Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    Today, the book is considered a classic in African American and feminist circles.In Sisters of the Yam, hooks examines how the emotional health of black women is wounded by daily assaults of racism and sexism. Exploring such central life issues as work, beauty, trauma, addiction, eroticism and estrangement from nature, hooks shares numerous strategies for self-recovery and healing. She also shows how black women can empower themselves and effectively struggle against racism, sexism and consumer capitalism.As hooks’ first book on psychological concerns, Sisters of the Yam paved the way for her more recent and popular writing on love, relationships and community. This South End Press Classics Edition will include a new introduction.Praise for Sisters of the Yam: Black Women and Self-Recovery:“By confronting topics avoided in polite company—including progressive black folks—hooks helps us tackle our deepest fears, those we harbor about our self-worth as African Americans, and get on with the business of becoming.”—Village Voice Literary Supplement“hooks continues to produce some of the most challenging, insightful, and provocative writing on race and gender in the United States today.”—Library Journal“[bell hooks] draws more effectively on her own experiences and sense of identity than . . . most other writers.”—Publishers Weekly

    This groundbreaking work seeks nothing less than fundamental cultural change: the transformation of basic attitudes about power, gender, race, and sexuality.The editors thoroughly reviewed the book for this new edition, selecting eight new essays that address topics such as rape as war crime, sports and sexual violence, sexual abuse among the clergy, conflict between traditional mores and women's rights in the Asian American and Latin American communities, as well insightful analyses of cyberporn.The diverse contributors are activists, opinion leaders, theologians, policymakers, educators, and authors of both genders. An excellent text for undergraduate classes in Women's Studies, Family Sociology or Criminal Justice, the book is being reissued on the 10th anniversary of the Violence Against Women Act.

    Butler offers a brilliant reworking of the body, examining how the power of heterosexual hegemony forms the "matter" of bodies, sex, and gender. Butler argues that power operates to constrain sex from the start, delimiting what counts as a viable sex. She clarifies the notion of "performativity" introduced in Gender Trouble and via bold readings of Plato, Irigaray, Lacan, and Freud explores the meaning of a citational politics. She also draws on documentary and literature with compelling interpretations of the film Paris is Burning, Nella Larsen's Passing, and short stories by Willa Cather.

    African slave, homeless exile, surrogate mother, Hagar's story provides an image of survival and defiance appropriate to black women today. Exploring all the themes inherent in Hagar's story -- poverty and slavery, ethnicity and sexual exploitation, exile and encounters with God -- Sisters in the Wilderness traces parallels in the history of African-American women from slavery to the present. A particular theology -- a womanist theology -- emerges from this shared experience; specifically, from the interplay of oppressions on account of race, sex, and class. In Part I, Williams shows how reading Hagar's story exemplifies the issues and problems black women face. The "forced motherhood," "single motherhood" and "surrogate motherhood" Hagar experienced have been part of black women's lives. Williams also explores the dismal reality of contemporary "racial narcissistic...consciousness" which finds its parallel in Hagar's travail as foreign servant and outcast. Finally, there is the religious resonance of Hagar's sojourns in the wilderness and her encounters with God. These themes Williams finds echoed in the cultural and literary traditions of African-American women. Part II considers the theological implications of the womanist understanding of Hagar's history. Williams explores the relationship between womanist and black liberation theology, and womanist theology and the black church. Through the combination of social history, political theology, and literary criticism, Williams demonstrates how approaching theology consciously informed by the awareness of the identity of black women results in a rich and vibrant knowledge of the sacred. Sisters in the Wilderness provides a reconstruction of "God-talk"

    From an immensely knowledgeable feminist perspective, in engaging, jargonless (!) prose, Bordo analyzes a whole range of issues connected to the body—weight and weight loss, exercise, media images, movies, advertising, anorexia and bulimia, and much more—in a way that makes sense of our current social landscape—finally! This is a great book for anyone who wonders why women's magazines are always describing delicious food as 'sinful' and why there is a cake called Death by Chocolate. Loved it!"—Katha Pollitt, Nation columnist and author of Subject to Debate: Sense and Dissents on Women, Politics, and Culture (2001)

    Based on thirteen years of research and drawing upon the oral histories of forty-five women, authors Kennedy and Davis explore butch-femme roles, coming out, women who passed as men, motherhood, aging, racism, and the courage and pride of the working-class lesbians of Buffalo who, by confronting incredible oppression and violence, helped to pave the way for the gay and lesbian liberation movements of the 1970s and 1980s. Boots of Leather, Slippers of Gold captures the full complexity of lesbian culture; it is a compassionate history of real people fighting for respect and a place to love without fear of persecution.

    This book examines the sources of royal women's power and assesses the reactions of contemporaries, which ranged from loyal devotion to armed opposition. By examining political action in the context of household networks, Leslie Peirce demonstrates that female power was a logical, indeed an intended, consequence of political structures. Royal women were custodians of sovereign power, training their sons in its use and exercising it directly as regents when necessary. Furthermore, they played central roles in the public culture of sovereignty--royal ceremonial, monumental building, and patronage of artistic production. The Imperial Harem argues that the exercise of political power was tied to definitions of sexuality. Within the dynasty, the hierarchy of female power, like the hierarchy of male power, reflected the broader society's control for social control of the sexually active.

    The Creation of Patriarchy, the first book in her two-volume magnum opus Women and History (1986) received wide review attention and much acclaim, winning the prestigious Joan Kelly Prize of the American Historical Association for the best work on Women's History that year. Ms hailed the book for providing a grand historical framework that was impossible even to imagine before the enlightenment about women's place in the world provided by her earlier work and that of other feminist scholars. New Directions for Women said it may well be the most important work in feminist theory to appear in our generation. Patriarchy traced the development of the ideas, symbols, and metaphors by which men institutionalized their domination of women. Now, in The Creation of Feminist Consciousness, the eagerly awaited concluding volume of Women and History, Lerner documents the twelve-hundred-year struggle of women to free their minds from patriarchal thought, to create Women's History, and to achieve a feminist consciousness. In a richly documented narrative filled with inspiring portraits of women, Lerner ranges from the Middle Ages to the late 19th century, tracing several important ways by which women strove for autonomy and equality. One of the most remarkable sections examines over twelve hundred years of feminist Bible criticism. Since objections to women's thinking, teaching, and speaking in public were based on biblical authority--most notably, passages from Genesis and the writings of St. Paul--women returned again and again to these texts, in an attempt to subvert patriarchal dominance and establish their equality with men. This survey of biblical criticism allows Lerner to illustrate her most important insight--the discontinuity of women's history. She describes how women's history was not passed on from generation to generation, forcing women in effect to reinvent the wheel over and over again. In a series of fascinating portraits of individual women who resisted patriarchal indoctrination, Lerner discusses women mystics such as Hildegard of Bingen, Julian of Norwich and later Protestant mystics, and brings to life the many women of great literary talent, from Christine de Pisan to Louise Labe to Emily Dickinson, who simply bypassed patriarchal thought and created alternate worlds for themselves. Documenting the 1,200 year struggle of women to free their minds from patriarchal thought, create a women's history, and achieve a feminist consciousness, this brilliant work charts new ground for feminist theory, the history of ideas, and the development of women's place in our intellectual tradition.

    Using interview material, they bring together women's perspectives from North and South on environmental deterioration and develop and new way of approaching this body of knowledge which is at once practical and philosophical. Do women involved in environmental movements see a link between patriarchy and ecological degradation? What are the links between global militarism and the destruction of nature? In exploring such questions, the authors criticize prevailing theories and develop an intellectually rigorous ecofeminist perspective rooted in the needs of everyday life. They argue for the acceptance of limits, the rejection of the commoditization of needs, and a commitment to a new ethics.

    

    I believe this work will be a landmark in future feminist thinking." — Alphonso Lingis"This is a text of rare erudition and intellectual force. It will not only introduce feminists to an enriching set of theoretical perspectives but sets a high critical standard for feminist dialogues on the status of the body." — Judith ButlerVolatile Bodies demonstrates that the sexually specific body is socially constructed: biology or nature is not opposed to or in conflict with culture. Human biology is inherently social and has no pure or natural "origin" outside of culture. Being the raw material of social and cultural organization, it is "incomplete" and thus subject to the endless rewriting and social inscription that constitute all sign systems.Examining the theories of Freud, Lacan, Merleau-Ponty, Foucault, Deleuze, Derrida, etc. on the subject of the body, Elizabeth Grosz concludes that the body they theorize is male. These thinkers are not providing an account of "human" corporeality but of male corporeality. Grosz then turns to corporeal experiences unique to women — menstruation, pregnancy, childbirth, lactation, menopause. Her examination of female experience lays the groundwork for developing theories of sexed corporeality rather than merely rectifying flawed models of male theorists.

    Ignored or suppressed, she becomes a force of self-destruction; acknowledged and understood, she becomes a source of creativity and power. In this remarkable and revolutionary book, Linda Schierse Leonard explores how we can overcome the inner turmoil of contemporary life--unexpressed rage, the buildup of guilt and anxiety--by harnessing this primal expression of our natural instincts.From Medea to Ophelia to Thelma and Louise, the paradox and patterns of "madness" are as old as time. But the chain can be broken; the Madwoman within each of us can and must be freed, openly expressed, and transformed into a source of constructive, creative energy. Leonard draws upon an extraordinary range of sources--ancient myths and fairy tales, films and literature, contemporary and historical women's lives--to design a model of empowerment for women today.With its fresh perspectives and bold insights, Meeting the Madwoman is a provocative work of profound cultural significance, one whose ideas are sure to resonate for years to come.Praise for Meeting the Madwoman"A book loaded with practical insights that's also fun to read . . . With refreshing originality, Leonard reverses some traditional perceptions."--New Woman"A vigorous exploration . . . Throughout, Leonard writes passionately, seeing the Madwoman as an empowering symbol and the discovery process as a spiritual exercise--a kind of purification and ultimate triumph of the feminine spirit."--Kirkus Reviews

    In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.

    Featuring essays by such prominent scholars as Judith Butler, John D'Emilio, Kobena Mercer, Adrienne Rich, Gayle Rubin, and Eve Kosofsky Sedgwick, The Lesbian and Gay Studies Reader explores a multitude of sexual, ethnic, racial, and socio-economic experiences.Ranging across disciplines including history, literature, critical theory, cultural studies, African American studies, ethnic studies, sociology, anthropology, psychology, classics, and philosophy, this anthology traces the inscription of sexual meanings in all forms of cultural expression. Representing the best and most significant English language work in the field, The Lesbian and Gay Studies Reader addresses topics such as butch-fem roles, the cultural construction of gender, lesbian separatism, feminist theory, AIDS, safe-sex education, colonialism, S/M, Oscar Wilde, Gertrude Stein, children's books, black nationalism, popular films, Susan Sontag, the closet, homophobia, Freud, Sappho, the media, the hijras of India, Robert Mapplethorpe, and the politics of representation. It also contains an extensive bibliographical essay which will provide readers with an invaluable guide to further reading.Contributors: Henry Abelove, Tomas Almaguer, Ana Maria Alonso, Michele Barale, Judith Butler, Sue-Ellen Case, Danae Clark, Douglas Crimp, Teresa de Lauretis, John D'Emilio, Jonathan Dollimore, Lee Edelman, Marilyn Frye, Charlotte Furth, Marjorie Garber, Stuart Hall, David Halperin, Phillip Brian Harper, Gloria T. Hull, Maria Teresa Koreck, Audre Lorde, Biddy Martin, Deborah E. McDowell, Kobena Mercer, Richard Meyer, D. A. Miller, Serena Nanda, Esther Newton, Cindy Patton, Adrienne Rich, Gayle Rubin, Joan W. Scott, Daniel L. Selden, Eve Kosofsky Sedgwick, Barbara Smith, Catharine R. Stimpson, Sasha Torres, Martha Vicinus, Simon Watney, Harriet Whitehead, John J. Winkler, Monique Wittig, and Yvonne Yarbro-Bejarano

    At such times, the earth becomes arid, life becomes devoid of meaning, the ground of culture cracks and splits, and gaps develop among peoples and between people and nature. Only water can bring the piece back together, awaken seeds hidden in the ground, and enliven the parched Tree of Life." One of the most important ways to call forth the water of life is through story. For years Michael Meade has been steeped in stories, some from the ground of his own life, others from the ancient rivers of Celtic, European, and African myth. Still others emerge from years spent as a teacher, listening to the stories that both men and women carry. From these stories he derives medicine for healing individual wounds and uncovers rituals for the remaking of community. Through stories that explore and illuminate the lives of men, Meade examines the wounds that often arise between father and son and the spells that can exist between mother and child. These "troubles" are investigated from psychological and mythological perspectives in order to uncover the layers of meaning embedded in life experiences and to discover the seeds of healing. At the core of the book are stories of initiatory events that mark a man's or a woman's soul over and pull a person deeper into life than he or she would normally choose to go. Seen as tempering through fire and water, these events decide who a person is, cause some power to erupt from inside, or strip everything away until all that remains is one's essential self. Attuned to our modern needs - the wounds of divorce, addiction, and loss, the moral abandonment of children, the gap between the genders - and our mythic inheritance, Men and the Water of Life offers narratives that reflect and resonate with the oldest parts of the human psyche - the place where things began and the place where things can begin again.

    Based in feminist, pre-patriarchal, and Native American philosophies, this book provides a biting critique of patriarchal practices, myths, and values, including family values.

    Founder and Publisher Emerita Joani Blank, then working as a sex educator and counselor, started writing her own books about sexuality at her clients' and other therapists' behest.The press currently has a list of eighteen sexual self-awareness titles, including innovative and practical non-fiction with non-judgmental techniques for strengthening sexual communication. Down There Press also publishes lively literary and photographic erotica.

    Illustrations and photos.

    Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film, theatre and anti-abortion demonstrations.

    Yalom focuses on the most unforgettable chronicles: the governess of the royal children; the servant attending Marie-Antoinette in her last days; Robespierre's sister, Charlotte; and others bound together by a common nightmare.

    Sharing intimate experiences from her own life, as well as stories of biblical women, Weems explores the significant relationships that mold readers from birth and the issues that complicate them.

    Committed to an integrated analysis of race, gender, and class, they also address the shortcomings of traditional, feminist, and Black theologies in dealing with evil. Taking Alice Walker's definition of "womanist" as a framework, in Part I, "Responsible, in Charge, " Clarice J. Martin explores "If God exists, why is there evil?"; Frances E. Wood shows how Christianity's idealization of suffering has harmed African-American women; and Jamie T. Phelps recounts the historic exclusion of African-American women - and men - in the Roman Catholic church. Part II, "It Wouldn't Be the First Time, " includes Marcia Y. Riggs on the 19th century Black club women's response to moral evil; Emilie M. Townes on a womanist ethic based on the example of Ida B. Wells-Barrett; and Rosita deAnn Mathews on the role of chaplain-clergyperson as priest, prophet, and employee. Part III, "Love's the Spirit, " includes M. Shawn Copeland on the narratives of enslaved and/or emancipated women of African descent; Delores S. Williams on sin and suffering in Black Christian theology; Cheryl A. Kirk-Duggan on the spirituals as an Afrocentric Christian response to evil; and Karen Baker-Fletcher on the life of Dr. Anna Julia Cooper and the vitality of voice in womanist experience. In Part IV, "As Purple Is to Lavender, " Patricia L. Hunter exposes the cosmetics industry's impact on Black women's self-understanding as creations of God. There is also Jacquelyn Grant on how a theology of servanthood degenerates into an apologetics for exploitation; Katie Geneva Cannon on the African-America folk sermon as genre; and, finally, Cheryl Townsend Gilkes on how Alice Walker's observations that one "loves food, " "loves roundness, " and "loves oneself" stand in opposition to the dominant culture's dictum that one can never be too rich or too thin. Vigorous and forthright, A T

    and to understand that when we throw away that rule book we are not alone."--Ms.¶"A wonderful trove of experimentation and possibility."--The Women's Review of Books¶"This book is a homecoming!"--Philadelphia Daily News

    It presents a developmental model to enable counselors to orchestrate a program of prevention rather than remediation. It also provides specific strategies for individual and group counseling.

    Merry Wiesner has updated and expanded her prize-winning study; she has added new sections on topics such as sexuality, masculinity, the impact of colonialism, and women's role as consumers. Other themes investigated include the female life cycle, literacy, women's economic role, artistic creation, female piety--and witchcraft--and the relationship between gender and power. Accessible, engrossing, and lively, this book will be of central importance for those interested in gender history, early modern Europe, and comparative history.

    Willis Barnstone’s selection of sonnets and the extensive historical and biographical background he supplies serve as a compelling survey of Spanish-language poetry that should be of interest both to lovers of poetry in general and to scholars of Spanish-language literature in particular.Following an introductory examination of the arrival of the sonnet in Spain and of that nation’s poetry up to Francisco de Quevedo, Barnstone takes up his six masters in chronological turn, preceding each with an essay that not only presents the sonneteer under discussion but also continues the carefully delineated history of Spanish-language poetry. Consistently engaging and informative and never dull or pedantic, these essays stand alone as appreciations—in the finest sense of that word—of some of the greatest poets ever to write. It is, however, Barnstone’s subtle, musical, clear, and concise translations that form the heart of this collection. As Barnstone himself says, "In many ways all my life has been some kind of preparation for this volume."

    The issue of women and reading--what they should read; what they should be protected from; how, what, and when they should read--was the focus of lively discussion in the nineteenth century in a wide range of media. Flint uses recent feminist analyses of how women read as a context for her detailed and readable study of these debates, exploring in a variety of texts--from magazines like Woman's World and My Lady's Novelette to works of literature like Jane Eyre and The Portrait of a Lady--the range of stereotypes and directives addressed to women readers, and their influence on the writing of fiction. She also looks at how women readers of all classes understood their own reading experiences.

    Long-anticipated first collection capturing the faces, voices, feelings, words, and songs of the author

    This book is a documentation of the female spiritual elders of these tribes who have been entrusted with handing down the tribal wisdom through the generations.

    New Introductions by the Authors.

    Meanwhile, in our perverse justice system the sexual assaults and murders of forty-five women in San Diego are discounted by police and given file code name NHI, No Humans Involved, because the victims are perceived as marginal: sex workers, informants, homeless or working class women.The women in Critical Condition challenge abuse and invisibility with powerful literary and visual art. They put a spin on issues of women and violence by focusing on women won fight back, sometimes killing their abusers; women who control their own sexualities and challenge conventional ideas of sex; women who assert images of themselves in a cultural landscape where none appear; women who reframe personal histories that were meant to shame them into oblivion.Critical Condition includes Carla Kirkwood’s autobiographical performance monologue about a girl, sexually abused by the men in her family, who becomes a feminist activist in the ‘70’s, and an artist in the ‘90’s. In impassioned poetry, Wanda Coleman takes a look at the embattled lives of African-Americans, particularly in Los Angeles. Sapphire’s searing poems about race and self-realization exposé the fallacy of the nuclear family and the vicious cycle of domestic violence. The Theory Girls’ performance script, “If You Were like the Heroine in a Country and Western song,” is both detailed expose and black comedy framing the relationship between Aileen Wuornos and Arlene Pralle (the born-again Christian who became enamored of Wuornos after her conviction) within the context to Hollywood’s fascination for women with guns.Here, too, are panel discussions, taken from a conference at The Lab and San Francisco Camerawork, that focus on self-revelation and art, women who kill, and the question of race and gender in the media. There are over twenty-five pages of visual art, including the Women’s Work billboard campaign promoting public awareness of domestic violence, wit work by Barbara Kruger and Carrie Mae Weems.Critical Condition shows women on the edge of violence, defending themselves, asserting public images that resist conventional ideas of powerlessness and victimization, and combating the dominant paradigm with irreverence and fierce commitment.

    [T]his book's analysis lends support to claims that the gender system affected our very conceptions of science." --Journal of the History of the Behavioral Sciences"An important book for the educated general public as well as for scholars in many disciplines. Highly recommended." --Library Journal"Students and researchers alike will welcome this carefully argued volume that so clearly traces the dominant contours of Western conceptions about women." --Isis"Nancy Tuana's book is brillant. In under two hundred pages she presents a concise account of how women have been perceived in relation to men in the Western world for the past 2,500 years." --American Historical Review"A wide-ranging discussion of conceptions of women in science, philosophy and religion from ancient times to the late nineteenth century, Tuana's book makes it devastatingly clear how powerful and how deeply rooted was the Western idea of women as men's inferiors." --Women's Review of Books..". an unusually readable account of the image of women from the Greeks to the nineteenth century, wedded to a highly interesting argument about the way religion and philosophy affect the direction of the work of scientists, and how the work of scientists is used by philosophers and clergy to give authority to the more abstract world of ideas." --Magill Book ReviewsProvides a framework for understanding the persistence of the Western patriarchal view of woman as inferior. Tuana examines beliefs that were accepted a priori as evidence of women's inferiority and studies early theories of woman's nature to illustrate the way scientific literature, was influenced by--and in turn affected--religious and philosophical tenets.

    In these original essays, the authors suggest that the discipline of economics could be improved by freeing itself from masculine biases.Beyond Economic Man raises questions about the discipline not because economics is too objective but because it is not objective enough. The contributors—nine economists, a sociologist, and a philosopher—discuss the extent to which gender has influenced both the range of subjects economists have studied and the way in which scholars have conducted their studies. They investigate, for example, how masculine concerns underlie economists' concentration on market as opposed to household activities and their emphasis on individual choice to the exclusion of social constraints on choice. This focus on masculine interests, the contributors contend, has biased the definition and boundaries of the discipline, its central assumptions, and its preferred rhetoric and methods. However, the aim of this book is not to reject current economic practices, but to broaden them, permitting a fuller understanding of economic phenomena. These essays examine current economic practices in the light of a feminist understanding of gender differences as socially constructed rather than based on essential male and female characteristics. The authors use this concept of gender, along with feminist readings of rhetoric and the history of science, as well as postmodernist theory and personal experience as economists, to analyze the boundaries, assumptions, and methods of neoclassical, socialist, and institutionalist economics. The contributors are Rebecca M. Blank, Paula England, Marianne A. Ferber, Nancy Folbre, Ann L. Jennings, Helen E. Longino, Donald N. McCloskey, Julie A. Nelson, Robert M. Solow, Diana Strassmann, and Rhonda M. Williams.

    In the New York Times Book Review, Richard Ellman wrote: Quietly factual when it suits her story, but lyrical when the demand arises, Jacqueline Bernard has succeeded on nearly every account. A good popular history. Truth was born a slave in 1797, gained her freedom some 30 years later, and at the age of 46 began a new life, traveling the country to preach about God and crusade against slavery. Known for her wit, her songs, and her great common sense, she electrified audiences as she championed women's rights, prison reform, and better working conditions.

    Focusing on the relationship between the politics of sexuality and the politics of militarism, Enloe charts the changing definitions of gender roles, sexuality, and militarism at the end of the twentieth century.In the gray dawn of this new era, Enloe finds that the politics of sexuality have already shifted irrevocably. Women glimpse the possibilities of democratization and demilitarization within what is still a largely patriarchal world. New opportunities for greater freedom are seen in emerging social movements--gays fighting for their place in the American military, Filipina servants rallying for their rights in Saudi Arabia, Danish women organizing against the European Community's Maastricht treaty. Enloe also documents the ongoing assaults against women as newly emerging nationalist movements serve to reestablish the privileges of masculinity.The voices of real women are heard in this book. They reach across cultures, showing the interconnections between military networks, jobs, domestic life, and international politics. The Morning After will spark new ways of thinking about the complexities of the post-Cold War period, and it will bring contemporary sexual politics into the clear light of day as no other book has done.

    The book’s contributors see directing not as an ideologically neutral set of skills, but as something that has served historically to preserve existing forms of authority.   What happens, then, when a feminist who directs for the theater decides that there is something called a feminist director, someone who sees her job as protesting and intervening in the existing system of representation? The contributors to this volume provide a wide range of answers, in original essays that disrupt traditional approaches of directing by showing how feminist theory might be applied in practice.   Essays and interviews by a wide variety of directors, scholars, and other theater specialists offer fresh new models for thinking about directing. The collection includes essays on African-American theater, feminist “classics,” and male directors working on feminist plays, as well as concrete suggestions for directing a variety of plays, from works by Shakespeare and Euripides to those by Caryl Churchill, Aishah Rahman, and Helene Cixous. The theoretical material, drawing from a wide range of contemporary critics and theorists, has been written with the director in mind, partly for the purpose of analyzing texts but also for inspiring creative directorial and design solutions.

    New data and analysis of emerging trends make this second edition a welcome successor.

    From an eight-year-old who successfully challenged two young harassers on the playground to an organized group of fifty women who confronted a dockworker in response to an attempted rape on the job, here's what they did, how they did it -- and how you can do it, too.Back Off! is the first book to focus on the direct-action tactics that work and the first to deal with harassment everywhere it takes place, in both blue-collar and white-collar jobs, at school, on the street, on the bus or subway, in the park, even in church.Back Off! examines the dynamics of sex and power in sexual harassment, the motives behind harassers' actions, and why traditional responses such as appeasement or aggression don't work, and describes the successful resistance strategies that you really can use -- including nonviolent personal confrontation techniques, group confrontations, administrative remedies, and formal lawsuits.

    

    When plants were found to reproduce sexually, eighteenth-century botanists ascribed to them passionate relations, polyandrous marriages, and suicidal incest, and accounts of steamy plant sex began to infiltrate the botanical literature of the day. Naturalists also turned their attention to the great apes just becoming known to eighteenth-century Europeans, clothing the females in silk vestments and training them to sip tea with the modest demeanor of English matrons, while imagining the males of the species fully capable of ravishing women.Written with humor and meticulous detail, Nature’s Body draws on these and other examples to uncover the ways in which assumptions about gender, sex, and race have shaped scientific explanations of nature. Schiebinger offers a rich cultural history of science and a timely and passionate argument that science must be restructured in order to get it right.

    Using the neighborhood perspective to explore the role of women in worker militancy, Cameron reveals the importance of female networks and organizational life in working-class culture and politics. Unionized women were labeled "radicals of the worst sort" because, in fighting for equality, they also rebelled against traditional economic and sexual hierarchies. Oral histories and detailed maps illuminate the setting and the dramatic story behind the famous Bread and Roses strike of 1912.

    208 pages.

    In Entitled to Power, Katherine Jellison examines midwestern farm women's unexpected response to new labor-saving devices. Federal farm policy at mid-century treated farm women as consumers, not producers. New technologies, as promoted by agricultural extension agents and by home appliance manufacturers, were expected to create separate spheres of work in the field and in the house. These innovations, however, enabled women to work as operators of farm machinery or independently in the rural community. Jellison finds that many women preferred their productive roles on and off the farm to the domestic ideal emphasized by contemporary prescriptive literature. A variety of visual images of farm women from advertisements and agricultural publications serve to contrast the publicized view of these women with the roles that they chose for themselves. The letters, interviews, and memoirs assembled by Jellison reclaim the many contributions women made to modernizing farm life.Originally published in 1993.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

    Introductory chapters explain in non-jargonistic terms exactly what structural adjustment is. These are followed by feminist critiques of its implications, and then a series of carefully chosen case studies examining the specific dimensions of structural adjustment in countries as diverse as Jamaica, Ghana, Nigeria, Egypt, Turkey, Sri Lanka and the Philippines.

    His purview is the northern European bourgeoisie, principally in England and the Low Countries, from 1600 to 1900. And his particular interest is the relation of music to the human body. He argues that musical practices, invariably linked to the body, are inseparable from the prevailing discourses of power, knowledge, identity, desire, and sexuality.With the support of 100 illustrations, Leppert addresses music and the production of racism, the hoarding of musical sound in a culture of scarcity, musical consumption and the policing of gender, the domestic piano and misogyny, music and male anxiety, and the social silencing of music. His unexpected yoking of musicology and art history, in particular his original insights into the relationships between music, visual representation, and the history of the body, make exciting reading for scholars, students, and all those interested in society and the arts.

    The essays discuss gender politics during the turbulent transition and crises of post-communism, offering vivid accounts and analyses of the conditions facing women in each country. The contributors cover such topics as nationalism, economic transformation, women and the state, and what women have gained and lost with the fall of communism, providing the philosophical, economic, historical, cultural, and sociological contexts needed to understand women's position in post-communism and the possibilities for women's activities.

    This new, updated edition of the bestselling text retains all the strengths of the first edition whilst: providing a critical survey of the field that is unrivalled in its accuracy and clarity; demonstrating how developments in diet, sexuality, reproductive technology, genetic engineering and sports science have made the body a site for social alternatives and individual choices; and elucidating the practical uses of theory in striking and accessible ways.

    But generations of boys who grow up without caring fathers or male mentors to emulate are left to guess what "men" are really like. They rely on cultural icons--larger-than-life images--as models of masculinity. As a result, they grow up mirroring overblown myths of manhood. Obsessed with being "man enough," they become philanderers, controllers, and competitors--constantly overcompensating for their loss of a true role model, yet sorely unprepared for family life.In Man Enough, psychiatrist and family therapist Frank Pittman explores what it is like to grow up male today. With great poignancy, humor, and candor, he weaves together case studies from his practice, examples from literature and films, plus personal vignettes from his own experiences as a father to examine these hyper-masculine men and to illustrate how they developed and how they can change. Dr. Pittman asserts that men can move past proving their masculinity and start practicing it by striving with the other guys rather than against them, achieving equality and intimacy with their mates--and by fathering. A man raises himself as he raises children and learns to understand and forgive his parents as he becomes one.An important book for men and women, Man Enough offers a new approach to issues of commitment, caring and control and creates a positive model for the fathers of tomorrow's men.