The first comprehensive collection to trace the development of African-American feminist thought.

    Always concerned with the liberatory black struggle, hooks positions her writings on visual politics within the ever-present question of how art can be an empowering and revolutionary force within the black community.

    Riane Eisler shows us how history has consistently promoted the link between sex and violence—and how we can sever this link and move to a politics of partnership rather than domination in all our relations.

    Whether one is dealing with the state, the Mafia, parents, pimps, police, or husbands, writes Brown, the heavy price of institutionalized protection is always a measure of dependence and agreement to abide by the protector's rules. True democracy, she insists, requires sharing power, not regulation by it; freedom, not protection.Refusing any facile identification with one political position or another, Brown applies her argument to a panoply of topics, from the basis of litigiousness in political life to the appearance on the academic Left of themes of revenge and a thwarted will to power. These and other provocations in contemporary political thought and political life provide an occasion for rethinking the value of several of the last two centuries' most compelling theoretical critiques of modern political life, including the positions of Nietzsche, Marx, Weber, and Foucault.

    Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.

    It chronicles her youth, her marriage, her eventual decision to come out as a lesbian, and her life with transgender activist and author Leslie Feinberg.

    Less well-known than the famous men in their lives, including Yeats and Shaw, their stories are now told.

    . . reminding us of the fragility of childhood and the costs it exacts upon the adults we become.”—The Washington PostThe hardcover publication of this unflinching memoir resulted in the arrest of an alleged child molester and the following headline: “Author’s Writing on Abuse Brings New Victims Forward.” In a new afterword to this tenth-anniversary edition from New Rivers Press, Richard Hoffman writes about the events his book set in motion, the cries for help he received from men across the country, and the talk he had with an 11-year-old boy who thanked him “for making it stop.”But this autobiography, about a blue-collar family struggling to care for two terminally ill children as the third child, the author, is subjected at age 10 to sexual abuse by his coach, is also a moving work of literature and a testament to the healing power of truthtelling. It is a “spare, poignant” memoir (TIME) that “offers heartening evidence . . . of the human capacity to endure and prevail” (The Washington Post).Richard Hoffman’s work, both prose and verse, has appeared in numerous literary reviews and anthologies. Half the House was awarded the Boston Athenaeum Readers’ Prize in 1996. His most recent book is Without Paradise (Cedar Hill), a collection of poems. He is currently writer-in-residence in the Department of Writing, Literature, and Publishing at Emerson College; he also serves on the faculty of the Teachers as Scholars Program at the Harvard Graduate School of Education and is currently a Massachusetts Cultural Council fellow in fiction.

    How did women in 16th century western Europe cope with the consequences of being considered inherently sinful--as well as being legally and economically subordinate to their fathers, husbands, brothers, and sons? What might become of a woman unable to raise a dowry? What were the difficulties faced by spinsters, single mothers, and widows? In this brilliant investigation into the lives of women from all social strata, Hufton leads us from poor-house to palazzo, from cradle to grave, illuminating what it meant to be female in western Europe during the years 1500 to 1800.

    From this point they learn to respond to their wives in a consistent Christlike manner. A radically transformed and renewed marriage is the result.Drawing from his own story and the stories of husbands whose marriages were dissolving, Ken Nair reveals major problems in life and marriage. After discussing the problems, he reveals relationship altering concepts which not only will revive a marriage, they will radiate throughout couple's lives as well.

    --The Presbyterian Outlook Cannon moves easily from the passion of folklore and legend to the conceptually rich...language of ethics and womanist theology. Her role 'is to speak as "one of the canonical boys" and as the "non-canonical other" at one and the same time.' In this, she most assuredly succeeds. --Library Journal Every theologian, student, and lay person should have a copy of Katie's Canon to measure the breadth and depth of their theological commitment. I strongly recommend it. --James H. Cone

    Included are works by Leigh Brackett, C. L. Moore, Ursula K. Le Guin, and Judith Merril. Introduction and Bibliography by the Editor.Content"No Woman Born" by C. L. Moore (1944)"That Only a Mother" by Judith Merril (1948)"Contagion" by Katherine MacLean (1950)"The Woman from Altair" by Leigh Brackett (1951)"Short in the Chest" by Margaret St. Clair (1954)"The Anything Box" by Zenna Henderson (1956)"Death Between the Stars" by Marion Zimmer Bradley (1956)"The Ship Who Sang" by Anne McCaffrey (1961)"When I Was Miss Dow" by Sonya Dorman Hess (1966)"The Food Farm" by Kit Reed (1966)"The Heat Death of the Universe" by Pamela Zoline (1967)"The Power of Time" by Josephine Saxton (1971)"False Dawn" by Chelsea Quinn Yarbro (1972)"Nobody's Home" by Joanna Russ (1972)"The Funeral" by Kate Wilhelm (1972)"Of Mist, and Grass, and Sand" by Vonda N. McIntyre (1973)"The Women Men Don't See" by James Tiptree, Jr. (1973)"The Warlord of Saturn's Moons" by Eleanor Arnason (1974)"The Day Before the Revolution" by Ursula K. Le Guin (1974)"The Family Monkey" by Lisa Tuttle (1977)"View from a Height" by Joan D. Vinge (1978)

    An excellent book for any writer or reader." --Feminist Bookstore News"In her new book of essays... Russ continues to debunk and demand, edify and entertain.... Appreciative of surface aesthetics, she continually delves deeper than most critics, yet in terms so simple and accessible that her essays read like lively, angry, humorous dialogues conducted face-to-face with the author. Russ is the antithesis of the distant critic in her ivory tower." --Paul Di Filippo, The Washington Post Book World..". 20 years of the author's feisty reports from the front lines of literature." --The San Francisco Review of Books"This is a book of imaginative and provoking essays, but you should read it for the sheer fun of it." --The Women's Review of Books"Collects more than two decades of criticism by Joanna Russ, one of the most perceptive, forthright and eloquent feminist commentators around." --Feminist Bookstore News..". a super book....This is a book that, for once, really will appeal to readers of all kinds." --Utopian Studies"If you enjoy science fiction, this is definitely a book that you'll want to talk about. I found myself sneaking a few pages at times when I really didn't have time to read." --Jan Catano, AtlantisClassic essays on science fiction and feminism by Nebula and Hugo award-winning Joanna Russ. Here she ranges from a consideration of the aesthetic of science fiction to a reading of the lesbian identity of Willa Cather. To Write Like a Woman includes essays on horror stories and the supernatural, feminist utopias, popular literature for women (the "modern gothic"), and the feminist education of graduate students in English.

    Whites everywhere rioted. The furor, Gail Bederman demonstrates, was part of two fundamental and volatile national obsessions: manhood and racial dominance. In turn-of-the-century America, cultural ideals of manhood changed profoundly, as Victorian notions of self-restrained, moral manliness were challenged by ideals of an aggressive, overtly sexualized masculinity. Bederman traces this shift in values and shows how it brought together two seemingly contradictory ideals: the unfettered virility of racially "primitive" men and the refined superiority of "civilized" white men. Focusing on the lives and works of four very different Americans—Theodore Roosevelt, educator G. Stanley Hall, Ida B. Wells, and Charlotte Perkins Gilman—she illuminates the ideological, cultural, and social interests these ideals came to serve.

    From the 60?s to the 90?s she?s been the craziest, the most extreme queen ever to hit a rock ?n? roll stage. She?s known and worked with Warhol, Bowie and Derek Jarman, been an actress, a singer and a prostitute. She?s the world?s original and only rock ?n? roll transsexual, crossing the genders in the full glare of publicity. Man Enough to be a Woman is the wild, hilarious and shameless account of Jayne?s life from her cissy-boy childhood in Georgia to her current 90s renaissance, as a new wave of superstars claim her as their inspiration.

    It is, also, an old-fashioned love story. In precise language that dips into the sensuous delights of the flesh and the palate, the reader witnesses the love in Amanda Linger's life.

    Other members of the Corinthian church, however, viewed the body as hierarchical—as a microcosm of the universe—and were not particularly concerned about body boundaries or pollution. These differing views of the human body (and also of the church as the body of Christ) led to differing opinions on a variety of subjects—including the role of rhetoric and philosophy in a hierarchical society, the eating of meat sacrificed to idols, prostitution, sexual desire and marriage, and the resurrection of the body. Martin explores these conflicts by drawing on ancient medical writings, modern anthropological approaches, and feminist and ideological methods of critical analysis. He shows how Paul's understanding of the body prevailed among the less well-educated inhabitants of the Roman Empire, who occupied relatively low socioeconomic levels. The minority who espoused the ideas of hierarchy, on the other hand, were usually of higher social status and were better educated. And it was along these same class lines, Martin argues, that the Corinthian church itself was divided.

    In this second edition, each chapter has been thoroughly updated and reworked, and a new chapter of pastoral application has been added.

    Copyright © 1994 by Anne Carson. Used by permission of New Directions Publishing Corporation.

    Routledge is an imprint of Taylor & Francis, an informa company.

    In rural South Asia, few women own land and even fewer control it. Drawing on a wide range of sources, including field research, the author addresses the reason for this imbalance, and asks how the barriers to ownership can be overcome. The book offers original insights into the current theoretical and policy debates on land reform and women's status.

    It was a moment painfully familiar to countless women: a demand that she conform to a stereotype of feminine dress and behavior--which would also mark her as an intruder, rising above her assigned station (as the saying goes, she dared to wear the pants in the courtroom). Kennedy took one look at the judge's robe--essentially a long black dress gathered at the yoke--and said, Judge, if you won't talk about what I'm wearing, I won't talk about what you're wearing.In Beyond the Double Bind, Kathleen Hall Jamieson takes her cue from Kennedy's comeback to argue that the catch-22 that often blocks women from success can be overcome. Sparking her narrative with potent accounts of the many ways women have beaten the double bind that would seem to damn them no matter what they choose to do, Jamieson provides a rousing and emphatic denouncement of victim feminism and the acceptance of inevitable failure. As she explores society's interlaced traps and restrictions, she draws on hundreds of interviews with women from all walks of life to show the ways they cut through them. Kennedy, for example, faced the bind that insists that women cannot be both feminine and competent--and then demands that they be feminine first; she undermined that trap with wry wit. Ruth Bader Ginsberg attacked the same quandary head-on: when she heard that her law-school nickname was bitch, she replied, Better bitch than mouse. Jamieson explores the full range of such double binds (the uterus-brain bind, for example--you can't conceive children and ideas at the same time; or the assertion, You are too special to be equal), offering a roadmap for moving past these barricades to advancement. Unlike other breakthrough feminist writers, she finds grounds for optimism in areas ranging from slow improvements in women's earnings to newly effective legal remedies, from growing social awareness to the determination and skill of individual women who are fighting the double bind.Jamieson is a widely sought-after authority on politics and communications; this book marks a dramatic new departure for her, one certain to win widespread attention. With intensive research and incisive analysis, she provides a landmark account of the binds that ensnare women's lives--and the ways they can overcome them.

    Jessica Benjamin, a well-known psychoanalyst and feminist, makes a case for what she calls "gender heterodoxy"—a highly original view of the similarities and differences between the sexes—and in the process she illuminates aspects of love, sexuality, aggression, and pornography.Benjamin elaborates and develops the psychoanalytic theory of intersubjectivity, taking up the question: What difference does it make when I consider the Other to be not merely an object of my mind but a subject in his or her own right, with a center of being equivalent to my own? This question of recognition is closely related to how we frame, tolerate, and theorize difference and is therefore tied to the issue of gender. Benjamin argues that intersubjective theory does not replace but rather adds to the existing intrapsychic theory of psychoanalysis, which focuses on the individual. Her both/and (as opposed to either/or) approach is carried throughout the book, for Benjamin brilliantly integrates relational and Freudian positions, feminist and psychoanalytic theory, and clinical and theoretical information.

    Routledge is an imprint of Taylor & Francis, an informa company.

    This lively collection of four stories is a modern reclaiming of the Bible, a celebration of courageous and wise women from ancient tradition. These stories invite children of all ages and all faiths to remember, and to bring their own faith to life.With vivid prose and lush, full-color illustrations, this storybook introduces:Lillith, the first woman in the Garden of Eden, according to an ancient legend, shows her determination to have men and women treat each other as equals.Serach the musician, who, with her song, reveals to her grandfather Jacob that his son Joseph is still alive, and whose courage to speak out heals the wrongs of another generation.Bityah, who draws the baby Moses from the Nile and with a mother's bravery encourages him to become who he will be, proving that taking a risk to do what's right can change the world.Daughters of Z, who struggle against discrimination with great daring--and extraordinary results.

    How are feminists redefining the poetics and politics of ethnography? What are the contradictions of women studying women? How have gender, race, class, and nationality been scripted into the canon?Through autobiography, fiction, historical analysis, experimental essays, and criticism, the contributors offer exciting responses to these questions. Several pieces reinvestigate the work of key women anthropologists like Elsie Clews Parsons, Margaret Mead, and Ruth Benedict, while others reevaluate the writings of women of color like Zora Neale Hurston, Ella Deloria, and Alice Walker. Some selections explore how sexual politics help to determine what gets written and what is valued in the anthropological canon. Other pieces explore new forms of feminist ethnography that 'write culture' experimentally, thereby challenging prevailing, male-biased anthropological models.

    TASCHEN's 25th anniversary - Special edition! "Fascinating for what it tells us about the history of body images and social codes." -The Independent, London

    Now 150 biographic sketches shed new light on such familiar figures as the Bronte sisters and Clara Barton, while revealing the rarely studied yet remarkable achievements of women warriors. Historical essays place these women in the context of their times, while sidebars highlight women's wit, wisdom, and inventions on all frontiers, from science to fashion.Queen Hatshepsut --Sappho --Aspasia --Cleopatra --The Trung sisters --Boudica --Hypatia --Empress Theodora --Wu Chao --Murasaki Shikibu --Sultana Razia --Christine de Pizan --Joan of Arc --Queen Isabella I --La Malinche --Catherine de Médicis --Queen Elizabeth I --Mary Queen of Scots --Artemisia Gentileschi --Judith Leyster --Sor Juana Ines de la Cruz --Catherine the Great --Mary Wollstonecraft --Deborah Sampson --Jane Austen --Emma Willard --Sacajawea --Sarah Grimké and Angelina Grimké --La Pola --Sojourner Truth --Catharine Beecher --Dorothea Dix --Margaret Fuller Harriet Beecher Stowe --Harriet Tubman --Elizabeth Cady Stanton --Charlotte Brontë and Emily Brontë --Maria Mitchell --Clara Schumann --Queen Victoria --Susan B. Anthony --Florence Nightingale --Elizabeth Blackwell --Clara Barton --Antoinette Brown Blackwell --Mary Harris "Mother" Jones --Lakshmi Bai --Emily Dickinson --Louisa May Alcott --Tz'u-hsi --Queen Liliuokalani --Sarah Bernhardt --Mary Cassatt --Sarah Winnemucca --Carry Nation --Louisa Lawson --Olive Schreiner --Fannie Farmer --Charlotte Perkins Gilman --Jane Addams --Ida B. Wells --Beatrix Potter --Marie Curie --Sophia Hayden --Alexandra David-Neel --Emma Goldman --Rosa Luxemburg --Maria Montessori --Alexandra Kollontai --Qiu Jin --Mary McLeod Bethune --Huda Shaarawi --Margaret Sanger --Helen Keller --Anna Pavlova --Virginia Woolf --Rose Schneiderman --Gabrielle "Coco" Chanel --Eleanor Roosevelt --Georgia O'Keeffe --Gabriela Mistral --Ichikawa Fusae --Bessie Smith --Martha Graham --Marian Anderson --Amelia Earhart --Golda Meir --Zora Neale Hurston --Margaret Mead --Margaret Bourke-White --Greta Garbo --Frida Kahlo --Rachel Carson --Simone de Beauvoir --Mother Teresa --Mildred "Babe" Didrikson --Mary Leakey --Indira Gandhi --Jessie Lopez De La Cruz --Eva Perón --Betty Friedan --Diane Arbus --Shirley Chisholm --Margaret Thatcher --Nguyen Thi Binh --Jacqueline Kennedy Onassis --Violeta Chamorro --Toni Morrison --Corazon Aquino --Barbara Jordan --Valentina Tereshkova --Marian Wright Edelman --Wilma Rudolph --Billie Jean King --Mairead Corrigan and Betty Williams --Antonia Novello --Aung San Suu Kyi --Wilma Mankiller --Eka Esu-Williams --Rigoberta Menchú

    Now Noomin is back at it with her second Twisted Sisters book, Drawing the Line. This collection features new work by Aline Kominsky-Crumb, Dame Darcy, Mary Fleener, Carol Lay, Penny Moran Van Horn, Krystine Kryttre, Carol Tyler, Carol Swain, and Noomin herself. The artists cover subjects ranging from sex, personality problems, rape, and miscarriages to cannibalism and the virgin birth.

    But Grenz and Kjesbo make no secret of their bold conclusion: 'Historical, biblical and theological considerations converge not only in allowing, but also in insisting, that women serve as full partners with men.' Thorough and irenic, Women in the Church bids to take an intense discussion to a new plane.

    With its breadth and richness of sources it will be of interest and use to feminists, church historians, and students.

    Challenging the view expressed by conventional scholarship that emphasizes the marginalization of Muslim women, the author asserts that gender issues are right at the heart of the political process in Iran. The implications of the study bear on the position of women throughout the Middle East and in the developing countries generally.

    Their voices come from a variety of backgrounds and perspectives--cowgals, lesbians, teen mothers, sorority sisters and girls in gangs--and reveal the depth, vulnerability, wisdom and power of the writers.

    A spiritual manifesto for Black women in their role as healers of church and society.

    And the wisdom they offer is strikingly similar across cultures: a relationship must ultimately look beyond itself and be consciously accepted as a spiritual path. Gurian has drawn on a range of spiritual and mythic traditions to create the new model for relationship that he presents in his popular workshops. This model, called the "Lover's Journey," consists of four distinct "seasons":    1.  The Season of Enchantment: the springtime of falling in love    2.  The Season of Awakening: the summertime, when the euphoria of romance is past and we learn independent co-existence    3.  The Season of Partnership: the autumn of maturity, when the fruits of our joint efforts can be enjoyed    4.  The Season of Nonattachment: the winter of companionship, quietude, and the letting-go of old age

    These essays document the struggles against oppression that Aboriginal people face, as well as the success and changes within Aboriginal communities.

    Offering a feminist perspective on the status of animals, this unique volume argues persuasively that both the social construction and oppressions of women are inextricably connected to the ways in which we comprehend and abuse other species. Furthermore, it demonstrates that such a focus does not distract from the struggle for women’s rights, but rather contributes to it. This wide-ranging multidisciplinary anthology presents original material from scholars in a variety of fields, as well as a rare, early article by Virginia Woolf. Exploring the leading edge of the species/gender boundary, it addresses such issues as the relationship between abortion rights and animal rights, the connection between woman-battering and animal abuse, and the speciesist basis for much sexist language. Also considered are the ways in which animals have been regarded by science, literature, and the environmentalist movement. A striking meditation on women and wolves is presented, as is an examination of sexual harassment and the taxonomy of hunters and hunting. Finally, this compelling collection suggests that the subordination and degradation of women is a prototype for other forms of abuse, and that to deny this connection is to participate in the continued mistreatment of animals and women.

    She’s Barbie—an icon of femininity to generations of American girls. She’s also multiethnic and straight—or so says Mattel, Barbie’s manufacturer. But, as Barbie’s Queer Accessories demonstrates, many girls do things with Barbie never seen in any commercial. Erica Rand looks at the corporate marketing strategies used to create Barbie’s versatile (She’s a rapper! She’s an astronaut! She’s a bride!) but nonetheless premolded and still predominantly white image. Rand weighs the values Mattel seeks to embody in Barbie—evident, for example, in her improbably thin waist and her heterosexual partner—against the naked, dyked out, transgendered, and trashed versions favored by many juvenile owners and adult collectors of the doll.Rand begins by focusing on the production and marketing of Barbie, starting in 1959, including Mattel’s numerous tie-ins and spin-offs. These variations, which include the much-promoted multiethnic Barbies and the controversial Earring Magic Ken, helped make the doll one of the most profitable toys on the market. In lively chapters based on extensive interviews, the author discusses adult testimony from both Barbie "survivors" and enthusiasts and explores how memories of the doll fit into women’s lives. Finally, Rand looks at cultural reappropriations of Barbie by artists, collectors, and especially lesbians and gay men, and considers resistance to Barbie as a form of social and political activism.Illustrated with photographs of various interpretations and alterations of Barbie, this book encompasses both Barbie glorification and abjection as it testifies to the irrefutably compelling qualities of this bestselling toy. Anyone who has played with Barbie—or, more importantly, thought or worried about playing with Barbie—will find this book fascinating.

    Michael Jones completes the trilogy as he reveals in this book how modern architecture arose out of the disordered moral lives of its creators. Beginning with the simultaneous collapse of both his marriage and the Austro-Hungarian empire, Walter Gropius formulated an architectural rhetoric that would speak to the needs of the newly emerging modern man. As a sexually liberated social monad, modern man would have no need for home or family, no need to be rooted in a particular time or place. He was to live henceforth in the "international style." Soon that deeply materialistic, sterile architectural vision would conquer the world. From the suburbs of Moscow to the south side of Chicago, the new man would live in machines, "living machines", to use Gropius' words. Jones' book is an explanation of where that vision came from, where it led, and why it failed. Illustrated.

    In The Eros of Everyday Life, she once again takes readers on a startling journey, showing the profound connections between religion and philosophy, science and nature, Western thought and the role of women, and the supremacy of abstract thought over the forces of life. Featuring the brilliant original title essay that is nothing less than an intellectual and emotional exploration of the nature of Western society itself, as well as Susan Griffin's best previously published essays of the past decade, The Eros of Everyday Life combines the beautiful lyricism and sensibility of a poet with the intellectual rigor of one of the finest and most original minds writing today.

    She argues that the struggles between Chinese immigrants, U.S. government officials, and the lower federal courts that took place around the turn of the century established fundamental principles that continue to dominate immigration law today and make it unique among branches of American law. By establishing the centrality of the Chinese to immigration policy, Salyer also integrates the history of Asian immigrants on the West Coast with that of European immigrants in the East. Salyer demonstrates that Chinese immigrants and Chinese Americans mounted sophisticated and often-successful legal challenges to the enforcement of exclusionary immigration policies. Ironically, their persistent litigation contributed to the development of legal doctrines that gave the Bureau of Immigration increasing power to counteract resistance. Indeed, by 1924, immigration law had begun to diverge from constitutional norms, and the Bureau of Immigration had emerged as an exceptionally powerful organization, free from many of the constraints imposed upon other government agencies.

    Writers as diverse as Sterne, Goldsmith, Burke, and Rousseau were politically motivated to represent authority figures as men of feeling, but denied women comparable authority by representing their feelings as inferior, pathological, or criminal. Focusing on Mary Wollstonecraft, Ann Radcliffe, Frances Burney, and Jane Austen, whose popular works culminate and assail this tradition, Claudia L. Johnson examines the legacy male sentimentality left for women of various political persuasions.Demonstrating the interrelationships among politics, gender, and feeling in the fiction of this period, Johnson provides detailed readings of Wollstonecraft, Radcliffe, and Burney, and treats the qualities that were once thought to mar their work—grotesqueness, strain, and excess—as indices of ideological conflict and as strategies of representation during a period of profound political conflict. She maintains that the reactionary reassertion of male sentimentality as a political duty displaced customary gender roles, rendering women, in Wollstonecraft's words, "equivocal beings."

    She was created by & personified the Western obsession for the exotic. She was born in an age when showmen, in deliberate Barnum-esque fashion, outdid each other to manipulate the press & mislead the public by fabricating larger-than-life personalities. More than 27 million people came to Chicago in 1893 to tour the great World’s Colombian Exposition, & many of them delighted in the “dancing girls” of the Egyptian theatre. One such dancer, known professionally as “Little Egypt,” found notoriety through her involvement in a spicy scandal. Was there any truth to the stories circulated about Little Egypt, or was it just sideshow spiel? Why were so many different woman later proclaimed as “the original” Little Egypt? Carefully researched & lavishly illustrated, Looking for Little Egypt also documents the Oriental exhibits at the 1893 fair, providing a detailed look at entertainers who fascinated-and scandalized-audiences of the day.

    The Female Thermometer brings together Castle's essays on the phantasmagoric side of eighteenth-century literature and culture. Taking as her emblem the fanciful female thermometer, an imaginary instrument invented by eighteenth-century satirists to measure levels of female sexual arousal, Castle explores what she calls the impinging strangeness of the eighteenth-century imagination--the ways in which the rationalist imperatives of the age paradoxically worked to produce what Freud would later call the uncanny. In essays on doubling and fantasy in the novels of Defoe and Richardson, sexual impersonators and the dream-like world of the eighteenth-century masquerade, magic-lantern shows, automata, and other surreal inventions of Enlightenment science, and the hallucinatory obsessions of Gothic fiction, Castle offers a haunting portrait of a remarkable epoch. Her collection explores the links between material culture, gender, and the rise of modern forms and formulas of subjectivity, effectively rewriting the cultural history of modern Europe from a materialist and feminist perspective.

    Routledge is an imprint of Taylor & Francis, an informa company.

    Beyond the Masks is a readable account of black psychology, exploring key theoretical issues in race and gender. In it, Amina Mama examines the history of racist psychology, and of the implicit racism throughout the discipline. Beyond the Masks also offers an important theoretical perspective, and will appeal to all those involved with ethnic minorities, gender politics and questions of identity.

    Data provided on interactional strategies, 'hedges and boosters', compliments and apologies, demonstrates ways in which women's politeness patterns differ from men's, with the implications of these different patterns explored, for women in particular, in the areas of education and professional careers.

    Contains:When I Am an Old Woman I Shall Wear Purple; If I Had My Life to Live Over I Would Pick More Daisies; I Am Becoming the Woman I've Wanted

    It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations.Women, a majority of the world's population, receive only a small proportion of its opportunities and benefits. According to the 1993 UN Human Development Report, there is no country in the world in which women's quality of life is equal to that of men. This examination of women's quality of life addresses questions which have a particular urgency, and aims to describe the basic situation of all women. The contributors confront the issue of cultural relativism, criticizing the approach which, in its desire to respect different cultural traditions, can result in indifference to injustice. Gender justice and women's equality is then proposed in various areas in which quality of life is measured. Like its predecessor, The Quality of Life, this volume encourages the reader to think critically about the central fundamental concepts used in development economics, and suggests major criticisms of current economic approaches from that fundamental viewpoint. In addition to scholars of women's and gender studies, this work will be of interest to economists, philosophers, political scientists, and sociologists.

    Confronting the gravest evils of our institutionalized faith -- racism, patriarchy, discrimination, homophobia, cultural imperialism -- Heyward is at once personal and political, sardonic and sincere, humble and hard-edged, imaginative and analytical.

    She also calls into question those feminist perspectives that have either demonized the modern as inherently patriarchal, or else assumed a simple opposition between men's and women's experiences of the modern world.Combining cultural history with cultural theory, and focusing on the fin de si�cle, Felski examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution, and perversion. Her approach is comparative and interdisciplinary, covering a wide variety of texts from the English, French, and German traditions: sociological theory, realist and naturalist novels, decadent literature, political essays and speeches, sexological discourse, and sentimental popular fiction. Male and female writers from Simmel, Zola, Sacher-Masoch, and Rachilde to Marie Corelli, Wilde, and Olive Schreiner come under Felski's scrutiny as she exposes the varied and often contradictory connections between femininity and modernity.Seen through the lens of Felski's discerning eye, the last fin de si�cle provides illuminating parallels with our own. And Felski's keen analysis of the matrix of modernism offers needed insight into the sense of cultural crisis brought on by postmodernism.

    They were factory workers, entertainers, landgirls, mothers of evacuees, socialites, code breakers, black-marketeers, women who served in the forces. Their stories uncover the vivid detail of women's lives, the make-do and mend, the new freedom that war gave them, but also the euphoria and depression which followed, the post-war adjustments that had to be made.

    Drawing on the little-known work of Henriette Browne, other `lost' women Orientlist artists and the literary works of George Eliot, Reina Lewis challenges masculinist assumptions relating to the stability and homogeneity of the Orientalist gaze.Gendering Orientalism argues that women did not have a straightforward access to an implicitly nale position of western superiority, Their relationship to the shifting terms of race, nation and gender produced positions from which women writers and artists could articulate alternative representations of racial difference. It is this different, and often less degrading, gaze on the Orientalized `Other' that is analysed in this book. By revealing the extent of women's involvement in the popular field of visual Orientalism and highlighting the presence of Orientalist themes in the work of Browne, Eliot and Charlotte Bronte, reina Lewis uncovers women's roles in imperial culture and discourse.Gendering Orientalism will appeal to students, lecturers and researchers in cultural studies, literature, art history, women's studies and anthropology.

    Chronicling the lives of women from low-income communities who have been physically battered, sexually assaulted, emotionally abused, and involved in illegal activity, the book illustrates the degree to which these women's devastated and deteriorating circumstances represents a socially constructed position--but one from which there is little escape.Borrowing the phrase "gender entrapment" from the legal notion of the term--which implies a circumstance whereby an individual is lured into a compromising act--author Beth Richie uses gender entrapment to describe the process whereby African American women who are vulnerable to men's violence in their intimate relationships are penalized for criminal behaviors they engage in when these behaviors are logical extensions of their racialized gender identities, their culturally mediated gender roles, and the violence in their private lives.The book documents in graphic detail the lives of these women--often marred by drug use, prostitution, and violence culminating in illegal activity. Richie charts the women's gender entrapment by considering a number of factors in their early lives--whether the women were privileged in their homes as girls and how such benefits actually might have handicapped them; their relationships with males; the presence or absence of childhood abuse--and how these factors contributed to their sense of vulnerability and fear of success later in life. Richie then analyzes how the women's circumstantial and emotional vulnerability in the early years sets the stage for the violence in their intimate relationships with men as adults, and how the women's feelings of self-blame, emotional trauma, and desperation lead them--perhaps inexorably--into illegal, often violent activity.Compelled to Crime also gives special consideration to the complicated set of reasons why some low income African American battered women resort to illegal activity. By contrasting their experiences with two smaller comparison groups, Richie offers important methodological and analytical contributions to the scholarship on gender, race, violence, and crime. In reaching her conclusions, Richie makes the disturbing point that in the end because these women are involved in illegal activity and hence labelled "criminal," they did not have access to services for battered women, sexual assault survivors, or other crime victims.

    This book is a pioneering attempt to evaluate the extent to which gender analysis has succeeded in both informing and challenging established views of culture, society and literary production in the Middle East.

    Drawing from an extensive range of previously untapped industrial archives, Laura Lee Downs analyzes how sexual difference was transformed from a principle for excluding women into a basis for dividing labor within the newly restructured production process. She explores the origins of wage discrimination and occupational segregation through the lens of managerial strategy, tracing the gendered redefinition of job skills, the division of the shop floor into hierarchically ordered spaces, the deployment of women welfare supervisors, and the implantation of scientific management techniques. Through its detailed comparative analysis of employers' attitudes toward women workers, Manufacturing Inequality mounts a careful critique of both neoclassical economics and feminist dual systems as frameworks for understanding gender discrimination in industry.

    There were no distinctive features to differentiate it from most of the small cottages ... Zelda D'Aprano, a working-class woman at the forefront of the Women's Liberation Movement

    They particularly examine the dynamics of the region's long-troubled relationship with the rest of the nation, in terms of culture, history and geography.

    More recently, domestic violence, prostitution, sexual harassment, and pornography have come to the forefront of investigators' concerns. Rape and Society returns to the original focus on rape, while also illuminating the interconnections among the many forms of violence against women.The book provides a comprehensive treatment of the subject, drawing on writers and researchers from across a range of social and behavioral sciences and the humanities and representing the experiences of women of diverse backgrounds and lifestyles. From the private torment of a child abused by her father to the horror of mass rape and ethnic cleansing in the former Yugoslavia, the authors analyze rape as a tool of humiliation, control, and terror.Rape and Society is an essential resource for academics and professionals and for anyone wanting to come to grips with the magnitude of the problem of sexual violence. Because the selections are moving as well as thought-provoking and varied in approach (theoretical, empirical, literary, and experiential), this interdisciplinary anthology is a superb text for undergraduate and graduate courses in women's studies, psychology, sociology, and criminology. It offers incisive analyses and carefully designed research to help us understand and explain rape while sensitizing us to the personal dimensions of sexual victimization and the emotional toll of living in a violent society. There are hopeful voices here too, helping readers envision a safer and more humane world, offering concrete suggestions for social change, and encouraging us all to gather the power and courage to take on the work that lies before us.

    Monterrey is Mexico’s second most important industrial city, emerging in this era of free trade as a cornerstone of Mexico’s economic development.  But development has been uneven and has taken a toll: As recently as the early 1980s, nearly a quarter of the city’s almost three million inhabitants did not have running water in their homes.  At the same time, heavy industry - especially steel, iron, chemical, and paper works - were major users of water in their production processes.Extensive industrialization coupled with a lack of infrastructure development astonishing in a major industrial city raises serious questions about the process of planning urban services in Mexico.  Bennett uses the water crisis of the 1980s as a lens through which to reveal this planning process and the provision of public services in Monterrey.  She finds three groups who were central to the evolution of the city’s water system: federal and state government leaders, the regional private sector elite (the Grupo Monterrey), and women living in the low-income neighborhoods of the city.Bennett unravels the politics of water in Monterrey by following three threads of inquiry.  First, she examines the water services themselves - what was built, when, why, and who paid for them.  She then reveals the response of poor women to the water crisis, analyzing who participated in protests, the strategies they used, and how the government responded.  And, finally, she considers the dynamics of planning water services for the private sector and the government in investment and management.  In the end, Monterrey’s water services improved because power relations shifted and because poor women in Monterrey used protests to make national news out of the city’s water crisis.The Politics of Water makes a significant contribution to the emerging scholarship on regional politics in Mexico and to a deeper understanding of the Monterrey region in particular.  Until recently, most scholarly writing on Mexico spoke of the national political system as a monolithic whole.  Scholars such as Vivienne Bennett are now recognizing the power of local citizens and the significant differences among regions when it comes to politics, policy  making, and governmental investment decisions.

    Lesbians have fought the police and been arrested, from the suffragettes to Pat Arrowsmith. Yet Mary Allen and Isobel Goldingham were also among the first policewomen. Lesbians have worked for the State in the civil service, the education system and the armed forces; and their sisters have worked to destroy the British Establishment. Lesbians have always been involved in British feminism and they were the backbone of the suffrage movement from the constitution of Eleanor Rathbone to the radicalism of Esther Roper and the anarchism of Mary Allen. The politicization of lesbianism has not stopped with feminism; it is closely identified today with pacifism, the ecology movement, animal rights activism, vegetarianism and spirituality. The lesbians and feminists protesting against nuclear weapons at Greenham Common in the 1980s were inheritors of a long tradition. Through Myrtle Soloman, lesbian peace protesters of the 1980s had a direct link with those of the 1950s like Sybil Morrison, and through Morrison back to the ex-suffragist lesbian peace campaigners of the Great War, like Esther Roper. Britannia's Glory traces the lives of individual lesbians against the background of the politics and history of their period, and shows the infinite variety of ways in which lesbians made their lives in Britain during this century.

    Personal essays and stories about writing, women's rituals, fighting racism, and more.