Only sixteen, already she possessed a strength of will that impressed all who looked past her golden-haired beauty. Yet when King John demanded that she remarry and selected a bridegroom for her—it seemed she must acquiesce, until her beloved foster brother suggested she wed his friend, the handsome Scottish warrior Gabriel MacBain.At first Johanna was shy, but as Gabriel tenderly revealed the splendid pleasures they would share, she came to suspect that she was falling in love with her gruff new husband. And it was soon apparent to the entire Highlands clan that their brusque, gallant laird had surrendered his heart completely. But now a desperate royal intrigue threatened to tear her from his side—and to destroy the man whose love meant more to her than she had ever dreamed!

    When a series of murders paralyzes the town of Canterbury in the fifteenth century, physician and chemist Kathryn Swinbrooke, assisted by bumbling Irish soldier Colum Murtagh, searches for a killer with literary tastes and rather personal motives.

    In his new translation, the first in modern English of the complete text from the Graesse edition, William Granger Ryan captures the immediacy of this rich, image-filled work, and offers an important guide for readers interested in medieval art and literature and in popular religious culture more generally.

    Passed down by the anticlerical middle classes of medieval France, The Fabliaux depicts priapic priests, randy wives, and their cuckolded husbands in tales that are shocking even by today’s standards. Chaucer and Boccaccio borrowed heavily from these riotous tales, which were the wit of the common man rebelling against the aristocracy and Church in matters of food, money, and sex. Containing 69 poems with a parallel Old French text, The Fabliaux comes to life in a way that has never been done in nearly eight hundred years.

    A devotional rich in exaltation, worship, and joyfulness as the believer catches an inner glimpse of the majesty of God.

    The book examines Byzantine attitudes to warfare, the effects of war on society and culture, and the relations between the soldiers, their leaders and society. The communications, logistics, resources and manpower capabilities of the Byzantine Empire are explored to set warfare in its geographical as well as historical context. In addition to the strategic and tactical evolution of the army, this book analyses the army in campaign and in battle, and its attitudes to violence in the context of the Byzantine Orthodox Church. The Byzantine Empire has an enduring fascination for all those who study it, and Warfare, State and Society is a colourful study of the central importance of warfare within it.

    The first serious attempts to identify him were made in the 1890s, but the man who then seemed most likely to have written the book was later found to have been accused of attempted murder, rape, extortion, and sacrilegious robbery and to have spent ten years or more in prison.Could this be reconciled with the authorship of the most famous chivalric romance in English? Other candidates for authorship were proposed but there was little consensus.This book gives the most comprehensive consideration of the competing arguments yet undertaken. It is a fascinating piece of detective work followed by a full account of the life of the man identified as theMalory. Close consideration of individual documents, many of whichwere entirely unknown in 1966, when the last book on Malory's life appeared, makes possible a fuller and more convincing story than has ever been told before.Professor P.J.C. FIELD teaches in the Department of English at theUniversity of Wales, Bangor.

    It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

    Available for the first time in an affordable format, these works serve as an introduction to the life and writings of the Catalan (properly, Majorcan) philosopher, mystic, and theologian who lived from 1232 to 1316. Founder of a school of Arabic and other languages, Llull was also a poet and novelist and one of the creators of literary Catalan. This volume contains three prefaces on Llull's life, thought, and reputation. Of Llull's works, it offers Book of the Gentile and the Three Wise Men, his seminal Christian apology; the Ars brevis, a summary of his philosophical system; The Book of the Lover and the Beloved, a celebration of mystical love in the courtly tradition; and his wittily scathing Book of the Beasts.

    Nicely illustrated.

    The Writings of Christine de Pizan offers lengthy excerpts of nearly all of Christine’s works, in authoritative and gracious translations. Among the writings are Christine’s autobiography; lyric and allegorical poetry; the official biography of King Charles V; writings on women, warfare, politics, love, and the human condition; writings from the famous Quarrel of the Rose; The Book of the City of Ladies; The Treasury of the City of Ladies; The Book of the Duke of True Lovers; and Christine’s triumphant poem on Joan of Arc. Edited and with an introduction by the foremost authority on Christine’s work, Charity Cannon Willard, who sets the writings in historical, biographical, and literary context.

    Squire Critter has many medieval adventures, on each page of which are hidden pictures for the reader to spot.

    No such comprehensive survey of this kind exists in any language. The book is the more unusual by departing from the customary stress on the concept of renewal to emphasize the enormous creativity and inventiveness of the Franks. Carolingian culture provided the bedrock for the subsequent development of medieval European culture, and this is demonstrated amply by essays that are planned as a series of introductions to the study of each topic.

    They shared a love as dangerous as the turbulent times they lived in.He was a French-born warrior-knight, magnificent in battle, now forced by papal decree into a life of cruel exile.She was a convent-raised English beauty, desperate to escape an arranged marriage...fated to save his life and to risk her own for a dangerous passion.Divided by circumstances, they would meet again amid the pomp and splendor of King Edward's royal court.From the stormswept coast of Devon to the dazzling palaces of London and the heroic battlefields of Scotland, Michel Faurer and Madeleine de Courtenay were caught in a desperate dance of danger and desire...two unlikely lovers destined to come together in a firestorm of forbidden passion that would join their hearts for all time!

    All aspects of the religious, philosophical, political, economic, scientific and artistic elements in Iranian civilization are studied, with some emphasis on the geographical and ecological factors that have contributed to that civilization's special character. The aim is to provide a collection of readable essays rather than a catalogue of information. The volumes offer scope for the publication of new ideas as well as providing summaries of established facts. It is hoped that the volumes will act as a stimulus to specialists, but they are primarily concerned with answering the sort of questions about the past and present of Iran that are asked by the nonspecialist.

    Contemporaries were sharply divided about the rights and wrongs of both Richard and Henry, and this division is reflected in the texts which form the major part of these sources. All the principal contemporary chronicles are represented in this collection, from the violently partisan Thomas Walsingham, chronicler of St Alban's Abbey who saw Richard as a tyrant and murderer, to the indignant Dieulacres chronicler, who claimed that the 'innocent king' was tricked into surrender by his perjured barons.

    She argues that the vernacular prose histories that have until now been regarded as royalist were actually products of the aristocracy, reflecting its anxiety as it faced social and economic change and political threats from the monarchy.

    He supports his thesis with evidence drawn from East Anglian archaeology, hagiography and folklore. His argument, detailed and passionate, offers the exciting possibility that he has discovered the lost origins of the poem in the pre-Viking kingdom of 8th-century East Anglia.SAM NEWTON was awarded his Ph.D. for work on Beowulf.

    

    

    Jane Welch Williams challenges the prevailing view that pious town tradesmen donated these windows. In Bread, Wine, and Money, she uncovers a deep antagonism between the trades and the cathedral clergy in Chartres; the windows, she argues, portray not town tradesmen but trusted individuals that the fearful clergy had taken into the cloister as their own serfs.Williams weaves a tight net of historical circumstances, iconographic traditions, exegetical implications, political motivations, and liturgical functions to explain the imagery in the windows of the trades. Her account of changing social relationships in thirteenth-century Chartres focuses on the bakers, tavern keepers, and money changers whose bread, wine, and money were used as means of exchange, tithing, and offering throughout medieval society. Drawing on a wide variety of original documents and scholarly work, this book makes important new contributions to our knowledge of one of the great monuments of Western culture.

    A badge of ecclesiastical reform, it was practised in Benedictine scriptoria but was also taken up by members of the royal writing office; the chancery occupied an important place in the pioneering of calligraphic fashions. During its approximately two-century history in England, Caroline script developed a number of forms, in part reflecting different tendencies within the Reform-cause. The Rule of St Benedict was focal for this movement.In the aftermath of the final Scandinavian conquest of England [AD1016] a Canterbury master-scribe created the form of Caroline writing which was to become a mark of Englishness and outlive the Norman Conquest. In the closing chapter its inventor's career is discussed and his achievement assessed. This volume offers analysis of manuscript evidence as a basis for the cultural and ecclesiastical history of late Anglo-Saxon England.David N. Dumville is professor of History and Palaeography at the University of Aberdeen

    Robinson is known throughout the world for some of the most original and stimulating work on Old English literature and language published in recent times. This book collects twenty three of his essays, including three substantial new articles on the literary interpretation of Beowulf, the background and value of Ezra Pound's translation of The Seafarer, and an account of the use of Old English in twentieth-century literary compositions.The essays vary widely in terms of subject and approach. They include literary interpretation and criticism of the best-known Old English poems (The Battle of Maldon and Exodus for example), an account of the historical, religious, and cultural background to the writing of Beowulf, articles on women in Old English literature and on the significance of names and naming.The book as a whole is informed by the author's preoccupation with meaning, context, and language, and their subtle interactions. Its contents are equally characterized by readability and scholarship, and by learning and wit.

    There are many books on its troubadours, but this is the first comprehensive study of the society in which they lived. It offers insight into the realities behind their poetic mystique.

    Routledge is an imprint of Taylor & Francis, an informa company.

    To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

    The essays establish crucial historical connections between feminist theorizing about the body and specific accounts of gendered bodies in medieval texts.

    A unique collection of six Middle English romances: 'King Horn'; 'Florys and Blauncheflour'; 'Amis and Amiloun'; 'Syr Tryamowre'; 'Syr Launfal'; 'The Earle of Tolous.'

    The siege was an integral part of medieval military experience, and was particularly significant in the Mediterranean region. Rogers explores siege warfare and the role it played in the First Crusadeand the establishment of the Crusader States, in Italy, Spain, and Portugal, and in the seaborne expeditions of the Italian maritime states. Rogers sets out to discover how it was that crusading forces handicapped by rudimentary organization and logistical support were able to conduct some of themost dramatic siege operations of the pre-gunpowder period. He traces the development and diffusion of techniques and analyzes the experience of siege warfare in every aspect, from the question of supplies of component parts for siege engines to the often complex political situations of besieger andbesieged. This is a book which contributes not only to the military history of the twelfth century but also to its political and cultural history.

    Saunders's exploration of the topos of the forest, a familiar and ubiquitous motif in the literature of the middle ages, is a broad study embracing a range of medieval and Elizabethan exts from the twelft to the sixteenth centuries: the roman d'antiquite, Breton lay and courtly romance, the hagiographical tradition of the Vita Merlini and the Queste del Saint Graal, Spenser and Shakespeare. Saunders identifies the forest as a primary romance landscape, as a place of adventure, love, and spiritual vision... offers a pleasurable overview of the narrative function of the forest as a literary landscape. Based on a close comparative (and theoretically non-partisan) reading of a broad range of literary texts drawn from the Europeqan canon, Saunders's study explores the continuity and transformation of an important motif in the corpus of medieval literature. MODERN LANGUAGE REVIEWDr CORINNE SAUNDERS/teaches in the Department of English at the University of Durham. (BLURBEXTRACTED FROM TLS REVIEW) ...An immense tract, not only of medieval literature but of human experience (is) engagingly introduced and presented here...Corinne Saunders considers first forests in reality (a reality which keeps breaking through in romance...). She looks also at the classical and biblical models including Virgil, Statius and Nebuchadnezzar...only then does she turn to the non-real and non-Classical, i.e. the medieval and romantic. Here she follows a clear chronological plan from twelfth to fifteenth centuries (also covering) the allegorized landscape of Spenser and the lovers' woods of Arden or Athens in Shakespeare. Her text-by-text layout does justice to the variety of possibilities taken up by different authors; the forest as a place where men run mad and turn into animals, a place of voluntary suffering, a focus of significance in the Grail-quests, a lovers' bower; above all and centrally, the place where the knight is tested and defined, even (as with Perceval) created.

    Gender in medieval monasticism influenced landscape contexts and strategies of economic management, the form and development of buildings and their symbolic and iconographic content. Women's religious experience was often poorly documented, but their archaeology indicates a shared tradition which was closely linked with, and valued by local communities. The distinctive patterns observed suggest that gender is essential to archaeological analysis.

    Some are familiar, like Arthur and his knights, or Tristan and Isolde, but there are many other lesser-known but equally fascinating stories to be found here. They range from medieval versions of the exploits of Charlemagne and Aeneas to the parody of heroism in Reynard the Fox. Cu Cuchulainn and other Celtic heroes are represented, as well as romances from the Greek world such as Apollonius of Tyre, and the half-historical sagas of Attila the Hun and Theodore the Ostrogoth.

    Complete with extensive commentaries.

    Born in 1098 in Bockelheim on the Nahe River, Hildegard had her first vision at the age of six, a phenomenon she would continue to experience the rest of her life. At the behest of the archbishop of Mainz, Hildegard set upon recording her visions in writing. Her writings soon propelled her from Benedictine abbess to celebrity as determined reformer, castigating seer, theoretical musician, patient adviser, and exorcist. A woman of extraordinarily energetic and independent mind, Hildegard wrote profusely throughout her life as a prophet, a poet, a musical composer, a dramatist, a physician, and a political moralist. Indeed, her musical compositions have reached new heights in popularity, highlighting the revival of Gregorian chant currently sweeping the United States. Hildegard communicated with popes and princes, with people of both influence and humble status, always standing above the corruption, misery, and ruin--both spiritual and temporal--of the twelfth century. The second of Hildegard's three books of visions, The Book of the Rewards of Life (Liber Vitae Meritorum) is a study of the human weaknesses that separates us from God. Written with remarkable visual clarity, it stands as one the most subtle and fascinating works ever written on the relationship of various sins to their corresponding virtues. Divided into six parts, this compelling work focuses on our moral flaws, seemingly inherent in human consciousness, and the role of repentance and the virtues in re-establishing our union with God. The first and only complete English translation of this important medieval work, The Book of the Rewards of Life is indeed a handbook of life.

    As these essays show, however, these women did not lack opportunities for power; kings, queens, and observers alike understood medieval queenship as a vital and dynamic force in the life of any kingdom. A wide-ranging analysis of medieval queenship is provided in these ten essays, written by North American and European historians who have mined a rich variety of diplomatic, literary, and archaeological sources. Far more than simple biographical sketches, the essays in this volume examine queenship across a broad geographical and chronological spectrum. Medieval Queenship is a probing investigation of the foundations of queens' power and the means by which they exploited it.

    In this book, H. A. Kelly explores the various meanings given to tragedy, from Aristotle's most basic notion (any serious story, even with a happy ending), via Roman ideas and practices, to the middle ages, when Averroes considered tragedy to be the praise of virtue but Albert the Great thought of it as the recitation of the foul deeds of degenerate men. Professor Kelly demonstrates the importance of finding out what writers like Horace, Ovid, Dante and Chaucer meant by the term, and how they used it as a tool of interpretation and composition. Referring to a wealth of texts, he shows that many modern analyses of ancient and medieval concepts and works are oversimplified and often result in serious misinterpretations. The book ends with surveys of works designated as tragedies in England, France, Italy and Spain.

    Drawing on a wide range of texts, Jager shows how patristic and medieval authors used the Fall to confront practical and theoretical problems in many areas of life and thought--including education, hermeneutics, rhetoric, feudal politics, and gender relations. Jager explores the Fall's meaning for clergy and laity, nobles and commoners, men and women.Among the works Jager discusses are texts by Ambrose, Augustine, the early Christian poet Avitus, and scholastic authors; Old English biblical epics; Middle English spiritual writings; French courtesy books; and the poetry of Dante and Chaucer. Examples from the visual arts are included as well. Jager links medieval interpretations of the Fall to underlying cultural anxieties about the ambiguity of the sign, the instability of oral tradition, the pleasure of the text, and the many rhetorical guises of the tempter's voice. He also assesses the modern and postmodern legacy of the Fall, showing how this myth continues to embody central ideas concerning language.The Tempter's Voice will be essential reading for scholars and students in such fields as medieval studies, literary theory, gender theory, comparative literature, cultural history, and the history of religion.

    on the slopes of Gibraltar (when the Moslems conquered the Iberian peninsula) through the centuries of the flowering of Jewish culture, “The Golden Age of Spanish Jewry” and closes with the 11th century re-conquest of Spain.The books (Volume 1 and the combined Volumes 2 and 3) are peopled with soldiers and rabbinic scholars, viziers in the caliph’s court, poets and converts, courtiers and intellectuals.