of photos.

    Leader of the Symbolist movement, he exerted a powerful influence on modern literature and thought, which can be traced in the works of Paul Valéry, W.B. Yeats, and Jacques Derrida. From his early twenties until the time of his death, Mallarmé produced poems of astonishing originality and beauty, many of which have become classics.In the Collected Poems, Henry Weinfield brings the oeuvre of this European master to life for an English-speaking audience, essentially for the first time. All the poems that the author chose to retain are here, superbly rendered by Weinfield in a translation that comes remarkably close to Mallarmé's own voice. Weinfield conveys not simply the meaning but the spirit and music of the French originals, which appear en face.Whether writing in verse or prose, or inventing an altogether new genre—as he did in the amazing "Coup de Dés"—Mallarmé was a poet of both supreme artistry and great difficulty. To illuminate Mallarmé's poetry for twentieth-century readers, Weinfield provides an extensive commentary that is itself an important work of criticism. He sets each poem in the context of the work as a whole and defines the poems' major symbols. Also included are an introduction and a bibliography.Publication of this collection is a major literary event in the English-speaking world: here at last is the work of a major figure, masterfully translated.

    But her plans are thwarted when a band of outlaws rob the very bank in which she is withdrawing her savings, taking her hostage in the process. Rogue and ruthless, her captives sweep her off to the country with evil intent, but one man stands in the way.Ex-Confederate soldier Parker Cole doesn’t understand his own fierce determination to protect the beautiful captive from his fellow bandits. Touched by her courage and spirit, he vows to prove his love to her, following Addy to a mining boomtown filled with dreamers and desperados. Fearless though he may be, Parker must summon all of his courage to beat out the line of rich and powerful suitors in the pursuit of the greatest treasure—Addy’s heart.

    He joins the army purposely to fight Indians – any Indians. Iris Gray is a colonel’s daughter, who joins her father in America’s Northwest Territory and tries to bring peace between settlers and the Nez Perce Nation. Circumstances bring Iris and Zack together in a memorable love story as Iris struggles to help Zack find peace in his own heart. An unlikely friendship forms between these two and a Nez Perce warrior, Strong Runner, and his wife, Morning Star, teaching all four characters about cultural tolerance. CHASE THE SUN is the true story of the last flight of the Nez Perce to Canada in 1876, and a stunning depiction of the reasons for war and misunderstandings in a land deeply torn by its own unstoppable growth. A memorable tale of real history, abiding love, and a Nation’s unique struggle through tragedy and triumph.

    Their divorce a few years later was one of England s most scandalous at that time. In her quest for passionate fulfilment she had lovers which included an Austrian prince, King Ludvig I of Bavaria, and a Greek count whose infidelities drove her to the Orient. In Syria, she found the love of her life, a Bedouin nobleman, Sheikh Medjuel el Mezrab who was twenty years her junior.Bestselling biographer Mary Lovell has produced from Jane Digby’s diaries not only a sympathetic and dramatic portrait of a rare woman, but a fascinating glimpse into the centuries-old Bedouin tradition that is now almost lost.

    Then he beheld the exotic Spanish beauty called Santana, and the rugged New Englander was forever lost. In her dark, luminous eyes he saw all that was beautiful and irresistible about this rich and fertile country -- all that he wished to possess yet did not fully understand.BUT NOTHING AND NO ONE COULD KEEP THEM APARTWith every beat of her innocent heart Santana knew that this tall, handsome, blue-eyed American was the only man she could ever love. But between Santana and Will stood a lifetime of tradition -- and a powerful and ruthless Spanish don who would kill any man who dared to covet his intended bride. Now, as Will's dream of Lassater Mills becomes a reality, he will risk everything to make Santana his own. And though love cannot protect them from vengeful enemies or the fires of change raging across this land, it may give them the strength to face an uncertain future, and in the midst of tragedy the courage to begin anew...

    Irresistible prices make these books great for any classics library!

    And during the 19th century--a time of great change--fashion was a powerful component in the development of American society. Through dress, average individuals could step beyond class divisions and venture into the world of the elite and privileged. Beginning in 1840, with the advent of the daguerreotype, that moment could be captured for a lifetime.In Dressed for the Photographer, Joan Severa gives a visual analysis of the dress of middle-class Americans from the mid-to-late 19th century. Using images and writings, she shows how even economically disadvantaged Americans could wear styles within a year or so of current fashion. This desire for fashion equality demonstrates that the possession of culture was more important than wealth or position in the community.Arranging the photographs by decades, Severa examines the material culture, expectations, and socioeconomic conditions that affected the clothing choices depicted. Her depth of knowledge regarding apparel allows her to date the images with a high degree of accuracy and to point out significant details that would elude most observers. The 272 photographs included in this volume show nearly the full range of stylistic details introduced during this period. Each photograph is accompanied with a commentary in which these details are fully explored. In presenting a broad overview of common fashion, Severa gathers letters and diaries as well as photographs from various sources across the United States. She provides graphic evidence that ordinary Americans, when dressed in their finest attire, appeared very much the same as their wealthier neighbors. But upon closer examination, these photographs often reveal inconsistencies that betray the actual economic status of the sitter.These fascinating photographs coupled with Severa's insights offer an added dimension to our understanding of 19th century Americans. Intended as an aid in dating costumes and photographs and as a guide for period costume replication, Dressed for the Photographer provides extensive information for understanding the social history and material culture of this period. It will be of interest to general readers as well as to social historians and those interested in fashion, costume, and material culture studies.

    But, in one of the finest series of historical short stories in literature, Doyle created Brigadier Etienne Gerard, a marvelous hero set against a backdrop of the Europe of Napoleon.

    Revealing him at his sparkling, spontaneous, fluent best, these letters bear that most familiar of Wildean hallmarks — the lightest of touches for the most serious of subjects. He comments openly on his life and his work, from the early years of undergraduate friendship, through his year-long lecture tour in America as a striving young "Professor of Aesthetics," to the short period of fame and success in the early 1890s when he corresponded with many leading political, literary and artistic figures of the time, including William Gladstone, George Curzon, W. B. Yeats, George Bernard Shaw, Frank Harris, Aubrey Beardsle and Max Beerbohm. Disgrace and imprisonment followed, but even in adversity his humor does not desert him. In this volume, Merlin Holland has brought together his most revealing letters with a helpful commentary and some previously unpublished photographs. Together they form the closest thing we have to Wilde's own memoir.

    Heiress Nella Fielden sets her heart on Jonas Townley and marries him, but his heart belongs to Nella's protegee Leah, a lowly miner's daughter. Tragedy follows when Nella learns she has a rival.

    With more than 300 photographs, it provides invaluable information on the dress styles and designs of women's clothing in the 19th century. It also includes descriptions of accessories and construction tips for those involved with reenactments and living history. Now in use extensively in the Hollywood film industry.

    

    This edition of poems is a reprint of the original edition first published in 1846 at the Brontes' own expense.

    Relates the wild days of Wes Hardin through the voices of those who encountered him during the 42 years of his life: friends and enemies, kinfolk and strangers, lawmen and outlaws, gamblers and fancy ladies.

    Covering her life from her tortured childhood as a pawn in the line of royal succession to her long, lonely position as ruler of the British Empire, this autobiography tells the empathetic story of Victoria, as woman, wife, mother, and queen.

    Battle Tactics of Napoleon and His Enemies

    Only 7 of these, however, were published before her death in 1886. This 50-poem collection includes such selections as "Forbidden Fruit," "I Had a Guinea Golden," and "Love's Baptism." There are several pieces about one of her favorite themes, the sea, which she describes as "an everywhere of silver." As is the case with most poetry, Dickinson's poems come alive when read aloud. These works--sometimes witty, sometimes sorrowful--are read by a talented group of actresses, including Stephanie Beacham, Glenda Jackson, Sharon Stone, and Meryl Streep. Listen to Glenda Jackson read Emily Dickinson's "I Died for Beauty." Visit our audio help page for more information. (Running time: 45 minutes, 1 cassette) --C.B. Delaney

    This bilingual edition includes an introduction by Heine scholar Jeffrey L. Sammons. The author aims to capture the meaning of the original, but preserve the poems' rhyme schemes as well as their moods.

    Only by removing Indian children from their homes for extended periods of time, policymakers reasoned, could white civilization take root while childhood memories of savagism gradually faded to the point of extinction. In the words of one official: Kill the Indian and save the man.Education for Extinction offers the first comprehensive account of this dispiriting effort. Much more than a study of federal Indian policy, this book vividly details the day-to-day experiences of Indian youth living in a total institution designed to reconstruct them both psychologically and culturally. The assault on identity came in many forms: the shearing off of braids, the assignment of new names, uniformed drill routines, humiliating punishments, relentless attacks on native religious beliefs, patriotic indoctrinations, suppression of tribal languages, Victorian gender rituals, football contests, and industrial training.Especially poignant is Adams's description of the ways in which students resisted or accommodated themselves to forced assimilation. Many converted to varying degrees, but others plotted escapes, committed arson, and devised ingenious strategies of passive resistance. Adams also argues that many of those who seemingly cooperated with the system were more than passive players in this drama, that the response of accommodation was not synonymous with cultural surrender. This is especially apparent in his analysis of students who returned to the reservation. He reveals the various ways in which graduates struggled to make sense of their lives and selectively drew upon their school experience in negotiating personal and tribal survival in a world increasingly dominated by white men.The discussion comes full circle when Adams reviews the government's gradual retreat from the assimilationist vision. Partly because of persistent student resistance, but also partly because of a complex and sometimes contradictory set of progressive, humanitarian, and racist motivations, policymakers did eventually come to view boarding schools less enthusiasticallyBased upon extensive use of government archives, Indian and teacher autobiographies, and school newspapers, Adams's moving account is essential reading for scholars and general readers alike interested in Western history, Native American studies, American race relations, education history, and multiculturalism.

    But Emile Zola (1840-1902) was: his monumental cycle of twenty novels extended the reach of fiction for all subsequent generations; he gave new meaning to the cause of brave progressivism; and his work sparked into life what we think of as the modern intelligentsia. This magisterial biography of a great but strangely private and unknown man is also a superb history of the social, political, and intellectual world through which Zola traveled so unforgettably. Fifteen years in the making, Zola draws on the new edition of Zola's letters, with its hundreds of new documents, to offer unprecedented detail and nuance about Zola's life.

    His Paris Street: Rainy Day and Floorscrapers -- each the subject of a fascinating, extensively illustrated analysis in this book -- have become icons of the Impressionists' devotion to scenes of modern urban life.Prepared by an international team of scholars to accompany the major 1994-95 retrospective organized by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, and The Art Institute of Chicago, Gustave Caillebotte: Urban Impressionist reproduces 89 of his paintings and 28 of his drawings and studies, many of them from little-known private collections. Thoughtful essays examine both his work and his crucial role as an early patron and promoter of Impressionism. A chronology, list of exhibitions, and selected bibliography provide additional invaluable information.

    T. B. Clore, Camp Douglas survivorThe Chicago doctors who inspected the prison in 1863 called Camp Douglas an “extermination camp.” It quickly became the largest Confederate burial ground outside of the South.What George Levy’s meticulous research, including newly discovered hospital records, has uncovered is not a pretty picture. The story of Camp Douglas is one of brutal guards, deliberate starvation of prisoners, neglect of the sick, sadistic torture, murder, corruption at all levels, and a beef scandal reaching into the White House.As a result of the overcrowding and substandard provisions, disease ran rampant and the mortality rate soared. By the thousands, prisoners needlessly died of pneumonia, smallpox, and other maladies. Most were buried in unmarked mass graves. The exact number of those who died is impossible to discern because of the Union's haphazard recordkeeping and general disregard for the deceased.Among the most shocking revelations are such forms of torture as hanging prisoners by their thumbs, hanging them by their heels and then whipping them, and forcing prisoners to sit with their exposed buttocks in the ice and snow.The Confederate Camp Andersonville never saw such gratuitous barbarity.

    Featuring such authors as Balzac, Mérimée, Dumas, Verne, and Maupassant, this book offers readers familiar with the works of Edgar Allan Poe and E. T. A. Hoffman some of the most memorable stories in the genre. With its aura of the uncanny and the supernatural, the fantastic tale is a vehicle for exploring forbidden themes and the dark, irrational side of the human psyche.The anthology opens with "Smarra, or the Demons of the Night," Nodier's 1821 tale of nightmare, vampirism, and compulsion, acclaimed as the first work in French literature to explore in depth the realm of dream and the unconscious. Other stories include Balzac's "The Red Inn," in which a crime is committed by one person in thought and another in deed, and Mérimée's superbly crafted mystery, "The Venus of Ille," which dramatizes the demonic power of a vengeful goddess of love emerging out of the pagan past. Gautier's protagonist in "The Dead in Love" develops an obsessive passion for a woman who has returned from beyond the grave, while the narrator of Maupassant's "The Horla" imagines himself a victim of psychic vampirism.Joan Kessler has prepared new translations of nine of the thirteen tales in the volume, including Gérard de Nerval's odyssey of madness, "Aurélia," as well as two tales that have never before appeared in English. Kessler's introduction sets the background of these tales—the impact of the French Revolution and the Terror, the Romantics' fascination with the subconscious, and the influence of contemporary psychological and spiritual currents. Her essay illuminates how each of the authors in this collection used the fantastic to articulate his own haunting obsessions as well as his broader vision of human experience.

    130+ illustrations.

    Poems: Hardy contains poems from Moments of Vision, Satires of Circumstance, Veteris Vestigia Flammae, Heredity, Short Stories, Afterwards, and an index of first lines.

    She was the most substantial and striking of the women writers of the fin de siecle who developed the modern short story, with its focus on the 'psychological moment', its exploration of the interior landscapes of human experience, and its only sporadic commitment to a realist aesthetic. This volume contains her two best collections of short stories, Keynotes (1893) and Discords (1895).An incipient modernism can clearly be identified in her stories: there is a recurrent focus on the inner consciousness of their female subjects, revealed through reverie or dream, or through intense moments of psychological and emotional connection. The stories are full of wanderers, and have the sense of dislocation characteristic of literary modernism; their compression and resistance to narrative closure confirm their alignment with the emergent aesthetic. Coupled with this aesthetic experimentation are explorations of female sexual desire, new gender identities and the pains and pleasures of maternity. Thirty years before Virginia Woolf's annunciation of modernism in the 1920s, when she presented this 'new' aesthetic movement as an abrupt break with a worn-out nineteenth-century realism. George Egerton had penetrated the emotional and psychological tragedies of apparently unexceptional women's lives and powerfully translated these tragedies into fiction. She forged a new way of expressing women's experience: her status as an important and compelling writer is indisputable.

    She argues that the struggles between Chinese immigrants, U.S. government officials, and the lower federal courts that took place around the turn of the century established fundamental principles that continue to dominate immigration law today and make it unique among branches of American law. By establishing the centrality of the Chinese to immigration policy, Salyer also integrates the history of Asian immigrants on the West Coast with that of European immigrants in the East. Salyer demonstrates that Chinese immigrants and Chinese Americans mounted sophisticated and often-successful legal challenges to the enforcement of exclusionary immigration policies. Ironically, their persistent litigation contributed to the development of legal doctrines that gave the Bureau of Immigration increasing power to counteract resistance. Indeed, by 1924, immigration law had begun to diverge from constitutional norms, and the Bureau of Immigration had emerged as an exceptionally powerful organization, free from many of the constraints imposed upon other government agencies.

    No price can be put on the stories that he recorded. He captured snapshots of Americana and family history that would have been lost forever. These historical sketches and photographs will be revered forever by the descendants of the families who lived on mountain farms in one of Alabama's most rugged back country. His down-to-earth style of writing is reminiscent of summer afternoons that I have spent in a front porch chair captivated and fascinated by listening to old timers telling of the old days and the old ways. My, the world has changed and maybe not for the better.Lamar Marshall, Cultural Heritage Director, Wild South

    It is also, however, the art that relates most closely to our lives, both as reflection of our self-image and, in the words of Louis XIV, as the mirror of history. This text examines English and French fashion from 1750 to 1820 by studying the art of the period and it shows how changes in dress reflected social, political and cultural developments in the two countries.

    Reading these settings performatively, Carol Mavor shifts the focus toward the subjectivity of these girls and women, and toward herself as a writer.Mavor’s original approach to these photographs emphatically sees sexuality where it has been previously rendered invisible. She insists that the sexuality of the girls in Carroll’s pictures is not only present, but deserves recognition, respect, and scrutiny. Similarly, she sees in Cameron’s photographs of sensual Madonnas surprising visions of motherhood that outstrip both Victorian and contemporary understandings of the maternal as untouchable and inviolate, without sexuality. Finally she shows how Hannah Cullwick, posing in various masquerades for her secret paramour, emerges as a subject with desires rather than simply a victim of her upper-class partner. Even when confronting the darker areas of these photographs, Mavor perseveres in her insistence on the pleasures taken—by the viewer, the photographer, and often by the model herself—in the act of imagining these sexualities. Inspired by Roland Barthes, and drawing on other theorists such as Julia Kristeva and Luce Irigaray, Mavor creates a text that is at once interdisciplinary, personal, and profoundly pleasurable.

    They were expelled almost immediately, but their intrusion sparked a political crisis that led to the collapse of all civil authority in the Swahili towns. Feasts and Riot traces the background to that crisis, using the events of 1888 as a window through which to examine the nature of class conflict and popular consciousness in precolonial Africa. Glassman shows how the contours of market penetration were shaped by local patterns of struggle, particularly struggle over the definition of community institutions. Deriving his approach from the writings of Gramsci, the author focuses on the ambiguity of popular rebellion. Lower class rebels were motivated neither by a distinct, class-based vision of society, nor by dedication to any traditional way of life. Instead, they expressed a rebellious interpretation of community ideals, ideals that they held in common with their soci

    He was, according to Lord Byron, a man of extremes: 'tenderness, roughness -- delicacy, coarseness -- sentiment, sensuality -- dirt and deity'. Ian McIntyre's biography gives a careful analysis of Burns's songs and poetry and strips away the legend to explore what lies beneath. The figure that emerges is sharper, less idealized, perhaps more truly great, than in any previous biography.

    As well as Charlotte's own letters from 1829 to 1847, a handful of important letters and diary extracts by her friends and family illuminate the writer's correspondence. This volume covers the period from her childhood up to the publication and review of Jane Eyre."

    She writes of the world's beauty, but fears that it may be deceptive, even deadly. She is a religious poet, but much of her work is driven by uncertainty. Her poems are restrained, even secretive, but they seek nothing less than the mystery of Life and Death.This edition contains Rossetti's strongest and most distinctive work: poetry (including 'Goblin Market', 'The Prince's Progress', and the sonnet sequence 'Monna Innominata'), stories (including the complete text of Maude), devotional prose (with nearly fifty entries from the 'reading diary' Times Flies), and personal letters. Those poems which Rossetti published, and those which she withheld from publication, are here brought together in chronological order, allowing the reader to observe her poetic trajectory. This edition also records the major revisions made by Rossetti when preparing her poems for publication. It brings together the fullest range of Rossetti's poetry and prose in one volume, and is an indispensable introduction to this entrancing writer.

    Though there's no documentation of individual facts and quotes, Levine has drawn on Pavlova's own scraps of memoir as well as on numerous accounts about her. Every kid who dreams of stardom will appreciate Pavlova's lifelong insistence that rigorous training is as necessary as talent.

    Text is excerpted from Thoreau's own writings and describes a journey into the deep forest of Maine. "A handsome book that some teachers may want to include in units on the period or on Thoreau." -- Booklist

    B. Yeats's surviving early manuscripts, renowned Yeats scholar George Bornstein made a thrilling literary discovery: thirty-eight unpublished poems written between the poet's late teens and late twenties. These works span the crucial years during which the poet "remade himself from the unknown and insecure young student Willie Yeats to the more public literary, cultural, and even political figure W. B. Yeats whom we know today." "Here is a poetry marked by a rich, exuberant, awk-ward, soaring sense of potential, bracingly youthful in its promise and its clumsiness, in its moments of startling beauty and irrepressible excess," says Brendan Kennelly. And the Yeats in these pages is already experimenting with those themes with which his readers will become intimate: his stake in Irish nationalism; his profound love for Maud Gonne; his intense fascination with the esoteric and the spiritual. With Bornstein's help, one can trace Yeats's process of self-discovery through constant revision and personal reassessment, as he develops from the innocent and derivative lyricist of the early 1880s to the passionate and original poet/philosopher of the 1890s. Reading-texts of over two dozen of these poems appear here for the first time, together with those previously available only in specialized literary journals or monographs. Bornstein has assembled all thirty-eight under the title Yeats had once planned to give his first volume of collected poems. Under the Moon is essential reading for anyone interested in modern poetry.

    In this book, the author discusses the history and development of Italian record keeping, providing reproductions of typical records and a complete translation and thorough explanation of each. Among the many other topics covered in this book are the significance of Italian surnames and the relevance of Italian noble families in the search for Italian ancestors.

    Arriving from Tipperary, Ireland in the 1840s, the family settled in the boisterous pioneer community near London, Ontario. For the next 30 years, their activities gained wide notoriety in the area. James was convicted of murder but escaped the gallows. The sons grew up to be handsome, reckless, enterprising in business and very dangerous in combat.What is it about The Donnellys that still fascinates people? Were they really as evil as their enemies portrayed them? Why was no one ever convicted of their murders? What happened to the surviving Donnellys? And why do local people still feel strongly, taking sides for or against the family?After 15 years of exhaustive research, lawyer Ray Fazakas has produced the definitive account of the famous feud and its tragic consequences. He has also collected an astonishing treasure trove of old photographs, period drawings, maps and documents, showing the Donnellys, their murderers and the sites and people involved.This unique combination of narrative and illustration recreates an epic tragedy of frontier life.

    In Inventing New England, Dona Brown traces the creation of these calendar-page images and describes how tourism as a business emerged and came to shape the landscape, economy, and culture of a region.By the latter nineteenth century, Brown argues, tourism had become an integral part of New England's rural economy, and the short vacation a fixture of middle-class life. Focusing on such meccas as the White Mountains, Martha's Vineyard, Nantucket, coastal Maine, and Vermont, Brown describes how failed port cities, abandoned farms, and even scenery were churned through powerful marketing engines promoting nostalgia. She also examines the irony of an industry that was based on an escape from commerce but served as an engine of industrial development, spawning hotel construction, land speculation, the spread of wage labor, and a vast market for guidebooks and other publications.

    This book examines in detail four Merchant Ivory films--A Room with a View, Maurice, Howards End, and The Remains of the Day--and offers a portrait of enduring England, with the evocatively shot country and town settings that serve as backdrops for the film's narratives. 101 illustrations, 82 in color. Map.

    That encounter marked a turning point for this centuries-old people, whose history from then on would be dominated by the interaction of the native confederacies with the empires of various European adventurers and settlers.Much has been written about the confrontations of Euro-Americans with Native Americans, but most of it has focused on the Anglo-Indian relations of the eastern part of the continent or on the final phases of the western wars. This thorough and engaging history is the first to focus intensively on the Caddos of the Texas-Louisiana border area. Primarily from the perspective of the Caddos themselves, it traces the development and effect of relations over the three hundred years from the first meeting with the Spaniards until the resettlement of the tribes on the Brazos Reserve in 1854.In an impressive work of scholarship and lucid writing, F. Todd Smith chronicles all three of the Caddo confederacies–Kadohadacho, Hasinai, and Natchitoches–as they consolidated into a single tribe to face the waves of soldiers, traders, and settlers from the empires of Spain, France, the United States, Mexico, and the Republic of Texas. It describes the delicate balance the Caddos struck with the various nations claiming the region and how that gradually evolved into a less beneficial relationship. Caught in the squeeze between Euro-American nations, the Caddos eventually sacrificed their independence and much of their culture to gain the benefits offered by the invaders. Falling victim to swindlers, they at last lost their lands and were moved to a reservation. This intriguing new view of a little-known aspect of history will fascinate those interested in the culture and fate of American Indians. Thorough in its research and comprehensive in scope, it offers valuable insight into the differing approaches of the various European and American nations to the native peoples and a compelling understanding of the futility of the efforts of even some of the most sophisticated tribes in coping successfully with the changes wrought.

    Surveying the period between the mid-seventeenth and the mid-twentieth centuries, it examines the major texts which established and authorised sexual knowledge and sexual practices. Porter and Hall then explore the various kinds of backgroundssexual, moral, religious, scientific, medical, domestic, social and cultural - without which these texts are unintelligible. And they examine their authors (some famous, some obscure, some anonymous), their careers, and the motives for involvement in medico-moral campaigns that were often thought unsavoury and commonly led to criticism and censure. The Facts of Life also assesses the wider impact of the publication of sexual knowledge and especially of sex advice literature, and explores the interplay between expertise, therapy, social mores and behaviour. Chapters on the nineteenth and twentieth centuries discuss prostitution, contagious diseases and gender relations, and consider debates on sexual issues and associated revelations of personal experience.

    -- Stanley Krippner

    Covers the campaigns waged on the Indian subcontinent, Africa, Mediterranean, Far East, Americas and on the Atlantic, and in Australasia and the Pacific.

    Japan underwent momentous changes during the nineteenth century. This book chronicles the transition from Tokugawa rule, and the political process that finally ended centuries of warrior rule. It goes on to discuss the samurai rebellions against the Meiji Restoration, national movements for constitutional government that indirectly resulted in the Meiji Constitution of 1889, and Japan's twentieth-century drive to Great Power status.

    Her letters give readers a rare glimpse into palace life from the point of view of the servant. Discreet, well-read, lively, charming, and dazzled but not overwhelmed by the grandeur of her new surroundings, she give a unique account of the interiors of all the royal castles and the royal yacht. She was behind the scenes when Napoleon III came to England, and she went with the Queen on the famous state visit to Paris in 1855. Frieda wrote home to her native Karlsruhe describing the sights of London from the foreigner's perspective, appalled by the gulf between riches and squalor, and taking in all the current places of interest from the Bank of England to Crystal Palace. She sees troops leaving for the Crimea and returning to the new camp at Aldershot. Frieda's viewpoint is curious and unique. Her letters are illustrated by portraits, early photographs from the time and Frieda's own sketches and watercolours. Frieda's letters give us the chance to listen to an intelligent, articulate voice from a vanished and otherwise silent world.

    Through it, you can come boldly to the throne of grace...[and] obtain mercy and...help in time of need. (Heb. 4:16 NKJV). Charles Spurgeon knew not only how to preach but also how to pray. His prayers were filled with adoration, confession, petition, and intercession.

    Most of the patterns are for stylish daywear for women, but there are house dresses and nightwear as well, along with a selection of suits and dresses for young boys and girls and several garments for men.Reproduced from rare original issues of The Voice of Fashion, these patterns show that although most ladies' fashions of the 1890s were designed to conceal the body behind high necks, long sleeves, and full, floor-length skirts, a lively interest in revealing the female figure persisted. Elegant hand craftsmanship and the luxuriant draping of rich fabric further enhanced this statuesque idealization of femininity.An informational general introduction to dressmaker's patterns and concise instructions for using them precede this lively parade of fin-de-siècle fashions. Readers will also find over 575 patterns and illustrations detailing the various garments, with individual instructions for making them. Costume enthusiasts interested in re-creating exact copies of vintage clothing will find this book an indispensable guide; indeed, anyone interested in the history of fashion and costume will welcome this fascinating reference to late Victorian dressmaking.

    Written between 1864 and 1878, the essays in Art and Politics converge upon Wagner’s desire to define and reform German culture. He was deeply annoyed that Germany seemed to satisfy itself with cheap theater, vulgar songs, and clumsy imitations of French art. In “What Is German?” he declared that German culture must rise above the common ruck. Citing “Music’s wonderman” Johann Sebastian Bach as his precursor, Wagner fought to persuade his readers that German culture had a historic destiny, and that destiny was shaped first and foremost by music. As usual, embroiled in the defense of his operas and his person, Wagner recognized that his rescue from attack and poverty could not be expected from “Franco-Judaico-German democracy.” He instead fixed his hopes elsewhere: “the embodied voucher” for fundamental law, the Monarch. He found himself at a turning point in his career. In 1864 King Ludwig II of Bavaria befriended Wagner and gave him badly needed financial support. This alliance aroused Wagner’s enemies into further fits of jealousy. Yet, amid the public scorn, he worked on the production of Tristan und Isolde, drafted the libretto for Parsifal, and composed sections of Siegfried and Die Meistersinger. In these essays Wagner resumes his considerations of the close ties between religion and art. He calls art “the kindly Life-saviour who does not really and wholly lead us out beyond this life, but, within it, lifts us up above it and shews it as itself a game of play.” These essays express his artistic credo and the knowledge of German literature that underpinned his claims for German genius. Following his ideals, he proclaimed his intention to raise the quality of German opera, by himself if necessary. This edition includes the full text of volume 4 of the translation of Wagner’s works commissioned in 1895 by the London Wagner Society.

    As entertaining as it is informative, Sexual Slang is packed with surprising facts, meanings, and insights sure to liven up anyone's language.