In his new translation, the first in modern English of the complete text from the Graesse edition, William Granger Ryan captures the immediacy of this rich, image-filled work, and offers an important guide for readers interested in medieval art and literature and in popular religious culture more generally.

    The book examines Byzantine attitudes to warfare, the effects of war on society and culture, and the relations between the soldiers, their leaders and society. The communications, logistics, resources and manpower capabilities of the Byzantine Empire are explored to set warfare in its geographical as well as historical context. In addition to the strategic and tactical evolution of the army, this book analyses the army in campaign and in battle, and its attitudes to violence in the context of the Byzantine Orthodox Church. The Byzantine Empire has an enduring fascination for all those who study it, and Warfare, State and Society is a colourful study of the central importance of warfare within it.

    It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

    Each book also contains a comprehensive text, a biography of the artist, a bibliography, and a glossary.

    The Writings of Christine de Pizan offers lengthy excerpts of nearly all of Christine’s works, in authoritative and gracious translations. Among the writings are Christine’s autobiography; lyric and allegorical poetry; the official biography of King Charles V; writings on women, warfare, politics, love, and the human condition; writings from the famous Quarrel of the Rose; The Book of the City of Ladies; The Treasury of the City of Ladies; The Book of the Duke of True Lovers; and Christine’s triumphant poem on Joan of Arc. Edited and with an introduction by the foremost authority on Christine’s work, Charity Cannon Willard, who sets the writings in historical, biographical, and literary context.

    Fifteen specially-commissioned essays by distinguished scholars provide background information and up-to-date critical perspectives on Dante's life and work, focusing on areas of central importance. Three essays introduce the three canticles of the Divine Comedy, and others explore the literary, intellectual and historical background to Dante's writings, his other works and his reception in the commentary tradition and in literature in English. The book also includes a chronological table and suggestions for further reading.

    There are many books on its troubadours, but this is the first comprehensive study of the society in which they lived. It offers insight into the realities behind their poetic mystique.

    When the youngest son of a king sets out to find the firebird which has been stealing golden apples from his father's tree, he meets a gray wolf who helps him with his quest.

    From the early rise of Assyrians, Persians, Carthaginians, and Romans, view the ascendency of Parthians, Goths, Byzantines, Mongols, and the Ottoman Empire, and follow it to the 20th-century triumphs of Texas Rangers, Russian Cossacks, Bengal Lancers, and the Royal Canadian Mounted Police.

    Jane Welch Williams challenges the prevailing view that pious town tradesmen donated these windows. In Bread, Wine, and Money, she uncovers a deep antagonism between the trades and the cathedral clergy in Chartres; the windows, she argues, portray not town tradesmen but trusted individuals that the fearful clergy had taken into the cloister as their own serfs.Williams weaves a tight net of historical circumstances, iconographic traditions, exegetical implications, political motivations, and liturgical functions to explain the imagery in the windows of the trades. Her account of changing social relationships in thirteenth-century Chartres focuses on the bakers, tavern keepers, and money changers whose bread, wine, and money were used as means of exchange, tithing, and offering throughout medieval society. Drawing on a wide variety of original documents and scholarly work, this book makes important new contributions to our knowledge of one of the great monuments of Western culture.

    

    Gender in medieval monasticism influenced landscape contexts and strategies of economic management, the form and development of buildings and their symbolic and iconographic content. Women's religious experience was often poorly documented, but their archaeology indicates a shared tradition which was closely linked with, and valued by local communities. The distinctive patterns observed suggest that gender is essential to archaeological analysis.

    Saunders's exploration of the topos of the forest, a familiar and ubiquitous motif in the literature of the middle ages, is a broad study embracing a range of medieval and Elizabethan exts from the twelft to the sixteenth centuries: the roman d'antiquite, Breton lay and courtly romance, the hagiographical tradition of the Vita Merlini and the Queste del Saint Graal, Spenser and Shakespeare. Saunders identifies the forest as a primary romance landscape, as a place of adventure, love, and spiritual vision... offers a pleasurable overview of the narrative function of the forest as a literary landscape. Based on a close comparative (and theoretically non-partisan) reading of a broad range of literary texts drawn from the Europeqan canon, Saunders's study explores the continuity and transformation of an important motif in the corpus of medieval literature. MODERN LANGUAGE REVIEWDr CORINNE SAUNDERS/teaches in the Department of English at the University of Durham. (BLURBEXTRACTED FROM TLS REVIEW) ...An immense tract, not only of medieval literature but of human experience (is) engagingly introduced and presented here...Corinne Saunders considers first forests in reality (a reality which keeps breaking through in romance...). She looks also at the classical and biblical models including Virgil, Statius and Nebuchadnezzar...only then does she turn to the non-real and non-Classical, i.e. the medieval and romantic. Here she follows a clear chronological plan from twelfth to fifteenth centuries (also covering) the allegorized landscape of Spenser and the lovers' woods of Arden or Athens in Shakespeare. Her text-by-text layout does justice to the variety of possibilities taken up by different authors; the forest as a place where men run mad and turn into animals, a place of voluntary suffering, a focus of significance in the Grail-quests, a lovers' bower; above all and centrally, the place where the knight is tested and defined, even (as with Perceval) created.

    David Levine, writing in The New York Times Book Review, called Hanawalt's book "as stimulating for the questions it asks as for the answers it provides" and he concluded that "one comes away from this stimulating book with the same sense of wonder that Thomas Hardy's Angel Clare felt [:] 'The impressionable peasant leads a larger, fuller, more dramatic life than the pachydermatous king.'" Now, in Growing Up in Medieval London, Hanawalt again reveals the larger, fuller, more dramatic life of the common people, in this instance, the lives of children in London. Bringing together a wealth of evidence drawn from court records, literary sources, and books of advice, Hanawalt weaves a rich tapestry of the life of London youth during the fourteenth and fifteenth centuries. Much of what she finds is eye opening. She shows for instance that--contrary to the belief of some historians--medieval adults did recognize and pay close attention to the various stages of childhood and adolescence. For instance, manuals on childrearing, such as "Rhodes's Book of Nurture" or "Seager's School of Virtue," clearly reflect the value parents placed in laying the proper groundwork for a child's future. Likewise, wardship cases reveal that in fact London laws granted orphans greater protection than do our own courts. Hanawalt also breaks ground with her innovative narrative style. To bring medieval childhood to life, she creates composite profiles, based on the experiences of real children, which provide a more vivid portrait than otherwise possible of the trials and tribulations of medieval youths at work and at play. We discover through these portraits that the road to adulthood was fraught with danger. We meet Alison the Bastard Heiress, whose guardians married her off to their apprentice in order to gain control of her inheritance. We learn how Joan Rawlyns of Aldenham thwarted an attempt to sell her into prostitution. And we hear the unfortunate story of William Raynold and Thomas Appleford, two mercer's apprentices who found themselves forgotten by their senile master, and abused by his wife. These composite portraits, and many more, enrich our understanding of the many stages of life in the Middle Ages. Written by a leading historian of the Middle Ages, these pages evoke the color and drama of medieval life. Ranging from birth and baptism, to apprenticeship and adulthood, here is a myth-shattering, innovative work that illuminates the nature of childhood in the Middle Ages.

    This volume brings together a selection of its finest works, which speak powerfully across the centuries to modern readers. Writings by St Bernard of Clairvaux (c. 1090-1153) - including his letters, The Life of Malachy the Irishman, sermons on the Song of Songs and the sharply satirical Apologia for Abbot William - reveal him to be a highly individual and influential writer of the Middle Ages. Also included here are a charming description of Clairvaux, biographies of abbots and a series of exemplary stories, all drawing on the Scriptures to express intensely personal forms of monastic theology.