A necessary resource for anyone interested in alternative approaches to healing, this book contains more than 600 easy-to-follow recipes for essential oil treatments and aromatherapy.

    Today, the book is considered a classic in African American and feminist circles.In Sisters of the Yam, hooks examines how the emotional health of black women is wounded by daily assaults of racism and sexism. Exploring such central life issues as work, beauty, trauma, addiction, eroticism and estrangement from nature, hooks shares numerous strategies for self-recovery and healing. She also shows how black women can empower themselves and effectively struggle against racism, sexism and consumer capitalism.As hooks’ first book on psychological concerns, Sisters of the Yam paved the way for her more recent and popular writing on love, relationships and community. This South End Press Classics Edition will include a new introduction.Praise for Sisters of the Yam: Black Women and Self-Recovery:“By confronting topics avoided in polite company—including progressive black folks—hooks helps us tackle our deepest fears, those we harbor about our self-worth as African Americans, and get on with the business of becoming.”—Village Voice Literary Supplement“hooks continues to produce some of the most challenging, insightful, and provocative writing on race and gender in the United States today.”—Library Journal“[bell hooks] draws more effectively on her own experiences and sense of identity than . . . most other writers.”—Publishers Weekly

    All his other existences were on alien worlds and in other dimensions. He finds out that his association with extraterrestrials did not cease with these other lives. This strange case reveals the motives behind present-day involvement between UFOs and humans, and the hopes and expectations of our creators for their garden. We are the Garden.The Gardeners are Extraterrestrials from other worlds!

    Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories.In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manuscript. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited.

    35,000 first printing.

    A full bibliography is included.

    The bestselling author of And the Band Played On follows with a book of even greater power and sweep as he investigates the situation of gays in the military over the past three decades, revealing for the first time that some of the most celebrated soldiers in American history were homosexual (including the Father of the United States Army).

    -- and why do they kill? The increase in these violent crimes over the past decade has created an urgent need for more and better information about these men: their crime scene patterns, violent acts, and above all, their motivations for committing these shocking and repetitive murders.This authoritative book represents the data, findings, and implications of a long-term F.B.I.-sponsored study of serial sex killers. Specially trained F.B.I. agents examined thirty-six convicted, incarcerated sexual murderers to build a valuable new bank of information which reveals the world of the serial sexual killer in both quantitative and qualitative detail. Data was obtained from official psychiatric and criminal records, court transcripts, and prison reports, as well as from extensive interviews with the offenders themselves.Featured in this book is detailed information on the F.B.I.'s recently developed Violent Criminal Apprehension Program (VICAP) and a sample of an actual VICAP Crime Analysis Report Form.

    Winner of the prestigious William James Book Award, THE PSYCHOLOGY OF JUDGMENT AND DECISION MAKING is an informative and engaging introduction to the field written in a style that is equally accessible to the introductory psychology student, the lay person, or the professional. A unique feature of this volume is the Reader Survey which readers are to complete before beginning the book. The questions in the Reader Survey are drawn from many of the studies discussed throughout the book, allowing readers to compare their answers with the responses given by people in the original studies. This title is part of The McGraw-Hill Series in Social Psychology.

    Krashen also explores research surrounding the role of school and public libraries and the research indicating the necessity of a print-rich environment that provides light reading (comics, teen romances, magazines) as well as the best in literature to assist in educating children to read with understanding and in second language acquisition. He looks at the research surrounding reading incentive/rewards programs and specifically at the research on AR (Accelerated Reader) and other electronic reading products.

    When Philip Swallow, lecturer in English at Rummidge, changes places with flamboyant Morris Zapp of Euphoric State University, USA, trouble ensues. Then, ten years on, older but not noticeably wiser, they are let loose on the international conference circuit - a veritable academic carnival. And finally, Dr Robyn Penrose becomes part of a scheme to learn about industry instead of reading about it, with hilarious results. David Lodge exposes the dizzy pursuit of knowledge - literary, commercial, romantic and erotic - with unparalleled wit and insight.Changing Places 1975Small World 1985Nice Work 1989

    Describes the struggle against entrenched ineffiency and corruption in the military, and recounts the author's own experiences trying to get equipment tested under conditions that resemble combat.

    With their flagrant criminal violation of society's rules, serial killers like Ted Bundy and John Wayne Gacy are among the most dramatic examples of the psychopath. Individuals with this personality disorder are fully aware of the consequences of their actions and know the difference between right and wrong, yet they are terrifyingly self-centered, remorseless, and unable to care about the feelings of others. Perhaps most frightening, they often seem completely normal to unsuspecting targets--and they do not always ply their trade by killing. Presenting a compelling portrait of these dangerous men and women based on 25 years of distinguished scientific research, Dr. Robert D. Hare vividly describes a world of con artists, hustlers, rapists, and other predators who charm, lie, and manipulate their way through life. Are psychopaths mad, or simply bad? How can they be recognized? And how can we protect ourselves? This book provides solid information and surprising insights for anyone seeking to understand this devastating condition.

    An imprisoned man receives an unexpected caller, after which "everything changed..."And the reader is hooked. But whether or not readers will stay on for the entire wild ride will depend on how well the writer structures the story, scene by scene.This book is your game plan for success. Using dozens of examples from his own work - including "Dropshot," "Tiebreaker" and other popular novels - Jack M. Bickham will guide you in building a sturdy framework for your novel, whatever its form or length. You'll learn how to: -"worry" your readers into following your story to the end -prolong your main character's struggle while moving the story ahead -juggle cause and effect to serve your story action As you work on crafting compelling scenes that move the reader, moment by moment, toward the story's resolution, you'll see why believable fiction must make more sense than real life. Every scene should end in disastersome scenes should be condensed, and others built big. Whatever your story, this book can help you arrive at a happy ending in the company of satisfied readers.

    

    He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power.The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power.The Field of Cultural Production will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.

    Combining poetry, wit, polemic, and dazzling scholarship with memorial and autobiography, these essays have set new standards of passion and truthfulness for current theoretical writing.The essays range from Diderot, Oscar Wilde, and Henry James to queer kids and twelve-step programs; from "Jane Austen and the Masturbating Girl" to a performance piece on Divine written with Michael Moon; from political correctness and the poetics of spanking to the experience of breast cancer in a world ravaged and reshaped by AIDS. What unites Tendencies is a vision of a new queer politics and thought that, however demanding and dangerous, can also be intent, inclusive, writerly, physical, and sometimes giddily fun.

    Titles in the original Tibetan "The Sanglingma Life Story," it was recorded by the dakini Yeshe Tsogyal, concealed in the ninth century at Sanglingma (Copper Temple) in Samye, and revealed by Nyang Ral Nyima Oser in the twelfth century. In addition to narrating the legendary story of a unique spiritual personality, the book contains oral instructions and advice that he left for the benefit of future generations. Also included are "A Clarification of the Life of Padmasambhava" by Tsele Natsok Rangdröl, an extensive glossary and index, and a bibliography of Tibetan and English sources.

    What I do is but no expression of what is valuable to me." For comforts to be enjoyed I must be there to enjoy them. When i am split with guilt, I am rarely anywhere but with my anxieties, regrets and guilt. When I clearly see this fact, I will see the value of applying universal ethical standards to myself. Therefore, a value, universal or situational, is a value for me only when I see the value of the value as valuable to me." - Swami Dayananda Saraswati

    His sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings. A new preface and two new additional essays published in the 1990s bring this valuable collection up to date.

    Have you ever had a dream in which you think God was speaking to you? Here is a practical guide, from the Christian perspective, for understanding the symbolic language of dreams.

    Joyce scholar Edmund L. Epstein has arranged this material as running commentary on A Portrait of the Artist As a Young Man, Ulysses, and Finnegans Wake. With a new foreword by Phil Cousineau for this Collected Works edition, Mythic Worlds, Modern Words is both an introduction to the major work of Joyce and a representative portrait of Joseph Campbell as a critic of Joyce. It is also a major contribution to Joyce criticism, the fruit of a lifetime’s meditation on the great Irish writer’s writings.

    This book describes his descent. Read about how he moved quickly from level to level, seeking power. While he thought he was moving up, he was really being dragged down.

    People with disabilities forging the newest and last human rights movement of the century.

    Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.

    

    This eBook presents the most comprehensive collection of Johann Wolfgang von Goethe’s works available, with beautiful illustrations, informative introductions and the usual Delphi bonus material. * Beautifully illustrated with images relating to Goethe's life and works* Concise introductions to the novels, plays and other works* ALL the novels and 12 plays, including rare dramas appearing for the first time in digital print* Images of how the books were first printed, giving your eReader a taste of the original texts* Excellent formatting of the texts* Features Abraham Hayward’s 30 beautiful illustrations for FAUST* Includes the rare and often missed-out-of-collections Part Two of FAUST* Special chronological and alphabetical contents tables for the poetry* Easily locate the poems you want to read* Non-fiction works, including the famous THEORY OF COLOUR* Special criticism section, with essays by writers such as Ralph Waldo Emerson and Sir Walter Scott, as evaluating Goethe’s contribution to literature* Features an autobiography and a bonus biography - discover Goethe's literary life* Scholarly ordering of texts into chronological order and literary genres

    Written by the originator of the method - an effective, economical, fast, and easily-repeatable strategy for organizing meetings of between 5 and 1,000 participants - this is the first book to document the rationale, procedures, and requirements of OST. OST enables self-organizing groups of all sizes to deal with hugely complex issues in a very short period of time. This practical, step-by-step user's guide details what needs to be done before, during, and after an Open Space event.

    Generally similar to such Mixtec manuscripts as the Codex Nuttall, the Codex Borgia is thought to have its origin (ca. A.D. 1400) in the southern central highlands of Mexico, perhaps in Puebla or Oaxaca. It is most probably a religious document that once belonged to a temple or sacred shrine.One use of the Codex many have been to divine the future, for it includes ritual 260 day calendars, material on aspects of the planet Venus, and a sort of numerological prognostic of the lives of wedded couples. Another section concerns various regions of the world and the supernatural characters and attributes of those regions. Also described are the characteristics of a number of deities, while still other passages relate to installation ceremonies of rulers in pre-Columbian kingdoms.Until the publication of this Dover edition, the Codex Borgia has been largely inaccessible to the general public. The priceless original is in the Vatican Library and previous photographic facsimiles are very rare or very expensive or both. Moreover, the original Codex has been damaged over the centuries, resulting in the obscuration and loss of many images. In order to recapture the beauty and grandeur of the original, Gisele Diaz and Alan Rodgers have painstakingly restored the Codex by hand —a seven-year project— employing the most scrupulous research and restoration techniques. The result is 76 large full-color plates of vibrant, striking depictions of gods, kings, warriors, mythical creatures, and mysterious abstract designs —a vivid panorama that offers profound insights into pre-Columbian Mexican myth and ritual. Now students, anthropologists, lovers of fine art and rare books —anyone interested in the art and culture of ancient Mexico— can study the Codex Borgia in this inexpensive, accurate, well-made edition. An informative introduction by noted anthropologist Bruce E. Byland places the Codex in its historical context and helps elucidate its meaning and significance.

    There is no privilege that can make us immune to its touch. We are taught to assume health, illnesses being just temporary breakdowns in the well-oiled machinery of the body. But illness has its own geography, its own laws and commandments. At a time when the attention of the whole nation is focused on health care, Kat Duff inquires into the nature and function of illness itself. Duff, a counselor in private practice in Taos, New Mexico, wrote this book out of her experience with chronic fatigue syndrome, but what she has to say is applicable to every illness and every one of us.For those who are sick, this book offers solace and recognition. For those who care for them either physically or emotionally, it offers inspiration and compassion. Finally, this fresh perspective on healing reveals how every illness is a crucible that tries our mettle, tests our limits, and provides us with an unparalleled opportunity to integrate its lessons into our lives.

    In this lavishly illustrated volume, insightful commentary accompanies a spectacular collection of art rich with occult symbolism drawn from the traditions of alchemy, astrology, tarot, Kabbalah, magic, and Tantra.

    In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.

    An indispensable tool for naturalists traveling to Africa, this new edition has been revised to acknowledge the enthusiasm to those watching these magnificent animals at zoos and wildlife parks, and on film.The Safari Companion enables readers to recognize and interpret visible behavioral activities, such as courtship rituals, territorial marking, aggression, and care of young. Each account of over 80 species includes a behavioral table in which the unique actions of the hoofed mammals, carnivores, and primates are described for easy reference. In addition, useful maps show the major national boundaries, vegetation zones, and game parks relevant to the guide. The book includes an extensive glossary, as well as tips on wildlife photography, a list of organizations working to protect African wildlife, and advice on where and when to see the animals.

    Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, "The Black Atlantic" also complicates and enriches our understanding of modernism.Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison.In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic.

    Full description

    Reproducing some of Owen's drawings and facsimile manuscripts of many of his greatest poems, this portrait is indispensable to any student of Wilfred Owen and the poetry of the First World War.

    This ground-breaking analysis of color in Western culture from the ancient Greeks to the late twentieth century is a John Gage triumph. With originality and erudition, he describes the first theories of color articulated by philosophers from Democritus to Aristotle and the subsequent attempts by the Romans and their Renaissance disciples to organize color systematically or endow it with symbolic power. The place of color in religion, Newton's analysis of the spectrum, Goethe's color theory, and the theories and practices that have attempted to unite color and music are among the intriguing topics this award-winning book illuminates.With a large classified bibliography, discursive footnotes, and an exhaustive index, Color and Culture is an invaluable resource for artists, historians of art and culture, psychologists, linguists, and anyone fascinated by this most inescapable and evocative element of our perceptions.

    Here is the story of the catastrophe, and of the investigation that went awry. 30 photographs.

    This first full-scale treatment of the subject follows a truly interdisciplinary approach, applying to the early medieval period a sociohistorical method similar to that which has already proven fruitful in explicating the history of Early Christianity and Late Antiquity. The encounter of the Germanic peoples with Christianity is studied from within the larger context of the encounter of a predominantly world-accepting Indo-European folk-religiosity with predominantly world-rejecting religious movements. While the first part of the book develops a general model of religious transformation for such encounters, the second part applies this model to the Germano-Christian scenario. Russell shows how a Christian missionary policy of temporary accommodation inadvertently contributed to a reciprocal Germanization of Christianity.

    Forbidden Archeology documents a systematic process of "knowledge filtration" and constitutes a serious challenge to the Darwinian theory of evolution.

    Robins' book, gracefully written and copiously illustrated, cuts through the obscurity of the ages to show us what the archaeological riches of Egypt really say about how these women lived, both in the public eye and within the family.The art and written records of the time present a fascinating puzzle. But how often has the evidence been interpreted, consciously or otherwise, from a male viewpoint? Robins conducts us through these sources with an archaeologist's relish, stripping away layer after interpretive layer to expose the reality beneath. Here we see the everyday lives of women in the economic, legal, or domestic sphere, from the Early Dynastic Period almost 5,000 years ago to the conquest of Alexander in 332 B.C. Within this kingdom ruled and run by men, women could still wield influence indirectly--and in some cases directly, when a woman took the position of king. The exceptional few who assumed real power appear here in colorful detail, alongside their more traditional counterparts. Robins examines the queens' reputed divinity and takes a frank look at the practice of incest within Egypt's dynasties. She shows us the special role of women in religious rites and offices, and assesses their depiction in Egyptian art as it portrays their position in society.By drawing women back into the picture we have of ancient Egypt, this book opens a whole new perspective on one of world history's most exotic and familiar cultures.

    In his new translation, the first in modern English of the complete text from the Graesse edition, William Granger Ryan captures the immediacy of this rich, image-filled work, and offers an important guide for readers interested in medieval art and literature and in popular religious culture more generally.

    THE LEXICAL APPROACH develops current thinking, synthesizing the best insights of previous theory, corpus linguistics, discourse analysis, and modern approaches to grammar.

    In its origin, race was not a product of science but a folk ideology reflecting a new form of social stratification and a rationalization for inequality among the peoples of North America.This third edition incorporates recently published new source materials on the history of race ideology. Because “race” now has global manifestations, it also introduces the work of scholars who are examining the spread of race ideology cross-culturally.The new edition of Race in North America also looks more closely at the positions and arguments of contemporary race scientists. Although objective scientists have shown that any two humans are 99.9% alike genetically, race scientists maintain that the remaining difference of one-tenth of one percent is highly significant, accounting for many biological and behavioral differences that they assume to be hereditary. Race scientists contend, for example, that there are race differences in diseases and responses to medications, along with differences in intellect and in talent and ability in such fields as sports. Thus, they claim, race is a valid biological concept.Smedley argues that no amount of research into biological or genetic differences can help us understand the phenomenon of race in American society. Race can only be understood as a component of the sociocultural domain, not the domain of biology.

     Based on almost 200 previously unpublished letters and extensive interviews with their closest associates, this ground-breaking new biography allows the extraordinary couple to tell their love story in their own words. In extracts from their letters to family and friends, John and Peggy describe the stormy years of their courtship, the arduous but fulfilling years when Peggy ws writing her famous novel, the thrill of its literary success, the excitement of the movie making . . . . All of the exhilarating, poignant, and moving moments of their lives are brought to life by the voices of John and Peggy themselves. In telling the private story of this remarkable 24-year marriage, author Marianne Walker reveals a long-suspected truth-that GONE WITH THE WIND might never have been written if Margaret Mitchell had not married John Marsh. In addition to being Peggy's husband, best friend, and constant support, he acted as her editor, proofreader, researcher, business manager, and in general, the inspiration obehind her work. At every point in their relationship, including the turbulent years of Mitchell's first marriage to Red Upshaw, it was john who providedthe intellectual stimulation, emotional support, and editorial expertise that enabled his gifted wife to channel her talents into the making of GONE WITH THE WIND. After years of meticulous research, Marianne Walker has created a fascinating portrait of a love match between a writer and her editor-a childless marriage dominated from beginning to end by their dear but difficult "baby," GONE WITH THE WIND.

    Bufwack and Robert K. Oermann's Finding Her Voice: The Saga of Women in Country Music quickly became an essential book for country music scholars and fans. Now back in print, with updated material, an additional chapter, and new photos, Finding Her Voice is poised to reach a whole new generation of country music fans.From country's earliest pioneers to its greatest legends, Finding Her Voice documents the lives of the female artists who have shaped the music for over two hundred years. Through interviews, photos, and primary texts, Bufwack and Oermann weave a vast and complex tapestry of personalities and talent. Long overlooked and underappreciated by scholars, female country music artists have always been immensely popular with fans. This book gets to the heart of the special bond female artists have with their audiences. People seeking to understand the context out of which mega-stars such as Shania Twain, Faith Hill, and the Dixie Chicks emerged need look no farther than this book.Co-published with the Country Music Foundation Press

    Here is the place to keep them.First there was To Our Children's Children: Preserving Family Histories for Generations to Come. A collection of over one thousand evocative questions, the book offered a very personal, human approach to genealogy, awakening readers to the possibility of creating a family history through the simple act of remembering. From this book, hundreds of thousands of individuals have learned the value of passing on family treasures made of words. However, readers kept asking Bob Greene and D.G. Fulford for a version of the book with room to record the answers. The To Our Children's Children Journal is just that: a handy and beautiful journal posing 365 questions (one for each day of the year), with ample space for families to write their own answers. Approachable, enjoyable, and thought-provoking, the Journal is a pleasure to read and to ponder--something that, once completed, will become a lasting part of any family's history, to be put on the bookshelf and treasured for generations to come.

    Images of women in newspapers, films, magazines, and fine art of the 1920s, reflected their ambiguous social role, for the women who were pictured working in factories, wearing androgynous fashions, or enjoying urban nightlife seemed to be at once empowered and ornamental, both consumers and products of the new culture. In this book Maud Lavin investigates the multilayered social construction of femininity in the mass culture of Weimar Germany, focusing on the photomontages of the avant-garde artist Hannah Hoch.

    In this book, Neville Symington approaches the well-trodden subject of narcissism, offers us fresh insights from his long clinical experience with patients suffering from this disorder, and sketches some highlights in the history of the concept of narcissism.

    Among the topics are the origins, illegal competitors, the cost of a visit, the treatment of the courtesans, traditions and protocols, and Yoshiwara arts.

    Faeries are real, and you can learn to commune with a whole world of unseen beings, including elves, devas, and nature spirits. With an open mind and a little patience, you can begin to recognize their presence all around you. This book will help you deepen your connection to the natural world as you explore the magical, mystical world of the faerie folk.Discover hidden truths in faerie tales and use them as pathways into the faerie realm Learn the basic habitats, powers and behaviors of faeries, elves, and other nature spirits Read personal accounts of actual faerie encounters Invoke fire spirits for traditional psychic readings Share the magic and knowledge of twenty tree spirits Find the elementals--gnomes, undines, sylphs and salamanders--with which you resonate most Contact water sprites, mermaids and other water spirits Find wood nymphs and thelady of the woods raw dragons into your environment with the right fragrances Attract a faerie godmother into your life Recapture the magic and wonder of a world where trees still speak and every flower tells a story. Explore the faerie realm--a place where faerie tales can and do come true.

    Professor Good argues that this impoverished perspective neglects many facets of Western medical practice and obscures its kinship with healing in other traditions. Drawing on his own anthropological research in America and the Middle East, his analysis of illness and medicine explores the role of cultural factors in the experience of illness and the practice of medicine.

    Written from the perspective of market research users, it reflects current trends in international marketing, ethics, and the continuing integration of technology.

    Selected, edited, and with an Introduction by Christine M. Bochen; Preface by William H. Shannon; Index.

    Yet for women, as scholar Myrna Goldenberg observes, "The hell was the same, but the horrors were different." Different Voices is the most thoroughgoing examination of women's experiences of the Holocaust ever compiled. It gathers together - for the first time in a single volume - the latest insights of scholars, the powerful testimonies of survivors, and the eloquent reflections of writers, theologians, and philosophers. Twenty-eight women in all speak of Hitler's "Final Solution, " from the rising storm in prewar Germany to the terrors and privations of the camps, and of the everyday heroism that kept hope alive. Part One, "Voices of Experience, " recounts the painful and poignant stories of survivors. We hear Olga Lengyel's anguish at discovering that she had unwittingly sent her mother and son to the gas chamber; on recalling the brutality of Irma Griese, a stunningly beautiful SS officer; on witnessing the unspeakable "medical experiments" the Nazis conducted on women. We share Livia F. Britton's memory of hunger and terrible vulnerability as a naked thirteen-year-old at Auschwitz. We learn of the horrific price that Dr. Gisela Perl was forced to pay to save women's lives. Part Two, "Voices of Interpretation, " offers the new insights of women scholars of the Holocaust, including evidence that the Nazis specifically preyed on women as the propagators of the Jewish race. Marion A. Kaplan describes the lives of a generation of Jewish women who thought that they were assimilated intoGerman society. Gisela Bok examines the Nazi's eugenics theories and sterilization programs, and Gitta Sereny questions Theresa Stangl, wife of the Kommandant of Sobibor and Treblinka, about her perceptions of the atrocities and of her moral responsibility. In Part Three, "Voices of

    Yalom focuses on the most unforgettable chronicles: the governess of the royal children; the servant attending Marie-Antoinette in her last days; Robespierre's sister, Charlotte; and others bound together by a common nightmare.

    His later work has been concerned with a deeper understanding of these two issues. The work required extensive use of the two great intellectual achievements of the first half of the Twentieth Century: general relativity and quantum mechanics; and these are reflected in the reprinted articles. Hawking's key contributions on black hole radiation and the no-boundary condition on the origin of the universe are included.The present compilation of Stephen Hawking's most important work also includes an introduction by him, which guides the reader though the major highlights of the volume. This volume is thus an essential item in any library and will be an important reference source for those interested in theoretical physics and applied mathematics.

    Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film, theatre and anti-abortion demonstrations.

    The American Quilt shows how these virtuoso textiles, long appreciated for their bold graphic appeal and naive charm, are also a fascinating reflection of cultural and social attitudes, painting an indelible portrait of our nation’s history and the remarkable women who lived it. America of the 18th and 19th centuries developed at a breathtaking pace, and the changes that marked each era were inevitably mirrored in the prevailing quilting styles of the period. The American Quilt marks the first time the evolution of quilting has been traced chronologically, identifying the fabric, design, and construction hallmarks of each period and showing the genesis of beloved patterns and styles. A thorough discussion of America’s textile history, complete with a fabric time-line, provides further insight into antique quilts, offering important clues to their age and provenance.The American Quilt charts the course of quilting in America, from the earliest whole-cloth and broderie perse quilts through the emergence of the block style in all its regional and popular permutations. Special sections are devoted to quilt subgenres, including Amish quilts, Baltimore Album quilts, mourning quilts, and African-American quilts, that are highly prized by collectors today.Quilt collectors will also find helpful information on displaying, storing, and caring for quilts, as well as an exhaustive directory of dealers and quilt collections that have been updated for this edition.Filled with more than 250 photographs of rarely seen quilts and delightful evocations of quilting’s colorful past, The American Quilt is a thought-provoking and important step forward in our ever-expanding knowledge of this remarkable folk art.“[The American Quilt] offers a profusely illustrated survey that ingeniously weaves the threads of America’s social, political, economic, and industrial history into the evolution of the quilt-making arts.” —New York Times“A longtime dealer of antique quilts, Kiracofe has given us a guide to evaluating and dating old quilts, and has included methods of tracking down the makers, and advice on their cleaning, storage, hanging, and restoration. A pleasure for the generalist, this book will be indispensable to serious students and collectors.” —Washington Post“A must for any serious student of quilts.” —Quilter’s NotebookA “classic quilt tome.”—USA Today

    Ranging in style from Audre Lorde's classic polemic on eroticism to Miriam DeCosta Willis's deeply moving essay on her husband's last years, "every single one of these essays is terrific." -- The Washington Post

    At its peak, this conflict touched virtually every sphere of social life: schools, universities, the press, marriage and gender relations, burial rites, associational culture, the control of public space, folk memory and the symbols of nationhood. In short, these conflicts were 'culture wars', in which the values and collective practices of modern life were at stake. These 'culture wars' have generally been seen as a chapter in the history of specific nation-states. Yet it has recently become increasingly clear that the Europe of the mid- and later nineteenth century should be seen as a common politico-cultural space. This book breaks with the conventional approach by setting developments in specific states within a trans-national context, offering a fresh and revealing perspective on one of modernity's formative conflicts.

    Accompanying the artist's traveling retrospective, the 144-page book documents 10 of Chihuly's rule-breaking series from the Baskets, begun in the late 1970s, through the Pilchuck Stumps of 1992. Painter and art critic Walter Darby Bannard introduces the volume, which is more inclusive than a typical exhibition catalog, with a personal response to Chihuly and his glass. Seventy-five full-color reproductions and commentary on the individual series by the artist and noted authorities provide a visual and verbal overview of the artist's career. With listings of selected museum and public collections and permanent installations as well as an extensive bibliography, "Chihuly: Form From Fire" offers a definitive look at "Chihuly As of 1993, " as Geldzahler titled his provocative essay in which he asserts that Chihuly "does go over the top at times.

    Charmingly illustrated.

    Stacey challenges the conceptual orthodoxy of planned strategy, focusing instead on the influence of more complex and unstable forces in the development of strategy. Ideal for advanced undergraduate and postgraduate study, this critically detailed account deals with up-to-the minute issues, raising the challenge of complexity within practice and theory.As such it remains unique amongst strategic management text books. In this fifth edition, Stacey also covers contemporary issues including: the links between micro and macro-level activities in the organisation; focus on the gathering interest in 'strategy-as-practice'; the treatment of ethics and values in strategic management;

    In Compulsive Beauty, Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death. To this end Foster first restages the difficult encounter of surrealism with Freudian psychoanalysis, then redefines the crucial categories of surrealism--the marvelous, convulsive beauty, objective chance--in terms of the Freudian uncanny, or the return of familar things made strange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacometti in mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy. This leads him finally to propose as a summa of surrealism a body of work often shunted to its margins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connections not only between sadism and masochism butal so between surrealism and fascism. At this point Compulsive Beauty turns to the social dimension of the surrealist uncanny. First Foster reads the surrealist repertoire of automatons and mannequins as a reflection on the uncanny processes of mechanization and commodification. Then he considers the surrealist use of outmoded images as an attempt to work through the historical repression effected by these same processes. In a brief conclusion he discusses the fate of surrealism today in a world become surrealistic. Compulsive Beauty not only offers a deconstructive reading of surrealism, long neglected by Anglo-American art history, but also participates in a postmodern reconsideration of modernism, the dominant accounts of which have obscured its involvements in desire and trauma, capitalist shock and technological development.

    1500. Superbly illustrated with 1,700 color photographs of museum artifacts, archaeological finds, artists' reconstructions, and specially commissioned maps, Timelines is the first comprehensive visual timechart.

    This book documents Jane Austen's world: Stoneleigh Abbey, quaint country retreats and stylish town houses. A Buyer's Directory, for those who want to recreate this era in their own homes is included.

    Moving step-by-step at the molecular level through 89 scents, this work includes useful diagrams as well as techniques for oil extraction. Discussed are techniques for applying the benefits of aromatherapy to different body systems including muscles and joints, the respiratory system, and the immune system. An ideal handbook for those interested in aromatherapy as a holistic therapy, this work also provides many tips for how even the most simple applications of aromatherapy can improve one's quality of life.

    KEY TOPICS: It offers in-depth and self-contained treatments of shortest path, maximum flow, and minimum cost flow problems, including a description of new and novel polynomial-time algorithms for these core models. MARKET: For professionals working with network flows, optimization, and network programming.

    Alison Owings interviewed and here records the words of twenty-nine German women who were there: Working for the Resistance. Joining the Nazi Party. Outsmarting the Gestapo. Disliking a Jewish neighbor. Hiding a Jewish friend. Witnessing "Kristallnacht." Witnessing the firebombing of Dresden. Shooting at Allied planes. Welcoming Allied troops. Being a prisoner. And being a guard. The women recall their own and others' enthusiasm, doubt, fear, fury, cowardice, guilt, and anguish.Alison Owings, in her pursuit of such memories, was invited into the homes of these women. Because she is neither Jewish nor German, and because she speaks fluent colloquial German, many of the women she interviewed felt comfortable enough with her to unlock the past. What they have to say will surprise Americans, just as they surprised the women themselves.Not since Marcel Ophuls's controversial film The Sorrow and the Pity have we been on such intimate terms with "the enemy." In this case, the story is that of the women, those who did not make policy but were forced to participate in its effects and to witness its results. What they did and did not do is not just a reflection on them and their country––it also leads us to question what actions we might have taken in their place. The interviews do not allow for easy, smug answers.

    The Complete Graphics of Eyvind Earle: And Selected Poems and Writings 1940-1990

    

    This remarkable book with its more than 1,300 illustrations covers 70 years of Duchamp's artistic production and traces his elusive personae across that same span. It documents his extraordinary achievements in painting and sculpture as well as his life-long involvement with chess, film, theater, and people - from intimate encounters to artistic liaisons."Marcel Duchamp" is designed as a double-faced publication: from one direction, entitled "Works," it contains a catalogue reproducing Duchamp's paintings, sculptures, and miscellaneous objects (150 illustrated in color). From the other direction, entitled "Ephemerides, "unfolds a day-by-day account of the artist's life, organized by astrological sign. The greater part of this detailed chronology relies upon unpublished materials. It is enriched by 1,200 documents and photographs, including a number of works by Duchamp that have never before been reproduced. Each section is printed on a different color paper.Sandwiched between these two sections is a concordance listing writings by and about Duchamp, a bibleography (letters sent by Duchamp), exhibition catalogues, a chronology of chess games, and a filmog-raphy.Pontus Hulten, Director of the Palazzo Grassi in Venice between 1985 and 1989, is the chief curator of the Duchamp exhibition in Venice. Jennifer Gough-Cooper and Jacques Caumont are Duchamp scholars who have devoted themselves exclusively to Duchamp studies for the past fifteen years.

    Since then my understanding of black madonnas has been deepened by geneticists finding that the origin of modern humans is Africa, that primordial migrations from Africa carried a belief in a sacred dark woman to all continents. Black madonnas may be considered a metaphor for healing millennial divisions of gender and race in concerted world movements for justice.

    The word Oshun is the name given to describe a complex convergence of Spiritual Forces that are key elements in the If� concept of fertility and the erotic. Those Spiritual Forces that form the foundation of Oshun's in the Spirit Realm relate to the Creation of new forms through the interaction between polar opposites. According to If�, Creation occurs through the polarity between the Forces of expansion and contraction. Together these Forces create light and darkness, which in turn sustains and defines all that is. If� scripture often refers to Forces of expansion as Orisha Okunrin, which means Male Spirit and to Forces of contraction as Orisha Obinrin, which means Female Spirit. Both forms of Spiritual Power are considered of equal importance in the evolution of all that exists. One is not better than the other because it is only through the balance of opposites that life comes into Being.

    Women Who Kept the Lights details the careers of 30 intrepid women who were official keepers of light stations on the Atlantic, Gulf, and Pacific Coasts, on Lake Champlain and the Great Lakes, staying at their posts for periods ranging from a few years to half a century. Most of these women served in the 19th century, when the keeper lit a number of lamps in the tower at dusk, replenished their fuel or replaced them at midnight, and every morning polished the lamps and lanterns to keep their lights shining brightly.Several of these stalwart women were commended for their courage in remaining at their posts through severe storms and hurricanes. A few went to the rescue of seamen when ships capsized or were wrecked. Their varied stories are brought together here for the first time, drawing a multifaceted picture of a unique profession in our maritime history.

    -- Library Journal

    In fact original fairy tales are still being written. Over the last century and a half many well-known authors have used the characters and settings and themes of traditional tales such as 'Cinderella', 'Hansel and Gretel', and 'Beauty and the Beast' to produce new and characteristic works of wonder and enchantment. The Oxford Book of Modern Fairy Tales brings together forty of the best of these stories by British and American writers from John Ruskin and Nathaniel Hawthorne to I. B. Singer and Angela Carter. These tales are full of princes and princesses, witches and dragons and talking animals, magic objects, evil spells, and unexpected endings. Some of their authors, like John Ruskin and Oscar Wilde, use the form to point a social or spiritual moral; others such as Jeanne Desy and Richard Kennedy, turn the traditional stories inside out to extraordinary effect. James Thurber, Bernard Malamud, and Donald Barthelme, among many others, bring the characters and plots of the traditional fairy tale into the contemporary world to make satiric comments on modern life. The literary skill, wit, and sophistication of these stories appeal to an adult audience, even though some of them were originally written for children. They include light-hearted comic fairy stories like Charles Dickens's 'The Magic Fishbone' and L. F. Baum's 'The Queen of Quok', thoughtful and often moving tales like Lord Dunsany's 'The Kith of the Elf Folk' and Philip K. Dick's 'The King of the Elves', and profoundly disturbing ones like Lucy LaneClifford's 'The New Mother', and Ursula Le Guin's 'The Wife's Story'. Together they prove that the fairy tale is not only one of the most popular and enduring forms, but a significant and continually developing part of literature.Uncle David's nonsensical story about giants and fairies / Catherine Sinclair --Feathertop / Nathaniel Hawthorne --The King of the Golden River / John Ruskin --The story of Fairyfoot / Frances Browne --The light princess / George MacDonald --The magic fishbone / Charles Dickens --A toy princess / Mary De Morgan --The new mother / Lucy Lane Clifford --Good luck is better than gold / Juliana Horatia Ewing --The apple of contentment / Howard Pyle --The griffin and the minor canon / Frank Stockton --The selfish giant / Oscar Wilde --The rooted lover / Laurence Housman --The song of the morrow / Robert Louis Stevenson --The reluctant dragon / Kenneth Grahame --The book of beasts / E. Nesbit --The Queen of Quok / L.F. Baum --The magic ship / H.G. Wells --The Kith of the elf-folk / Lord Dunsany --The story of Blixie Bimber and the power of the gold buckskin whincher / Carl Sandburg --The lovely myfanwy / Walter De la Mare --The troll / T.H. White --Gertrude's child / Richard Hughes --The unicorn in the garden / James Thurber --Bluebeard's daugher / Sylvia Townsend Warner --The chaser / John Collier --The King of the elves / Philip K. Dick --In the family / Naomi Mitchison --The jewbird / Bernard Malamud --Menaseh's dream / I.B. Singer --The glass mountain / Donald Barthelme --Prince Amilec / Tanith Lee --Petronella / Jay Williams --The man who had seen the rope trick / Joan Aiken --The courtship of Mr Lyon / Angela Carter --The princess who stood on her own two feet / Jeanne Desy --The wife's story / Ursula Le Guin --The river maid / Jane Yolen --The porcelain man / Richard Kennedy --Old man Potchikoo / Louise Erdrich

    A revolutionary approach to improving one's community through local institutions, including the parish.

    Merry Wiesner has updated and expanded her prize-winning study; she has added new sections on topics such as sexuality, masculinity, the impact of colonialism, and women's role as consumers. Other themes investigated include the female life cycle, literacy, women's economic role, artistic creation, female piety--and witchcraft--and the relationship between gender and power. Accessible, engrossing, and lively, this book will be of central importance for those interested in gender history, early modern Europe, and comparative history.

    Before Rosa Parks could ignite a Montgomery Bus Boycott, the Supreme Court had to strike down the Alabama law which made segregated bus service required by law; before Martin Luther King could march on Selma to register voters, the Supreme Court had to find unconstitutional the Southern Democratic Party's exclusion of African-Americans; and before the March on Washington and the Civil Rights Act of 1964, the Supreme Court had to strike down the laws allowing for the segregation of public graduate schools, colleges, high schools, and grade schools. Making Civil Rights Law provides a chronological narrative history of the legal struggle, led by Thurgood Marshall and the NAACP Legal Defense Fund, that preceded the political battles for civil rights. Drawing on interviews with Thurgood Marshall and other NAACP lawyers, as well as new information about the private deliberations of the Supreme Court, Tushnet tells the dramatic story of how the NAACP Legal Defense Fund led the Court to use the Constitution as an instrument of liberty and justice for all African-Americans. He also offers new insights into how the justices argued among themselves about the historic changes they were to make in American society. Making Civil Rights Law provides an overall picture of the forces involved in civil rights litigation, bringing clarity to the legal reasoning that animated this Constitutional revolution, and showing how the slow development of doctrine and precedent reflected the overall legal strategy of Thurgood Marshall and the NAACP.

    Writing against the backdrop of the fifth centenary of the conquest of the Americas, Gutierrez seeks in the remarkable figure of Las Casas the roots of a different history and a gospel uncontaminated by force and exploitation. Las Casas, who arrived in the New World in 1502, underwent a conversion after witnessing the injustices inflicted on the Indians. Proclaiming that Jesus Christ was being crucified in the poor, he went on to spend a lifetime challenging the Church and the Empire of his day. His voluminous writings, along with those of his numerous adversaries, provide the substance for Gutierrez's reflections. What emerges is both a prophet of unquestioned courage and a theologian of remarkable depth, whose vision continues to set in relief the challenge of the gospel in a world of injustice. Not only did Las Casas point the way to such contemporary themes as the church's "preferential option for the poor" and the denunciation of "social sin," but he anticipated by centuries the principles of religious freedom, the rights of conscience, and the salvation of non-Christians, articulated at Vatican II. Through the poor of his time, Las Casas was moved to rediscover the radical challenge of the gospel. Gutierrez writes from a similar location and with a similar pathos. Far from a dry exercise in historical retrieval, Las Casas represents the author's most recent effort to articulate the Gospel of Jesus Christ in our own world and time, now as then marked by oppression as well as the struggle for liberation.

    For anyone who feels compelled to write, this writing tool is as important as pen and paper.

    The issue of women and reading--what they should read; what they should be protected from; how, what, and when they should read--was the focus of lively discussion in the nineteenth century in a wide range of media. Flint uses recent feminist analyses of how women read as a context for her detailed and readable study of these debates, exploring in a variety of texts--from magazines like Woman's World and My Lady's Novelette to works of literature like Jane Eyre and The Portrait of a Lady--the range of stereotypes and directives addressed to women readers, and their influence on the writing of fiction. She also looks at how women readers of all classes understood their own reading experiences.

    A wildlife photographer records in text and photographs two visits to Ellesmere Island, Northwest Territories, where he filmed a pack of Arctic wolves over several months.

    Arrangement is in five parts, each focusing on a different phase of the r

    Carrying a wide variety of cargoes to such destinations as the Potteries, the textile mills of Lancashire, the papermills of London, the colleges of Oxford, they struggled on against increasing competition from rail and road traffic to maintain their place in the country's economy. Yet, little has been recorded about the lives of the canal families, and in particular, the women.

    Drawing on empirical research on existing end user systems, A Small Matter of Programming analyzes cognitive, social, and technical issues of end user programming. In particular, it examines the importance of task-specific programming languages, visual application frameworks, and collaborative work practices for end user computing, with the goal of helping designers and programmers understand and better satisfy the needs of end users who want the capability to create, customize, and extend their applications software. The ideas in the book are based on the author's research on two successful end user programming systems - spreadsheets and CAD systems - as well as other empirical research. Nardi concentrates on broad issues in end user programming, especially end users' strengths and problems, introducing tools and techniques as they are related to higher-level user issues. Bonnie A. Nardi is a Member of the Technical Staff at Hewlett Packard Laboratories.

    By the time she died fifty-seven years later she had achieved economic security, recognition as an author and lecturer, and the respect of numerous public figures. She had built the Custer legend, an idealized image of her husband as a brilliant military commander and a family man without personal failings. In Elizabeth Bacon Custer and the Making of a Myth, Shirley A. Leckie explores the life of "Libbie," a frontier army wife who willingly adhered to the social and religious restrictions of her day, yet used her authority as model wife and widow to influence events and ideology far beyond the private sphere.

    Reveals the hidden meaning of the alphabet and the surprising ways it has been used in history.

    The core of Calvin's doctrine of the Eucharist is the analogy of feeding on Christ, the Bread of Life. This analogy, argues Gerrish, links Calvin's thoughts to the Holy Banquet with the rest of his theology. The systematic character of Calvin's theology rests in part on his consistent understanding of God as father and fountain of good and his conception of the gospel as the message of free adoption. The father's liberality in feeding his children and their answering gratitude (or lack of it) is a thread that runs through Calvin's entire summary of piety; creation, the work of Christ, baptism, and the Lord's Supper.

    John Lundquist follows it back into the darkness of prehistory, unveiling features that are common to ancient Mesopotamian and Egyptian beiefs, Hinduism, Buddhism, Maya and Aztec cults, Islam, Judaism and Christianity; and showing examples that range from Angkor Wat to the biblical Temple of Solomon. The place of ritual and initiation, the mountain, the waters of generation, the pillar joining heaven, earth and the underworld, the path to the innermost sanctuary: these concepts are universal and eternal. They appear in sacred texts and works of art from every time and place, and in the subconscious minds of us all.

    In this new volume, she brings together her thinking on the protection of biodiversity, the implications of biotechnology, and the consequences for agriculture of the global pre-eminence of Western-style scientific knowledge. In lucid and accessible fashion, she examines the current threats to the planet's biodiversity and the environmental and human consequences of its erosion and replacement by monocultural production. She shows how the new Biodiversity Convention has been gravely undermined by a mixture of diplomatic dilution during the process of negotiation and Northern hi-tech interests making money out of the new biotechnologies. She explains what these technologies involve and gives examples of their impact in practice. She questions their claims to improving natural species for the good of all and highlights the ethical and environmental problems posed. Underlying her arguments is the view that the North's particular approach to scientific understanding has led to a system of monoculture in agriculture - a model that is not being foisted on the South, displacing its societies' ecologically sounder, indigenous and age-old experiences of truly sustainable food cultivation, forest management and animal husbandry. This rapidly accelerating process of technology and system transfer is impoverishing huge numbers of people, disrupting the social systems that provide them with security and dignity, and will ultimately result in a sterile planet in both North and South, In a policy intervention of potentially great significance, she calls instead for a halt, at international as well as local level, to the aid and market incentives to both large-scale destruction of habitats where biodiversity thrives and the introduction of centralised, homogenous systems of cultivation.

    Award-winning pros share secrets of the trade in an informative, gorgeously illustrated book that's equally well suited for the coffee table and the reference shelf.

    

    Thought-provoking, informative, illuminating--a lighthouse to the reader and the student of the New Age.

    Some with stately towers and arched doors or windows, some with high brick chimneys and mansard roofs, some in modern concrete and glass, the 254 courthouses of Texas provide an invitation to public life, a testament to the ideal of justice, and an introduction to period architecture. It is no wonder, then, that many tourists each year visit these edifices. This new edition of a classic, indispensable, full-color guide—a true collector’s item for Texas history fans—will help travelers choose which courthouses they want to add to their trips and view them knowledgeably. For each county a color photograph pictures the courthouse and an account sketches the sequence of the seats of government, the location and style of the current building, and tidbits of fascinating lore about county and county seat names and history. Courthouses and the “squares” around many of them offer a bonanza for history buffs, antique collectors, genealogists, architecture enthusiasts, and photographers. Many of them house or are near local history museums, and many display historical markers that introduce the area to visitors. Especially in many smaller county seats, the courthouse square offers a genre scene of a special moment in Texas’ life. Included in this updated edition are the latest views of some of Texas’ most historic and architecturally significant courthouses, including those restored under the Texas Historical Commission’s Historic Courthouse Preservation Program. For all those who plan their travels to see courthouses, and all those who in their travels for other reasons enjoy detours into the heritage and pride of a people, this beautiful and informative book opens the way.

    With these changes, the book can be used as a self-contained introduction to Bayesian analysis. In addition, much of the decision-theoretic portion of the text was updated, including new sections covering such modern topics as minimax multivariate (Stein) estimation.

    We People Here reflects that concern, bringing together important and revealing documents written in the Nahuatl language in sixteenth-century Mexico. James Lockhart's superior translation combines contemporary English with the most up-to-date, nuanced understanding of Nahuatl grammar and meaning.The foremost Nahuatl conquest account is Book Twelve of the Florentine Codex. In this monumental work, Fray Bernardino de Sahagun commissioned Nahuas to collect and record in their own language accounts of the conquest of Mexico; he then added a parallel Spanish account that is part summary, part elaboration of the Nahuatl. Now, for the first time, the Nahuatl and Spanish texts are together in one volume with en face English translations and reproductions of the copious illustrations from the Codex. Also included are five other Nahua conquest texts. Lockhart's introduction discusses each one individually, placing the narratives in context.

    Michael Langone and his colleagues provide practical guidelines for helping former cult members manage the problems they encounter when leaving cults.