The first comprehensive collection to trace the development of African-American feminist thought.

    Poems for the Millennium captures the essence of that change, and unlike any anthology available today, it reveals the revolutionary concepts at the very heart of twentieth-century poetry. International in its coverage, these volumes depart from the established poetic modes that grew out of the nineteenth century and instead bring together the movements that radically altered the ways that art and language express the human condition.The first volume offers three "galleries" of individual poets—figures such as Mallarmé, Stein, Rilke, Tzara, Mayakovsky, Pound, H.D., Vallejo, Artaud, Césaire, and Tsvetayeva. Included, too, are sections dedicated to some of the most significant pre-World War II movements in poetry and the other arts: Futurism, Expressionism, Dada, Surrealism, Objectivism, and Negritude. The second volume will extend the gathering to the present, forming a synthesizing, global anthology that surpasses other collections in its international scope and experimental range.Poet-editors Jerome Rothenberg and Pierre Joris provide informative and irreverent commentaries throughout. They challenge old truths and propose alternative directions, in the tradition of the revolutionary manifestos that have marked the art and poetry of the twentieth century. The result is both an essential source book for experiencing the full range of this century's poetic possibilities and a powerful statement on the future of poetry in the millennium ahead.

    P. Lovecraft--with eighteen chilling contemporary tales that would have made the master proud.- The Barrens by F. Paul Wilson: In a tangled wilderness, unearthly lights lead the way to a world no human was meant to see.- His Mouth Will Taste of Wormwood by Poppy Z. Brite: Two dabblers in black magic encounter a maestro of evil enchantment.- On the Slab by Harlan Ellison: The corpse of a one-eyed giant brings untold fortune--and unspeakable fear--to whoever possesses it.- Pickman's Modem by Lawrence Watt-Evans: Horror is a keystroke away, when an ancient evil lurks in modern technology.PLUS FOURTEEN MORE BLOOD-CURDLING STORIES

    They have the power--the power of the word--to create a world of thoughts and emotions other can share. We only have to learn to listen." In a series of fascinating conversations with thirty-four American poets, "The Language Of Life" celebrates language in its "most exalted, wrenching, delighted, and concentrated form," and its unique power to re-create the human experience: falling in love, facing death, leaving home, playing basketball, losing faith, finding God. Listening to Linda McCarriston's award-winning poems about a child trapped in a violent home, or to Jimmy Santiago Baca explaining how words changed his life in prison, or to David Mura describing his Japanese American grandfather's experience in relocation camps, or to Sekou Sundiata stitching the magic of his childhood church in Harlem to the African tradition of storytelling, or to Gary Snyder invoking the natural wonder of mountains and rivers, or to Adrienne Rich calling for honesty in human relations, all testify to the necessity and clarity of the poet's voice, and all give hope that from such a wide variety of racial, ethnic, and religious threads we might yet weave a new American fabric."'Listen, ' said the storytellers of old, 'listen and you shall "hear," '" explains Bill Moyers. "The Language Of Life" is a joyous, life-affirming invitation to listen, learn, and experience the exhilarating power of the spoken word."From the Trade Paperback edition.

    All the tales contain some science fiction or fantasy element, and all remain true to the spirit and personality of Sir Arthur Conan Doyle's most famous and enduring creation.Contents; * Introduction: The Detective Who Refused to Die (Sherlock Holmes in Orbit) • essay by Mike Resnick * The Musgrave Version (1995) / short story by George Alec Effinger * The Case of the Detective's Smile / short story by Mark Bourne * The Adventure of the Russian Grave / short story by William Barton and Michael Capobianco * The Adventure of the Field Theorems / novelette by Vonda N. McIntyre * The Adventure of the Missing Coffin / short story by Laura Resnick * The Adventure of the Second Scarf / short story by Mark Aronson * The Phantom of the Barbary Coast / novelette by Frank M. Robinson * Mouse and the Master / short story by Brian M. Thomsen * Two Roads, No Choices / short story by Dean Wesley Smith *The Richmond Enigma / short story by John DeChancie * A Study in Sussex / short story by Leah A. Zeldes * The Holmes Team Advantage / short story by Gary Alan Ruse * Alimentary, My Dear Watson / short story by Lawrence Schimel * The Future Engine / novelette by Byron Tetrick * Holmes Ex Machina (1995) / short story by Susan Casper * The Sherlock Solution / short story by Craig Shaw Gardner * T he Fan Who Molded Himself / short story by David Gerrold * Second Fiddle / short story by Kristine Kathryn Rusch * Moriarty by Modem (1995) / short story by Jack Nimersheim * The Greatest Detective of All Time / short story by Ralph Roberts * The Case of the Purloined L'Isitek / short story by Josepha Sherman * The Adventure of the Illegal Alien / short story by Anthony R. Lewis * Dogs, Masques, Love, Death: Flowers / short story by Barry N. Malzberg * You See But You Do Not Observe / short story by Robert J. Sawyer * Illusions / short story by Janni Lee Simner *The Adventure of the Pearly Gates / short story by Mike Resnick.

    A groundbreaking work in the tradition of Joseph Campbell, Bruno Bettelheim and Robert Bly, this book explores the darker side of childhood--loss, betrayal, oppression, and abuse.

    Not just another literary school, it was an artistic and social revolution. William S. Burroughs proclaimed that the Beat writers were “real architects of change. There is no doubt that we’re living in a freer America as a result of the Beat literary movement, which is an important part of the larger picture of cultural and political change in this country during the last forty years, when a four-letter word couldn’t appear on the printed page and minority rights were ridiculous.” Anne Waldman, a renowned poet and longtime friend of many of these writers, has gathered in this volume a range of the best and most exemplary writings of the Beat poets and novelists. Selections from the Beat classics appear, as well as more recent prose and poetry demonstrating the continued vitality of the Beat experiment. Included are short biographies of the contributors, an extensive bibliography of Beat literature, and a unique guide to “Beat places” around the world—from Kerouac’s hometown of Lowell, Massachusetts, where his novel Dr. Sax takes place, to Tangier, where Burroughs wrote parts of Naked Lunch.

    These four took the nihilism of the movement to its ultimate conclusion, their works are remnants of lives lived to the limit and then cast aside with nonchalance and abandon: Vache died of a drug overdose, Rigaut shot himself, Cravan and Torma simply vanished, their fates still a mystery. Yet their fragmentary works - to which they attached so little importance - still exert a powerful allure and were a vital inspiration for the literary movements that followed them. Vache's bitter humour, Cravan's energetic invective, Rigaut's dandyfied introspection, and Torma's imperturbable asperity: all had their influence. This collection contains biographical introductions to each author as well as personal recollections by their contemporaries.

    Introduction by the Author.Contents:Isis by Zora Neale HurstonEconomics by Elizabeth Seydel MorganSarah by Tina McElroy AnsaStar in the valley by Mary Noailles MurfreeUgliest pilgrim by Doris BettsMusic by Ellen GilchristWide net by Eudora WeltyAfter Moore by Mary HoodWhite rat by Gayl JonesDare's gift by Ellen GlasgowFirst dark by Elizabeth SpencerShiloh by Bobbie Ann MasonGood country people by Flannery O'ConnorEveryday use by Alice WalkerYellow ribbons by Susie MeeTongues of fire by Lee SmithGospel song by Dorothy AllisonNew life by Mary Ward BrownGrave by Katherine Anne PorterAnd with a vengeance by Margaret GibsonThird of July by Elizabeth Cox

    Included are works by Leigh Brackett, C. L. Moore, Ursula K. Le Guin, and Judith Merril. Introduction and Bibliography by the Editor.Content"No Woman Born" by C. L. Moore (1944)"That Only a Mother" by Judith Merril (1948)"Contagion" by Katherine MacLean (1950)"The Woman from Altair" by Leigh Brackett (1951)"Short in the Chest" by Margaret St. Clair (1954)"The Anything Box" by Zenna Henderson (1956)"Death Between the Stars" by Marion Zimmer Bradley (1956)"The Ship Who Sang" by Anne McCaffrey (1961)"When I Was Miss Dow" by Sonya Dorman Hess (1966)"The Food Farm" by Kit Reed (1966)"The Heat Death of the Universe" by Pamela Zoline (1967)"The Power of Time" by Josephine Saxton (1971)"False Dawn" by Chelsea Quinn Yarbro (1972)"Nobody's Home" by Joanna Russ (1972)"The Funeral" by Kate Wilhelm (1972)"Of Mist, and Grass, and Sand" by Vonda N. McIntyre (1973)"The Women Men Don't See" by James Tiptree, Jr. (1973)"The Warlord of Saturn's Moons" by Eleanor Arnason (1974)"The Day Before the Revolution" by Ursula K. Le Guin (1974)"The Family Monkey" by Lisa Tuttle (1977)"View from a Height" by Joan D. Vinge (1978)

    Often a desperate blond, a jealous husband, and, of course, a tough-but-tender P.I. the likes of Sam Spade or Philip Marlowe. Perhaps Raymond Chandler summed it up best in his description of Dashiell Hammett's style: "Hammett gave murder back to the kind of people that commit it....He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes."Hard-Boiled: An Anthology of American Crime Stories is the largest and most comprehensive collection of its kind, with over half of the stories never published before in book form. Included are thirty-six sublimely suspenseful stories that chronicle the evolutiuon of this quintessentially American art form, from its earliest beginnings during the Golden Age of the legendary pulp magazine Black Mask in the 1920s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy. Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett's 1925 tour de force "The Scorched Face," in which the disappearance of two sisters leads Hammett's never-named detective, the Continental Op, straight into a web of sexual blackmail amidst the West Coast elite, to Ed Gorman's 1992 "The Long Silence After," a gripping and powerful rendezvous involving a middle class insurance executive, a Chicago streetwalker, and a loaded .38. Other delectable contributions include "Brush Fire" by James M. Cain, author of The Postman Always Rings Twice, Raymond Chandler's "I'll Be Waiting," where, for once, the femme fatale is not blond but a redhead, a Ross Macdonald mystery starring Macdonald's most famous creation, the cryptic Lew Archer, and "The Screen Test of Mike Hammer" by the one and only Micky Spillane. The hard-boiled cult has more in common with the legendary lawmen of the Wild West than with the gentleman and lady sleuths of traditional drawing room mysteries, and this direct line of descent is on brilliant display in two of the most subtle and tautly written stories in the collection, Elmore Leonard's "3:10 to Yuma" and John D. MacDonald's "Nor Iron Bars." Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block.Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without. Containing many notable rarities, it celebrates a genre that has profoundly shaped not only American literature and film, but how we see our heroes and oursleves.

    Le Guin40 • The Remoras • [The Great Ship Universe] • (1994) • novelette by Robert Reed65 • Nekropolis • (1994) • novelette by Maureen F. McHugh93 • Margin of Error • (1994) • shortstory by Nancy Kress98 • Cilia-of-Gold • (1994) • novelette by Stephen Baxter118 • Going After Old Man Alabama • (1994) • shortstory by William Sanders131 • Melodies of the Heart • (1994) • novella by Michael F. Flynn206 • The Hole in the Hole • [Wilson Wu and Irving • 1] • (1994) • novelette by Terry Bisson230 • Paris in June • (1994) • shortstory by Pat Cadigan243 • Flowering Mandrake • (1994) • novelette by George Turner273 • None So Blind • (1994) • shortstory by Joe Haldeman281 • Cocoon • (1994) • novelette by Greg Egan305 • Seven Views of Olduvai Gorge • [Birthright Universe] • (1994) • novella by Mike Resnick343 • Dead Space for the Unexpected • (1994) • shortstory by Geoff Ryman355 • Cri de Coeur • (1994) • novella by Michael Bishop402 • The Sawing Boys • (1994) • novelette by Howard Waldrop417 • The Matter of Seggri • (1994) • novelette by Ursula K. Le Guin446 • Ylem • (1994) • novelette by Eliot Fintushel465 • Asylum • (1994) • novella by Katharine Kerr492 • Red Elvis • (1994) • novelette by Walter Jon Williams507 • California Dreamer • (1994) • shortstory by Mary Rosenblum520 • Split Light • (1994) • shortstory by Lisa Goldstein531 • Les Fleurs Du Mal • [Biotech Revolution] • (1994) • novella by Brian Stableford585 • Honorable Mentions: 1994 • (1995) • essay by Gardner Dozois

    This strange sub-genre encompasses the history of modern poetry, from its beginnings in romanticism (Bertrand, Turgenev, Baudelaire), its adolescence in Symbolism (Mallarme, Rimbaud, Trakl), its maturity in high modernism (Stein, Williams, Kafka, Montale, Follain, Char, Vallejo, H.D., and others), and its middle age in post-modernism (Cortazar, Bishop, Ashbery, Simic, Edson, Bly...) up to the present.

    WOMEN OF POWERTwo sisters, one a mercenary, one a practitioner of earth magic, learn that the irony of love knows no justice...A sorceress must come to the aid of a creature out of legend...A seeress has her life forever changed by a "voice" she never dreamed she would hear...A spell-gifted swords-woman learns that even an ancient magical inheritance can change in nature...Join Mercedes Lackey, Elisabeth Waters, Jennifer Roberson, Diana L Paxson and their fellow venturers to the lands where women of power - whether practitioners of the magical arts, or professionally trained with sword and dagger - need ask no protection from any man, in 22 original stories of honor, bravery, justice, and adventures

    A distinguished addition to black studies."--Publishers Weekly (starred review)The purpose of this extraordinary anthology is made abundantly clear by the editors' stated intention: "to create a living mosaic of essays and stories in which Black men can view themselves, and be viewed without distortion." In this, they have succeeded brilliantly. Brotherman contains more than one hundred and fifty selections, some never before published--from slave narratives, memoirs, social histories, novels, poems, short stories, biographies, autobiographies, position papers, and essays.Brotherman books us passage to the world that Black men experience as adolescents, lovers, husbands, fathers, workers, warriors, and elders. On this journey they encounter pain, confusion, anger, and love while confronting the life-threatening issues of race, sex, and politics--often as strangers in a strange land. The first collection of its kind, Brotherman gathers together a multitude of voices that add a new, unforgettable chapter to American cultural identity.

    Afrekete gives collective voice to the tradition of black lesbian writing. In the vast and proliferating area of both African-American and lesbian and gay writing, the work of black lesbians is most often excluded or relegated to the margins. Afrekete meshes these seemingly disparate traditions and celebrates black lesbian experiences in all their variety and depth.Elegant, timely, provocative, and inspiring, the fiction, poetry, and nonfiction in Afrekete -- written in a range of styles -- engage a variety of highly topical themes, placing them at the center of literary and social discourse. Beginning with "Tar Beach," an excerpt from Audre Lorde's celebrated memoir Zami: A New Spelling of My Name, which introduces the character Afrekete, the collection also includes such prominent writers as Michelle Cliff, Carolivia Herron, Jewelle Gomez, and Alexis De Veaux. Other pieces are by Jacqueline Woodson, Sapphire, Essence editor Linda Villarosa, and filmmaker Michelle Parkerson, with other contributions by exciting new writers Cynthia Bond, Jocelyn Taylor, Jamika Ajalon, and Sharee Nash.Afrekete is a collection whose time has come. It is an extraordinary work, one of lasting value for all lovers of literature. A fresh, engaging journey, Afrekete will both inform and delight.Contents:Tar beach by Audre LordeAmerican dreams by SapphireTestimony of a naked woman by Jocelyn Maria TaylorWater call by Helen Elaine LeeTuesday, August third by Jacqueline WoodsonDear Aunt Nanadine by Alexis De VeauxOdds and ends by Michelle ParkersonWhat has yet to be sung by Malkia CyrilThe old lady by Carolivia HerronWink of an eye by Jewelle GomezKaleidoscope by Jamika AjalonQueen for 307 days by Jackie GoldsbyWhere will you be? by Pat ParkerScreen memory by Michelle CliffRevelations by Linda VillarosaRuby by Cynthia BondDare by Melanie HopeTake care by Sharee NashOde to Aretha by Evelyn C. WhiteToday is not the day by Audre Lorde

    Unsystematic, spontaneous, irreverent, intense, witty, unexpected, these notebooks shimmer with reflections, speculations, confessions, quotations, impressions, and ruminations. They create a portrait of the artist as a purposeful gatherer and sifter of every kind of experience.Included are the notebooks from such distinguished and eclectic voices as Rita Dove, Stephen Dunn, Carolyn Forché, Donald Hall, Garrett Hongo, Joy Harjo, Donald Justice, Yusef Komunyakaa, James Merrill, Mary Oliver, Charles Simic, and William Stafford.

    In Alers' "Fresh Fruits", an art expert falls for the head of a Manhattan private school while planning a Kwnazaa extravaganza together. And Benson's "Friends and Lovers" rings in the New Year with a story of two Atlanta attorneys who are close friends--but could be more.

    Science Fiction by Women from the 1970s to the 1990s — A companion volume to 'The Classic Years', dispelling the notion that women don't write "real" science fiction, showcasing recent science fiction by women. Here are Octavia E. Butler, Pat Cadigan, Angela Carter, Nancy Kress, and Connie Willis, among others.Contents: Introduction and Bibliography by the Editor. Cassandra / C.J. Cherryh; The Thaw / Tanith Lee; Scorched Supper on New Niger / Suzy McKee Charnas; Abominable / Carol Emshwiller; Bluewater Dreams / Sydney J. Van Scyoc; The Cabinet of Edgar Allan Poe / Angela Carter; The Harvest of Wolves / Mary Gentle; Bloodchild / Octavia E. Butler; Fears / Pamela Sargent; Webrider / Jayge Carr; Alexia and Graham Bell / Rosaleen Love; Reichs-Peace / Sheila Finch; Angel / Pat Cadigan; Rachel in Love / Pat Murphy; Game Night at the Fox and Goose / Karen Joy Fowler; Tiny Tango / Judith Moffett; At the Rialto / Connie Willis; Midnight News / Lisa Goldstein; And Wild For To Hold / Nancy Kress; Immaculate / Storm Constantine; Farming in Virginia / Rebecca Ore.

    Their words echo the refrain that the ravages of war live on in the body and soul, in victim and victor.

    They are designed to introduce undergraduates to the rich but often neglected literary contributions of established and newer ethnic writers to American literature. Each text is organized chronologically by genre and represent a wide range of literature.

    Brilliantly retold in the sparkling, energetic prose of one of the great names in children's books, Golden Myths and Legends and its companion volume Silver Myths and Legends make an outstanding collection of wonderful tales, many of them unavailable anywhere else.

    Representing the work of approximately two hundred authors-fiction writers, poets, scholars in disciplines such as history, literary criticism, and sociology-Appalachia Inside Out reveals the fascinating diversity of the region and lays to rest many of the reductive stereotypes long associated with it.

    In the outpouring of proud stories that followed, African-American women shared their experiences, smashed stereotypes, and recorded the untold story of African-American life in bold, defiant anthology fiction.This stunning anthology begins with Harper's original story and chronicles the literary journey of African-American women to the present day -- from "As the Lord Lives, He Is One of our Mother's Children," Pauline E. Hopkins 1903 story of mob justice, to "Like a Winding Sheet," Ann Petry's. 1945 tale of domestic abuse, to "The Last Day of School," Maxine Clair's 1994 portrayal of forgiveness and redemption.Headnotes for each work and biographical notes for each author and to the richness of this volume, making it a work that deepens our understanding, delights our intellects, and rings loud with truth.

    Among those discussed directly are: Elizabeth Barrett Browing, Emily Bronte, George Eliot, Michael Field, Felicia Hemans, Adelaide Proctor, Christina Rossetti, and Rosamund Marriott Watson. Key topics dealt with include the nature of home, the market, the fallen woman and the moral law, the mother, and the muse. Critics represented are: Isobel Armstrong, Kathleen Blake, Susan Conley, Stevie Davies, Sandra M. Gilbert, Gill Gregory, Terrence Holt, Linda K. Hughes, Angela Leighton, Tricia Lootens, Jerome J. McGann, Dorothy Mermin, Margaret Reynolds, Dolores Rosenblum, Chris White, and Joyce Zonana.

    Featuring such authors as Balzac, Mérimée, Dumas, Verne, and Maupassant, this book offers readers familiar with the works of Edgar Allan Poe and E. T. A. Hoffman some of the most memorable stories in the genre. With its aura of the uncanny and the supernatural, the fantastic tale is a vehicle for exploring forbidden themes and the dark, irrational side of the human psyche.The anthology opens with "Smarra, or the Demons of the Night," Nodier's 1821 tale of nightmare, vampirism, and compulsion, acclaimed as the first work in French literature to explore in depth the realm of dream and the unconscious. Other stories include Balzac's "The Red Inn," in which a crime is committed by one person in thought and another in deed, and Mérimée's superbly crafted mystery, "The Venus of Ille," which dramatizes the demonic power of a vengeful goddess of love emerging out of the pagan past. Gautier's protagonist in "The Dead in Love" develops an obsessive passion for a woman who has returned from beyond the grave, while the narrator of Maupassant's "The Horla" imagines himself a victim of psychic vampirism.Joan Kessler has prepared new translations of nine of the thirteen tales in the volume, including Gérard de Nerval's odyssey of madness, "Aurélia," as well as two tales that have never before appeared in English. Kessler's introduction sets the background of these tales—the impact of the French Revolution and the Terror, the Romantics' fascination with the subconscious, and the influence of contemporary psychological and spiritual currents. Her essay illuminates how each of the authors in this collection used the fantastic to articulate his own haunting obsessions as well as his broader vision of human experience.

    The over 50 selections represent both established names in the field and relatively less known authors, and the structure of the book is typical of "year's best" collections.

    Virtually every great poet from Chaucer on has tried his or her hand at translation, with the results often rivalling or even excelling the ancient original. This unique anthology presents the best of these translations, ranging from King Alfred, Alexander Pope, and Ben Jonson, to Alfred Lord Tennyson, Ezra Pound, and Ted Hughes. The book offers a vast array of responses to the song, verse, and drama of ancient Greece and Rome, and to poets themselves as varied as Homer, Sappho, Euripides, Virgil, Ovid, and Juvenal. Organized by classical author and text, the book gathers and juxtaposes English versions, sometimes of the same passage or poem, to dramatize the endless renewal of one great poetic tradition in and through another.

    

    Including Graham Swift on the life and death of a butcher, J. M. Coetzee’s attempt at vegetarianism in Texas, Giles Foden at Idi Amin’s dinner table, and Sean French on the delights of Icelandic cuisine (including roast puffin and whale sushi). Plus: Georges Perec, Romesh Gunesekera, John Lanchester, Jane Rogers, Margaret Visser and Joan Smith.

    The unusual breadth of readings illustrates lives defined by hign standards of personal character, such as courage, honesty, fairness, responsibility, compassion, empathy, generosity and love.

    In tribute to her, twelve leading philosophers from both sides of the Atlantic have contributed essays exploring the various topics in moral philosophy to which she has made a distinctive contribution--virtue ethics, naturalism, non-cognitivism, relativism, categorical requirements, and the role of rationality in morality.

    Martin, Connie Willis, Robert Silverberg, Greg Bear, and others.Contents:Unicorn variations / Roger Zelazny --Fire watch / Connie Willis --Hardfought / Greg Bear --Peacemaker / Gardner Dozois --Speech Sounds / Octavia Butler Press enter / John Varley --Portraits of his children / George R.R. Martin --Rachel in love / Pat Murphy --Why I left Harry's all-night hamburgers / Lawrence Watt-Evans --Ripples in the Dirac Sea / Geoffrey A. Landis --Boobs / Suzy McKee Charnas --Manamouki / Mike Resnick --Bears discover fire / Terry Bisson --Beggars in Spain / Nancy Kress --Barnacle Bill the spacer /Lucius Shepard --Danny goes to Mars / Pamela SargentNutcracker coup / Janet Kagan.

    

    From The Man Who Cried Wolf., Robert Bloch's classic werewolf thriller, to Garfield Reeves-Steven's gripping story of supernatural terror in the Toronto suburbs, to Galad Elflandsson's chilling look at horror on a snowbound highway, we invite you to bundle up with seventeen cold-as-the-crypt tales of the mysterious and the fantastic. Dark fantasy told by: Nancy Baker, Robert Bloch, Carolyn Clink, Charles de Lint, Galad Elflandsson, Terence M Green, Tanya Huff, Garfield Reeves-Steves, Robert Sampson, Peter Sellers, Lucy Taylor, Steve Rasnic Tem, Edo van Belkom, Karen Wehrstein and Andrew Weiner.

    The series aims to introduce undergraduates to the rich but often neglected literary contributions of established and newer ethnic writers to American literature. Each text is organized chronlogically by genre and represents a wide range of literature. An introduction provides an historical overview and a celebration of the diversity within each ethnic group. It also addresses the general literary concerns students are likely to encounter in their readings. A seperate thematic table of contents provides the tutor with more flexibility in the classroom. All four anthologies include three bibliographies which suggest novels for further reading; aid students in their research and recommend films that would enhance the studies. Ishmael Reed, the general editor, is founder of the American Book Awards.

    

    

    

    Nutti's Fireplace / The Midnight Rose.

    In Beyond the Red Notebook, the first book devoted to the works of Auster, Dennis Barone has assembled an international group of scholars who present twelve essays that provide a rich and insightful examination of Auster's writings.The authors explore connections between Auster's poetry and fiction, the philosophical underpinnings of his writing, its relation to detective fiction, and its unique embodiment of the postmodern sublime. Their essays provide the fullest analysis available of Auster's themes of solitude, chance, and paternity found in works such as The Invention of Solitude, City of Glass, Ghosts, The Locked Room, In the Country of Last Things, Moon Palace, The Music of Chance, and Leviathan.This volume includes contributions from Pascal Bruckner, Marc Chenetier, Norman Finkelstein, Derek Rubin, Madeleine Sorapure, Stephen Bernstein, Tim Woods, Steven Weisenburger, Arthur Saltzman, Eric Wirth, and Motoyuki Shibata. The extensive bibliography, prepared by William Drenttel, will greatly benefit both scholars and general readers.

    This anthology brings together stories by both British and North American writers.

    Sara and Justin are more than stiff cardboard characters, and their humanity poignantly validates the feelings of children who have disabled siblings. Haas' fluid, striking watercolors convey Sara's emotions with an intensity that is well matched to the text". -- Book list (7/95)

    It complements Poets for Life (Persea), the classic anthology of poetry on AIDS, and is also an update, presenting a poetry different from what has gone before, in which the elegist leaves the bedside to look at the whole fractured world, the world as it is, with AIDS in it. With its generous selections of the poets' works, as well as their brief personal remarks on the relationship of their poetry to their experiences of AIDS, Things Shaped in Passing bears witness to the extremity of our moment.

    In nineteen selections from eighteen authors, editor and translator Powoga collects the best representatives of this tradition from the past century.

    Together these voices present a rich and complicated view of what it is to be an American Indian.  “To Be an Indian’spower flows from the actual recorded voices. The book is an outstanding adjunct to classes taught about oral history.” — Leonard Bruguier, director, Institute of American Indian Studies, University of South Dakota “What is striking about the interviews is the clear and crisp point of view that each presents, underscoring the obvious fact that to be an Indian is to be an individual. . . . Highly recommended.” — South Dakota History  “The reader will discover a wealth of information that will show the diversity of thought, the values and many of the problems and changes present in the Indian communities.” — Nebraska History  “An interesting and very readable historical document of Native American cultural pluralism.” — European Review of Native American Studies  “A fine contribution to any collection of oral narratives of the Native peoples of North America.” — Journal of the West