They celebrate women with a majesty that has inspired and touched the hearts of millions.These memorable poems have been reset and bound in a beautiful edition--a gift to keep and to give.

    The poems collected in this book are at the heart of the film Il Postino, a cinematic fantasy spun from an apocryphal incident in the life of the Chilean poet and Nobel laureate, Pablo Neruda. Together they show why many consider Neruda to be the finest love poet of the century. Few writers of any age have described the pleasures and torments of erotic love with such un-sentimental directness and sensual precision. Here, too, we find Neruda at his most accessible, the language of his odes and lyrics refined to the point at which it achieves, in critic Jean Franco's words, "the naturalness of song". This short selection draws on work from throughout his writing life, from the famous early collection Twenty Love Songs & a Song of Despair (1924) to the key works of his maturity, Residence on Earth (1935), Elemental Odes (1954) and the autobiographical Memorial de Isla Negra (1964). It offers an enticing glimpse of one of modern poetry's greatest masters.

    From the publication of his first collections, A Boy’s Will (1913) and North of Boston (1914), Frost was recognized as a poet of unique power and formal skill, and the enduring significance of his work has been acknowledged by each subsequent generation. His poetry ranges from deceptively simply pastoral lyrics and genial, vernacular genre pieces to darker meditations, complex and ironic.Here, based on extensive research into his manuscripts and published work, is the first authoritative and truly comprehensive collection of his writings. Brought together for the first time in a Library of America single volume is all the major poetry, a generous selection of uncollected poems, all of Frost’s dramatic writing, and the most extensive gathering of his prose writings ever published, several of which are printed here for the first time.The core of this collection is the 1949 Complete Poems of Robert Frost, the last collection supervised by Frost himself. This version of the poems is free of unauthorized editorial changes introduced into subsequent editions. Also included is In the Clearing (1962), Frost’s final volume of poetry. Verse drawn from letters, articles, pamphlets, and journals makes up the largest selection of uncollected poems ever assembled, including nearly two dozen beautiful early works printed for the first time. Also gathered here are all the dramatic works: three plays and two verse masques.The unprecedented prose section includes more than three times as many items as any other collection available. It is rich and diverse, presenting many newly discovered or rediscovered pieces. Especially unusual items include Frost’s contribution to John F. Kennedy’s inauguration and two fascinating 1959 essays on “The Future of Man.” Several manuscript items are published here for the first time, including the essays “‘Caveat Poeta’” and “The Way There,” Frost’s remarks on being appointed poetry consultant to the Library of Congress in 1958, the preface to a proposed new edition of North of Boston, and many others. A selection of letters represents all of Frost’s important comments about prosody, poetics, style, and his theory of “sentence sounds.”

    This Modern Library edition presents Stephen Mitchell’s acclaimed translations of Rilke, which have won praise for their re-creation of the poet’s rich formal music and depth of thought. “If Rilke had written in English,” Denis Donoghue wrote in The New York Times Book Review, “he would have written in this English.” Ahead of All Parting is an abundant selection of Rilke’s lifework. It contains representative poems from his early collections The Book of Hours and The Book of Pictures; many selections from the revolutionary New Poems, which drew inspiration from Rodin and Cezanne; the hitherto little-known “Requiem for a Friend”; and a generous selection of the late uncollected poems, which constitute some of his finest work. Included too are passages from Rilke’s influential novel, The Notebooks of Malte Laurids Brigge, and nine of his brilliant uncollected prose pieces. Finally, the book presents the poet’s two greatest masterpieces in their entirety: the Duino Elegies and The Sonnets to Orpheus. “Rilke’s voice, with its extraordinary combination of formality, power, speed and lightness, can be heard in Mr. Mitchell’s versions more clearly than in any others,” said W. S. Merwin. “His work is masterful.”

    With acute irony tempered by a generous curiousity, she documents life's improbability as well as its transient beauty.

    This collection includes: "The Glass Essay," a powerful poem about the end of a love affair, told in the context of Carson's reading of the Brontë sisters; "Book of Isaiah," a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome," about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.

    Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in Plainwater dazzle us with their invention and enlighten us with their erudition.

    This collection of poems has a subject matter ranging from the gustatory pleasures of osso buco to an analysis of the handwriting of Keats; from the art form of the calendar pinup to blues music.

    These have been separated into chapters based on the books in which they were originally published, and are as follows:Drum-TapsLeaves of GrassThe Patriotic Poems of Walt WhitmanThe Complete Prose WorksThe Wound DresserThe Letters of Anne Gilchrist and Walt Whitman.This beautifully designed ebook has an interactive table of contents for ease of navigation, carefully formatted texts and chapter illustrations.

    One Art takes us behind Bishop's formal sophistication and reserve, displaying to the full the gift for friendship, the striving for perfection, and the passionate, questing, rigorous spirit that made her a great poet.

    Poems for the Millennium captures the essence of that change, and unlike any anthology available today, it reveals the revolutionary concepts at the very heart of twentieth-century poetry. International in its coverage, these volumes depart from the established poetic modes that grew out of the nineteenth century and instead bring together the movements that radically altered the ways that art and language express the human condition.The first volume offers three "galleries" of individual poets—figures such as Mallarmé, Stein, Rilke, Tzara, Mayakovsky, Pound, H.D., Vallejo, Artaud, Césaire, and Tsvetayeva. Included, too, are sections dedicated to some of the most significant pre-World War II movements in poetry and the other arts: Futurism, Expressionism, Dada, Surrealism, Objectivism, and Negritude. The second volume will extend the gathering to the present, forming a synthesizing, global anthology that surpasses other collections in its international scope and experimental range.Poet-editors Jerome Rothenberg and Pierre Joris provide informative and irreverent commentaries throughout. They challenge old truths and propose alternative directions, in the tradition of the revolutionary manifestos that have marked the art and poetry of the twentieth century. The result is both an essential source book for experiencing the full range of this century's poetic possibilities and a powerful statement on the future of poetry in the millennium ahead.

    Originally published in Cumming's 1935 No Thanks collection, may i feel said he is one of the poet's most original and best loved works.Marc Chagall's floating lovers and violin-playing horses are the perfect complement to Cumming's whimiscal poem. Chagall's lyrical work always reflected the artist's fascination with the many facets of love. "Is it not true that painting and color are inspired by love?" he wrote in 1973, at the age of 85. The twenty-three diverse paintings in this collection include many works that have rarely been seen in public.may i feel said he is a stunning marriage of art and poetry and a giddy celebration of love.

    For example, Ode to Fire is coupled with Ode to Rain. Each ode is written is Spanish and English and is prefaced by pencil drawings. Neruda won the 1971 Nobel Prize for Literature.

    They have the power--the power of the word--to create a world of thoughts and emotions other can share. We only have to learn to listen." In a series of fascinating conversations with thirty-four American poets, "The Language Of Life" celebrates language in its "most exalted, wrenching, delighted, and concentrated form," and its unique power to re-create the human experience: falling in love, facing death, leaving home, playing basketball, losing faith, finding God. Listening to Linda McCarriston's award-winning poems about a child trapped in a violent home, or to Jimmy Santiago Baca explaining how words changed his life in prison, or to David Mura describing his Japanese American grandfather's experience in relocation camps, or to Sekou Sundiata stitching the magic of his childhood church in Harlem to the African tradition of storytelling, or to Gary Snyder invoking the natural wonder of mountains and rivers, or to Adrienne Rich calling for honesty in human relations, all testify to the necessity and clarity of the poet's voice, and all give hope that from such a wide variety of racial, ethnic, and religious threads we might yet weave a new American fabric."'Listen, ' said the storytellers of old, 'listen and you shall "hear," '" explains Bill Moyers. "The Language Of Life" is a joyous, life-affirming invitation to listen, learn, and experience the exhilarating power of the spoken word."From the Trade Paperback edition.

    Now for its 10-year anniversary, Welcome is thrilled to present the entirely re-imagined and redesigned Dance Me to the End of Love. With the art of Matisse and the words of Cohen still at the heart of the book, the new look and feel of this Art & Poetry book is overwhelmingly beautiful. Cohen's song is a lyrical tribute to the miracle of love, the grace it bestows on us and its healing, restorative power. Originally recorded on his Various Positions album, and featured in Cohen's anthology, Stranger Music, this poetic song is gloriously married to the art works by Henri Matisse, perhaps the greatest artist of the twentieth century. "I had this dance within me for a long time," Matisse once said in describing one of his murals. Dance Me to the End of Love is the perfect book for art lovers, song lovers, and all other lovers as well.

    The poignant, accomplished new collection of poetry from the author of My Alexandria--1993 winner of the National Book Critics Circle Award, Los Angeles Times Book Award, 1993 National Book Award Finalist.

    She praises Whitman, denounces cuteness, notes where to find the extraordinary, and extols solitude. Nature speaks to her and she speaks to nature. "This book is biased, opinionated; also it is also joyful, and probably there is despair here too...But the reader will find the pleasures more certain, and more constant, than the rills of despond. Thus it has turned out in my life thus far, influenced by the sustaining passions: love of the wild world, love of literature, love for and from another person."??—??Mary Oliver"This transcendent collection is Oliver's joyful sharing of her love of her craft."??—??*Library Journal

    Poems: Auden is just another reminder of his exhilarating lyric power and his understanding of love and longing in all their sacred and profane guises. One of English poetry's great 20th century masters, Poems: Auden is the short collection of an exemplary champion of human wisdom in its encounter with the mysteries of experience.

    Leader of the Symbolist movement, he exerted a powerful influence on modern literature and thought, which can be traced in the works of Paul Valéry, W.B. Yeats, and Jacques Derrida. From his early twenties until the time of his death, Mallarmé produced poems of astonishing originality and beauty, many of which have become classics.In the Collected Poems, Henry Weinfield brings the oeuvre of this European master to life for an English-speaking audience, essentially for the first time. All the poems that the author chose to retain are here, superbly rendered by Weinfield in a translation that comes remarkably close to Mallarmé's own voice. Weinfield conveys not simply the meaning but the spirit and music of the French originals, which appear en face.Whether writing in verse or prose, or inventing an altogether new genre—as he did in the amazing "Coup de Dés"—Mallarmé was a poet of both supreme artistry and great difficulty. To illuminate Mallarmé's poetry for twentieth-century readers, Weinfield provides an extensive commentary that is itself an important work of criticism. He sets each poem in the context of the work as a whole and defines the poems' major symbols. Also included are an introduction and a bibliography.Publication of this collection is a major literary event in the English-speaking world: here at last is the work of a major figure, masterfully translated.

    First read by Maya Angelou at the 50th anniversary of the founding of the United Nations, this wise and moving poem will inspire readers with its memorable message of hope for humanity.

    A dedicated and inspired teacher, her innovative and highly successful poetry program, Poetry for the People, has recently emerged as a national phenomenon.

    

    Among his best-loved works are "The Raven" with its hypnotic chant of "nevermore, " and the sensuous and lyrical "Annabel Lee." This collection includes all of Poe's most popular rhymes.

    Poems: Hopkins contains a full selection of Hopkins's work, including selected verse, prose, and letters, and an index of first lines.

    Others, more personal, concern themselves with love, with the fragility of the natural world, and with death, especially in the elegiac series of meditations on the death of a parent. But they also inhabit a contemporary landscape haunted by images of the past. Generous, searing, compassionate, and disturbing, this poetry rises out of human experience to seek a level between luminous memory and the realities of the everyday, between the capacity to inflict and the strength to forgive.

    The Nobel laureate shares his thoughts on poetry's special ability to rectify spiritual balance as a counterweight to hostile and oppressive forces, in a collection of ten lectures on the work of such diverse poets as Christopher Marlowe, John Clare, Oscar Wilde, and Elizabeth Bishop.

    Collecting 119 poems in all, Holocaust Poetry commemorates the sanctity of those who died--both Jews and non-Jews--as a result of this unimaginably horrible crime.Yet Schiff's anthology is also a solemn affirmation of humanity's survival, for it pays homage to the past while also attesting to the often brutal struggles that we as a species still face in this world, day in and day out. Also preserved here are poems written by those who themselves perished in the Shoah, the final testaments and eternal lessons of unknown soldiers, unheralded heroes, unsilenced voices.

    Clayton Eshleman's translations have won widespread acclaim, including a National Book Award. Now in its second printing.

    H. Auden once defined light verse as the kind that is written by poets who are democratically in tune with their audience and whose language is straightforward and close to general speech.  Given that definition, the 123 poems in this collection all qualify; they are as accessible as popular songs yet have the wisdom and profundity of the greatest poetry.As I Walked Out One Evening contains some of Auden's most memorable verse: "Now Through the Night's Caressing Grip," "Lullaby:  Lay your Sleeping Head, My Love," "Under Which Lyre," and "Funeral Blues."  Alongside them are less familiar poems, including seventeen that have never before appeared in book form.  Here, among toasts, ballads, limericks, and even a foxtrot, are "Song:  The Chimney Sweepers," a jaunty evocation of love, and the hilarious satire "Letter to Lord Byron."  By turns lyrical, tender, sardonic, courtly, and risqué, As I Walked Out One Evening is Auden at his most irresistible and affecting.

    Sanchez transforms the unspoken and sometimes violent betrayals of our lives into a liberating vision of connection in emotional redemption, compassion, and self-fulfillment.

    Eavan Boland beautifully uncovers the powerful drama of how these lives affect one another; how the tradition of womanhood and the historic vocation of the poet act as revealing illuminations of the other.

    Employing the style and idiom of a post-Modernism--of a twentieth-century artist--and filtering it through the prism of his Israeli and Jewish sensibilities, Amichai's words ifs cosmopolitan, muscular, and ironic. Resounding with the exhilarating of the human encounters--it is brought into the sharper contrast by the ever-present precariousness of Israeli existence. The burden and legacy of this history, and its impact upon modern, secular society, places Amichai's work within a uniquely Israeli landscape--arid, verdant, cruel, and beautiful--while simultaneously transcending national and religious borders. Translated from the Hebrew by Benjamin and Barbara Harshav, this volume brings Amichai to his rightful place beside the leading poets of the twentieth century.

    For as long as people have lived together in communities and built enduring cultures, they have sung and written about their relationship with the God or gods they believed in. In the words of the Irish writer Sean O'Faolain, "all good writing in the end is the writer's argument with God."The Soul Is Here For Its Own Joy gathers poems from a wide range of cultures and traditions and divides them into ten parts, each forming a resonant exploration of a specific and timeless spiritual question. Selections include the work of Dante, Dogen, Goethe, Hafez, Juan Ramon Jimenez, Kabir, Lalla, Li Po, Mirabai, Mary Oliver, Owl Woman, Rainer Maria Rilke, and Rumi, in addition to Blake, Dickinson, Donne, Hopkins, Stevens, Yeats, and other important English and American poets. Together these poems form both a celebration and a quest--a kind of pilgrim's progress that embraces all the rich wisdom of East and West, ancient and modern, male and female, spirit and flesh.

    She draws from the rich heritage of Scripture to give voice to the grief and anguish she has felt. Her words will deeply move anyone who has mourned.

    Her unique ability to passionately transformdiverse subject matters into poetic language is revealed in this important collection of translated pieces. Her play with language is effective and at times transformative, as it expresses and exposes dangerous stereotypes and messages hiddenin the everyday use oflanguage and human behavior. Here, her readers will be surprised and frequentlyconfronted with Ayim's keen and powerful observationsof the complexities of life and the compelling richness of humor and irony within them."These poems have] passion and irony and always a strong magnetic force...for even her humor, her playing with words and her punch lines never veil the strength of her protest against racism, sexism, and all the other isms that add sadness to our society. In May's voice, I found the echo of other sounds fromthe diaspora. Her unrestrainedness, her humor and lyric expressiveness equal those of Lion-Gontron Damas, one of the fathers of Negritude....An extraordinary voice.Unique and already in the hearts of all of us that are persecuted and fullof thirst."--Maryse Condi, from the introduction to the German edition.

    Gathers poems on a variety of subjects including love, marriage, parenthood, modern life, animals, aging, travel, work, and food.

    

    The selection spans Thomas's writing lifetime, and it shows the full range of this tempestuous and meticulous artist who once cheerfully claimed that he had beast, angel and madman within him.

    In the words of Carolyn Forché, "he is a living treasure."

    As ironist and realist, his vision is readily translatable into the language of contemporary experience; and the commitment to hedonism, to political skepticism, and to honest self-awareness... anticipates the prevailing aura of our times.

    From the award-winning poet and novelist—a must-have collection of his four previous books of poetry plus a selection of new, unpublished work.

    Starting with Preface to a Twenty Volume Suicide Note and concluding with recent limited-edition chapbooks and broadsides, this selection traces the more than thirty year career of a major writer who - along with Ezra Pound - may be one of the most significant, and least understood, American poets of our century. Edited by noted poet and translator Paul Vengelisti, Transbluesency offers an ample selection of works from every period of Baraka's extraordinarily innovative, often controversial struggle as a serious and ideologically committed American artist - from Beat to Black Nationist to Maxist-Leninist. This volume reveals a writer shaping a body of poetry that is well a body of knowledge; a passionate reflection upon the cultural, political, and aesthetic questions of his time.

    African American Studies. CRANIAL GUITAR collects poems that first appeared in The Ancient Rain and Crowded with Loneliness, and includes the entire text of the long-out-of-print Golden Sardine, in the only major collection available of the late poet Bob Kaufman. Kaufman was active (except during a decade long self-imposed silence) in the poetry scenes of San Francisco and New York from the 1950s to the 1980s, and has attained cult status for his place at the forefront of the Beat movement. "Kaufman is also known as one of America's true surrealist poets, a premier jazz poet, and a major poet of the black consciousness movement. So much did he embody a French tradition of the poet as outsider, madman, and outcast, that in France, Kaufman was called the Black Rimbaud."--from the introduction by David Henderson.

    Bringing together works only sparsely anthologized or long out of print, this book is a resource for understanding the range, depth, and originality of this pioneering writer whom the poet Anne Sexton named "Muriel, mother of everyone."

    -- Chrystos.

    From Robert Frost to Maya Angelou, Shel Silverstein to Emily Dickinson, this collection emphasizes the fun and diversity of poetry, providing young readers with a well-rounded, inclusive selection of poets.Under the guidance of a special advisory board of esteemed poets, and featuring artwork by Tom Pohrt, the well-known illustrator of Crow and Weasel, A Child's Anthology of Poetry includes favorite poems such as William Blake's "The Tyger" and Lewis Carroll's "Jabberwocky," in addition to more recent classics such as Elizabeth Bishop's "Sestina" and Theodore Roethke's "My Papa's Waltz." Full of surprises and lyric charm, this delightful volume will be treasured by generations of readers.

    Some 25 years after the poems were written Harp collaborated with clay artist Stephen Freedman to make the written poems visual in the form of sculpted, metaphorical clay vessels. This book is a catalogue which traveled with that exhibition.

    Richly colored paintings interspersed throughout express not just the meaning of the words, but the magic within them.

    Well-known for her reclusive personal life in Amherst, Massachusetts, her distinctively short lines, and eccentric approach to punctuation and capitalization, she completed over seventeen hundred poems in her short life. Though fewer than a dozen of her poems were actually published during her lifetime, she is still one of the most widely read poets in the English language. Over one hundred of her best poems are collected here.

    Provides glimpses into the origins of Charles Simic's poetry

    Alice Notley's two books collected here, CLOSE TO ME & CLOSER... and DESAMERE, are works that are wholly their art, meaning they occur as their language shape measure. She's invented a measure. The text is a rich current crossing, as at the moment of imagining, into being in death and in an expanded life. Notley transgresses conventional contemporary categories of genre; rather than genre, the form of the writing is the mind's inner sense and motion. "Alice Notley is, I think, the most challenging and engaging of our contemporary radical female poets...infused with uncommon verbal originality, intelligence and joyous playfullness, full of heart, intensity and wonder, provocatively addressing forever unsolved questions of form and identity, life and death, imagination and gender, Notley's poems are unsettling and inspiring"—the San Francisco Chronicle. Other Alice Notley titles available from SPD include ALMA, OR THE DEAD WOMEN; FROM THE BEGINNING; and WALTZING MATILDA.

    incl THE IRONY OF THE LEASH, SAPPHO'S BOAT et al

    Found in schoolbooks from Alaska to Singapore, the poem has been stitched, stamped, quilted, set to music, printed on cards, written on cakes and made into films.Here 'Warning: When I am an old woman I shall wear purple' appears as a beautifully illustrated gift book, the perfect gift for a friend or relative who wants to grow older with joy.

    Louis. Reminiscent of Jean Toomer's Cane, the book is in part a meditation on African-American autobiography. Keene explores questions of identity from many angles - from race to social class to sexuality (gay and straight). Employing all manner of textual play and rhythmic and rhetorical maneuvers, he (re)creates his life story as a jazz fugue-in-words.

    A stunning collection of poems that touch upon the most pressing issues of our time, by an award-winning poet who was one of the most dynamic and highly regarded figures of her generation.

    The title of this richly textured book derives from two of the three mysterious letters left by Emily Dickinson--the ones addressed to "Dear Master." Lucie Brock-Boido has imagined a series of letters echoing devices found in Dickinson's own work.

    This book contains the poem “Grace”, which the Poetry Society of America chose for their Poetry in Motion series to entertain public transit passengers in major metropolitan areas.

    Since then, he has written seven additional books, and Sagetrieb has devoted an entire issue to his work. Bronk is unquestionably a major poet––utterly original, uncompromisingly abstract in content, and deeply sensuous in form. Michael Heller, in The New York Times Book Review, said Bronk’s poetry is “singularly persistent in its own investigation of how our deepest truths are those which are most unsayable.” This volume spans Bronk’s entire career, from his first book Light and Dark, to his most recent Some Words and The Mild Day (Talisman), which the Village Voice praised as “offering epigrammatic style, philosophical reverie, and haiku-like concision.” Selected Poems is an indispensable collection, containing the most compelling and the most popular of Bronk’s eloquent poems.

    In "Majestic," he describes the spectacle of a "white Lincoln's arc/ from the crown of the downriver road/ and the splash it bellied in the water." This attention to the complexity of the moment as experienced also fuels "About Language," in which a child innocently curses as geese fly gracefully overhead. Excellent work.

    The Nation calls Kyrie "an astonishing collection . . . so spare and tightly woven, yet so mindful of the cadences of the speaking voice, that the poems read like verse drama."Starting with the family, Voigt creates voices that gather into one vast community story, a "true tour de force" (Boston Sunday Globe) that speaks to our own time of plague.

    He spent much of his life as a vagrant monk, wandering here and there, and mingling with people both high- and low-born. On occasion, Ikkyu played Robin Hood, taking money given by the rich and spending it on the homeless. Interspersing his travels with retreats deep in the mountains, he eventually became head abbot at the most important Zen temple in Japan. Much of his verse rants against the pervasive hypocrisy of the Buddhist establishment and the corruption of the imperial court, but his writing is at its finest when centering around what he loved most: the unfettered Zen life and the joys of sexual intimacy.

    This edition of poems is a reprint of the original edition first published in 1846 at the Brontes' own expense.

    This strange sub-genre encompasses the history of modern poetry, from its beginnings in romanticism (Bertrand, Turgenev, Baudelaire), its adolescence in Symbolism (Mallarme, Rimbaud, Trakl), its maturity in high modernism (Stein, Williams, Kafka, Montale, Follain, Char, Vallejo, H.D., and others), and its middle age in post-modernism (Cortazar, Bishop, Ashbery, Simic, Edson, Bly...) up to the present.

    The Green Sea of Heaven is regarded as the finest English translation of his poetry. Elizabeth Gray’s translations are informed by her thorough knowledge of Persian and the Persian poetic tradition. This bilingual edition also includes two brilliant studies of Hafiz by Gray and Daryush Shayegan, plus helpful notes to the translation.

    Powerless, which includes those final poems, also goes back to Dlugos' earlier books to create a stunning retrospective.

    

    In spite of this reputation, and in spite of a number of nineteenth-and twentieth-century translations, Leopardi's poems have never "come over" into English in such a way as to guarantee their author a recognition comparable to that of other great European Romantic poets.By catching something of Leopardi's cadences and tonality in a version that still reads as idiomatic modern English (with an occasional Irish or American accent), Leopardi: Selected Poems should win for the Italian poet the wider appreciative audience he deserves. His themes are mutability, landscape, love; his attitude, one of unflinching realism in the face of unavoidable human loss. But the manners of the poems are a unique amalgam of philosophical toughness and the lyrically bittersweet. In a way more pure and distilled than most others in the Western tradition, these poems are truly what Matthew Arnold asked all poetry to be, a "criticism of life." The translator's aim is to convey something of the profundity and something of the sheer poetic achievement of Leopardi's inestimable Canti.

    The poems are gathered from Odas elementales (Elemental Odes), 1954; Nuevas odas elementals (New Elemental Odes), 1956; Tercer libro de odas, (Third Book of Odes), 1957; and Navegaciones y regresos (Voyages and Homecomings), 1959. This anthology is the most complete selection of Neruda's work to appear in English, in an excellent bilingual format featuring translations by Maria Jacketti, an expert of Pablo Neruda's work.

    

    Named to the College de France in 1981 to fill the chair left vacant by the death of Roland Barthes, Bonnefoy was the first poet honored in this way since Paul Valery. Winner of many awards, including the Prix Goncourt in 1987 and the Hudson Review's Bennett Award in 1988, he is the author of six critically acclaimed books of poetry.Spanning four decades and drawing on all of Bonnefoy's major collections, this selection provides a comprehensive overview of and an ideal introduction to his work. The elegant translations, many of them new, are presented in this dual-language edition alongside the original French. Several significant works appear here in English for the first time, among them, in its entirety, Bonnefoy's 1991 book of verse, The Beginning and the End of the Snow, the 1988 prose poem Where the Arrow Falls, and an important long poem from 1993, "Wind and Smoke." Together with poems from such classic volumes as "In the Lure of the Threshold", these new works shed light on the growth as well as the continuity of Bonnefoy's work. John Naughton's detailed introduction looks at the evolution of Bonnefoy's poetry from the 1953 publication of "On the Motion and Immobility of Douve", which immediately established his reputation as one of France's leading poets, through the 1993 publication of The Wandering Life and its centerpiece "Wind and Smoke.""This is a comprehensive selection that contains examples of work spanning [Bonnefoy's] full career of forty years, from the ground-breaking "Du Mouvement et de l'Immobilité de Douve" through the celebratory "Pierre Ecrite" to the magical winter landscapes of America's East Coast and an unsettling reworking of myth in the recent "La Vie Errante" . . . The translations, which are the work of a variety of hands, including Galway Kinnell, Emily Grosholz and Anthony Rudolf, nevertheless fit well together and all are sensitive to the register and subtleties of both languages, while the introductory essay by John Naughton expertly explains Bonnefoy's importance as a poet and the influences which have shaped him. This is definitely a volume worth having, for layman and French specialist alike."—Hilary Davies, Times Literary Supplement"Anyone not familiar with Bonnefoy's work will benefit from the background information and explanations given by John Naughton in his excellent introduction . . . . The book as a whole provides an excellent introduction to Bonnefoy's poetry and to his concerns of a lifetime."—Don Rodgers, Poetry Wales

    Here is the green and carefree world of a boy who delights in the possibilities of each day, of a child who wrings from every moment a feeling as intensely magical as it is profoundly innocent.

    The poems are both formally innovative and openly cathartic, individually and collectively compelling, turning on their own axis as they revolve around one another. They span languages, landscapes cultures and perspectives. In The Unbearable Heart, Hahn examines the everchanging meaning of surviving the death of a loved one. This collection is a palpable moving mediation on life, death and their aftermath.

    And, as in any good mosaic, every piece reflects light at different angles, giving this self-portrait its living complexity. Tesserae differs for the first time the unique memoirs or "a poet who may just be the finest writing in English today" (Kirkus Reviews).

    .. Admiring gratitude seems perfectly appropriate." The New Yorker has described Matthews's work as " poems that revel in etymology and delight in colloquialism." And Carol Muske, in The Nation, has added: " If asked, I couldn't come up with a poet more in tune with the ironies and stand-up vernacular, the jazz of the everyday, than William Matthews . . . Matthews is a wise and fine poet and a funny person. Like time and money, an unbeatable combination. " This is a large-hearted book, a strong and worldly book, the work of five years by one of the most admired and generous of American poets. The National Book Critics Circle named it the winner of its 1995 award in poet

    All of civilization to date, all of history is after all aftermath, afterthought, afterimage. The language graphics of AFTERRIMAGES lay claim to the fragility--the gift, the terror, and the whimsy--of the remnant that all images are. Their playful nature is born of the conviction that the present tense--tense, tensile with immanent futurity--must extend itself toward the unintelligible and unknown. This is the frontier where the image hovers on the edge of its own transfiguration, the threshold where poetry can take place.

    

    The critical importance of weather and climate to native desert peoples is reflected with grace and power in this personal collection of poems, the first written creative work by an individual in O'odham and a landmark in Native American literature. Poet Ofelia Zepeda centers these poems on her own experiences growing up in a Tohono O'odham family, where desert climate profoundly influenced daily life, and on her perceptions as a contemporary Tohono O'odham woman. One section of poems deals with contemporary life, personal history, and the meeting of old and new ways. Another section deals with winter and human responses to light and air. The final group of poems focuses on the nature of women, the ocean, and the way the past relationship of the O'odham with the ocean may still inform present day experience. These fine poems will give the outside reader a rich insight into the daily life of the Tohono O'odham people.

    Only 7 of these, however, were published before her death in 1886. This 50-poem collection includes such selections as "Forbidden Fruit," "I Had a Guinea Golden," and "Love's Baptism." There are several pieces about one of her favorite themes, the sea, which she describes as "an everywhere of silver." As is the case with most poetry, Dickinson's poems come alive when read aloud. These works--sometimes witty, sometimes sorrowful--are read by a talented group of actresses, including Stephanie Beacham, Glenda Jackson, Sharon Stone, and Meryl Streep. Listen to Glenda Jackson read Emily Dickinson's "I Died for Beauty." Visit our audio help page for more information. (Running time: 45 minutes, 1 cassette) --C.B. Delaney

    With all the terms needed to effectively discuss the craft, this new and revised edition is packed with examples from classic and contemporary poetry to illustrate the terms at work.

    Weaving together close readings, biographical detail, and personal reflections, Boruch meditates on a universal fascination: how a poem comes to exist.A variety of imaginative approaches sets the essays apart from strictly academic poetry criticism. Boruch's ear for metaphor and attention to everyday experience enrich her readings of others' work. The unique connections she draws to the world beyond the literary one- including comparisons to painting and ceramics, the habits of bees, and the basic elements of musical composition- bring other ways of seeing and thinking to bear on the writing process itself. Instead of building her arguments and observations around a single thesis, Boruch borrows freely from other areas of human knowledge and experience, allowing essays to develop gradually and "waywardly," as a poem is made.Poets, teachers of literature, and students of writing and literature, as well as the general reader, will appreciate the insights of Poetry's Old Air, as will the general reader, for whom these essays are entirely accessible.Marianne Boruch is the author of three acclaimed volumes of poetry: Moss Burning, Descendant, and View from the Gazebo. She is Associate Professor of English, Purdue University.

    With Scrimmage of Appetite, Davis has fulfilled Wallace Stevens's image of a poet "merciless / To accomplish the truth in his intelligence."

    Twisted stories, bone-chilling poems, and harrowing yet humorous comix that deal with failed relationships, religious cults, loneliness, and drugs, penned with razor-sharp precision.

    'Night, night, Knight.' An exuberant anthology of wordplay -- poetry, rhymes, riddles, tongue twisters, limericks, and other verbal tomfoolery. Michael Rosen's love and enthusiasm for language is infectious in this delightful, witty collection that's fun to read and even more fun to recite. From sections of Silly Patter to Nursery Crimes (familiar rhymes with a twist), Rosen knows well the humor that appeals to his young readers. Vibrant illustrations add a touch of visual wit as well.

    For the translation, Saberi has used the Qazvini-Ghani Edition of Hafez, which was originally published in 1941 and republished with additional notes and indexes with the help of A. Jorbozedar in 1988. The numbers of ghazals in translation correspond to those of the said edition. The Poems of Hafez is the first faithful, authentic and complete translation of the Ghazals of Hafez by an Iranian scholar, though more than 600 years have passed since the death of Hafez who is considered the greatest lyricist of Iran. Particularly appropriate for university students of Persian literature classes and persons interested in Oriental and/or mystical poetry and readers of New Age materials.

    poetry, 2nd book by author of ASIA & HAITI

    Concepts such as narrative, character, and binary thinking are manipulated and scrutinized but not adhered to methodically. The writing is also a response to literature and the things of the world: it does not separate one off from the other. Marquis de Sade, rocks, Balzac, war, Lautremont, amazons, Jane Austen, news, Jan Bowles, utopias, Ludwig Wittgenstein, child's play, Saint Augustine, censorship are probable points on its strange map. in the world of this work, words themselves may become characters and instincts are regarded as if they were books. Complex ideas and simple rheetorics mingle, yielding impure theories, precarious stories, and fabulist games. —Carla Harryman, 1995, Preface"Carla Harryman is a great wide-awake visionary–reading her is like playing Olympic ping-ping in eight dimensions! In her work we encounter the libido's fierce games: the willful sense and non-sense, the endless reversibility. Rampant story and rhetoric (our culture's self-descriptions) are raised up, then promptly guillotined for crimes against honesty. Through this florescence of creation and destruction, Harryman wages one of contemporary writing's most radical critiques." —Robert Glück"There Never Was a Rose Without a Thorn is a work of magical intelligence and wit, opening up words and ideas in ways that are both startling and moving. Carla Harryman folds out ideas revealing more meanings and connections than seem possible, yet each new image settles irrevocably inside us, no experience, either literary or personal, remains the same once you've traveled through the worlds she creates. Her newest work is an alchemical gem that sparkles." —Jewell GomezCarla Harryman is a poet, playwright, and fiction writer. Her works include Memory Play, Animal Instincts, In the Mode of, Vice, The Middle, Property, Under the Bridge, and Percentage. She studied at UC Santa Barbara and San Francisco State University. In 1979 she co-founded the San Francisco Poets Theater. She currently teaches Creative Writing at Eastern Michigan University.

    The language, the invention, the imagination, and the sheer fun of his poems is astounding. It's not all dazzle either. The poems are also moving. This man reminds us that there is nothing more serious than a joke' - Charles Simic, final judge and author of "Jackstraws", "Walking the Black Cat", and "A Wedding in Hell".

    Howell's spectacular paintings create an exquisite gift book for adults as well as children. Full-color illustrations.

    "A collection whose distinction rests in structure: Rhodes cleaves to no fixed perspective-this is a single speaker, eccentric, various, rather than a spokesperson. This fluidity persuades because it mimics the dilemma, imitates and preserves the child's helplessly reactive mind as it survives into, and is masked by, adulthood. These short poems, by turns savage, wry, mordantly witty, tender, stern, deluded, sane, read like a series of fragments, bits of mosaic; they duplicate on the page the sense of a past's being, piece by piece, recovered; they convey, devastatingly, the moment of a pattern's emerging: the little scenes and vignettes, the suspect tools of memory, cohere heart-stoppingly and absolutely into a narrative which fuses the damaged body to the divided heart. The results of the forbidden saturate these poems; reading them we are in the presence of harm. and, simultaneously, a wild, stubborn, unkillable life"-Louise Gluck.

    Each poem explores moments when an individual life becomes implicated in a larger scheme - Cold War politics, the mysteries of religious faith. Winner of the 1994 Juniper Prize.

    A finalist for the Bay Area Book Reviewers Award.

    Find out how these outpourings of soul are begun, nurtured, and fulfilled. Features Gemino Abad, Carlos Angeles, Cirilo Bautista, Ricaredo Demetillo, Ophelia Dimalanta, Marjorie Evasco, Alejandrino Hufana, Edith Tiempo, Trinidad Tarrosa-Subido, and Alfred Yuson."This book is about what went on in the writing of a poem--what problems arose, what resources were tapped, and what solutions were arrived at...This book underscores the importance of revision in wirting, which itself is an art who temptations the young writer would not find difficult to resist because of its stringent and exacting demands, but which must be eventually yielded to because it is good to do so, because it is where the art of good writing lies, and because it is productive of excellence--which is whart art as craft is about" --From the introduction

    

    They deal with love of many sorts, with people of all kinds observed with both comedy and pathos, and with the places he has made his own. The illustrations, by David Gentleman, depict the spirit and feeling of place the poet is able to evoke.

    "A very satisfying cumulative beauty. . . .These are, simply, poems about love (while not exactly love poems) and the many forms it takes. They are finally not about happiness. Best of all, they are smart enough to know the difference."--The Nation

    Crunk. As James Dickey, distinguished poet and judge of the competition, says in the foreword, "Here is that rare phenomenon, a writer of instinctive formal vision. His real reverence for the simple objects of the everyday world, their ability to present cup, tree, and hand both as they seem and as they are with a kind of mystical iconic starkness, is a quality uniquely Mr. Crunk's. That this starkness eventually begins to warp into the surreal and ultimately windows into the Luminous Beyond, is additional sanction for gratitude." Reliquaria1. Found Hand-Painted on a Tin Flue CoverRibbon of black crapedraped on a door knob like broken stringshanging from a loom with the words: Weep not.What do I need of this world? 2. S. P. Dinsmoor Describes His TombI have made myself a coffin with a glass lid.By the door of my grave house I have set a cement angel and a stone jug.When I see the host coming down, the lid will—fly open and I will sail out into the air like a locust.If I am called above, the angel will help me—on my way. If I have to go below, I will grab my jugand fill it with water somewhere on the road down. Meantime, every day I pray—O Lordteach me that I am but earth, a hollow vessel of clay,only a wisp of thy breath against my emptiness. 3.They have yet to figure outthe name of the church two men diving in Barkley Lakearound Cain's Mill a few years ago found the whole steeple ofcross and all half-buried in the mud shallows.

    Phillips refuses to write what might be expected of him on any subject, whether it's gender, race, faith, or morality. His reticence, his refusal of polemic, remind me sometimes of the young James Merrill, even of Auden."--Marilyn HackerPriase for Cortège"Carl Phillips is a poet of eros, but for him eros isn't simply sex, or even sexual desire sublimated into social ritual, or art, or any of the overdetermined ploys by which all of us, men and women, heterosexual and homosexual, attempt to close the distance between ourselves and others. Rather, eros is the never ending struggle, as he puts it, 'to fill a space in so there's no room left for awhile for what he surely calls a suffering inside him.' In the intricacies of thinking and feeling enacted in every poem of Cortège, no feeling ever quite escapes its opposite--the joy of fulfilled desire is infused with the isolation it has momentarily eclipsed, the heaven of intimacy only heightens 'how it feels to be stranded.' Cortège is a book that has been packed in salt: the durable salt of artistic making, and the bitter salt of longing. Few other poets writing today can track so well, so unforgettably, the estranging spaces in the heart of love, the perils of beauty or the beauty of peril."--Alan Shapiro"Out so much farther than our present pieties, attentive to no social or sentimental voice, only passion's (so often ruinous, defiant of upshot), it is not in every case, every poem, that Carl Phillips triumphs over my timidity. As with Sappho and Pasolini, though, traces of the winged god are everywhere unmistakable, even when this new poet has kicked them over: it is a sacred entail his harsh graces make. I for one am an awed (if lacerated) heir."--Richard HowardCarl Phillips is author of In the Blood, winner of the 1992 Morse Poetry Prize. He is a recipient of an Academy of American Poets Prize, and has published widely in journals including the dn0 Kenyon Review, the Paris Review, and the Yale Review. Phillips teaches at Washington University in St. Louis and is currently visiting assistant professor of creative writing at Harvard University.

    His is an oblique, eccentric, totally fascinating talent. Because of these qualities, it may seem that he is difficult to follow - as Ornette Coleman or Gabriel Garcia Marquez or Romare Bearden seems difficult to track at times. But his strength of vision is always evident; the quickness and inclusiveness of his voice can sweep a reader along into new and refreshing areas. Roberson's poetic moves are not tricks or affected traits. They are artistic and deeply considered techniques. Reading the two basic cycles of this elliptical and intriguing work could be likened to reading Ezra Pound or a more deliberate and lyrically touched Charles Olson, but with an unanchored allusiveness of things largely American taking the place of the Chinese and the Mayan. Roberson creates that rare combination of sophistication and simplicity which defines truly significant poetry. In this new work he makes the variety of our culture dance from his very special viewpoint.

    The fifth winner of the Eighth Mountain Poetry Prize, selected by Lucille Clifton.

    Unsystematic, spontaneous, irreverent, intense, witty, unexpected, these notebooks shimmer with reflections, speculations, confessions, quotations, impressions, and ruminations. They create a portrait of the artist as a purposeful gatherer and sifter of every kind of experience.Included are the notebooks from such distinguished and eclectic voices as Rita Dove, Stephen Dunn, Carolyn Forché, Donald Hall, Garrett Hongo, Joy Harjo, Donald Justice, Yusef Komunyakaa, James Merrill, Mary Oliver, Charles Simic, and William Stafford.