Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote’s oeuvre are here, in stories as elegant as they are heartfelt, as haunting as they are compassionate. Reading them reminds us of the miraculous gifts of a beloved American original.

    When you realize that the 33 stories are ordered chronologically, you begin to grasp the scale of Cordwainer Smith's creation. Regimes, technologies, planets, moralities, religions, histories all rise and fall through his millennia.These are futuristic tales told as myth, as legend, as a history of a distant and decayed past. Written in an unadorned voice reminiscent of James Tiptree Jr., Smith's visions are dark and pessimistic, clearly a contrast from the mood of SF in his time; in the 1940s, '50s, and '60s it was still thought that science would cure the ills of humanity. In Smith's tales, space travel takes a horrendous toll on those who pilot the ships through the void. After reaching perfection, the lack of strife stifles humanity to a point of decay and stagnation; the Instrumentality of Mankind arises in order to stir things up. Many stories describe moral dilemmas involving the humanity of the Underpeople, beings evolved from animals into humanlike forms.Stories not to be missed in this collection include "Scanners Live in Vain", "The Dead Lady of Clown Town", "Under Old Earth", "The Crime and the Glory of Commander Suzdal", "Mother Hitton's Littul Kittons", and the truly disturbing "A Planet Called Shayol". Serious SF fans should not pass up the chance to experience Cordwainer Smith's complex, distinctive vision of the far future.--Bonnie BoumanContents:- Introduction by John J. Pierce- Editor’s Introduction by James A. Mann• Stories of the Instrumentality of Mankind- No, No, Not Rogov! (1959)- War No. 81-Q (rewritten version) - Mark Elf (1957)- The Queen of the Afternoon (1978)- Letter to Editor, Fantasy Book (March 9, 1948)- Scanners Live in Vain (1950)- The Lady Who Sailed The Soul (1960)- When the People Fell (1959)- Think Blue, Count Two (1963)- The Colonel Came Back from Nothing-at-All (1979)- The Game of Rat and Dragon (1955)- The Burning of the Brain (1958)- From Gustible’s Planet (1962)- Himself in Anachron- The Crime and the Glory of Commander Suzdal (1964)- Golden the Ship Was — Oh! Oh! Oh! (1959)- The Dead Lady of Clown Town (1964)- Under Old Earth (1966)- Drunkboat (1963)- Mother Hitton’s Littul Kittons (1961)- Alpha Ralpha Boulevard (1961)- The Ballad of Lost C’Mell (1962)- A Planet Named Shayol (1961)- On the Gem Planet [Casher O'Neill] (1963)- On the Storm Planet [Casher O'Neill] (1965)- On the Sand Planet [Casher O'Neill] (1965)- Three to a Given Star [Casher O'Neill] (1965)- Down to a Sunless Sea (1975)• Other Stories- War No. 81-Q (original version) (1928)- Western Science Is So Wonderful (1958)- Nancy (1959)- The Fife of Bodidharma (1959)- Angerhelm (1959)- The Good Friends (1963)Cover art by Jack Gaughan

    Throughout Lovecraft acknowledges those writers and stories that are the very finest that the horror field has to offer: Edgar Allen Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, and Arthur Conan Doyle, among others. Stephen Jones is the winner of three World Fantasy Awards, three Bram Stoker Awards, three International Horror Guild Award, and a fifteen-time recipient of the British Fantasy Award. He lives in London.

    Within six months his stories appeared in Harper's, Esquire, Mirabella, Story, Buzz, and in The New Yorker twice more. "The Pugilist at Rest" - the title story from this stunning collection - took first place in Prize Stories 1993: The O. Henry Awards and was selected for inclusion in Best American Short Stories 1992. He is a writer of astonishing talent. Jones's stories - whether set in the combat zones of Vietnam or the brittle social and intellectual milieu of an elite New England college, whether recounting the poignant last battles of an alcoholic ex-fighter or the hallucinatory visions of an American wandering lost in Bombay in the aftermath of an epileptic fugue - are fueled by an almost brutal vision of the human condition, in a world without mercy or redemption. Physically battered, soul-sick, and morally exhausted, Jones's characters are yet unable to concede defeat: his stories are infused with the improbable grace of the spirit that ought to collapse, but cannot. For in these extraordinary pieces of fiction, it is not goodness that finally redeems us, but the heart's illogical resilience, and the ennobling tenacity with which we cling to each other and to our lives. The publication of The Pugilist at Rest is a major literary event, heralding the arrival of an electrifying new voice in American fiction, and a writer of magnificent depth and range. With these eleven stories, Thom Jones takes his place among the ranks of this country's most important authors.

    It includes some of Brian's best loved stories, including Flying Woman & Believing My Father.

    Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the grey harbor waters and fill the cold night with their song.Contents:Uncle Dobbin's Parrot FairThe Stone DrumTimeskipFreewheelingThat Explains PolandRomano DromThe Sacred FireWinter Was HardPity the MonstersGhosts of Wind and ShadowThe Conjure ManSmall DeathsThe Moon is Drowning While I SleepIn the House of My EnemyBut for the Grace Go IBridgesOur Lady of the HarbourPaperjackTallulah

    C. Boyle is one of the most inventive and wickedly funny short story writers at work today. Over the course of twenty-five years, Boyle has built up a body of short fiction that is remarkable in its range, richness, and exuberance. His stories have won accolades for their irony and black humor, for their verbal pyrotechnics, for their fascination with everything bizarre and queasy, and for the razor-sharp way in which they dissect America's obsession with image and materialism. Gathered together here are all of the stories that have appeared in his four previous collections, as well as seven that have never before appeared in book form. Together they comprise a book of small treasures, a definitive gift for Boyle fans and for every reader ready to discover the "ferocious, delicious imagination" (Los Angeles Times Book Review) of a "vibrant sensibility fully engaged with American society" (The New York Times).

    These 22 interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. There is Victor, who as a nine-year-old crawled between his unconscious parents hoping that the alcohol seeping through their skins might help him sleep. Thomas Builds-the-Fire, who tells his stories long after people stop listening, and Jimmy Many Horses, dying of cancer, who writes letters on stationary that reads "From the Death Bed of James Many Horses III," even though he actually writes them on his kitchen table. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and most poetically, between modern Indians and the traditions of the past.

    Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. From the collections Will You Please Be Quiet, Please?, Where I’m Calling From, What We Talk About When We Talk About Love, and A New Path to the Waterfall; including an introduction by Robert Altman. With deadpan humor and enormous tenderness, this is the work of “one of the true contemporary masters” (The New York Review of Books).  From the eBook edition.

    

    She writes the kind of fiction that celebrates the flawed dignity of the human and reminds us all of the fine venture of living in grace and hope in the worlds we are born to and make.

    This new collection of stories from the multi-award-winning author of Doomsday Book and To Say Nothing of the Dog contains:A Letter from the ClearysAt the RialtoDeath on the NileThe Soul Selects Her own SocietyFire WatchInside JobEven the QueenThe Winds of Marble ArchAll Seated on the GroundLast of the WinnebagosTen stories - which have all won the Hugo Award, the Nebula Award or both - are compulsory reading for the serious science fiction fan.

    Each will resonate, as questions of the human condition always do, in the heart of the reader. Lucia Berlin is widely recognized as a master of the short story. This collection captures distilled moments of crisis or epiphany, placing the protagonists in moments of stress or personal strain, and all told in an almost offhand, matter-of-fact voice.The San Francisco Chronicle wrote, "Most of the stories in this collection are very short and very simple. They are set in the places Berlin knows best: Chile, Mexico, the Desert Southwest, and California, and they have the casual, straightforward, immediate, and intimate style that distinguishes her work. They are told in a conversational voice and they move with a swift and often lyrical economy. They capture and communicate moments of grace and cast a lovely, lazy light that lasts. Berlin is one of our finest writers and here she is at the height of her powers."This is a collection for anyone who loves short stories or great writing of any kind.

    Babitz prowls California, telling tales of a changing world. She writes about the Rodeo Gardens, about AIDS, about learning to tango, about the Hollywood Cemetery, about the self-enchanted city, and, most important, about the envy and jealousy underneath it all. Babitz’s inimitable voice propels these stories forward, corralling everything that gets in their way: sex, rage, the Château Marmont, youth, beauty, Jim Morrison, men, women, and black swans. This exciting reissue further celebrates the phenomenon of Eve Babitz, cementing her reputation as the voice of a generation.

    Because he taught me that the most haunting mysteries are those of everyday life. -- Gabriel Garcia Marquez

    Barry Hannah's reputation as a master of the short story, first established in 1978 with the publication of Airships, is magnified in this volatile, long-awaited collection of new stories. Astonishing in range and in the portrayal of the human heart, these fierce and radar-perfect stories give us individuals with whom hilarity and pain combine with true and startling clarity.

    Fairy tales that express the secret losses and anxieties of their tellers. These are the elements that Steven Millhauser employs to such marvelous—and often disquieting—effect in Little Kingdoms, a collection whose three novellas suggest magical companion pieces to his acclaimed longer fictions.In "The Little Kingdom of J. Franklin Payne," a gentle eccentric constructs an elaborate alternate universe that is all the more appealing for being transparently unreal. "The Princess, the Dwarf, and the Dungeon" is at once a gothic tale of nightmarish jealousy and a meditation on the human need for exaltation and horror. And "Catalogue of the Exhibition" introduces us to the oeuvre of Edmund Moorash, a Romantic painter who might have been imagined by Nabokov or Poe. Exuberantly inventive, as mysterious as dreams, these novellas will delight, mesmerize, and transport anyone who reads them.

    In fact, there are more than a few of the best examples of native storytelling ever published. Thomas King, author of the acclaimed Medicine River and Green Grass, Running Water, and the newly released Truth and Bright Water, has proven he has a magical gift, a fresh voice and a special brand of wit and comic imagination. One Good Story, That One is steeped in native oral tradition, led off by a sly creation tale, introducing the traditional native trickster coyote. Weaving the realities of native history and contemporary life through the story, King recounts a parodic version of the Garden of Eden story, slyly pulling our leg and our funnybone.A collection that is rich with strong characters, alive with crisp dialogue and shot through with the universal truths we are all searching for, One Good Story, That One is one great read.

    PaxsonThe Proper Balance • (1993) • short story by Robyn McGrewThe Gift of Minerva • (1993) • short story by Dorothy J. HeydtFriendly Fire • (1993) • short story by Mercedes LackeyHeart in a Box • (1993) • short story by Lynne Armstrong-JonesDance of Death • (1993) • short story by Donna Bocian CurrieEarth, Air, Fire, and Water • (1993) • short story by Kirsten M. CorbyFealty • (1993) • short story by Kati Dougherty-CarthumHunt for the Queen's Beast • (1993) • short story by J.M. CressyRobes • (1993) • short story by Patricia Duffy NovakBonds of Light • (1993) • short story by Vera NazarianNight, Who Creeps Through Keyholes • (1993) • short story by Francesca MymanOaths • (1993) • short story by Leslie Ann MillerDouble Vision • (1993) • short story by Lucas K. LawThe Phoenix Medallion • (1993) • short story by Diann PartridgeA Run in the Forest • (1993) • short story by David A. PillardOld Age and Treachery… • (1993) • short story by Nancy L. PineIn Sheep's Clothing • (1993) • short story by Lawrence SchimelHer Mother's Sword • (1993) • short story by Stephanie D. ShaverThe Sorceress' Apprentice • (1993) • short story by Deborah WheelerMage-Sight • (1993) • short story by Lynne Alisse WittenEther and the Skeptic • (1993) • short story by Katy Huth JonesThe Limwitch • (1993) • short fiction by Rebekah JensenSmile of the Goddess • (1993) • short story by Lorina J. StephensJust Reward • (1993) • short story by Karen LukBoys Will Be Girls • (1993) • short story by Vicki KirchhoffTaking Shape • (1993) • short story by Lisa DeasonJustice Is Mine • (1993) • short fiction by Carolee J. Edwards

    V. M. Gonzalez has influenced an entire generation of young Philippine writers and has also acquired a devoted international readership. His books, however, are not widely available in this country. The Bread of Salt and Other Stories provides a retrospective selection of sixteen of his short stories (all originally written in English), arranged in order of their writing, from the early 1950s to the present day.This is a powerful collection, both for the unity and universality of the author's subjects and themes and for the distinctive character of his prose style. As Gonzalez remarks in his Preface: "In tone and subject matter, [these stories] might suggest coming full circle - in the learning of one's craft, in finding a language and, finally, in discovering a country of one's own."Gonzalez has traveled widely and has taught the writer's craft in various countries. Nonetheless, his primary metaphor is his colonial island homeland, and his stories are peopled with the farmers and fishermen, the schoolteachers and small-town merchants, "the underclass who constitute the majority in all societies." He portrays, in the men, women, and children of the peasantry, an ordinary and enduring people who live lives of stark dignity against a backdrop of forgotten and unknown gods. A broad humanity suggests itself: "This feeling of having emerged out of a void, or something close to it, is not uncommon, and we face our respective futures predisposed, by an innocence, to prayer and hope."Colonization, Gonzalez feels, has created in Filipinos "a truly submerged people." The stories in The Bread of Salt explore this rich vein at several levels, from the river-crossed wilderness of the kaingin farmers, stoic in the hard face of nature; to the commercial centers of the town dwellers, cut off from the mythic animism of the land; to the America of the contemporary sojourner, exiled from the old ways without the guidance of new traditions. Gonzalez writes: "It was in America that I began to recognize my involvement in the process of becoming a new person . . . of trying to shed my skin as a colonial."Gonzalez's social commentary is implicit throughout his stories. His message is humane, moral, tellingly accurate, and gently ironic; he is neither sentimental nor doctrinaire. His narratives are presented without intrusive explanation, invoking instead the reader's own powers of contemplation and discovery. His strong prose style, spare yet lyrical suggests the cadences of Philippine oral narrative traditions.Each of these sixteen tales is a small masterpiece. The language and its imagery, the characters and their aspirations, all connect powerfully with the reader and serve to illuminate the dreams of exiles and colonials, suggesting what it was like, as a Filipino, to witness the endless interacting of cultures.

    These stories are explorations of the extreme in human behaviour, where the bizarre chills the spine, and few authors can match Grabinski's depiction of seething sexual frenzy. The Dark Domain will introduce to English readers one of Europe's most important authors of literary fantasy.

    Canfield and Hansen bring you wit and wisdom, hope and empowerment to buoy you through life's dark moments.

    His work communicates a unique, poignant flavour that has touched the hearts of all South Africans. Here are the sounds and smells of the platteland, the rough voices, the open skies.Compelled by Edgar Allan Poe and inspired by the Western Transvaal, his wildness, subtlety, defiance and -playful dreaming caper through the pages, from the charm of 'A Bekkersdal Marathon' to the unexpectedness of the startling chronicle of his imprisonment that is 'Cold Stone Jug'.In this unprecedented monument to his genius are assembled Mafeking Road, Unto Dust, A Cask Of Jerepigo and much more: 1'300 pages of pure South Africana.Includes Volumes 1 & 2.

    Luke is a Vietnam veteran who has survived the war but is having "trouble/surviving the peace" on a reservation where everyone is broke and where the tribal government seems to work against the interests of the reservation folk. Throughout Walking the Rez Road, it is humor that holds the people and their community together. Winner, Midwest Book Achievement Award, Minnesota Book Award, Northeastern Minnesota Book Award.

    He has won four World Fantasy Awards, ten British Fantasy Awards, three Bram Stoker Awards, and the Horror Writers' Association's Lifetime Achievement Award. Three decades into his career, Campbell paused to review his body of short fiction and selected the stories that were, to his mind, the very best of his works. Alone With the Horrors collects nearly forty tales from the first thirty years of Campbell's writing. Included here are "In the Bag," which won the British Fantasy Award, and two World Fantasy Award-winning stories, "The Chimney" and the classic "Mackintosh Willy." Campbell crowns the book with a length preface which traces his early publication history, discusses his youthful correspondence with August Derleth, illuminates the influence of H.P. Lovecraft on his early work, and gives an account of the creation of each story and the author's personal assessment of the works' flaws and virtues.In its first publication, a decade ago, Alone With the Horrors won both the Bram Stoker Award and the World Fantasy Award. For this new edition, Campbell has added one of his very first published stories, a Lovecraftian classic, "The Tower from Yuggoth." From this early, Cthulhian tale, to later works that showcase Campbell's growing mastery of mood and character, Alone With the Horrors provides readers with a close look at a powerful writer's development of his craft.

    "Bailey White's sketches evoke a sort of real-life Lake Wobegon."--The New York Times.

    Like her extraordinary novel, McCracken's stories are a delightful blend of eccentricity and romanticism. In the title story, a young man and his wife are intrigued and amused when a peculiar unknown aunt announces a surprise visit—only the old woman can't be traced on the family tree. In "What We Know About the Lost Aztec Children," the "normal" middle-class son of a former circus performer (the Armless Woman) must suddenly confront his mother's pain. In "It's Bad Luck to Die," a young woman discovers that her husband's loving creations—he's a tattoo artist—make her feel at home in her skin for the first time. Daring, offbeat, and utterly unforgettable, Here's Your Hat What's Your Hurry is the work of an unparalleled young storyteller who possesses a rare insight and unconventional wisdom far beyond her years. Her stories will steal your heart.It's bad luck to die --Some have entertained angels, unaware --Here's your hat what's your hurry --The bar of our recent unhappiness --Mercedes Kane --What we know about the lost Aztec children --June --Secretary of State --The goings-on of the world

    In fact original fairy tales are still being written. Over the last century and a half many well-known authors have used the characters and settings and themes of traditional tales such as 'Cinderella', 'Hansel and Gretel', and 'Beauty and the Beast' to produce new and characteristic works of wonder and enchantment. The Oxford Book of Modern Fairy Tales brings together forty of the best of these stories by British and American writers from John Ruskin and Nathaniel Hawthorne to I. B. Singer and Angela Carter. These tales are full of princes and princesses, witches and dragons and talking animals, magic objects, evil spells, and unexpected endings. Some of their authors, like John Ruskin and Oscar Wilde, use the form to point a social or spiritual moral; others such as Jeanne Desy and Richard Kennedy, turn the traditional stories inside out to extraordinary effect. James Thurber, Bernard Malamud, and Donald Barthelme, among many others, bring the characters and plots of the traditional fairy tale into the contemporary world to make satiric comments on modern life. The literary skill, wit, and sophistication of these stories appeal to an adult audience, even though some of them were originally written for children. They include light-hearted comic fairy stories like Charles Dickens's 'The Magic Fishbone' and L. F. Baum's 'The Queen of Quok', thoughtful and often moving tales like Lord Dunsany's 'The Kith of the Elf Folk' and Philip K. Dick's 'The King of the Elves', and profoundly disturbing ones like Lucy LaneClifford's 'The New Mother', and Ursula Le Guin's 'The Wife's Story'. Together they prove that the fairy tale is not only one of the most popular and enduring forms, but a significant and continually developing part of literature.Uncle David's nonsensical story about giants and fairies / Catherine Sinclair --Feathertop / Nathaniel Hawthorne --The King of the Golden River / John Ruskin --The story of Fairyfoot / Frances Browne --The light princess / George MacDonald --The magic fishbone / Charles Dickens --A toy princess / Mary De Morgan --The new mother / Lucy Lane Clifford --Good luck is better than gold / Juliana Horatia Ewing --The apple of contentment / Howard Pyle --The griffin and the minor canon / Frank Stockton --The selfish giant / Oscar Wilde --The rooted lover / Laurence Housman --The song of the morrow / Robert Louis Stevenson --The reluctant dragon / Kenneth Grahame --The book of beasts / E. Nesbit --The Queen of Quok / L.F. Baum --The magic ship / H.G. Wells --The Kith of the elf-folk / Lord Dunsany --The story of Blixie Bimber and the power of the gold buckskin whincher / Carl Sandburg --The lovely myfanwy / Walter De la Mare --The troll / T.H. White --Gertrude's child / Richard Hughes --The unicorn in the garden / James Thurber --Bluebeard's daugher / Sylvia Townsend Warner --The chaser / John Collier --The King of the elves / Philip K. Dick --In the family / Naomi Mitchison --The jewbird / Bernard Malamud --Menaseh's dream / I.B. Singer --The glass mountain / Donald Barthelme --Prince Amilec / Tanith Lee --Petronella / Jay Williams --The man who had seen the rope trick / Joan Aiken --The courtship of Mr Lyon / Angela Carter --The princess who stood on her own two feet / Jeanne Desy --The wife's story / Ursula Le Guin --The river maid / Jane Yolen --The porcelain man / Richard Kennedy --Old man Potchikoo / Louise Erdrich

    Carl Sandburg's irrepressible, zany, and completely original Rootabaga Stories and More Rootabaga Stories will stand alone on children's bookshelves--when they aren't in children's hands.

    Novelty teeth turn predatory. Flies settle and die on an old pair of sneakers in New York, and the Nevada desert swallows a Cadillac. Meanwhile the legend of Castle Rock returns... and grows on you. What does it all mean? What else could it mean? First there was Night Shift (1978), then Skeleton Crew (1985), and now Stephen King is back with a third collection of stories - a vast, many-chambered cave of a volume, with passages leading every which way to hell... and a few to glory.The long reach of Stephen King's imagination and the no-holds-barred force of his storytelling have never been so richly demonstrated. There's something here for readers of every stripe and predilection - classic tales of the macabre and the monstrous, cutting-edge explorations of the borderlands between good and evil, brilliant pastiches of Chandler and Conan Doyle, even a teleplay and a non-fiction bonus, a heartfelt piece of Little League baseball that first appeared in The New Yorker.In story after story, several published here for the first time, he will take you to places you've never been before, places that are both dark and vividly illuminated. Fair warning: You will lose a good deal of sleep. But Stephen King, writing to beat the devil, will do your dreaming for you.Can you believe? Then come...

    Tales of vampires and lurking spirits, of inexplicable evil cloaked in the guise of childish innocence, of ordinary people driven to unthinkable extremes by the perversities of fate -- they're all here, told with King's inimitable blend of dark humor and heart-clenching suspense.Chattery Teeth (Kathy Bates) My Pretty Pony (Jerry Garcia) Sneakers (David Cronenberg) Dedication (Lindsay Crouse)The Doctor’s Case (Tim Curry)The Moving Finger (Eve Beglarian) The End of the Whole Mess (Matthew Broderick) Home Delivery (Stephen King)

    Collects eleven stories depicting the greed, corruption, and other problems assailing Russian society in the author's later years.

    For the first time in paperback--a volume of thirty-seven diabolically inventive stories, fables, and "impossible interviews" from one of the great fantasists of the 20th century, displaying the full breadth of his vision and wit.  Written between 1943 and 1984 and masterfully translated by Tim Parks, the fictions in Numbers in the Dark display all of Calvino's dazzling gifts: whimsy and horror, exuberance of style, and a cheerful grasp of the absurdities of the human condition.

    Coraghessan Boyle is regarded as one of America's greatest living short-story writers. This publication brings together the three collections:Descent of Man (1979)- Descent of Man- The Champ- We Are Norsemen- Heart of a Champion- Bloodfall- The Second Swimming- Dada- A Women's Restaurant- The Extinction Tales- Caye- The Big Garage- Green Hell- Earth, Moon- Quetzalcoatl Lite- De Rerum Natura- John Barleycorn Lives- Drowning Greasy Lake (1985)- Greasy Lake- Caviar- Ike and Nina- Rupert Beersley and the Beggar Master of Sivani-Hoota- On for the Long Haul- The Hector Quesadilla Story- Whales Weep- The New Moon Party- Not a Leg to Stand On- Stones in My Passway, Hellhound on My Trail- All Shook Up- A Bird in Hand- Two Ships- Rara Avis- The Overcoat IIIf the River was Whiskey(b> (1989)- Sorry Fugu- Modern Love- Hard Sell- Peace of Mind- Sinking House- The Human Fly- The Hat- Me Cago en la Leche (Robert Jordan in Nicaragua)- The Little Chill- King Bee- Thawing Out- The Devil and Irv Cherniske- The Miracle at Ballinspittle- Zapatos- The Ape Lady in Retirement- If the River Was Whiskey

    Now this expanded edition of that best-selling book, with a new title, offers the reader thirty-one stories included in the original—from Charles W. Chesnutt and Paul Laurence Dunbar in the late nineteenth century to the rich and productive work of the Harlem Renaissance: writers like Zora Neale Hurston, Langston Hughes, and Richard Wright; the World War II accomplishments of Chester Himes, Frank Yerby, and many others; and the later fiction of James Baldwin, Paule Marshall, and LeRoi Jones (Imamu Amiri Baraka). Seven additional contributions round out a century of great stories with the work of Maya Angelou, Toni Cade Bambara, Eugenia Collier, Jennifer Jordan, James Allan McPherson, Rosemarie Robotham, and Alice Walker. Dr. Clarke has included a new introduction to this 1993 edition, and a short biography of each contributor.Lynching of Jube Benson / Paul Laurence Dunbar --On being crazy / W.E.B. Du Bois --Goophered grapevine / Charles Waddell Chesnutt --City of refuge / Rudolph Fisher --Overcoat / John P. Davis --Truant / Claude McKay --Summer tragedy / Arna Bontemps --Gilded six-bits / Zora Neale Hurston --Bright and morning star / Richard Wright --Boy who painted Christ black / John Henrik Clarke --On friday morning / Langston Hughes --So peaceful in the country / Carl Ruthven Offord --And/or / Sterling Brown --Fighter / John Caswell Smith --Homecoming / Frank Yerby --How John Boscoe outsung the devil / Arthur P. Davis --Solo on the drums / Ann Petry --Mama's missionary money / Chester Himes --See how they run / Mary Elizabeth Vroman --Exodus / James Baldwin --God bless America / John O. Killens --Train whistle guitar / Albert Murray. Senegalese / Hoyt W. Fuller --A matter of time / Frank London Brown --Cry for me / William Melvin Kelley --Reena / Paule Marshall --Convert / Lerone Bennett, Jr. --Winds of change / Loyle Hairston --Screamers / LeRoi Jones --Sarah / Martin J. Hamer --Sky is gray / Ernest J. Gaines --On trains / James Allen McPherson --Marigolds / Eugenia W. Collier --Steady going up / Maya Angelou --Everyday use / Alice Walker --Organizer's wife / Toni Cade Bambara --Jesse / Rosemarie Robotham --The wife / Jennifer Jordan

    The late screen legend Audrey Hepburn uses music from Maurice Ravels Mother Goose as the framework for this production.

    Not the typical romantic fantasies so often seen in Japanese writing, filled with water sprites and vengeful ghosts, these stories are a mixture of fantastic allegory, slightly skewed fables, and affecting romantic tales. Revealing the wide range of Dazai's imaginative powers, they also give a glimpse of his humane and idealistic side. From the title story, about an impoverished, henpecked scholar who is transformed by the love of a voluptuous bird, to "The Chrysanthemum Spirit," about a passionate gardener who meets a brother and sister with extraordinary powers, Dazai creates a world of fantasy and romance that is infused with his own psychological concerns. Many readers may recall the poignancy of Oscar Wilde's The Happy Prince or Han Christian Andersen. The collection is capped by two delightful stories-within-a-story, in which the assorted members of a quirky family compose alternate episodes of a slightly gothic romance with hints of Poe and Saki (in "On Love and Beauty") and a wildly elaborate retelling of Rapunzel that is engaging, horrifying, and touching by turns (in "Lanterns of Romance"). All in all, these warm, inventive, and life-affirming stories will strike a deep, satisfying chord in many readers.

    A mouse entered the classroom through an open door while the frail figure of a teacher stood before her desk on the first day of school. Her new class thought they were about to see the old woman wither or worse. What followed, however, convinced them that this would not be an ordinary year in elementary school.

    Morlan, Robert Silverberg, Michael Swanwick, Jane Yolen and many others. Supplementing the stories are the editors' invaluable overviews of the year in fantastic fiction, Edward Bryant's witty roundup of the year's fantasy films, and a long list of Honorable Mentions —all of which adds up to an invaluable reference source, and a font of fabulous reading.

    Ranging in style from Audre Lorde's classic polemic on eroticism to Miriam DeCosta Willis's deeply moving essay on her husband's last years, "every single one of these essays is terrific." -- The Washington Post

    A little more than a generation ago Flannery O'Connor made a startling observation about herself and her fellow southerners: "By and large," she said, "people in the South still conceive of humanity in theological terms. While the South is hardly Christ-centered, it is most certainly Christ-haunted. The Southerner who isn't convinced of it is very much afraid that he may have been formed in the image and likeness of God." Guided by O'Connor's perceptive commentary about southerners in general, Susan Ketchin has created a deeply revealing collection that mirrors the pervasive role of religion in the literature by the recent generation of notable southern writers. Ketchin confirms that "old-time religion" remains a potent force in the literature of the contemporary South. Susan Ketchin, a writer, editor, and musician, lives in Orange County, North Carolina.

    Le Guin, Maureen F. McHugh, Mike Resnick, and others.Contents xi • Summation: 1992 • (1993) • essay by Gardner Dozois1 • Griffin's Egg • (1991) • novella by Michael Swanwick62 • Even the Queen • (1992) • shortstory by Connie Willis76 • The Round-Eyed Barbarians • (1992) • shortstory by L. Sprague de Camp87 • Dust • (1992) • novelette by Greg Egan113 • Two Guys from the Future • (1992) • shortstory by Terry Bisson123 • The Mountain to Mohammed • (1992) • shortstory by Nancy Kress137 • The Coming of Vertumnus • (1992) • novelette by Ian Watson175 • A Long Night's Vigil at the Temple • (1992) • novelette by Robert Silverberg195 • The Hammer of God • (1992) • shortstory by Arthur C. Clarke205 • Grownups • (1992) • novella by Ian R. MacLeod238 • Graves • (1992) • shortstory by Joe Haldeman245 • The Glowing Cloud • (1992) • novella by Steven Utley296 • Gravity's Angel • (1992) • shortstory by Tom Maddox312 • Protection • (1992) • novella by Maureen F. McHugh346 • The Last Cardinal Bird in Tennessee • (1990) • shortstory by Neal Barrett, Jr.357 • Birth Day • (1992) • shortstory by Robert Reed367 • Naming Names • (1992) • novelette by Pat Cadigan390 • The Elvis National Theater of Okinawa • (1992) • shortstory by Jonathan Lethem and Lukas Jaeger394 • The Territory • (1992) • novella by Bradley Denton432 • The Best and the Rest of James Joyce • (1992) • shortfiction by Ian McDonald448 • Naming the Flowers • (1992) • novella by Kate Wilhelm491 • Snodgrass • (1992) • novelette by Ian R. MacLeod511 • By the Mirror of My Youth • (1992) • shortstory by Kathe Koja519 • Outnumbering the Dead • (1990) • novella by Frederik Pohl583 • Honorable Mentions: 1992 • (1993) • essay by Gardner Dozois

    For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

    Settled mostly in the American Southwest, her characters-men and women caught between two places, literal and figurative-try to understand the mysteries that overarch or undergird their lives.

    In 'The Case of the Socialist Witchdoctor' and related stories Hama Tuma puts the regime itself on trial. Other stories take place outside the courtroom - in bars, brothels, guerilla hideouts and village huts - where life is equally full of vengeance and betrayal. These are terrible tales, their darkness shot through with brilliant flashes of satire and irony.

    Her tales evoke a rural America populated by folks like Uncle Jimbuddy, a cabinetmaker with an unfortunate proclivity for chopping off his fingers; Aunt Belle, who teaches an alligator to roar on command; and White's ferocious, arthritic mother, Rose, who keeps worms in her kitchen for amusement.

    Radio dramatist Frank has achieved a cult following with his mesmerizing evening broadcasts from KCRW in Los Angeles and on NPR.

    He may be the master thief stealing into Graceland, an intense young passenger experimenting in terror, or a psychiatrist haunted by his patient's nightmare. Or maybe he's beautiful, lethal woman in a blood-red scarf. So beware of this huge, dangerous beast. Because first he will enthrall you .. and then he will strike.By the dawn's early light --Cleveland in my dreams --Some things a man must do --Answers to soldier --Good for the soul --The Ehrengraf alternative --Someday I'll plant more walnut trees --The burglar who dropped in on Elvis --As good as a rest --Death wish --The merciful angel of death --The Tulsa experience --Some days you get the bear --Passport in order --Something to remember you by --Hilliard's ceremony --The Ehrengraf nostrum --Like a bug on a windshield --A blow for freedom --How would you like it? --Batman's helpers

    A native of New Zealand, she is the author of eleven novels, four collections of stories, a volume of poetry, a children's book, and her heartfelt and courageous autobiography -- all published by George Braziller. This fall, we celebrate our thirty-ninth year of publishing Frame's extraordinary writing.

    1965 Hardback from Viking Press 224 pages

    Behind a dusty Georgia carny show... In a mausoleum in Baton Rouge, or in an alley in Calcutta... Here wanderers come to rest, the lost and lonely press their bodies up against each other, the heat rises, flesh yields, bones are bared, blood spills. This is the landscape of today's most brilliant young horror writer, Poppy Z. Brite.Now, in a collection that sings like cutting edge rock 'n' roll and shows the deft touch of a master storyteller, Poppy Z. Brite weaves her unique spell of the sensual, the frightening, and the forbidden....

    From Jose Garcia Villa's minimalist "Untitled Story, " first published in 1933, to Meena Alexander's "Manhattan Music, " with its razor-sharp look at the hip downtown New York art scene of the troubled 1990s, their stories sweep across the twentieth century and across the range of Asian American experience. These characters make love, worry about the future, endure hardships. They audition for jobs as anchormen. They are displaced, assimilated, rebellious. They lie and cheat; they betray themselves and others. These are stories about Asian Americans, yes, but, finally, they are stories about life.

    Stories featured here include “A Day in the Open” by Jane Bowles; “Blackberry Winter” by Robert Penn Warren; “O City of Broken Dreams” by John Cheever; “The Magic Barrel” by Bernard Malamud; “In Time Which Made a Monkey of Us All” by Grace Paley; “Sonny’s Blues” by James Baldwin; “Are These Actual Miles?” by Raymond Carver; and “You’re Ugly, Too” by Lorrie Moore. “Ford’s choice of stories is exemplary ... there’s wonderful reading here.” — The Washington Post

    Compassionate and expansive, Wideman reaches into the back alleys and prison yards of American culture to find truths we can all learn from.

    And 'A Good Man,' one of the most important. Rarer than the newness, the wit, the vivid readability, is the deep caring understanding, the wholeness, the truth which this astonishing, haunting writer creates her people. 'A Good Man' will be a revelation, an epiphany to many a reader."—Tillie Olsen"In Annie Oakley's Girl, people are so much larger, their motives, dreams and mysteries so much more complex than you ever imagined. Love is so much more dangerous, grief so much more powerful, hope so much more tenuous and necessary. I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around, and Annie Oakley's Girl is stunning."—Dorothy AllisonPublished in 1993 by City Lights, this collection includes seven stories: "Annie," "The Joy of Marriage," "Folie a Deux," "Love Poem," "The Death of Napoleon: Its Influence on History," "A Good Man," and "Grief."Rebecca Brown is the author of a dozen books of prose including The Last Time I Saw You, The End of Youth, The Dogs, The Terrible Girls (City Lights) and The Gifts of the Body (HarperCollins)."Brown's fourth (The Terrible Girls, 1992, etc.) mixes fantasy, conjecture, and some realism in seven stories that feature atmospheric neo-feminist allegories and fables. The two longest pieces are the most striking: "Annie" (originally published in Adam Mars-Jones's Mae West is Dead: Recent Lesbian & Gay Fiction) is about the narrator's love affair with Annie Oakley—it's part historical pastiche, part touching daydream, and part biting satire. Juxtaposing the narrator's western daydreams with grittier realism, Brown manages to force upon her narrator the kind of rude awakening best displayed by Tim O'Brien in Going after Cacciato. She also has a good deal of fun along the way: in one instance, Annie Oakley signs autographs at Saks—"the release of her authorized biography coincides with the arrival of the special line of new fall fashions—Annie Oakley Western Wear." "A Good Man" (which first appeared in Joan Nestle and Naomi Holoch's Women on Women II) is a tribute to a decent man dying of AIDS, nursed off and on by his lesbian friend; the striking "Folie a Deux" posits a couple who deliberately cripple themselves—one deaf, one blind—so that "Each of us had something the other didn't have"; and the remaining four stories, published in Britain in 1984, are dreamlike fables. In the best, "Love Poem," the narrator and "you," an artist (the second person becomes a tic in several of these), sneak into the Tate and destroy the artist's work; "The Joy of Marriage" is a touching but ideological look at a honeymoon; "Grief" is about a woman sent off by her clique to a foreign country—she never returns. Occasionally moving, the story's too obliquely personal to make enough sense to a wider audience. Imagistic, edgy fictions about postmodern longing in a world off its screws—and where sadness seems to be a woman's only fate."—Kirkus Reviews

    He did not know he was hearing anything special, but he was, in fact, learning a number of stories that came to America through Scots-Irish immigrants. These stories were still told in the Appalachians during the 1950s and centered around Jack, a universal legendary figure who, by various names, is found in nearly every culture. Jack is that everyman who encounters trials common to all: earning a living, winning a mate, subduing tyrants and ogres of all kinds. Jack wins by conquering his own timidity, by engaging his own wit, by plodding along, or simply by blind luck. Like each of us, Jack seeks to make sense of the world and to find his way in it. These stories from Appalachia America will make readers laugh as well as teach them about the importance of caring, fairness and resourcefulness.

    Ranade. Over the years science fiction has developed in other languages too, like in Tamil, but it has found strong roots in Marathi language primarily and this becomes evident in this anthology too. A comprehensive view of the trends in Indian science fiction can be obtained by going through this compilation of select stories in various Indian languages carefully culled by author-editor Bal Phondke, a prolific science communicator and former Director, CSIR, New Delhi.

    Calculating the infinite in the finite, tracing geometries of desire, placing the obdurate world in an uncustomary light, each of these stories opens out its own world. Without giving up the plot or character of the traditional short story, Guy Davenport's inventions are complex events in which ideas and cultural history are a kind of music to which the characters dance. Despite the fractal, syncopated collage of his narrative style, Davenport's prose is objective, terse, and transparent. A constant theme in this book is the transmission of the past as an imaginative act; hence the title, Falstaff's dying vision of "a table of green fields," probably a mishearing of his recitation of the Twenty-third Psalm, corrected by editors to "he babbled of green fields," a symbol of all fiction, an art that must be exact about the uncertain.

    A native of New Zealand, she is the author of eleven novels, four collections of stories, a volume of poetry, a children's book, and her heartfelt and courageous autobiography -- all published by George Braziller. This fall, we celebrate our thirty-ninth year of publishing Frame's extraordinary writing.

    12 • Moment of Truth in Suburb Junction • Breakout in Ecol 2• Riders of Thunder • Somebody Up There Hates Us • In a Saucer Down for B-Day • Let Me Call Her Sweetcore • In the Jag-Whiffing Service • First Day, First Job, Girl • In the Empire• Awareness Plan • A Small Miracle of Fishhooks and Straight Pins • The Survey Trip• Up to the Edge of Heaven • Control• On the Sunniest Day of Spring • Please Help! Save Our Bugs and Pile Our Birds • The Time Saviour • Unwarranted Departure • Our House • Keeping It Simple • Investigating the Bidwell Endeavors • From the Fishbowl • In the Complaints Service

     Foreword --Introduction / Louise Erdrich --Playing with dynamite / John Updike --The girl on the plane / Mary Gaitskill --A real life / Alice Munro --Silent passengers / Larry Woiwode --Queen Wintergreen / Alice Fulton --The man who rowed Christopher Columbus ashore / Harlan Ellison --Poltergeists / Jane Shapiro --Red moccasins / Susan Power --I want to live! / Thom Jones --Charlotte / Tony Early --What the thunder said / Janet Peery --Naked ladies / Antonya Nelson --Man, woman and boy / Stephen Dixon --Winter barley / Andrea Lee --Concerning mold upon the skin, etc. / Joanna Scott --Pray without ceasing / Wendell Berry --Gold / Kim Edwards --Great Barrier Reef / Diane Johnson --Terrific mother / Lorrie Moore --The important houses / Mary Gordon --Contributor's notes --100 other distinguished stories of 1992 --Editorial addresses of American and Canadian magazines publishing short stories

    

    Until now, however, few of his stories have been translated into English. This volume brings together fifteen stories written during the period 1952-1975, which were collected in the three volumes of La palabra del mudo. Ribeyro's stories treat the social problems brought about by urban expansion, including poverty, racial and sexual discrimination, class struggles, alienation, and violence. At the same time, elements of the fantastic playfully interrupt some of the stories. As Ribeyro's characters become swept up in circumstances beyond their understanding, we see that the only freedom or dignity left them comes from their own imaginations. The fifteen stories included here are "Terra Incognita," "Barbara," "The Featherless Buzzards," "Of Modest Color," "The Substitute Teacher," "The Insignia," "The Banquet," "Alienation (An Instructive Story with a Footnote)," "The Little Laid Cow," "The Jacaranda Trees," "Bottles and Men," "Nothing to Do, Monsieur Baruch," "The Captives," "The Spanish," and "Painted Papers.

    Focusing on the cultural pages of three major daily newspapers of the period, Robin Pickering-Iazzi discovered a wealth of contributions by famous and less-known woman that have been unavailable to readers in Italy as well as the United States for over 60 years. Expertly translated, these 16 stories are evidence not only of the high literary quality of this body of work but also of resistance to the self-sacrificing ideal of the "New Woman" of Fascism. The memorable female characters in Unspeakable Women adopt a varying strategies to create their own identities and agency regarding writing, sexuality, marriage, and family-all in opposition to the repressive norms of the culture. The stories are by Grazia Deledda, who won the Noble Prize for Literature in 1926, Maria Luisa Astaldi, Gianna Manzini, Ada Negri, Carola Prosperi, Pia Rimini, and Clarice Tartufari.

    The brothers Marx and Grimm together could not have done better".--New York Times Book Review. Watercolor illustrations.

    This collection of astonishing breadth reveals a literature of genuine global stature, as ancient as the Irish Sea. Contributors and stories include: John Banville, from Mefisto; Leland Bardwell, "The Hairdresser"; Sebastian Barry, from The Engine of Owl-Light; Mary Beckett, "Heaven"; Samuel Beckett, "For to End Yet Again"; Sara Berkeley, "The Sky's Gone Out"; Dermot Bolger, "The Journey Home"; Claire Boylan, "Villa Marta"; Shane Connaughton, "Ojus"; Mary Dorcey, "The Husband"; Roddy Doyle, from The Snapper; Anne Enright, "Men and Angels"; Hugo Hamilton, from Surrogate City; Dermot Healy, "The Death of Matti Bonner"; Aidan Higgins, from Balcony of Europe; Desmond Hogan, from A Curious Street; Jennifer Johnston, from The Christmas Tree; Neil Jordan, "Last Rights"; Molly Kean, Patrick McCabe, from The Butcher Boy; Brian Moore, "The Sight"; Edna O'Brien, "What a Sky"; William Trevor, "The Ballroom of Romance"; Val Mulkerns, "Memory and Desire"; Robert McLiam Wilson, from Ripley Bogle, and many more.

    Lasdale. Features such classics as "Dog, Cat, and Baby", where three creatures on all fours wage all-out war, and "The Job", featuring an unemployed Elvis impersonator--with a knife. Includes an introduction by the author.

    Her stories become tiny slivers of disturbing lives that wedge in the reader's mind. "A real find."--Los Angeles Reader¶ "[Treat] builds suspense and tension word by word while holding the reader captive in a nightmarish drama."--Minneapolis Star Tribune

    The intensity of these deeply imagined stories is stunning.

    Valenzuela?s view of life captures our imagination because we know how far it is from reality - cops in Buenos Aires are not afraid of dogs, latin lovers in caf?s do make moves in the game of courtship, and the hotels in Venice overlook canals. In the tradition of Calvino and Borges, the stories of Symmetries are also subtle parables on the art of fiction - they engage both our heads and our hearts.

    

    If some of them seem "farfetched and even implausible," Basil L. Johnston writes, "it is simply because human beings very often act and conduct their affairs and those of others in an absurd manner." These twenty-two stories were originally collected under the title Moose Meat and Wild Rice. Among the most memorable of the stories is "They Don't Want No Indians," in which all attempts are made to circumvent bureaucratic red tape and transport a dead Indian to his home for burial. One of the funniest is "Indian Smart: Moose Smart," which pits a moose in a lake against six Moose Meaters in two canoes. "If You Want to Play" and "Secular Revenge" are the result of misunderstanding or imperfect communication. Still other stories, like "What Is Sin?" and "The Kiss and the Moonshine," reveal the clash of different cultural approaches. All show the warm-heartedness and good will of the Ojibway Indians. If they are gently satirized, so are the whites who would change them, and with good reason. Government ineptitude and rigid piety are foisted on the Moose Meaters, who have only thirty thousand acres to move around in.

    FEAR WALKS THE NIGHT 'Fear Walks the Night'; 'Punch and Judy'; 'The Florentine Chest'; 'Variety Show'; Prince of Darkness'; 'Death of a Rat'; 'The Echo of a Song'; 'The House in the Forest'; 'Goosefeather Bed'; 'Christmas Eve'; 'Three Shall Meet'; 'Lisheen'; 'Voodoo Drums'; 'The Strange Affair at Upton Stonewold'; 'Gypsy Hands'; 'The End of the Lane'; 'Twilight'; 'Do You Believe in Ghosts?'; Afterword by Neil Bell.

    "Each story here is a small, well-crafted gem, highly allusive yet not obtrusively so, full of emotion-mostly longing and especially wonder, a response fantasy aims for but rarely achieves with the force Crowley is able to supply." - BarronStories included: "The Green Child""Missolonghi 1824""Antiquities""The Reason for the Visit""Her Bounty to the Dead""Snow""Exogamy"

    An earnest first-grader tries to convince his country parents that other children are treated to a party each year on their birthdays.

    Some of his most iconic characters are men of the cloth, and few writers have portrayed the unique demands of the priesthood with as much empathy, honesty, and wit. This collection, edited and introduced by his widow, Harriet O’Donovan Sheehy, brings together the best of O’Connor’s short fiction on the subject.From “An Act of Charity,” the ironically titled tale of church efforts to cover up a curate’s suicide, to “The Sentry,” an exquisite blend of drama and satire sparked by the British army’s invasion of a priest’s onion patch, these sixteen stories capture the full range of pressures visited on the Irish clergy. “Peasants” is a lesson in what happens when a man of God places law and order above compassion, while “Achilles’ Heel” reveals that even a bishop can be rendered powerless by his housekeeper. “The Frying-pan” and “The Wreath” are sad and lovely portraits of priests caught between their vows of celibacy and their natural desire for human connection.In the rituals and contradictions of the priesthood, Frank O’Connor found one of his greatest motifs. The Collar showcases an artist at the peak of his powers and shines a brilliant light on a fascinating world too often hidden in shadow and sentiment.

    As the beast sups upon a lifetime of Jack's fear and regret, Jack must find the courage within himself to face the fiend once and for all. Beautifully adapted by Colleen Doran (The Sandman, Stan Lee's Amazing Fantastic Incredible: A Marvelous Memoir), a gorgeous new addition to your Gaiman library.

    

    With profound literary courage, Chekhovian compassion, and humor, Currier writes not only about those who are living with AIDS and those who have died from it, but also about the friends, families, and lovers who nurse and care for the sick and remember them afterward.

    Featured here are 13 monster tales, nine original and four reprinted favorites, by some of the best writers in the genre--Jack Prelutsky, Jane Yolen, Joe R. Lansdale, and others.My little brother is a monster / Bruce Coville --Monster in the closet / Jane Yolen --Merlin's knight school / Michael Markiewicz --Uncle Joshua and the grooglemen / Debra Doyle and James D. Macdonald --Friendly persuasion / Bruce Coville --Kokolimalayas, the bone man / Laura Simms --The thing that goes burp in the night / Sharon Webb --Personality problem / Joe R. Lansdale --Duffy's jacket / Bruce Coville --The bogeyman / Jack Prelusky --Bloody Mary / Patrick Bone --The beast with a thousand teeth / Terry Jones --Timor and the furnace troll / John Barnes

    Everyone who enters the glittering, grand emporium will encounter much more than they expect. To be a CBS-TV holiday special hosted by Angela Lansbury. Martin's.

    Publisher: Virago Date of Publication: 1993 Binding: paperback Edition: Condition: Very Good + Description: 1853816736

    

    

    Alive with works by a variety of authors including African Americans, Asian Americans, European Americans, Latinos, and Native Americans, this rich compilation engages students with nearly 200 classic and contemporary entries. Help students connect literature to the world as they explore universal themes in poems, essays, autobiographies, short stories, and novel excerpts enhanced by reproductions of contemporary art.

    For centuries the Persians waged war against their traditional enemies the Turanians, and from this struggle came inspring stories ofvalour. This collection includes tales of the legendary heroes, including the great warrior Rustem, who overcame demons and dragons and tragically slew his own son in battle.

    When Charlemae Hill Rollinss Christmas Gif was first published in 1963, it was greeted with much fanfare and celebration. Here, at long last, was the only collection of Christmas poems, stories, songs, and plantation recipes written by and about African-Americans. Ms. Rollins, an internationally renowned childrens librarian and advocate, was often asked by parents, teachers, and children for African American Christmas stories and poems. Born of a desire to share literature of the black experience with children, this book is just as important for families today as it was thirty years ago.The writings of Frederick Douglass, Booker T. Washington, and Harnett T. Kane give us a deeper insight into the celebration of Christmas during slavery. Poetry by Langston Hughes, Paul Lawrence Dunbar, and Lorenz Graham eloquently retell traditional Christmas tales. And Countee Cullen and Gwendolyn Brookss contemporary Christmas reflections add special warmth. These and all the voices in this collection combine to express the wonder and spiritual beauty of the season.Award-winning artist Ashley Bryans stunning black-and-white linoleum-print illustrations make the reissue of Ms. Rollinss landmark work a cause for celebration again. For people of all ages, for families to read together, here is a gift for a new generation of readers to enjoy and cherish.

    An anthology of contemporary Korean fiction including: "The Wife and Children"; "The Post Horse Curse"; "Mountains"; "Kapitan Ri"; "The Winter"; and "A Dream of Good Fortune".

    And noir has continued in the hands of such prose masters as Marcia Muller, Bill Pronzini, John Lutz, and John D. MacDonald, who is represented by a brilliant early novella of dark crime.

    It is a collection of minor masterpieces, literary entertainments and curiosities, many of which have been unavailable since their initial magazine publication. Anthony Trollope (1815-82) worked in the post office as a civil servant as well as writing his immensely popular fiction. He lived both in England and in Ireland, and travelled widely. He wrote short stories from 1860 to the end of his life, publishing 42 in all, and all of them remain eminently readable today. The themes are extraordinarily varied. They include travel, with stories based in America, India, Italy, France and Egypt among others; literary life, written while Trollope was editor of St Paul's Magazine; courtship and love (Trollope claimed to have written up to 37 fictional proposals by his fortieth birthday) and Gothic tales of the psychologically disturbed, where his genius for characterisation is displayed to the full. Nathaniel Hawthorne described Trollope's work as 'Written on the strength of beef and through the inspiration of ale, and just as real as if some giant had hewn a great lump out of the earth and put it under a glass case, with all its inhabitants going about their daily business and not suspecting they were being made show of.' The reader can expect all this and more from this superb collection.

    This revised edition of Alun Richards' anthology, first published in 1976, contains stories by Dylan Thomas, Rhys Davies, Alun Lewis, Caradoc Evans and Dannie Abse.

    Tattoos hide all from the prying eyes of the world. On Murderer's Walk the cards are dealt for the ultimate game. There can be only one loser: pray you do not hold the ace of spades. And from York to London, Northampton to Southend the boys are surfing Spanish style. It's exciting and exhilarating and potentially fatal Gary Kilworth has created a powerful and striking anthology of stories from the past, present and future.

    The Queen of the Cold-Blooded Tales presents six of her scariest stories.

    Above all, Martha Gellhorn explores the ways men and women live privately -- and often passionately -- amid the rush of history.

    

    Adapted well-known short stories by traditional authors and newer multicultural authors entice even struggling readers with tales of adventure, derring-do, and surprise. Vocabulary in context, cloze passages, and critical thinking exercises help readers improve their understanding of the narrative text.

    Nine traditional folktales creatively retold and lavishly illustrated using the fabrics of each country to convey the origin of each fable.

    In one tale, a writer who believes that under repressive regimes "art becomes . . . political against its will" gets a chance to live out the plot of a story he sketched when he suddenly becomes president of the republic. The nature of historical truth is considered when a professor replies to a graduate student who is trying to "cope" with history: he interprets the story of "The Savior, Ishl Teitelbaum," a Jew in a concentration camp who listens to a rabbi and a political ideologue debate the meaning of the Holocaust-- and is then gassed. A 92-year-old nursing home resident reflects on his days as a member of an artists' collaborative that challenged accepted notions of individuality and creativity. Even tales that at first seem conventional become luminescent and unsettling, as in the story of a writer who recalls a Saturday afternoon of games with friends when he was 10; the narrative is interrupted by a dialogue between the author and an inquisitor that explores memory, truth and the knowledge of death.

    BurrageThurlow's Christmas Story - John Kendrick BangsThe Ghost, the Gallant, the Gael and the Goblin - W.S. GilbertWho Rides with Santa Anna? - Edward D. HochThe Phantom Hag - Attributed to Guy de MaupassantThe Tale of the German Student - Washington IrvingThe Ensouled Violin - Helena BlavatskyDoorslammer - Donald A. WollheimThe Red Room - H.G. WellsThe Monk of Horror - AnonymousMr. Justice Harbottle - Sheridan Le FanuThe Flying Dutchman - TraditionalThe Parlor-Car Ghost - AnonymousThe Woman's Ghost Story - Algernon BlackwoodMiss Jeromette and the Clergyman - Wilkie CollinsThe Phantom Woman - AnonymousThe Spectre Bride - AnonymousThe Midnight Embrace - M.G. LewisThe Philosophy of Relative Existences - Frank R. StocktonThe Doll's Ghost - F. Marion CrawfordFour Ghosts in Hamlet - Fritz LeiberThe Old Mansion - AnonymousThe Dead Woman's Photograph - AnonymousUntitled ghost story - E.T. HoffmannThe Castle of the King - Bram StokerThe Canterville Ghost - Oscar WildeA Suffolk Miracle - TraditionalFather Stein's Tale - Robert Hugh BensonThe Old Nurse's Story - Elizabeth GaskellThe Body Snatcher - Robert Louis StevensonThe Ghostly Rental - Henry JamesThe Phantom Regiment - James GrantThe Tale of the Bagman's Uncle - Charles DickensThe North Mail - Amelia B. Edwards"The Penhale Broadcast" - Jack SnowStaley Fleming's Hallucination - Ambrose BierceThe Ghost of the Count - Anonymous

    F. Benson, H. P. Lovecraft, Fritz Leiber, Nathaniel Hawthorne, Stephen Crane, Charles Dickens, Robert Barr, and many others who know well how to manipulate a reader's emotions. From Washington Irving comes "The Adventure of My Grandfather" and from Saki, "The Cobweb." Bill Pronzini plays a horrifying game of "Peekaboo," while Frances Garfield portrays "The House at Evening" to alarming effect. This unique and very special collection is like a carnival ride of terror that you'll want to go on again and again.