He is a deranged serial killer, mass murderer, and spree killer who interacts with various other characters, generally by murdering them. He elaborately kills anyone who even slightly irritates him, then drains their blood and paints one of the walls in his house with it. Johnny is also willing to murder "innocent" people who, in his twisted mind, deserve their fate for some reason or another. The number of Johnny’s victims is in the dozens, if not hundreds — or perhaps even thousands. Authorities are unable to capture Johnny and seem unaware of his existence, even though his crimes are often witnessed in public and reported by the few who manage to survive.

    When he learns that another Taltos has been seen, he is suddenly propelled into the haunting world of the Mayfair family, the New Orleans dynasty of witches forever besieged by ghosts, spirits, and their own dizzying powers. For Ashlar knows this powerful clan is intimately linked to the heritage of the Taltos. This mesmerizing novel takes us on a wondrous journey back through the centuries to a civilization half-human, of wholly mysterious origin, at odds with mortality and immortality, justice and guilt. It is an enchanted, hypnotic world that could only come from the imagination of Anne Rice...

    Acclaimed fiction from the acknowledged master, this set contains all The Bachman Books, including Thinner.

    A retelling of the Snow White fairy tale from the point of view of the "wicked stepmother." This version was a chapbook compiled by Black Phoenix Alchemy Lab and sold at Comic Con 2008 and on the BPAL website with all proceeds going to the Comic Book Legal Defense Fund.

    P. Lovecraft--with eighteen chilling contemporary tales that would have made the master proud.- The Barrens by F. Paul Wilson: In a tangled wilderness, unearthly lights lead the way to a world no human was meant to see.- His Mouth Will Taste of Wormwood by Poppy Z. Brite: Two dabblers in black magic encounter a maestro of evil enchantment.- On the Slab by Harlan Ellison: The corpse of a one-eyed giant brings untold fortune--and unspeakable fear--to whoever possesses it.- Pickman's Modem by Lawrence Watt-Evans: Horror is a keystroke away, when an ancient evil lurks in modern technology.PLUS FOURTEEN MORE BLOOD-CURDLING STORIES

    A long forgotten oath. A town with a deadly secret. Something sinister is at work in Hyde River, an isolated mining town in the mountains of the Pacific Northwest. Something evil. Under the cover of darkness, a predator strikes without warning--taking life in the most chilling and savage fashion.The community of Hyde River watches in terror as residents suddenly vanish. Yet the more locals are pressed for information, the more they close ranks, sworn to secrecy by their forefathers' hidden sins.Only when Hyde River's secrets are exposed is the true extent of the danger fully revealed. What the town discovers is something far more deadly than anything they'd imagined. Something that doesn't just stalk its victims, but has the power to turn hearts black with decay as it slowly fills their souls with darkness.

    Autopsies indicate that the killer cannot be human...But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders.Museum researcher Margo Green must find out who-or what-is doing the killing. But can she do it in time to stop the massacre?

    Instinct proves reliable. A murderous sociopath, Edgler Foreman Vess, has entered the house, intent on killing everyone inside. A self-proclaimed "homicidal adventurer," Vess lives only to satisfy all appetites as they arise, to immerse himself in sensation, to live without fear, remorse or limits, to live with "intensity." Chyna is trapped in his deadly orbit. Chyna is a survivor, toughened by a lifelong struggle for safety and self-respect. Now she will be tested as never before. At first her sole aim is to get out alive--until, by chance, she learns the identity of Vess's next intended victim, a faraway innocent only she can save. Driven by a newly discovered thirst for meaning beyond mere self-preservation, Chyna musters every inner resource she has to save an endangered girl...as moment by moment, the terrifying threat of Edgler Foreman Vess intensifies.

    Now, thirty years later, Hilton begins to think his borrowed time is running out. His wife, the only elected African–American judge in Dade County, Florida, has begun receiving racist hate mail from a man she once prosecuted, and Hilton's sleep is plagued by nightmares more horrible than any he has ever experienced.As he battles both the psychotic stalking of his family and the unseen enemy that haunts his sleep, Hilton's sense of reality is slipping away.

    People go shopping. To the movies. Everything is just as it should be. But not for long.By Sunday, civilization is in ruins. Adults have become murderously insane. One by one they become infected with a crazed, uncontrollable urge to slaughter the young—even their own children. Especially their own children.Will this be the way the world ends, in waves of madness and carnage? What will be left of our world as we know it? And who, if anyone, will survive?Terror follows terror in this apocalyptic nightmare vision by one of the most powerful talents in modern horror fiction. Prepare yourself for mankind’s final days of fear.

    Box set of 2 of Koontz's pseudonymously published books updated from their original format.Winter Moon was published as Invasion in 1975 as by Aaron Wolfe.Icebound was published as Prison of Ice in 1976 as by David Axton.

    An outcast and a traveler through the shifting times, his extraordinary power makes him feared by those who call themselves guardians of liberty. Ransom calls them enemy. Now, the predator has become the prey as the hunt begins for this fugitive who will never conform, cannot be tamed, and refuses to die.

    In The Gangster Film, series editor Phil Hardy has created yet again a landmark in film reference.Included in this lavish volume are critical entries on more than 1,500 gangster films, complete with plot synapses and credits, and 650 black and white photographs to capture the look of this exciting genre. Arranged chronologically, The Gangster Film offers deliciously opinionated and detailed descriptions, statistical information, credits and trivia from early classics such as Public Enemy, Key Largo, Dragnet, and On the Waterfront to contemporary blockbusters such as The Grifters, Chinatown, The Godfather, and Pulp Fiction. Essential, authoritative, and entertaining, The Gangster Film is the guide for serious students of film, film buffs, and home viewers.

    Jack Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as Silence of the Lambs, Texas Chainsaw Massacre, and Candyman, Skin Shows understands the Gothic as a versatile technology, a means of producing monsters that is constantly being rewritten by historically and culturally conditioned fears generated by a shared sense of otherness and difference.Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity.

    But Arthur Danse is not a man who surrenders his possessions. He holds on tight to what is his--and never lets go. From the author of Joyride and Off Season.

    Semi-autobiographical novel from the Rudimentary Peni leading light plunging into the worlds of madness, suicide and anarchist punk. And it's a good read.

    The first issue, #0, was released in October 1994 by Fantagraphics Books, and a second issue, #1, was released the following January. A third issue (#2) was announced in the pages of other Fantagraphics publications and solicited in Previews but was never published. "I Was Killing When Killing Wasn't Cool", a color short story with a markedly different art style originally intended for issue #2, appeared instead in the anthology Zero Zero. In a 2010 interview, Columbia recalled that the unfinished issue "looked so different that it just didn’t look right, it didn’t look consistent, and it didn’t feel right to keep putting out that same comic book, to try to tell a story where the style is mutating."[1] The series' title is taken from a passage in the William S. Burroughs book Exterminator! (in the chapter "Short Trip Home"). The passage in question is quoted briefly in a story from issue #0, also titled "The Biologic Show".Each issue of The Biologic Show contains several short stories and illustrated poems. Many of the pieces deal with disturbing subject matter such as mutilation, incest, and the occult. Issue #0 introduces three of Columbia's recurring characters: the hapless, Koko the Clown-like Seymour Sunshine in the opening story "No Tomorrow If I Must Return", and the sibling duo Pim and Francie in "Tar Frogs". (Both "Tar Frogs" and the aforementioned "The Biologic Show" had originally appeared in the British comics magazine Deadline but were partially redrawn for Columbia's solo book.) Issue #1 is dominated by the 16-page Pim and Francie story "Peloria: Part One", intended as the start of an ongoing serial. It includes another character, Knishkebibble the Monkey-Boy, who reappears in Columbia's later work. Upon the demise of The Biologic Show Fantagraphics announced that Peloria would be released as a stand-alone graphic novel,[2] but this plan was also abandoned.

    They're not a very happy family, his father the most feared man in all the City of Reeds, maybe in the whole country and his mother being murdered by him when Sekenre is still quite young. And it doesn't get any better when Vashtem dies and travels upriver to the Land of the Dead. When Vashtem - now dead - also kills Sekenre's sister, and the citizens of the City of Reeds turns against him, he sees no other way than to seek the advice of the ancient Sybil, who lives under the city. She gives him the means to, while still alive, travel upriver to the Land of the Dead, the stomach of Surat-Kemad, the crocodile god. He undertakes the trip, but nothing turns out the way he hoped.

    Russell Lee uncovers ghost stories from Singapore's painful past - when the Japanese tortured and killed their victims. Until today, these troubled spirits come back to seek justice. Read about them!

    Meet the boys of Dean Koontz's "Nightmare Gang," a deadly crew whose leader recruits members in the most creatively evil way. In "The Father-Thing," by Philip K. Dick, a boy watches his dad have a change of heart...and mind...and body. With contributions from acclaimed science fiction, fantasy, and suspense writers, this riverting collection is a free fall of fright that speeds you through one magnificent story after another.

    The over 50 selections represent both established names in the field and relatively less known authors, and the structure of the book is typical of "year's best" collections.

    Contains four short stories from Swamp Foetus:His Mouth Will Taste of WormwoodThe Sixth SentinelCalcutta, Lord of NervesHow To Get Ahead in New York

    Mayhem ensues when they encounter a group of creatures who exist only from dusk until dawn.

    The monsters are unimaginably strange and yet have their genesis in the very recognizable ills of contemporary society.

    Filled with data on various University departments and professors, this book weaves the details drawn from Lovecraft's Mythos tales with the Call of Cthulhu game background to create an indispensible sourcebook.

    Lovecraft's fiction go with him.Philip's first confrontation with the monsters set in motion a bizarre chain of events that finally sent his girlfriend Amelia packing. Now the battle rages from the dank, cramped sweatshop of Philip's former place of employment, Ralph's One Day Résumés, to the gleaming, deadly corridors of corporate giant Pelidyne. Can he save Amelia this time, or will the monsters triumph and consign all humanity to an existence of grim servitude?

    When other such murders follow, Dr. Katherine O'Keefe and her ex-lover, Detective Merrick Chapman are assigned to track down the "vampire" killer. They discover a bizarre abnormality in the killer's blood. The man is stricken with a rare disease whereby the blood genetically craves infusions of fresh blood. It is a condition Merrick knows well--because he too has it. And as O'Keefe and Chapman draw closer to the killer, they may find a truth more horrific than the murders themselves. Martin's Press.

    Its shrouded history of madness and murder is just the inspiration he needs to wriote his ultimate masterpiece of horror. But what waits for David and his sixteen-year-old daughter, Amber, at Baudey House, is more terrifying than any legend...First comes the sultry hint of jasmine...followed by the foul stench of decay. It is the dead, seducing the living, in an age-old ritual of perverted desire and unholy blood lust. For David and Amber, an unspeakable possession has begun...

    Beings of incredible supernatural powers, they are driven by a lust for power... and human blood.They are the Kindred.Though mortal, the enigmatic detective Dire McCann knows a great deal about these undead. So does Alicia Varney, one of the world's wealthiest women. They are two wild cards in a global game of chess that has lasted for over a hundred centures.But now a new player has entered the fray. Known only as the Red Death, he controls forces that make even the Kindred tremble. Who is this mysterious avatar of blood? And is his appearance the first sign that Gehenna, the dread apocalypse for both humans and vampires is about to begin?

    As I have said, it happened when we were in the medical school1 where West had already made himself notorious through his wild theories on the nature of death and the possibility of overcoming it artificially. His views, which were widely ridiculed by the faculty and by his fellow-students, hinged on the essentially mechanistic nature of life; and concerned means for operating the organic machinery of mankind by calculated chemical action after the failure of natural processes. In his experiments with various animating solutions, he had killed and treated immense numbers of rabbits, guinea-pigs, cats, dogs, and monkeys, till he had become the prime nuisance of the college. Several times he had actually obtained signs of life in. animals supposedly dead; in many cases violent sign5; but he soon saw that the perfection of his process, if indeed possible, would necessarily involve a lifetime of research. It likewise became clear that, since the same solution never worked alike on different organic species, he would require human subjects for further and more specialised progress. It was here that he first came into conflict with the college authorities, and was debarred from future experiments by no less a dignitary than the dean of the medical school himself -- the learned and benevolent Dr. Allan Halsey, whose work in behalf of the stricken is recalled by every old resident of Arkham. I had always been exceptionally tolerant of West’s pursuits, and we frequently discussed his theories, whose ramifications and corollaries were almost infinite. Holding with Haeckel that all life is a chemical and physical process, and that the so-called "soul" is a myth, my friend believed that artificial reanimation of the dead can depend only on the condition of the tissues; and that unless actual decomposition has set in, a corpse fully equipped with organs may with suitable measures be set going again in the peculiar fashion known as life. That the psychic or intellectual life might be impaired by the slight deterioration of sensitive brain-cells which even a short period of death would be apt to cause, West fully realised. It had at first been his hope to find a reagent which would restore vitality before the actual advent of death, and only repeated failures on animals had shewn him that the natural and artificial life-motions were incompatible. He then sought extreme freshness in his specimens, injecting his solutions into the blood immediately after the extinction of life. It was this circumstance which made the professors so carelessly sceptical, for they felt that true death had not occurred in any case. They did not stop to view the matter closely and reasoningly. It was not long after the faculty had interdicted his work that West confided to me his resolution to get fresh human bodies in some manner, and continue in secret the experiments he could no longer perform openly. To hear him discussing ways and means was rather ghastly, for at the college we had never procured anatomical specimens ourselves. Whenever the morgue proved inadequate, two local negroes attended to this matter, and they were seldom questioned. West was then a small, slender, spectacled youth with delicate features, yellow hair, pale blue eyes, and a soft voice, and it was uncanny to hear him dwelling on the relative merits of Christchurch Cemetery and the potter’s field. We finally decided on the potter’s field, because practically every body in Christchurch was embalmed; a thing of course ruinous to West’s researches.

    Joshi's illuminating commentary: Dreams and Fancies, The Weird Fantasist, Mechanistic Materialist, Literary Critic, Political Theorist, Antiquarian Travels, Amateur Journalist, Epistolarian, and Personal. The individual works by Lovecraft -- over eighty in number -- are too numerous to be listed here, but include such central statements as the "Commonplace Book, " "History of the Necronomicon, " "Notes on Writing Weird Fiction, " "The Materialist Today, " "Observations on Several Parts of America, " "Some Notes on a Nonentity, " "Cats and Dogs, " and much, much more.

    Featuring such authors as Balzac, Mérimée, Dumas, Verne, and Maupassant, this book offers readers familiar with the works of Edgar Allan Poe and E. T. A. Hoffman some of the most memorable stories in the genre. With its aura of the uncanny and the supernatural, the fantastic tale is a vehicle for exploring forbidden themes and the dark, irrational side of the human psyche.The anthology opens with "Smarra, or the Demons of the Night," Nodier's 1821 tale of nightmare, vampirism, and compulsion, acclaimed as the first work in French literature to explore in depth the realm of dream and the unconscious. Other stories include Balzac's "The Red Inn," in which a crime is committed by one person in thought and another in deed, and Mérimée's superbly crafted mystery, "The Venus of Ille," which dramatizes the demonic power of a vengeful goddess of love emerging out of the pagan past. Gautier's protagonist in "The Dead in Love" develops an obsessive passion for a woman who has returned from beyond the grave, while the narrator of Maupassant's "The Horla" imagines himself a victim of psychic vampirism.Joan Kessler has prepared new translations of nine of the thirteen tales in the volume, including Gérard de Nerval's odyssey of madness, "Aurélia," as well as two tales that have never before appeared in English. Kessler's introduction sets the background of these tales—the impact of the French Revolution and the Terror, the Romantics' fascination with the subconscious, and the influence of contemporary psychological and spiritual currents. Her essay illuminates how each of the authors in this collection used the fantastic to articulate his own haunting obsessions as well as his broader vision of human experience.

    When Robert Bloch was dying, hundreds of people - fans, fellow writers, people he had been close to for decades, and others whom he had never met - wrote to thank him for his work and his impact on their lives. Their words were the inspiration for Robert Bloch: Appreciations of the Master. This book, then, is a collection unlike any other. Thirty writers, filmmakers, and actors have opened their hearts to speak about Robert Bloch, his influence on their careers, and his friendship. The book presents examples of the very best of Bloch's short fiction, including the rarely reprinted "The Dead Don't Die!" An excerpt from an unproduced screenplay by Bloch, adapting Poul Anderson and Gordon R. Dickson's Hoka!, appears here for the first time anywhere. Bloch's nonfiction is not neglected, for this volume also includes one of his articles on the role of violence and gore in film, "The Clown at Midnight."

    From the first blast of icy air in the driveway to windows that slam shut like guillotines to the lurking pale figure of a child, it is a place with a harrowing history--yet only the children experience its evil.

    So when Allison discovers her blackjack dealer boyfriend has a cheatin’ heart, “hit me” takes on a whole new meaning. She clobbers Boyd with a cactus. Then she trashes his prized money-skimming scam, swipes his only records of an off-shore bank account (the key to a fortune) without realizing it, and blows town. Big mistake. Because Boyd has a partner: an aging showgirl still young enough to scheme. Not happy with her cut, this redhead wants revenge–and she knows a cold-blooded killer who will help her get it. Meanwhile, Boyd has found solace with a new-age hooker who cares about Boyd’s karma more than his money. Now the whole brawling, balling, hurting tangle of friends, traitors, and lovers is going on the road. In separate cars. Leaving behind a trail of broken bodies and broken laws, they’re all following Allison. And she’s following a devious plan of her own. . . .

    While children's literature has flourished for over 200 years, supernatural fiction for the young has really only come into its own in the twentieth century. Dread and Delight, a spine-tingling collection of 40 ghost stories written for children over the course of the present century, charts its development from its roots in the writings of authors such as M. R. James, A. C. Benson and Walter de la Mare, to renowned modern authors including Isaac Bashevis Singer, Jan Mark, Leon Garfield, and Penelope Lively. Compiled by the award-winning novelist Phillipa Pearce, author of the classic children's book Tom's Midnight Garden, these stories will captivate adults and children alike. Pearce includes two previously unpublished stories by Lucy Boston and Robert Westall, and a full introduction and lively notes on the authors. The collected stories represent an engaging variety--drawn from all over the English-speaking world, including America, India, and the Caribbean as well as Great Britain. Treating the supernatural with humor and whimsy, as well as with a proper respect, the tales all succeed brilliantly in creating an atmosphere of suspense or unease in order to produce the pleasurable tingle of anticipation that children relish as much as adults. As Phillip Pearce writes in her introduction, 'fear becomes awe and wonder...the delight is in the dread'.

    Only Catherine, a paternal descendant, has tried to escape the terrible legacy that she has grown up fearing and detesting. Eventually, she enters a convent, hoping to find the peace she has long desired. But when she meets journalist Michael Devlin, she is drawn back to the ancient castle in the Carpathian mountains. For Michael, who is haunted by the last thing he saw before losing his sight, is determined to discover the truth about the line of the infamous Elizabeth Bathory... The lady that history had named The Blood Countess.

    She must search long-buried memories of that horrible day for any hint of the evil that has crossed decades to stab once again at her heart.

    From The Man Who Cried Wolf., Robert Bloch's classic werewolf thriller, to Garfield Reeves-Steven's gripping story of supernatural terror in the Toronto suburbs, to Galad Elflandsson's chilling look at horror on a snowbound highway, we invite you to bundle up with seventeen cold-as-the-crypt tales of the mysterious and the fantastic. Dark fantasy told by: Nancy Baker, Robert Bloch, Carolyn Clink, Charles de Lint, Galad Elflandsson, Terence M Green, Tanya Huff, Garfield Reeves-Steves, Robert Sampson, Peter Sellers, Lucy Taylor, Steve Rasnic Tem, Edo van Belkom, Karen Wehrstein and Andrew Weiner.

    

    Siegel set out in search of the old man—called Brahm Kathuwala—to hear his stories and to learn about his uncommon life. But what started out as a study of other people's stories became a compelling story itself. City of Dreadful Night is an astonishing work of fiction, a tangle of tales that transports the reader from the Medieval India of magicians, witches, and vampires, through the British India of Brahm Kathuwala's childhood, into the chaos and political terror of contemporary India. Vividly recreating Indian literary and oral traditions, Siegel weaves a web of possession, reincarnation, and magical transformation unlike any found in the Western tradition. Flesh-eating demons, Rajiv Gandhi's assassin, even Bram Stoker and Dracula populate the serpentine narrative, which intermingles stories about the characters with the terrifying tales they tell.Siegel pursues Brahm Kathuwala from the ghastly lights of the cremation ground at Banaras through villages all over north India. Brahm's life story is revealed through countless tales along the way. We learn that he was raised, and abandoned, by two mothers—one the destitute floor sweeper who bore him; the other her employer, a wealthy Irish woman who read and reread to him the story of Dracula. We hear of his marriage to the daughter of a cremation ground attendant, his battles against her demonic possession, and their painful parting. We come to understand the daily life and motivations of this "horror professional," who uses terrifying tales to ward off the evil he himself fears.This unorthodox book is more than a story; it blends scholarship, fantasy, travelogue, and autobiography—fusing and overlapping historical accounts and newscasts, literary texts and films, dreams and nocturnal tales. Siegel uses imagination to explore the relation of real terror to horror fiction and to contemplate the ways fear and disgust become thrilling elements in stories of the macabre. This book is the product of Siegel's deep knowledge of both Indian and Western literary and philosophical traditions. It is also an attempt to come to grips with the omnipresence of political and religious terror in contemporary India. Shocking, original, beautifully written, City of Dreadful Night offers readers a captivating immersion in the wonder and terror of India, past and present.

    Do you have what it takes to place another in the flames of soulfire? Can you bring the hammer down and close you ears to the screams? Or even now, are the Legionnaires bringing you to the forges in chains? One way or another, the Artificers' Guild is waiting for you. Guildbook: Artificers is the first in the series of Guildbooks for Wraith: The Oblivion. Revealing the secrets of the Eldest Guild, it will take you from the desolation of the Labyrinth to the silican nerves of the Information Age.

    A young woman must surrender her virginity to a grotesque enemy in order to fulfil her family's destiny. An extraordinary chain of events is set in motion when a cocktail cabinet falls out of the sky and kills a farmer. A depressed man decides to make his suicide the most exciting thing that's ever happened to him...Oozing paranoia, black humour and a certain amoung of old-fashioned gore, Christopher Fowler's fifth collection of short stories tells a chilling tale of desperate individuals learning the hard way that ...fresh wounds.

    

    

    The Bells Annabel Lee Sonnet—Silence To One in Paradise The Raven Lenore Dreams To Helen The Haunted Palace A Dream Within a Dream The City in the Sea To F Romance The Sleeper Ulalume Eldorado To the River— Bridal Ballad To my Mother To Helen The Valley of Unrest To-- Israfel Song To Fairyland A Valentine Dreamland Alone Tamerlane

    Resigning himself to a life of blindness after an accident, Campbell Knight learns of a new technology that restores vision through brain implants that are linked to a dog, but the visual world that is restored is from a canine perspective.