It is the only dictionary that provides concise, accurate definitions illustrated with finely detailed, hand-rendered drawings, each executed in Mr. Ching's signature style.

    This almost overwhelming accumulation of words and images illuminates the condition of architecture today--its splendors and miseries--exploring and revealing the corrosive effects of politics, context, the economy, and globalization. In some ways, this is the "Medium is the Message" of 1990s architectural discourse: guaranteed to be hugely influential in the coming decades, but grossly misunderstood by those who have not read it. The core arguments it makes about metropolitan architecture--accepting complexity and lack of centralized control--are similar to those of Kevin Kelly's Out of Control: The New Biology of Machines, Social Systems and the Economic World. Very highly recommended.

    Now in its fourth edition, this industry standard continues its reputation as a reliable tool for the preliminary selecting, configuring, and sizing of the structural, mechanical, and egress systems of a building. Bestselling authors Edward Allen and Joseph Iano reduce complex engineering and building code information to simple approximations that enable the designer to lay out the fundamental systems of a building in a matter of minutes and get on with the design.Now in a flex binding that makes it even easier to use, The Architect's Studio Companion, Fourth Edition provides quick access to reliable rules of thumb that offer vital help for selecting, configuring, and sizing:Structural systems Heating, cooling, and electrical systems Egress provisions, including exit stairways, parking garages, and parking lots Daylight provisions The book concludes with precalculated tables of building code height and area limitations.

    This is Kenneth Frampton's follow-up to his A Critical History of Modern Architecture.

    This book shows how everyone, from those at the forefront of design to the consumers, can contribute to the well-being of the planet through an awareness of design and technology.

    In this long-awaited book, completed shortly before its author's death, Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. He shows that geometry does not always play a stolid and dormant role but, in fact, may be an active agent in the links between thinking and imagination, imagination and drawing, drawing and building. He suggests a theory of architecture that is based on the many transactions between architecture and geometry as evidenced in individual buildings, largely in Europe, from the fifteenth to the twentieth century.From the Henry VII chapel at Westminster Abbey to Le Corbusier's Ronchamp, from Raphael's S. Eligio and the work of Piero della Francesca and Philibert Delorme to Guarino Guarini and the painters of cubism, Evans explores the geometries involved, asking whether they are in fact the stable underpinnings of the creative, intuitive, or rhetorical aspects of architecture. In particular he concentrates on the history of architectural projection, the geometry of vision that has become an internalized and pervasive pictorial method of construction and that, until now, has played only a small part in the development of architectural theory.Evans describes the ambivalent role that pictures play in architecture and urges resistance to the idea that pictures provide all that architects need, suggesting that there is much more within the scope of the architect's vision of a project than what can be drawn. He defines the different fields of projective transmission that concern architecture, and investigates the ambiguities of projection and the interaction of imagination with projection and its metaphors.

    Now, nearly 50 years after the phenomenon of the Eichler home, once a quintessential symbol of the American Dream, this beautifully illustrated volume chronicles both the success and ultimate demise of a legendary company. With over 100 full-color photographs of the homes' various models, as well as an introduction by architectural expert Sally B. Woodbridge and an essay by Eichler's son Ned, Eichler Homes tells the poignant story of a unique post-war business, and of a singular vision and unforgettable legacy that continue to inspire architects and designers around the world.

    M. Stern's monumental series of documentary studies of New York City architecture and urbanism. New York 1880, New York 1900, and New York 1930 have comprehensively covered the architects and urban planners who defined New York from the end of the nineteenth century to the middle of the twentieth century. The post-World War II era witnessed New York's reign as the unofficial but undisputed economic and artistic capital of the world. By the mid-1970s, the city had experienced a profound reversal, and both its economy and its reputation were at a historic nadir. The architectural history of the period offered an exceptionally abundant and varied mix of building styles and types, from the faltering traditionalism of the 1940s through the heyday of International Style modernism in the 1950s and 1960s to the incipient postmodernism of the 1970s. Organized geographically, New York 1960 provides an encyclopedic survey of the city's postwar architecture as well as relating a coherent story about each of its diverse neighborhoods. Primary sources are emphasized, including the commentaries of the preeminent architecture critics of the day; the text is illustrated exclusively with a rich collection of period photographs.

    The heart of the book focuses on the buildings themselves, an eclectic selection ranging from his courtyard houses in Sydney to freestanding residences set in Australia's outback.

    Explains the need for buildings that are light, energy-saving, mobile, adaptable, and natural.

    To longtime Giles fans and new readers alike, these reminiscences of family, friends, a river, and a roof offer a charming visit to rural Kentucky in the late 1950s.

    In this book, illustrations present a view of the architecture, interiors and objects that are the essence of Bali's style. From bamboo dwellings to contemporary Bali homes, from panoramic vistas to pictures of the elaborate stonework in Hindu temples - various aspects of this distinctive culture are examined.

    John in paperback format. New Orleans Architecture Volume V: The Esplanade Ridge, compiled by the Friends of the Cabildo, a leading preservation organization, focuses on the unified type of architecture along the 3.3-mile length of majestic Esplanade Avenue. The Esplanade represents a treasure-trove of nineteenth-century architecture, with every decade of the 1800s represented in this work. Included are French-colonial and Creole homes, American-style frame and brick townhouses, Louisiana plantation types, as well as Italianate Victorian, Second Empire, Edwardian, Mission, and City Beautiful styles. Almost two hundred houses on the Esplanade were constructed prior to 1900, and all but five of the avenue's blocks still contain historically important structures. More than 350 photographs, paintings, and sketches, many of them from archival sources, are reproduced, along with a large map of Esplanade Avenue. The New Orleans Architecture Series consists of Volume I: The Lower Garden District, Volume II: The American Sector, Volume III: The Cemeteries, Volume IV: The Creole Faubourgs, Volume V: The Esplanade Ridge, Volume VI: Faubourg Treme and the Bayou Road, Volume VII: Jefferson City, and Volume VIII: The University Section, all available from Pelican.

    Along the way, he highlights many of the services and amenities - the decor, the swimming pools, the restaurants, and the pulsating signs - used to lure motorists into the nearest Kozy Kottage. He has discovered motels both marvelous and bizarre: log cabins, teepees, and even railroad freight cars transformed into sleeping cars. And he explores how the image of the motel in America has evolved - from seedy shacks to picturesque courts to today's antiseptic but very comfortable way stations. Throughout, Margolies combines his signature photographs of hostelries past and present with rare postcards, vintage brochures, and other amusing artifacts. Home Away From Home is a surprising and entertaining look at an omnipresent phenomenon, a nostalgic tour of sleepless nights and sweet dreams along the highways and byways of America.

    Thomas DaCosta Kaufmann looks at Central Europe as a cultural entity while chronicling more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Kaufmann surveys a remarkable range of art and artifacts created from the coming of the Renaissance through to the Enlightenment."Kaufmann throws considerable light on one of the more neglected and least understood periods in art history."—Philadelphia Inquirer"A wonderful book which does justice both to a formal analysis of the art and to an explanation of broader political and economic forces at work."—Virginia Quarterly Review"Important and stimulating, Kaufmann's study examines the cultural legacy of a region too little known and understood."—Choice"Peaks of the creative heritage which [Kaufmann] describes reserve their message—and their surprises—for those who visit them in situ. But invest in Kaufmann's volume before you go."—R. J. W. Evans, New York Review of Books

    With a firm scientific basis, but without the use of complex mathematics, the author provides a thorough and intuitive understanding of masonry structures. The basis of masonry analysis is introduced in the first two chapters, after which individual structures -- including piers, pinnacles, towers, vaults and domes -- are considered in more detail.This lucid and informative text will be of particular interest to structural engineers, practising architects and others involved in the renovation and care of old stone buildings.

    A momentous breakthrough for the architecture of its time, Jørn Utzon's building remains monumental in contemporary world architecture across the world.Launched in 1991, the Architecture in Detail series attracted immediate acclaim and now comprises more than 60 titles. These books are highly collectable documents, each focusing in depth on a celebrated building.The series covers all sides of the vast spectrum of architecture from the past, present and future; the individual buildings are selected for their exceptional character, innovative design or technical virtuosity.Each volume contains a definitive text by a respected author; a sequence of color and black-and-white photographs; a series of technical drawings; and a set of essential working details. These titles are vital to every architectural library, appealing to the professional and student alike, or indeed anyone with an appreciation of buildings.

    

    Its wide-ranging content highlights the most important works by the influential architects of the twentieth and twenty-first centuries. Presented are approximately forty-five icons of modern architecture, including the Greene brothers’ arts-and-crafts Gamble House; Michael Graves’ neoclassical villa; Richard Neutra’s California Modern Kaufmann House; and three Frank Lloyd Wright masterpieces: Fallingwater, and the Storer and Sturges houses, as well as masterpieces by Richard Meier, Frank Gehry, and Peter Eisenman. First published in 1995, this expanded and updated edition includes twelve important additions to the canon. Works by a new generation of influential architects include Zoka Zola’s award-winning Pfanner House; Michael Bell’s Binocular House; and Peter Bohlin’s Ledge House. It is the ultimate compendium of great American house design.

    Re-edited and re-designed to Wilson's specifications, and with a new introduction by architect and writer Ellis Woodman, this indispensable title is here made available to a new readership. In The Other Tradition St John Wilson sets out to examine the underlying themes of modern architecture, assessing their impact, influence, and continuing development. Rather than positioning Modernism as a completed historical moment that occurred in the past (and that was formulated in terms of abstract theory and in no way responding to the historic role of architecture as a practical art and the unpredictable necessities of life), Wilson argues for a continuing tradition, an "uncompleted project," sustained against CIAM's rigid orthodoxy by a "resistance movement" exemplified by architects such as Alvar Aalto, Hans Scharoun, Hugo H�ring and Frank Lloyd Wright. Figures like Aalto and Scharoun couldn't compete with Le Corbusier's powers on the soapbox and showed little inclination to do so. In a sense, The Other Tradition, is the manifesto that these laconic masters never wrote.Drawing upon philosophy, history, art and architectural theory, the story of Modernist architecture is here explored both theoretically and through comparative case studies. Professor Wilson's original, insightful and passionate text is accompanied by photographs, plan drawings, sketches and models that further elucidate his argument. As important now as it was when first published The Other Tradition of Modern Architecture: The Uncompleted Project is a handsome re-edition of a seminal work.Future Release: In July 2007 Black Dog is publishing Colin St John Wilson: Buildings and Projects, the definitive monograph on Professor Colin St John Wilson. This erudite, comprehensive publication spans projects from throughout his career.

    In the early fifties, he is honored both nationally and internationally with a large retrospective exhibition of his work that travels throughout Europe, displaying his unquestioned brilliance in one prestigious venue after another, beginning, ironically enough, with the Palazzo Strozzi in Florence and passing from there to the Kunshtaus in Zurich, one of the few modern buildings in Europe that he unequivocally admired.

    118 and the 130s is one of the most original monuments in the history of architecture and art. In this beautiful book, two distinguished architectural historians describe and interpret the Villa as it existed in Roman times and track its extraordinary effect on architects and artists up to the present day."This lavishly illustrated book ... is the most ample and informed work on the villa, its figurative decoration and sculpture collection, and the first study of its reception over the past 500 years.... An essential source of information on one of the glories of Western architecture". -- James S. Ackerman, Times Literary Supplement"Authoritative and highly readable, attractively designed with many fine photographs that complement (but do not dominate) the text, it is hard to imagine this study being superseded". -- Architects Journal"A comprehensive account of the villa in its heyday and its long afterlife". -- Martin Filler, New York Times Book Review

    First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive--images as constituents of a primary, image world, of which subjectivity itself is a special kind of image. Second, Cache redefines architecture beyond building proper to include cinematic, pictoral, and other framings.Complementary to this classification, Cache offers what is to date the only Deleuzean architectural development of the fold, a form and concept that has become important over the last few years. For Cache, as for Deleuze, what is significant about the fold is that it provides a way to rethink the relationship between interior and exterior, between past and present, and between architecture and the urban.

    Tour of one of the most beautiful statehouses in the country, where architecture, sculpture, and art blend into a unified vision of the Keystone State.

    But it is the building's power to evoke spirituality that comes across most forcefully in his photographs. --"New York Magazine"For nearly two millennia, from the year 70 until the founding of Israel in 1948, the Jewish people were without a homeland. But wherever they wandered in the great Diaspora they continued the tradition of building synagogues as refuge for their beliefs and testament to their strength and accomplishments as a people. And "I Shall Dwell Among Them" considers the spiritual, architectural and cultural significance of these structures. It is the first study to document the synagogues with both scholarly depth and photographic excellence.

    Here we are treated to magnificent Mackintosh sketches, paintings, and etchings, as well as photographs of his buildings, interiors, furniture, glasswork, fixtures, ironwork, tile, sculpture, kitchenware, fabrics -- even such novelties as a tea room menu, a grandfather clock, and a rustic garden gate. Author Elizabeth Wilhide explores the artist's early days, his inspiration and education, and his later works of mastery, as well as many of his lesser-known pieces. In addition, she includes a valuable list of Mackintosh sites to visit abroad. With interest in the Arts and Crafts style at an all-time high, and major exhibitions of Mackintosh work touring throughout 1998, this is a solid addition to any design and decor collection.

    Michael Jones completes the trilogy as he reveals in this book how modern architecture arose out of the disordered moral lives of its creators. Beginning with the simultaneous collapse of both his marriage and the Austro-Hungarian empire, Walter Gropius formulated an architectural rhetoric that would speak to the needs of the newly emerging modern man. As a sexually liberated social monad, modern man would have no need for home or family, no need to be rooted in a particular time or place. He was to live henceforth in the "international style." Soon that deeply materialistic, sterile architectural vision would conquer the world. From the suburbs of Moscow to the south side of Chicago, the new man would live in machines, "living machines", to use Gropius' words. Jones' book is an explanation of where that vision came from, where it led, and why it failed. Illustrated.

    Renowned architect John Hejduk asks, "If the painter could by a single transformation take a three-dimensional still life and paint it on a canvas into a natura morta, could it be possible for the architect to take the natura morta of a painting and by a single transformation build it into a still life?" Hejduk presents a series of rich watercolor paintings, each cubist in spirit, each an assemblage and celebration of color and form. These explorations give birth to sixty-one project proposals, including serpentine structures, secret spaces, and houses constructed of horizontal and vertical mazes. Simultaneously investigated are the relationships between Eastern thought and the Western world (in terms of Hejduk's own intellectual and visual journey from the West to the East), art and architecture, and humans and nature.

    In Visual Thinking for Architects and Designers, Ron Kasprisin and James Pettinari unveil a solution to designing for the complex urban landscape: visual thinking. A concept twenty-five years in the making, this integrative approach will help harried professionals prevent environmental disasters. The authors present three-dimensional drawing (visual thinking) as a communication and decision-making tool to be used during the design and planning process. Because architects, landscape architects, and urban designers often work independently, on different scales, and at different interludes, no one can truly envision the completed project. Visual thinking is a way of getting input from every member of the team. Here, you'll learn how to use graphics, whether hand-drawn or computer-generated, as a language to express complex systems, interrelationships, and environments. Using over 300 high quality drawings that are connected at many different scales--from aerial perspectives of entire regions to individual rooms and buildings--this groundbreaking book lays out an urban design process and methodology in a sequential and easily understood manner. The book is illustrated by the authors' own work, which has been recognized in national design competitions, and by the AIA, APA, and NEA. The authors masterfully cover the use of drawing to analyze and create spaces, drawing technique, and communicating complex information to the public. Case studies convincingly illustrate the authors' approach. Just a few of the areas covered include: Short-cut skill development for professionals and students Transit-related development Visioning methods in public involvement Time and space patterning in context More than a book on drawing, this urban design guidebook is a tool for communicating and creating. Whether you're an architect, landscape architect, urban designer, or city planner, once you've read Visual Thinking for Architects and Designers, you'll wonder why people haven't been working this way all along.

    His drawings, which are practically all that remains of his work, include revolutionary cityscapes with setback skyscrapers, overpasses for pedestrians, and traffic lanes; power plants that express both admiration for science and a lingering need for lyricism; and futurist stations for trains and airplanes dramatized by bold, kinetic facades.This handsome book is the most comprehensive account of Sant'Elia's work ever written. Esther da Costa Meyer analyzes his dazzling designs, decoding his "high-tech" imagery and showing how he was influenced not only by the futurist movement but also by other international currents that wove through Milanese culture - such as symbolism, art nouveau, and the Vienna Secession - as well as visual culture and industrial architecture. Da Costa Meyer also covers Sant'Elia's short life, his career as a socialist, and the posthumous cult that grew around him during Italy's fascist regime.

    It presents a framework in which the architect, building contractor and owner can understand how building construction affects the natural site and its resources. It also explains the real, pragmatic steps that can be taken to mitigate the all-too-common damage that man-made structures inflict on the natural environment, including low-energy design, bioclimatic design, recycling and disposal of building materials and waste and ecological landuse planning. The text contains case studies of low-environmental impact building designs from around the world and demonstrates the new emphasis on using building materials with long life-span and low maintenance costs.

    Drawing on the potentials of art and architecture, the ever changing relationship between man and nature is given new expression. Ecological concerns and aesthetic aspirations interact in a fruitful dialogue. Particularly Land Art and related art movements become sources of inspiration and innovation. The ground-breakting works of the landscape artists and architects presented in this book reveal the diverse current trends in international landscape design. "This book offers many stimuli to design. Its contents are not just for landscape architects," wrote The architects journal. With chapters on Dani Karavan, Ian Hamilton Finlay, Bernard Lassus, Peter Latz, Dieter Kienast, Herman Prigann, Peter Walker, Adriaan Geuze and others.

    The essays, from the perspective of 'the classical vernacular', explore the nature and meaning of architecture, defending architecture without architects, and the 'vernacular tradition', that 'vulgar tongue' which is the natural language of space, proportion and light. He provides a comprehensive critique of modernism (not only the heartless modernism of architecture) from a serious intellectual perspective, based on a philosophical aesthetics which he has propounded in earlier books including The Politics of Culture (1981), The Aesthetic Understanding (1983) and The Philosopher on Dover Beach (1990). Scruton, Anthony Quinton declared, 'writes with great force and freshness. He is humblingly intelligent. Above all, he is consistently interesting.' In these essays written over the last decade and a half, he proves Quinton right time after time. He looks at and through the work of nineteenth- and twentieth-century architects and appraises not only their achievement but the values that inform or distort their work in relation to those of us who live in or beside their structures.

    Shown in landscaped exteriors, floor plans, and overhead cutaway views. With detailed commentaries on each design.

    Does anything remain of the old city?The internationally known Japanese architectural historian Jinnai Hidenobu set out on foot to rediscover the city of Tokyo. Armed with old maps, he wandered through back alleys and lanes, trying to experience the city's space as it had been lived by earlier residents. He found that, despite an almost completely new cityscape, present-day inhabitants divide Tokyo's space in much the same way that their ancestors did two hundred years before.Jinnai's holistic perspective is enhanced by his detailing of how natural, topographical features were incorporated into the layout of the city. A variety of visual documents (maps from the Tokugawa and Meiji periods, building floorplans, woodblock prints, photographs) supplement his observations. While an important work for architects and historians, this unusual book will also attract armchair travelers and anyone interested in the symbolic uses of space.(A translation of Tokyo no kûkan jinruigaku.)

    Includes environmentally-friendly buildings & radon; free-standing & cavity walls; sound insulation; windows & doors; GRP interceptors, and waste management.

    The book remains faithful to its original aim of introducing beginners to a wide range of traditional techniques. Text and illustrations have been updated throughout and a new section on the application of computer graphics is included. Widely used and respected for many years, this is a handy compendium of techniques for students in construction related courses in further or higher education.

    Step-by-step instructions for eighteen projects detail how the work can be carried out using simple tools and mainly traditional methods. Handsome color photographs illustrate and identify a wide range of rustic furniture and artifacts. There is also a brief history about each piece and a handy tools and techniques resource section. With Country Woodworker, anyone can add beauty and charm to his or her home.

    Department of the Interior's National Park Service, Twentieth-Century Building Materials is the first in-depth survey of important construction materials used since 1900. Among the materials covered are glass block, stainless steel, plywood, decorative plastic laminates, linoleum, and gypsum board. Each essay, written by a contributing expert, offers insights into the material's history, manufacturing process, and uses, as well as information about many of the trade names associated with each material. Readers will discover a wealth of information about how these materials deteriorate and how to diagnose their condition, as well as valuable techniques and tips on repair and restoration, bibliographies, and sources for historical and conservation research. Richly illustrated with more than 250 illustrations, including manufacturers' advertisements of the period and a full-color photographic essay, Twentieth-Century Building Materials is an indispensable reference on the history and conservation of modern building materials. It will quickly take its place as a standard architectural reference for preservation professionals.

    Jujol's work is characterized by a high degree of sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to workmanship and detail, as well as the imaginative use of old and previously utilized material. It is an eloquent expression of his affection for the Catalonian landscape, his modesty, and deep religious faith.

    Images of the marshes, waterways, buildings and streets of Savannah and its surrounding Lowcountry captured on watercolor and oil paintings.

    In this lavishly produced volume, a Stewart, Tabori & Chang classic, he presents 200 full-color photographs of the city's neighborhoods and landmarks, including breathtaking views of its skyline, from the George Washington Bridge and the Statue of Liberty to Rockefeller Center and the Chrysler Building. Perhaps most moving of all are the portraits of the World Trade Towers, a tragic loss to the city preserved here in the muted colors of twilight. Captions reveal little-known facts about Manhattan and two glorious foldout images present panoramic views.

    But the theoretical ideas underlying their challenging imagery and language have hitherto been only glimpsed. Since Stalin stamped out such enquiry in the early Thirties, key personalities were driven into obscurity. Soviet researchers permitted to touch this material could publish only circumscribed vignettes which neither mediated the cultural divide nor placed the ideas in their larger intellectual and political contexts. Here for the first time is a study that exploits the freedoms of the new situation in Russia to explore the intellectual challenges of this extraordinary material and to present its ideas with the same objectivity as we apply to Western work. At one level the book is a readable and colourful introduction to the whole period and its major artistic and architectural personalities, many of whom emerge as individuals with coherent views and distinctive careers for the first time. At another level, it is a unique source book of original documentary texts which not only bring the period to life in entirely new detail, but offer a launchpad for teaching and further research. By cutting through the period in different ways, successive chapters build a multi-dimensional narrative that starts with foundations of avant-garde theoretical debate in the nineteenth century.

    It traces the development of his botanical studies from the early pencil sketchbook drawings, through the introduction of watercolour in the early 1900s, culminating in the Suffolk group of 1914 to 1915, and concluding with the studies from France of 1923 to 1927.

    Some 30 structures - many open to the public - in the United States and Great Britain are explored inside and out in beautiful full-color photographs and historic engravings. In addition, the author weaves an intriguing social history that conveys the romantic spirit with which tastemakers, architects, and designers have captured the medieval past.This volume sets out to reveal the exuberent and whimsical manner in which the romantic medieval Gothic style of architecture and design has been revived from the 18th century to the present, showing how an 800-year-old trend can still look fresh today.

    His journey spans the history of architecture, leading us back in time to some of the earliest structures fashioned by humanity; to enduring traditional dwellings such as yurts and tipis; and, finally, to contemporary buildings that display a new sensibility to nature. His remarkable photographs reveal how we can integrate architecture into both our lives and our landscapes by combining the innate wisdom of ecology with a concern for health and spiritual awareness.

    A comparison of rationalist and picturesque tendencies is used in indicating future trends.

    Petersburg, founded by Peter the Great in 1703, is famous for the beauty of its architecture. The interiors of the splendid palaces are much less well known, and this beautiful book reveals them in all their glorious detail. The palaces that have survived intact are still furnished and decorated as they were left at the beginning of the Communist Revolution, with sumptuous fabrics, furniture, glassware, china and detailed marquetry, all adding up to some of the most stunning interiors in the world. Many of those that were destroyed during the siege of Leningrad are being carefully and painstakingly restored to their full splendour. The Baroque grandeur of the Catherine Palace, the exquisite Chinese Palace - where Catherine the Great spent happy hours with her lover Grigory Orlov - and the tiny but perfect Yelagin Palace are but a few of the wonderful buildings that are featured within the book's pages.

    Best known for his Prairie and Usonion houses, his architecture nevertheless reflected a variety of influences that were frequently underlined in the decorative or utilitarian accessories that Frank Lloyd Wright designed to complement his buildings.Frank Lloyd Wright Design displays over 100 full-color reproductions of the finest examples of decorative and utilitarian pieces, showing them in situ, as Frank Lloyd Wright himself intended them to be placed. Details of tiling, stonework, murals, stained glass, built-ins, and other design elements are also depicted, while the informative text puts it all into context. For the many admires of Frank Lloyd Wright's work, this book focuses on the elements of style that , when taken together, create a distinctive, modern look that is uniquely that of Frank Lloyd Wright.

    Entitled Suggestions in Design, the book featured an enormous array of designs and motifs from many cultures and times. The present volume contains all 102 plates from that rare 19th-century compilation. Included are more than 1,100 motifs painstakingly adapted from a host of design traditions: primitive tribal art and pottery; Egyptian sculpture and painting; Assyrian wall sculptures and carved ivory; Greek sculpture and terra-cotta vases; Etruscan painting, bronzework, and jewelry; Pompeian architectural details and mosaics; designs from Chinese, Japanese, Indian, Persian, Moorish, French Renaissance, and other sources. Careful reworkings rather than exact copies of original designs, these motifs were meant to guide users in creating their own versions of decorative ornament.Reproduced from a valuable original printed in 1881, this book includes detailed descriptions of the plates. It represents a highly useful source of beautifully rendered, copyright-free images that will be welcomed by artists, illustrators, craftworkers, and countless enthusiasts of the decorative arts.

    The study analyzes the influence of Mamluk socio-political hierarchy on the conceptualization of the Citadel's spaces and forms; assesses its impact on medieval Cairo; proposes a new interpretation for the development of Mamluk royal architecture; and presents new definitions for a number of medieval architectural terms. By weaving the history of the Citadel together with the history of Cairo and the Mamluk system, this book is relevant to historians of architecture and urbanism and medieval historians.

    First he looks at what Pliny considered to be the essential qualities of a villa. He then discusses the many buildings Pliny inspired: from the Renaissance estates of the Medici, to papal summer residences near Rome, to Thomas Jefferson's Monticello, and the home of former Canadian prime minister Pierre Elliott Trudeau. Equally important to du Prey's study are the many designs by architects past and present that remain on paper. These imaginary restitutions of Pliny's villas, each representative of its own epoch, trace in microcosm the evolution of the classical tradition in domestic architecture. In analyzing each project, du Prey illuminates the work of such great masters as Michelozzo, Raphael, Palladio, and Schinkel, as well as such well-known modern architects as Léon Krier, Jean-Pierre Adam, and Thomas Gordon Smith.

    He may be considered a third-generation Arts and Crafts architect, who joined the movement after it had become well established and took its ideas to everyman. He invented a new type of small house by opening up a plan around a spacious house-place or hall and extending the interior into the garden. These airy little houses, with their intimate alcoves and sunny verandas, captured William Morris's vision: 'Simplicity of life, even the barest, is not a misery, but the very foundation of refinement: a sanded floor and whitewashed walls, and the green trees, and flowery meads... will turn all "operatives" into workmen, into artists, into men.' It is clear that Baillie Scott made a significant contribution to twentieth-century architecture. The main themes of his agenda - the development of alternative small houses for the average householder; open and spacious planning, continuity of internal and external space, exploration of the rich textures of materials - are as important today as they were in the early years of the century. The work of Baillie Scott effectively ensured an important and enduring relevance for Morris's legacy.This book includes many newly commissioned photographs of Baillie Scott's houses, as well as original drawing and new research. By looking at his writing and revisiting his buildings - some previously unknown - it makes available the work of an important architect of the Arts and Crafts movement. It reveals for the first time the beauty of Baillie Scott's architectural works and the fascinating breadth of his theory and practice.

    Patrick's Cathedral. Notes.

    Beautifully illustrated, the book contains twenty-one essays by international scholars and specialists who focus on how Pugin`s work in industrial and book design, architecture, the applied arts, and literature influenced opinion and revolutionized public taste.

    It explores some of the most beautiful gardens in the world, from antiquity, medieval Europe, Renaissance Italy, classical France, 18th-century England and the modern day. Full description

    The Georgian style has stood the test of time, and continues to be popular today. Houses built over two hundred years ago still stand as proud and dignified as when they were first erected. The book describes the development of the Georgian style, beginning with its intro in the early 18th century up to the mid 19th century. Chapters are also devoted to each element of the house to help understand the ideas, techniques, and materials employed by the original builders. The most complete study of the historical development and importance of the Georgian style, this book is also a practical guide to preserving and restoring a Georgian house.

    The landscapes, townscapes and costumes of the Ottoman, Arab and Mogul worlds provided inspiration for painters from Delacroix to Matisse. When expressed in architecture and design, this phenomenon became known as the Moorish Style.In this magnificently illustrated survey, Miles Danby examines the roots of the style in art and architecture throughout the Islamic world, discussing the factors of space, pattern, structure and decoration. Of all the buildings that exemplify this mode, the Alhambra in Granada is perhaps the most important. Expertly recorded by the great nineteenth-century designer Owen Jones, its features became part of the exotic dreams of aesthetes and continued to inspire Western architects during the twentieth century.This book, now available in paperback, is the first to examine this highly distinctive and influential style all the way from its earliest origins to its diverse contemporary manifestations.

    His writings reveal the powerful insight and dispassionate, authoritative intelligence that mark him as one of the preeminent architectural thinkers of this perplexing half century.Divided into three volumes, in more or less chronological order, As I Was Saying includes articles, essays, eulogies, lectures, reviews, and memoranda. Some appeared only in obscure journals, and many are published here for the first time.

    Michael Cannell reveals here the history and personality behind the enigmatic Pei, our most famous living architect. 90 black-and-white photographs.

    Not only is one of those pagodas still standing today, but also surviving are the dedication to quality and the technical skill of its builders as seen in the work of modern-day craftsmen. The Genius of Japanese Carpentry focuses on such practicing carpenters, who combine in their work the timeless past and the living present.What precisely is a Buddhist temple, what a temple carpenter, and what relationship do they have to Japanese woodworkers and carpenters in general? S. Azby Brown raises and answers these questions before taking up the subject that lies at the heart of the book: the construction of the Picture Hall, one of the temples lying within a sub-compound of the Yakushiji monastery. Founded in the eighth century and subject over time to the depredations of fire and warfare, the Yakushiji is now in the midst of a complete renovation that will, by the year 2030, restore its original appearance. As one part of this project, the construction of the Picture Hall has now been completed, employing the methods, the architectural style, and to a large extent the technology of its Japanese historical predecessors.From the day work commenced on the Picture Hall to the day it was finished, the author was at the site, camera in hand, recording its step-by-step erection: the selection of wood, the fabrication of parts, the detailing, the joint-making, the laying of the foundations, the pillars and beams going into place, installment of rafters and struts, the laying of the roof and roof-tiles, and, finally, the holding of the festive ridge-beam ceremony. In addition to documentary photographs, the book is remarkable for the author's drawings, based on the plans of the master carpenter himself. The combination of photos and drawings so clarifies the process of erection that the ambitious reader might imagine, for one heady moment, that he or she might undertake the building of just such a temple if only provided with the proper tools. While far from the truth, this illusion is eloquent testimony to the lucidity of the author's presentation. While it is thus the construction process itself that forms the center of the book, another important element, the human element, is never slighted. The carpenters themselves are continuously present, patiently going about their work, concentrating on the job at hand. It is perhaps from their example, as much as from the description of the stages of construction, that the modern reader will derive inspiration, discovering a common bond of sympathy that bridges both time and cultural boundaries.