This monumental biography--eight years in the research and writing--treats the early and middle phases of a long and intense career: a crucial fifty-year period that demonstrates how Du Bois changed forever the way Americans think about themselves.

    In Some Questions You Might Ask, Oliver gives us this one to chew over: "Is the soul solid, like iron?/ or is it tender and breakable, like/ the wings of a moth in the beak of an owl?" Highly recommended.

    Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote’s oeuvre are here, in stories as elegant as they are heartfelt, as haunting as they are compassionate. Reading them reminds us of the miraculous gifts of a beloved American original.

    It also provides the best, most sustained exposure possible to the most wide-ranging, acute, and original literary intelligence of the post—World War II years. United States is an essential book in the canon of twentieth-century American literature and an endlessly fascinating work.

    With wisdom and clear, ringing prose, he tackles head-on some of the most difficult problems confronting us near the end of the twentieth century––problems we still face today. Berry elucidates connections between sexual brutality and economic brutality, and the role of art and free speech. He forcefully addresses America's unabashed pursuit of self-liberation, which he says is "still the strongest force now operating in our society." As individuals turn away from their community, they conform to a "rootless and placeless monoculture of commercial expectations and products," buying into the very economic system that is destroying the earth, our communities, and all they represent.

    Within six months his stories appeared in Harper's, Esquire, Mirabella, Story, Buzz, and in The New Yorker twice more. "The Pugilist at Rest" - the title story from this stunning collection - took first place in Prize Stories 1993: The O. Henry Awards and was selected for inclusion in Best American Short Stories 1992. He is a writer of astonishing talent. Jones's stories - whether set in the combat zones of Vietnam or the brittle social and intellectual milieu of an elite New England college, whether recounting the poignant last battles of an alcoholic ex-fighter or the hallucinatory visions of an American wandering lost in Bombay in the aftermath of an epileptic fugue - are fueled by an almost brutal vision of the human condition, in a world without mercy or redemption. Physically battered, soul-sick, and morally exhausted, Jones's characters are yet unable to concede defeat: his stories are infused with the improbable grace of the spirit that ought to collapse, but cannot. For in these extraordinary pieces of fiction, it is not goodness that finally redeems us, but the heart's illogical resilience, and the ennobling tenacity with which we cling to each other and to our lives. The publication of The Pugilist at Rest is a major literary event, heralding the arrival of an electrifying new voice in American fiction, and a writer of magnificent depth and range. With these eleven stories, Thom Jones takes his place among the ranks of this country's most important authors.

    With its sly and uproarious humor and a heart that embraces humanity's follies as well as its triumphs, Nobody's Fool is storytelling at its most generous.

    Victor is the stoic, handsome son of an alcoholic father who has abandoned his family. Thomas is a gregarious, goofy young man who lost both his parents in a fire at a very young age. Through storytelling, Thomas makes every effort to connect with the people around him: Victor, in contrast, uses his quiet countenance to gain strength and confidence.When Victor's estranged father dies, the two men embark on an adventure to Phoenix to collect the ashes. Along the way, Smoke Signals illustrates the ties that bind these two very different young men and embraces the lessons they learn from one another.

    

    C. Boyle is one of the most inventive and wickedly funny short story writers at work today. Over the course of twenty-five years, Boyle has built up a body of short fiction that is remarkable in its range, richness, and exuberance. His stories have won accolades for their irony and black humor, for their verbal pyrotechnics, for their fascination with everything bizarre and queasy, and for the razor-sharp way in which they dissect America's obsession with image and materialism. Gathered together here are all of the stories that have appeared in his four previous collections, as well as seven that have never before appeared in book form. Together they comprise a book of small treasures, a definitive gift for Boyle fans and for every reader ready to discover the "ferocious, delicious imagination" (Los Angeles Times Book Review) of a "vibrant sensibility fully engaged with American society" (The New York Times).

    These 22 interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. There is Victor, who as a nine-year-old crawled between his unconscious parents hoping that the alcohol seeping through their skins might help him sleep. Thomas Builds-the-Fire, who tells his stories long after people stop listening, and Jimmy Many Horses, dying of cancer, who writes letters on stationary that reads "From the Death Bed of James Many Horses III," even though he actually writes them on his kitchen table. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and most poetically, between modern Indians and the traditions of the past.

    Rarely has any book conveyed the teachings of the master in such a simple but profound manner. This book will help you to bring your understanding from the head to the heart so that you can model the teachings of love and forgiveness in your daily life.

    Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. From the collections Will You Please Be Quiet, Please?, Where I’m Calling From, What We Talk About When We Talk About Love, and A New Path to the Waterfall; including an introduction by Robert Altman. With deadpan humor and enormous tenderness, this is the work of “one of the true contemporary masters” (The New York Review of Books).  From the eBook edition.

    Whether the subject is barbershop mythology or a meditation on the circumstances of one's own conception, Fulghum makes us a little more aware of the richness, fullness, and joyousness of life.

    Bestselling author Robert Bly selects his favorite works by the award-winning poet William Stafford.

    Only a true hero can save Bridget from the gruesome death that awaits her'and this is exactly what Bagley, much to his own surprise, proves himself to be.Notable Children's Books of 1994 (ALA)100 Books for Reading and Sharing 1993 (NY Public Library)1993 "Pick of the Lists" (ABA)

    By the author of The Last Days of the Sioux. 35,000 first printing. $35,000 ad/promo. History Bk Club Main. BOMC. QPB.

    As the emotionally scarred Lovejoys prepare for their mother’s funeral, the spirit of the selfish and manipulative Mudear hovers above them, complaining about her daughters’ “ugly ways” in death as she did in life.

    People, places, offhand memories, and imaginary things drift in and out of Ava's consciousness and weave their way through the narrative. The voices of her three former husbands emerge: Francesco, a filmmaker from Rome; Anatole, lost in the air over France; Carlos, a teenager from Granada. The ways people she loved expressed themselves in letters or at the beach or at the moment of desire return to her. There is Danilo, her current lover, a Czech novelist, and others, lovers of one night, as she sings the endless, joyous, erotic song cycles of her life, because "Dusk and the moment right before shapes are taken back is erotic. And the dark."The voices of her literary loves as well are woven into the narrative: Woolf, Eliot, Nabokov, Beckett, Sarraute, Lorca, Frisch, among others. These writers comment on and help guide us through the text. We hear the voices of her parents, who survived the Treblinka death camp, and of her Aunt Sophie, who did not. War permeates the text, for on Ava Klein's last day Iraq has invaded Kuwait. And above all we hear Ava's voice. Hers is the voice of pleasure, of astonishment, the voice of regret, the voice of gratitude as she moves closer and closer to the "music that is silence."AVA is an attempt, in the words of French feminist philosopher Helene Cixous, "to come up with a language that heals as much as it separates." The fragments of the novel are combined to make a new kind of wholeness, allowing environments, states of mind, and rhythms not ordinarily associated with fiction to emerge. AVA's theme is the poignancy of mortality, the extraordinary desire to live, the inevitability of death&amp—the things never done, never understood, the things never said, or said right, or said enough. Ava yearns and the reader yearns with her, struggling to hold on to all that slips away.

    In this beautiful revised edition, Nerburn refines his advice and expands his thoughts.

    Instead of revising the Articles of Confederation, the framers had created a fundamentally new national plan that placed over the states a supreme government with broad powers. They proposed to submit it to conventions in each state, elected “by the People thereof,” for ratification.Immediately, a fierce storm of argument broke. Federalist supporters, Antifederalist opponents, and seekers of a middle ground strove to balance public order and personal liberty as they praised, condemned, challenged, and analyzed the new Constitution.Assembled here in chronological order are hundreds of newspaper articles, pamphlets, speeches, and private letters written or delivered in the aftermath of the Constitutional Convention. Along with familiar figures like Franklin, Madison, Patrick Henry, Jefferson, and Washington, scores of less famous citizens are represented, all speaking clearly and passionately about government. The most famous writings of the ratification struggle—the Federalist essays of Hamilton and Madison—are placed in their original context, alongside the arguments of able antagonists, such as “Brutus” and the “Federal Farmer.”Part One includes press polemics and private commentaries from September 1787 to January 1788. That autumn, powerful arguments were made against the new charter by Virginian George Mason and the still-unidentified “Federal Farmer,” while in New York newspapers, the Federalist essays initiated a brilliant defense. Dozens of speeches from the state ratifying conventions show how the “draft of a plan, nothing but a dead letter,” in Madison’s words, had “life and validity…breathed into it by the voice of the people.” Included are the conventions in Pennsylvania, where James Wilson confronted the democratic skepticism of those representing the western frontier, and in Massachusetts, where John Hancock and Samuel Adams forged a crucial compromise that saved the country from years of political convulsion.Informative notes, biographical profiles of all writers, speakers, and recipients, and a detailed chronology of relevant events from 1774 to 1804 provide fascinating background. A general index allows readers to follow specific topics, and an appendix includes the Declaration of Independence, the Articles of Confederation, and the Constitution (with all amendments).

    This edition is out of print, and is being replaced by the fourth edition, retail price 18.95, ISBN 0981570178

    Burroughs has had a range of influence rivalled by few living writers. This meticulously assembled volume of his correspondence vividly documents the personal and cultural history through which Burroughs developed, revealing clues to illuminate his life and keys to open up his texts. More than that, they also show how in the period 1945-1959, letter-writing was itself integral to his life and to his fiction-making. These letters reveal the extraordinary route that took Burroughs from narrative to anti-narrative, from Junky to Naked Lunch and the discovery of cut-ups, a turbulent journey crossing two decades and three continents. The letters track the great shifts in Burroughs' crucial relationship with Allen Ginsberg, from lecturing wise man ("Watch your semantics young man") to total dependence ("Your absence causes me, at times, acute pain.") to near-estrangement ("I sometimes feel you have mixed me up with someone else doesn't live here anymore."). They show Burroughs' initial despair at the obscenity of his own letters, some of which became parts of Naked Lunch, and his gradual recognition of the work's true nature ("It's beginning to look like a modern Inferno.") They reveal the harrowing lows and ecstatic highs of his emotions, and lay bare the pain of coming to terms with a childhood trauma ("Such horror in bringing it out I was afraid my heart would stop."). It is a story as revealing of his fellow Beats as it is of Burroughs: he writes of Kerouac and Cassady in the midst of the journey immortalized as On the Road ("Neal is, of course, the very soul of this voyage into pure, abstract, meaningless motion."), and to Ginsberg as he was writing Howl ("I sympathize with your feelings of depression, beatness: 'We have seen the best of our time.'"). And throughout runs the unmistakable Burroughs voice, the u

    Rifles, scopes, ballistics, target detection, stalking, hides, cammo, countersniping, special ops, police vs. military and much more.

    The larger-than-life characters of Geronimo, Cochise, and General George Crook move dramatically through these pages, illuminating the human story behind the Apache Wars.

    Native American Studies. FIRST INDIAN ON THE MOON opens with the section "Influences": "where I have been/ most of my lives/ is where I'm going/--Lucille Clifton." The stories and poems of Sherman Alexie, an enrolled Spokane/Coeur d'Alene Indian from Wellpint, Washington, have appeared widely, in such publications as Caliban, Esquire, The World, Beloit Poetry Journal, Red Dirt, Zyzzyva and Story. Alexie has won a National Endowment for the Arts Writing Fellowship, and lives in Spokane. "These elegiac poems and stories will break your heart. Watch this guy. He's making myth"--Joy Harjo.

    Included are dramatic confrontations from Virginia, where Patrick Henry pitted his legendary oratorical skills against the persuasive logic of Madison, and from New York, where Alexander Hamilton faced the brilliant Antifederalist Melancton Smith.In addition to useful notes, there are biographical profiles of all writers, speakers, and recipients, and a detailed chronology of relevant events from 1774 to 1804 provide fascinating background. A general index allows readers to follow specific topics, and an appendix includes the Declaration of Independence, the Articles of Confederation, and the Constitution (with all amendments).

    CONTENTS: LIGHTNING THE FACE OF FEAR THE VISION

     Jurassic ParkOn a remote jungle island genetic engineers have created a dinosaur game park. Then a rival firm tries to steal embryos, and the nightmare begins. Congo Three intrepid adventurers plunge into the heart of Africa in a desperate bid for the fabulous diamonds of the Lost City of Zinj.

    An SAS patrol travels through the Sahara to attack a German airbase; a German intelligence officer sets out to settle a personal grudge; and the men from Hornet Squadron (from Robinson's earlier Piece of Cake) are overhead, committed to suicidal ground-attack missions to satisfy their commander. Fast-talking, darkly humorous, and stinging.

    Barry Hannah's reputation as a master of the short story, first established in 1978 with the publication of Airships, is magnified in this volatile, long-awaited collection of new stories. Astonishing in range and in the portrayal of the human heart, these fierce and radar-perfect stories give us individuals with whom hilarity and pain combine with true and startling clarity.

    Book annotation not available for this title.

    More manifesto than polite discussion, more call to action than criticism, The Invisible Dragon aims squarely at the hyper-institutionalism that, in Hickey’s view, denies the real pleasures that draw us to art in the first place. Deploying the artworks of Warhol, Raphael, Caravaggio, and Mapplethorpe and the writings of Ruskin, Shakespeare, Deleuze, and Foucault, Hickey takes on museum culture, arid academicism, sclerotic politics, and more—all in the service of making readers rethink the nature of art. A new introduction provides a context for earlier essays—what Hickey calls his "intellectual temper tantrums." A new essay, "American Beauty," concludes the volume with a historical argument that is a rousing paean to the inherently democratic nature of attention to beauty.Written with a verve that is all too rare in serious criticism, this expanded and refurbished edition of The Invisible Dragon will be sure to captivate a new generation of readers, provoking the passionate reactions that are the hallmark of great criticism.

    Her unmistakable voice, speaking even from the earliest poems with rare assurance and precision, wrestles with urgent questions while never failing to explore new poetic territory.In Collected Early Poems, readers will once again bear witness to Rich's triumphant assertion of the centrality of poetry in our intertwined personal and political lives.

    R. Ammons's poem with the unforgettable title is a defense of meaning—'this,' the poet says, 'are awash in ideality.' Garbage is an epic of ideas: all life—not that of human beings alone, but every species—is shown to be part of an ultimate reality. Eternity is here and now. The argument ranges widely with a wealth of images taken from science, and the world around us, the writing by turns impassioned and witty. For power of the thought and language, the poem takes its place alongside Whitman's Song of Myself—an American classic."—Citation for the 1993 National Book Award for Poetry

    Including On the Road, The Dharma Bums, and The Subterraneans.

    The two white men responsible were tried— and acquitted— in a Mississippi town near Lewis Nordan’s boyhood home. These events changed him forever. In this extraordinary novel, Nordan transforms one of America’s most notorious racial killings into a magical mystery ride of hilarity and horror that you will never forget.“An immense and wall-shattering display of talent. Wolf Whistle will help usher Lewis Nordan into the Hall of Fame of American Letters.” —Randall Kenan, The Nation

    . . .TO LOVE AGAINBeautiful, headstrong, and defiant, Cailin Drusus possesses the pride of her Celtic-born mother, though she has been reared amid her Roman father's wealth and privilege. When Cailin's family is destroyed and their farmland seized, she marries Wulf Ironfist, a Saxon of enormous strength and power--a gentle giant who opens the door to a world of heady sensuality. But her happiness is short-lived. For an unknown enemy drugs her as she labors in childbirth--and she awakens to find herself sold to a slave merchant and transported to Byzantium, not knowing what happened to her child. . . .

    Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.

    Omnibus of Cormac McCarthy's three novels: The Orchard Keeper, Suttree and Blood Meridian.

    Street Zen follows Dorsey from his days as a female impersonator to the LSD experiences that set him on the spiritual path. In 1989, after 20 years of Zen practice, he became abbot of San Francisco's Hartford Street Zen Center, where he founded a hospice for AIDS patients. Street Zen draws on interviews David Schneider conducted with Dorsey before his death in 1990 and parallels their nearly 20-year friendship.

    When his baby sister disappears from the river near their summer home, eighth grader Chris fights the assumption that she has drowned and sets off on a journey to discover the truth.

    Gooch presents an unforgettable story of a man who was struck down at the height of his powers. 55 photos.

    Included here are many of Galway Kinnell’s best-loved and most anthologized poems. Kinnell has revised some of the poems for this new edition, and comments on his working method in a prefatory note.

    

    Clarissa Pinkola Estes, author of WOMEN WHO RUN WITH THE WOLVES shares several small stories that, like Matriochka dolls, fit inside one another. Taken together, they are a moving testament to the enduring legacy of stories and to the triumph of love over loss. Dr. Estes masterfully blends the bitter and the sweet, the dark and the light, despair and hope, into a wonderful gift that illuminates and strengthens, a gift that will be cherished by all who receive it.

    These two young men were faced with the choice of fighting for their homeland against overwhelming odds or sitting out their teen years as poor and humble farmers. The decision that they make causes both of them to learn a great deal about themselves, the faithfulness of God, and the horrible price that the sons of the South had to pay to support their belief in State's rights. This is a book dedicated to the task of educating Americans about the personal trials and challenges that faced young people in the United States during the bloody Civil War. It is a story that should stir the heart of every American - North or South.

    Michael D'Orso is the author of Somerset Homecoming.

    Chloe befriends Madame Sun, wife of Sun Yat-sen, the people's hero, who is fighting for modernization and for a government that will finally free China from feudalism. Chloe's friendship with Madame Sun will lead her to realize her own dreams -- as a famous own right. and as a woman whose soul is ignited by four unique men.From the violent cities Shanghai and Canton, to the war-torn mountains from the private tables of Chiang Kai-shek. to the bitter struggle of a country at Chloe grows from being a naive girl in a strange, forbidden land being a courageous woman, whose ideals, enthusiasm. and to a land, a people, and the sweet calling of her heart lead her on a breathless odyssey.

    I had finally no advice but the long held habit of our using one another, during his life, to act as a measure, a bearing, an unabashed response to what either might write or say."—Robert CreeleyA seminal figure in post-World War II literature, Charles Olson has helped define the postmodern sensibility. His poetry embraces themes of empowering love, political responsibility, the wisdom of dreams, the intellect as a unit of energy, the restoration of the archaic, and the transformation of consciousness—all carried in a voice both intimate and grand, American and timeless, impassioned and coolly demanding.In this selection of some 70 poems, Robert Creeley has sought to present a personal reading of Charles Olson's decisive and inimitable work—"unequivocal instances of his genius"—over the many years of their friendship.

    It highlights the key issues, motifs, and concerns of Mexican American women from 1848 to the present, and particularly reflects the modern Chicana's struggle for identity. Among the recurring themes in the collection is a re-visioning of foremothers such as the historical Malinche, the mythical Llorona, and pioneering women who settled the American Southwest from the sixteenth to twentieth centuries. Also included are historical documents on the lives, culture, and writings of Mexican American women in the nineteenth century, as well as oral histories recorded by the Federal Writers Project in the 1930s. Through poetry, fiction, drama, essay, and other forms, this landmark volume showcases the talents of more than fifty authors, including Gloria E. Anzaldúa, Ana Castillo, Lorna Dee Cervantes, Denise Chávez, Sandra Cisneros, Pat Mora, Cherríe Moraga, and María Helena Viramontes.

    It includes poetry and prose by today's best and most well-known writers.

    Bold and impassioned, sharp and defiant, Leslie Marmon Silko's essays evoke the spirit and voice of Native Americans. Whether she is exploring the vital importance literature and language play in Native American heritage, illuminating the inseparability of the land and the Native American people, enlivening the ways and wisdom of the old-time people, or exploding in outrage over the government's long-standing, racist treatment of Native Americans, Silko does so with eloquence and power, born from her profound devotion to all that is Native American. Yellow Woman and a Beauty of the Spirit is written with the fire of necessity. Silko's call to be heard is unmistakable—there are stories to remember, injustices to redress, ways of life to preserve. It is a work of major importance, filled with indispensable truths—a work by an author with an original voice and a unique access to both worlds.

    Learn how to travel safely on a shoestring. How, when and where to catch a train. By Daffy Littlejohn

    Reprint. PW.

    In Cornel West's hands issues of race and freedom are inextricably tied to questions of philosophy and, above all, to a belief in the power of the human spirit.

    They each have some personal meaning. Through the centuries, numerologists have been studying the significance of numbers and perfecting their art in the belief that numbers strongly influence both our behavior and our fate. They have learned that by understanding the meaning of numbers, we can gain greater insight into ourselves.In Numerology: Key to Your Inner Self, world-renowned numerologist Hans Decoz and accomplished writer Tom Monte have teamed together to produce an easy-to-understand guide that introduces the reader to the basic concepts and applications of numerology. Presented here is a technique that relates the major questions of an individual's life -his talents, challenges, career, and personal growth--with the basic numeric facts of his existence--his birth date and name.The book begins with a fascinating explanation of what numerology is and an intriguing look at the philosophy that lies behind it. It then examines how numerology works, focusing on the numeric meanings of personal names, birth dates, and language in general. Included is a step-by-step guide to calculating your own numbers and interpreting them in chart form.

    As in his earlier talking at the boundaries (1976), and tuning (winner of the 1984 PEN/Los Angeles Literary Award for Poetry), Antin's brilliant improvised disquisitions at once challenge readers' expectations even as they instruct and entertain. A poet, performance artist, art critic, and professor of visual arts, Antin, since his college days in New York in the '50s, has been at the cutting edge of the avant-garde. The avant-garde? Yes, if by this is meant not an image of fashion but the place where art and life intersect, imparting to both a greater urgency - if is meant the place where experience and knowledge find their deepest expression, where the idea of a universal language can find shape, where the price of art is itself, where the fringe is the very center of existence.

    Thomas Jefferson's love for, and enslavement of, his mistress, Sally Hemings, forms the center of an exploration of the American spirit.

    "The eucalyptus is rowing in the light of the streetlamp, the lake-water writes letters to St. Paul, and all the new gods are ambushing at an old saltlick... if Goldberg's brilliantly anthropomorphized and frightening badlands of desire and the tragic life of our suburbs, then here's a version of our extinction you'd better accept as published by fire on the pages of lament"--Norman Dubie.

    A collection of three novels by the famed British mystery writer features Death in Kenya, Death in Zanzibar, and Death in Cyprus.

    Confined in an upstairs room to recuperate by her well-meaning but dictatorial and oblivious husband, the yellow wallpaper in the room becomes the focal point of her growing insanity.

    Wexler has worked with the entire range of American genius: Ray Charles, Aretha Franklin, Otis Redding, Bob Dylan, Willie Nelson, and others. 75 photographs.

    The AIA Guide to Chicago, Second Edition, showcases more than 1,000 individual buildings, along with more than 400 photographs - many taken expressly for this volume - plus 35 specially commissioned walking maps. The book is arranged geographically so that the user can tour each area of the city as conveniently as possible. Building descriptions focus on the illuminating - but easily overlooked - details that give the behind-the-scenes, often unexpected story of why a building took the shape it did.

    For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

    In Compulsive Beauty, Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death. To this end Foster first restages the difficult encounter of surrealism with Freudian psychoanalysis, then redefines the crucial categories of surrealism--the marvelous, convulsive beauty, objective chance--in terms of the Freudian uncanny, or the return of familar things made strange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacometti in mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy. This leads him finally to propose as a summa of surrealism a body of work often shunted to its margins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connections not only between sadism and masochism butal so between surrealism and fascism. At this point Compulsive Beauty turns to the social dimension of the surrealist uncanny. First Foster reads the surrealist repertoire of automatons and mannequins as a reflection on the uncanny processes of mechanization and commodification. Then he considers the surrealist use of outmoded images as an attempt to work through the historical repression effected by these same processes. In a brief conclusion he discusses the fate of surrealism today in a world become surrealistic. Compulsive Beauty not only offers a deconstructive reading of surrealism, long neglected by Anglo-American art history, but also participates in a postmodern reconsideration of modernism, the dominant accounts of which have obscured its involvements in desire and trauma, capitalist shock and technological development.

    The intricacies of Crow Indian culture are as fascinating as the harrowing scenes of warfare and tragedy that befall this collection of memorable characters. Renee DeGeer, a lusty French Canadian who now calls the Crow his brothers, raises two strong sons: Jacques, Renee's natural born; and Nicolas, who is adopted by the DeGeer's. The young boys soon outgrow the mischief of their childhood and develop into strong warriors. But when Jacques takes a brave white woman as his wife, passions erupt, and one will terrible secret threatens not only to tear the fabric of this close-knit family but the Crow Nation as well.

    Cultural Studies. America was founded as a land of drop-outs, and almost immediately it began to produce its own crop of dissidents - visionaries, utopians, Maroons (escaped slaves), white and black Indians, sailors and buccaneers, tax rebels, angry women, crank reformers, tri-racial isolate communities - all on the lam from Babylon, from control. In this book they return, speaking for a romantic becoming - for an insurrectionary moment - for a restoration of the unknown.

    Kennedy than Jacques Lowe. No photograph has better captured the complexity and personality of JFK, the Kennedy family, and the spirit of Camelot, Now in JFK Remembered, Jacques Lowe presents the definitive photographic portrait of Kennedy and tells the story of what he saw during his years with JFK. Jacques Lowe first became friendly with the Kennedys when he was assigned by three different magazines to photograph an emerging crusader named Robert Kennedy. His work impresed the entire Kennedy family so much that he received a midnight phone call from Joseph Kennedy, who asked Lowe to photograph his other son, Jack, then a U.S. senator. What began as a family favor evolved into the most personal relationship JFK - or any other president since Abraham Lincoln - would ever have with a photographer: Lowe took over 40,000 photos, covering the last five years of JFK's life, including the White House years. In JFK Remembered, Lowe has chosen 198 of his best photographs; some are classics and others have never before been published. We see Kennedy at work and with his family, at public events, and during private moments. In his accompanying text, Lowe describes how Kennedy allowed him unrestricted access to his campaign for the presidency, and how an unspoken trust developed between them and carried over into the rest of Kennedy's life. In Lowe's photographic memoir, we see the emergence of JFK as a national leader and icon, and we are reminded once more of the magic that was John Fitzgerald Kennedy.

    This dramatic narrative history--a continuation of the popular American history series by the author of George Washington's War, None Died in Vain and Delivered from Evil--covers the first 50 years following the American Revolution, including the War of 1812, the Mexican War, and American expansion.

    It chronicles America’s transformation, beginning in 1880, into a nation of consumers, devoted to a cult of comfort, bodily well-being, and endless acquisition. 24 pages of photos.

    Set in downtown New York City, Whores of Lost Atlantis features Julian Young, a performer and playwright who tells the story of his acting troupe's hilarious struggle to assemble an Off-Broadway production of Julian's play, Whores of Lost Atlantis, in which Julian acts in drag. The novel's unforgettable cast of characters includes Joel, a perfect English gentleman from Indiana; Roxie, an actress/librarian with moxie; Buster, a voluptuous young alcoholic; Camille, the fiery wig designer Julian considers having an affair with; Perry, Julian's best friend, with a weakness for plastic surgery and peroxide; and Kiko, the wonderfully wicked performance artist who tries to sabotage Julian's career. Getting his play produced proves to be a picaresque adventure with plenty of surprises, leaving the reader feverishly turning pages to see if the show can go on.

    A timeless collection. Full color.MS. found in a bottle --Morella --Ligeia --The fall of the House of Usher --William Wilson --The murders in the Rue Morgue --The oval portrait --The masque of the Red Death --The pit and the pendulum --The tell-tale heart --The black cat --The facts in the case of M. Valdemar --The cask of Amontillado --Hop-frog. --Poems: The city in the sea --The sleeper --Lenore --The raven --Ulalume --For Annie --Annabel Lee --The bells --Alone.

    A comprehensive collection from the challenging and fearless thinker, Cornel West.

    Adapted to the comics page by Walter Simonson, with art by Gil Kane and George Perez, Michael Crighton's best-selling, genre-expanding story comes to vivid life in this 4-issue collection.

    Full-color illustrations.

    Stories featured here include “A Day in the Open” by Jane Bowles; “Blackberry Winter” by Robert Penn Warren; “O City of Broken Dreams” by John Cheever; “The Magic Barrel” by Bernard Malamud; “In Time Which Made a Monkey of Us All” by Grace Paley; “Sonny’s Blues” by James Baldwin; “Are These Actual Miles?” by Raymond Carver; and “You’re Ugly, Too” by Lorrie Moore. “Ford’s choice of stories is exemplary ... there’s wonderful reading here.” — The Washington Post

    Crimp elaborates the new paradigm of postmodernism through analyses of art practices broadly conceived, not only the practices of artists--Robert Rauschenberg, Cindy Sherman, Marcel Broodthaers, Richard Serra, Sherrie Levine, and Robert Mapplethorpe--but those of critics and curators, of international exhibitions, and of new or refurbished museums such as the Staatsgalerie in Stuttgart and the Martin-Gropius-Bau in Berlin.The essays:- Photographs at the End of Modernism.- On the Museum's Ruins.- The Museum's Old, the Library's New Subject.- The End of Painting.- The Photographic Activity of Postmodernism.- Appropriating Appropriation.- Redefining Site Specificity.- This is Not a Museum of Art.- The Art of Exhibition.- The Postmodern Museum.

    -- Library Journal

    It examines the lives and careers of more than fifty signal African-American artists, and the relation of their work to prevailing artistic, social, and political trends both in America and throughout the world.Beginning with a radical reevaluation of the enigma of Joshua Johnston, a late eighteenth-century portrait painter widely assumed by historians to be one of the earliest known African-American artists, Bearden and Henderson go on to examine the careers of Robert S. Duncanson, Edward M. Bannister, Henry Ossawa Tanner, Aaron Douglas, Edmonia Lewis, Jacob Lawrence, Hale A. Woodruff, Augusta Savage, Charles H. Alston, Ellis Wilson, Archibald J. Motley, Jr., Horace Pippin, Alma W. Thomas, and many others.Illustrated with more than 420 black-and-white illustrations and 61 color reproductions -- including rediscovered classics, works no longer extant, and art never before seen in this country -- A History of African-American Artists is a stunning achievement.

    Calculating the infinite in the finite, tracing geometries of desire, placing the obdurate world in an uncustomary light, each of these stories opens out its own world. Without giving up the plot or character of the traditional short story, Guy Davenport's inventions are complex events in which ideas and cultural history are a kind of music to which the characters dance. Despite the fractal, syncopated collage of his narrative style, Davenport's prose is objective, terse, and transparent. A constant theme in this book is the transmission of the past as an imaginative act; hence the title, Falstaff's dying vision of "a table of green fields," probably a mishearing of his recitation of the Twenty-third Psalm, corrected by editors to "he babbled of green fields," a symbol of all fiction, an art that must be exact about the uncertain.

    poetry, w/art by Richard Tuttle

    A key figure in the New York art scene, he inventively explored the interplay between words and images throughout his career, first as a member of SAMO, a graffiti group active on the Lower East Side in the late 1970s, and then as a painter acclaimed for his unmistakable Neoexpressionist style. From 1980 to 1987, he filled numerous working notebooks with drawings and handwritten texts. This facsimile edition reproduces the pages of seven of these fascinating and rarely seen notebooks for the first time.The notebooks are filled with images and words that recur in Basquiat's paintings and other works. Iconic drawings and pictograms of crowns, teepees, and hatch-marked hearts share space with handwritten texts, including notes, observations, and poems that often touch on culture, race, class, and life in New York. Like his other work, the notebooks vividly demonstrate Basquiat's deep interests in comic, street, and pop art, hip-hop, politics, and the ephemera of urban life. They also provide an intimate look at the working process of one of the most creative forces in contemporary American art.

    Fiction. Asian American Studies. This is a work of fiction during which the characters interact in the form of poetic novellas. Born on the island of Molokai and presently living in Kahalu'u, Yamanaka's poems have appeared in such journals as BAMBOO RIDGE: THE HAWAII WRITER'S QUARTERLY, Michigan Quarterly Review, PARNASSUS, Puerto del Sol and Zyzzyva. Lois-Ann Yamanaka is a fresh new voice in poetry and prose: irreverent, sensual, street-smart, and passionate. She refuels the English language with her own brand of island music--rich in distinctive rhythms and magical insights--Jessica Hagedorn.

    The two volumes of The Library of America’s American Poetry: The Nineteenth Century reveal the vigor and diversity of a tradition embracing solitary visionaries and congenial storytellers, humorists and dissidents, songwriters and philosophers. These extraordinary anthologies reassess America’s poetic legacy with a comprehensive sweep that no previous anthology has attempted.Extending chronologically from the classic couplets of Philip Freneau to the pioneering free verse of Walt Whitman, this first volume charts the formation of a distinctly American poetry. Here, in generous selections, are the major figures: Poe, Emerson, Bryant, Longfellow, Whittier—as well as such unexpected contributors as the landscape painter Thomas Cole, the actress Fanny Kemble, and the presidents John Quincy Adams and Abraham Lincoln.This collection offers the unique opportunity to appreciate anew such classics as Whittier’s “Snow-Bound,” Bryant’s “Forest Hymn,” and Emerson’s “Hamatreya,” while discovering a world of less familiar pleasures: the mystical sonnets of Jones Very, the Romantic fantasias of Maria Gowen Brooks, the whimsical meditations of Transcendentalist Christopher Pearse Cranch, the stirring political poems of Joel Barlow and John Pierpont, and the somber and undervalued late lyrics of Longfellow.The range of the poems’ subject matter is equally extraordinary and suggests the wide-ranging interests and passions of a national culture in the making: the War of 1812 and Napolean’s retreat from Moscow, the horrors of slavery and the struggle for Greek independence, historical figures from Dante to Rubens to Daniel Webster and Red Jacket, Byzantine history and New England folklore, the landscapes of Italy and India, Florida, and Niagara Falls.Woven among the poetry of the early nineteenth century is a wealth of popular ballads, recitations, and songs both secular and religious: “Home, Sweet Home,” “The Old Oaken Bucket,” “A Visit from St. Nicholas,” “It Came Upon the Midnight Clear,” “Battle Hymn of the Republic.” From Lydia Maria Child’s Thanksgiving poem (“Over the river and through the wood”) to George Pope Morris’s “The Oak” (“Woodman, spare that tree!”), these pages ring with the phrases that have become part of the national memory.Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes.

    After all, she'd been shunned by the citizens of Dead Dog, Oklahoma for so long that she'd given up hope of having any respectable gentleman callers.But the last thing Jed expected was romance. He was looking for a sophisticated woman to help him sow his wild oats. Instead, Cora made him a proposition of her own--one that would cause a fury in the town--and cause her to question her own heart...

    The powerful carvings of the vital and extraordinary beings such as Sea Bear, Thunderbird and Cedar Man are impressive and intriguing.Looking at Totem Poles is an indispensable guide to 110 poles in easily acessible outdoor locations in coastal British Columbia and Alaska. In clear and lively prose, Hilary Stewart describes the various types of poles, their purpose, and how they were carved and raised. She also identifies and explains frequently depicted figures and objects.Each pole, shown in a beautifully detailed drawing, is accompanied by a text that points out the crests, figures and objects carved on it. Historical and cultural background are given, legends are recounted and often the carver's comments or anecdotes enrich the pole's story. Photographs put some of the poles into context or show their carving and raising.This book is a companion volume to Hilary Stewart's enormously successful Looking at Indian Art of the Northwest Coast.

    The award-winning group perform nearly 100 concerts every year, for African American churches, the progressive Christian community, the anti-racism movement, and many others. Photos. Magazine features.

    In this book, Carrie Young presents a portrait of prairie cooking.

    Ulla E. Dydo's textual scholarship demonstrates Stein's constant questioning of convention, and A Stein Reader changes the balance of work in print, concentrating on Stein's experimental work and including many key works that are virtually unknown or unavailable.A Stein Reader includes unpublished work, such as the portrait "Article"; shows the astonishing stylistic change in the neglected "A Long Gay Book"; draws attention to the many unknown plays such as "Reread Another;" and offers fascinating portraits of Matisse, Picasso, and Sitwell. Illuminating headnotes bring out connections between pieces and provide invaluable keys to Stein's motifs and thought patterns.

    By the time she died fifty-seven years later she had achieved economic security, recognition as an author and lecturer, and the respect of numerous public figures. She had built the Custer legend, an idealized image of her husband as a brilliant military commander and a family man without personal failings. In Elizabeth Bacon Custer and the Making of a Myth, Shirley A. Leckie explores the life of "Libbie," a frontier army wife who willingly adhered to the social and religious restrictions of her day, yet used her authority as model wife and widow to influence events and ideology far beyond the private sphere.

    In this edition the authors have created a learning system that makes the chapters easier to navigate and provides a variety of ways for students to learn the material. "Learning Objectives" are now strategically placed throughout the chapter following major headings, and there are review questions at the ends of these major sections. "Chapter Summaries" are now organized around the "Learning Objectives" as well, making it easier for students to return to the place in the book that can help them work through the end-of-chapter material. Icons throughout the chapter direct students to the BiologyNow CD and tells them what they will find there. BiologyNow, the new Student CD-ROM for BIOLOGY Seventh Edition, is also based on these "Learning Objectives" to further reinforce the text's concepts. The BiologyNow CD, fully integrated with the Seventh Edition text, provides access to diagnostic pre-tests for each chapter. It also automatically generates customized learning plans for students, directing students to the information in the book, ancillaries and media program that will help them master specific concepts. Post-tests allow students to assess their progress as well. Personal Tutor with SMARTHINKING, a FREE online live tutoring service. Students can ask questions, get answers, and they don't need to set up appointments! For instructors, a Multimedia Manager provides the text art in PowerPoint form. Instructors also receive an Instructor's Guide, ExamView Electronic Testing and WebTutor course management options. Solomon, Berg, and Martin have gone beyond presenting facts for memorization -- they have created a well-designed pedagogical system through their use and reuse of chapter "Learning Objectives," which is supported by an unbelievable package of materials for instructors and students.

    

    . Step-by-step instructions and simple guides to the basic ingredients and terminology are enhanced by informative illustrations. Includes 130 time-tested recipes.

    With six published novels, two anthologies, a volume of literary criticism, plays, and other published works behind her, she is one of the most celebrated American writers of her time. Henry Louis Gates, Jr., writes in the preface of Toni Morrison: Critical Perspectives Past and Present, coedited with K. A. Appiah, that "Morrison's greatest capacities as a writer are her ability to create a densely lyrical narrative texture that is instantly recognizable as her own, and to make of the particularity of the African-American 'experience' the basis for a representation of humanity tout court." These critical perspectives are reviews from the popular press, essays - by such noted scholars and authors as Houston A. Baker, Jr., author of Workings of the Spirits, and Roberta Rubenstein, author of Boundaries of the Self - and interviews with Morrison that present her own perspective. This unique and revealing collection, which also includes a chronology of her life and career, offers insight and information useful to academic and lay readers alike. The critical essays explain how Morrison's work is influenced by writers such as Gabriel Garcia Marquez, William Faulkner, and James Baldwin; by Biblical scripture; and by Black music and speech rituals. They examine why Morrison's writing is "at once difficult and popular," says Gates. When Sara Blackburn reviewed Morrison's first novel, The Bluest Eye, for the New York Times, she wrote that the novelist "reaped the benefits of a growing middle-class women's movement that was just beginning to acknowledge the reality of its blac

    For twelve seasons, from 1943 to 1954, the AAGPBL captured America's attention with top-notch playing and strong personalities.

    

    His newspaper column was read daily by 40 million people, and as radio entertainer, lecturer, movies star, and homespun sage, he was one of our most popular entertainers.

    Although its emphasis is on plants of Northeastern North America, many of the plants listed are found throughout the world.Helpful introductory chapters on equipment, mordants, dyeing procedures and other essentials, are followed by individual plants: its suitability for dyeing, useful parts, how to process them, colors, dye fastness, plant identification, where to find it, and more. Also include four valuable indexes — plants by common name, botanical name, by colors produced, and a general index. A list of suppliers, metric conversion tables and other information rounds out this thorough guide to safe, ecologically sound dyeing methods.

    Writing with real emotion and a twist of irony, Eddy L. Harris combines the lively detail of travel writing with a brilliant exploration of race in America.