However, though Brahma has created the universe and Shiva can destroy it, it is up to the great god Vishnu to keep all creatures within it well and happy. Always compassionate, he is also the wisest of the trinity. It is he who good-naturedly sorts out the mess the others create. And above all, Vishnu always favours the good and the pure.

    Do you have to sell your soul? Not even close. This book can be your guide, an unexpected friend, even a prophecy for your future. Funny information-packed text, illustrative charts and enlightening side-bars will deliver priceless insights into men, their motivations and their inspirations. Making Sense of Men will teach you: -Why men pursue some women for sex and others for heart-felt relationships -How to tell when a man is emotionally involved -How to inspire generosity and attentiveness in all men -How you can be strong and successful - without discouraging men

    Tucker came of age in the 1960s, and this spirited account of her life draws the reader directly into the burgeoning feminist movement and the excitement of the New York art world during that time. Her own new ways of thinking led her to take principled stands that have changed the way art museums consider contemporary art. As curator of painting and sculpture at the Whitney, she organized major exhibitions of the work of Lee Krasner, Joan Mitchell, Robert Morris, Bruce Nauman, and Richard Tuttle, among others. As founder of the New Museum of Contemporary Art, she organized and curated groundbreaking exhibitions that often focused on the nexus of art and politics. The book highlights Tucker's commitment to forging a new system when the prevailing one proved too narrow for her expansive vision.

    The Anthropology of Childhood provides the first comprehensive review of the literature on children from a distinctly anthropological perspective. Bringing together key evidence from cultural anthropology, history, and primate studies, it argues that our common understandings about children are narrowly culture-bound. Whereas dominant society views children as precious, innocent and preternaturally cute 'cherubs', Lancy introduces the reader to societies where children are viewed as unwanted, inconvenient 'changelings', or as desired but pragmatically commoditized 'chattels'. Looking in particular at family structure and reproduction, profiles of children's caretakers, their treatment at different ages, their play, work, schooling, and transition to adulthood, this volume provides a rich, interesting, and original portrait of children in past and contemporary cultures. A must-read for anyone interested in childhood.

    Nor is it sufficient merely to critique culture or to copy culture. Most of the time, we just consume culture. But the only way to change culture is to create culture. Andy Crouch unleashes a stirring manifesto calling Christians to be culture makers. For too long, Christians have had an insufficient view of culture and have waged misguided "culture wars." But we must reclaim the cultural mandate to be the creative cultivators that God designed us to be. Culture is what we make of the world, both in creating cultural artifacts as well as in making sense of the world around us. By making chairs and omelets, languages and laws, we participate in the good work of culture making. Crouch unpacks the complexities of how culture works and gives us tools for cultivating and creating culture. He navigates the dynamics of cultural change and probes the role and efficacy of our various cultural gestures and postures. Keen biblical exposition demonstrates that creating culture is central to the whole scriptural narrative, the ministry of Jesus and the call to the church. He guards against naive assumptions about "changing the world," but points us to hopeful examples from church history and contemporary society of how culture is made and shaped. Ultimately, our culture making is done in partnership with God's own making and transforming of culture. A model of his premise, this landmark book is sure to be a rallying cry for a new generation of culturally creative Christians. Discover your calling and join the culture makers.

    This contentious mix of home-grown radicals, labor activists, newspaper editors, black workers, and intellectuals employed every strategy imaginable to take Dixie down, from a ludicrous attempt to organize black workers with a stage production of Pushkin—in Russian—to the courageous fight of striking workers against police and corporate violence in Gastonia in 1929. In a dramatic narrative Glenda Elizabeth Gilmore deftly shows how the movement unfolded against national and global developments, gaining focus and finally arriving at a narrow but effective legal strategy for securing desegregation and political rights. Little-known heroes abound in a book that will recast our understanding of the most important social movement in twentieth-century America.

    Tramping through China by train, bus, boat, motorcycle, mule or hitching on the back of anything that moved. On a budget so scant that he drew sympathetic stares from peasants. Backpacking photographer Tom Carter somehow succeeded in circumnavigating over 35,000 miles (56,000 kilometers) across all 33 provinces in China during a 2-year period, the first foreigner on record ever to do so.What Carter found along the way, and what his photographs ultimately reveal, is that China is not just one place one people, but 33 distinct geographical regions populated by 56 different ethnicities, each with their own languages, customs and lifestyles.Despite increased tourism and surging foreign investment, the cultural distances between China and the West remain as vast as the oceans that separate them. Carter's book, CHINA: Portrait of a People, was published as a means to visually introduce China to the world by providing a glimpse into the daily lives of the ordinary people who don't make international headlines yet whom are invariably the heart and soul of this country.MEDIA REVIEWS"One of China's most extraordinary explorers." --The World of Chinese"Part of the strength of this book is its independent spirit. It's not a travel guide showing China dressed in its Sunday best, or a photojournalistic approach documenting the underbelly of the country, but rather a peek at the sights Carter has seen and a corrective to both the glowing promotional images and negative media shots that we are all familiar with." -- China Daily"Tom Carter is an extraordinary photographer whose powerful work captures the heart and soul of the Chinese people." -- Anchee Min, author of Red Azalea"Tom Carter's photo book is an honest and objective record of the Chinese and our way of life... his camera leads us through 33 wide-sweeping scenes of the real and the surreal." -- Mian Mian, author of Candy"Capturing the diversity of [China's] 56 ethnic groups is a remarkable achievement ... There are a number of shots in this book that could easily grace the pages of National Geographic ... Unless you want to undertake your own two-year trek through some of the mainland's most difficult terrain to take your own shots, this is a study well worth having on your bookshelf." -- South China Morning Post"In these 900 images, Carter shows just how diverse the Chinese really are, with their different facial features, skin hues, lifestyles, cultures and occupations. What ensues is an engaging and enlightening photo essay of 1.3 billion people." -- Asian Geographic Passport"A striking, kaleidoscopic vision of China's lands and people." -- The Beijinger"Through Carter's journey of self-discovery, we end up discovering a little more about ourselves -- and a land so vast, so disparate, that 638 pages of photos barely manage to scratch the surface. Still, CHINA: Portrait of a People is a very good place to start peeling back the layers." -- Time Out Hong Kong"Travel photos taken by a stranger seldom fascinate. But 800 color images captured by Tom Carter as he spent two years on the road, traveling 56,000 kilometers through all of China's 33 provinces, make a dramatic exception ... Carter's weighty book takes an effort to carry home from a store. But anyone interested in China should love owning it." -- Cairns Media Magazine"Getting a full picture of China - a vast country with an enormous population, a place that is experiencing sweeping cultural and economic changes - is, of course, impossible. But Tom Carter comes close. ... It's a remarkable book, compact yet bursting with images that display the diversity of a nation of 56 ethnic groups." -- San Francisco Chronicle"In China: Portrait of a People, Tom Carter shows us that there are actually dozens of Chinas. The American photojournalist spent two years traveling 35,000 miles through every province of China by bus, boat, train, mule, motorcycle, and on foot." -- Christian Science Monitor

    Now they can know! Chad Eastham will encourage girls to be confident in who they are and Whose they are. Girls need to know that they are treasures to be adored and that how she feels about herself is how guys will treat her. Chapter titles add fun and interest to this life-altering message. Guys Like Girls Who . . . Wear Jeans (comfortable with who they are and Whose they are) Know the Future (understand there is a 96% chance this is not the boy they will marry so don't act like they are) Leave Us Alone (have their own hobbies) Can Spell (can say "no") Eat Tofu (live a healthy lifestyle)

    They’ve successfully managed complex reciprocal relationships between biological and cultural diversity. Awareness of indigenous knowledge is reemerging at the eleventh hour to help avert global ecological and social collapse. Indigenous cultural wisdom shows us how to live in peace--with the earth and one another.Original Instructions evokes the rich indigenous storytelling tradition in this collection of presentations gathered from the annual Bioneers conference. It depicts how the world’s native leaders and scholars are safeguarding the original instructions, reminding us about gratitude, kinship, and a reverence for community and creation. Included are more than 20 contemporary indigenous leaders--such as Chief Oren Lyons, John Mohawk, Winona LaDuke, and John Trudell. These beautiful, wise voices remind us where hope lies.

    political sphere as an affective space of attachment and identification. In this book, Berlant chronicles the origins and conventions of the first mass-cultural “intimate public” in the United States, a “women’s culture” distinguished by a view that women inevitably have something in common and are in need of a conversation that feels intimate and revelatory. As Berlant explains, “women’s” books, films, and television shows enact a fantasy that a woman’s life is not just her own, but an experience understood by other women, no matter how dissimilar they are. The commodified genres of intimacy, such as “chick lit,” circulate among strangers, enabling insider self-help talk to flourish in an intimate public. Sentimentality and complaint are central to this commercial convention of critique; their relation to the political realm is ambivalent, as politics seems both to threaten sentimental values and to provide certain opportunities for their extension. Pairing literary criticism and historical analysis, Berlant explores the territory of this intimate public sphere through close readings of U.S. women’s literary works and their stage and film adaptations. Her interpretation of Uncle Tom’s Cabin and its literary descendants reaches from Harriet Beecher Stowe to Toni Morrison’s Beloved, touching on Shirley Temple, James Baldwin, and The Bridges of Madison County along the way. Berlant illuminates different permutations of the women’s intimate public through her readings of Edna Ferber’s Show Boat; Fannie Hurst’s Imitation of Life; Olive Higgins Prouty’s feminist melodrama Now, Voyager; Dorothy Parker’s poetry, prose, and Academy Award–winning screenplay for A Star Is Born; the Fay Weldon novel and Roseanne Barr film The Life and Loves of a She-Devil; and the queer, avant-garde film Showboat 1988–The Remake. The Female Complaint is a major contribution from a leading Americanist.

    Socially conscious pioneers with cameras transformed the world—and that legacy lives on in this eye-opening, thought-provoking, and (we hope) action-inducing book. Like Jacob Riis’s How the Other Half Lives, Rachel Carson’s Silent Spring, and Jonathan Schell’s The Fate of the Earth before it, we believe that What Matters will fundamentally alter the way we see and understand the human race and our planet.What Matters asks: What are the essential issues of our time? What are the pictures that will spark public outrage and spur reform? The answer appears in 18 powerful, page-turning stories by the foremost photojournalists of our age, edited by The New York Times best-selling author/editor David Elliot Cohen (A Day in the Life and America 24/7 series), and featuring trenchant commentary from well-recognized experts and thinkers in appropriate fields. Photographer Gary Braasch and climate-change guru Bill McKibben provide “A Global Warming Travelogue” that takes us from ice caves in Antarctica to smoke-spewing coal plants in Beijing. Brent Stirton and Peter A. Glick examine a “Thirsty World,” chronicling the daily search for clean water in non-developed countries. James Nachtwey and bestselling poverty expert Jeffrey D. Sachs look at the causes of, and cures for, global poverty in “The Bottom Billion.” Stephanie Sinclair and Judith Bruce present the preteen brides of Afghanistan, Nepal, and Ethiopia.Sometimes the juxtaposition of photographs can be startling: “Shop ‘til We Drop,” Lauren Greenfield’s images of upscale consumer culture, starkly contrast with Shehzad Noorani’s “Children of the Black Dust”—child laborers in Bangladesh, their faces blackened with carbon dust from recycled batteries.The combination of compelling photographs and insightful writing make this a highly relevant, widely discussed book bound to appeal to anyone concerned about the crucial issues shaping our world. What Matters is, in effect, a 336-page illustrated letter to the next American president about the issues that count. It will inspire readers to do their part—however small—to make a difference: to help, the volume includes extensive “What You Can Do” sections with a menu of web links and effective actions readers can take now. This year give What Matters.

    More accurately, Jared Sexton argues in Amalgamation Schemes, multiculturalism displaces both by evoking long-standing tenets of antiblackness and prescriptions for normative sexuality. In this timely and penetrating analysis, Sexton pursues a critique of contemporary multiracialism, from the splintered political initiatives of the multiracial movement to the academic field of multiracial studies, to the melodramatic media declarations about “the browning of America.” He contests the rationales of colorblindness and multiracial exceptionalism and the promotion of a repackaged family values platform in order to demonstrate that the true target of multiracialism is the singularity of blackness as a social identity, a political organizing principle, and an object of desire. From this vantage, Sexton interrogates the trivialization of sexual violence under chattel slavery and the convoluted relationship between racial and sexual politics in the new multiracial consciousness. An original and challenging intervention, Amalgamation Schemes posits that multiracialism stems from the conservative and reactionary forces determined to undo the gains of the modern civil rights movement and dismantle radical black and feminist politics. Jared Sexton is assistant professor of African American studies and film and media studies at the University of California, Irvine.

    Calasso ranges through Baudelaire's life and work, focusing on two painters—Ingres and Delacroix—about whom Baudelaire wrote acutely, and then turns to Degas and Manet, who followed in the tracks Baudelaire laid down in his great essay "The Painter of Modern Life." In Calasso's lavishly illustrated mosaic of stories, insights, close readings of poems, and commentaries on paintings, Baudelaire's Paris comes brilliantly to life. In the eighteenth century, a folie was a garden pavilion set aside for people of leisure, a place of delight and fantasy. Following Baudelaire, Calasso has created a brilliant and dramatic "Folie Baudelaire"—a place where the reader can encounter the poet himself, his peers, his city, and his extraordinary likes and dislikes, finally discovering that that place is situated in the middle of the land of "absolute literature."

    As scholar and cultural critic Tricia Rose argues, hip hop, in fact, has become one of the primary ways we talk about race in the United States. But hip hop is in crisis. For years, the most commercially successful hip hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and hos. This both represents and feeds a problem in black American culture. Or does it? In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip hop cause violence, or merely reflect a violent ghetto culture? Is hip hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide.

    The author documents the invention, technological evolution, and commercial history of the photobooth with illustrations culled from 25 years of collecting.

    Behind the Pink Curtain focuses on the art and industry of one of the most notorious sectors of Japanese filmmaking, the erotic Pink Film, or pinku eiga genre, and the closely related Roman Porno films produced by Nikkatsu studios from 1971 to 1988. A phenomenon distinct from the cheaply-produced hardcore Adult Video (AV) market, from the early 60s onwards major Japanese film studios and independent producers alike have kept up a conveyor belt level of output of pornographic features intended purely for cinema release. Still today, just short of 100 such titles are shot on 35mm every year intended for screening in a specialist network of adult cinema across the nation. In recent years, many have found themselves released on DVD in the West or screened at international film festivals, while many of Japan's most noted filmmakers today have cut their teeth in this industry. Just how close are the links between the arthouse and the grindhouse in Japan? Read about the ins and outs of Japanese censorship from the wartime onwards, and how topless deep sea diving girls came to woo local audiences in the 50s. Learn how a TV nature documentary maker ended up helming nude female Tarzan movies, and how 60s mavericks Koji Wakamatsu and Masao Adachi met up with John and Yoko at Cannes while on the way to the Golan Heights to make a film about Palestinian revolutionaries. How Deep Throat's Harry Reems wound up in Tokyo starring in a zany sex comedy about a penis transplant gone awry, and how one of Japan's most famous literary figures ended up the subject of the country's first gay porno movie. How one of Nikkatsu's leading directors went it alone to make a film about powerboat racing and ended up in the bad books of the Yakuza, and how the anti-Bush sex farce Horny Home Tutor: Teacher's Love Juice came to be re-titled as The Glamorous Life of Sachiko Hanai and became one of the most talked about Japanese films of recent years, playing at over twenty international film festivals. Based on extensive interviews with many of the leading figures in the field, Behind the Pink Curtain is a colorful and exhaustive trawl through Japan's most vibrant and prolific filmmaking sector.

    “No question is more debated today. And none produces more disappointing answers.” In Girard’s mimetic theory it is the imitation of someone else’s desire that gives rise to conflict whenever the desired object cannot be shared. This mimetic rivalry, Girard argues, is responsible for the frequency and escalating intensity of human conflict. For Girard, human conflict comes not from the loss of reciprocity between humans but from the transition, imperceptible at first but then ever more rapid, from good to bad reciprocity. In this landmark text, Girard continues his study of violence in light of geopolitical competition, focusing on the roots and outcomes of violence across societies latent in the process of globalization. The volume concludes in a wide-ranging interview with the Sicilian cultural theorist Maria Stella Barberi, where Girard’s twenty-first century emphases on the continuity of all religions, global conflict, and the necessity of apocalyptic thinking emerge.

    Lange’s images of squatter camps, benighted farmers, and stark landscapes are stunning, and her captions—which range from simple explanations of settings to historical notes and biographical sketches—add unexpected depth, bringing her subjects and their struggles unforgettably to life, often in their own words.When Lange was dismissed from the Farm Security Administration at the end of 1939, these photos and field notes were consigned to archives, where they languished, rarely seen. With Daring to Look, Anne Whiston Spirn not only returns them to the public eye, but sets them in the context of Lange’s pioneering life, work, and struggle for critical recognition—firmly placing Lange in her rightful position at the forefront of American photography.

    But trust me. Salsa dancing is a practice as well as a metaphor for a kind of research that will make your life easier and better.""Savvy, witty, and sensible, this unique book is both a handbook for defining and completing a research project, and an astute introduction to the neglected history and changeable philosophy of modern social science. In this volume, Kristin Luker guides novice researchers in: knowing the difference between an area of interest and a research topicdefining the relevant parts of a potentially infinite research literaturemastering sampling, operationalization, and generalizationunderstanding which research methods best answer your questionsbeating writer's blockMost important, she shows how friendships, nonacademic interests, and even salsa dancing can make for a better researcher.""You know about setting the kitchen timer and writing for only an hour, or only 15 minutes if you are feeling particularly anxious. I wrote a fairly large part of this book feeling exactly like that. If I can write an entire book 15 minutes at a time, so can you.""

    E. Patrick Johnson challenges stereotypes of the South as backward or repressive and offers a window into the ways black gay men negotiate their identities, build community, maintain friendship networks, and find sexual and life partners--often in spaces and activities that appear to be antigay. Ultimately, Sweet Tea validates the lives of these black gay men and reinforces the role of storytelling in both African American and southern cultures.

    Blue Dog Speaks is the first book to prominently emphasize Rodrigue’s painting titles, one of the most important elements in the creation of a Blue Dog painting, alongside the works. Rodrigue uses Blue Dog painting titles to provide insight—whether humorous or nostalgic or sad—into the human condition.In an introduction, Rodrigue reveals how an idea that originated in childhood tales has now grown far beyond; his Blue Dogs have moved beyond Louisiana into formerly uncharted territory and now express larger concepts about contemporary life. His newer titles—such as Right Place Wrong Time and Tiffany Remembers the ’70s—along with other, more abstract ones such as All by Myself with My Happiness capture this shift in style and content.But most of all, there are the paintings themselves, magnificently displayed, their titles inviting us to ask “What is this dog all about?” and “What is the artist trying to say?” Even though the definitive answers remain a mystery, the titles provide a clue…

    It includes a wealth of material that has emerged from a sequence of six conferences held by influential figures in the field of urban development and its related disciplines, and examines the requisite tools for creating a thriving modern city. The book has been edited by Ricky Burdett and Deyan Sudjic in collaboration with one of the most important educational institutions in this field, the London School of Economics, which assures that the information and data provided is reliable, accurate and informed. Taking 6 key cities as its focal point: New York, Shanghai, London, Mexico City, Johannesburg and Berlin, The Endless City discusses in depth not only the infrastructure and architectural expansion necessary for continuous urban growth, but also the social and economic factors that are critical to urban development in the 21st century. Clearly organised into separate sections for each city, the book will have a strong visual impact and make detailed scholarly research straightforward and manageable. Images of each city will complement the discussions and enrich the discussion presented in the text.With contributions by experts in urban development, this book will appeal to architects, city planners, economists, students, politicians and anyone with an interest in the future of our cities.

    In The Latino Threat, Leo R. Chavez critically investigates the media stories about and recent experiences of immigrants to show how prejudices and stereotypes have been used to malign an entire immigrant population—and to define what it means to be an American.Pundits—and the media at large—nurture and perpetuate the notion that Latinos, particularly Mexicans, are an invading force bent on reconquering land once considered their own. Through a perceived refusal to learn English and an "out of control" birthrate, many say that Latinos are destroying the American way of life. But Chavez questions these assumptions and offers facts to counter the myth that Latinos are a threat to the security and prosperity of our nation.His breakdown of the "Latino threat" contests this myth's basic tenets, challenging such well-known authors as Samuel Huntington, Pat Buchanan, and Peter Brimelow. Chavez concludes that citizenship is not just about legal definitions, but about participation in society. Deeply resonant in today's atmosphere of exclusion, Chavez's insights offer an alternative and optimistic view of the vitality and future of our country.

    Presenting an exploration of the work of leading contemporary painter Peter Doig, this title includes comparatives and source material, featuring interviews with the artist by Chris Ofili.

    In this book, Darian Leader urges us to look beyond the catch-all concept of depression to explore the deeper, unconscious ways in which we respond to the experience of loss.

    Following through the impacts of invasions, revolts and epidemics ranging from the Black Death to cholera, this book shows how, against all the odds, a small malarial settlement turned into Europe's most successful city. Full of evidence gathered from the Museum of London's extensive archaeological work and written in thematic chapters that explore the changing aspects of life over the last three thousand years and across a variety of maps old and new, "London" shines a fascinating light on everything from costermongers to the Krays, the building of the Embankment to the destruction of the Blitz.There are contemporary cartoons and paintings, artefacts that range from the Mayor's golden coach to a leather Roman bikini found in the mud of the Thames and the museum's own vivid reconstructions of ancient markets, temples and bathhouses, making the daily lives of Londoners and the city's chequered history come alive in this book as never before.

    But it has long been the subject of intense scrutiny by both prison administrators and reformers—as well as a source of fascination and anxiety for the American public. Historically, sex behind bars has evoked radically different responses from professionals and the public alike. In Criminal Intimacy, Regina Kunzel tracks these varying interpretations and reveals their foundational influence on modern thinking about sexuality and identity. Historians have held the fusion of sexual desire and identity to be the defining marker of sexual modernity, but sex behind bars, often involving otherwise heterosexual prisoners, calls those assumptions into question. By exploring the sexual lives of prisoners and the sexual culture of prisons over the past two centuries—along with the impact of a range of issues, including race, class, and gender; sexual violence; prisoners’ rights activism; and the HIV epidemic—Kunzel discovers a world whose surprising plurality and mutability reveals the fissures and fault lines beneath modern sexuality itself. Drawing on a wide range of sources, including physicians, psychiatrists, sociologists, correctional administrators, journalists, and prisoners themselves—as well as depictions of prison life in popular culture—Kunzel argues for the importance of the prison to the history of sexuality and for the centrality of ideas about sex and sexuality to the modern prison. In the process, she deepens and complicates our understanding of sexuality in America.

    You’ll remember the harassed waitress from your local Chinese restaurant. You’ve noticed those builders across the street working funny hours and without helmets. You’ve eaten the lettuce they picked, or bought the microwave they assembled. The words ‘cockle-pickers’, ‘Morecambe Bay’, ‘Chinese illegals found dead in lorry’ will ring a bell. But did you know that there are hundreds of thousands of undocumented Chinese immigrants in Britain? They’ve travelled here because of desperate poverty, and must keep their heads down and work themselves to the bone. Hsiao-Hung Pai, the only journalist who knows this community, went undercover to hear the stories of this hidden work force. She reveals a scary, shadowy world where human beings are exploited in ways unimaginable in our civilized twenty-first century.CHINESE WHISPERS exposes the truth behind the lives of a hidden work force here in Britain. You owe it to yourself, and them, to read it.

    More than an occult parlor game, this was a new religion, which channeled the voices of the dead, linked present with past, and conjured new worldly and otherworldly futures. Tracing the persistence of magic in an emergent culture of secularism, Molly McGarry brings a once marginalized practice to the center of American cultural history. Spiritualism provided an alchemical combination of science and magic that called into question the very categories of male and female, material and immaterial, self and other, living and dead. Dissolving the boundaries between them opened Spiritualist practitioners to other voices and, in turn, allowed them to imagine new social worlds and forge diverse political affinities.

    Guggenheim Museum's major mid-career survey of Catherine Opie's work, is the first to gather all of the artist's key projects to date in a single volume. Opie is best known for her subtle but potent portraits of people from the queer communities of Los Angeles and San Francisco. In this definitive volume, each of Opie's series--among them Portraits, Freeways, Domestic, Icehouses and In and Around Home--is reproduced in full color plates alongside works that were not displayed in the exhibition, allowing for the most complete overview of this important Los Angeles artist's work to date. In addition, this volume features a lead essay by exhibition curator Jennifer Blessing, which surveys Opie's artistic career and its historical contexts; a series of interviews with the artist by Russell Ferguson, Chair of the Department of Art at UCLA; and a brief personal reflection by internationally renowned novelist Dorothy Allison, whose work explores many concerns similar to Opie's. It also includes introductory essays on each of the artist's series by Nat Trotman, Assistant Curator at the Guggenheim, as well as a newly researched, exhaustive exhibition history and bibliography, making it the primary source for future research on Opie's work. Catherine Opie was born in Ohio in 1961 and is currently Professor of Photography at UCLA. Opie's work has been exhibited extensively throughout the United States, Europe and Japan. She has had solo exhibitions of her work at the Walker Art Center, Minneapolis; St. Louis Art Museum; Museum of Contemporary Art, Chicago; and the Museum of Contemporary Art, Los Angeles, among many others.

    Fry The Brain strives to educate the interested reader in all aspects of modern urban guerrilla sniping. As such, Fry The Brain is a unique, relevant work that is a must read for all students of contemporary guerrilla warfare.

    academy, and it has focused chiefly on nineteenth-century and twentieth-century colonization and decolonization processes in Asia, Africa, the Middle East, and the Caribbean. Colonialism in Latin America originated centuries earlier, in the transoceanic adventures from which European modernity itself was born. Coloniality at Large brings together classic and new reflections on the theoretical implications of colonialism in Latin America. By pointing out its particular characteristics, the contributors highlight some of the philosophical and ideological blind spots of contemporary postcolonial theory as they offer a thorough analysis of that theory’s applicability to Latin America’s past and present.Written by internationally renowned scholars based in Latin America, the United States, and Europe, the essays reflect multiple disciplinary and ideological perspectives. Some are translated into English for the first time. The collection includes theoretical reflections, literary criticism, and historical and ethnographic case studies focused on Ecuador, Guatemala, Mexico, Brazil, the Andes, and the Caribbean. Contributors examine the relation of Marxist thought, dependency theory, and liberation theology to Latin Americans’ experience of and resistance to coloniality, and they emphasize the critique of Occidentalism and modernity as central to any understanding of the colonial project. Analyzing the many ways that Latin Americans have resisted imperialism and sought emancipation and sovereignty over several centuries, they delve into topics including violence, identity, otherness, memory, heterogeneity, and language. Contributors also explore Latin American intellectuals’ ambivalence about, or objections to, the “post” in postcolonial; to many, globalization and neoliberalism are the contemporary guises of colonialism in Latin America.Contributors: Arturo Arias, Gordon Brotherston, Santiago Castro-Gómez, Sara Castro-Klaren,Amaryll Chanady, Fernando Coronil, Román de la Campa, Enrique Dussel, Ramón Grosfoguel,Russell G. Hamilton, Peter Hulme, Carlos A. Jáuregui, Michael Löwy, Nelson Maldonado-Torres,José Antonio Mazzotti, Eduardo Mendieta, Walter D. Mignolo, Mario Roberto Morales, Mabel Moraña, Mary Louise Pratt, Aníbal Quijano, José Rabasa, Elzbieta Sklodowska, Catherine E. Walsh

    The author's pre-eminent stature in this field of studies is justification enough for issuing such a collection, and the range of materials is considerable."—Laurel E. Fay, author of Shostakovich: A Life"The scholarship and writing style in this book are up to Taruskin's usual superior standard. It is especially impressive to see the assurance and acute sense for the important issues at the heart of the topic in the earliest essays."—Sanna Pederson, University of Oklahoma

    But the theory of perspective that changed the course of Western art originated elsewhere-it was formulated in Baghdad by the eleventh-century mathematician Ibn al Haithan, known in the West as Alhazen. Using the metaphor of the mutual gaze, or exchanged glances, Hans Belting-preeminent historian and theorist of medieval, Renaissance, and contemporary art-narrates the historical encounter between science and art, between Arab Baghdad and Renaissance Florence, that has had a lasting effect on the culture of the West.In this lavishly illustrated study, Belting deals with the double history of perspective, as a visual theory based on geometrical abstraction (in the Middle East) and as pictorial theory (in Europe). How could geometrical abstraction be reconceived as a theory for making pictures? During the Middle Ages, Arab mathematics, free from religious discourse, gave rise to a theory of perspective that, later in the West, was transformed into art when European painters adopted the human gaze as their focal point. In the Islamic world, where theology and the visual arts remained closely intertwined, the science of perspective did not become the cornerstone of Islamic art. Florence and Baghdad addresses a provocative question that reaches beyond the realm of aesthetics and mathematics: What happens when Muslims and Christians look upon each other and find their way of viewing the world transformed as a result?

    Clamor published 38 issues and featured over 1,000 different writers and artists. The mission statement was:Clamor is a quarterly print magazine and online community of radical thought, art, and action. An iconoclast among its peers, Clamor is an unabashed celebration of self-determination, creativity, and shit-stirring. Clamor publishes content of, by, for, and with marginalized communities. From the kitchen table to shop floor, the barrio to the playground, the barbershop to the student center, it's old school meets new school in a battle for a better tomorrow. Clamor is a do-it-yourself guide to everyday revolution.This analysis is presented as a case study on how movement projects and organizations deal with vital but rarely discussed issues such as management, sustainability, ownership, structure, finance, decision making, power, diversity, and vision.

    Tactical Biopolitics suggests that the political challenges at the intersection of life, science, and art are best addressed through a combination of artistic intervention, critical theorizing, and reflective practices. Transcending disciplinary boundaries, contributions to this volume focus on the political significance of recent advances in the biological sciences and explore the possibility of public participation in scientific discourse, drawing on research and practice in art, biology, critical theory, anthropology, and cultural studies. After framing the subject in terms of both biology and art, Tactical Biopolitics discusses such topics as race and genetics (with contributions from leading biologists Richard Lewontin and Richard Levins); feminist bioscience; the politics of scientific expertise; bioart and the public sphere (with an essay by artist Claire Pentecost); activism and public health (with an essay by Treatment Action Group co-founder Mark Harrington); biosecurity after 9/11 (with essays by artists' collective Critical Art Ensemble and anthropologist Paul Rabinow); and human-animal interaction (with a framing essay by cultural theorist Donna Haraway).ContributorsGaymon Bennett, Larry Carbone, Karen Cardozo, Gary Cass, Beatriz da Costa, Oron Catts, Gabriella Coleman, Critical Art Ensemble, Gwen D'Arcangelis, Troy Duster, Donna Haraway, Mark Harrington, Jens Hauser, Kathy High, Fatimah Jackson, Gwyneth Jones, Jonathan King, Richard Levins, Richard Lewontin, Rachel Mayeri, Sherie McDonald, Claire Pentecost, Kavita Philip, Paul Rabinow, Banu Subramanian, subRosa, Abha Sur, Samir Sur, Jacqueline Stevens, Eugene Thacker, Paul Vanouse, Ionat Zurr

    In August 1974, a young Frenchman named Philippe Petit boldly—and illegally—fixed a rope between the tops of the still-young Twin Towers, a quarter mile off the ground. At daybreak, thousands of spectators gathered to watch in awe and adulation as he traversed the rope a full eight times in the course of an hour. In Man on Wire, Petit recounts the six years he spent preparing for this achievement. It is a fitting tribute to those lost-but-not-forgotten symbols of human aspiration—the Twin Towers. 120 black & white illustrations

    Greenberg addresses the role of "image" in urban history, showing who produces brands and how, and demonstrates the enormous consequences of branding. She shows that the branding of New York was not simply a marketing tool; rather it was a political strategy meant to legitimatize market-based solutions over social objectives.

    When a dama named Juanita calls him down to Sonora, Eddy crosses the Rio Bravo and never looks back. Soon he's embroiled in a complex, comic drama featuring a memorable gallery of quirky characters.

    This autobiography is a delightful portrait of a great meditation master during his personal trials in feudal Tibet and his life in exile. The essence of the book is the authors spirit of ever-giving generosity and wisdom as a Buddhist teacher and healer. A true inspiration in today's world. This autobiography is supplemented by teachings on the transference of consciousness and Kusuli Chöd practice.

    As the social contract becomes a distant memory, the new corporate state distances itself from workers and minority groups, who become more disposable in a new age of uncertainty and manufactured fear. This is the only book to connect the history, ideology, and consequences of neoliberal policies to education and cultural issues that pervade almost every aspect of daily life. A significantly revised and updated new version of Giroux's 2003 book, The Terror of Neoliberalism, this book points to ways in which neoliberal ideology can be resisted, and how new forms of citizenship and collective struggles can be forged, to reclaim the meaning both of a substantive politics and of a democratic society. Against the Terror of Neoliberalism was featured in the New York Times in the Stanley Fish blog: Stanley Fish Blog

    The very secretive Panthers and their Minister of Information, Eldridge Cleaver would only allow Life to do the story if Bingham was the photographer. Bingham and Moore followed the Panthers for months from Oakland to New York to Los Angeles only to have the story pulled due to a disagreement between Moore and the magazine. Now, Forty years later, these photographs and their story will finally be published. The book will include interviews with Bingham and Moore about the assignment, the Black Panthers and their place in history.

    The untold story of the only town in California founded by African Americans, former slaves and their descendents, led by Colonel Allensworth

    S. immigration policy, and argues that, just as there is a free flow of capital in the world economy, there should be a free flow of labor. Author Rinku Sen alternates chapters telling the story of one "accidental American"--coauthor Fekkak Mamdouh, a Morrocan-born waiter at a restaurant in the World Trade Center whose life was thrown into turmoil on 9/11--with a thorough critique of current immigration policy. Sen and Mamdouh describe how members of the largely immigrant food industry workforce managed to overcome divisions in the aftermath of 9/11 and form the Restaurant Opportunities Center of New York (ROC-NY) to fight for jobs and more equitable treatment. This extraordinary story serves to illuminate the racial, cultural, and economic conflicts embedded in the current immigration debate and helps frame the argument for a more humane immigration and global labor system.

    Telling the story of how regular people, facing the changing city landscape, fought for their own model of the 'ideal city' by creating grassroots plans for urban renewal, this book offers an account of organized resistance to institutional plans to transform New Haven, Connecticut in the 1960s.

    Images taken from some of the world’s most stunning books are included, including John James Audubon’s Birds of America and William Caxton’s groundbreaking Myrrour of the Worlde. A comprehensive history of book production, design, and illustration in the Western world rounds out this stunning review.

    Filth in all its manifestations—material (including privies, dung on fields, and as alchemical ingredient), symbolic (sin, misogynist slander, and theological wrestling with the problem of filth in sacred contexts) and linguistic (a semantic range including dirt and dung)—helps us to see how excrement is vital to understanding the Middle Ages. Applying fecal theories to late medieval culture, Morrison concludes by proposing Waste Studies as a new field of ethical and moral criticism for literary scholars.

    But what--or who--must be lost, fragmented, or buried in that process? We have inherited a model of marriage so flawed, Frances E. Dolan contends, that its logical consequence is conflict.Dolan ranges over sixteenth- and seventeenth-century Puritan advice literature, sensational accounts of true crime, and late twentieth-century marriage manuals and films about battered women who kill their abusers. She reads the inevitable Taming of the Shrew against William Byrd's diary of life on his Virginia plantation, Noel Coward's Private Lives, and Barbara Ehrenreich's assessment in Nickel and Dimed of the relationship between marriage and housework. She traces the connections between Phillippa Gregory's best-selling novel The Other Boleyn Girl and documents about Anne Boleyn's fatal marriage and her daughter Elizabeth I's much-debated virginity. By contrasting depictions of marriage in the sixteenth and seventeenth centuries and our own time, she shows that the early modern apprehension of marriage as an economy of scarcity continues to haunt the present in the form of a conceptual structure that can accommodate only one fully developed person. When two fractious individuals assert their conflicting wills, resolution can be achieved only when one spouse absorbs, subordinates, or eliminates the other.In an era when marriage remains hotly contested, this book draws our attention to one of the histories that bears on the present, a history in which marriage promises both intimate connection and fierce conflict, both companionship and competition.

    FIRECRACKERS! pays tribute to this eye-popping art form, featuring some of the most vibrant and eccentric labels from the 1950s and 1960s. Conjuring memories of outdoor celebrations and childhood mischief, this scintillating collection of pop culture artifacts will kindle the imaginations of advertising art aficionados, paper ephemera collectors, and fireworks enthusiasts alike. An explosive gift book featuring more than 180 rare vintage Chinese firecracker labels from one of the largest collections in the United States. A great resource for graphic artists, designers, and collectors of paper ephemera or advertising art.

    Working through key historical moments such as the 1930s, the Chicano Movement, and contemporary globalization and neoliberalism, Alicia Schmidt Camacho examines the relationship between ethnic Mexican expressive culture and the practices sustaining migrant social movements. Combining sustained historical engagement with theoretical inquiries, she addresses how struggles for racial and gender equity, cross-border unity, and economic justice have defined the Mexican presence in the United States since 1910.Schmidt Camacho covers a range of archives and sources, including migrant testimonials and songs, Amrico Parede's last published novel, The Shadow, the film Salt of the Earth, the foundational manifestos of El Movimiento, Richard Rodriguez's memoirs, narratives by Marisela Norte and Rosario Sanmiguel, and testimonios of Mexican women workers and human rights activists, as well as significant ethnographic research. Throughout, she demonstrates how Mexicans and Mexican Americans imagined their communal ties across the border, and used those bonds to contest their noncitizen status. Migrant Imaginaries places migrants at the center of the hemisphere's most pressing concerns, contending that border crossers have long been vital to social change.

    Mobility without Mayhem is a lively cultural history of America’s fear of and fascination with driving, from the mid-twentieth century to the present. Jeremy Packer analyzes how driving has been understood by experts, imagined by citizens, regulated by traffic laws, governed through education and propaganda, and represented in films, television, magazines, and newspapers. Whether considering motorcycles as symbols of rebellion and angst, or the role of CB radio in regulating driving and in truckers’ evasions of those regulations, Packer shows that ideas about safe versus risky driving often have had less to do with real dangers than with drivers’ identities.Packer focuses on cultural figures that have been singled out as particularly dangerous. Women drivers, hot-rodders, bikers, hitchhikers, truckers, those who “drive while black,” and road ragers have all been targets of fear. As Packer debunks claims about the dangers posed by each figure, he exposes biases against marginalized populations, anxieties about social change, and commercial and political desires to profit by fomenting fear. Certain populations have been labeled as dangerous or deviant, he argues, to legitimize monitoring and regulation and, ultimately, to curtail access to automotive mobility. Packer reveals how the boundary between personal freedom and social constraint is continually renegotiated in discussions about safe, proper driving.

    From sly jaguars and the slowest of sloths to spine-tingling giant serpents and white-suited strangers, his retellings teem with legendary beings, vivid color, earthy comedy, and the mysteries of the rainforest. Together, with Fernando Vilela’s dramatic, color-saturated illustrations, they reveal the Amazon peoples' beliefs and way of life. Notes and a glossary provide additional information about the region.

    She is internationally recognized for her unique and innovative musical style, as well as her collaborative working relationship with artists, musicians, and sound engineers. Her work blurs boundaries between club and dance culture and "high art." Bjork has won many awards, including Best Actress at the Cannes Film Festival for her role in the film Dancer in the Dark, for which she also wrote the music. Nicola Dibben presents an analysis of audio and video tracks, live performances, and recorded sound, viewed through the critical reception, fanzines, and interviews that surround Bjork's music. This analysis reveals recurrent cultural themes: landscape and identity, the relationship between humans and technology, song as a vehicle for emotional expression, and female autonomy. Additional chapters on Bjork's compositional process--with newly gathered interview material--and on the critical-musicological approach adopted in the book round out this original study.

    One of the best sources for understanding Palestinian culture is the cinema, which has strived to delineate Palestinian history and to portray the daily lives of Palestinian men, women, and children. Here, an Israeli and a Palestinian scholar, in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They reveal that the more that social, political, and economic conditions have worsened and chaos and pain prevail, the more Palestinian cinema has engaged with the national struggle.

    Cage and Gregory M. Tomlin deployed to Baquba, Iraq, on a mission that would redefine how conventional U.S. military forces fight an urban war. Having led artillery units through a transition into anti-insurgent rifle companies and carrying out daily combat patrols in one of the region’s most notorious hotspots, Cage and Tomlin chronicle Task Force 1-6 Field Artillery’s year on the ground in Iraq and its response to the insurgency that threatened to engulf their corner of the Sunni Triangle. Rather than presenting a snapshot dominated by battle scenes, The Gods of Diyala presents a wide-angled view of the experiences of Cage and Tomlin and their comrades-in-arms. They assess the implications of their experiences, starting with their pre-deployment training in Germany and ending with the handing over of duties to their replacement brigade at the close of their tour of duty. They discuss frankly their impressions of the benefits and liabilities of working with embedded journalists and relate both their frustrations with and their admiration for the fledgling Iraqi security forces. From chaotic security planning to personal debates on the principles of democracy, both authors discuss how Iraqis perceived the value of their first post-Saddam elections and the political future of their country as it tries to reinvent itself in the wake of a dictator’s fall. The Gods of Diyala gives a new and personal perspective on the second stage of the ongoing war in Iraq. Students and scholars of military history will find its insights meaningful and informative, and general readers will enjoy its thoughtful, well-measured narratives of a year spent trying to protect a fragile nation as it struggled toward democracy.

    Gary L. Lemons explores the meaning of black male feminism by examining his experiences at the New York City college where he taught for more than a decade--a small, private, liberal arts college where the majority of the students were white and female. Through a series of classroom case studies, he presents the transformative power of memoir writing as a strategic tool for enabling students to understand the critical relationship between the personal and the political. From the insightful inclusion of his own personal narratives about his childhood experience of domestic violence, to stories about being a student and teacher in majority white classrooms for most of his life, Lemons takes the reader on a provocative journey about what it means to be black, male, and pro-feminist.

    Mark Kingwell's introductory essay offers a playful defence of the idler as homo superior, while Joshua Glenn's glossary playfully explores the etymology and history of hundreds of idler-specific terms and phrases, while offering both a corrective to popular misconceptions about idling and a foundation for a new mode of thinking about working and not working. The Idler's Glossary is destined to become The Devil's Dictionary for the idling classes, necessary reading for any and all who wish to introduce more truly "free" time into their daily lives.

    For people who are from the working class and also queer, the obstacles to earning a graduate degree may prove insurmountable. Frequently discouraged from attending college in the first place, these students often struggle to pay for their education while they simultaneously battle prejudice and discrimination because of their sexual orientation and blue-collar backgrounds. Resilience offers inspiring personal stories of those who made it: thirteen professors and administrators provide their moving accounts of struggle, marginalization, and triumph in the accomplishments that their parents, guidance counselors, and sometimes even they themselves would have thought out of reach. These scholars write in a manner that will enable readers to reconsider their own assumptions and to empathize with the oppression that accompanies being defined as other.

    This collection of poetry, fiction, non-fiction, and art invites you to sit at the collective table that we share as a human community.

    High Society explores the intrigue of New York's upper class society and culture.

    government's internment policies during World War II had little impact on the postwar lives of most Japanese Americans. After the war, many Americans behaved as if the "theatre of war" had ended and life could return to normal. Roxworthy demonstrates that this theatrical logic of segregating the real from the staged, the authentic experience from the political display, grew out of the manner in which internment was agitated for and instituted by the U.S. government and media. During the war, Japanese Americans struggled to define themselves within the web of this theatrical logic, and they continue to reenact this trauma in public and private to this day. The political spectacles staged by the FBI and the American mass media were heir to a theatricalizing discourse that can be traced back to Commodore Matthew Perry's "opening" of Japan in 1853. Roxworthy provides the first detailed reconstruction of the FBI's raids on Japanese American communities, which relied on this discourse to justify their highly choreographed searches, seizures, and arrests. Roxworthy juxtaposes her analysis of these political spectacles with the first inclusive look at cultural performances staged by issei and nisei (first- and second-generation Japanese Americans) at two of the most prominent "relocation centers": California's Manzanar and Tule Lake. The camp performances enlarge our understanding of the impulse to create art under oppressive conditions. Taken together, wartime political spectacles and the performative attempts at resistance by internees demonstrate the logic of racial performativity that underwritesAmerican national identity.

    From the anti-heroes of Bonnie and Clyde and the illicit sex of The Graduate to the race relations of In The Heat of the Night, suddenly no subject was taboo. This was a time of turbulence as hip young filmmakers embodying the restlessness and rebellion of a changing America wrought radical changes to the traditions of cinema. Scenes from a Revolution is an exceptional analysis of the films shortlisted for the Best Picture Academy Award of 1967 as well as an illuminating window into the popular culture of the time.

    Though abortive, this experiment left a legacy in the political science articulated both by its champions, John Milton, Marchamont Nehdham, and James Harrington, and by its sometime opponent and ultimate supporter Thomas Hobbes. This volume examines these four thinkers, situates them with regard to the novel species of republicanism first championed more than a century before by Niccolo Machiavelli, and examines the debt that he and they owed the Epicurean tradition in philosophy and the political science crafted by the Arab philosophers Alfarabi, Avicenna, and Averroes.

    Merritt, was an American editor and author of works of fantastic fiction. Originally trained in law, he turned to journalism, first as a correspondent, and later as editor. He was assistant editor of The American Weekly from 1912 to 1937 under Morrill Goddard, then its editor until his death. He was a major influence on H. P. Lovecraft, and highly esteemed by his friend and frequent collaborator Hannes Bok. Merritt's stories typically revolve around conventional pulp magazine themes: lost civilizations, hideous monsters, etc. His heroes are gallant Irishmen or Scandinavians, his villains treacherous Germans or Russians and his heroines often virginal, mysterious and scantily clad. What sets Merritt apart from the typical pulp author, however, is his lush, florid prose style and his exhaustive, at times exhausting, penchant for adjective-laden detail. His fondness for micro-description nicely complements the pointillistic style of Bok's illustrations. He wrote Through the Dragon Glass, and The People of the Pit (1917), The Moon Pool (1918), The Metal Monster (1920), and Three Lines of Old French.

    Here are remarkable essays on a variety of subjects informed by—but not necessarily about—the experience of blackness, as seen through the eyes of some of our finest writers.From art, entertainment, and science to technology, sexuality, and current events—including the battle for the Democratic nomination for the presidency—the essays in this inaugural anthology offer the compelling perspectives of a number of well-known, distinguished writers, among them Malcolm Gladwell, Jamaica Kincaid, James McBride, and Walter Mosley, and a number of other writers who are just beginning to be heard.Selected from a diverse array of respected publications such as the New Yorker, the Virginia Quarterly Review, Slate, and National Geographic, the essays gathered here are about making history, living everyday life—and everything in between. In “Fired,” author and professor Emily Bernard wrestles with the pain of a friendship inexplicably ended. Kenneth McClane writes hauntingly of the last days of his parents’ lives in “Driving.” Journalist Brian Palmer shares “The Last Thoughts of an Iraq War Embed.” Jamaica Kincaid describes her oddly charged relationship with that quintessentially British, Wordsworthian flower in “Dances with Daffodils,” and writer Hawa Allan depicts the forces of race and rivalry as two catwalk icons face off in “When Tyra Met Naomi.” A venue in which African American writers can branch out from traditionally “black” subjects, Best African American Essays features a range of gifted voices exploring the many issues and experiences, joys and trials, that, as human beings, we all share.Please click the "Behind the Book" link for contributor’s bios.From the Hardcover edition.

    Of particular concern is the issue of leadership--a difficult task made even more challenging in multicultural settings. Sherwood Lingenfelter helps the reader understand his or her own leadership culture (and its blind spots), examine it critically in light of Scripture, and become an effective learner of other cultural perspectives on leadership. He also confronts the issues of power inherent in any leadership situation. Lingenfelter carefully defines cross-cultural leadership and unpacks that definition throughout the book, with an emphasis on building communities of vision, trust, and empowerment through leadership based on biblical principles. In the end, he argues that leaders must inhabit the gospel story to be effective cross-culturally.

    Then, in the 1960s and 1970s, American cinema “grew up” in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex.Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the “tasteful” Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies.Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the “Frenzy of the Visible.”A John Hope Franklin Center BookNovember424 pages129 illustrations6x9 trim sizeISBN 0-8223-0-8223-4285-5paper, $24.95ISBN 0-8223-0-8223-4263-4library cloth edition, $89.95ISBN 978-0-8223-4285-4paper, $24.95ISBN 978-0-8223-4263-2library cloth edition, $89.95

    Can Caliban own Prospero's language? Can he use it to do more than curse?Caliban's Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be 'English Literature'. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures.Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.

    This combination of self-determination and socialism from afar has incited profound changes in the ways individuals think and act in different spheres of society.Covering a vast range of daily life--from homeowner organizations and the users of Internet cafes to self-directed professionals and informed consumers--the essays in Privatizing China create a compelling picture of the burgeoning awareness of self-governing within the postsocialist context. The introduction by Aihwa Ong and Li Zhang presents assemblage as a concept for studying China as a unique postsocialist society created through interactions with global forms.The authors conduct their ethnographic fieldwork in a spectrum of domains--family, community, real estate, business, taxation, politics, labor, health, professions, religion, and consumption--that are infiltrated by new techniques of the self and yet also regulated by broader socialist norms. Privatizing China gives readers a grounded, fine-grained intimacy with the variety and complexity of everyday conduct in China's turbulent transformation.

    Yet the many cultural dimensions of medieval Iberia make it pressingly relevant to current critiques of western modernity. This volume, which brings into dialogue historians and literary scholars in medieval and modern Iberian cultures, interrogates the contemporary significance of the distant Spanish past, particularly in regard to tensions in the relationship between the West and Islam. Rejecting an illusory space of neutrality, the search for relevance is envisioned as an ethically and politically necessary form of inquiry.

    30 essays explore the history of American culture at all analytic levels Written by scholarly experts well-versed in the questions and controversies that have activated interest in this burgeoning field Part of the authoritative Blackwell Companions to American History series Provides both a chronological and thematic approach: topics range from British America in the Eighteenth Century to the modern day globalization of American Culture; thematic approaches include gender and sexuality and popular culture

    Great Britain was the great world power and its institutions, beliefs and values had an immense impact on the world far beyond its formal empire.Providence and Empire argues that knowledge of the religious thought of the time is crucial in understanding the British imperial story. The churches of the United Kingdom were the greatest suppliers of missionaries to the world, and there was a widespread belief that Britain had a divine mission to spread Christianity and civilisation, to eradicate slavery, and to help usher in the millennium; the Empire had a providential purpose in the world. This is the first connected account of the interactions of religion, politics and society in England, Scotland, Ireland and Wales between 1815 and 1914. Providence and Empire is essential reading for any student who wishes to gain an insight into the social, political and cultural life of this period.

    Sporting Sounds addresses this oversight in an intriguing and innovative collection of essays.With contributions from leading international psychologists, sociologists, historians, musicologists and specialists in sports and cultural studies, the book illuminates our understanding of the vital part music has played in the performance, reception and commodification of sport. It explores a fascinating range of topics and case studies, including:The use of music to enhance sporting performanceProfessional applications of music in sportSporting anthems as historical commemorationsMusic at the OlympicsSupporter rock music in Swedish sportCaribbean cricket and calypso music From local fan cultures to international mega-events, music and sport are inextricably entwined. Sporting Sounds is a stimulating and illuminating read for anybody with an interest in either of these cultural forms.

    Rejecting essentialism and cultural reductionism, the book suggests that identity and emotion play an essential role in the phenomenon that has been called fundamentalism.

    Adrian Parr considers the different character traumatic memory takes throughout the sphere of cultural production and argues that contemporary memorial culture has the power to put traumatic memory to work in a positive way. Drawing on the conceptual apparatus of Gilles Deleuze, she outlines the relevance of his thought to cultural studies and the wider phenomenon of traumatic theory and public remembrance. This approach is interdisciplinary, drawing on media criticism, psychoanalysis, cultural studies, urbanism, continental philosophy and political economy.A number of case studies are examined including the holocaust, the Vietnam Veterans Memorial in Washington DC, 9/11, the Amish shootings in Pennsylvania USA, the documentation and dissemination of US military abuses at Abu Ghraib prison, as well as the consumption and reification of trauma.This book offers a revision of trauma theory that presents trauma not simply as a definitive experience and implicitly negative, but an experience that can foster a sense of hope and optimism for the future.

    But how do we represent and compare data from one part of the world to another in a useful way?Here, sophisticated software combined with comprehensive analysis of every aspect of life represents the world as it really is. Digitally modified maps depict the areas and countries of the world not by their physical size but by their demographic importance on a vast range of topics.The rainforests of South America, with thirty percent of the world's fresh water, make the continent balloon in an analysis of water resources, whereas Kuwait, dependent on desalinated seawater, disappears from the map. Fuel use, alcohol consumption, population, malaria: here are hundreds of key indicators to the way we live.This innovative and exceptionally accessible reference work will be an indispensable tool for journalists, economists, marketers, politicians, financiers, environmentalists, and scholars. Its cartograms are augmented by graphs, tables, and full commentaries.