For intermediate to advanced players, and written by one of the acknowledged masters of jazz, it is used by universities around the world.

    A tour that began to support the hugely  successful Achtung Baby record and ended with a  second, even more successful record, Zooropa, took U2  to the far reaches of the world, playing to over a  hundred sold-out arenas in over forty  cities.U2 at the End of the World  takes you on the world tour and drops you off at  the cultural intersection where rock stars meet  politicians; where writers, directors, and models all  wind up backstage with U2. You're there when the  band meets Bill Clinton in a Chicago hotel room;  when Salman Rushdie comes out of hiding to join the  band onstage at Wembley Arena in London; when  Frank Sinatra and Bono record their famous duet,  "I've Got You Under My Skin." And finally,  when the band performs their last Zoo TV concert in  Tokyo in 1993 and nearly collapses from physical  and mental exhaustion, you are there with them  waiting for the end of the world. Augmented with  sleek photos by renowned photographer Anton Corbijn, U2 at the End of the World is the  most definitive book on the band to  date.

    Songwriters will examine 17 extraordinary songs and learn the distinct elements that make them so effective. Pattison then presents more than 30 lyric-writing exercises designed to achieve the same results. From generating lyric ideas and managing repetition to developing verses, it's all here. Songwriters will: find warm-up exercises that revolutionize songwriting imagery; use a rhyming dictionary and a thesaurus to generate ideas and find snappy rhyme; create meaningful metaphors and similes while avoiding cliches; develop verses by using or breaking conventional rules; experiment with point of view in every lyric to make a song stand out

    But for more than three decades, the secrets behind the Beatles' unparalleled artistic evolution were beyond reach--sealed in a locked room at London's Abbey Road Studios.  In this comprehensive and brilliantly rendered book the only "outsider" to gain access to these invaluable musical archives provides a new, fascinating look at the music and artistry of the Beatles, revealing how four untrained musicians merged their collective genius into a single creative force, how they came together to paint pictures with sound...and how album by album, the Beatles transformed the landscape of popular music forever.Combining literary analysis and investigative reporting with page-turning storytelling and musical explication, author Mark Hertsgaard has written the first serious biography of the music of the Beatles.  A Day in the Life takes readers inside the Beatles' creative process as never before, from the first tentative run-throughs in the studio of such classics as "Eleanor Rigby" and "I Want to Hold Your Hand" to the final master tapes.Here we learn how George Harrison's stirring composition "While My Guitar Gently Weeps" was completely transformed from an achingly meditative acoustic masterpiece to a hard-rocking hit--in forty-four takes.  We recall how the fantastic final mix of "Strawberry Fields Forever" opens the door to a psychedelic utopia, but discover it is the haunting solo version that takes us down to the core of John Lennon's disillusioned soul.  And only here do we see how the Beatles' audacious ability to reinvent themselves stamped the group's unfolding ingenuity on each album like a fingerprint.With rare insight, Mark Hertsgaard unlocks the mystery of the century's most dynamic musical collaboration: the competitive and creative partnership of John Lennon and Paul McCartney.  A Day in the Life traces the way Lennon and McCartney worked together and paints an intricate picture of the composers as we have never seen them before: Paul, the optimistic foil who made John's ominous fragments whole...John, the natural poet who injected raw sexuality into "I Saw Her Standing There" by making a simple five word change.Smart, fresh, compulsively readable, A Day in the Life reveals John, Paul, George, and Ringo not as celebrities or cultural icons but as musicians whose work will be remembered as some of the most important art of the twentieth century.

    It travels from the rainforests of Amazonas to virtual Las Vegas; from David Lynch's dream house high in the Hollywood Hills to the megalopolis of Tokyo.Ocean of Sound begins in 1889 at the Paris exposition when Debussy first heard Javanese music performed. An ethereal culture developed in response to the intangibility of 20th century communications.Author of Rap Attack 3 and Exotica, David Toop has in Ocean of Sound written an exhilarating, path-breaking account of ambient sound.

    One of the great women of American music, equally at home singing blues and jazz, Etta regales us with tales of her chaotic childhood, the stars she has known, and her troubled trip to stardom in this mesmerizing autobiography.

    Through revealing interviews with three of Elvis’s closest friends, who were also his protectors and rescuers, Nash achieves the first true mapping of Elvis’s psyche. Billy Smith – Elvis’s first cousin and the person he reputedly loved most after his own mother – Marty Lacker – best man at his wedding and foreman of the ‘Memphis Mafia’, the King’s handpicked group of gatekeepers and confidants – and Lamar Fike – the touring crew member who accompanied him into the Army – were with Elvis from his teens to his final days and provide unique access to the greatest of all rock and roll legends. The revelations cut through every aspect of Elvis’s life, from the childhood seeds of his drug dependency, through his fear for his mother’s life and his plan to change his identity, to his bizarre self-mutilation. No one who reads this symphonic blending of three proud, ribald, sad and ultimately wistful voices can fail to be profoundly moved.

    On the occasion of Mozart's two hundred and fiftieth birthday, read Maynard Solomon's Mozart: A Life, universally hailed as the Mozart biography of our time.

    It Came From Memphis doesn't focus on Elvis, Al Green, or the Sun/Stax studios. Instead it creeps into the shadows cast by those institutions, concentrating on artists like Jim Dickinson and Alex Chilton, and bands like the MarKeys and Big Star. Gordon limns, with respect and the fascination born of true devotion, the story of white teenagers caught in the middle of an extraordinary confluence of music, entrepreneurship, to usher in an exciting new musical form. The result is a rock 'n' roll and Memphis -- its alma mater.

    An exhilarating exploration of the musical language, forms, and styles of the Romantic period, it captures the spirit that enlivened a generation of composers and musicians, and in doing so it conveys the very sense of Romantic music. In readings uniquely informed by his performing experience, Rosen offers consistently acute and thoroughly engaging analyses of works by Schubert, Schumann, Mendelssohn, Bellini, Liszt, and Berlioz, and he presents a new view of Chopin as a master of polyphony and large-scale form. He adeptly integrates his observations on the music with reflections on the art, literature, drama, and philosophy of the time, and thus shows us the major figures of Romantic music within their intellectual and cultural context.Rosen covers a remarkably broad range of music history and considers the importance to nineteenth-century music of other cultural developments: the art of landscape, a changed approach to the sacred, the literary fragment as a Romantic art form. He sheds new light on the musical sensibilities of each composer, studies the important genres from nocturnes and songs to symphonies and operas, explains musical principles such as the relation between a musical idea and its realization in sound and the interplay between music and text, and traces the origins of musical ideas prevalent in the Romantic period. Rich with striking descriptions and telling analogies, Rosen's overview of Romantic music is an accomplishment without parallel in the literature, a consummate performance by a master pianist and music historian.

    Illustrated with hundreds of photographs, this visual documentary of Michael Jackson presents all the facts and includes his records, concerts, videos and awards, his public appearances and performances, memorabilia and records you never knew existed.

    First serial, Bass Player. IP.

    This tell-all autobiography reveals the whole truth of his life, from the height of Boy George mania to the waning of Culture Club's fame, his failed relationship with drummer Jon Moss, his desperate battle against heroin addiction, and his return with the hit single The Crying Game. 24-page photo insert.

    Includes: Pretty Good Year, God, Cornflake Girl, Icicle, Cloud On My Tongue, Space Dog, Yes Anastasia, and two bonus songs not on the album: All The Girls Hate Her and Over It.

    Alfred's Basic Adult All-in-One Course is designed for use with an instructor for the beginning student looking for a truly complete piano course. It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, technic and additional repertoire in a convenient, "all-in-one" format. This comprehensive course features written assignments that reinforce each lesson's concepts, a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles. Titles: Alexander's Ragtime Band * Arkansas Traveler * Ballin' the Jack * The Battle Hymn of the Republic * Black Forest Polka * Black is the Color of My True Love's Hair * Bourlesq * Brahms Lullaby * Bridal Chorus from "Lohengrin" * Calypso Carnival * Canon in D (Pachelbel) * Chorale * Circus March * Danny Boy * Dark Eyes * Deep River * Divertimento in D * Down in the Valley * Etude (Chopin) * Farewell to Thee (Aloha Oe) * Fascination * Festive Dance * For He's a Jolly Good Fellow * Frankie and Johnnie * Guantanamera * Hava Nagila * He's Got the Whole World in His Hands * The Hokey-Pokey * The House of the Rising Sun * Hungarian Rhapsody No. 2 * Introduction and Dance * La Bamba * La Donna E Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road * Love's Greeting * The Magic Piper * The Marriage of Figaro * Mexican Hat Dance * Morning Has Broken * Musetta's Waltz * Night Song * Nobody Knows the Trouble I've Seen * Olympic Procession * Overture from "Raymond" * Plaisir D'Amour * Polyvetsian Dances * Pomp and Circumstance No. 1 * The Riddle * Rock-a My Soul * Sakura * Scherzo * Solace * Space Shuttle Blues * The Str...

    The collected music related stories from Zap, Arcade, Raw, Weirdo and other comics.

    It draws on interviews with musicians, perfomers, arrangers and songwriters with whom Sinatra has worked.

    In these writings, available here in English for the first time, the distinguished Japanese composer Toru Takemitsu reflects on his contemporaries, including John Cage, Olivier Messiaen, and Merce Cunningham; on nature, which has profoundly influenced his composition; on film and painting; on relationships between East and West; on traditional Japanese music; and on his own compositions.

    A Night at the Opera dissects the eighty-three most popular operas recorded on compact disc, from Cilea's Adriana Lecouvreur to Mozart's Die Zauberflöte. For each opera, Sir Denis details the plot and cast of characters, awarding stars to parts that are "worth looking out for," "really good," or, occasionally, "stunning." He goes on to tell the history of each opera and its early reception. Finally, each work is graded from alpha to gamma (although the Ring cycle gets an "X"), and Sir Denis has no qualms about voicing his opinion: the first act of Fidelio is "a bit of a mess," while the last scene of  Don Giovanni "towers above the comic finales of Figaro and Così and whether or not [it] is Mozart's greatest opera, it is certainly his most powerful finale."The guide also presents brief biographies of the great composers, conductors, and singers. A glossary of musical terms is included, as well as Operatica, or the essential elements of opera, from the proper place and style of the audience's applause (and boos) to the use of surtitles.A Night at the Opera is for connoisseurs and neophytes alike. It will entertain and inform, delight and (perhaps) infuriate, providing a subject for lively debate and ready reference for years to come.

    Rising from humble beginnings yet guided by his talent and an inborn mysticism, Bob Marley became an international figure who helped to introduce the music of Jamaica to the world and, with it, his own metaphysical message, One World, One Love. The force of his personality, his music, his message, and his tragic and too early demise in 1981 at the age of thirty-six all established him in the firmament of individuals whose brief time on earth left the most lasting of legacies behind them.

    With this book, discover how to get the best sound for your money, how to identify the weak links in your system and upgrade where it will do the most good, how to set up and tweak your system for maximum performance, and how to become a more perceptive and appreciative listener. Just a few of the secrets you will learn cover high-end sound on a budget, how to do it cheap and still do it right; five system set-up mistakes and how to avoid them; how to make your speakers sound up to 50% better, at no cost; how to choose and set up a computer-based music system; how to find the one speaker in 50 worth owning; and why all 100-watt amplifiers don't sound the same. Since the first edition's publication in 1994, The Complete Guide to High-End Audio has been considered the essential reference on high-quality music reproduction, with more than 150,000 copies sold in five languages.

    As the lead singer and spiritual center of the traveling band the Grateful Dead, Garcia commanded a large and loyal following. This book, with its many striking photographs and illustrations and with its writings by some of rock journalism's biggest names, is a wonderful and lasting testament to one of rock music's greatest stars.Compiled by the editors of Rolling Stone magazine, Garcia includes writings by Ken Kesey, Anthony DeCurtis, Mikal Gilmore, Robert Hunter, and Jann Wenner, as well as photographs and drawings by, among others, Annie Leibovitz, Al Hirschfeld, R. Crumb, and Allen Ginsburg.

    Concise and thoroughly researched, thousands of works, from the Baroque through the Contemporary periods, have been graded and evaluated in detail. Includes an alphabetical list of composers, explanations of works, and much more.

    In addition to technical information not available elsewhere, he has compiled selections from Giuliani's 120 Right-Hand Studies; musical examples by Bach, Turina, Rodrigo, and others; Tarrega arpeggio studies; and original compositions by Andrew York and Brian Head. Essential information and a great sense of humor are effectively combined in this best-selling book.

    Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking awide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than thehistorical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin ranges from theoretical speculation to practical criticism, and covers a repertory spanning from Bach to Stravinsky. Including a newly written introduction, Text and Act collects the very best of one of our most incisive musical thinkers.

    

    Hardcover.

    But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.

    Hundreds of thousands of pianos are bought and sold each year, yet most people buy a piano with only the vaguest idea of what to look for as they make this major purchase. The Piano Book evaluates and compares every brand and style of piano sold in the United States. There is information on piano moving and storage, inspecting individual new and used pianos, the special market for Steinways, and sales gimmicks to watch out for. An annual supplement, sold separately, lists current prices for more than 2,500 new piano models.

    Through listening to these lectures, you'll gain a new grasp of the intricacies of musical purpose, structure, and narrative content that you will then be able to hear in any piece of music. And though this is a demanding course, with a deeper look into musical structure than untrained listeners are likely to have experienced, it is not an intimidating one. Professor Greenberg vividly positions each composition and its composer in the social and musical fabric of its period, so you can understand the music in its proper societal and artistic context and feel its emotional power in the same way as did its original audiences.

    Cheese Chronicles is a must-read for every wannabe musician, every kid who ever sang into a hairbrush or played lead coat hanger with the Rolling Stones blasting from the AM radio.

    Essential Elements for Strings offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages. Essential Elements now includes Essential Elements Interactive (EEi), the ultimate online music education resource. EEi introduces the first-ever, easy set of technology tools for online teaching, learning, assessment, and communication... ideal for teaching today's beginning band and string students, both in the classroom and at home. For more information, visit Hal Leonard Online - Essential Elements Interactive. For a complete overview of Book 2, click here.

    From the 60?s to the 90?s she?s been the craziest, the most extreme queen ever to hit a rock ?n? roll stage. She?s known and worked with Warhol, Bowie and Derek Jarman, been an actress, a singer and a prostitute. She?s the world?s original and only rock ?n? roll transsexual, crossing the genders in the full glare of publicity. Man Enough to be a Woman is the wild, hilarious and shameless account of Jayne?s life from her cissy-boy childhood in Georgia to her current 90s renaissance, as a new wave of superstars claim her as their inspiration.

    Readers will find illuminating discussion of the complete symphonies of Beethoven, Schumann, Brahms, Sibelius, and Mahler, aswell as of the most loved symphonic works of Schubert, Bruckner, Dvorak, Tchaikovsky, Prokofiev, and others. We learn how to listen more sharply for Haydn's humor, to Mozart's singular combination of pathos with grace, and to the evolution of Beethoven's musical ideas in his nine symphonies. Thisremarkable range and variety of composers are illuminated by Steinberg's deft, inviting, and intensely personal essays, which give such a vivid portrait of each composer's personality that the reader gets an immediate sense of how the work is a direct expression of the person from whose soul andbrain it has sprung.Tracing the ways in which composers have dealt with the musical challenges that have engaged them throughout the centuries, Steinberg takes us through the revolutions of expression, sound, and form that have shaped the symphony's remarkable history. Whether beginners or veterans, music lovers willlisten to the symphony with enlivened interest and deeper understanding with Steinberg's masterful guide in hand.

    Fay has gone back to primary documents: Shostakovich's many letters, concert programs and reviews, newspaper articles, and diaries of his contemporaries. An indefatigable worker, he wrote his arresting music despite deprivations during the Nazi invasion and constant surveillance under Stalin's regime. Shostakovich's life is a fascinating example of the paradoxes of living as an artist under totalitarian rule. In August 1942, his Seventh Symphony, written as a protest against fascism, was performed in Nazi-besieged Leningrad by the city's surviving musicians, and was triumphantly broadcast to the German troops, who had been bombarded beforehand to silence them. Alone among his artistic peers, he survived successive Stalinist cultural purges and won the Stalin Prize five times, yet in 1948 he was dismissed from his conservatory teaching positions, and many of his works were banned from performance. He prudently censored himself, in one case putting aside a work based on Jewish folk poems. Under later regimes he balanced a career as a model Soviet, holding government positions and acting as an international ambassador with his unflagging artistic ambitions. In the years since his death in 1975, many have embraced a view of Shostakovich as a lifelong dissident who encoded anti-Communist messages in his music. This lucid and fascinating biography demonstrates that the reality was much more complex. Laurel Fay's book includes a detailed list of works, a glossary of names, and an extensive bibliography, making it an indispensable resource for future studies of Shostakovich.

    Schaum Piano Course has been newly revised with 100 percent new engravings and typesetting, color highlighting for concept emphasis, updated song titles and lyrics, and full-color illustrations.

    A gallery of 179 photographs, arranged by theme, explores the variety of rock 'n' roll styles over the years.

    * The Ballad of John and Yoko * Birthday * Can't Buy Me Love * Come Together * Don't Let Me Down * Eleanor Rigby * The Fool on the Hill * Get Back * Here Comes the Sun * Hey Jude * I'll Follow the Sun * If I Fell * Let It Be * The Long and Winding Road * Lucy in the Sky with Diamonds * Martha My Dear * Norwegian Wood * Paperback Writer * Penny Lane * Revolution * Ticket to Ride * Twist and Shout * When I'm Sixty-Four * Yellow Submarine * Yesterday * and more.

    

    But until now, the story of how he made his amazing music has never been told. Jimi Hendrix: Sessions is the first book to take us inside the studio and reveal, album by album and track by track, how his songs were born and shaped into the classics they would become. Hendrix biographer John McDermott, working with Hendrix's producer Eddie Kramer and bass player Billy Cox, recreates in extraordinary day-by-day detail the making of every one of Hendrix's songs. Based on firsthand accounts by people who were there and on hundreds of hours of unreleased tapes, this book reveals what went into the creation of Purple Haze, Foxey Lady, All Along the Watchtower, and Hendrix's many other masterpieces. It explains how Hendrix manipulated the primitive studio technology of his time to achieve his unprecedented sounds, and it shows the new heights toward which he was reaching at the time of his death. Beginning with Hendrix's legendary journeyman sessions for the Isley Brothers and other soul greats, and continuing through his last work, this is the authoritative treatment of Hendrix as musician that admirers have long awaited. Illustrated with over one hundred photographs, handwritten lyrics, and studio memorabilia, Jimi Hendrix: Sessions is a loving and timeless tribute to the electric guitar's greatest master.

    "Technique Secrets" open the book, followed by engaging technical exercises. An "Artistry Magic" piece at the end of each unit promotes expressive, pianistic playing at the earliest level.

    In addition to the classic information on basic rock rhythms and polyrhythms, linear rudiments and groupings, hi-hat and double bass drum exercises, and shuffle rhythms and syncopation exercises, Carmine has included over 20 new pages and a second CD of fresh material. The recordings have been re-mastered, with updates including three new play-along tracks and audio examples that correspond with the new sections on odd-time signatures, hands and feet combinations, and rave/dance drumming.

    In fact, Cooke was already a gospel star. His crossover into rock 'n' roll heralded the beginning of a new era. This intriguing biography presents the story of a man who not only helped to create and define a new music form--soul--but defined his times as well (The Washington Post). 34 photos.

    PVG PersonalityThe Best Of Sting 1984-1994 Matching folio to his greatest hits album featuring 14 songs: Fortress Around Your Heart * If I Ever Lose My Faith In You * We'll Be Together * When We Dance * and more.

    Includes a history of reggae, a comprehensive guide to the record labels, artists and producers, and the author's own personal top 300 skinhead reggae singles. If the words Trojan and Pama mean anything to you, this is a dream come true.

    Somehow he managed, in the midst of the chaos, to snap photographs that are works of art..." --Michael Azerrad, Screaming Life

    Used books may not include companion materials, may have some shelf wear, may contain highlighting/notes, may not include CDs or access codes. 100% money back guarantee.

    National ads/media.From the Trade Paperback edition.

    All 17 songs from their smash hit album, including: Give It Away * The Power of Equality * Suck My Kiss * Under the Bridge * and more.

    The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical re-forming of compositional technique and in John Cage's move into zen music, in Milton Babbitt's settling of the serial system, and in Dmitry Shostakovich's unsettling symphonies, in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that have continued to unfold. This constant expansion of musical thinking since 1945 has left us with no single history of music. We live' as Griffiths says, among many simultaneous histories'. His study accordingly follows several different paths, showing how they converge and diverge.

    Owning this pack is like having access to a year's worth of private guitar lessons at Berklee for only $34.95 This DVD-ROM is compatible with all Windows operating systems and Mac operating systems through Mac OS X 10.6, though not on OSX 10.7 (Lion).

    Included are details and pictures of over 300 singles, LPs, CDs, limited editions, promotional discs, acetates, videos and Cure artifacts released throughout the world, with special emphasis on rare, unusual and collectable items.

    Herein, John Cage recalls the turning point in his career; Ben Johnston criticizes the operas of his teacher Harry Partch; La Monte Young attributes his creative discipline to a Morman childhood; and much more. The results are revelatory conversations with some of America's most radical musical innovators.

    She's carved her popularity and her notoriety out of chart-busting singles, sold-out tours, movie roles in Desperately Seeking Susan and Dick Tracy, her best-selling book, Sex, and the most artistically sound music videos in the genre. Encyclopedia Madonnica appraises all aspects of Madonna's brilliant career, but it doesn't stop there. With a book chock-full of fabulous photos, Matthew Rettenmund has compiled information on Madonna from her childhood in Michigan and her early years in New York, as well as from her heady international success and her present status as unpredictable provocateur, insatiable sex siren, and pop culture goddess. In hilarious, info-packed entries, Rettenmund pokes fun at everything from Madonna-hatred to Madonna herself, all from a Madonna-friendly stance. Encyclopedia Madonnica is a fan's dream come true. It's the first appraisal of all things Madonna that documents the entire Madonna phenomenon and gives the star credit where credit is due. Matthew Rettenmund's irreverent writing style also manages to capture what happens to be Madonna's major appeal: FUN. If you've ever had fun listening to, watching, or thinking about Madonna, you'll love Encyclopedia Madonnica.

    Schaum Piano Course has been newly revised with 100 percent new engravings and typesetting, color highlighting for concept emphasis, updated song titles and lyrics, and full-color illustrations. This is the Primer level.

    Even the experienced player may not "get it" on first reading a given tune, but "You can expect to enjoy the process of learning... [and experience] the joy of recreating a traditional tune, of making it your own." This is the teacher/ student pact in effect throughout this marvelous book, written for the literary as much as the musical connoisseur. Although no classical violin experience is needed, you will need to know how to hold the fiddle and bow, and be able to play at least simple tunes in the first position. Having the ability to read music will enable you to follow the bowing patterns and left-hand techniques which the author feels are crucial in grasping the playing style.

    About a Girl * All Apologies * Come As You Are * Dumb * Jesus Doesn't Want Me for a Sunbeam * Lake of Fire * The Man Who Sold the World * Oh Me * On a Plain * Penny Royal Tea * Plateau * (New Wave) Polly * Something in the Way * Where Did You Sleep Last Night.

    Featuring over 60 minutes of hand-clapping, foot-stomping music, the cassette showcases nine glorious songs from the book How Sweet the Sound: African American Songs for Children.

    40, No. 1 (Allegro, Rondo grazioso) (J.B. Br?val) * Adagio and Allegro from the Sonata in E minor, Op. 1, No. 2 (B. Marcello) * Minuets from the Suite in G Major, BWV 1007 (J.S. Bach) * Tonalization * Chanson Triste, Op. 40, No. 2 for Piano (P. I. Tchaikovsky). This title is available in SmartMusic.

    It is a greatly expanded version of Alfred's Basic Adult Piano Course that will include lesson, theory, technic, and additional repertoire in a convenient, "all-in-one" format. This comprehensive course features written assignments that reinforce each lesson's concepts, a smooth, logical progression between each lesson, a thorough explanation of chord theory and playing styles, and outstanding extra songs, including folk, classical, and contemporary selections. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a good understanding of basic musical concepts and styles. The CD has accompaniments to support the student's playing of the exercises and songs found in the Level 2 book. Titles: Alexander's Ragtime Band * Arkansas Traveler * Ballin' the Jack * The Battle Hymn of the Republic * Black Forest Polka * Black is the Color of My True Love's Hair * Bourlesq * Brahms Lullaby * Bridal Chorus from "Lohengrin" * Calypso Carnival * Canon in D (Pachelbel) * Chorale * Circus March * Danny Boy * Dark Eyes * Deep River * Divertimento in D * Down in the Valley * Etude (Chopin) * Farewell to Thee (Aloha Oe) * Fascination * Festive Dance * For He's a Jolly Good Fellow * Frankie and Johnnie * Guantanamera * Hava Nagila * He's Got the Whole World in His Hands * The Hokey-Pokey * The House of the Rising Sun * Hungarian Rhapsody No. 2 * Introduction and Dance * La Bamba * La Donna E Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road * Love's Greeting * The Magic Piper * The Marriage of Figaro * Mexican Hat Dance * Morning Has Broken * Musetta's Waltz * Night Song * Nobody Knows the Trouble I've Seen * Olympic Procession * Overture from "Raymond" * Plaisir D'Amour * Polyvetsian Dances * Pomp and Circumstance No. 1 * The Riddle * Rock-a My

    

    Semi-autobiographical novel from the Rudimentary Peni leading light plunging into the worlds of madness, suicide and anarchist punk. And it's a good read.

    He died of an overdose in 1970 at the age of 27. This collaborative tribute to Hendrix, described by one of its creators as "not so much outright biography as speculative fantasy," explores the excitement and the pitfalls of rock stardom sympathetically and perceptively.

    Includes the huge hit "Pull Me Under" and: Another Day * Learning to Live * Metropolis Part 1 "The Miracle and the Sleeper" * Surrounded * Take the Time * Under a Glass Moon * Wait for Sleep.

    Sachs reveals not only Arthur Rubinstein's many humanitarian efforts but also his lavishly uninhibited love affairs, his fabled rivalry with Horowitz, and his often charged relationships with political leaders, royalty, and high society. Photos.

    In Living with the Dead, Scully gives a complete account of his outrageous experiences with the band, during years that saw the Grateful Dead transform from a folksy revivalist band to psychedelic explorers of outer space. In addition to close-up portraits of band members Jerry Garcia, Bob Weir, Pigpen, Phil Lesh, Micky Hart and Bill Kreutzmann, Scully brings into the story many of the people the Dead encountered in their journeys across America's musical landscape, including Ken Kesey, Janis Joplin, Etta James, Bob Dylan, Paul Simon, and the Jefferson Airplane. Scully tells the story of the band with genuine feeling; the tour disasters, acid trips, and burnouts, but most importantly the exaltation of delivering fantastic music.

    In this book, Alain Danielou traces the development of musical scales and tuning from their origins in both China and India, through their merging in ancient Greece, and on to the development of the Western traditions of modal and polyphonic music. Understanding these potent harmonic relationships offers a way for today's musicians to transcend the limitations of overly rationalistic music by drawing on its metaphysical roots.

    This cutting-edge keyboard method is a total step-by-step approach to creating keyboard parts spontaneously. Rhythmic and harmonic concepts are applied in all keys, and are then used as a basis for developing specific solutions in rock, pop, ballad, funk, new age, country and gospel styles. Endorsed by Grammy winners, top educators, and Keyboard magazine.

    This book, named after her second album is a pictorial and verbal record of the making of that album. It contains interviews with Bjork and looks and her relationships with those working on the European tour.

    This book starts with their earliest concerts in 1970 and takes the Queen story right up to the Freddie Mercury Tribute Concert at Wembley Stadium in 1993.

    Argues that music can have a positive effect on healing mental and physical ailments, and discusses the use of sound recordings, tuning forks, and meditation.

    In this groundbreaking study, however, Cecelia Conway demonstrates that these European Americans borrowed the banjo from African Americans and adapted it to their own musical culture. Like many aspects of the African-American tradition, the influence of black banjo music has been largely unrecorded and nearly forgotten—until now. Drawing in part on interviews with elderly African-American banjo players from the Piedmont—among the last American representatives of an African banjo-playing tradition that spans several centuries—Conway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performances. The author then shows how Africans had, by the mid-eighteenth century, transformed the lyrical music of the gourd banjo as they dealt with the experience of slavery in America. By the mid-nineteenth century, white southern musicians were learning the banjo playing styles of their African-American mentors and had soon created or popularized a five-string, wooden-rim banjo. Some of these white banjo players remained in the mountain hollows, but others dispersed banjo music to distant musicians and the American public through popular minstrel shows. By the turn of the century, traditional black and white musicians still shared banjo playing, and Conway shows that this exchange gave rise to a distinct and complex new genre—the banjo song. Soon, however, black banjo players put down their banjos, set their songs with increasingly assertive commentary to the guitar, and left the banjo and its story to white musicians. But the banjo still echoed at the crossroads between the West African griots, the traveling country guitar bluesmen, the banjo players of the old-time southern string bands, and eventually the bluegrass bands.The Author: Cecelia Conway is associate professor of English at Appalachian State University. She is a folklorist who teaches twentieth-century literature, including cultural perspectives, southern literature, and film.

    Suzuki to selected pieces from Suzuki Violin School, Volumes 1, 2, and 3. When a student starts playing advanced pieces he may learn the second part. Contents are: Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (Bayly) * Allegro (Suzuki) * Perpetual Motion (Suzuki) * Allegretto (Suzuki) * Andantino (Suzuki) * Etude (Suzuki) * Minuet No. 1, Minuet III from Suite in G Minor for Klavier, BWV 822 (Bach) * Minuet No. 2, Minuet, BWV Anh. II 116 from Notebook for Anna Magdalena Bach (Bach) * Chorus from Judas Maccabaeus (Handel) * Mussette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (Bach) * Bourr�e from Sonata in F Major for Oboe, HHA IV/18, No. 8 (Handel) * Gavotte (Martini) * Minuet, BWV Anh. II 114/Anh. III 183/Anh. (Bach) * Minuet in G, Wo0 10, No. 2 (Beethoven). This title is available in SmartMusic.The International editions include an updated title page that designates the book as the International Edition.

    The Standard of Excellence Comprehensive Band Method Books 1 & 2 combine a strong performance-centered approach with music theory, music history, ear training, listening, composition, improvisation, and interdisciplinary and multicultural studies. The result is the most complete band method available anywhere.Features include: ¢ Full color drawings and color-coding of important text and music motivate and inform. ¢ Three starting systems help ensure positive results in any beginning situation. ¢ FOR ... ONLY exercises (i.e. FOR FLUTES ONLY) offer idiomatic solutions to the unique challenges of each instrument. ¢ Excellerators (advanced supplemental exercises) reinforce and enrich performance basics. ¢ A nine page FOR OBOES ONLY starting system gives beginners a solid foundation for learning in the full band setting. ¢ Expanded French Horn and Percussion books, including a separate book for Timpani & Auxiliary Percussion, address the unique needs of beginners on these instruments. ¢ A comprehensive, totally-correlated Electric Bass book offers expanded opportunities for student involvement. ¢ Music from over 20 countries, with correlated enrichments, encourages multicultural study. Achievement Lines and GO FOR EXCELLENCE! test lines ensure objective assessment of students' accomplishments. ¢ A built-in reward system motivates students and encourages musical growth. Expanded 48 page part books (instead of the usual 32 pages) provide added reinforcement of musical skills. ¢ 600-plus page full Conductor Scores contain Objectives for every line of music, Director tips, extended reference articles, duplicable worksheets and quizzes, and theory, listening, composing, improvisation, geography, foreign language, history, and other interdisciplinary Activities for Excellence.

    But in its unforgettable introduction, followed by his unaccompanied talking guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa.Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early new Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory. For example, in speaking of his grandfather Omar, who died a slave as a young man, the jazz clarinetist Sidney Bechet said, Inside him he'd got the memory of all the wrong that's been done to my people. That's what the memory is....When a blues is good, that kind of memory just grows up inside it. Grounding his scholarship and meticulous research in his childhood memories of black folk culture and his own experiences as a musician and listener, Floyd maintains that the memory of Omar and all those who came before and after him remains a driving force in the black music of America, a force with the power to enrich cultures the world over.

    The result is the perfect book for families and schools eager to give children a strong cultural foundation without boring them—no risk of that here!—or for anyone who has ever felt interested in "serious" music only to be intimidated by its intricacies.The most popular and acclaimed jazz musician and composer of his generation, Wynton Marsalis is also one of the world's leading classical trumpet virtuosos. Throughout his career he has made room for extensive work with children and students. He is co-founder and artistic director of Jazz at Lincoln Center.

     The text maintains a strict three-fold emphasis that includes (1) a systematic approach to the data of music history and literature, (2) identification and interpretation of unidentified music samples and excerpts from several kinds of historical documents, and (3) properly written expression of musical knowledge and judgment through small-scale writing projects.

    Sleeves of Desire also contains a comprehensive picture essay that provides a detailed look at over 100 album covers. Additionally, renowned jazz essayist Peter Ruedi relates the history of the ECM label and designer Lars Muller comments on the evolution of the covers and on ECM's unmistakable aesthetic signature.

    A dozen songs from Alanis' runaway hit record: All I Really Want * Forgiven * Hand in My Pocket * Head Over Feet * Ironic * Mary Jane * Not the Doctor * Perfect * Right Through You * Wake Up * You Learn * You Oughta Know.

    Five decades of musical, social, economic, and political change are analyzed through issues of class, gender, politics and migration and their impact on bachata and the Dominican music industry.

    Picking up where the harmony lessons in Intermediate Jazz Guitar leave off, topics include melody and harmony integration, bass line development, chord enhancement, quartal harmonies, and how to arrange a guitar solo. Learn to simultaneously play the harmony, melody, rhythm, and bass parts of any song! Concepts are illustrated with lots of examples to practice, including arrangements of some traditional melodies. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 64 pages.

    The authors draw on a wealth of the diva's private documents, photographs, and personal reminiscences, and provide a shrewd and evenhanded analysis of her art, both on stage and in recordings.

    The songs should also serve as end-of-term review material.

    First published in 1907, it has never been surpassed as the standard reference for traditional musicians. Indeed, it has circulated so widely over the years that it has become known as "The Book" — a virtual bible for all those who love Irish traditional music.

    The Standard of Excellence Comprehensive Band Method Books 1 & 2 combine a strong performance-centered approach with music theory, music history, ear training, listening, composition, improvisation, and interdisciplinary and multicultural studies. The result is the most complete band method available anywhere.Features include: ¢ Full color drawings and color-coding of important text and music motivate and inform. ¢ Three starting systems help ensure positive results in any beginning situation. ¢ FOR ... ONLY exercises (i.e. FOR FLUTES ONLY) offer idiomatic solutions to the unique challenges of each instrument. ¢ Excellerators (advanced supplemental exercises) reinforce and enrich performance basics. ¢ A nine page FOR OBOES ONLY starting system gives beginners a solid foundation for learning in the full band setting. ¢ Expanded French Horn and Percussion books, including a separate book for Timpani & Auxiliary Percussion, address the unique needs of beginners on these instruments. ¢ A comprehensive, totally-correlated Electric Bass book offers expanded opportunities for student involvement. ¢ Music from over 20 countries, with correlated enrichments, encourages multicultural study. Achievement Lines and GO FOR EXCELLENCE! test lines ensure objective assessment of students' accomplishments. ¢ A built-in reward system motivates students and encourages musical growth. Expanded 48 page part books (instead of the usual 32 pages) provide added reinforcement of musical skills. ¢ 600-plus page full Conductor Scores contain Objectives for every line of music, Director tips, extended reference articles, duplicable worksheets and quizzes, and theory, listening, composing, improvisation, geography, foreign language, history, and other interdisciplinary Activities for Excellence.

    Pioneers such as 1960s New Yorker columnist Ellen Willis and Jazz & Pop editor Patricia Kennealy-Morrison (better known, tellingly, for her marriage to rock icon Jim) are grouped with younger counterparts, from novelist Mary Gaitskill to cultural critic bell hooks in sections broken down loosely by topic. In "I Am the Band," female performers such as Sonic Youth bassist Kim Gordon, offer touring testimony; critic Jaan Uhelszki, meanwhile, finds herself onstage with Kiss, makeup and all, for a 1975 Creem magazine assignment. The latter instance points up one of the book's most fascinating aspects: in a rock-and-roll world where boys wear lipstick and girls increasingly get to make lots of noise, the effects of gender on both performer and listener are far from straightforward. Many of Rock She Wrote's strongest pieces? Joan Morgan's story on her love/hate relationship with Ice Cube's misogynist rap; Lori Twersky's musings on familiar images of the "female teenage audience" as screechy and sex-crazed?find their writers at the intersection of conflicting reactions to the subjects at hand. A remarkable collection, Rock She Wrote makes clear both the difference women writers have brought to music writing and the impossibility of any attempt to nail that difference down once and for all.

    From her humble roots in rural Sweden to her artistic triumphs in Stockholm, Bayreuth, Milan, and the Metropolitan Opera House, this candid and utterly charming memoir reveals the personality behind one of the great voices of the past century. Gracefully weaving together the private and professional, Nilsson chronicles her idyllic childhood in Vastra Karup, the early recognition of her unique natural abilities, and her first tentative steps into a wider artistic world. After achieving national acclaim in Verdi s Lady Macbeth, she went on to establish herself as the dominant Wagnerian soprano of her generation, appearing at the Bayreuth and Munich Festivals, and the Vienna and Bavarian State Opera Houses, creating, along the way, definitive performances of Sieglinde, Brunnhilde, and Isolde. The book details her rise to international stardom with behind-the-scenes recollections of her phenomenal triumph as Turandot at La Scala in 1958 and her headline-making Met premier in Tristan und Isolde the following year. Nilsson s long and illustrious career (she performed until 1984), her celebrated professional and personal relationships, her friendships and rivalries, are all recounted with a down-to-earth wit and an engagingly odd admixture of ego and selfeffacement. She tells it all: the legendary quips, the often prickly relationships with Met impresario Rudolph Bing and conductor von Karajan, the infamous story of the stalker Miss N, and the touchingly rendered relationship with her beloved husband, Bertil Niklasson. What emerges from these pages is a diva in the old mold: a giant voice matched by an oversize personality, a professional who expected the same level of perfection from others that she demanded of herself, and a woman who loved and lived life with joy and good humor . . . and oh, that voice. Includes 56 photographs and a discography."

    Hip-hop culture in general, and rap music in particular, present model sites for such an inquiry, since they enact both postmodern modes of production--the appropriation of tropes, technologies, and material culture--and a potential means of resistance to the commodification of cultural forms under late capitalism. By paying specific attention to the historical and cultural context of hip-hop as a black artform and locating its practice of resistance in terms of a postmodernist reading of consumer culture, this book offers a complex reading of hip-hop as a postmodern practice, with implications both for theories of postmodernism and cultural studies as a whole.

    [music]

    The pieces were chosen for their appealing melodies and rhythmic vitality. Includes: Theme from Don Giovanni (La ci darem la mano) by Mozart; Egyptian Ballet Dance (from the opera Sanson & Delilah) by Saint Saens; Liebestraum by Liszt; The Merry Widow Waltz (from the opera The Merry Widow) by Lehr; Minuet (Op. 14, No. 1) by Paderewski; Canon by Pachelbel; Spring (from The Four Seasons) by Vivaldi; Suitors Song (from the operetta The Gypsy Baron) by J. Strauss, Jr.; Theme from Symphony No. 1 (Third Movement, Frre Jacques theme) by Mahler; Prince of Denmarks March (Trumpet Voluntary) by Clarke.

    This title provides musical examples that reinforce theoretical concepts, giving students a command of essential compositional and analytical skills, including a strong grounding in four-part writing and an understanding of musical style.

    All books have 8-page color photo sections and are shaped like a CD box, designed to fit alongside your CD collection.

    Lists, rates, and reviews 15,500 recordings by 2,500 performers.

    

    

    An account of how the tango, born in the slums of 19th-century Buenos Aires and performed by pimps and prostitutes, captured the popular imagination for over 100 years, to become an international cult at the end of the 20th century.

    Book by Eric Bluestine

    Raga Mala is an unprecedented look at Ravi Shankar, master of the sitar and one of the most enduring and inspriational performers of the twentieth century.

    A culinary journey into the psychedelic world of America's most enduring band, The Grateful Dead, this collection of more than 65 "kynd and caring" vegetarian recipes includes profiles of the fans whose dishes are featured and offers a revealing look at the phenomenon, the energy, and the magic of Deadheads on the road.

    Vocal selections from the Disney movie featuring songs by Randy Newman. Songs include "I Will Go Sailing No More," "Strange Things," and "You've Got a Friend in Me." Filled with full-color art from the film.