This almost overwhelming accumulation of words and images illuminates the condition of architecture today--its splendors and miseries--exploring and revealing the corrosive effects of politics, context, the economy, and globalization. In some ways, this is the "Medium is the Message" of 1990s architectural discourse: guaranteed to be hugely influential in the coming decades, but grossly misunderstood by those who have not read it. The core arguments it makes about metropolitan architecture--accepting complexity and lack of centralized control--are similar to those of Kevin Kelly's Out of Control: The New Biology of Machines, Social Systems and the Economic World. Very highly recommended.

    Whether you want to personalize stationery or enhance other special gifts and objects, The Art of Calligraphy helps you choose equipment, from brushes, pens, pencils, papers, to inks, and then shows exactly how to produce every letter of the alphabet in a number of different scripts.

    You'll learn the principles of good product behavior and gain an understanding of Cooper's Goal-Directed Design method, which involves everything from conducting user research to defining your product using personas and scenarios. Ultimately, you'll acquire the knowledge to design the best possible digital products and services.

    This book shows how everyone, from those at the forefront of design to the consumers, can contribute to the well-being of the planet through an awareness of design and technology.

    This book represents a survey of these works.

    This text aims to make this method understandable to all professionals in quality control and non-statisticians.

    His theoretical insights are grounded in an extended analysis of ship navigation -- its computational basis, its historical roots, its social organization, and the details of its implementation in actual practice aboard large ships. The result is an unusual interdisciplinary approach to cognition in culturally constituted activities outside the laboratory -- "in the wild."Hutchins examines a set of phenomena that have fallen in the cracks between the established disciplines of psychology and anthropology, bringing to light a new set of relationships between culture and cognition. The standard view is that culture affects the cognition of individuals. Hutchins argues instead that cultural activity systems have cognitive properties of their own that are different from the cognitive properties of the individuals who participate in them. Each action for bringing a large naval vessel into port, for example, is informed by culture: the navigation team can be seen as a cognitive and computational system.Introducing Navy life and work on the bridge, Hutchins makes a clear distinction between the cognitive properties of an individual and the cognitive properties of a system. In striking contrast to the usual laboratory tasks of research in cognitive science, he applies the principal metaphor of cognitive science -- cognition as computation (adopting David Marr's paradigm) -- to the navigation task. After comparing modern Western navigation with the method practiced in Micronesia, Hutchins explores the computational and cognitive properties of systems that are larger than an individual. He then turns to an analysis of learning or change in the organization of cognitive systems at several scales. Hutchins's conclusion illustrates the costs of ignoring the cultural nature of cognition, pointing to the ways in which contemporary cognitive science can be transformed by new meanings and interpretations. A Bradford Book

    A master of knitting and needlepoint shows, using full instructions and charts, how to recreate the look of seven striking rooms from his own home through thirty-one creative home-decorating projects, each designed around a central motif and color scheme.

    Coverage ranges from the basic principles of color to the effect of color on the human psyche. Includes extensive color charts and photos showing design do's and don'ts and a portfolio of color charts and renderings of work done by practicing design professionals. 250 full-color illus./photos; 30 b&w photos.

    And this remarkable volume certainly merits the praise: it provides full-color visual definitions of nearly everything.Want to know the difference between curly endive and curled kale? Curious about the distinguishing features of various judo holds and throws? Wondering what each and every feature of a Gothic cathedral is called? The answers to these and thousands of other questions are at your fingertips.The Macmillan Visual Dictionary identifies more than 25,000 terms with more than 3,500 full-color illustrations covering 600 subjects. Ranging from Astronomy and Geography to Combat Sports and Communications, from the Vegetable and Animal Kingdoms to Human Beings and Symbols, and from Architecture and House Furniture to Maritime Transport and Energy, the book's 28 chapters provide truly exhaustive coverage of the world as we know it. A usage guide, detailed table of contents, and extensive index allow for easy referencing.As ideal for the family reference library as for the casual browser trying to identify that "whatchamacallit", the compact paperback edition of The Macmillan Visual Dictionary will continue to set the standard in reference works.

    Included are details and pictures of over 300 singles, LPs, CDs, limited editions, promotional discs, acetates, videos and Cure artifacts released throughout the world, with special emphasis on rare, unusual and collectable items.

    His tortured typography prompted a vocal camp of critics to accuse him of being flippant and of destroying the communicative basis of design. But now the techniques of David Carson (and those of his countless imitators) dominate advertising, design, the Web, and even motion pictures. With 35,000 copies of the original sold, this revised edition of The End of Print includes a striking new cover and first chapter that puts Carson's work in context. The rest is vintage Carson—cutting edge and explosive. The End of Print tracks his career from skateboard and surf magazines, to the landmark Beach Culture magazine and his groundbreaking grid-breaking work for Ray Gun, and finally to handling major corporate identity accounts. The End of Print marks a turning point in design that ushered in the look of today.

    Introduction by David McCullough; illustrated index.

    The author breaks down the language of geometric product definition into a series of steps that consist of significant questions to be asked at any point in the product definition. He addresses functional requirements and manufacturing techniques, measurement, inspection, and gaging procedures. The book illustrates how symbology is best utilized, in what order it should be applied, and how each geometric control anticipates, integrates, and complements all other geometric controls on a part and in an assembly.

    To longtime Giles fans and new readers alike, these reminiscences of family, friends, a river, and a roof offer a charming visit to rural Kentucky in the late 1950s.

    In this book, illustrations present a view of the architecture, interiors and objects that are the essence of Bali's style. From bamboo dwellings to contemporary Bali homes, from panoramic vistas to pictures of the elaborate stonework in Hindu temples - various aspects of this distinctive culture are examined.

    Sleeves of Desire also contains a comprehensive picture essay that provides a detailed look at over 100 album covers. Additionally, renowned jazz essayist Peter Ruedi relates the history of the ECM label and designer Lars Muller comments on the evolution of the covers and on ECM's unmistakable aesthetic signature.

    She describes over 150 jewels of sanitation, all of them eag erly nosed out in private houses, pubs, gentlemen''s clubs an d department stores. '

    Realistically carved and highly painted, it is both symbolic and functional, for this is the coffin of the chief sardine fisherman of Teshi.

    Why do we, as a consumer society, have such short-lived and under-stimulating relationships with the objects that we invest such time, thought and money in acquiring, but that will soon be thoughtlessly discarded? Emotionally Durable Design is a call to arms for professionals, students and academic creatives; proposing the emergence of a new genre of sustainable design that reduces consumption and waste by increasing the durability of relationships established between users and products. In this provocative text, Jonathan Chapman pioneers a radical design about-face to reduce the impact of modern consumption without compromising commercial viability or creative edge. The author explores the essential question, why do users discard products that still work? It transports the reader beyond symptom-focused approaches to sustainable design such as design for recycling, biodegradeability and disassembly, to address the actual causes that underpin the environmental crisis we face. The result is a revealing exploration of consumer psychology and the deep motivations that fuel the human condition, and a rich resource of creative strategies and practical tools that will enable designers from a range of disciplines to explore new ways of thinking and of designing objects capable of supporting deeper and more meaningful relationships with their users. This is fresh thinking for a brave new world of creative, durable and sustainable products, buildings, spaces and designed experiences.

    Once the world's largest and fastest ocean liner by far, today the Queen Mary represents a peak of perfection in the art of shipbuilding.With her sleek, sophisticated lines, Art Deco interiors and exquisite detailing, she encapsulates the spirit of an era characterized by elegance and style. On her maiden voyage from Southampton to New York in 1936, this great new liner provided a tangible symbol of the end of the Depression, to become a source of great national pride. Beautifully illustrated with specially commissioned colour photographs and much previously unpublished archive material, this book captures the atmosphere of the Queen Mary's glory days, to presents a comprehensive record of this magnificent and unique floating example of the streamlined style: it remains equally appealing to the enthusiastic connoisseur and general aesthete.

    Chosen from more than 100 ethnic groups and presented by theme, these magnificent objects express a wealth of aesthetic and technical solutions.

    118 and the 130s is one of the most original monuments in the history of architecture and art. In this beautiful book, two distinguished architectural historians describe and interpret the Villa as it existed in Roman times and track its extraordinary effect on architects and artists up to the present day."This lavishly illustrated book ... is the most ample and informed work on the villa, its figurative decoration and sculpture collection, and the first study of its reception over the past 500 years.... An essential source of information on one of the glories of Western architecture". -- James S. Ackerman, Times Literary Supplement"Authoritative and highly readable, attractively designed with many fine photographs that complement (but do not dominate) the text, it is hard to imagine this study being superseded". -- Architects Journal"A comprehensive account of the villa in its heyday and its long afterlife". -- Martin Filler, New York Times Book Review

    Here we are treated to magnificent Mackintosh sketches, paintings, and etchings, as well as photographs of his buildings, interiors, furniture, glasswork, fixtures, ironwork, tile, sculpture, kitchenware, fabrics -- even such novelties as a tea room menu, a grandfather clock, and a rustic garden gate. Author Elizabeth Wilhide explores the artist's early days, his inspiration and education, and his later works of mastery, as well as many of his lesser-known pieces. In addition, she includes a valuable list of Mackintosh sites to visit abroad. With interest in the Arts and Crafts style at an all-time high, and major exhibitions of Mackintosh work touring throughout 1998, this is a solid addition to any design and decor collection.

    This book shows us around 50 imaginatively conceived apartments and houses, the homes of prominent people such as Isabella Adjani, Helena Christensen and Christian and Francoise Lacroix. How we live is who we are. These interiors are "mirrors of the soul," showing the true personalities of those who live in them. From baroque opulence to cool understatement to colourful exoticism, their style is unforced - these are homes that people live in, not museum pieces. They also document Parisian vogues - for the Frech Thirties and Forties, for the furniture of Jean-Michel Frank and Jean Royere, for Diego Giacometti's stucco work, or the design features of the Vienna Secession. This book documents a particularly energetic and fertile moment in one of the world's most beautiful cities. Paris Interiors brings together a selection of extraordinary apartments in the French capital, chosen purely for their individuality. From wicked fun to timeless classicism, everything in this unique book will be an inspiration.

    His drawings, which are practically all that remains of his work, include revolutionary cityscapes with setback skyscrapers, overpasses for pedestrians, and traffic lanes; power plants that express both admiration for science and a lingering need for lyricism; and futurist stations for trains and airplanes dramatized by bold, kinetic facades.This handsome book is the most comprehensive account of Sant'Elia's work ever written. Esther da Costa Meyer analyzes his dazzling designs, decoding his "high-tech" imagery and showing how he was influenced not only by the futurist movement but also by other international currents that wove through Milanese culture - such as symbolism, art nouveau, and the Vienna Secession - as well as visual culture and industrial architecture. Da Costa Meyer also covers Sant'Elia's short life, his career as a socialist, and the posthumous cult that grew around him during Italy's fascist regime.

    On the creation of Interactive Fiction

    This text is intended for anyone with an interest in creative embroidery and home decorating. It provides detailed instructions on tassel-making, unravelling the secrets of the French tassel-making houses so that readers can make tassels that look as professional as the commercially made variety.

    You can make dyed or undyed felt, plain or patterned, and you can embroider it.

    It presents a framework in which the architect, building contractor and owner can understand how building construction affects the natural site and its resources. It also explains the real, pragmatic steps that can be taken to mitigate the all-too-common damage that man-made structures inflict on the natural environment, including low-energy design, bioclimatic design, recycling and disposal of building materials and waste and ecological landuse planning. The text contains case studies of low-environmental impact building designs from around the world and demonstrates the new emphasis on using building materials with long life-span and low maintenance costs.

    Letters printed jumbo size to reveal every nuance of design. Written descriptions accompany each font, giving detailed analysis of characteristics. Also 16 favorite modern and traditional faces and 940 body and display type specimens arranged alphabetically.

    A "field guide" to styles and types of antique, period and vintage collectible jewelry on the U.S. market today, this book is for anyone who owns old jewelry.Not only does "Warman's Jewelry" feature the most current prices, it gives fascinating, informative and valuable background information in these categories:Late Georgian, Early Victorian, Mid-Victorian and Late VictorianArts & Crafts, Art Nouveau and EdwardianMid-Century Mexican ModernistNative American, Mexican and ScandinavianNo matter how they've acquired it, most people want to know the same basic things about a piece of jewelry: how old it is, where and how it was made, who made it, what it is made of, and what is it worth. As greater numbers of collectors have entered the field, there has been a growing need for more information about the many varieties of collectible jewelry being bought and sold today. Loaded with highly detailed listings and other pertinent information, "Warman's Jewelry" is a complete guide for beginners or experts.

    The book was called "Localizer 1.0" and once it was printed it became obvious that there was interest - or in other words a market - for this kind of content and a fresh approach to it. Based on that feedback and potential, Gestalten was founded as a company.

    It traces the development of his botanical studies from the early pencil sketchbook drawings, through the introduction of watercolour in the early 1900s, culminating in the Suffolk group of 1914 to 1915, and concluding with the studies from France of 1923 to 1927.

    Some 30 structures - many open to the public - in the United States and Great Britain are explored inside and out in beautiful full-color photographs and historic engravings. In addition, the author weaves an intriguing social history that conveys the romantic spirit with which tastemakers, architects, and designers have captured the medieval past.This volume sets out to reveal the exuberent and whimsical manner in which the romantic medieval Gothic style of architecture and design has been revived from the 18th century to the present, showing how an 800-year-old trend can still look fresh today.

    The book remains faithful to its original aim of introducing beginners to a wide range of traditional techniques. Text and illustrations have been updated throughout and a new section on the application of computer graphics is included. Widely used and respected for many years, this is a handy compendium of techniques for students in construction related courses in further or higher education.

    Using the homes of famous clients, this book provides a room-by-room exploration of Parish Hadley design.

    FINANCIAL ANALYSIS WITH MICROSOFT EXCEL covers all the topics you'll see in a corporate finance course: financial statements, budgets, the Market Security Line, pro forma statements, cost of capital, equities, and debt. Plus, it's easy-to-read and full of study tools that will help you succeed in class.

    This desire led me to avoid, to a great extent, the method of dividing into chapters and into paragraphs classed according to the compartment treated. If method there be in the composing of this book, it consists in examining any given drawing under all its aspects, however distinct they may be from one another ac- cording to accepted tenets. Though such system-or lack of system-may possibly, do its work in calling attention to the fundamental homogeneity of artistic expression, it is evident that it is not a form of presentation convenient for reference and for study. In order to palliate this defect to some extent, I have taken considerable trouble with the index or rather with the indexes, for it has been decided to assemble all anatomical terms, together with those dealing with the construction, and allied matters, into a separate list. This decision alone will simplify the finding of any particular point connected with the actual practice of figure-drawing. Again, to further this end I have in many cases indicated, in black Clarendon type, the references to the pages on which the particular subject receives its fullest treatment. It is obviously impossible to carry out such a plan in a strictly methodical way, for it becomes a matter of mere opinion to decide which reference is, and which just fails to be, worthy of heavy type. At the same time my intention is that this book should be of more use to the student as a general training in outlook upon art, upon its meaning, and upon its methods, than as a craftsmans book of reference. Indeed, I have more than once in its pages referred the reader to other works should he require more detailed information on any special point. On the whole I have tried to include in these pages information not readily accessible elsewhere, and have omitted such facts as may be found with ease in existing text- books. The Clarendon Press has not thought fit to fall in with my notions as to the general appearance of the book, hence the text implies one point of view, the appearance. of the book belies it.....

    

    Out of respect for Charles's wishes, no book on them was published during their lifetime. Now Pat Kirkham interprets their work in depth, probing the lives behind the designs and the nature of the collaboration. In researching this major work, Kirkham had full access to the Eames archive and cooperation from the Eameses' clients and associates. The result is a richly detailed study of these remarkable designers and of their work from 1941 to 1978, including a substantial reevaluation of Ray's role. There is much here that will be new to readers who may be broadly familiar with the Eameses' work, particularly in the recounting of their early careers and in the examination of their multimedia presentations, exhibitions, and films.

    Ms. Weismann makes a brilliant contribution to our understanding."--Edward J. Sullivan, New York University

    Entitled Suggestions in Design, the book featured an enormous array of designs and motifs from many cultures and times. The present volume contains all 102 plates from that rare 19th-century compilation. Included are more than 1,100 motifs painstakingly adapted from a host of design traditions: primitive tribal art and pottery; Egyptian sculpture and painting; Assyrian wall sculptures and carved ivory; Greek sculpture and terra-cotta vases; Etruscan painting, bronzework, and jewelry; Pompeian architectural details and mosaics; designs from Chinese, Japanese, Indian, Persian, Moorish, French Renaissance, and other sources. Careful reworkings rather than exact copies of original designs, these motifs were meant to guide users in creating their own versions of decorative ornament.Reproduced from a valuable original printed in 1881, this book includes detailed descriptions of the plates. It represents a highly useful source of beautifully rendered, copyright-free images that will be welcomed by artists, illustrators, craftworkers, and countless enthusiasts of the decorative arts.

    Decorative letters in an enormous range of styles and sizes — from initials surrounded by cherubs to letters of Gothic grandeur.

    The Georgian style has stood the test of time, and continues to be popular today. Houses built over two hundred years ago still stand as proud and dignified as when they were first erected. The book describes the development of the Georgian style, beginning with its intro in the early 18th century up to the mid 19th century. Chapters are also devoted to each element of the house to help understand the ideas, techniques, and materials employed by the original builders. The most complete study of the historical development and importance of the Georgian style, this book is also a practical guide to preserving and restoring a Georgian house.

    Students will easily master each feature as they work through a wealth of information, including end-of-chapter learning projects and reviews and step-by-step tutorials. The full-color interior and user-friendly design create the ideal book for learning the latest features of this popular design application.

    This examination of Chippendale, Shaker, Rococo, and many other distinctly American creations showcases the artistic merit of American furniture.

    Arranged in chronological order, the essays chart the course of the profound technological advances that have taken place in the printing industry in the 20th century from a unique perspective: that of the typographer witnessing and experiencing these changes.Each piece is prefaced by a short introduction to the typographer’s life and work, and many are illustrated with examples of the typography.A fascinating and often amusing collection, Typographers on Type will prove invaluable to those with an interest in the principles and development of typography in the 20th century.

    "Will undoubtedly foster a new appreciation of furniture from the '50s."--Chicago Sun-Times.125 4-color photographs and 100 black-and-white photographs.

    Coverage includes: copyright, patent and trademark law; licensing agreements; maximizing royalties; negotiation checklists; model agreements; finding manufacturers; and licensing in cyberspace.Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

    Explored are the ways in which the many representational choices inherent in mapping interact with information processing and knowledge construction, and how the resulting insights can be used to make informed symbolization and design decisions. A new preface to the paperback edition situates the book within the context of contemporary technologies. As the nature of maps continues to evolve, Alan MacEachren emphasizes the ongoing need to think systematically about the ways people interact with and use spatial information.

    Best known for his Prairie and Usonion houses, his architecture nevertheless reflected a variety of influences that were frequently underlined in the decorative or utilitarian accessories that Frank Lloyd Wright designed to complement his buildings.Frank Lloyd Wright Design displays over 100 full-color reproductions of the finest examples of decorative and utilitarian pieces, showing them in situ, as Frank Lloyd Wright himself intended them to be placed. Details of tiling, stonework, murals, stained glass, built-ins, and other design elements are also depicted, while the informative text puts it all into context. For the many admires of Frank Lloyd Wright's work, this book focuses on the elements of style that , when taken together, create a distinctive, modern look that is uniquely that of Frank Lloyd Wright.

    His work is admired for its striking originality and dynamism, and has appeared in almost every journal and design magazine around the world, featured in exhibitions in more than 25 countries, and has won numerous design awards over the past two decades. His company, Cato Design Inc, the largest design company in the southern hemisphere, is highly successful in all areas of visual communication including graphics, corporate identity programmes, interior and environmental design.