Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    Today, the book is considered a classic in African American and feminist circles.In Sisters of the Yam, hooks examines how the emotional health of black women is wounded by daily assaults of racism and sexism. Exploring such central life issues as work, beauty, trauma, addiction, eroticism and estrangement from nature, hooks shares numerous strategies for self-recovery and healing. She also shows how black women can empower themselves and effectively struggle against racism, sexism and consumer capitalism.As hooks’ first book on psychological concerns, Sisters of the Yam paved the way for her more recent and popular writing on love, relationships and community. This South End Press Classics Edition will include a new introduction.Praise for Sisters of the Yam: Black Women and Self-Recovery:“By confronting topics avoided in polite company—including progressive black folks—hooks helps us tackle our deepest fears, those we harbor about our self-worth as African Americans, and get on with the business of becoming.”—Village Voice Literary Supplement“hooks continues to produce some of the most challenging, insightful, and provocative writing on race and gender in the United States today.”—Library Journal“[bell hooks] draws more effectively on her own experiences and sense of identity than . . . most other writers.”—Publishers Weekly

    This groundbreaking work seeks nothing less than fundamental cultural change: the transformation of basic attitudes about power, gender, race, and sexuality.The editors thoroughly reviewed the book for this new edition, selecting eight new essays that address topics such as rape as war crime, sports and sexual violence, sexual abuse among the clergy, conflict between traditional mores and women's rights in the Asian American and Latin American communities, as well insightful analyses of cyberporn.The diverse contributors are activists, opinion leaders, theologians, policymakers, educators, and authors of both genders. An excellent text for undergraduate classes in Women's Studies, Family Sociology or Criminal Justice, the book is being reissued on the 10th anniversary of the Violence Against Women Act.

    This expanded edition includes a new preface by the author as well as her post-9/11 "Six Meditations in Place of a Lecture."

    Butler offers a brilliant reworking of the body, examining how the power of heterosexual hegemony forms the "matter" of bodies, sex, and gender. Butler argues that power operates to constrain sex from the start, delimiting what counts as a viable sex. She clarifies the notion of "performativity" introduced in Gender Trouble and via bold readings of Plato, Irigaray, Lacan, and Freud explores the meaning of a citational politics. She also draws on documentary and literature with compelling interpretations of the film Paris is Burning, Nella Larsen's Passing, and short stories by Willa Cather.

    Her emotive style draws heavily on the writers she most admires: the Brazilian novelist Clarice Lispector, the Russian poet Marina Tsvetaeva, the Austrian novelists Ingeborg Bachmann and Thomas Bernhard, Dostoyevsky, and, most of all, Kafka.

    From an immensely knowledgeable feminist perspective, in engaging, jargonless (!) prose, Bordo analyzes a whole range of issues connected to the body—weight and weight loss, exercise, media images, movies, advertising, anorexia and bulimia, and much more—in a way that makes sense of our current social landscape—finally! This is a great book for anyone who wonders why women's magazines are always describing delicious food as 'sinful' and why there is a cake called Death by Chocolate. Loved it!"—Katha Pollitt, Nation columnist and author of Subject to Debate: Sense and Dissents on Women, Politics, and Culture (2001)

    Many of the poems in this expanded collection are from Rich's five recent volumes--The Dream of a Common Language (1978), A Wild Patience Has Taken Me This Far (1981), Your Native Land, Your Life (1986), Time's Power: Poems 1985-1988 (1989), and An Atlas of the Difficult World (1991). Prose selections include When We Dead Awaken: Writing as Re-Vision, Rich's canonical statement on feminism; Compulsory Heterosexuality and Lesbian Existence, on being a lesbian in a heterosexual world; Rich's interview for American Poetry Review, which presents a full and frank discussion of her work; and her previously unpublished commentary on the genesis of the poem Yom Kippur 1984. The editors have also taken into account the many essays on Rich and reviews of her work that have been published since 1975. Some earlier biographical selections have been replaced with works that focus on the quality of Rich's writing and her place in twentieth-century American literature--not just as a poet, but as a woman, a lesbian, and a mother. Criticism includes thirteen reviews and interpretations of Rich's work by W. H. Auden, John Ashbery, Margaret Atwood, Helen Vendler, Judith McDaniel, Adrian Oktenberg, Charles Altieri, and Joanna Feit Diehl, among others. A second recent study by Albert Gelpi traces the events in Rich's life from which her work evolves. An updated Chronology and Selected Bibliography, as well as an expanded Index, are included.

    African slave, homeless exile, surrogate mother, Hagar's story provides an image of survival and defiance appropriate to black women today. Exploring all the themes inherent in Hagar's story -- poverty and slavery, ethnicity and sexual exploitation, exile and encounters with God -- Sisters in the Wilderness traces parallels in the history of African-American women from slavery to the present. A particular theology -- a womanist theology -- emerges from this shared experience; specifically, from the interplay of oppressions on account of race, sex, and class. In Part I, Williams shows how reading Hagar's story exemplifies the issues and problems black women face. The "forced motherhood," "single motherhood" and "surrogate motherhood" Hagar experienced have been part of black women's lives. Williams also explores the dismal reality of contemporary "racial narcissistic...consciousness" which finds its parallel in Hagar's travail as foreign servant and outcast. Finally, there is the religious resonance of Hagar's sojourns in the wilderness and her encounters with God. These themes Williams finds echoed in the cultural and literary traditions of African-American women. Part II considers the theological implications of the womanist understanding of Hagar's history. Williams explores the relationship between womanist and black liberation theology, and womanist theology and the black church. Through the combination of social history, political theology, and literary criticism, Williams demonstrates how approaching theology consciously informed by the awareness of the identity of black women results in a rich and vibrant knowledge of the sacred. Sisters in the Wilderness provides a reconstruction of "God-talk"

    Based on thirteen years of research and drawing upon the oral histories of forty-five women, authors Kennedy and Davis explore butch-femme roles, coming out, women who passed as men, motherhood, aging, racism, and the courage and pride of the working-class lesbians of Buffalo who, by confronting incredible oppression and violence, helped to pave the way for the gay and lesbian liberation movements of the 1970s and 1980s. Boots of Leather, Slippers of Gold captures the full complexity of lesbian culture; it is a compassionate history of real people fighting for respect and a place to love without fear of persecution.

    Audre Lorde (1934-1992) was the author of ten volumes of poetry and five works of prose. She was named New York State Poet in 1991; her other honors include the Manhattan Borough President’s Award for Excellence in the Arts. The Marvelous Arithmetics of Distance was nominated for a National Book Critics Circle Award in 1994.

    Babitz prowls California, telling tales of a changing world. She writes about the Rodeo Gardens, about AIDS, about learning to tango, about the Hollywood Cemetery, about the self-enchanted city, and, most important, about the envy and jealousy underneath it all. Babitz’s inimitable voice propels these stories forward, corralling everything that gets in their way: sex, rage, the Château Marmont, youth, beauty, Jim Morrison, men, women, and black swans. This exciting reissue further celebrates the phenomenon of Eve Babitz, cementing her reputation as the voice of a generation.

    A third-generation black nationalist feminist, Pearl Cleage recognizes the pure power of telling the truth — about African-American life and about the fate of the race in racist America. This book will incite any and all thinking people to ponder, argue, rage, reflect, and maybe even riot . . . ."Uncompromising . . . Blistering." — San Francisco Chronicle

    Combining poetry, wit, polemic, and dazzling scholarship with memorial and autobiography, these essays have set new standards of passion and truthfulness for current theoretical writing.The essays range from Diderot, Oscar Wilde, and Henry James to queer kids and twelve-step programs; from "Jane Austen and the Masturbating Girl" to a performance piece on Divine written with Michael Moon; from political correctness and the poetics of spanking to the experience of breast cancer in a world ravaged and reshaped by AIDS. What unites Tendencies is a vision of a new queer politics and thought that, however demanding and dangerous, can also be intent, inclusive, writerly, physical, and sometimes giddily fun.

    Using interview material, they bring together women's perspectives from North and South on environmental deterioration and develop and new way of approaching this body of knowledge which is at once practical and philosophical. Do women involved in environmental movements see a link between patriarchy and ecological degradation? What are the links between global militarism and the destruction of nature? In exploring such questions, the authors criticize prevailing theories and develop an intellectually rigorous ecofeminist perspective rooted in the needs of everyday life. They argue for the acceptance of limits, the rejection of the commoditization of needs, and a commitment to a new ethics.

    Only ten of them?about 3 percent?have been women. Why? In this updated version of Nobel Prize Women in Science, Sharon Bertsch McGrayne explores the reasons for this astonishing disparity by examining the lives and achievements of fifteen women scientists who either won a Nobel Prize or played a crucial role in a Nobel Prize - winning project. The book reveals the relentless discrimination these women faced both as students and as researchers. Their success was due to the fact that they were passionately in love with science.The book begins with Marie Curie, the first woman to win the Nobel Prize in physics. Readers are then introduced to Christiane Nusslein-Volhard, Emmy Noether, Lise Meitner, Barbara McClintock, Chien-Shiung Wu, and Rosalind Franklin. These and other remarkable women portrayed here struggled against gender discrimination, raised families, and became political and religious leaders. They were mountain climbers, musicians, seamstresses, and gourmet cooks. Above all, they were strong, joyful women in love with discovery.Nobel Prize Women in Science is a startling and revealing look into the history of science and the critical and inspiring role that women have played in the drama of scientific progress.

    I believe this work will be a landmark in future feminist thinking." — Alphonso Lingis"This is a text of rare erudition and intellectual force. It will not only introduce feminists to an enriching set of theoretical perspectives but sets a high critical standard for feminist dialogues on the status of the body." — Judith ButlerVolatile Bodies demonstrates that the sexually specific body is socially constructed: biology or nature is not opposed to or in conflict with culture. Human biology is inherently social and has no pure or natural "origin" outside of culture. Being the raw material of social and cultural organization, it is "incomplete" and thus subject to the endless rewriting and social inscription that constitute all sign systems.Examining the theories of Freud, Lacan, Merleau-Ponty, Foucault, Deleuze, Derrida, etc. on the subject of the body, Elizabeth Grosz concludes that the body they theorize is male. These thinkers are not providing an account of "human" corporeality but of male corporeality. Grosz then turns to corporeal experiences unique to women — menstruation, pregnancy, childbirth, lactation, menopause. Her examination of female experience lays the groundwork for developing theories of sexed corporeality rather than merely rectifying flawed models of male theorists.

    The Creation of Patriarchy, the first book in her two-volume magnum opus Women and History (1986) received wide review attention and much acclaim, winning the prestigious Joan Kelly Prize of the American Historical Association for the best work on Women's History that year. Ms hailed the book for providing a grand historical framework that was impossible even to imagine before the enlightenment about women's place in the world provided by her earlier work and that of other feminist scholars. New Directions for Women said it may well be the most important work in feminist theory to appear in our generation. Patriarchy traced the development of the ideas, symbols, and metaphors by which men institutionalized their domination of women. Now, in The Creation of Feminist Consciousness, the eagerly awaited concluding volume of Women and History, Lerner documents the twelve-hundred-year struggle of women to free their minds from patriarchal thought, to create Women's History, and to achieve a feminist consciousness. In a richly documented narrative filled with inspiring portraits of women, Lerner ranges from the Middle Ages to the late 19th century, tracing several important ways by which women strove for autonomy and equality. One of the most remarkable sections examines over twelve hundred years of feminist Bible criticism. Since objections to women's thinking, teaching, and speaking in public were based on biblical authority--most notably, passages from Genesis and the writings of St. Paul--women returned again and again to these texts, in an attempt to subvert patriarchal dominance and establish their equality with men. This survey of biblical criticism allows Lerner to illustrate her most important insight--the discontinuity of women's history. She describes how women's history was not passed on from generation to generation, forcing women in effect to reinvent the wheel over and over again. In a series of fascinating portraits of individual women who resisted patriarchal indoctrination, Lerner discusses women mystics such as Hildegard of Bingen, Julian of Norwich and later Protestant mystics, and brings to life the many women of great literary talent, from Christine de Pisan to Louise Labe to Emily Dickinson, who simply bypassed patriarchal thought and created alternate worlds for themselves. Documenting the 1,200 year struggle of women to free their minds from patriarchal thought, create a women's history, and achieve a feminist consciousness, this brilliant work charts new ground for feminist theory, the history of ideas, and the development of women's place in our intellectual tradition.

    In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.

    It traces her passionate and indignant response to the excitement of the early days of the French Revolution and then her uneasiness at its later bloody phase. It reveals her developing understanding of women's involvement in the political and social life of the nation and her growing awareness of the relationship between politics and economics and between political institutions and the individual. In personal terms, the works show her struggling with a belief in the perfectibility of human nature through rational education, a doctrine that became weaker under the onslaught of her own miserable experience and the revolutionary massacres. Janet Todd's introduction illuminates the progress of Wollstonecraft's thought, showing that a reading of all three works allows her to emerge as a more substantial political writer than a study of The Rights of Woman alone can reveal.

    Ignored or suppressed, she becomes a force of self-destruction; acknowledged and understood, she becomes a source of creativity and power. In this remarkable and revolutionary book, Linda Schierse Leonard explores how we can overcome the inner turmoil of contemporary life--unexpressed rage, the buildup of guilt and anxiety--by harnessing this primal expression of our natural instincts.From Medea to Ophelia to Thelma and Louise, the paradox and patterns of "madness" are as old as time. But the chain can be broken; the Madwoman within each of us can and must be freed, openly expressed, and transformed into a source of constructive, creative energy. Leonard draws upon an extraordinary range of sources--ancient myths and fairy tales, films and literature, contemporary and historical women's lives--to design a model of empowerment for women today.With its fresh perspectives and bold insights, Meeting the Madwoman is a provocative work of profound cultural significance, one whose ideas are sure to resonate for years to come.Praise for Meeting the Madwoman"A book loaded with practical insights that's also fun to read . . . With refreshing originality, Leonard reverses some traditional perceptions."--New Woman"A vigorous exploration . . . Throughout, Leonard writes passionately, seeing the Madwoman as an empowering symbol and the discovery process as a spiritual exercise--a kind of purification and ultimate triumph of the feminine spirit."--Kirkus Reviews

    Featuring essays by such prominent scholars as Judith Butler, John D'Emilio, Kobena Mercer, Adrienne Rich, Gayle Rubin, and Eve Kosofsky Sedgwick, The Lesbian and Gay Studies Reader explores a multitude of sexual, ethnic, racial, and socio-economic experiences.Ranging across disciplines including history, literature, critical theory, cultural studies, African American studies, ethnic studies, sociology, anthropology, psychology, classics, and philosophy, this anthology traces the inscription of sexual meanings in all forms of cultural expression. Representing the best and most significant English language work in the field, The Lesbian and Gay Studies Reader addresses topics such as butch-fem roles, the cultural construction of gender, lesbian separatism, feminist theory, AIDS, safe-sex education, colonialism, S/M, Oscar Wilde, Gertrude Stein, children's books, black nationalism, popular films, Susan Sontag, the closet, homophobia, Freud, Sappho, the media, the hijras of India, Robert Mapplethorpe, and the politics of representation. It also contains an extensive bibliographical essay which will provide readers with an invaluable guide to further reading.Contributors: Henry Abelove, Tomas Almaguer, Ana Maria Alonso, Michele Barale, Judith Butler, Sue-Ellen Case, Danae Clark, Douglas Crimp, Teresa de Lauretis, John D'Emilio, Jonathan Dollimore, Lee Edelman, Marilyn Frye, Charlotte Furth, Marjorie Garber, Stuart Hall, David Halperin, Phillip Brian Harper, Gloria T. Hull, Maria Teresa Koreck, Audre Lorde, Biddy Martin, Deborah E. McDowell, Kobena Mercer, Richard Meyer, D. A. Miller, Serena Nanda, Esther Newton, Cindy Patton, Adrienne Rich, Gayle Rubin, Joan W. Scott, Daniel L. Selden, Eve Kosofsky Sedgwick, Barbara Smith, Catharine R. Stimpson, Sasha Torres, Martha Vicinus, Simon Watney, Harriet Whitehead, John J. Winkler, Monique Wittig, and Yvonne Yarbro-Bejarano

    In this book, Val Plumwood argues that feminist theory has an important opportunity to make a major contribution to the debates in political ecology and environmental philosophy. Feminism and the Mastery of Nature explains the relation between ecofeminism, or ecological feminism, and other feminist theories including radical green theories such as deep ecology. Val Plumwood provides a philosophically informed account of the relation of women and nature, and shows how relating male domination to the domination of nature is important and yet remains a dilemma for women.

    I remember thinking, At nineteen, this linoleum is the last thing I'm ever going to see, because I'm dying." Marilyn: "Let me tell you about my pretty, wonderful, talented mother. She died from an illegal abortion when she was thirty-four and I was six." Bruce: "I really don't remember much about the first illegal abortion I did, because I was drunk when I did it." Coroner Fred: "The dead women we saw had either bled to death or they had died from overwhelming infections. Most of them were in their teens or twenties. I don't recall too many older than that. The deaths stopped overnight in 1973." All the oceans of verbiage and tons of newsprint on the subject of abortion boil down to one simple question. That question is not whether we will have abortions but what kind of abortions we will have. It is a question framed in stark human terms in Patricia Miller's The Worst of Times, which introduces us to dozens of ordinary Americans who have had firsthand experience with illegal abortion: women who survived the pain, humiliation, shame, and terror; motherless children of women who died; doctors who treated the terrible consequences of botched abortions; the abortionists themselves - barbers, midwives, mechanics; and the cops, coroners, and DAs charged with upholding the law. Abortion is a complex issue, but it is not an issue that exists abstractly in the eyes of ethicists or theologians. It is an issue that exists in the flesh - in the flesh of women with complicated lives and large responsibilities and a whole web of personal, familial, and moral concerns. As The Worst of Times makes powerfully and painfully clear, it is a question that women must be allowed to answer for themselves.

    It highlights the key issues, motifs, and concerns of Mexican American women from 1848 to the present, and particularly reflects the modern Chicana's struggle for identity. Among the recurring themes in the collection is a re-visioning of foremothers such as the historical Malinche, the mythical Llorona, and pioneering women who settled the American Southwest from the sixteenth to twentieth centuries. Also included are historical documents on the lives, culture, and writings of Mexican American women in the nineteenth century, as well as oral histories recorded by the Federal Writers Project in the 1930s. Through poetry, fiction, drama, essay, and other forms, this landmark volume showcases the talents of more than fifty authors, including Gloria E. Anzaldúa, Ana Castillo, Lorna Dee Cervantes, Denise Chávez, Sandra Cisneros, Pat Mora, Cherríe Moraga, and María Helena Viramontes.

    In these striking and sustaining depictions of seven remarkable women, Flinders brings to life a chorus of wisdom from the past that speaks with remarkable relevance to our contemporary spiritual quests.From Clare of Assisi in the Middle Ages to Thérèse of Lisieux in the late nineteenth century, Flinders's compelling and refreshingly informal portraits reveal a common foundation of conviction, courage, and serenity in the lives of these great European Catholic mystics. Their distinctly female voices enrich their writings on the experience of the inner world, the nourishing role of friendship and community in our lives, and on finding our true work.At its heart, Enduring Grace is a living testament to how we can make peace with sorrow and disappointment -- and bring joy and transcendence into our lives.

    There is considerable variety in the subjects she addresses....Compelling."THE CLEVELAND PLAIN DEALERThinking out loud is what Anna Quindlen does best. A syndicated columnist with her finger on the pulse of women's lives, and her heart in a place we all share, she writes about the passions, politics, and peculiarities of Americans everywhere. From gays in the military, to the race for First Lady, to the trials of modern motherhood and the right to choose, Anna Quindlen's views always fascinate.More of her views can be found in LIVING OUT LOUD, and OBJECT LESSONS.From the Trade Paperback edition.

    Girls are starting to menstruate earlier due to protein-rich diets and hormones in food; women are less likely to die young; we have fewer children and therefore spend less time not menstruating. Increased work and family stresses, in addition to more periods, mean that women are more physically and psychologically vulnerable to negative attitudes to menstruation. So it is more important than ever that we investigate ways to make our periods physically, emotionally, and spiritually healthy.

    As Judith Duerk powerfully shows, the world is crying out for a developed Feminine voice, a voice that can mediate, once again, the ancient values of the Feminine. These are values of interiority and of the sacredness of the earth, that honor the privacy of individual process; values of the deeper Self held within us all. Many women experience a battle within themselves between the critical, dismissing voice of their masculine side and the interior, self-sustaining voice of their feminine side. Without coming to terms and seeking balance with our masculine side, our feminine side can never reach its full potential. For those seeking balance between the masculine urge to DO and the feminine desire to BE, Duerk's mixture of prose, poetry, and reflective questions creates a model for integration.

    "Well, I don't do deception" was a common resonse.We all "do deception", often with the intention to protect ourselves and the relationships we depend on. The Dance of Deceptionunravels the ways (and whys) that women show the false and hide the real -- even to our own selves. We see how relationships are affected by lying and faking, by silence and pretending and by brave -- but misguided -- efforts to tell the truth.Truth-telling is at the heart of what is most central in women's lives. It is at the foundation of authenticity and creativity, intimacy and joy. Yet in the name of "honesty", we can bludgeon each other. We can approach a difficult issue with such a poor sense of timing and tact that we can actually shut down the lines of communication rather than widening the path of truth-telling.Sometimes Lerner's advice takes a surprising turn -- for example, when she asks us to engage in a bold act of pretending in order to discover something "more real"; or when she tells us not to parachute down on our family to bring up a "hot issue" without laying the necessary groundwork first.Whether the subject is affairs, family secrets, sexual faking or the challenge of "being oneself", Lerner helps us to discover, speak and live our own truths.

    Written against the background of war at the turn of this century, this millennium--the Gulf War, the Lebanese civil war and the military occupations of that country, the author's country of origin--these letters, OF CITIES AND WOMEN, are in their turn now letters to cities and women--that we, that is, women and men alike, might eventually, before it is too late, 'find the right geography for our revelations.'--Barbara Harlow

    Films widely disparate in subject, sentiment, and technique, they nonetheless shared one dual purpose: to provide the audience (of women, primarily) with temporary liberation into a screen dream - of romance, sexuality, luxury, suffering, or even wickedness - and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman's most important job was...to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women's films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman's genre - among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as "noble" as it appears. Basinger looks at the stars who played these women (Kay Francis, Barbara Stanwyck, Joan Crawford, Bette Davis, Rosalind Russell, Susan Hayward, Myrna Loy, and a host of others) and helps us understand the qualities - the right off-screen personae, the right on-screen attitudes, the right faces, the right figures for carrying the right clothes - that made them personify the woman's film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies. In each of the films the author discus

    They envisioned a society in which communal dining halls, daycare centers, and public laundries would replace the unpaid labor of women in the home. Yet by 1936 legislation designed to liberate women from their legal and economic dependence had given way to increasingly conservative solutions aimed at strengthening traditional family ties and women's reproductive role. This book explains the reversal, focusing on how women, peasants, and orphans responded to Bolshevik attempts to remake the family, and how their opinions and experiences in turn were used by the state to meet its own needs.

    Founder and Publisher Emerita Joani Blank, then working as a sex educator and counselor, started writing her own books about sexuality at her clients' and other therapists' behest.The press currently has a list of eighteen sexual self-awareness titles, including innovative and practical non-fiction with non-judgmental techniques for strengthening sexual communication. Down There Press also publishes lively literary and photographic erotica.

    Based in feminist, pre-patriarchal, and Native American philosophies, this book provides a biting critique of patriarchal practices, myths, and values, including family values.

    A critique of the lesbian sex industry's efforts to profit from women's oppression.

    Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film, theatre and anti-abortion demonstrations.

    From her ten years of experience in the Queens, New York, district attorney's office, the author offers a searing indictment of our justice system and how it "collaborates" with rapists.

    . ."* includes sixty-one substantial selections from the twentieth-century literature of women's lives: autobiographies, journals, and memoirs. "As varied in humanity as in geography,"** the women whose life stories are collected here include the famous—Maya Angelou, Maxine Hong Kingston, Anne Frank, Virginia Woolf—and the surprising—Emma Mashinini, a black South African labor organizer; Onnie Lee Logan, an Alabama "granny" midwife; Sara Suleri, an expatriate in America who reflects hilariously on the language of food in her native Pakistan."Destined to become a classic,"‡ this treasury of women's lives, brimming with intelligence, passion, wit, and determination, is a celebration of life itself.*Hungry Mind Review**Washington Post Book World‡Library Journal

    New Introductions by the Authors.

    Yalom focuses on the most unforgettable chronicles: the governess of the royal children; the servant attending Marie-Antoinette in her last days; Robespierre's sister, Charlotte; and others bound together by a common nightmare.

    Merry Wiesner has updated and expanded her prize-winning study; she has added new sections on topics such as sexuality, masculinity, the impact of colonialism, and women's role as consumers. Other themes investigated include the female life cycle, literacy, women's economic role, artistic creation, female piety--and witchcraft--and the relationship between gender and power. Accessible, engrossing, and lively, this book will be of central importance for those interested in gender history, early modern Europe, and comparative history.

    Janice Raymond), who were advancing arguments about Transexuality as a “rape” or “appropriation” of female bodies and female spaces. She reviews four autobiographical accounts of male to female transexuality. Each reveal narratives of redemption in which they overcome imperatives of fixed gender and embrace transformation. Stone confronts the ways in which both the medical complex and feminism had been used as a tool for the regulation of gender/sex systems and the management of trans bodies. As of 2007, "The Empire Strikes Back" had been translated into 27 languages and had been cited in publications more than four hundred and fifteen thousand times.

    This extraordinary body of literature and important documentary resource illuminates the lives of Indian women through 2,600 years of change and extends the historical understanding of literature, feminism, and the making of modern India. The biographical, critical, and bibliographical headnotes in both volumes, supported by an introduction which Anita Desai describes as “intellectually rigorous, challenging, and analytical,” place the writers and their selections within the context of Indian culture and history.Volume II: The Twentieth Century features poetry, fiction, drama, and autobiography by 73 writers born after 1905, some widely appreciated in their own time, others neglected or ignored. These works bring into the scope of literary discussion a whole new range of women’s experiences in and responses to society, politics, desire, marriage, procreation, aging, and death.

    and to understand that when we throw away that rule book we are not alone."--Ms.¶"A wonderful trove of experimentation and possibility."--The Women's Review of Books¶"This book is a homecoming!"--Philadelphia Daily News

    In essays on literary images of lesbianism from Defoe and Diderot to Virginia Woolf and Djuna Barnes, on the homosexual reputation of Marie Antoinette, on the lesbian writings of Anne Lister, Sylvia Townsend Warner, and Janet Flanner, and on Henry James's The Bostonians, Castle shows how a lesbian presence can be identified in the literature, history, and culture of the past three centuries.

    From Simon & Schuster, Moving Beyond Words is a collection of essays by influential feminist Gloria Steinem.In the book, Steinem examines the state of the women's movement in the 1990s and offers possibilities for the future, focusing on such issues as economic empowerment, women politicians, and life affirmations that affect women today.

    Makes the point that the social domination of women and the ecological domination of the earth are inextricably fused in theory and practice.

    The word Oshun is the name given to describe a complex convergence of Spiritual Forces that are key elements in the If� concept of fertility and the erotic. Those Spiritual Forces that form the foundation of Oshun's in the Spirit Realm relate to the Creation of new forms through the interaction between polar opposites. According to If�, Creation occurs through the polarity between the Forces of expansion and contraction. Together these Forces create light and darkness, which in turn sustains and defines all that is. If� scripture often refers to Forces of expansion as Orisha Okunrin, which means Male Spirit and to Forces of contraction as Orisha Obinrin, which means Female Spirit. Both forms of Spiritual Power are considered of equal importance in the evolution of all that exists. One is not better than the other because it is only through the balance of opposites that life comes into Being.

    The award-winning group perform nearly 100 concerts every year, for African American churches, the progressive Christian community, the anti-racism movement, and many others. Photos. Magazine features.

    Since then my understanding of black madonnas has been deepened by geneticists finding that the origin of modern humans is Africa, that primordial migrations from Africa carried a belief in a sacred dark woman to all continents. Black madonnas may be considered a metaphor for healing millennial divisions of gender and race in concerted world movements for justice.

    

    This is what bestselling author Warren Farrell discovered when he took a stand against established views of the male role in society, and pursued o course of study to find out who men really are. Here are the eye-opening, heart-rending, and undeniably enlightening results...

    When plants were found to reproduce sexually, eighteenth-century botanists ascribed to them passionate relations, polyandrous marriages, and suicidal incest, and accounts of steamy plant sex began to infiltrate the botanical literature of the day. Naturalists also turned their attention to the great apes just becoming known to eighteenth-century Europeans, clothing the females in silk vestments and training them to sip tea with the modest demeanor of English matrons, while imagining the males of the species fully capable of ravishing women.Written with humor and meticulous detail, Nature’s Body draws on these and other examples to uncover the ways in which assumptions about gender, sex, and race have shaped scientific explanations of nature. Schiebinger offers a rich cultural history of science and a timely and passionate argument that science must be restructured in order to get it right.

    Messerschmidt develops an elaborate scrutiny of the gender roles that, along with class and race, influence the occurrence and types of crimes in our society.

    The editors are excellent, well-known scholars, and activists in the academy." --Darlene Clark Hine"After looking carefully at Traps' selections, I have to confess that I'm both excited and satisfied by what Rudolph Byrd and Beverly Guy-Sheftall have assembled here from the 19th century to the present. Educators genuinely need a text like this for opening their classroom to critical discussions on the well-worn subjects of race and gender."--Charles JohnsonTraps is the first anthology of writings by 19th- and 20th-century African American men on the overlapping categories of race, gender, and sexuality. The selections on gender in Sections I and II reveal what some may view as the unexpected commitment of African American men to feminism. Included here are critiques of the subordinate social, economic, and political position of black women. Sections III and IV analyze the taboos and myths in which black sexuality is enmeshed. These essays also stress the importance of rejecting homophobia and the need to contest the predominance of a heterosexual paradigm. Monolithic constructions of gender and sexuality, reinforced by sexism and historically sanctioned homophobia, are the "traps" that give this book its focus and its title.

    Written by a leading activist in the labour movement, the book redresses the balance in much labour history writing. It examines the place of women and the influence of racism and sexism as well as providing a critical analysis of the rival ideologies which played a role in the uneven development of the labour movement.

    

    [T]his book's analysis lends support to claims that the gender system affected our very conceptions of science." --Journal of the History of the Behavioral Sciences"An important book for the educated general public as well as for scholars in many disciplines. Highly recommended." --Library Journal"Students and researchers alike will welcome this carefully argued volume that so clearly traces the dominant contours of Western conceptions about women." --Isis"Nancy Tuana's book is brillant. In under two hundred pages she presents a concise account of how women have been perceived in relation to men in the Western world for the past 2,500 years." --American Historical Review"A wide-ranging discussion of conceptions of women in science, philosophy and religion from ancient times to the late nineteenth century, Tuana's book makes it devastatingly clear how powerful and how deeply rooted was the Western idea of women as men's inferiors." --Women's Review of Books..". an unusually readable account of the image of women from the Greeks to the nineteenth century, wedded to a highly interesting argument about the way religion and philosophy affect the direction of the work of scientists, and how the work of scientists is used by philosophers and clergy to give authority to the more abstract world of ideas." --Magill Book ReviewsProvides a framework for understanding the persistence of the Western patriarchal view of woman as inferior. Tuana examines beliefs that were accepted a priori as evidence of women's inferiority and studies early theories of woman's nature to illustrate the way scientific literature, was influenced by--and in turn affected--religious and philosophical tenets.

    By holding up the ideal of a pure and happy inner core, psychotherapists refuse to acknowledge that a certain degree of unhappiness or dissatisfaction is a routine part of life and not necessarily a cause for therapy. Lesbians specifically are now guided to define themselves according to their frailties, inadequacies, and insecurities.An incisive critique of contemporary feminist psychology and therapy, Changing our Minds argues not just that the current practice of psychology is flawed, but that the whole idea of psychology runs counter to many tenets of lesbian feminist politics. Recognizing that many lesbians do feel unhappy and experience a range of problems that detract from their well-being, Changing Our Minds makes positive, prescriptive suggestions for non-psychological ways of understanding and dealing with emotional distress.Written in a lively and engaging style, Changing our Minds is required reading for anyone who has ever been in therapy or is close to someone who has, and for lesbians, feminists, psychologists, psychotherapists, students of psychology and women's studies, and anyone with an interest in the development of lesbian feminist theory, ethics, and practice.

    Those Spiritual Forces that form the foundation of Oya's role in the Spirit Realm relate to the movement between dynamics and form, as it exists throughout the Universe. According to IFA, dynamics and form represent the polarity between the forces of expansion and contraction. Together these forces create light and darkness, which in turn sustains and defines all that is. Accor4ding to IFA, it is the interaction between light and darkness that generates the physical universe and it is Oya who keeps this interaction in a constant state of flux and motion.

    

    G. Jung, who saw in her the quintessential "anima woman." Here Claire Douglas offers the first biography of this remarkable woman, exploring how Morgan yearned to express her genius yet sublimated it to spark not only Jung but also her own lover Henry A. Murray, a psychologist who with her help invented the thematic apperception test (TAT). Douglas recounts Morgan's own contributions to the study of emotions and feelings at the Harvard Psychological Clinic and vividly describes the analyst's turbulent life: her girlhood in a prominent Boston family; her difficult marriage; her intellectual awakening in postwar New York; her impassioned analysis with Jung, including her "visions" of a woman's heroic quest, many of which furthered his work on archetypes; her love affairs and experiences with sexual experimentation; her alcoholism; and, finally, her tragic death.

    

    A young woman came to discuss her poems. She said very little. It was as if she were clothed in an intense hesitancy, a serious shyness. Now, in THE GARMENT IN WJHICH NO ONE HAD SLEPT, come these poems which are wonderfully various in their address and in what they address. Hesitation has been used 'to have something to give back, ' shyness has been used as 'a nerve into all circumstances.' What Pam Rehm has given in these poems is worthy of our own intense and serious attention-John Taggart

    There's a Black Woman on each of the seven continents, in almost every country and in the space program. So no matter where you go, she's already been there. She travels with forces greater than herself. Her presence is everywhere. Black Women for Beginners chronicles the trials and triumphs of Black Women from antiquity to the present, reflecting with wit and humor the challenges they have faced and the fortitude and strength that have sustained Black Women and patterned history with a diversity of excellence. As warriors, healers, teachers, mothers, queens, and liberators Black Women have had tremendous impact on issues from food to fashion, from politics to poetry. Replete with a glossary of reference terms, Black Women for Beginners whimsically details the influence of stereotypes on the portrayal of Black Women in various venues and punctuates the absurd with contributions by Women such as suffragette Mary Church Terrell and astronaut Mae Jemison.

    These essays represent key issues in feminist theology and the feminist religious movement—milestones in the attempts of Christian feminists to reclain their spiritual authority, define biblical religion and the Christian church, and to articulate a feminist religious vision of justice and liberation.

    This book reveals the woman in photographs and works of art, combined with an insightful text. 267 photos, 17 in full color.

    In fact, it was a time of great fear, especially for women, and especially the fear of not fitting in. As a woman, you were odd if you graduated from college without being married; if you were married you were odd if you didn't immediately have children; if you had children you were odd if you also wanted to work. Before the feminist movement, women were treated as second-class citizens whose roles were utterly restricted, and The Fifties: A Women's Oral History fully explores those roles, the women who lived them, and the women who broke the molds.

    

    Anthropologists, healers, performance artists, and others tell how they apply ancient wisdom to such current issues as work, family, ecology, and equality.

    Focusing on the relationship between the politics of sexuality and the politics of militarism, Enloe charts the changing definitions of gender roles, sexuality, and militarism at the end of the twentieth century.In the gray dawn of this new era, Enloe finds that the politics of sexuality have already shifted irrevocably. Women glimpse the possibilities of democratization and demilitarization within what is still a largely patriarchal world. New opportunities for greater freedom are seen in emerging social movements--gays fighting for their place in the American military, Filipina servants rallying for their rights in Saudi Arabia, Danish women organizing against the European Community's Maastricht treaty. Enloe also documents the ongoing assaults against women as newly emerging nationalist movements serve to reestablish the privileges of masculinity.The voices of real women are heard in this book. They reach across cultures, showing the interconnections between military networks, jobs, domestic life, and international politics. The Morning After will spark new ways of thinking about the complexities of the post-Cold War period, and it will bring contemporary sexual politics into the clear light of day as no other book has done.

    New data and analysis of emerging trends make this second edition a welcome successor.

    In these original essays, the authors suggest that the discipline of economics could be improved by freeing itself from masculine biases.Beyond Economic Man raises questions about the discipline not because economics is too objective but because it is not objective enough. The contributors—nine economists, a sociologist, and a philosopher—discuss the extent to which gender has influenced both the range of subjects economists have studied and the way in which scholars have conducted their studies. They investigate, for example, how masculine concerns underlie economists' concentration on market as opposed to household activities and their emphasis on individual choice to the exclusion of social constraints on choice. This focus on masculine interests, the contributors contend, has biased the definition and boundaries of the discipline, its central assumptions, and its preferred rhetoric and methods. However, the aim of this book is not to reject current economic practices, but to broaden them, permitting a fuller understanding of economic phenomena. These essays examine current economic practices in the light of a feminist understanding of gender differences as socially constructed rather than based on essential male and female characteristics. The authors use this concept of gender, along with feminist readings of rhetoric and the history of science, as well as postmodernist theory and personal experience as economists, to analyze the boundaries, assumptions, and methods of neoclassical, socialist, and institutionalist economics. The contributors are Rebecca M. Blank, Paula England, Marianne A. Ferber, Nancy Folbre, Ann L. Jennings, Helen E. Longino, Donald N. McCloskey, Julie A. Nelson, Robert M. Solow, Diana Strassmann, and Rhonda M. Williams.

    A guide for building relationships between mother and daughter offers ideas for overcoming common crises that result in loss of self-esteem for adolescent girls.

    From an eight-year-old who successfully challenged two young harassers on the playground to an organized group of fifty women who confronted a dockworker in response to an attempted rape on the job, here's what they did, how they did it -- and how you can do it, too.Back Off! is the first book to focus on the direct-action tactics that work and the first to deal with harassment everywhere it takes place, in both blue-collar and white-collar jobs, at school, on the street, on the bus or subway, in the park, even in church.Back Off! examines the dynamics of sex and power in sexual harassment, the motives behind harassers' actions, and why traditional responses such as appeasement or aggression don't work, and describes the successful resistance strategies that you really can use -- including nonviolent personal confrontation techniques, group confrontations, administrative remedies, and formal lawsuits.

    It does this in a collection of feminist articles, including testimonies by victims/survivors of pornography that together make a convincing case for the view that pornography (as distinct from erotica) causes harm to women, including acts of violence. The volume is organized into four parts, the first of which provides vivid and moving personal accounts of how women's lives have been damaged by pornography. Part two gives an overview of the present status of pornography in our society, as well as the raging debate over pornography and censorship. Part three details several interesting and significant studies on the effects of pornography, as well as critiques of some of the most influential non-feminist researchers. The concluding part then describes actions, both humorous and grave, that feminists have employed in their fight against pornography. Some of the contributors are: Andrea Dworkin, Patricia Hill Collins, Catharine MacKinnon, Gloria Steinem and John Stoltenberg. "Making Violence Sexy: Feminist Views on Pornography" will appeal to students and lecturers of women's studies and sociology, political activists, public officials, social scientists, legal and medical professionals - those who consider pornography free speech, and those who of it as obscene, and those who consider it a form of discrimination against women. Women's studies teachers should find it a welcome addition to their required reading lists, and those working against sexual violence may appreciate it as a primary, up-to-date, and comprehensive source and inspiration.

    For twelve seasons, from 1943 to 1954, the AAGPBL captured America's attention with top-notch playing and strong personalities.

    

    No other book treats the systemic embedding of gender issues in all areas of life.

    The book’s contributors see directing not as an ideologically neutral set of skills, but as something that has served historically to preserve existing forms of authority.   What happens, then, when a feminist who directs for the theater decides that there is something called a feminist director, someone who sees her job as protesting and intervening in the existing system of representation? The contributors to this volume provide a wide range of answers, in original essays that disrupt traditional approaches of directing by showing how feminist theory might be applied in practice.   Essays and interviews by a wide variety of directors, scholars, and other theater specialists offer fresh new models for thinking about directing. The collection includes essays on African-American theater, feminist “classics,” and male directors working on feminist plays, as well as concrete suggestions for directing a variety of plays, from works by Shakespeare and Euripides to those by Caryl Churchill, Aishah Rahman, and Helene Cixous. The theoretical material, drawing from a wide range of contemporary critics and theorists, has been written with the director in mind, partly for the purpose of analyzing texts but also for inspiring creative directorial and design solutions.

    New works and treasured classics blend to show different aspects and telling details of lesbian culture: dress, food, music, literature, spirituality, sports, dwellings, relationships, sexuality, and theory. The list of contributors is enormous and wide ranging. Just about all the important and popular lesbian writers in all their different categories are represented.

    The author proposes that women writers relate to the Bible in complex ways, which both critique biblical misogyny and stem directly from elements of transgressive writing within scripture iteself. Ultimately Ostriker suggests that feminist reinterpretations of scripture are the inevitable consequence of spiritual values which ask us to turn from institutions to the meaning of the original revelation.

    

    Musicology and Difference brings together some of the freshest and most challenging voices in musicology today on a question of importance to all the humanistic disciplines.

    Primarily vegan, with many luscious dairy-free cake and dessert recipes, and liberally spiced with quotes from feminist writing. A tribute to the seventeen-year history of this fine restaurant

    Using the neighborhood perspective to explore the role of women in worker militancy, Cameron reveals the importance of female networks and organizational life in working-class culture and politics. Unionized women were labeled "radicals of the worst sort" because, in fighting for equality, they also rebelled against traditional economic and sexual hierarchies. Oral histories and detailed maps illuminate the setting and the dramatic story behind the famous Bread and Roses strike of 1912.

    Sparks from the Rodney King trial set fires throughout Los Angeles as rioters took to the streets. A basketball championship led to an overtime of overturning police cars in the Windy City, while critics accused the White House of turning a deaf ear on the civil war in Yugoslavia and U.N. relief missions to Sarajevo were met by gunfire and shelling.Back at home, the rights of women were a continuing issue as allegations of sexual harassment forced resignations from the Navy, and Olympic heroes brought home world records and gold medals from Barcelona and Albertville.These are just a few of the subjects satirized, analyzed, and characterized by some of the world's top editorial cartoonists. For more than twenty years, The Best Editorial Cartoons of the Year Series has been one of the nation's most-read collections with nearly 200,000 copies in print. This latest addition to the series continues to present the best of the award-winners, the newcomers, and not-yet-famous. From the editorial page at the breakfast table to the pages of this compilation, the featured cartoons and their artists are sure to inspire and humor readers.Aimed at readers with a comic sense of history and those in the political know, The Best Editorial Cartoons of the Year Series is also a must for libraries, schools, and classrooms that teach current events. Often funny, but at times sobering, the collection of works in this latest edition recount the events of 1992 with clarity, creativity, and endless chuckles.ABOUT THE EDITOREditor Charles Brooks is past president of the Association of American Editorial Cartoonists and was a cartoonist for the Birmingham (AL) News for thirty-eight years. He has been the recipient of thirteen Freedom Foundation awards, a national VFW award, two Vigilante Patriot awards, and a Sigma Delta Chi award for editorial cartooning. Brooks' cartoons appear in more than eighty books, including textbooks on political science, economics, and history, as well as encyclopedias and yearbooks. His original cartoons are on display in the archives of many libraries.

    Essays include women from the Old and New Testament as well as women in the early stages of the development of the current church as we know it. See what role these early women played in the progress of God's inspired institution.