Relive the classic story of Walt Disney’s first-ever animated feature, Snow White and the Seven Dwarfs! This limited collector’s edition Read-Aloud Storybook includes a beautiful pull-out poster and will be available just in time to celebrate the release of the Platinum Edition DVD in fall 2009.

    Halberstam offers portraits of not only the titans of the age: Eisenhower Dulles, Oppenheimer, MacArthur, Hoover, and Nixon, but also of Harley Earl, who put fins on cars; Dick and Mac McDonald and Ray Kroc, who mass-produced the American hamburger; Kemmons Wilson, who placed his Holiday Inns along the nation's roadsides; U-2 pilot Gary Francis Powers; Grace Metalious, who wrote Peyton Place; and "Goody" Pincus, who led the team that invented the Pill.A NEW YORK TIMES BESTSELLER

    They are the first of the Women's Auxiliary Air Force: brave female pilots ready to do their bit.But Station Commander, David Palmer, doesn't want them. They're a nuisance, unable to do the work of men, and they would undoubtedly fall apart if the station was bombed.Felicity is determined to prove the worth of her 'Bluebirds'. There's Anne, who loves to dance but finds herself peeling vegetables in the station kitchens. Winnie, longs to work on the aeroplanes themselves but meets rejection at every turn. And Virginia, who is desperate to build a new life for herself.As the war goes on, so the girls make their mark - behaving heroically under fire, supporting the pilots with their strength, loyalty, and often their love - a love sometimes tragic, sometimes passionate, but always courageous.

    His extravagant and hopeless undertakings, his brushes with the law and scrapes with death, and his enduring friendships and unlooked-for love affairs make him a Don Quixote for our day, driven from one place to another by a restless and irregular quest for the absolute. Álvaro Mutis's seven dazzling chronicles of the adventures and misadventures of Maqroll have won him numerous honors and a passionately devoted readership throughout the world. Here for the first time in English all these wonderful stories appear in a single volume in Edith Grossman's prize-winning translation.

    Ranging from the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote’s oeuvre are here, in stories as elegant as they are heartfelt, as haunting as they are compassionate. Reading them reminds us of the miraculous gifts of a beloved American original.

    From Simon & Schuster, Classic Crews is a collection of works from the master Harry Crews, including his memoir and short stories.Collected here is the best of Harry Crews: his astoundingly beautiful memoir A Childhood: The Biography of a Place; two if his most memorable novels, Car and The Gypsy's Curse; and three masterly essays, "Climbing the Tower," "The Car," and "Fathers, Sons and Blood," as well as a new introduction to these works by Crews himself.

    Focusing on the mysteries--romantic, scientific, literary--that engage the minds and hearts of characters whose passions and lives intersect across scientific planes and centuries, it is "Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and... emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow... Exhilarating" (Vincent Canby, The New York Times).

    "Dark, demented humor, as horrifying as it is hilarious."--Michael Kuchwara, Associated Press

    Within six months his stories appeared in Harper's, Esquire, Mirabella, Story, Buzz, and in The New Yorker twice more. "The Pugilist at Rest" - the title story from this stunning collection - took first place in Prize Stories 1993: The O. Henry Awards and was selected for inclusion in Best American Short Stories 1992. He is a writer of astonishing talent. Jones's stories - whether set in the combat zones of Vietnam or the brittle social and intellectual milieu of an elite New England college, whether recounting the poignant last battles of an alcoholic ex-fighter or the hallucinatory visions of an American wandering lost in Bombay in the aftermath of an epileptic fugue - are fueled by an almost brutal vision of the human condition, in a world without mercy or redemption. Physically battered, soul-sick, and morally exhausted, Jones's characters are yet unable to concede defeat: his stories are infused with the improbable grace of the spirit that ought to collapse, but cannot. For in these extraordinary pieces of fiction, it is not goodness that finally redeems us, but the heart's illogical resilience, and the ennobling tenacity with which we cling to each other and to our lives. The publication of The Pugilist at Rest is a major literary event, heralding the arrival of an electrifying new voice in American fiction, and a writer of magnificent depth and range. With these eleven stories, Thom Jones takes his place among the ranks of this country's most important authors.

    From the unrelenting fear of death and gnawing pain of hunger, to the budding relationships of an adolescent girl growing into womanhood during the worst of all times, the author withholds nothing. Fanya Gottesfeld Heller's subtle depiction of her parents knowledge that it was a non-Jew's love for their daughter that had moved him to hide them, and their embarrassment and ultimate acceptance of the situation, lead us to wonder how we would have acted under the same circumstances as father, mother, or daughter. Love in a World of Sorrow features Fanya's gripping tale of survival and an updated foreword and epilogue by the author, reflecting more than a decade of experience bearing witness to the Holocaust before hundreds of audiences around the world. On the reading list at Princeton University, the University of Connecticut, and Ben Gurion Univesity of the Negev, among others. Fanya Gottesfeld Heller's book is an indispensable educational tool for teaching future generations about the human potential for both good and evil.

    Screams from the Balcony is a collection of letters chronicling Charles Bukowski's life as he tries to get published and work at a postal office, all while drinking and gambling.

    Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. From the collections Will You Please Be Quiet, Please?, Where I’m Calling From, What We Talk About When We Talk About Love, and A New Path to the Waterfall; including an introduction by Robert Altman. With deadpan humor and enormous tenderness, this is the work of “one of the true contemporary masters” (The New York Review of Books).  From the eBook edition.

    After all, it's twelve years since Edna, their youngest, was born. But when it sinks in that a baby really is on the way, Bill is over the moon and decides that the family should move out of their two-up, two-down house in Liverpool to one with more spacious accommodation. Eileen digs her heels in at first, reluctant to leave the house she loves and friends and neighbours so dear. But a scare early in Eileen's pregnancy strengthens Bill's resolve to provide a more comfortable home for his wife. Before Eileen knows what's hit her, she's installed in a smart home with posh new neighbours. Then tragedy strikes and Eileen must come to terms with a loss far greater than leaving behind her beloved neighbourhood. She tries to put on a brave face, but she can't fool the people who love her, who miss the smile on that round, chubby face and the laughter ringing through her house. They vow to make amends and fate steps in to lend a helping hand...

    Only a true hero can save Bridget from the gruesome death that awaits her'and this is exactly what Bagley, much to his own surprise, proves himself to be.Notable Children's Books of 1994 (ALA)100 Books for Reading and Sharing 1993 (NY Public Library)1993 "Pick of the Lists" (ABA)

    Zhivago for its portrayal of Stalin's Russia, Generations of Winter is the romantic saga of the Gradov family from 1925 to 1945.

    Chris Marker, the undisputed master of the filmic essay, composed the film almost entirely of still photographs.It traces a desperate experiment by the few remaining survivors of World War III to recover and change the past, and gain access to the future, through the action of memory. A man is chosen for his unique quality of having retained a single clear image from prewar days: no more than an ambiguous memory fragment from childhood -- a visit to the jetty at Orly airport, the troubling glance of an unknown woman, the crumpling body of a dying man.These elements become crucial hinge-points in the ensuing narrative, thickening and accumulating nuance with each successful expedition into the historical past. The image of the woman, increasingly suffused now with the time- and eros-bestowing capacities of a deep but impossible love, provides the kernel for the recovery of the dimension through which humankind and history will be saved, as well as the tragic abyss into which both the hero and the narrative inexorably fall. The story Marker tells -- a stunning parable of our modern fate -- is about the death of the world, about loss, memory, hope, and the indomitable power of love. This edition reproduces the original film's images along with its accompanying text in both English and French.

    Each will resonate, as questions of the human condition always do, in the heart of the reader. Lucia Berlin is widely recognized as a master of the short story. This collection captures distilled moments of crisis or epiphany, placing the protagonists in moments of stress or personal strain, and all told in an almost offhand, matter-of-fact voice.The San Francisco Chronicle wrote, "Most of the stories in this collection are very short and very simple. They are set in the places Berlin knows best: Chile, Mexico, the Desert Southwest, and California, and they have the casual, straightforward, immediate, and intimate style that distinguishes her work. They are told in a conversational voice and they move with a swift and often lyrical economy. They capture and communicate moments of grace and cast a lovely, lazy light that lasts. Berlin is one of our finest writers and here she is at the height of her powers."This is a collection for anyone who loves short stories or great writing of any kind.

    He lives in a tiny room in a hole in the wall, its shelves piled high with countless colourful boxes, full of his dreams. And when you're with him you see things your eyes won't normally see.

    People, places, offhand memories, and imaginary things drift in and out of Ava's consciousness and weave their way through the narrative. The voices of her three former husbands emerge: Francesco, a filmmaker from Rome; Anatole, lost in the air over France; Carlos, a teenager from Granada. The ways people she loved expressed themselves in letters or at the beach or at the moment of desire return to her. There is Danilo, her current lover, a Czech novelist, and others, lovers of one night, as she sings the endless, joyous, erotic song cycles of her life, because "Dusk and the moment right before shapes are taken back is erotic. And the dark."The voices of her literary loves as well are woven into the narrative: Woolf, Eliot, Nabokov, Beckett, Sarraute, Lorca, Frisch, among others. These writers comment on and help guide us through the text. We hear the voices of her parents, who survived the Treblinka death camp, and of her Aunt Sophie, who did not. War permeates the text, for on Ava Klein's last day Iraq has invaded Kuwait. And above all we hear Ava's voice. Hers is the voice of pleasure, of astonishment, the voice of regret, the voice of gratitude as she moves closer and closer to the "music that is silence."AVA is an attempt, in the words of French feminist philosopher Helene Cixous, "to come up with a language that heals as much as it separates." The fragments of the novel are combined to make a new kind of wholeness, allowing environments, states of mind, and rhythms not ordinarily associated with fiction to emerge. AVA's theme is the poignancy of mortality, the extraordinary desire to live, the inevitability of death&amp—the things never done, never understood, the things never said, or said right, or said enough. Ava yearns and the reader yearns with her, struggling to hold on to all that slips away.

    As the emotionally scarred Lovejoys prepare for their mother’s funeral, the spirit of the selfish and manipulative Mudear hovers above them, complaining about her daughters’ “ugly ways” in death as she did in life.

    Lawrence, Lewis Carroll, and others, along with philosophers Plato, Spinoza, Kant, and others. Taken together, these 18 essays--all newly revised or published here for the first time--present a profoundly new approach to literature .

    In October 1940, as the storm clouds of World War II gathered, the SS Atlantic set sail for Palestine. A condemned and overcrowded ship, it was overflowing with bedraggled Jewish refugees who, having bought their way out of Nazi Germany and Austria, hoped to find safety from the concentration camps that had begun to claim their brethren. But they were not destined to find the shelter they sought. In this poignant novel, Hanna Sommerfeld recalls her long-ago voyage on the Atlantic—a journey plagued by epidemics and food shortages that led not to freedom but, improbably, to incarceration in a British penal colony off the eastern coast of Africa. For Hanna, it would also lead to a heartbreaking loss. Weaving Hanna’s current life with her son’s family in Haifa, Israel, with her memories of marriage and her coming-of-age in the jungles of Mauritius, Boat of Stone is a unique Holocaust story that not only reveals a little-known chapter of history, but also introduces one of the most unforgettable characters you are likely to meet: a gritty, humorous, wise, and adventurous woman who refuses to become a victim. It is “a splendid novel” from National Book Award finalist Maureen Earl, author of Gulliver Quick (Milwaukee Journal Sentinel).

    Hard-hitting, carefully documented and heavily illustrated, it reveals why the United States has been involved in more wars in recent years than any other country. Read Addicted to War to find out who benefits from these military adventures, who pays—and who dies. Over 120,000 copies of the previous edition are in print. This new edition is substantially reworked and fully updated through the War in Iraq. “A witty and devastating portrait of U.S. military policy.”—Howard ZinnJoel Andreas wrote and illustrated The Incredible Rocky, the biting satire that introduced over 100,000 people to the unsavory activities of the Rockefeller family.In Oakland, California on March 24, 2015 a fire destroyed the AK Press warehouse along with several other businesses. Please consider visiting the AK Press website to learn more about the fundraiser to help them and their neighbors.

    Janet Malcolm brings her shrewd intelligence to bear on the legend of Sylvia Plath and the wildly productive industry of Plath biographies. Features a new Afterword by Malcolm.

    Now you can go behind the scenes for a rare, inside look at the making of the movie. Learn the story behind the story--the road from novel to screenplay; Watch as the finest f/x team in movie history pooled their talents to create the lifelike dinosaurs; Read exclusive interviews with Steven Spielberg, Michael Crichton, and the key actors, and so much more!

    She was M-G-M's most bankable asset, a blonde bombshell whose bleached hair, voluptuous body, and bawdy humor inspired a fervent cult following that remains to this day. Despite Harlow's blinding fame, the events of her life have been obscured by a fifty-year haze of secrets, lies, and silence. Until the publication of this book. After years of research, critically acclaimed biographer David Stenn unearthed the truth behind the improbable rise of this tow-headed tomboy from Kansas City, her huge success, and her tragic fall. After fifty-six years, David Stenn persuaded Harlow's family, friends, colleagues, and employers to break their silence and provide previously sealed legal, financial, and medical records, which solved the mystery of her death. His account is confirmed by scores of exclusive interviews with eyewitness sources, including Harlow's nurses during the last days of her life. Exhaustively researched and compulsively readable, Bombshell stands as the definitive Harlow biography. This edition contains a new UNSEEN SCENES section of never-before-seen photos of deleted scenes from Harlow's biggest hits. This book is a must-have not only for every Harlow fan, but anyone interested in a truly riveting story.

    They explore the passions and concerns of a classic American writer: ice fishing and bar pool, nouvelle cuisine and night walks.

    Yet there are those who insist that the death of six million Jews in Nazi concentration camps is nothing but a hoax perpetrated by a powerful Zionist conspiracy. Forty years ago, such notions were the province of pseudohistorians who argued that Hitler never meant to kill the Jews, and that only a few hundred thousand died in the camps from disease; they also argued that the Allied bombings of Dresden and other cities were worse than any Nazi offense, and that the Germans were the "true victims" of World War II. For years, those who made such claims were dismissed as harmless cranks operating on the lunatic fringe. But over the past decade they have begun to gain a hearing in respectable arenas, and now, in the first full-scale history of Holocaust denial, Deborah Lipstadt shows how - despite tens of thousands of living witnesses and vast amounts of documentary evidence - this irrational idea not only has continued to gain adherents but has become an international movement, with organized chapters, "independent" research centers, and official publications that promote a "revisionist" view of recent history. One sign of the movement's disturbing resonance is the rise of such figures as the Holocaust denier David Duke to national prominence. Holocaust deniers have also begun to make common cause with radical Afrocentrists such as Leonard Jeffries of New York's City University, who retells racist myths about the Jews; and a recent campaign of ads in college newspapers calling for "open debate" on "so-called facts" about the Holocaust suggests a bold new bid for mainstream intellectual legitimacy. Lipstadt shows how Holocaust denial thrives in the current atmosphere of value relativism, and argues that this chilling attack on the factual record not only threatens Jews but undermines the very tenets of objective scholarship that support our faith in historical knowledge.

    On Christmas day, after months of fighting, war becomes a game when German and British soldiers break all the rules to play soccer and exchange presents..

    Because he taught me that the most haunting mysteries are those of everyday life. -- Gabriel Garcia Marquez

    He calls into question many of the presuppositions of traditional Marxist analyses and offers new interpretations of Marx's central arguments. These interpretations lead him to a very different analysis of the nature and problems of capitalism and provide the basis for a critique of "actually existing socialism." According to this new interpretation, Marx identifies the central core of the capitalist system with an impersonal form of social domination generated by labor itself and not simply with market mechanisms and private property. Proletarian labor and the industrial production process are characterized as expressions of domination rather than as means of human emancipation. This reformulation relates the form of economic growth and the structure of social labor in modern society to the alienation and domination at the heart of capitalism. It provides the foundation for a critical social theory that is more adequate to late twentieth-century capitalism.

    Sowell challenges all the assumptions of contemporary liberalism on issues ranging from the economy to race to education in this collection of controversial essays, and captures his thoughts on politics, race, and common sense with a section at the end for thought-provoking quotes.

    No one who met Ben was ever quite the same. So how could he cause so much trouble?

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    Including On the Road, The Dharma Bums, and The Subterraneans.

    Ever in search of new verbal challenges, he wrote one novel entirely without the letter e; and in 1978 he published the monumental, structurally complex Life A User's Manual, which many critics have placed (in the words of The Boston Globe) "on the level of Joyce, Proust, Mann, Kafka, and Nabokov."In Georges Perec: A Life in Words, David Bellos, Perec's award-winning English translator, introduces the enigmatic figure behind these remarkable works, showing how Perec's experiences led to such masterpieces as Life, the celebrated Things, and the harrowing W or The Memory of Childhood the latter inspired by his parents' deaths during World War II (one of them at Aucshwitz) and by his own sense of guilt as a survivor.Using unpublished documents and firsthand interviews, Bellos details Perec's tragic childhood, his difficult apprenticeship, his emergence into literary renown, and finally his death from cancer at age 46. He traces the influences of Perec's Polish-Jewish background, and of the friendships with such figures as Calvino, Raymond Queneau, Harry Mathews, and others that helped shape this extraordinary life. He offers privileged insights, born of many years' reflection and study, into Perec's vertiginous works. He situates Perec as a primary figure of French intellectual life in the 1960s and 1970s, due in part to his collaborations with the radically inventive OuLiPo group (whose name condenses the emblematic phrase "Workshop of Potential Literature"). And he shows the painstaking process by which a phenomenally gifted writer, suffering from a sheltered past crippling emotional burden, reconstructed his life in the only way he knew how: in words.

    Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.

    It is also the story of the entanglements and rivalries of the two families who separately employ Alice and Tom.

    Gooch presents an unforgettable story of a man who was struck down at the height of his powers. 55 photos.

    Moving between his childhood in Silesia, adolescence in Nazi concentration camps, postwar career as a journalist in Communist Poland and later in Israel (to which he emigrated in 1957), Frister's nonchronological narrative is carefully structured to slowly reveal the Holocaust's devastating impact on an individual life. Young Roman watches a German officer kill his mother with a single blow, then is forced to lie on her cooling corpse; at 15, he sits by his dying father's bed, thinking only of the half-loaf of bread underneath it: "I was afraid it might crumble before he stopped breathing." Frister does nothing to soften such horrific experiences, nor does he share his emotions. Yet readers will sense the author is not unfeeling, but rather in a state of profound moral shock that endures to scar his adult existence. The "thick layer of callousness" he wrapped around himself in the camps may seem to enfold him still, but it's peeled away by his ferocious passion for truth, however unsavory. As a colleague tells Frister after reading his account of saving his own life by stealing the cap of a fellow prisoner (who was shot), "You've demonstrated what honesty means." --Wendy Smith

    The two white men responsible were tried— and acquitted— in a Mississippi town near Lewis Nordan’s boyhood home. These events changed him forever. In this extraordinary novel, Nordan transforms one of America’s most notorious racial killings into a magical mystery ride of hilarity and horror that you will never forget.“An immense and wall-shattering display of talent. Wolf Whistle will help usher Lewis Nordan into the Hall of Fame of American Letters.” —Randall Kenan, The Nation

    du Maurier was immediately established as the queen of the psychological thriller. But the more fame this and her other books encouraged, the more reclusive Daphne du Maurier became.Margaret Forster's award-winning biography could hardly be more worthy of its subject. Drawing on private letters and papers, and with the unflinching co-operation of Daphne du Maurier's family, Margaret Forster explores the secret drama of her life - the stifling relationship with her father, actor-manager Gerald du Maurier; her troubled marriage to war hero and royal aide, 'Boy' Browning; her wartime love affair; her passion for Cornwall and her deep friendships with the last of her father's actress loves, Gertrude Lawrence, and with an aristocratic American woman.Most significant of all, Margaret Forster ingeniously strips away the relaxed and charming facade to lay bare the true workings of a complex and emotional character whose passionate and often violent stories mirrored her own fantasy life more than anyone could ever have imagined.

    He broke in as his helpless victims slept, bound them one by one, and then stabbed, assaulted, and strangled all eight in a sadistic sexual frenzy. By morning only one young nurse had miraculously survived. The barbarity of the attack shocked a nation and opened a new chapter in the history of American crime: mass murder. Here is the never-before-told story of Richard Speck by the prosecutor who put him in prison for life."In the Crime of the Century," William J. Martin has teamed up with Dennis L. Breo to re-create the blood-soaked night that made American criminal history, offerning fascinating behind-the-scenes descriptions of Speck, his innocent victims, the desperate manhunt and massive investigation, and the trial that led to Speck's successful conviction. In 1991 Richard Speck died of a heart attack in prison, but the horror of his crime still haunts the conscience of a nation.

    A poignant collection of photographs which records the devastating effects of the United States government's mendacious and reckless nuclear testing program on the men, women, children, animals, and landscape of the American continent.

    A self-confessed curmudgeon and dog lover firmly established in his ways, Cleveland Amory never anticipated how one dirty and scrawny alley cat could affect his life so dramatically. Underneath the New York grime of this hungry stray hid a shimmering white coat and an endearing pair of green eyes; Amory was smitten, and Polar Bear moved right in. In The Cat Who Came for Christmas, Amory crafts a charming narrative between cat and owner. Polar Bear converses through the swish of his tail, a look in his eye, and the tone of his meow. A humorous battle of wits ensues between the headstrong owner and the even more stubborn cat. Amory's second book, The Cat and the Curmudgeon, draws us deeper still into the lives of Polar Bear and Amory, as cat and human face fame, romance, and everyday domestic crises. Now rather famous, Polar Bear is uneasy about his new celebrity status, interested only in eating his fan mail. Amory's final Polar Bear book, The Best Cat Ever, takes a more serious twist: both cat and owner fall ill with arthritis and old-age complications. Amory takes Polar Bear on the cat's final trip--a jaunt back to his college days, where we learn more about Amory's fascinating past. The Compleat Cat is an exceptional invitation into the very special world of Amory and Polar Bear.

    I remember thinking, At nineteen, this linoleum is the last thing I'm ever going to see, because I'm dying." Marilyn: "Let me tell you about my pretty, wonderful, talented mother. She died from an illegal abortion when she was thirty-four and I was six." Bruce: "I really don't remember much about the first illegal abortion I did, because I was drunk when I did it." Coroner Fred: "The dead women we saw had either bled to death or they had died from overwhelming infections. Most of them were in their teens or twenties. I don't recall too many older than that. The deaths stopped overnight in 1973." All the oceans of verbiage and tons of newsprint on the subject of abortion boil down to one simple question. That question is not whether we will have abortions but what kind of abortions we will have. It is a question framed in stark human terms in Patricia Miller's The Worst of Times, which introduces us to dozens of ordinary Americans who have had firsthand experience with illegal abortion: women who survived the pain, humiliation, shame, and terror; motherless children of women who died; doctors who treated the terrible consequences of botched abortions; the abortionists themselves - barbers, midwives, mechanics; and the cops, coroners, and DAs charged with upholding the law. Abortion is a complex issue, but it is not an issue that exists abstractly in the eyes of ethicists or theologians. It is an issue that exists in the flesh - in the flesh of women with complicated lives and large responsibilities and a whole web of personal, familial, and moral concerns. As The Worst of Times makes powerfully and painfully clear, it is a question that women must be allowed to answer for themselves.

    “The abyss that separates us” from the vampire squid (or vampire octopus, perhaps, since Vampyroteuthis infernalis inhabits its own phylogenetic order somewhere between the two) “is incomparably smaller than that which separates us from extraterrestrial life, as imagined in science fiction and sought by astrobiologists,” Flusser notes at the outset of the expedition.Part scientific treatise, part spoof, part philosophical discourse, part fable, Vampyroteuthis Infernalis gives its author ample room to ruminate on human—and nonhuman—life. Considering the human condition along with the vampire squid/octopus condition seems appropriate because “we are both products of an absurd coincidence . . . we are poorly programmed beings full of defects,” Flusser writes. Among other things, “we are both banished from much of life’s domain: it into the abyss, we onto the surfaces of the continents. We have both lost our original home, the beach, and we both live in constrained conditions.”Thinking afresh about the life of an “other”—as different from ourselves as the vampire squid/octopus—complicates the linkages between animality and embodiment. Odd, and strangely compelling, Vampyroteuthis Infernalis offers up a unique posthumanist philosophical understanding of phenomenology and opens the way for a non-philosophy of life.

    In the spring of 1991 they decided to grapple with the beast, taking a theatrical tour that would exaggerate their differences. By turns enraptured by and disdainful of America and its obsession with celebrity they brushed shoulders with the famous (Axl Rose, Liza Minelli and Joni Mitchell) travelled, played and uttered their detached commentary on what was happening. Throughout they were shadowed by the author Chris Heath and photographer Pennie Smith.

    The Moomintrolls were conceived of in 1948 and will be featured on a new BBC television series. The Moomins first appeared in the "London Evening News" in 1954.

    Within nations the move should be away from all minority class establishments to the real creative centre among working people in conditions of racial, religious and gender equality.Kenya: EAEP

    From the award-winning artist, Korky Paul, comes this humorous picturebook, set in the Middle East, which recounts the downfall of a wicked baker who takes a young man, Sanji, to the Courts of Justice.

    Collects eleven stories depicting the greed, corruption, and other problems assailing Russian society in the author's later years.

    Holding doctorates in Humanities, Theology and Philosophy from the Université de Strasbourg, Dr Larchet, one of the foremost contemporary Patristics scholars, studies the relevance of the Fathers to questions of health, sickness, and healing today, and is one of the leading scholars of St Maximus the Confessor. Dr Larchet’s works include the companion volumes to the present work: Mental Disorders and Spiritual Healing (Sophia Perennis) and Theology of Illness (SVS Press). His writings have been translated into twelve languages. It is said of him that “he is one of the very few authors of our time who is able seamlessly to combine rigorous scholarship with a vibrant sense of the inner life of the Church”.Volume One (268 pages)Part One: Anthropological Premises; Original Health and the Origin of Illnesses1. Man's Original Health2. The First Origin of Illnesses: The Ancestral Sin3. Pathology of Fallen ManPart Two: Symtomatology and Pathogenesis of Spiritual Diseases: The Passions1. The Passions: Spiritual Illnesses2. Self-Love3. Gluttony4. Lust5. Love of Money; Greed6. Sadness7. Acedia8. Anger9. Fear10. Vainglory11. Pride12. Transmission of Spiritual Illnesses in Fallen HumanityVolume Two (274 pages)Part Three: General Conditions of Therapy1. Christ the Physician2. Sacramental Therapies3. The Subjective Conditions for Healing and Health4. The Process of Healing: Inner ConversionPart Four: The Implementation of Therapy1. The Twofold Movement of Inner Conversion2. Outline of the Therapy of the Fundamental Faculties of the Soul3. There Therapeutic Role of the Spiritual Father4. The Manifestation of Thoughts5. The Fight Against Thoughts6. Adjuvant Therapy: Bodily AsceticismVolume Three (261 pages)Part Five: The Therapy of Passions and the Acquisition of Virtues1. Therapy of Gluttony2. Therapy of Lust3. Therapy of Love of Money; Greed4. Therapy of Sadness5. Therapy of Acedia6. Therapy of Anger7. Therapy of Fear8. Therapy of Vainglory and PridePart Six: Health Restored1. Impassibility2. Charity3. KnowledgeConclusion

    Reproducing some of Owen's drawings and facsimile manuscripts of many of his greatest poems, this portrait is indispensable to any student of Wilfred Owen and the poetry of the First World War.

    Since the second edition was published in 1994, prison populations, especially in Russia and America, have grown at an increasingly rapid rate. This third edition is published to take account of these changes and draw attention to the scale of an escalating problem. It contains completely new chapters - one on 'penal geography', the other on 'the Russian case' - and has been extensively revised.

    It shows how others have walked the same pathway before us. They provide us with wisdom which will lead us to the conviction of the closing chapter that we are 'Never Deserted'.

     Based on almost 200 previously unpublished letters and extensive interviews with their closest associates, this ground-breaking new biography allows the extraordinary couple to tell their love story in their own words. In extracts from their letters to family and friends, John and Peggy describe the stormy years of their courtship, the arduous but fulfilling years when Peggy ws writing her famous novel, the thrill of its literary success, the excitement of the movie making . . . . All of the exhilarating, poignant, and moving moments of their lives are brought to life by the voices of John and Peggy themselves. In telling the private story of this remarkable 24-year marriage, author Marianne Walker reveals a long-suspected truth-that GONE WITH THE WIND might never have been written if Margaret Mitchell had not married John Marsh. In addition to being Peggy's husband, best friend, and constant support, he acted as her editor, proofreader, researcher, business manager, and in general, the inspiration obehind her work. At every point in their relationship, including the turbulent years of Mitchell's first marriage to Red Upshaw, it was john who providedthe intellectual stimulation, emotional support, and editorial expertise that enabled his gifted wife to channel her talents into the making of GONE WITH THE WIND. After years of meticulous research, Marianne Walker has created a fascinating portrait of a love match between a writer and her editor-a childless marriage dominated from beginning to end by their dear but difficult "baby," GONE WITH THE WIND.

    They share their dreams and disappointments and rejoice in each other's triumphs. This is the second part of Ruth Park's autobiography.

    "A powerhouse".--Maya Angelou.

    Included is the complete text for the "Ursonate," Schwitters' legendary and lengthy epic of sound poetry, which, as poets, editors and translators Jerome Rothenberg and Pierre Joris comment, "is to sound poetry what Joyce's Ulysses is to the twentieth-century novel."

    Through these celebrations of birth, partings, and reunions, this gifted writer displays both her love of the Navajo world and her resonant use of language. Blending memoir and fiction in the storytelling style common to many Indian traditions, Tapahonso's writing shows that life and death are intertwined, and that the Navajo people live with the knowledge that identity is formed by knowing about the people to whom one belongs. The use of both English and Navajo in her work creates an interplay that may also give readers a new way of understanding their connectedness to their own inner lives and to other people. Luci Tapahonso shows how the details of everyday life—whether the tragedy of losing a loved one or the joy of raising children, or simply drinking coffee with her uncle—bear evidence of cultural endurance and continuity. Through her work, readers may come to better appreciate the different perceptions that come from women's lives.

    Full color throughout. No volume of children's poetry has left such an indelible mark on so many generations as this Robert Louis Stevenson classic. First published in 1885, Stevenson's idyllic tribute to the joys of childhood has never been out of print. Small wonder that Donna Green wanted to illustrate Stevenson's vision with her own views of childhood idealized. Her nearly twenty timeless images will one day spark fond memories for youngsters who will recall mother, father, grandmother, or grandfather reading aloud about shadows, tin soldiers and tiny fairies.

    Amidst the current debates concerning multiculturalism and political correctness, this publication moves the discussion beyond the vagueness of ethnicity to the reality of African empowerment.

    Founder and Publisher Emerita Joani Blank, then working as a sex educator and counselor, started writing her own books about sexuality at her clients' and other therapists' behest.The press currently has a list of eighteen sexual self-awareness titles, including innovative and practical non-fiction with non-judgmental techniques for strengthening sexual communication. Down There Press also publishes lively literary and photographic erotica.

    You'll find it all in here: fatal kisses, early misadventures with tampons, ecstatic lovemaking with giant beer bottles, and a host of other strange and unconventional themes from the unfettered imagination of Ms. Doucet.

    His work is even blessed by a blurb from Charles Manson: "His art is something else. Praise! Praise! Praise! He's a caveman in a space ship." This is an artist no horror fan can afford to miss: He does serial killers, sideshow freaks, deranged sex, evil doctors, and religious iconography like no one else on Earth. This is a superb introduction to Coleman's world and work, with a biographical article, photos, 32 color plates, and numerous illustrations. Warning: Disturbing!

    He is remembered widely as the astute general under whose leadership the Nationalist cause was victorious in the Spanish Civil War and the Communist threat exterminated, and as the head of state who skillfully negotiated safe passage for Spain through World War II, played Hitler off against the Allies, modernized his country, and orchestrated the Spanish economic miracle of the 1960s. By the time of his death in 1975, he had steered a unified Spain to worldwide respectability and envy and deftly schooled the young prince Juan Carlos to be his successor. To many, Franco was Spain incarnate—a heroic figure to match his illustrious—a heroic figure to match his illustrious predecessors El Cid, Charles V, and Philip II.This idealized portrait—still widely accepted today—is now subjected to Paul Preston's penetrating scrutiny. He has written a magnificent, monumental biography that vividly recreates the man and sets before us, unclouded by the prejudices or simplifications of apologists or adversaries, a definitive portrayal of this complex, elusive figure.The controversy about Franco's achievements has raged since his death. Just how good a general was he? Would he have won the civil war without German and Italian help? Can he be blamed for the bombing of Guernica and other atrocities? Did he dupe Hitler during World War II? Were his self-sufficient economic policies directly responsible for ushering in Spain's economic boom? Did he deliberately seek to liberalize the regime in his later years, or was he perhaps losing his grip on the controls? Did Franco preside over another Spanish golden age or did he merely stall and stifle his country's natural growth? How, in the final reckoning, are his achievements to be judged? Preston addresses and resolves, often to startling effect, these pivotal questions, deploying an enormous quantity of new evidence and fresh insights culled from previously inaccessible sources and unexamined witnesses, colleagues, and enemies alike.Paul Preston's credentials as the biographer of France are incomparable. His many books on modern Spain have been acclaimed for their seriousness and their stylishness, and this gloriously engaging biography is, in many ways, the culmination of his work of an intellectual odyssey of twenty-five years' duration, spent in the company of the Caudillo. Paul Preston sits in judgment on this enigmatic dictator, and his verdict will be compelling to anyone interested in the history of modern Spain or, indeed, in the formation of modern Europe.

    No synopsis can do justice to the beauty of Waldrop's measured, wise, and unembroidered prose, illuminating the fear, madness, and destruction within hearth and home--though never repudiating his love for same.One of the unheralded masterpieces of twentieth-century American fiction, Light While There Is Light is acclaimed poet Keith Waldrop's autobiographical novel about the myriad ghosts left behind by his family. Born to a deeply religious mother, the narrator and his siblings are led across the US as she searches for the "right" religious sect--a trip that ends with her speaking in tongues, and finally her total isolation. But no synopsis can do justice to the beauty of Keith Waldrop's measured, wise, and unembroidered prose, illuminating the fear, madness, and destruction within hearth and home--though never repudiating his love for same. In a tradition that stretches back through Flannery O'Connor and William Faulkner to Hawthorne, Melville, and Poe, Keith Waldrop and Light While There Is Light are American treasures.

    The late screen legend Audrey Hepburn uses music from Maurice Ravels Mother Goose as the framework for this production.

    In 1979, his wife sold her fattest pig to buy him a shortwave radio. He spent every spare moment listening to the BBC and VOA in order to improve the English he had learned at college between 1950 and 1953. For "further practice," he decided to write down his life story in English. Humorous and unfiltered by translation, his autobiography is direct and personal, full of richly descriptive images and phrases from his native Bai language.At the time of He Liyi's graduation, English was being vilified as the language of the imperialists, so the job he was assigned had nothing to do with his education. In 1958, he was labeled a rightist and sent to a "reeducation-through-labor farm." Spirited away by truck on the eve of his marriage, Mr. He spent years in the labor camp, where he schemed to garner favor from the authorities, who nevertheless shamed him publicly and told him that all his problems "belong to contradictions between the people and the enemy." After his release in 1962, the talented Mr. He had no choice but to return to his native village as a peasant. His stratagems for survival, which included stealing "nightsoil" from public toilets and extracting peach-pit oil from thousands of peaches, personify the peasant's universal struggle to endure those difficult years.He Liyi's autobiography recounts nearly all the major events of China's recent history, including the Japanese occupation, the Communist victory over the Nationalists in 1949, Mao's disastrous Great Leap Forward and Cultural Revolution, the experience of labor camps, changes brought about by China's dramatic re-opening to the world after Deng Xiaoping came to power in 1978, and the recent social and economic changes occurring in the post-Deng China. No other book so poignantly reveals the travails of the common person and village life under china's tempestuous Communist government, which He Liyi ironically refers to as "Mr. China." Yet he describes his saga of poverty and hardship with humor and a surprising lack of bitterness. And rarely has there been such an intimate, frank view of how a Chinese man thinks and feels about personal relationships, revealed in dialogue and letters to his two wives.He Liyi's autobiography stands as perhaps the most readable and authentic account available in English of life in rural China.

    As they carve out lives as Americans, their days are filled with drama, success, and sometimes tragedy. A widow becomes crazy after her son is killed in Vietnam, her remaining word "nada." Another woman carries on after the death of her husband, keeping their store, filled with plantain, Bustello coffee, jamon y queso, open as a refuge for her neighbors. And there are Cofer's stories of growing up with a dictatorial and straying father, a caring mother, and a love for language that will lead to a career as a teacher and writer.

    In this spirited indictment of totalitarianism, the two improbable heroes, Pataki and Gyuri, travel the length and breadth of Hungary in an epic quest for food, lodging, and female companionship.

    This wise and intriguing volume combines the best of historical research and logical argument with a finely honed appreciation for the wonders of the stars.

    Here is an illustrated history of the civil rights movement, written and designed for ages 10 to adult, that clearly and effectively brings the turbulent years of struggle to life, and gives a vivid and powerful experience of what it was like not so very long ago.

    These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance.Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty.His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.

    The Loop finds Roubaud returning to his earliest recollections, as well as considering the nature of memory itself, and the process - both merciful and terrible - of forgetting. By turns playful and despairing, The Loop is a masterpiece of contemporary prose.

    Leaving school at fourteen, she is faced with no alternative but to help her mother run Pleasant View boarding house in Blackpool. To the holidaymakers it is a welcoming retreat, but to Jenny and her younger sister Violet, who struggle to keep up with their mother’s intolerable demands, it feels more like the workhouse. Then Jenny meets Tom Bradshaw, an idealistic young Yorkshire lad who not only stands up to Annie’s caustic remarks, but whisks Jenny straight off her feet and down the aisle.Happy though their marriage is and much as she loves their young daughter, Jenny feels she has slipped uncontrollably from dominated daughter into doting wife and mother, and there are times when she yearns for the independence she has been denied. Then Germany invades Poland, and Tom, eager for a slice of the action, joins up to fight in the Second World War.The ensuing war years provide Jenny and her sister with their first taste of freedom: Violet finds work in an aircraft factory, while Jenny takes in a little evacuee. And before long, both girls have begun to fall in love…

    A little more than a generation ago Flannery O'Connor made a startling observation about herself and her fellow southerners: "By and large," she said, "people in the South still conceive of humanity in theological terms. While the South is hardly Christ-centered, it is most certainly Christ-haunted. The Southerner who isn't convinced of it is very much afraid that he may have been formed in the image and likeness of God." Guided by O'Connor's perceptive commentary about southerners in general, Susan Ketchin has created a deeply revealing collection that mirrors the pervasive role of religion in the literature by the recent generation of notable southern writers. Ketchin confirms that "old-time religion" remains a potent force in the literature of the contemporary South. Susan Ketchin, a writer, editor, and musician, lives in Orange County, North Carolina.

    Known to Foreign Service colleagues as "the Arabists," these were the men and women who had spent much of their lives, usually with their families, living in the Arab world as diplomats, military attaches, intelligence agents, and educators. Descended from the missionaries, scholars, and explorers who first ventured into the region - an offshoot of the WASP elite that ruled America during the nineteenth century - the Arabists were an exclusive caste linked by complex social, institutional, and family ties. Thoroughly at home in Arab cultures and often enjoying relations of longstanding intimacy with the monarchs and ruling elites of Arab countries, these American expatriates lived a charmed lifestyle that has become a source of intense nostalgia among the Arabists themselves as well as a symbol of their romance with Arab culture and increasing isolation from American society and interests. The Arabists dominated American policy and shaped our perception of the Arab world throughout the colonial and interwar periods. But after World War II, the diplomatic corps began to change, reflecting the country's new ethnic and social diversity. Kaplan describes the impact of this change within the State Department, showing how the advent of Irish Catholics, Jews, and Harvard-trained regional experts created internal pressures that slowly loosened the Arabists' grip on Middle East diplomacy in the postwar period. Drawing on interviews, memoirs, and other official and private sources, Kaplan reconstructs the hundred-year history of the Arabist elite, and traces their decline against the background of this social transformation.

    In Compulsive Beauty, Foster reads surrealism from its other, darker side: as an art given over to the uncanny, to the compulsion to repeat and the drive toward death. To this end Foster first restages the difficult encounter of surrealism with Freudian psychoanalysis, then redefines the crucial categories of surrealism--the marvelous, convulsive beauty, objective chance--in terms of the Freudian uncanny, or the return of familar things made strange by repression. Next, with the art of Giorgio de Chirico, Max Ernst, and Alberto Giacometti in mind, Foster develops a theory of the surrealist image as a working over of a primal fantasy. This leads him finally to propose as a summa of surrealism a body of work often shunted to its margins: the dolls of Hans Bellmer, so many traumatic tableaux that point to difficult connections not only between sadism and masochism butal so between surrealism and fascism. At this point Compulsive Beauty turns to the social dimension of the surrealist uncanny. First Foster reads the surrealist repertoire of automatons and mannequins as a reflection on the uncanny processes of mechanization and commodification. Then he considers the surrealist use of outmoded images as an attempt to work through the historical repression effected by these same processes. In a brief conclusion he discusses the fate of surrealism today in a world become surrealistic. Compulsive Beauty not only offers a deconstructive reading of surrealism, long neglected by Anglo-American art history, but also participates in a postmodern reconsideration of modernism, the dominant accounts of which have obscured its involvements in desire and trauma, capitalist shock and technological development.

    In this unforgettable memoir, John Foster recounts the life and death of his lover, Juan Cespedes. This unlikely love story takes in much of the twentieth century seen from the angle of the outsider: Juan is the refugee from oppression, the immigrant trying to make it, the early victim of a spreading plague. John is the sophisticate from a first-world culture, who fully embraces his unexpected love. This is the rarest of things--a book full of intelligence and laughter that tells of terrible events with intimacy and grace.

    The main thesis of this book is that, in the intellectual life, there are only two ultimate alternatives: either the thinker conforms desire to truth or he conforms truth to desire. Degenerate Moderns is a marvelous tour de force. Required reading for anyone who wishes to understand the intellectual fashions of the Twentieth century.

    This extraordinary body of literature and important documentary resource illuminates the lives of Indian women through 2,600 years of change and extends the historical understanding of literature, feminism, and the making of modern India. The biographical, critical, and bibliographical headnotes in both volumes, supported by an introduction which Anita Desai describes as “intellectually rigorous, challenging, and analytical,” place the writers and their selections within the context of Indian culture and history.Volume II: The Twentieth Century features poetry, fiction, drama, and autobiography by 73 writers born after 1905, some widely appreciated in their own time, others neglected or ignored. These works bring into the scope of literary discussion a whole new range of women’s experiences in and responses to society, politics, desire, marriage, procreation, aging, and death.

    He is the author of "The Viceroy of Ouidah", "On the Black Hill", "The Songlines" and "Utz". He won the Hawthornden Prize for his "In Patagonia".

    In 'The Case of the Socialist Witchdoctor' and related stories Hama Tuma puts the regime itself on trial. Other stories take place outside the courtroom - in bars, brothels, guerilla hideouts and village huts - where life is equally full of vengeance and betrayal. These are terrible tales, their darkness shot through with brilliant flashes of satire and irony.

    The man was William Mulholland; his creation, the Los Angeles Aqueduct, the tremendous 235 mile waterway that transformed an arid and sparsely populated town into a thriving city of millions.The story of the aqueduct,the heroism of its builders, the record-breaking feats of engineering, the political shenanigans of land speculators, and the impact it had on the lives of ordinary people,is much more than a chronicle of a gifted engineer. It is the history of the birth and development of southern California, and of a man who was as unique a talent as any in America's history.

    A narrative of the actions of the crew aboard the Californian, the ship that failed to come to the assistance of the sinking Titanic, uses official documents and testimony and interviews with survivors to find the truth.

    In this, the first-ever book to be written about him, Daniel Farson, friend and confidant to Bacon for over forty years, gives a highly personal, first-hand account of the man as he knew him. From his sexual adventures to his rise from obscurity to international fame, Farson gives us unique insight into Bacon's genius.

    After a violent dust storm leaves their mother dead and the family farm in ruins, twelve-year-old Laurie Field and her younger brother, Buddy, believe their world has ended when their grieving, debt-ridden father brings them to live with their reprobate grandfather in the Oklahoma Panhandle, promising to send for them when he finds one of those fabled jobs luring thousands to California.   Abandoned and afraid, the children find hope in the songs taught them by Johnny Morrigan, an itinerant oil field worker who hitched a ride with the family on his way to Texas. Desperate to escape their brutal grandfather, Laurie and Buddy hop a train clanging west and become fall in with a hobo named Way after he saves them from a sinister tramp.    In California, the children find only heartbreak, so they and Way set out for Texas in the hopes of reuniting with Johnny Morrigan. Like the fellow travelers they encounter on the roads and rails crisscrossing America, Laurie, Buddy, and Way take joy in simple pleasures such as a campfire meal, a starry night, and a song. They learn firsthand the kindness ordinary folk can show to those even poorer. At last, in lusty Texas oil field towns, they find work, Morrigan, and a deadly menace as Laurie grows from innocent girl to vibrant woman.   A riveting story of hardship, adventure, and romance, The Longest Road pays glorious tribute to the men and women who kept the American dream alive during the Great Depression.

    The publication of this book coincides with the arrival of the seventh "Red Dwarf" series in the spring of 1993. The author also wrote "Better Than Life", "Red Dwarf" and "Red Dwarf Omnibus".

    Another installment in the acclaimed autobiographical fictions of Eddie Campbell.

    Tony Award-winning Dewhurst presents a remarkable performance.Read by Colleen Dewhurst.2 audiocassettes (155 min.) : analog.Contents:Babette's feast --Sorrow-acre.

    Set in downtown New York City, Whores of Lost Atlantis features Julian Young, a performer and playwright who tells the story of his acting troupe's hilarious struggle to assemble an Off-Broadway production of Julian's play, Whores of Lost Atlantis, in which Julian acts in drag. The novel's unforgettable cast of characters includes Joel, a perfect English gentleman from Indiana; Roxie, an actress/librarian with moxie; Buster, a voluptuous young alcoholic; Camille, the fiery wig designer Julian considers having an affair with; Perry, Julian's best friend, with a weakness for plastic surgery and peroxide; and Kiko, the wonderfully wicked performance artist who tries to sabotage Julian's career. Getting his play produced proves to be a picaresque adventure with plenty of surprises, leaving the reader feverishly turning pages to see if the show can go on.

    1965 Hardback from Viking Press 224 pages

    A native of New Zealand, she is the author of eleven novels, four collections of stories, a volume of poetry, a children's book, and her heartfelt and courageous autobiography -- all published by George Braziller. This fall, we celebrate our thirty-ninth year of publishing Frame's extraordinary writing.

    Calculating the infinite in the finite, tracing geometries of desire, placing the obdurate world in an uncustomary light, each of these stories opens out its own world. Without giving up the plot or character of the traditional short story, Guy Davenport's inventions are complex events in which ideas and cultural history are a kind of music to which the characters dance. Despite the fractal, syncopated collage of his narrative style, Davenport's prose is objective, terse, and transparent. A constant theme in this book is the transmission of the past as an imaginative act; hence the title, Falstaff's dying vision of "a table of green fields," probably a mishearing of his recitation of the Twenty-third Psalm, corrected by editors to "he babbled of green fields," a symbol of all fiction, an art that must be exact about the uncertain.

    Thomas Jefferson's love for, and enslavement of, his mistress, Sally Hemings, forms the center of an exploration of the American spirit.

    The original book-and-tape set was a revelation to readers and reviewers, quickly becoming a bestseller and garnering praise across the nation.May It Please the Court includes both live recordings and transcripts of oral arguments in twenty-three of the most significant cases argued before the Supreme Court in the second half of the twentiethcentury. This edition makes the recordings available on an MP3 audio CD. Through the voices of some of the nation’s most important lawyers and justices, including Thurgood Marshall, Archibald Cox, and Earl Warren, it offers a chance to hear firsthand our justice system at work, in the highest court of the land.Cases included: Gideon v. Wainwright (right to counsel) Abington School District v. Schempp (school prayer) Miranda v. Arizona (“the right to remain silent”) Roe v. Wade (abortion rights) Edwards v. Aguillard (teaching “creationism”) Regents v. Bakke (reverse discrimination) Wisconsin v. Yoder (compulsory schooling for the Amish) Tinker v. Des Moines (Vietnam protest in schools) Texas v. Johnson (flag burning) New York Times v. United States (Pentagon Papers) Cox v. Louisiana (civil rights demonstrations) Communist Party v. Subversive Activities Control Board (freedom of association) Terry v. Ohio (“stop and frisk” by police) Gregg v. Georgia (capital punishment) Cooper v. Aaron (Little Rock school desegregation) Heart of Atlanta Motel v. United States (public accommodations) Palmer v. Thompson (swimming pool integration) Loving v. Virginia (interracial marriage) San Antonio v. Rodriguez (equal funding for public schools) Bowers v. Hardwick (homosexual rights) Baker v. Carr (“one person, one vote”) United States v. Nixon (Watergate tapes) DeShaney v. Winnebago County (child abuse)

    John Steiner, an experienced psychoanalyst, uses new developments in Kleinian theory to explain how this happens.He examines the way object relationships and defences can be organized into complex structures which lead to a personality and an analysis becoming rigid and stuck, with little opportunity for development or change. These systems of defences are pathological organisations of the personality: John Steiner describes them as 'psychic retreats', into which the patient can withdraw to avoid contact both with the analyst and with reality.To provide a background to these original and controversial concepts, the author builds on more established ideas such as Klein's distinction between the paranoid-schizoid and depressive positions, and briefly reviews previous work on pathological organizations of the personality. He illustrates his discussion with detailed clinical material, with examples of the way psychic retreats operate to provide a respite from both paranoid-schizoid and depressive anxieties. He looks at the way such organizations function as a defence against unbearable guilt and describes the mechanism by which fragmentation of the personality can be reversed so the lost parts of the self can be regained and reintegrated in to the personality.Psychic Retreats is written with the practising psychoanalysts and psychoanalytic psychotherapists in mind. The emphasis is therefore clinical throughout the book, which concludes with a chapter on the technical problems which arise in the treatment of such severely ill patients.

    Not only are we taken into the very heart of the fighting, we are also given a panoramic view of naval warfare through the centuries. 'A masterly study' DAILY MAIL 'Rich in unexpected facts and insights. . . Keegan's historical command is dazzling. ' JAN MORRIS INDEPENDENT