We first meet ex-policeman Bernie Gunther in 1936, in March Violets (a term of derision which original Nazis used to describe late converts.) The Olympic Games are about to start; some of Bernie's Jewish friends are beginning to realize that they should have left while they could; and Gunther himself has been hired to look into two murders that reach high into the Nazi Party. In The Pale Criminal, it's 1938, and Gunther has been blackmailed into rejoining the police by Heydrich himself. And in A German Requiem, the saddest and most disturbing of the three books, it's 1947 as Gunther stumbles across a nightmare landscape that conceals even more death than he imagines. (For a review of Kerr's latest novel, The Grid, see our Thrillers section.)

    Get the details on cruising the romantic Rhine or summiting the Zugspitze. Have a relaxing soak at a Black Forest mineral spa or take an exhilarating summer bobsled ride in the Bavarian Alps. Flash back to Berlin's turbulent past at Checkpoint Charlie; then celebrate the rebirth of Dresden and its glorious Frauenkirche.Rick's candid, humorous advice will guide you to good-value hotels and restaurants. He'll help you plan where to go and what to see, depending on the length of your trip. You'll learn which sights are worth your time and money, and how to get around Germany by train, bus, and car. More than just reviews and directions, a Rick Steves guidebook is a tour guide in your pocket.

    It is must reading for every aficionado of modern military history.” –San Francisco ChronicleErwin Rommel’s instinct for battle and leadership places him among the great commanders of history. In this definitive biography, David Fraser, an acclaimed biographer and distinguished soldier, looks at Rommel’s career and shows how wild and superficially undisciplined Rommel’s bold style of leadership could be, and how it inspired the men under his command to attack with ferocity and pursue with tenacity—qualities that served him well in his great battles in the North African desert and throughout his entire military career. Fraser also thoroughly explores the question of Rommel’s possible involvement in the plot against Hitler and the reason for his forced suicide, even though there was no criminal evidence against him.Revealing his failings as well as his genius, Knight’s Cross is a fascinating biography of a soldier whose distinguished career has become a part of history.

    He lives in a tiny room in a hole in the wall, its shelves piled high with countless colourful boxes, full of his dreams. And when you're with him you see things your eyes won't normally see.

    The first full account of the experience of occupation, it offers a vividly human picture of resistance fighters and black marketeers, teenage German conscripts and Gestapo officers, Jews and starving villagers. "Fascinating. . . . [Mazower] succeeds in getting under the skin of the occupation. . . . [This book] conjures up, in vivid detail, life under an occupation that had shattered old certainties and replaced them with painful choices, cynical compromises, and hopes undercut by the daily death toll."—Mark Almond, New York Times "A vivid picture of the German occupier’s mind and actions. . . . Mazower’s arguments are always fair."—Richard Eder, Los Angeles Times Book Review "A superb book on the horrors afflicting wartime Greece. . . . [Mazower] has done vast archival research and emerged with a gripping, readable and human account, setting every moment of a tragic period in appropriate context."—Fritz Stern, Foreign Affairs "[A] sensitive, illuminating and richly textured account of painful, complex experience."—Richard Overy, Observer Mark Mazower is professor of history at Birkbeck College, University of London, and author of Dark Continent.

    This first full-scale treatment of the subject follows a truly interdisciplinary approach, applying to the early medieval period a sociohistorical method similar to that which has already proven fruitful in explicating the history of Early Christianity and Late Antiquity. The encounter of the Germanic peoples with Christianity is studied from within the larger context of the encounter of a predominantly world-accepting Indo-European folk-religiosity with predominantly world-rejecting religious movements. While the first part of the book develops a general model of religious transformation for such encounters, the second part applies this model to the Germano-Christian scenario. Russell shows how a Christian missionary policy of temporary accommodation inadvertently contributed to a reciprocal Germanization of Christianity.

    This comprehensive selection of over 80 of his odes, hexameters, and elegies is taken from the important early period of his mature work--a time in which we encounter the poet open to nature and love with a rare vulnerability. The translations in Odes and Elegies, including poems never before available in English, render forcefully and directly the deep longing and heartbreak of Holderlin's poetic world; their open, pathos-filled rhythm and disarming clarity present Holderlin's powerful work as distinctive English poems. A bilingual edition, this book also includes informative annotations and translations of drafts and revisions that give deep insight into Holderlin's craft and process, shining new light on the unique poetic voice that marks Holderlin's achievement and continuing influence on poetry and philosophy today.

    Alison Owings interviewed and here records the words of twenty-nine German women who were there: Working for the Resistance. Joining the Nazi Party. Outsmarting the Gestapo. Disliking a Jewish neighbor. Hiding a Jewish friend. Witnessing "Kristallnacht." Witnessing the firebombing of Dresden. Shooting at Allied planes. Welcoming Allied troops. Being a prisoner. And being a guard. The women recall their own and others' enthusiasm, doubt, fear, fury, cowardice, guilt, and anguish.Alison Owings, in her pursuit of such memories, was invited into the homes of these women. Because she is neither Jewish nor German, and because she speaks fluent colloquial German, many of the women she interviewed felt comfortable enough with her to unlock the past. What they have to say will surprise Americans, just as they surprised the women themselves.Not since Marcel Ophuls's controversial film The Sorrow and the Pity have we been on such intimate terms with "the enemy." In this case, the story is that of the women, those who did not make policy but were forced to participate in its effects and to witness its results. What they did and did not do is not just a reflection on them and their country––it also leads us to question what actions we might have taken in their place. The interviews do not allow for easy, smug answers.

    She joins a deeply sensitive heart with her keen intelligence, revealing herself to be a wise mentor and a caring friend available to anyone who approached her. Here we learn what was truly important to her: the total well-being of those who treasured her letters enough to preserve them even while suffering the havoc of war and oppression. This volume offers the first English translation of the majority of her surviving letters, with 4 photos and an index of recipients.

    Opening up new modes of inquiry for historians of art and early modern Europe, Koerner examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the changing status of the self in sixteenth-century Germany."[A] dazzling book. . . . He has turned out one of the most powerful, as well as one of the most ambitious, art-historical works of the last decade." — Anthony Grafton, New Republic"Rich and splendid. . . . Joseph Koerner's book is a dazzling display of scholarship, enfolding Durer's artistic achievement within the broader issues of self and salvation, and like [Durer's] great Self-Portrait it holds up a mirror to the modern fable of identity." — Bruce Boucher, The Times"Remarkable and densely argued." — Marcia Pointon, British Journal of Aesthetics"Herculean and brilliant. . . . Will echo in fields beyond the Sixteenth-Century and Art History." — Larry Silver, Sixteenth Century Journal"May be the most ambitious of recent American reflections on the mysteries of German art. His elegantly written book deals with the fateful period in the history of German art when it reached its highest point. . . . Offers deeper and more disturbing insights into German Renaissance art than most earlier scholarship." — Willibald Sauerlander, New York Review of Books

    The organization of the 30 chapters allows instructors to teach sequentially or in modules, as each chapter is self-contained and can be used in any order. The chapter structure provides a presentation of new information, followed by material for oral and written practice: Grammatik (grammar), Worschatz (vocabulary), Ubungen (exercises, self-, and small-group practice), Anwendung (application, in-class group activities), Schriftliche Themen (writing topics), and Zusammenfassung (summary)."

    Critics have ranked him with such influential directors as Stanislavsky, Meyerhold, Brecht, and Grotowski. Known in the United States primarily for his visually stunning productions, he is also highly regarded throughout Europe for his theoretically adventurous writings. Michal Kobialka, whom Kantor authorized to translate his work, provides us with the first collection of Kantor's essays in English, together with his analysis of the corpus of Kantor's work, both written and staged.

    Not only are we taken into the very heart of the fighting, we are also given a panoramic view of naval warfare through the centuries. 'A masterly study' DAILY MAIL 'Rich in unexpected facts and insights. . . Keegan's historical command is dazzling. ' JAN MORRIS INDEPENDENT

    Eckbert the Fair is a compelling study in paranoia and retribution; The Runenberg a story of the mind-destroying power of Nature. In Kleist’s The Betrothal on Santo Domingo, conflict and persecution during the slave revolt of 1803 on Haiti symbolise a world-view in which evil seems destined to prevail over good. The Earthquake in Chile, despite its brevity perhaps the most epic of all Kleist’s stories, presents an extraordinary pile-up of cataclysmic events, at the high-point of which the horror is turned on its head.E. T. A. Hoffmann’s The Jesuit Chapel in G. and Don Giovanni, the latter containing a celebrated and influential interpretation of Mozart’s opera, show the conflict between art and life and the Romantic vision of the artistic vocation.This volume of new translations contains several works which, though highly characteristic of their authors, are not readily available elsewhere in English.

    Its aim is to set the characters on the stage and let them speak for themselves, which in their letters and diaries the Victorians and Wilhelminians did with quite extraordinary clarity and persuasive power. The central theme is the bitter conflict between the handicapped Prince and his liberal parents, and in particular with his mother, the eldest child of Queen Victoria and Prince Albert, and the utter failure of a daring educational experiment intended to turn the young Prince into a liberal Anglophile.

    At a time when the Ptolemaic view still prevailed in official circles, Kepler undertook to prove the truth of the Copernican world view and through exceptional perseverance and force of intellect achieved that goal. His epochal intellectual feats are completely and thoroughly described in this splendid work, considered the definitive biography of Kepler. Drawing on a wealth of primary sources, the author presents a fascinating and erudite picture of Kepler's scientific accomplishments, his public life (work with Tycho Brahe, the Danish astronomer; mathematical appointments at Graz, Prague, and Linz; pioneering work with calculus and optics, and more) and his personal life: childhood and youth, financial situation, his mother's trial as a witch, his own lifelong fear of religious persecution, his difficulties in choosing one of eleven possible young women as his second wife, and more, through his last years in Ulm and death in Regensburg.Until his death in 1956, Professor Max Caspar was the world's foremost Kepler scholar. He had spent over two-thirds of his life assembling, cataloging, describing, analyzing, and editing Kepler's works. To this biography he brought tremendous learning and passionate enthusiasm for his subject, creating an unsurpassed resource on the life and work of one of history's greatest scientific minds. Originally published in German and superbly translated into English by C. Doris Hellman, Kepler will fascinate scholars and general readers alike.

    it is readable.... This is an excellent translation by the ranking Fichte scholar working in English at present, accompanied by a full, useful scholarly apparatus, likely to be of interest to Fichte scholars and all those concerned with the development of German idealism."--Review of Metaphysics "The publishing of this volume in English... provides us with a wealth of new material, not just about Fichte's development, but about the essentially Cartesian project that first gave rise to phenomenology in our own century."--International Philosophical Quarterly

    

    At times he came very close to success and spent many months at large, supported by the goodwill and hospitality of the Greek peasants. Other attempts were doomed from the start and met with severe retaliation from his captors.Then, as the end of the war seemed in sight,came the bitter blow of being marched across Poland and Germany as the Russians advanced. Never one to say die, Peter winter brings his story to its own surprising conclusion.

    This book is a bold reminder of the "forgotten victims" of the Third Reich.

    The book is the result of a diligent collaboration. As it unfolds, it becomes a poignant reminder of the manner in which enslaved Jews and others were forced to destroy their families and fellow prisoners. It is a story of human decency, the spark of which remains against all odds.