrealism, high tech, cutting-edge fashion design, and the folklore of othercultures. Masquerades and artificial characters are used imaginatively to enhance and obscure true identities. With examples ranging from the intimate to the radical, Doppelganger explores how many or how few effects the depiction of a person can take in order to function as such. In doing so, the book shows that the unique visual appearances being created today often reveal more about the identities of their subjects and creators than their real faces ever could.

    Thirty contemporary paper artists, from world-renowned names to talented up-and-comers, all put their own spin on cutting, sculpture, installations, pop ups, paper toys, and more.A vibrant question-and-answer section with the book's distinguished juror, Jaime Zollars, and a biography of each showcased artist complete this visual feast of paper craft.

    Against this background, unprecedented new tools and possibilities are opening up for the world of design. In addition to sketchbooks and computers, young designers are increasingly using programming languages, soldering irons,sensors, and microprocessors as well as 3D milling or rapid prototyping machines in their work. The innovative use of powerful hardware and software has become affordable and, most of all, much easier to use. Today, the sky is the limit when it comes to ideas for experimental media, unconventional interfaces, and interactive spatial experiences. A Touch of Code shows how information becomes experience. The book examines how surprising personal experiences are created where virtual realms meet the real world and where dataflow confronts the human senses. It presents an international spectrum of interdisciplinary projects at the intersection of laboratory, trade show, and urban space that play with the new frontiers of perception, interaction, and staging created by current technology. These include brand and product presentations as well as thematic exhibits, architecture, art, and design. The comprehensive spectrum of innovative spatial and interactive work in A Touch of Code reveals how technology is fundamentally changing and expanding strategies for the targeted use of architecture, art, communication, and design for the future.

    The book exhibits Jongerius' work in detail and discusses her unique aesthetic; a fusion of industry and craft, high and low tech, traditional and contemporary.The book has been written and designed in collaboration with Jongerius, it includes all of her work and has contributions from three experts on contemporary product deisgn, Louise Schouwenberg, Paola Antonelli and Alice Rawsthorn. It is illustrated with over 350 photographs and has been designed by renowned graphic designer Irma Boom.

    Now Jeanne Gang, founder of Studio Gang Architects, is giving the epithet "Chicago School" a new meaning. Her recently completed 82-story Aqua residential tower is already an icon of the Chicago skyline and has been universally hailed as a masterwork for the young firm. Reveal presents an in-depth look at the firm's unique work and working process through drawings, diagrams, sketches, and photographs that illuminate the evolution of each of the book's eight featured projects, both public and private, and ranging in size from exhibition to high-rise.

    Each Sutra contains the Sanskrit text, a plain-English translation, imagery and commentary. The use of innovative graphic design, imagery and commentary are intended to illuminate the heart of the Sutras and bring them to life. The book also includes space for journal entries to enable readers to capture their thoughts as they study the Sutras.

    This guide for novices with some experience offers the chance to advance to the next level. Well-illustrated, step-by-step instructions by an expert calligrapher explain every detail of the two most popular calligraphic alphabets.  Author Eleanor Winters introduces the Italic hand, which originated during the Renaissance, and the Copperplate style, which dominated European calligraphy during the eighteenth century. Her three-part approach begins with a review of the basics, advancing to variations in letter size, form, weight, and flourishes. It concludes with a wealth of advice on layout and design as well as inspiration for original projects.

    In recent years, thanks to the development of eye tracking technology, there has been a growing interest in monitoring and measuring these movements, with a view to understanding how we attend to and process the visual information we encounterEye tracking as a research tool is now more accessible than ever, and is growing in popularity amongst researchers from a whole host of different disciplines. Usability analysts, sports scientists, cognitive psychologists, reading researchers, psycholinguists, neurophysiologists, electrical engineers, and others, all have a vested interest in eye tracking for different reasons. The ability to record eye-movements has helped advance our science and led to technological innovations. However, the growth of eye tracking in recent years has also presented a variety of challenges - in particular the issue of how to design an eye-tracking experiment, and how to analyse the data.This book is a much needed comprehensive handbook of eye tracking methodology. It describes how to evaluate and acquire an eye-tracker, how to plan and design an eye tracking study, and how to record and analyse eye-movement data. Besides technical details and theory, the heart of this book revolves around practicality - how raw data samples are converted into fixations and saccades using event detection algorithms, how the different representations of eye movement data are calculated using AOIs, heat maps and scanpaths, and how all the measures of eye movements relate to these processes.Part I presents the technology and skills needed to perform high-quality research with eye-trackers.Part II covers the predominant methods applied to the data which eye-trackers record. These include the parsing of raw sample data into oculomotor events, and how to calculate other representations of eye movements such as heat maps and transition matrices.Part III gives a comprehensive outline of the measures which can be calculated using the events and representations describedin Part II. This is a taxonomy of the measures available to eye-tracking researchers, sorted by type of movement of the eyes and type of analysis.For anyone in the sciences considering conducting research involving eye-tracking, this book will be an essential reference work.

    This groundbreaking new entry in the highly successful 500 series demonstrates the vitality and invention of today's raku ceramics. Objects including cups, plates, bowls, vases, and statuary contribute to this international gallery of work juried by Jim Romberg, one of the leading practitioners and teachers of raku in the world.

    Famous around the world for their brash originality and bright, clear graphic sensibility, Cuban cinema posters of the Revolutionary era are held in as high esteem as the moodier and more abstract Polish film posters of the same era. Susan Sontag devoted a good part of her noted 1970 essay, "Posters: Advertisement, Art, Political Artifact, Commodity" to the particularly satisfying paradox they present. "The Cubans make posters to advertise culture in a society that seeks not to treat culture as an ensemble of commodities-events and objects designed, whether consciously or not, for commercial exploitation. Then the very project of cultural advertising becomes somewhat paradoxical, if not gratuitous. And indeed, many of these posters do not really fill any practical need. A beautiful poster made for the showing in Havana of, say, a minor movie by Alain Jessura, every performance of which will be sold out anyway (because movies are one of the few entertainments available) is a luxury item, something done in the end for its own sake. More often than not, a poster for ICAIC [Cuban Institute of Cinematographic Arts] by Tony Reboiro or Eduardo Bachs amounts to the creation of a new work of art, supplementary to the film, rather than to a cultural advertisement in the familiar sense." Collected by designer Carole Goodman in collaboration with the ICAC and other Cuban specialists, this substantial compendium is a visual and intellectual treat.

    The rise of user-generated content, new methods of publishing and systems of distribution, and the wide dissemination of creative software have opened up new opportunities for design. More designers are becoming producers--authors, publishers, instigators and entrepreneurs--actively employing their creative skills as makers of content and shapers of experiences. Featuring work produced since 2000, Graphic Design: Now in Production explores the worlds of design-driven magazines, newspapers, books and posters; the entrepreneurial spirit of designer-produced goods; the renaissance in digital typeface design; the storytelling potential of film and television titling sequences; and the transformation of raw data into compelling information narratives. The catalogue features important original essays by leading designers that tackle themes such as the changing roles of reading and writing within the context of new technologies and self-publishing; the nature of design labor and production, from blue-collar handcraft and making to white-collar design thinking and strategy; and the impact and influence design programs and schools have had on shaping the direction of contemporary graphic design. Co-organized by Walker Art Center and Cooper-Hewitt National Design Museum, Graphic Design: Now in Production is conceived as a visual compendium in the spirit of the Whole Earth Catalogue. It features posters, info graphics, fonts, books, magazines, film titles, logos and more, interspersed with a variety of small texts delving into specific project details, excerpted artists' statements, interviews and published manifestos, technical details, and new and old technologies and tools.

    The Fiat 500, which began production in 1957, is the iconic car of Italy’s free-spirited ‘boom years’, when Italian films, fashion, and design took the world by storm. The car remains immortalized in America’s imagination and is much sought after by collectors and anyone with a nostalgic love for la dolce vita. This book celebrates the 500 for both its groundbreaking design and its role as a pop-culture icon.Despite its diminutive size, it proved to be enormously practical and popular. It was an instant hit with the Cinecitta movie stars as well as with American tourists absorbing Italy’s local color. The book features an array of vintage images of the 500, including film stills, paparazzi shots, and advertising, in addition to more serious chapters on design.  The publication of this handsome tribute volume is timed with Fiat’s release in the United States of its updated version of the car for the twenty-first century, the Fiat Nuova 500.

    Written and designed by Bob Gill. "The only way to tell which jobs Gill designed yesterday and which ones were designed years ago, is to look at the date. Styles come and go, but his ideas and teaching philosophy are timeless. That's why Bob Gill is one of the heroes that got me and so many others into graphic design in the first place." -Michael Bierut, Pentagram Design

    Learning Curves (2011, 177 pages, Klara Sjölén and Allan Macdonald) is a brand new sketch book, aimed at teaching how to really learn to sketch.Full of tips, tricks and suggestions for exercises, the goal is a book that you will be able to use for inspiration and guidance throughout your design career.Areas covered by the book include reasons to sketch, learning to observe and explore objects around you, drawing theory, finding the right mindset for drawing, trying different materials, using your sketches to communicate effectively, creating highly emotive images to engage and attract your audience, and finally what sketches to use at each stage of the design process.Containing work from over 60 designers, covering diverse fields such as product, automotive and fashion design, the result is a distinct and up to date collection of artwork put together to stimulate and inspire your creativity regardless of your current skill level.

    If Adobe InDesign CS5.5 is the one app in the suite that makes you feel like you're entering a foreign country where you don't speak the language, Robin Williams provides the perfect travel guide and translator in this new edition to the best-selling Non-Designer's series. This fun, straight-forward, four-color book includes many individual exercises designed specifically to teach InDesign CS5.5 to beginners in such a way that you can jump in at any point to learn a specific tool or technique. Along the way, Robin offers design tips for making your work communicate appropriately and beautifully. Whether you need to create your own marketing materials for a small business or organization, or you want your student or business papers to be perceived as more professional, or you want to become more proficient with the design tools you already use, this book is the fastest and most efficient path to mastering basic tasks InDesign.In this non-designer's guide to InDesign CS5.5, you'll learn: How to create basic design projects, such as flyers, business cards, letterhead, ads, brochures, CD covers, and much moreHow to add images to your pages and crop, rotate, resize, and add effects to those imagesHow to use InDesign's typographic tools to make your work look professionalHow to use style sheets so every job is easier to create and work withHow to use tabs and indents with confidence and predictabilityHow to create nice-looking tables to effectively organize dataAnd, of course, the basics of working in InDesign with layers, panels, tools, etc.

    Postmodernism: Style and Subversion, 1970–90 presents the movement not as merely an aesthetic vocabulary, but also as a subversive attitude—a new way of looking at the world. Bringing together practitioners, theorists, and critics, this groundbreaking book assesses the impact of the phenomenon on all areas of art and design. It covers architecture, interiors, and urban planning; product, graphic, and furniture design; the fashion and style industries; and photography, film, television and video—everything from Michael Graves, Robert Venturi, and Denise Scott Brown to MTV, Grace Jones and Boy George, Bladerunner, Karl Lagerfeld, and Comme des Garçons.

    Narratives exist, but they all too often treat interior design as a function of architecture or display rather than experience. An independent interior design theory is virtually nonexistent. Professor Lois Weinthal envisions a future where interior design is treated with parity to architecture and industrial design, a future with a new interior. A reader for architects and interior designers, Weinthal has carefully curated a collection of forty-eight essays that will form the foundation of interior design theory and shape future interior space. Her introductory essays illuminate each source, prefacing and directing discussion of the material as it relates to interior design theory. Alluding to Le Corbusier s classic text, she has organized this material into a framework that inspires conversation, marking a break with the past and forming a new vocabulary for the discourse. Contributions to the book s eight sections include essays by David Batchelor, Aaron Betsky, Petra Blaisse, Andrew Blauvelt, Beatriz Colomina, Le Corbusier, Robin Evans, Adolf Loos, Ellen Lupton, Charlotte Perkins Gilman, Michel Serres, Henry Urbach, Wim Wenders, and Mark Wigley.

    Addressing both the contents of interior environments and the process of interior space planning, topics include the making of rooms, the design of effective spatial sequences, functional relationships among project parts, arrangement of furniture, planning effective circulation systems, making spaces accessible, and designing safe environments with efficient emergency egress systems. Numerous exercises throughout the book facilitate learning by encouraging students to apply ideas and concepts immediately after reading about them.

    More and more data is being collected. We can access ever more information at any time and from any place. The fundamental challenge now is how to extract the most valuable news, the most surprising findings, and the most relevant stories from the flood of information that is available to us. A new generation of designers, Illustrated bys, and data journalists is addressing this challenge head on. They are developing a variety of new visual forms to depict information that can be classified as visual storytelling. The main idea behind visual storytelling is to take familiar image contexts and use them in a new way. By penetrating meaning and creating associations, abstract correlations can be visualized in a manner that is both easy to understand and aesthetically innovative. Today, visual storytelling is being used intensively in newspapers, magazines, websites, advertising, business reports, and museums. With its collection of inspiring, insightful, interactive, and entertaining examples, the book Visual Storytelling reveals how the contextualization of information is pushing the envelope of today's design and aesthetics.

    Japanese designers regularly implement radical experiments in new materials and building systems that successfully address imminent energy and resource challenges. These technological achievements are combined with an acute awareness of the ephemerality of existence, creating a rich dialogue between the concrete and the abstract.

    Aimed squarely at the young media-savvy consumers of the "Electronic Information Age," these small, inexpensive paperbacks aimed to bring the ideas of contemporary thinkers like Marshall McLuhan, R. Buckminster Fuller, Herman Kahn, and Carl Sagan to the masses. Graphic designers such as Quentin Fiore (The Medium Is the Massage, 1967) employed a variety of radical techniques-verbal visual collages and other typographic pyrotechnics-that were as important to the content as the text. The Electric Information Age Book is the first book-length history of this brief yet highly influential publishing phenomenon.

    Whether openly and actively or in subtle, subliminal ways, these objects talk to us, and we have come to expect interaction with them. Contemporary designers, besides giving objects form and function, write their initial scripts--the foundation for useful and satisfying conversations. Talk to Me focuses on projects that involve such direct interaction--including interfaces, websites, video games, devices and tools, and information systems--as well as installations that establish practical, emotional, or even sensual connections to cities, companies, governmental institutions, or other individuals. The featured objects range in date from the late 1980s to today, with particular attention given to the last five years and projects currently in development. Organized thematically, Talk to Me introduces design practices that are increasingly crucial to our world and demonstrates how rich and deep the influence of design will be on our future.

     As restaurants proliferated, the menu became more than just a culinary listing. The design of the menu became an integral part of eating out and as such menus became a marketing tool and a favored keepsake.Menu Design is an omnibus showcasing the best examples of this graphic art. With nearly 800 examples, illustrated in vibrant color, this deluxe volume not only showcases this extraordinary collection of paper ephemera but serves as a history of restaurants and dining out in America. In addition to the menu covers, many menu interiors are featured providing a epicurean tour and insight to more than a hundred years of dining out. An introduction on the history of menu design by graphic design writer Steven Heller and extended captions by culinary historian John Mariani accompany the menus throughout the book. Various photographs of restaurants round out this compendium that will appeal to anyone who enjoys dining out and its graphic and gastronomic history.Nearly 800 stunning examples of menu design Covers more than a century of exquisite vintage design

    The passionate designers at the forefront of the field have poured their creativity into every aspect of food culture. Eat Me gathers an extraordinary collection of designed places, art products, brands, people, and commodities within the world of food. New trends and materials have led to unique opportunities for the designers of today - to enhance and elevate one's culinary experience by speaking to our minds as well as our stomachs. Eat Me features not only the best in food packaging but also side products like utensils, kitchenware, and menu design. Eating spaces are also included in a section of the book that gives a round-the-world tour of the latest and most innovative cafes, bars, and restaurants. The third section of the book is about the arts and showcases the latest events, exhibitions, installations, and art pieces made with or inspired by food. Explore the latest trends through numerous case studies.

    With her inimitable flair for style, Charlotte Moss has led a celebrated career in the interior design world. Recently honored with Elle Decor’s Vision Award, Moss’s design philosophy of "couture living" describes her preference for gracefully curated spaces in which one is meant to live, enjoy, and entertain. Charlotte Moss Decorates affords the reader a glimpse into the methods behind her magic. For each of the rooms featured—from a sumptuous Directoire-style bedroom inspired by the incomparable Pauline de Rothschild to a gentlemen’s billiard room with rich details and a smart tailored feel—Moss breaks down the various stages of her design process, revealing her inspiration and storyboards, as well as sketches and notes she develops for every project. In each chapter, she offers the reader quick "doses" of decorating advice with her signature "Why Not?" decorating maxims. The book also includes Moss’s recommendations for her favorite flowers and fragrances for the final flourish in creating the perfect room. Her interiors, with a nod to both the historical elegance of the past and the modern necessities of today (comfort and livability), are truly sublime spaces. With over 200 sumptuous photographs, Moss graciously invites the reader to be engaged, inspired, and "ready to decorate."

    In 1991, in collaboration with Jon Wozencroft, Brody started FUSE, an experimental design and typeface annual with the ambition to innovate and explore the boundaries of the subject. Over the years, the collaborative worked with fellow typographers from around the world, making FUSE a sought-after collector’s item. Each issue contains a selection of new typefaces (originally on floppy disk, then on CD), now via download, as well as essays on design by leading writers posters featuring the fonts. To commemorate the release of issue 20, TASCHEN brings you a 416-page compendium of all issues as well as number 19 and 20 in the original form (including 10 A2-size posters and the downloadable fonts). More than just a book, this is a design object complete with posters to decorate your walls. It is the legacy created by the best contemporary thinkers on typeface design. 10 posters for the last 2 editions of FUSE as seen in the originals Keycard with code to download fonts from issue 19 and 20 Complete out-of-print issues 1 to 18 compiled in a book designed by Neville Brody Posters designed by the most innovative graphic designers of the last two decades

    Following through all the stages and activities involved in the creation of a new product from concept design to manufacture, prototyping to marketing this book also explores the diverse nature of product design, including new and emerging forms of practice. A rich overview of influential design movements and individuals, together with examples from prominent product designers, encourages the reader to challenge conventions and to think about product design in new and exciting ways.

    This book captures the new mood—a return to the unique and the artisanal.The first part of the book profiles over seventy international artisans who represent an astonishing array of crafts. The profiles include information on what inspires each artisan and how they create their products, often in innovative or eco-conscious ways.The second part of the book consists of an invaluable directory of products, divided into categories: art, ceramics, furniture, glasswork, jewelry, lighting, metalwork, paper and woodwork, stationery, tableware, and textiles. More than 800 color photographs illustrate the huge variety of design work on offer—exquisite paper flowers, handthrown pots and jugs, beaded necklaces, folk-inspired knitted scarves, handblown chandeliers, wooden table lamps, embroideries, and more. Resources include: contact details for the artisans, recommendations of shops, websites, and blogs to visit.

    In Bulletproof Web Design, Third Edition, bestselling author and web designer Dan Cederholm outlines standards-based strategies for building designs that provide flexibility, readability, and user control--key components of every successful site. Each chapter starts out with an example of an unbulletproof site--one that employs a traditional HTML-based approach--which Dan then deconstructs, pointing out its limitations. He then gives the site a makeover using HTML and CSS, so you can see how to replace bloated code with lean markup and CSS for fast-loading sites that are accessible to all users. Finally, he covers several popular fluid and elastic-width layout techniques and pieces together all of the page components discussed in prior chapters into a single-page template. This fully updated third edition brings examples up to date by offering additional CSS3 and HTML5 methods that weren't an option before. Redesigned case studies with new Responsive Design examples add visual appeal and value to the book. This edition also removes outdated workarounds for IE5 and Netscape and de-emphasizes IE6.

    It offers a concise, topic-by-topic guide to acquiring and perfecting the skills needed to produce realistic and precise fashion plates that accurately reflect a designer?s creative vision. The authors, Elizabetta Drudi and Tiziana Paci, have decades of experience in the fashion industry and have created an invaluable resource for designers, illustrators, and artists. The breadth of information and attention to detail make this title ideal for students, professionals, and anyone who enjoys fashion design.

    He traveled throughout the U.S. and Britain to interview these renowned artists, including John Makepeace, John Cederquist, Jack Larimore, Judy Kensley McKie, Michael Hurwitz, Tom Hucker, Rupert Williamson, Gary Knox Bennett, and Peter Danko. With a telling eye and refreshing intimacy, he reveals their thinking, creative processes, and rise to prominence. He takes the reader into their workshops and their hearts. Savage seeks to illuminate the soul of the artists' work, and the influences and experiences that shaped them.

    Over the past ten years, a diverse group of architects, landscape architects, and artists have undertaken groundbreaking projects that propose an integration of landscape and architecture, dissolving traditional distinctions between building and environment. Groundwork: Between Landscape and Architecture examines twenty-five projects, on an international scale, that consider landscape and architecture as true reciprocal entities.Groundwork divides the projects into three design directions: Topography, Ecology, and Biocomputation. Topographic designers create projects that manipulate the ground to merge building and landscape as in Cairo Expo City in Egypt (Zaha Hadid Architects), Island City Central Park Grin Grin in Fukuoka, Japan (Toyo Ito & Associates) and the City of Culture of Galicia in Santiago de Compostela, Spain (Eisenman Architects). Ecologic designers develop environments that address issues such as energy climate and remediation, such as I’m Lost In Paris in France (R&Sie(n)), Turistroute in Eggum, Norway (Snøhetta) and Parque Atlántico in Santander, Cantabria, Spain (Batlle i Roig Arquitectes). Biocomputation designers use digital technologies to align biology and design in projects such as the Grotto Concept (Aranda/Lasch), North Side Copse House in West Sussex, England (EcoLogicStudio) and Local Code: Real Estates (Nicolas de Monchaux.)   What these projects all have in common is a desire to pay attention and homage to the liminal space where indoors and outdoors meet. The critical connection between natural and synthetic, exterior and interior space, paves the way toward a more inclusive—and indeed more alive—conceptualization of the physical world.

    The confections are taken out of their display cases and photographed “on location” at Paris’ best-known sights and everyday streetscapes, illuminating the visual and cultural connections between the city, its architecture, its culture, and its wildly beautiful desserts. Each entry is captioned, and the back of the book serves as a guide to the pâtisseries where each of the pastries is created, with addresses, phone numbers, and métro stops. The quirky, often humorous pairings of desserts and their hometown is a vicarious trip to that delicious city, where art and beauty can be found in everything from doorknobs to petit fours, a city that takes its desserts as seriously as its music, sculpture, and painting.

    It is aimed at design students and graphic designers, and also at those who are concerned with content: writers, editors, and publishers. Showing a wide range of examples from first-rate designers across the world, the book examines why and how typographic designs work well in a given context. Particular attention is given to the team play between the text itself—written language—and the design—the shaping of the text—to form a new, multilevel visual message with a complex content.

    In recent years, illustration has evolved from a purely service-oriented trade to an expressive, poetic, and esteemed voice in contemporary visual culture. Today it continues to burgeon as a creative discipline--especially in its more artistic forms. Edited byial design increasingly uses illustration in place of photography because it depicts and enriches content in a way that offers an expanded dimension of communication. Illustrated bys Unlimited presents the work of cutting-edge illustration talents scouted from around the world. They are working independently from fleeting trends and represent the best of the virtually inexhaustible possibilities of styles and techniques that are practiced today. The book is structured according to the featured Illustrated bys. Each one is introduced with a variety of representative examples of his or her work plus a text portrait written by James Gaddy, a former Edited by at Print magazine. Whether created by established names or fresh talents, the work collected here has been chosen solely for its artistic merit. The lavish images covering page after page and insightful accompanying texts make Illustrated bys Unlimited a comprehensive overview of contemporary illustration. The book is a definitive reference for clients looking to commission work, for agencies, and anyone else who is interested in this multifaceted creative medium.

    In Right-Angle Weave, readers will find over 25 Bead&Button projects using this stitch characterized by repeating small squares. Along with detailed step-by-step directions, the basics section in this book is expanded to give readers a more thorough understanding of the stitch, including background and history. Readers also see that right-angle weave can take on different looks depending on bead size. With small beads, the stitch looks like fabric. With larger beads, the look becomes more geometric. This of course makes the stitch incredibly versatile.

    With author Michael Gaffney's foolproof methods, Design Star brings readers into the world of the professional floral designer with secrets, tips, and formulas for great design, as well as step-by-step instructions on everything from classic English design to exotic tropical design. With over 400 color photos detailing dozens of start-to-finish arrangements, the book provides a beautiful display of finished arrangements for readers to replicate. It also guides readers through the basics of opening a flower shop or becoming a professional flower designer.

    It explores a range of mobile media practices from interface design to maps, AR/VR, mobile games, performances that use mobile devices and mobile storytelling projects. Throughout, Farman provides readers with a rich theoretical framework to understand the ever-transforming landscape of mobile media and how they shape our bodily practices in the spaces we move through. This fully updated second edition features updated examples throughout reflecting the shifts in mobile technology.This is the ideal text for those studying mobile media, social media, digital media, and mobile storytelling.

    Moving from the launch in 1947 to the present day, the book defines the roots of Dior style. The book showcases gowns, suits, and acces­sories, with close-up details; it traces the themes and sources of inspiration, from artwork to the natural world; and it delves into the craft of haute couture—leatherwork, intricate embroidery, luxurious fabrics, and more. Archival photographs, previously unpublished images, and sketches are reproduced as well. A showcase of the many famous people who have worn Dior, including Elizabeth Taylor, Nicole Kidman, Princess Diana, and Kate Moss, to name just a few, completes this luxurious volume, a fitting tribute to this legendary fashion house.

    Van Cleef & Arpels pieces have been worn by such style icons as the Duchess of Windsor, Grace Kelly and Elizabeth Taylor, and the company's prestige has spread throughout the globe, thanks to an unending list of prominent commissions issued by royal and imperial courts and the world's rich and famous. Set in Style: The Jewelry of Van Cleef & Arpels explores the historical significance of the firm's contributions to jewelry design in the twentieth century, including the establishment of Van Cleef & Arpels in New York in 1939. The book features more than 350 of Van Cleef & Arpels' most celebrated works from museum and private collections worldwide, including jewels, timepieces, fashion accessories and objets d'art, focusing on those created exclusively for the American market. Six accessible essays accompanied by nearly 400 photographs, including previously unpublished design drawings from the Van Cleef & Arpels archives, examine the precious pieces through the lenses and themes of innovation, transformation, nature, exoticism, fashion and personalities.

    In their epic scope and visual luxuriance, these enigmatic and glamour-soaked photographic narratives stand as one of the most ambitious editorial projects of the last decade. DiCorcia and Freedman traveled the globe to make these stories, deploying fabulous locations ranging from a Lautner house in Los Angeles and the Mariinsky Opera House in St. Petersburg to Windows on the World at the top of the World Trade Center and a notorious "club xE9;changiste" (swinger's club) in Paris. The cast of characters included iconic models Nadja Auermann, Guinevere van Seenus, Kristen McMenamy, Karen Elson, Shalom Harlow and Hannelore Knuts, the actress Isabelle Huppert, the designer Marc Jacobs plus people cast on location. DiCorcia's fashion stories are collected for the first time in this superbly designed monograph, and reveal themselves as a masterpiece of staged photography and photographic storytelling.Philip-Lorca diCorcia was born in Hartford, Connecticut, in 1951. He received his MFA in Photography from Yale University in 1979. DiCorcia's work has been the subject of solo shows at The Museum of Modern Art, New York, the Institute of Contemporary Art, Boston, the Centre National de la Photographie, Paris, Whitechapel Art Gallery, London and the Museo Nacional Centro de Arte Reina Sofia, Madrid, among others. He has been named a Guggenheim Foundation Fellow and has received multiple grants from the National Endowment for the Arts. His work is included in the collections of the Bibliotheque Nationale de France, The Museum of Modern Art and the Metropolitan Museum of Art, among others. His previous books include "A Storybook Life "(2003) and "Thousand "(2007), a collection of Polaroids that was exhibited at the Los Angeles County Museum of Art. DiCorcia lives and works in New York City.

    A must-read for trendwatchers, product design agencies, R&D departments, and anyone interested in the next wave of consumer technology.

    Flowers also speak to us in the language of the plant form itself, as cultural symbols in different societies, and at the highest levels of inspiration.In this beautiful and original book, renowned thinker and geometrist Keith Critchlow has chosen to focus on an aspect of flowers that has received perhaps the least attention. This is the flower as teacher of symmetry and geometry (the 'eternal verities', as Plato called them). In this sense, he says, flowers can be treated as sources of remembering -- a way of recalling our own wholeness, as well as awakening our inner power of recognition and consciousness. What is evident in the geometry of the face of a flower can remind us of the geometry that underlies all existence.Working from his own flower photographs and with every geometric pattern hand-drawn, the author reviews the role of flowers within the perspective of our relationship with the natural world. His illuminating study is an attempt to re-engage the human spirit in its intimate relation with all nature.

    By breaking the narrative into seven distinct chapters, which are both chronological and overlapping, Jencks charts the ebb and flow of the movement, the peaks and troughs of different ideas and themes. The book is highly visual. As well as providing a chronological account of the movement, each chapter also has a special feature on the major works of a given period. The first up-to-date narrative of Post-Modern Architecture - other major books on the subject were written 20 years ago. An accessible narrative that will appeal to students who are new to the subject, as well as those who can remember its heyday in the 70s and 80s.

    This book presents a delightful collection of mass-produced objects that provide insight into the things that surround us. Common items such as nails, plugs, toothbrushes, soap, gloves, and sweets have their own function and differ in design from country to country and region to region. Some are examples of good and practical design, while others fail to fulfill their function. The collection shows an appreciation to detail by revealing how things are made and a sensitivity to the tasks people carry out, all the while keeping in mind the basic utilitarian design of these inexpensive everyday objects. The items come from a range of countries, including the United States, Japan, France, and Thailand, and were purchased from small local shops. More than design souvenirs that celebrate local culture, they all involve an idea about function—and in most cases the "designer" is unknown. The book is designed by Graphic Thought Facility and illustrated with over 150 newly commissioned photographs by Angela Moore. The objects are organized thematically, with concise captions that clarify the individual function of each item, exposing what is not always apparent from looking.

    Thankfully we now have the place to go.Jon Hicks' 'The Icon Handbook' will become the go-to book for the modern designer; for uncovering the thought processes, the skills and the reference for designing your own icons.This book is aimed at designers who already have basic vector and bitmap drawing skills. It could be that you want to create a simple, unique favicon, or perhaps you've been asked to work on a mobile app that requires them. It starts at the basics and takes you right the way through to being able to create stunning iconography.

    We took our popular "SolidWorks Bible," divided it into two books ("SolidWorks 2011 Assemblies Bible" and "SolidWorks 2011 Parts Bible") and packed each new book with a host of items from your wish lists, such as more extensive coverage of the basics, additional tutorials, and expanded coverage of topics largely ignored by other books. This "SolidWorks 2011 Assemblies Bible" shows you how to organize parts data to create assemblies or subassemblies using the latest version of the 3D solid modeling program, SolidWorksThoroughly describes best practices and beginning-to-advanced techniques using both video and textExplains and thoroughly covers every assembly function and is written in a way that enables the reader to make better decisions while using the softwareWritten by well-known and well-respected SolidWorks guru Matt LombardCan stand alone or also with the "SolidWorks 2011 Parts Bible" for a complete SolidWorks reference setKeep both the "SolidWorks 2011 Assemblies Bible" and the "SolidWorks 2011 Parts Bible" on your desk, and you?ll have the best resource set out there on SolidWorks.

    Selections include experimental drawings, computer-rendered artistic explorations, and architectural illustrations that were produced for client projects.Sketches are integral to Karim's design process. A talented artist since childhood, Karim's sketches burst with vitality and optimism. His drawings all exhibit a visual consistency and confidence of line that is impressive in its visual form and its communicative power. In his global design practice, Karim's sketches are the conceptual reference point for all project development work.Karim has produced thousands of sketches and hundreds of digital illustrations. Presenting a carefully chosen selection of these artworks, Sketch will offer insight into his design process and serve as a document of inspirational visual explorations to Karim fans as well as artists and designers.Karim Rashid's award-winning designs include objects such as the ubiquitous Garbo waste can and Oh Chair for Umbra, interiors such as the Morimoto restaurant in Philadelphia and the Semiramis hotel in Athens, and exhibitions for Deutsche Bank and Audi. Karim has collaborated with clients to create designs for Method and Dirt Devil, furniture for Artemide and Magis, brand identities for Citibank and Hyundai, high tech products for LaCie and Samsung, and luxury goods for Veuve Clicquot and Swarovski.

    Through guided conversations with the major designers of today, Roberta Bernabei reveals the creative, conceptual and technical working practices that underpin the aesthetic of each practitioner's work. In addition, the dialogues shed new light on these jewellers' inspiration and their ideas about functionality and the human body. Each interview is supported by photographs and a detailed bibliography and appendix which locates the jewellers' work in galleries, museums as well as online. Major jewellery artists present include: Giampaolo Babetto, Gijs Bakker, Otto Künzli, Ruudt Peters, Mario Pinton and Tone Vigeland, alongside members of the emergent generation: Ted Noten, Annamaria Zanella and Christoph Zellweger. This book, which opens the door to contemporary jewellery practice, will be welcomed by all students, lecturers and practitioners.

    Every step is clearly illustrated with more than six hundred photographs and more than eighty-five tips! Now you can learn all the trade secrets. Individual projects include how to make a zippered pillow with pleated corners and welted seams, how to make two styles of dining room seats, how to make a zippered cushion, how to repair frames and touch up the wood, and a featured project-a fully upholstered wing chair and matching footstool.

    Featuring work selected by a panel of judges from more than 14,000 international publication entries, this inspirational volume sets the bar for excellence in journalistic design. Bold, full-color layouts feature the best-of-the-best in news, features, portfolios, visuals, and more, and each entry is accompanied by insightful commentary on the elements that made the piece a standout winner. Every industry professional aspires to one day see his or her work in this book.

    His sculptures take the form of little people sculpted from concrete in 'real' situations. Cordal manages to capture a lot of emotion in his vignettes, in spite of their lack of detail or colour. He is sympathetic toward his little people and we empathise with their situations, their leisure time, their waiting for buses and their more tragic moments such as accidental death, suicide or family funerals. His sculptures can be found in gutters, on top of buildings and bus shelters - in many unusual and unlikely places in the capital. This book is the first time his images have been shown in together in one book dedicated to his work, many images never seen before. Cordal's concrete sculptures are like little magical gifts to the public that only a few lucky people will see and love but so many more will have missed. Left to their own devices throughout London, what really makes these pieces magical is their placement. They bring new meaning to little corners of the urban environment. They express something vulnerable but deeply engaging.

    Giambattista has been called "the father of modern type" and the typeface Bodoni is at once modern and traditional. A study in contrasts, the extreme variance between thick and thin strokes lends boldness and body to the typeface. Bodoni has been used in everything from 18th century Italian books to 1960s periodicals, and early versions of the typeface are still used for fine book printing. Popular for poster use, it has graced diverse ad campaigns from Mamma Mia! to Nirvana. This graceful illustrated volume comprehensively explores the broad scope of experimental and creative design ideas that have been realized using Bodoni.

    In the publication's mission statement, editor Frank Crowninshield clearly revelled in that world: 'Young men and young women, full of courage, originality, and genius, are everywhere to be met with.' The magazine discovered or lent invaluable support to such varied names as Dorothy Parker, E. E. Cummings, Noël Coward, Gertrude Stein, P. G. Wodehouse, Cecil Beaton and Man Ray, and frequently reproduced works by the likes of Matisse and Picasso long before anyone in the mainstream press would dare. Vanity Fair's famous philosophy of mixing up classes, races and sexes - as long as they were innovative, gorgeous or talented - was reflected in the dazzling and elegant magazine covers from such hugely influential designers as Paolo Garretto, William Cotton and Eduardo Garcia Benito. These covers are now a memorial to a world of glamour and excitement, gone - but not forgotten. Selected by Graydon Carter