Through a series of out-of-the-ordinary lessons, each with its own takeaway points and recommended readings, Douglas Wilson provides indispensable guidance, showing how to develop the writer s craft and the kind of life from which good writing comes.

    Packed with practical, actionable advice, the new fourth edition of Let's Get Digital delivers the very latest best practices on publishing your work and building audience.* Boost your writing career with marketing strategies that are proven to sell more books.* Discover expert tips on platform building, blogging and social media.* Learn which approaches are best for selling fiction vs. non-fiction.* Implement powerful ways to make your ebooks more discoverable.* Increase your visibility by optimizing keywords and categories.* Weigh the pros and cons of Kindle Unlimited, and find out exactly how to tweak your promotional plans depending on whether you stay exclusive to Amazon or opt for wider distribution.And that's just for starters...

    It's not that every person has lived such a unique or dramatic life, but we inherently understand that writing memoir-whether it's a book, blog, or just a letter to a child-is the single greatest portal to self-examination. While there have been other writing books, there's been nothing like Marion Roach Smith's THE MEMOIR PROJECT. Marion has written four books and she's been teaching a sold-out memoir writing class for 13 years. Her new book is a disarmingly frank, but wildly fun, distillation of all the unsentimental lessons that WORK. Tired topics like writing exercises, morning pages and "writer's block" are replaced with quirky, provocative tactics that teach you to write with purpose. Previously self-published in April 2010 (under the title Writing What You Know: Realia), the book has already proven hugely popular, and with its new title and updated content, it is sure to find an even bigger and even more enthusiastic audience.

    Success isn't defined by getting papers into print, but by getting them into the reader's consciousness. Writing Science is built upon the idea that successful science writing tells a story.It uses that insight to discuss how to write more effectively. Integrating lessons from other genres of writing with those from the author's years of experience as author, reviewer, and editor, the book shows scientists and students how to present their research in a way that is clear and that willmaximize reader comprehension.The book takes an integrated approach, using the principles of story structure to discuss every aspect of successful science writing, from the overall structure of a paper or proposal to individual sections, paragraphs, sentences, and words. It begins by building core arguments, analyzing why somestories are engaging and memorable while others are quickly forgotten, and proceeds to the elements of story structure, showing how the structures scientists and researchers use in papers and proposals fit into classical models. The book targets the internal structure of a paper, explaining how towrite clear and professional sections, paragraphs, and sentences in a way that is clear and compelling. The ideas within a paper should flow seamlessly, drawing readers along. The final section of the book deals with special challenges, such as how to discuss research limitations and how to writefor the public.Writing Science is a much-needed guide to succeeding in modern science. Its insights and strategies will equip science students, scientists, and professionals across a wide range of scientific and technical fields with the tools needed to communicate effectively.

    Try a little Second Sight. In this collection of talks, a professional editor offers insights from the other side of the publishing desk on a wide range of writerly topics: * Terrific first lines and how they got that way * What makes a strong picture book manuscript * Why the Harry Potter series was such a tremendous success * Finding the emotional heart of your story * Worksheets and checklists for building characters and bolstering plot * The Annotated Query Letter from Hell * And an Annotated Query Letter That Does It Right With its wit, intelligence, and practical tools for analyzing and revising your work, Second Sight will be a first resource for writers of children's and young adult fiction. This book has not been endorsed or approved by J. K. Rowling or any of her publishers or representatives, and all thoughts expressed here on all matters, including the Harry Potter series, are solely Cheryl B. Klein's own, and should not be taken as the official opinions, intentions, or interpretations of any of the writers or publishers mentioned.

    It is the road on which nearly everyone who wants to write—and many of the people who do write—get lost.”So writes Ann Patchett in "The Getaway Car", a wry, wisdom-packed memoir of her life as a writer. Here, for the first time, one of America’s most celebrated authors ("State of Wonder", "Bel Canto", "Truth and Beauty"), talks at length about her literary career—the highs and the lows—and shares advice on the craft and art of writing. In this fascinating look at the development of a novelist, we meet Patchett’s mentors (Allan Gurganas, Grace Paley, Russell Banks), see where she made wrong turns (poetry), and learn how she gets the pages written (an unromantic process of pure hard work). Woven through engaging anecdotes from Patchett’s life are lessons about writing that offer an inside peek into the storytelling process and provide a blueprint for anyone wanting to give writing a serious try. The bestselling author gives pointers on everything from finding ideas to constructing a plot to combating writer’s block. More than that, she conveys the joys and rewards of a life spent reading and writing.

    Expert author of over 15 thrillers, James Scott Bell offers proven techniques that help writers craft fiction that their readers won?t be able to put down. Learn how to believably weave conflict and suspense into a story, how to pace your story and keep the pressure on throughout, and how to bring it all to a gripping conclusion.

    Yet writers looking for guidance on reporting and writing true stories have had few places to turn for advice. Now in Storycraft, Jack Hart, a former managing editor of the Oregonian who guided several Pulitzer Prize–winning narratives to publication, delivers what will certainly become the definitive guide to the methods and mechanics of crafting narrative nonfiction.Hart covers what writers in this genre need to know, from understanding story theory and structure, to mastering point of view and such basic elements as scene, action, and character, to drafting, revising, and editing work for publication. Revealing the stories behind the stories, Hart brings readers into the process of developing nonfiction narratives by sharing tips, anecdotes, and recommendations he forged during his decades-long career in journalism. From there, he expands the discussion to other well-known writers to show the broad range of texts, styles, genres, and media to which his advice applies. With examples that draw from magazine essays, book-length nonfiction narratives, documentaries, and radio programs, Storycraft will be an indispensable resource for years to come.

    What is the strongest opening for a motion or brief? How to draft winning headings? How to tell a persuasive story when the record is dry and dense? The answers are more science than art, says Guberman, who has analyzed stellar arguments by distinguished attorneys to develop step-by-step instructions for achieving the results you want. The author takes an empirical approach, drawing heavily on the writings of the nation's 50 most influential lawyers, including Barack Obama, John Roberts, Elena Kagan, Ted Olson, and David Boies. Their strategies, demystified and broken down into specific, learnable techniques, become a detailed writing guide full of practical models. In FCC v. Fox, for example, Kathleen Sullivan conjures the potentially dangerous, unintended consequences of finding for the other side (the Why Should I Care? technique). Arguing against allowing the FCC to continue fining broadcasters that let the F-word slip out, she highlights the chilling effect these fines have on America's radio and TV stations, discouraging live programming altogether, with attendant loss to valuable and vibrant programming that has long been part of American culture. Each chapter of Point Made focuses on a typically tough challenge, providing a strategic roadmap and practical tips along with annotated examples of how prominent attorneys have resolved that challenge in varied trial and appellate briefs. Short examples and explanations with engaging titles--Brass Tacks, Talk to Yourself, Russian Doll--deliver weighty materials with a light tone, making the guidelines easy to remember and apply.

    In 10 Things Every Writer Needs to Know, Jeff Anderson focuses on developing the concepts and application of ten essential aspects of good writing—motion, models, focus, detail, form, frames, cohesion, energy, words, and clutter.Throughout the book, Jeff provides dozens of model texts, both fiction and nonfiction, that bring alive the ten things every writer needs to know. By analyzing strong mentor texts, young writers learn what is possible and experiment with the strategies professional writers use. Students explore, discover, and apply what makes good writing work. Jeff dedicates a chapter to each of the ten things every writer needs to know and provides mini-lessons, mentor texts, writing process strategies, and classroom tips that will motivate students to confidently and competently take on any writing task.With standardized tests and Common Core Curriculum influencing classrooms nationwide, educators must stay true to what works in writing instruction. 10 Things Every Writer Needs to Know keeps teachers on track—encouraging, discovering, inspiring, reminding, and improving writing through conversation, inquiry, and the support of good writing behaviors.

    Compelling opening scenes are the key to catching an agent or editor’s attention, and are crucial for keeping your reader engaged.As a writer, what you do in your opening pages, and how you do it, is a matter that cannot be left to chance. The First 50 Pages is here to help you craft a strong beginning right from the start. You’ll learn how to: introduce your main character establish your story world set up the plot’s conflict begin your hero’s inner journey write an amazing opening line and terrific first page and more This helpful guide walks you through the tasks your first 50 pages must accomplish in order to avoid leaving readers disoriented, frustrated, or bored. Don’t let your reader put your book down before ever seeing its beauty. Let The First 50 Pages show you how to begin your novel with the skill and intentionality that will land you a book deal, and keep readers’ eyes glued to the page.

    But when properly understood and correctly wielded, the outline is one of the most powerful weapons in a writer’s arsenal. Outlining Your Novel: Map Your Way to Success will: Help you choose the right type of outline for youGuide you in brainstorming plot ideasAid you in discovering your charactersShow you how to structure your scenesExplain how to format your finished outlineInstruct you in how to use your outlineReveal the benefits:Ensures cohesion and balancePrevents dead-end ideasProvides foreshadowingOffers assurance and motivationDispel misconceptions:Requires formal formattingLimits creativityRobs the joy of discoveryTakes too much timeEven if you're certain outlining isn't for you, the book offers all kinds of important tips on plot, structure, and character. Includes exclusive interviews with Larry Brooks, Elizabeth Spann Craig, Lisa Grace, Dan L. Hays, Jody Hedlund, Carolyn Kaufman, Becky Levine, Roz Morris, John Robinson, and Aggie Villanueva, answering important questions:Can you describe your outlining process?What is the greatest benefit of outlining?What is the biggest potential pitfall of outlining?Do you recommend "pantsing" for certain situations and outlining for others?What's the most important contributing factor to a successful outline?

    All of it greased up with whisky and bad language (let that serve as your first and only warning: this is a very NSFW book of writing advice).500 WAYS contains the following:Prologue: 25 Things You Should Know About Writing Advice25 Questions To Ask As You Write25 Reasons You Won’t Finish That Story25 Things You Should Know About Endings25 Things You Should Know About Mood25 Things You Should Know About NaNoWriMo25 Things You Should Know About Queries, Synopses And Treatments25 Things You Should Know About Self-Publishing25 Things You Should Know About Social Media25 Things You Should Know About Theme25 Things You Should Know About Writing Horror25 Virtues Writers Should Possess25 Ways To Be A Better Writer25 Ways To Defeat Writer’s Block25 Ways To Fuck With Your Characters25 Ways To Make Exposition Your Bitch25 Ways To Plot, Plan And Prep Your StoryThe Life Cycle Of A Novel (In 25 Steps)Appendix 1: 25 Sleep-Deprived And Also Drunken Thoughts On WritingAppendix 2: 25 Brief-But-Hopefully-Potent Writing Exercises

    In a clear, step-by-step fashion, this book is a fun, eye-opening, ?brain-expanding, and often irreverent guide to writing stories that sell. Covering everything from Heroes to Villains, from Theme to Plot Points, from cooking up good ideas to a business plan for smart writers, this book forever eliminates that horrible feeling every writer goes through — staring at the blank page and wondering “what comes next?”

    From story concept to character development to scene construction and beyond, this title helps you learn the big picture of storytelling at a professional level through a fresh approach that shows how to combine six core competencies: the four elemental competencies of concept, character, theme, and story structure (plot).

    Though now outdated, the best-selling book remains an important reference work today—a bible for creative directors. D&AD and TASCHEN have joined forces to bring you an updated and redesigned edition of the publication, including works from the last 15 years. Regarded as the most challenging field in advertising, copywriting is usually left to the most talented professionals—often agency leaders or owners themselves. The book features a work selection and essays by 48 leading professionals in the world, including copywriting superstars such as David Abbott, Lionel Hunt, Steve Hayden, Dan Wieden, Neil French, Mike Lescarbeau, Adrian Holmes, and Barbara Nokes. Looking for the clues to well-written, effective, and compelling stories that make great advertising? Look no further.

    From crafting your own obituary to penning an ode to an onion, each page of this playful journal invites inspiration and provides plenty of space to write. Brimming with entertaining exercises from the literary minds of the San Francisco Writers' Grotto, this is the ultimate gift for scribes of every stripe.

    Who want to do it the cheapest and easiest way possible while still producing a quality product. Who understand that much like Starbucks outlets and Nespresso coffee machines, traditional and self-publishing can peacefully co-exist. Who know that they don't have to sell a million copies of their book to start earning a living from their writing, but that they do have to work hard and treat it like a business. Who are blessed with common sense and live in the real world at least most of the time. Who find my jokes funny.  If this sounds like you, then SELF-PRINTED: THE SANE PERSON'S GUIDE TO SELF-PUBLISHING may be just the "How To..." guide you were looking for. It will tell you everything you need to know in order to publish a Print On Demand paperback and e-book, and - crucially - sell them, without sounding like anti-Big Publishing propaganda produced by the Ministry of Truth.  Be warned: you are now entering a No Saying "Gatekeepers" Zone...  Visit SelfPrintedbook.com to see the full table of contents.  ABOUT CATHERINE: Catherine Ryan Howard is the coffee-guzzling twenty-something behind the popular blog, Catherine, Caffeinated. In March 2010 she self-published her travel memoir, Mousetrapped: A Year and A Bit in Orlando, Florida, using the Print-On-Demand service CreateSpace, Amazon's Kindle Direct Publishing and Smashwords. Using free promotional tools like blogging, Twitter and Facebook, she managed to make Mousetrapped an Amazon bestseller and sell 4,000 copies of it in a year. Her success story has been featured in The Sunday Times and The Sunday Independent newspapers, and Catherine has been interviewed on BBC Radio Ulster, Newstalk and RTÉ Radio's Marian Finucane Show. She lives in Cork, Ireland, where she divides her time between her desk and the sofa. She wants to be a NASA astronaut when she grows up. (She's 28.)

    Benedict" provides the inspiration for Christine Valters Paintner's newest exploration of the mutually nourishing relationship between contemplative practices and creative expression. Artists of all stripes and stations in life—poets or painters, potters or photographers—will discover how traditions of Benedictine, Celtic, and desert spirituality can offer new sources of inspiration for their work. Through this twelve-week course, themes like "Sacred Tools and Sacred Space," "Creative Solitude and Community," and "Nature as a Source of Revelation and Inspiration" are enriched by Paintner's perceptive discussion and enhanced by insightful quotations from well-known artists and writers. Each week offers suggestions for grounding both the creative and the spiritual life through three basic practices: walking, lectio divina, and journaling. In sync with Paintner's vibrant Internet presence, The Artist's Rule is supplemented with online resources, including guided meditation podcasts, video lessons, and discussions.

    In Real Revision, award-winning author and teacher Kate Messner demystifies the revision process for teachers and students alike and provides tried-and-true revision strategies, field tested by students' favorite authors. Kate takes us on a behind-the-scenes look at how more than thirty-five authors—including Julie Berry, Watt Key, Loree Griffin Burns , Jane Yolen, Lisa Schroeder, Suzanne Selfors, Eric Luper, Danette Haworth, and Kathi Appelt—revise their works, often many times over, before they appear on library and bookstore shelves. Using successful strategies from her own classroom, Kate teaches how authors use research, brainstorming, and planning as revision tools; how they revise to add detail and make characters stronger; and how students can use those same techniques for all kinds of writing in the classroom. Real Revision features dozens of reproducible “mentor author” pages, with quotes from the authors about their revision processes, and includes related classroom-ready activities.For any teacher who wants to produce strong real-world writers, Real Revision will infuse the classroom with new energy as students use mentor authors as models for their own revision and writing.

    But if you’re mad enough to decide that you do, Wendig will be your gonzo-esque guide, from the technical advice about structure, query letters and submissions, to dealing with agents and editors and how to make your characters do as they’re damn well told, he’s full of good advice. Like a cursing, booze-soaked Virgil to your Dante, let him show you around.Buy this book, your editor will thank you.”-- Jenni Hill, Editor, Solaris BooksWant to become a novelist? A screenwriter? An all-around freelance penmonkey? Don’t know the difference between beats, scenes, sequences and acts? Not sure where to begin your edit, or how to query an agent, or what liquor goes best with the madness of being a writer? Then CONFESSIONS OF A FREELANCE PENMONKEY is all yours.CONFESSIONS is a collection of 50+ essays on the subject of writing and the writing life. It covers a wide array of subjects, from technical advice to discussions of publishing versus self-publishing to what to do if you wake up pantsless and ink-stained in the basement of a Tijuana bookstore. Equal parts hilarious, insane, profane, and profound, CONFESSIONS will take you through the many trials and tribulations of the penmonkey’s moonbat existence, offering advice every step of the way.Features popular TERRIBLEMINDS essays: …“Beware of Writer”…“Drop That Pen, Grab A Hammer: Building The Writer’s Platform”…”Exposing Yourself: Do You Write For Free?”…“No, Seriously, I’m Not F**king Around, You Really Don’t Want To Be A Writer”…“The Penmonkey’s Paean”… “Why Your Novel Won’t Get Published”…“Why You Won’t Finish That Novel”And more!(TERRIBLEMINDS has been named one of the top 101 websites for writers by WRITER’S DIGEST magazine!)What others have said:"Chuck Wendig has done what so many authors desperately need and will never admit: offered a phenomenal book about the real world of writing, and made it reachable and readable by anyone. An absolute must-read for anyone even thinking of dabbling with words for a living.”-- Karina Cooper, Author of Blood of the Wicked"Chuck Wendig's Confessions of a Freelance Penmonkey is full of the kind of writing advice I wish I'd gotten in school. Practical, brutally honest, and done with the kind of humor that will make it stick in your brain. Whether you're a veteran writer or new to the craft, you'll find something useful in here. Plus he says ‘f**k’ a lot, so, you know, there's that."-- Stephen Blackmoore, author of City of the Lost"In Confessions of a Freelance Penmonkey, Chuck Wendig hammers out writing and career advice that's always brave, profane, creative, clever, and honest. And don't forget hilarious. You'll never laugh so hard learning so much." -- Matt Forbeck, game designer and author of Vegas Knights“When a writer hits cynical, drunken, mother-hugging rock bottom, that's when they need Chuck Wendig's raw, no-holds barred advice. This is not for the faint of heart. But then again, neither is writing.”-- Mur Lafferty, host of ISBW (I Should Be Writing) podcast, editor of Escape Pod, author of Playing For Keeps"Despite being irreverent, vulgar, and funny, Chuck Wendig is also surprisingly profound. From one wordslinger about another, Chuck is the real deal and every prospective or working writer should read Confessions of a Freelance Penmonkey. Hell, the ‘Writer's Prayer’ alone is worth the price of admission."-- Jennifer Brozek, Author of The Little Finance Book That Could “If you want to be a better writer, or just want to be inspired by one of the best takes on writing I’ve ever read, do yourself a favor and buy Confessions.”-- Daniel Ames, author of Feasting at the Table of the Damned

    Grammar Girl, is determined to wipe out bad punctuation—but she’s also determined to make the process as painless as possible. A couple of years ago, she created a weekly podcast to tackle some of the most common mistakes people make with grammar.  The podcasts have now been downloaded more than twenty million times, and Mignon has dispensed grammar tips on Oprah and appeared on the pages of The New York Times, The Wall Street Journal, and USA Today.Now, Mignon tackles the most commonly asked questions regarding punctuation.  From semi-colons to serial commas and ellipsis to asterisks, Mignon offers memory tricks and clear explanations that will help readers recall and apply those troublesome punctuation rules.

    Rowling and Stephenie Meyer exploding onto the scene, aspiring YA writers are more numerous than ever. Are you interested in writing a young adult novel, but aren't sure how to fit the style that appeals to young readers?Writing Young Adult Fiction For Dummies gives you tricks of the trade and proven tips on all the steps to write a YA book, from developing an idea to publication.Unique writing exercises to help you find your own authentic teen voice Tips to avoid when submitting manuscripts How to break into the flourishing young adult market With the help of this step-by-step guide, you'll have all the skills to write an inspiring and marketable young adult novel.

    After realizing her fans were asking the same questions over and over, Mignon decided to focus her attention on those words that continuously confound the masses. In Grammar Girl's 101 Misused Words You'll Never Confuse Again, you'll learn:- When you should use affect and when effect is right- Whether you should you say purposely or purposefully- The difference between hilarious and hystericalPacked with clear explanations, fun quotations showing the word used in context, and the quick and dirty memory tricks Mignon is known for, this friendly reference guide ends the confusion once and for all and helps you speak and write with confidence.

    Full of helpful lists, plot maps, character Q&As, field trips, writing exercises, inspiring quotes, and plenty of space to write and outline, Ready, Set, Novel! provides ample inspiration and guidance to first-time novelists and more seasoned scribes alike.

    Songwriting Without Boundaries will help you commit to routine practice through fun writing exercises. This unique collection of more than150 sense-bound prompts helps you develop the skills you need to:- tap into your senses and inject your writing with vivid details - effectively use metaphor and comparative language - add rhythm to your writing and manage phrasingSongwriters, as well as writers of other genres, will benefit from this collection of sensory writing challenges. Divided into four sections, Songwriting Without Boundaries features four different fourteen-day challenges with timed writing exercises, along with examples from other songwriters, poets, and prose writers.

    HP demonstrates: * What is the best approach to take when creating book covers* How to optimize your book's description page* Choosing the category of your book* The question of pricing your book* The importance of Social Media and, more specifically, Facebook, Twitter and Blogging* How to get reviews including interviews with leading Review websites such as Dear Author* What to feature on your website* The importance of Search Engine Optimization* A Q&A with the people from Pubit!, the self publishing platform of Barnes and Noble* The seven steps of self publishing success from the owner of Smashwords, one of the largest and most well known self-publishing platforms* Tips and tidbits from Goodreads, the world's largest online book club website* And so much more!

    Over the course of ten years training teachers to write their own poems in order to pass the craft along to students, McEwen realized that nothing comes easily when life is conducted at a high rate of speed. She draws not only on personal experience, but on readings ranging from literary anecdote and poetry to Buddhism, anthropology, current news, and social history, all supplemented by interviews with contemporary writers and artists. This is a real reader’s book, one that stands up as both sustained narrative and occasional inspiration.McEwen espouses the pleasure to be found in slowing down, both for the ease and comfort of the thing itself (taking time to go for a walk, to write down one’s dreams, to read, to talk, to pray), and for its impact on creativity. There are chapters on walking, talking, drawing, dreaming, on “making space,” on pausing/praying, on telling stories. World Enough & Time is aimed at the educated general reader, could be used as a creative primer, and will be of interest to creative writing students and artists in every genre.

    Arnzen and Heidi Ruby Miller gather the voices of today's top genre writers and writing instructors alongside their published students. It fosters the writing process in a way that focuses almost exclusively on writing the novel. Using a compilation of instructional articles penned by well-known authors affiliated with Seton Hill University's acclaimed MFA program in Writing Popular Fiction, the book emphasizes how to write genre novels and commercially appealing fiction. The articles are modeled after actual "learning modules" that have successfully taught students in the program how to reach a wider audience for over a decade.

    WRITING FICTION FOR ALL YOUR WORTH contains the best of James Scott Bell's articles and blog posts on writing, easily searchable under these headings: The Writing World, The Writing Life, and The Writing Craft. You'll learn about the 6 critical success factors for bestselling fiction, how to write un-put-downable action scenes, and how to capture the interest of an agent. The keys to a dynamic opening page are revealed, and just as important, what NOT to do in the opening. There's plenty of inside information on what agents and editors say they're looking for and detailed instructions on how to write a stress free query. You'll learn what to put on your LAST page, when to use italics, how to write with courage. And a whole lot more.And you'll get never before published material, including an first-ever look into Jim's secret writing notebook, the manual he put together over the years for his own use in writing numerous bestsellers. For the first time he's sharing a glimpse into the notes he compiled on his way to publishing success.Plus, a special module on getting into e-publishing, which you must read if you want to have a career selling e-books successfully. ADDED BONUS: Interviews with some of the top writers working today: Jeffery Deaver, Tess Gerritsen, Brad Thor, David Baldacci, Carla Neggers, David Morrell, Alex Kava, Michael Palmer, Eric Van Lustbader, Steve Martinia, plus debut authors Sarah Pekkanen and Boyd Morrison. You will be inspired and instructed by these consummate pros as they share their writing secrets with you. What they're saying about James Scott Bell:"I needed advice before I tried to write a novel. The usual axiom — write what you know — wasn't helpful. So I turned to James Scott Bell. He taught me how to structure a great entrance — the equivalent of gliding down a spiral staircase in a wedding gown — and how to keep the next 400 pages from becoming as hopelessly tangled as the crumpled papers and wads of gum in my old desk. My novel sold." – Sarah Pekkanan, author of The Opposite of Me"I read PLOT & STRUCTURE in a single sitting, gasping and trying not to scream, while trapped in a flooded hospital all alone with a serial killer. Okay, not really, but after reading James Scott Bell's book, I can't help thinking that a good blurb should grab the reader with an interesting character and a compelling situation. I am inspired by Bell's enthusiastic approach, and am impressed with his numerous, helpful insights into the craft of storytelling. I recommend his book highly — especially the ending, where it turns out I WAS the serial killer." - Bill Marsilii, screenwriter, Déjà vu"If Jim Bell is teaching and I'm within a hundred miles, you can bet I'll be there! His commitment to the craft of writing is surpassed only by his enthusiasm for passionate storytelling." – Angela E. Hunt, bestselling novelist

    Essential reading for those preparing ALL students to think critically, write well, and succeed academically in both high school and college. Jim Burke, Author of The English Teacher's Companion and What's the Big Idea?Argument writing can be difficult to teach, but it may be the most important set of skills we teach in English. According to the National Common Core Standards, by the end of high school, students should be able to write arguments to support claims with clear reason and relevant evidence-and they should be able to do so well.Designed for middle and high school students, the activities in this book will enable students to write strong arguments and evaluate the arguments of others. When they are through, students will be able, as the Common Core Standards ask, to Delineate and evaluate [an] argument and specific claims...including the validity of the reasoning [and] the relevance and sufficiency of the evidence. Developed by George Hillocks, Jr. and others in diverse inner city classrooms in Chicago, students are easily engaged in the lively problem-solving approach detailed in this book.Teaching Argument Writing begins with how to teach simple arguments and moves onto those that are more complex, showing step-by-step how to teach students to write and evaluate:arguments of fact arguments of judgment arguments of policy Student handouts, activities, and models of classroom discussions are provided to help you bring these methods to your classroom. Among other things, Hillocks guides you through teaching your students:how judgments are made in the real world how to make literary judgments based on criteria how to develop and support criteria for arguments.

    A New Edition is Available. Check out the completely updated and expanded edition here https://www.goodreads.com/book/show/3...Are you a fiction or fanfiction writer hoping to catch onto a bit of JK Rowling's magic "floo powder?" Based on the popular workshop, A Writer's Guide to Harry Potter analyzes JK Rowling's craft for the fiction writer. Through thirteen lessons, readers will discover various techniques and styles Ms. Rowling employs which have made her series such a phenomenal success. Specific examples are given which will help writers determine how to utilize these techniques in their own writing with their own voice.Topics covered include characterization, world building, backstory, mystery plotting, and business matters such as fan interaction, fan fiction, website design, social media, and author persona. Readers will learn to use techniques gleaned from Ms. Rowling to develop and improve their own voice and style, not to create little Harry Potter clones. A fun and essential guide for writing a novel!Text includes many tables and highlighted quotes as well as a 7-book outline of Harry's hero journey.** If a particular table or quote does not seem to load initially on your Kindle, thumb forward a couple of pages and then go back to it.Table of Contents:Introduction: Lessons from the Headmistress and No Polyjuiced Pretenders Here(On Learning Techniques, not Cloning a Duplicate)Lesson One: Characters with More Emotional Range than a Teaspoon(Characterization)Lesson Two: Quidditch, A Prisoner of Azkaban, and Thestrals to MoM(Voice and Reader Fulfillment)Lesson Three: Return to the Dursleys(Establishing and Breaking Story Patterns)Lesson Four: Shrieking Shacks, Whomping Willows, and Moaning Myrtles -- or the Dark Lord's in the Detail(World Building)Lesson Five: Revealing Wormtail(Dropping Clues, Hiding Secrets)Lesson Six: Put a Fidelius Charm on Your Godric's Hollow(Backstory)Lesson Seven: Myth Connections(Mythic Structures, Archetypes, and Themes)Lesson Eight: His Royal Snivellus -- the Ambiguity of Snape(Themes and Borders)Lesson Nine: Of Grindelwald and Hitler(Real World Relevance)Lesson Ten: Keep it FUN(Engaging the Reader)!Lesson Eleven: Draco Loves Hermione! (At Least in Fanfiction)(Fan Involvement)Lesson Twelve: Make a Magical Impression in the Muggle World(A Few Tips on Building a Public Presence)

    The perfect "retreat in a book" for writers' events, discussions, and conferences. Who You Are Determines What You Write. You have unique stories to tell the world, teachings and words that will inspire and encourage others. So what are you waiting for? It's time to unleash that writer within. This isn't your average writing book, with guilt-inducing lists of "how-tos" in your search to become a writer...or a better writer. Instead, internationally renowned and beloved writer Cecil Murphey walks as a companion alongside as you: *Discover who you are. *Develop your voice and writing style. *Learn to write with heart. *Become authentic to your readers. *Grapple with the dreaded "Writer's Block" (it's not the deadly monster it seems). *Harness the inner critic (and a few outer ones too). *Expand your comfort zone. "We need to continue improving our writing skills, but in the process, we can't forget who we are. If we do, our voices become lifeless. The words may sound beautiful, but they won't express our true selves."-Cec Murphey. New York Times' best-selling author and international speaker Cecil (Cec) Murphey has written or co-written more than 120 books, including the runaway bestseller 90 Minutes in Heaven (with Don Piper) and Gifted Hands: The Ben Carson Story (with Dr. Ben Carson). His books have sold millions of copies, been translated into more than 40 languages, and brought hope and encouragement to countless people around the world.

    It has been expanded to include simple ways to promote books using newer technology--always considering promotion and marketing techniques that are easy on the pocketbook and frugal of time. It also includes a multitude of ways for authors and publishers to promote the so-called hard-to-promote genres. The award-winning author of poetry and fiction draws on a lifetime of experience in journalism, public relations, retailing, marketing, and the marketing of her own books to give authors the basics they need for do-it-yourself promotion and fun, effective approaches that haven't been stirred and warmed over, techniques that will help rocket their books to bestselling lists. You'll also learn to write media releases, query letters and a knock 'em dead media kit--all tools that help an author find a publisher and sell their book once it's in print.

    So much of what you need to know is already defined for you. You know that your script needs to be a certain short length, with a certain small number of characters. You know that your choice of scenes is limited to your show’s standing sets and maybe one or two swing sets or outside locations. You know how your characters behave and how they’re funny, either because you invented them or because you’re writing for a show where these things are already well established. Sitcom is easy and sitcom is fun. Sitcom is the gateway drug to longer forms of writing. It’s a pretty good buzz and a pretty good ride, a great way to kill an afternoon, or even six months. And now, thanks to comedy writing guru John Vorhaus (author of THE COMIC TOOLBOX: HOW TO BE FUNNY EVEN IF YOU'RE NOT), writing situation comedy is easier than ever. In THE LITTLE BOOK OF SITCOM, you'll find a whole trove of tools, tricks and problem-solving techniques that you can use -- now, today -- to be the sitcom writer of your wildest dreams. Ready to write? Ready to have fun? THE LITTLE BOOK OF SITCOM is the big little book for you.

    This book will be an invaluable resource to teachers in both primary and secondary schools." Professor Debra Myhill, Associate Dean for Research, College of Social Science and International Studies, University of Exeter, UK "This is a tremendously rich and exciting book. It is reassuring, in these days when simple views of literacy and its teaching are the only approaches to win official approval, that authors such as Pie Corbett and Julia Strong are able to outline and explore a much more subtle and complex approach." Professor David Wray, Director of the Institute of Education, University of Warwick, UK" 'Talk for Writing' is a proven approach to teaching creative writing that is fun, engaging and motivating for children. Now you can apply this approach to teaching non-fiction writing across the curriculum."Talk for Writing across the Curriculum" shows you how to help children speak the language of non-fiction before they attempt to write it. This is a three-step process using fun, multi-sensory activities. It helps build children's confidence and linguistic ability to such an extent they are able to create their own writing.This practical resource offers: Fully worked, tried and tested examples of how to apply 'Talk for Writing' to each non-fiction text type A wide range of fun, warm-up oral activities such as connective games, Professor Know-It-All, as well as text-based activities such as 'boxing up', creating toolkits and 'magpieing' Guidance for teachers on how to apply the approach across the curriculum DVD of Pie Corbett's workshops with teachers showing 'Talk for Writing' in action Video footage of classes engaged in the 'Talk for Writing' approach Advice on how to use the DVD and handouts to train all staff in the approach Evidence of impact "Talk for Writing across the Curriculum" is designed for busy teachers in mind and will help them transform their children's writing and attainment across the curriculum.

    You'll decide how much violence your scene needs, what's the best location, how your heroine can get out of trouble with self-defence and how to adapt your writing style to the fast pace of the action.There are sections on female fighters, male fighters, animals and weres, psychological obstacles, battles, duels, brawls, riots and final showdowns. For the requirements of your genre, there is even advice on how to build erotic tension in a fight scene, how magicians fight, how pirates capture ships and much more. You will learn about different types of weapons, how to use them in fiction, and how to avoid embarrassing blunders. The book uses British spellings.

    You can jump-start your plot and bring your characters and scenes vibrantly alive on the page - by watching your favorite movies and learning from the storytelling tricks of great filmmakers.With this workbook you'll learn how to use techniques of film writing such as:- the High Concept Premise- the Three-Act, Eight-Sequence Structure- the Storyboard Grid- the Index Card Method of Plotting- as well as tricks of film pacing and suspense, character arc and drive, visual storytelling, creating setpieces, and building image systems - to structure and color your novel for maximum emotional impact, suspense, and pacing, no matter what genre you're writing in.Contains all the general story structure lessons of STFA I and much more, but with special attention to key story elements, techniques and examples from romantic comedy, romantic suspense, and romantic adventure, including ten full story breakdowns.TABLE OF CONTENTSIntroductionPART ONE: STORY STRUCTURE1. The Master List2. What's Your Premise?3. First, You Need an Idea4. What KIND of Story Is It?5. The Three-Act, Eight-Sequence Structure6. The Index Card Method7. Story Elements Checklist8. Elements of Act I9. Plan, Central Question, Central Story Action10. What's The Plan?11. Hero/ine, Protagonist, Main Character12. Hero and Heroine, Lover and Loved One13. What Makes A Great Villain?14. Elements of Act Two15. Elements of Act Two, Part 216. Elements of Act Three17. Top Ten Endings18. What Makes a Great Climax?19. Act Climaxes Overview and Examples20. Expanding on the Key Story Elements21. Expanded Story Elements Checklist22. Love Story Elements23. Fairy Tale Structure24. Meta Structure25. What is "High Concept"?26. The Rule of Three27. Voice28. First Chapters29. Theme and Thematic Image Systems30. Visual Storytelling31. Creating Suspense32. Plants and Payoffs33. The Big Twist34. Character Introductions35. Using Character Clusters36. Your First Draft is Always Going to Suck37. Top Ten Things I Know About Editing38. A Process for WritingPART TWO: STORY BREAKDOWNS39. The Breakdowns40. Leap Year41. While You Were Sleeping42. Notting Hill43. Four Weddings and a Funeral44. The Proposal45. New in Town46. Groundhog Day47. Sense and Sensibility48. Romancing the Stone49. Sea of LovePART THREE: THE BUSINESS50. Life is a Pitch Meeting51. How Do I Get a Literary Agent?52. Internet Resources for Writers53. So You Want to Know About Screenwriting54. Recommended ReadingFigure 1: Story Grid

    This indispensable handbook covers both British and American English, and makes use of authentic spoken and written examples.Packed with tables, diagrams, and numerous example sentences, and assuming no prior knowledge of grammatical concepts on the part of the reader, this volume offers an unmatched guide to the structure of contemporary English. Arranged in three clear parts for ease of use, the Grammar's comprehensivecoverage ranges from the very basic--such as word structure, simple and complex phrases, and clause types--to the more sophisticated topics that lie at the intersection of grammar and meaning, including tense and aspect, mood and modality, and information structuring. How do words formed bycompounding differ from words formed by conversion? How many verbs in English can take a declarative clause functioning as direct object (ie, decide that... or believe that...)? What is the relationship between a matrix clause and a subordinate clause? What is the present futurate? The pastfuturate? The present perfect? How does the grammar of English encode such semantic notions as possibility, probability, necessity, obligation, permission, intention, or ability? Aarts answers all these questions, clearly and engagingly, deeply enriching the reader's understanding ofthe English language.Oxford Modern English Grammar will be invaluable for those with an interest in the English language, undergraduate students of all disciplines, and for anyone who would like a clear guide to English grammar and how to use it.

    But what does digital mean really, for agents, publishers, and most of all, for authors? What will the industry look like tomorrow, and what should authors be doing to properly position themselves today?Examining the history and mechanics of the publishing industry as it exists today, the way the digital revolution reflects recent events in Egypt and the Maghreb, and a completely inappropriate YouTube video featuring a randy monkey and an unlucky frog, bestselling authors (and friends) J.A. Konrath and Barry Eisler show in this 35,000 word online discussion that digital isn't just the future, it's right now. Konrath, a pioneer in self-publishing, is now making over a half-million dollars a year through his self-published books, and Eisler just turned down a half-million dollar deal from one of the Big 6 NYC publishers to self-publish his latest novel. To find out why and what it all means for you, read on.Please feel free to repost all or any portion of this discussion with attribution and a link back to the authors. About the authorsJoe Konrath is the author of more than twenty novels and hundreds of short stories, written under the names J.A. Konrath (the Lt. Jacqueline "Jack" Daniels series), Jack Kilborn (Afraid, Trapped, Endurance, Draculas), and Joe Kimball (Timecaster.) Joe has a lot of names, apparently. He began self-publishing on Kindle in April, 2009. As of March, 2011, he's sold over 200,000 ebooks. On his blog, A Newbie's Guide to Publishing, he has chronicled his writing journey.Barry Eisler spent three years in a covert position with the CIA's Directorate of Operations, then worked as a technology lawyer and startup executive in Silicon Valley and Japan, earning his black belt at the Kodokan International Judo Center along the way. Eisler's bestselling thrillers have won the Barry Award and the Gumshoe Award for Best Thriller of the Year, have been included in numerous "Best Of" lists, and have been translated into nearly twenty languages. The first book in Eisler's John Rain series, Rain Fall, is now a minor motion picture (kidding, it’s reasonably major) starring Gary Oldman. Eisler lives in the San Francisco Bay Area and, when he's not writing novels, blogs about torture, civil liberties, and the rule of law. You can find out more on his website, friend him on Facebook, and follow him on Twitter. He was also in the movie Freakonomics, which he forgot to tell Joe.

    Here she reveals the workings of publishers' minds and whips your work into shape with humour and honesty.

    But, for many of us, accessing our creative core is difficult, if not impossible. Now, acclaimed film producer Don Hahn offers his own unorthodox, yet highly effective methods for reawakening the creative spirit. Blending personal and often hilarious anecdotes with presciptive advice for rediscovering your creative self, Hahn explores the emotions that accompany creativity and discusses the important of constructing a creative environment. Hahn describes the creative process in stages and lists the forces that drive creativity: balance, chaos, persistence, truth--plus chocolate and coffee. Best of all, he demonstrates how his theories can be put into practice, using his own highly successful career as an example. Filled with humor and empathy, along with some good old-fashioned practical advice, Brain Storm takes readers on an exciting journey to creative greatness.

    Poetics. Writing Reference. WINGBEATS: EXERCISES AND PRACTICE IN POETRY is an exciting collection of exercises by fifty-eight wonderfully diverse teaching poets both in (Oliver de la Paz, Ravi Shankar, Patricia Smith) and out (Ellen Bass, Robert McDowell, Naomi Shihab Nye) of academia. In seven chapters, ranging from "Springboards to Imagination" to "Chancing the Accidental" to "Complicating the Poem," each exercise includes not only clear step-by-step instructions, but numerous poems that exemplify the successful completion of the exercise, some by the authors of the exercises, some by their students. WINGBEATS' exercises incorporate numerous approaches: working in pairs and/or groups, incorporating research and/or the Internet, writing outdoors, and others, all easily found in the book's unique Alternate Table of Contents. Of course, traditional poetic techniques covering metaphor, persona, forms, and revision are also included. WINGBEATS, which poet Cole Swensen calls "indispensable," belongs in every poet's library.Contributors: Rosa Alcala, Wendy Barker, Ellen Bass, Tara Betts, Catherine Bowman, Susan Briante, Sharon Bridgforth, Nathan Brown, Jenny Browne, Andrea Hollander Budy, Lisa D. Chavez, Alison T. Cimino, Cathryn Cofell, Sarah Cortez, Bruce Covey, Oliver de la Paz, Lori Desrosiers, Cyra S. Dumitru, Blas Falconer, Annie Finch, Gretchen Fletcher, Madelyn Garner, Barbara Hamby, Carol Hamilton, Penny Harter, Kurt Heinzelman, Jane Hilberry, Karla Huston, David Kirby, Laurie Kutchins, Ellaraine Lockie, Ed Madden, Anne McCrady, Robert McDowell, Ray McManus, David Meischen, Harryette Mullen, Aimee Nezhukumatathil, Hoa Nguyen, Naomi Shihab Nye, Katherine Durham Oldmixon, Kathleen Peirce, Georgia A. Popoff, Patty Seyburn, Ravi Shankar, Shoshauna Shy, Patricia Smith, Jessamyn Johnston Smyth, Bruce Snider, Lisa Russ Spaar, Susan Terris, Lewis Turco, Andrea L. Watson, Afaa Michael Weaver, William Wenthe, Scott Wiggerman, Abe Louise Young, and Matthew Zapruder."WINGBEATS is a fabulous toolbox of innovative and practical ideas that literally every teacher of poetry workshops and at every level, from elementary poets-in-the-schools through the graduate MFA, will find indispensable. Covering a vast range from image to sound to form, the exercises are all concrete and clearly presented--a marvelous way to mine the imaginations and experiences of today's most dynamic poets. Invaluable "--Cole Swensen"I opened WINGBEATS--and fell in headfirst, caught in the feathers of the creative impulse. WINGBEATS proves that poetry matters, that writing is an experimental discovery process, that there are many avenues to success, that writing poems is a gift we can all claim. The wealth of enabling nudges by the poets of WINGBEATS--who share their energy, wisdom, and examples--opens the door wide to our creative Selves. No teacher, no aspiring poet, should be without the gentle guidance of this book."--Gabriele Rico

    Aspiring and accomplished writers will find a place to breathe, in both the memoir-stories and tips that seamlessly address major aspects of creative life—from inspiration to individual voice; from helpful habits, networking and publishing, to reasons we create and write. Says the first chapter, "There are so many things standing in my way this morning, I can hardly begin. Yet I've heard there are rumors of water. Maybe that is enough." And apparently it is

    This is the book you want stapled to your chest when you march into the battle of authorship!” – Karina Cooper, author of BLOOD OF THE WICKED“Chuck Wendig hammers out writing and career advice that's always brave, profane, creative, clever, and honest. And don't forget hilarious. You'll never laugh so hard learning so much." – Matt Forbeck, game designer and author of AMORTALS and VEGAS KNIGHTS.It’s time once more for a grim and greasy descent into the penmonkey’s world as Chuck Wendig offers up a gonzo NSFW look at what life is like as a writer.REVENGE OF THE PENMONKEY takes writers through their paces and karate-chops them in the trachea with a no-holds-barred drill sergeant approach to a writing career. Wendig -- equal parts novelist, game designer, screenwriter and all-around freelance penmonkey – gives a candid and hilarious look at what it takes to survive as a modern day inkslinger.Features 30 essays such as:“How To Tell If You’re A Writer”“How To Jumpstart A Stalled Novel”“Panster Versus Plotter”“Six Signs You’re Not Ready To Be A Professional Writer”“Why Writers Drink”“Word-Karate: On Writing Action Scenes”“Writers Should Be Motherf**king Rock Stars” Are you ready to go big and go bold? Are you ready to bleed on the page for your work? Then gaze into the unblinking eye of REVENGE OF THE PENMONKEY, a book of humorous writer-focused essays and articles of booze-soaked, profanity-brined writing advice.* * *At terribleminds.com, Chuck Wendig dispenses nuggets (okay, more like outright manifestos) of writing advice on a daily basis, and the site has been named one of the Top 101 Websites For Writers of 2011 by WRITER’S DIGEST.

    Straight talking and methodical, Craig Shrives draws on his experience as a through-the-ranks officer in the British Intelligence Corps to present a wonderfully light-hearted and easily digestible book. Suitable for Brits and Americans, this comprehensive grammar-reference book offers well crafted ‘grammar lite’ explanations as well as hundreds of tips and workarounds. But, if you want to soak yourself in English grammar, it allows you to do that too. General Grammar is packed with real-life examples and keeps you engaged with a wealth of great quotations from Homer (the Greek) to Homer (the Simpson).

    Baxter's experience from decades as a career martial artist make this book a valuable resource for writers who want to understand what fighting is all about - what it really feels like and what does and doesn't work - and how to factor those things into their writing to make their fight scenes visceral, realistic page turners. Baxter won't tell you how to write, but he will tell you what makes a great fight scene.

    This book focuses on the aspect that causes non-native researchers the most problems when writing a scientific paper for publication in international journals and when presenting their results at conferences: the use of English.

    In this book, Nava Atlas explores 'the writing life' of 12 celebrated women writers."

    Create, Craft, and Sell Your First Novel, Memoir, or Nonfiction Book

    Let’s just go ahead and call that, “25 bonus tips,” shall we? Boom. Value added.)The book features sections such as:“The Transubstantiation of Trope,” “Why Bad Decisions Are A Good Decision,” “Nobody Sees Themselves As A Supporting Character,” "I Want To Buy The Semi-Colon A Private Sex Island," and “Plot Is Promise.”Contained within are things you should know about plot holes, self-publishing versus legacy publishing, "on-the-nose" dialogue, story versus plot, metaphors, copy-editing, killing darlings with a claw hammer, cursing like an undead pirate, and generally being a cranky and irreverent creative type.

    The insights, information, tips and checklists in this book make it an essential guide to successful navigation through the complexities of your publishing project. The method is simple: When all the tasks are checked off, your book is published.

    With this volume at your side, you need never be stalled or stymied for an appropriate expression, whether speaking of the higher reaches of philosophy or holding forth on art, music, or poetry--or other highbrow pastimes.The more you expand your vocabulary, the richer and clearer your writing and conversation will become. And the better you'll be able to say exactly what you mean, joining intellectual discussions with confidence that you've found just the right words.

    Created as a resource to reach all students (even those most resistant to creative writing), the off-beat and attention-grabbing lessons include such gems as Literary Facebooks, where students create a mock Facebook profile based on their favorite literary character, as well as highly practical lessons like the College Application Essay Boot Camp. These writing lessons are written by experts--and favorite novelists, actors, and other entertainers pitched in too.Road-tested lessons from a stellar national writing lab Inventive and unique lessons that will appeal to even the most difficult-to-reach students Includes a chart linking lessons to the Common Core State Standards 826 National is an organization committed to supporting teachers, publishing student work, and offering services for English language learners.

    It won't feed aspiring writers' dreams of fame and fortune. This book is about survival: how to generate ideas when you needed them yesterday, dialogue and plot on the quick, and what your manuscript is up against in the slush piles of the world. For non-fiction writers, Starve Better offers writing techniques such as how to get (relatively) high-paying assignments in second and third-tier magazines, how to react to your first commissioned assignment, and how to find gigs that pay NOW as the final notices pile up and the mice eat the last of the pasta in the cupboard. Humor, essays and some of the most widely read blog pieces from Nick Mamatas, author and editor of fiction that has caught the attention of speculative fiction's most prestigious awards, come together for the first time in a writers' guide that won't teach anyone how to get rich and famous... but will impart the most valuable skill in the business: how to starve better.Blurb: "Mamatas offers up a no-nonsense guide that should be required reading for all writers. Prepare to have some illusions shattered... because you need them shattered. A great resource from a guy with the experience to back up the advice." -Jeff VanderMeer, author of City of Saints and Madmen and FinchAbout the Author: Nick Mamatas is the author of three and a half novels, over seventy short stories, and hundreds of feature articles, and is also an editor and anthologist. His fiction has been nominated for the Bram Stoker and International Horror Guild awards and translated into German, Italian, and Greek; his editorial work with Clarkesworld earned the magazine World Fantasy and Hugo award nominations. Nick's reportage, short stories, and essays have appeared in venues such as Razor, Asimov's Science Fiction, Silicon Alley Reporter, the Village Voice, The Smart Set, The Writer, Poets & Writers and anthologies including Supernatural Noir and Lovecraft Unbound. He teaches at Western Connecticut State University in the MFA program in Creative and Professional Writing, was a visiting writer at Lake Forest College and the University of California, Riverside's Palm Desert Campus, and runs writing classes in the San Francisco Bay Area.

    Trouble is, plot is where most writers fall down--but you don't have to be one of them. With this book, you'll learn how to create stories that build suspense, reveal character, and engage readers--one scene at a time.Celebrated writing teacher and author Martha Alderson has devised a plotting system that's as innovative as it is easy to implement. With her foolproof blueprint, you'll learn to devise a successful storyline for any genre. She shows how to:Use the power of the Universal StoryCreate plot lines and subplots that work togetherEffectively use a scene tracker for maximum impactInsert energetic markers at the right points in your storyShow character transformation at the book's climaxThis is the ultimate guide for you to write page-turners that sell!

    How to Write Hot Sex: Tips from Multi-Published Erotic Romance Authors features everything you need to know about adding sizzling sexual tension, scorching sex scenes, and emotional impact to your romance writing in twelve info-packed essays from bestselling and multi-published authors - so you can get published and get paid.

    The pieces of a satisfying novel or story seem to fit together so effortlessly, so seamlessly, that it's easy to find yourself wondering, "How on earth did the author do this?" The answer is simple: He sat alone at his desk, considered an array of options, and made smart, careful choices.In On Writing Fiction, award-winning author and respected creative writing professor David Jauss offers practical information and advice that will help you make smart creative and technical decisions about such topics as:Writing prose with syntax and rhythm to create a "soundtrack" for the narrativeChoosing the right point of view to create the appropriate degree of "distance" between your characters and the readerHarnessing the power of contradiction in the creative processIn one thought-provoking essay after another, Jauss sorts through unique fiction-writing conundrums, including how to create those exquisite intersections between truth and fabrication that make all great works of fiction so much more resonant than fiction that follows the "write what you know" approach that's so often used.

    There are good ideas and bad ideas and commercial ideas and personal ideas. But where do you find ideas in the first place? This handbook explores different methods for finding or generating ideas, and combining those ideas into concepts that sell. Over 175 pages filled with idea generation techniques! The Idea Bank, Fifteen Places To Find Ideas, Good Ideas And Bad Ideas, Ideas From Locations And Elements, Keeping Track Of Your Ideas, Idea Theft - What Can You Do? Weird Ways To Connect Ideas, Combing Ideas To Create Concepts, High Concepts - What Are They? Creating The Killer Concept, Substitution - Lion Tamers & Hitmen, Creating Blockbuster Concepts, Magnification And The Matrix, Conflict Within Concept, Concepts With Visual Conflict, Avoiding Episodic Concepts, much more! Professional Screenwriter William C. Martell (19 produced films) takes you into the world of ideas and high concepts, showing you step-by-step how to find the best idea for your script.

    It goes far beyond the standard advice given in most screenwriting manuals. Drawn from sources as varied as vaudeville, classical Greek comedies, and Russian fairy tales, the book outlines a series of practical templates for creating believable characters and emotionally satisfying plots.

    Created as a resource to reach all students (even those most resistant to creative writing), the lessons range from goofy fun (like The Other Toy Story: Make Your Toys Come to Life) to practical, from sports to science, music to mysteries. These lessons are written by experts, and favorite novelists, actors, and other celebrities pitched in too. Lessons are linked to the Common Core State Standards.A treasure trove of proven, field-tested lessons to teach writing skills Inventive and unique lessons will appeal to even the most difficult-to-reach students 826 National has locations in eight cities: San Francisco, New York, Los Angeles, Ann Arbor, Chicago, Seattle, Boston, and Washington DC 826 National is a nonprofit organization, founded by Dave Eggers, and committed to supporting teachers, publishing student work, and offering services for English language learners.

    Screenplays are about characters in conflict... characters in emotional turmoil... Strong three dimensional protagonists who can find solutions to their problems in 110 pages. But how do you create characters like this? How do you turn words into flesh and blood? Character issues, Knowing Who Is The Boss, Tapping into YOUR fears, The Naked Character, Pulp Friction, Man With A Plan, Character Arcs, Avoiding Cliche People, Deep Characterization, Problem Protagonists, 12 Ways To Create Likable Protagonists (even if they are criminals), Active vs. Reactive, The Third Dimension In Character, Relationships, Ensemble Scripts, and much, much more! Over 63,000 words of techniques! Professional Screenwriter William C. Martell (19 produced films) takes you into the world of strong protagonists, showing you step-by-step how to find the best lead character for your screenplay.

    Where do you start? Maybe you want to blog, but where do you begin? What do you say? How do you get anyone to care about what you have to say? “Are You There, Blog? It’s Me, Writer” is a compilation of social media expert Kristen Lamb’s best social media blogs and lessons, and some additional material only found here. This book is designed to be a laugh-out-loud journey to the heart of social media.Many of us know we need a social media platform, but what exactly does that mean? Most of us would rather have brain surgery with a KFC spork than learn about computers and social marketing. Fortunately, “Are You There, Blog? It’s Me, Writer” is not your average social marketing book. This book will strip away all those fears and teach you how to make the most of Twitter, Facebook, and blogging and give you all you need to build a worldwide platform based on relationship and community. Kristen will show you how to manage time, be more productive, and maximize the top social media tools. The best part is you’ll be having so much fun, you will forget you’re supposed to be learning.

    With new university-level readings and updated activities, this flexible text helps students master the writing and critical thinking skills necessary to produce strong academic essays using supporting evidence.

    The author provides detailed lessons on format, capturing voice and tone on the script page and developing great characters with powerful dialogue.brbrAlso includes exclusive insights from major industry professionals that interacted with the author at events in Los Angeles and New York City, including Robert Zemeckis, the screenwriters of Final Destination, Limitless and Blade Runner, Louis C.K. and the President of Production of Columbia Pictures.brbrPraised by SCRIPT magazine, "Story Maps#58; How to Write a GREAT Screenplay" is NOT a formula or just another structure paradigm -- it is the view from behind the desk of the people evaluating your screenplay, what they want to read and what they will buy. With all the competition in the Hollywood marketplace, your script can't just be good, it must be GREAT.

    How to remove bad dialogue (and what *is* bad dialogue), First Hand Dialogue, Awful Exposition, Realism, 50 Professional Dialogue Techniques you can use *today*, Subtext, Subtitles, Humor, Sizzling Banter, *Anti-Dialogue*, Speeches, and more. Almost 200 pages of tools you can use to make your dialogue sizzle! Special sections that use dialogue examples from movies as diverse as "Bringing Up Baby", "Psycho", "Double Indemnity", "Notorious", the Oscar nominated "You Can Count On Me", "His Girl Friday", and many more! Professional Screenwriter William C. Martell (19 produced films) shares professional dialogue techniques, showing you step-by-step how to write great dialogue for your screenplay.

    But many researchers, who, in all other respects, are competent scientists, are afraid of writing. They are wary of the unwritten rules, the unspoken dogma and the inexplicably complex style, all of which seem to pervade conventional thinking about scientific writing.This book has been written to expose these phantoms as largely smoke and mirrors, and replace them with principles that make communicating research easier and encourage researchers to write confidently. It presents a way of thinking about writing that emulates the way good scientists think about research.It concentrates on the structure of articles, rather than simply on grammar and syntax. So, it is an ideal reference for researchers preparing articles for scientific journals, posters, conference presentations, reviews and popular articles; for students preparing theses; and for researchers whose first language is not English.Scientific Writing = Thinking in Words expounds principles that produce scientific articles in a wide range of disciplines that are focused, concise and, best of all, easy to write and read. As one senior scientist observed, "This book not only made me a better writer; it made me a better scientist".

    In Toward a Composition Made Whole, Jody Shipka views composition as an act of communication that can be expressed through any number of media and as a path to meaning-making. Her study offers an in-depth examination of multimodality via the processes, values, structures, and semiotic practices people employ everyday to compose and communicate their thoughts.       Shipka counters current associations that equate multimodality only with computer, digitized, or screen-mediated texts, which are often self-limiting. She stretches the boundaries of composition to include a hybridization of aural, visual, and written forms. Shipka analyzes the work of current scholars in multimodality and combines this with recent writing theory to create her own teaching framework. Among her methods, Shipka employs process-oriented reflection and a statement of goals and choices to prepare students to compose using various media in ways that spur their rhetorical and material awareness. They are encouraged to produce unusual text forms while also learning to understand the composition process as a whole. Shipka presents several case studies of students working in multimodal composition and explains the strategies, tools, and spaces they employ. She then offers methods to critically assess multimodal writing projects.      Toward a Composition Made Whole challenges theorists and compositionists to further investigate communication practices and broaden the scope of writing to include all composing methods. While Shipka views writing as crucial to discourse, she challenges us to always consider the various purposes that writing serves.

    

    Here's the secret: If you want to engage readers, you need great characters, and writing great characters starts with writing great people. Character Development from the Inside Out tells you how to do just that!

    The fear of mispronouncing or misusing complex words is real and leaves many of us consigned to the lower levels* of the English Language. The secret to eloquence, however, lies in simplicity—the ability to use ordinary words in extraordinary ways.The Well-Spoken Thesaurus is your guide to eloquence, replacing the ordinary with the extraordinary. While a common thesaurus provides only synonyms as mere word-for-word equivalents, The Well-Spoken Thesaurus is filled with* dynamic reinventions of standard words and phrases.*lofty word, pretentious word *know what it is to *lower reaches, lower echelons *awash in, instilled with, dense with, rich in

    It is about being a poet. It is also about the long process of becoming one," writes Eavan Boland. These inspiring essays are both critical and deeply personal, allowing the adventure, passion, and struggle of becoming a woman poet to be viewed from different perspectives. Boland traces her own experiences as a woman, wife, and mother and their effects on her poetry. In the opening essay, she explores the story of her mother, a painter, and her influence on Boland's own concepts of art and womanhood. She examines the work of women poets such as Adrienne Rich, Elizabeth Bishop, Gwendolyn Brooks, and Sylvia Plath, whose poetry provided light and guidance for her own work. And finally, in "Letter to a Young Woman Poet," she addresses an unseen young poet of the future, and looks to a world where this future artist can change the poetic past as well as the present.

    "Unfortunately, no one knows what they are!" To some extent, the process of writing a book is shrouded in mystery. Writing the Christian Nonfiction Book: Concept to Contract takes the confusion out of the writing and publishing process. Based on Dave Fessenden's regular column in Cross & Quill magazine and the seminars he teaches at Christian writers' conferences across the country, this book presents eight steps every author must take to be successfully published.

    It's like sitting in a room full of professional writers, and after each one delivers a riff on one aspect of writing, the others weigh in to buttress, amplify, refine, or add to what was said. It's an extended conversation with writers who know what they're talking about--and what matters in writing fiction that really communicates with readers." --Orson Scott Card . . . . . ."How To Write Magical Words: A Writer's Companion" is a compilation of essays originally published on MagicalWords.net, a popular writing blog with thousands of regular followers. Distilling three years worth of helpful advice into a single, portable volume, it contains nearly 100 essays covering such wide-ranging topics as:- Getting Started . . . Again - Creating Characters in Small Spaces - Storytelling Tropes: Belief - Binding Character and Narrative: Point of View - Word Choice and Pacing - Metaphors, Similes, and Analogies, Oh My . . . - Writing Action Scenes - The Beginning of the End - Developing Your Internal Editor - Artistic Choices and the Market - Business Realities for the WriterMany of these essays are accompanied by comments and questions from the blog's readers, along with the author's response, making this volume unique among how-to books on any subject.The core members of Magical Words--David B. Coe, A.J. Hartley, Faith Hunter, Stuart Jaffe, Misty Massey, C.E. Murphy, and Edmund R. Schubert--have experience writing and editing fantasy, mysteries, thrillers, romance, science fiction, non-fiction, and more. This group is uniquely qualified to cover the full spectrum of writing-related issues. "How To Write Magical Words: A Writer's Companion" is a book that belongs in the library of anyone interested in the craft of writing, the business of writing, and the writing life.

    Written by Dean Wesley Smith, USA Today Bestselling writer and former publisher of Pulphouse Publishing. Point-by-point, Dean tells you what is needed to start up a publishing house and sell your books both electronically but also to bookstores.

    Learn to write with flair in five easy lessons.

    The Girls in the Basement is an upbeat collection of stories, challenges, and meditations on the writing life, meant to nourish writers at every point along the road, from multi-published to just starting out. Learn how to fill the well and take care of your muses and yourself that you can write your best work, all the time, for ten, twenty, fifty years.

    Like textbooks, it includes poetry-writing exercises and discussion of classic and contemporary poems as examples, and is logically organized to provide a complete overview of the elements of poetry writing, from diction to trope to free verse. Like general poetry guides, it has a tone lively and mature enough for the nonundergraduate, and includes sections on journaling and inspiration, revision, publishing, and even how to assemble a poetry book. Like form guides, A Poet's Craft provides an introduction to meter and to writing formal poetry. Finch's book goes further than any form guide now available to give readers a thorough, eclectic, and exciting introduction to poetic form.

    Examples from actual cases are provided along with excerpts of authentic courtroom dialogue. Topics covered include criminal and civil law; differences between federal, state, and Native American jurisdiction; police and private investigation; wills and inheritances; and the written and unwritten codes that govern the public and private conduct of lawyers and judges. Providing a quick and simple legal reference, this handbook is the key to creating innovative plots, strong conflicts, authentic characters, and gritty realism.

    Joel Friedlander, one of the leading advocates for self-publishing on the internet, draws on a lifetime of experience helping self-publishers launch their books. He demystifies book publishing and, in the process, answers your questions about how to use social media, the importance of sound book construction, and the critical tasks that confront the modern self-publisher. As independent publishing becomes more popular with authors and readers, A Self-Publisher's Companion will show you the new way to publish and promote your book. From ebooks to iBooks, the author also shows how the move to ebooks is affecting independent publishers, and how best to approach the opportunity presented by Amazon's Kindle, Apple's iPad and all the other ebook readers. Drawn from his popular blog, TheBookDesigner.com, this book will help ensure self-publishers don't get left behind.

    Rather, it's a well-crafted story about a crucial, often exceptionally difficult, time in someone's life. Writing & Selling Your Memoir talks readers through the process of telling their most personal stories in a compelling, relatable, and readable manner. Unlike other books dedicated to the art and craft of writing memoir, it teaches readers how to approach the genre with love, respect, and know-how without sentimentalizing it.Drawing on her experience working with New York Times best-selling memoirists, literary agent Paula Balzer carefully explores the genre and provides readers with step-by-step instruction on how to:Identify strong opening and closing pointsFind and develop a strong central hook that readers can relate toStructure a memoir to maximize readabilityUse dialogue and pacing to enhance intimacyApproach honesty and truthfulnessBuild a successful author platform around their memoirGet an agent's attentionGet publishedFull of tips, techniques, detailed exercises, and examples from best-selling memoirs as well as sidebars from well-known memoir authors, Writing & Selling Your Memoir teaches you how to approach an often tricky genre and tell your story without sentimentalizing it.

    Written for fiction and non-fiction writers at all levels.

    Mixon includes dozens of examples from the literary canon along with a step-by-step analysis of six brilliant stories from which their genres sprang, as well as discussing the grand art of storytelling, from character arc/narrative arc to three-dimensional graphing, from hunting the ghost tiger to the Tao of theme. Again, Mixon's voice is warm and entertaining, your personal welcome into the greater fellowship of all writers.

    From the 1950s comes "The Sky is Burning." The 1960s are represented by "All the Sounds of Fear" and "Pretty Maggie Moneyeyes." The Ellison of the 1970s appears in "At the Mouse Circus," "Basilisk," "Hindsight: 480 Seconds," "The Man Who Was Heavily Into Revenge," "Shatterday," "Shoppe Keeper," and "Strange Wine." The 1980s offerings include "Broken Glass," "Grail," "On the Slab," and "Prince Myshkin, and Hold the Relish," while the 1990s bring forth "The Man Who Rowed Christopher Columbus Ashore" and "Sensible City."

    But if no one remembers that past, it may not mean much to the future.”This succinct and thoughtful essay is the text of a talk commissioned for a symposium entitled The Future of Reading which was held at RIT in June 2010. Written and designed by Robert Bringhurst, this limited edition is carefully crafted and letterpress printed. 450 copies, printed on Mohawk Ticonderoga paper.

    Now, in Vernacular Eloquence, he makes a vital new contribution to both practice and theory. The core idea is simple: we can enlistvirtues from the language activity most people find easiest-speaking-for the language activity most people find hardest-writing. Speech, with its spontaneity, naturalness of expression, and fluidity of thought, has many overlooked linguistic and rhetorical merits. Through several easy to employtechniques, writers can marshal this wisdom of the tongue to produce stronger, clearer, more natural writing.This simple idea, it turns out, has deep repercussions. Our culture of literacy, Elbow argues, functions as though it were a plot against the spoken voice, the human body, vernacular language, and those without privilege-making it harder than necessary to write with comfort or power. Giving speecha central role in writing overturns many empty preconceptions. It causes readers to think critically about the relationship between speech, writing, and our notion of literacy. Developing the political implications behind Elbow's previous books, Vernacular Eloquence makes a compelling case thatstrengthening writing and democratizing it go hand in hand.

    …In the conferences especially, there has been a lot of good practical information about finding an agent, attracting a publisher, and marketing a book once it is in print. All this is very good, helpful, and necessary… But again and again in those classrooms and workshops, I was struck by the fact that very little was being said about what might be called the emotional or psychological aspects of the writing process. Over the course of thirty years in the profession, thirteen book publications, and several hundred articles, reviews and essays…and thanks to countless conversations with writers—some famous, some widely published and admired, some struggling to finish a first book or find an agent, or just earn a good grade on a college assignment—I know how critical that interior dimension of the writing life is. In this book I hope to shed some light on that dimension of the work, not as a psychiatrist or counselor, but as an author, because I am sure that writing success—however that term is defined for the individual writer—always has its roots in the soil of the psychological/emotional world.From chapters entitled “Writer’s Block” to “Finding A Mentor” to “Impatience and Rejection”, Merullo covers these topics with the insight, empathy and encouragement of an author who has “been there.” Demons of the Blank Page is a no-nonsense handbook and guide for aspiring and established writers alike.Merullo’s work has been hailed “happily inventive, precise and musical” by The Boston Globe and “emotionally complex, politically intelligent, [and] beautifully written” by Kirkus Reviews.

    

    Teachers already familiar with these books will find this a simple way to link reading and writing instruction. Using the same five thinking strategies -- Connect, Question, Visualize, Infer, and Transform -- young writers will learn how to engage their readers' thinking through their writing.Writing Power will guide teachers through a series of lessons focusing on each of the strategies. A wide range of effective writing techniques are outlined and reinforced throughout the book, with suggested "anchor books" for each lesson. The fundamentals of the writing process and the "6 Traits" are integrated into this unique examination of how developing an awareness of the readers' thinking can influence and affect a student's ability to write

    Dangling modifiers, gerunds, punctuation marks--it's enough to make you want to drop out of high school. Swearing and sex on the other hand, well, these time-honored pastimes warm the cockles of our hearts. Now, The Elements of F*cking Style drags English grammar out of the ivory tower and into the gutter, injecting a dull subject with a much-needed dose of color.This book addresses everything from common questions ("What the hell is a pronoun?") to philosophical conundrums ("Does not using paragraphs or periods make my thesis read like it was written by a mental patient?"). Other valuable sections include:•All I've got in this world are my sentences and my balls, and I don't break 'em for nobody•A colon is more than an organ that gets cancer•Words your bound to f*ck upOne glance at your friend's blog should tell you everything you need to know about the sorry state of the English language. This book gives you the tools you need to stop looking like an idiot on message boards and in interoffice memos. Grammar has never before been so much f*cking fun.

    Through extensive research and experience in the industry, the authors present ideas on sustainability within the book-making process, reviewing the environmental impacts of acquisitions and editing, design and printing, marketing and distribution, and both print and digital sales. Rethinking Paper & Ink includes a detailed account of the choices Ooligan Press made to produce the book itself and features industry profiles that highlight remarkable individuals, organizations, and businesses exemplifying these standards.

    The book’s starting point is the proposition that we all possess a higher or deeper intelligence than the everyday mind, and that learning to live and work harmoniously and energetically with this intelligence is the irreducible core of a successful artistic life. We can call this inner force the unconscious mind or the silent partner. We can call it the id or the secret self. But muse, daimon, and genius are so much more effective at conveying its subversive and electrifying emotional charge, and also its experiential reality.Your unconscious mind truly is your genius in the ancient sense of the word, the sense that was universal before it was fatefully altered several centuries ago by historical-cultural forces. Befriending it as such, and interacting with it as if it really is a separate, collaborating presence in your psyche, puts you in a position to receive its gifts, and it in the position to give them to you.

     Laura Oliver has been teaching aspiring writers how to plumb emotional contradictions for insight for more than a decade in workshops and university classes. Now she has written the book her students have been asking her for, a book that aspiring writers of every genre can use to guide, coach, and encourage them on their journey.The Story Within employs the compelling art of memoir to illuminate craft and touches on nuanced subjects only a teacher who is herself actively writing knows to address. Each chapter offers excerpts from Laura's own stories, as well as those of students and published authors and then provides fresh advice and clear instruction on the subject of writing.

    Course bundle: Rules for Writers with Writing about Literature (Tabbed Version)

    She challenges enduring myths surrounding creative writing - not least, that writers learn most from workshops. Through case studies of best practice from America and elsewhere, Vanderslice provides a vision of change, showing how undergraduate and postgraduate programs can be reformed to re-engage with contemporary culture.

    The box contains twenty-eight cards that suggest all kinds of characters, places, and objects that you can use to make up your own stories. Pick a handful of cards and use their pictures, descriptions, and questions as inspiration. Discover more ideas about how to use the cards and read sample stories in The Storytelling Book that accompanies each set.

    The market is literally saturated with books on writing, but the information is so fragmented that writers must compile a library to cover every step of the writing process.Until now.The Writer's Companion houses the tools needed to hone a writer's abilities, and it's written in a style that keeps the brain from crying out in frustration or dying of boredom. Instead of slipping into a coma, writers will master the structure of coherent plotting; fiction elements such as point of view, atomosphere, narrative, and characterization; and learn to revise grammar and syntax without imploding under the weight of dull rules. Once those skills are mastered, the Companion details simple but effecive ways to rewrite, edit, format, and prepare manuscripts for publication... And that's just the beginning!Whether you read from cover to cover, or dip into the sections as a reference aid, the Companion is a valuable tool for all writers, backed by a thriving online community always ready to help, nurture, and encourage writers at all levels to achieve success. Wouldn't it be nice if all writers had a dedicated Companion?This is it: your very own.

    In addition to providing a wealth of ideas and tips for publishing in the Christian industry, "The Christian Writer's Market Guide" also includes up-to-date information on more than 400 book publishers, more than 600 periodicals, and hundreds of agents, contests, conferences, editorial services, niche markets, self-publishing services, and more. This is the ultimate reference tool for Christian writers.

    So why can't you find a publisher for it? For some reason (maybe even more than one) editors and agents alike keep rejecting your proposal.So what are you doing wrong?Discover 77 of the most common reasons why thousands of book proposals are rejected every year, and find out what you can do to make your proposal stand out from the rest. Working as an author, editor, and agent from more than 20 years, publishing industry veteran Mike Nappa knows the most frequent mistakes authors make in their proposals and then simple steps you can take to avoid catching a ride on the train to Rejection-ville."

    When you follow the seven simple steps the author provides in the opening pages, you write with passion, honesty, and the intention of speaking with and listening to the voice within, you engage in a vibrant conversation with the wisdom that dwells just below your conscious awareness. This large format (7x9) journal incorporates material from the original book, as well as new that deep soul writers love: mystical poetry and other soul-lifting quotations, and actual examples of the voice from both the author and other soul writers' pages.