Her husband, Tim, a respected professor of journalism, is having an affair with a student. Stunned, Kari returns home to the Baxter family to sort things out. But when an old flame shows up, she is more confused than ever.Remember:Ashley Baxter has locked up her heart, convinced that no one – including God - could love her. Four unlikely people - Alzheimer’s patients - find the cracks in Ashley’s heart and slowly help her remember.Return:Luke, golden boy and the Baxter family’s only son, has walked away from everything that mattered most to him: his faith, his family, and Reagan, his only love. Devastated by the events of September 11, 2001, Luke decides that life is random, faith a fraud, and God a fantasy.Rejoice:Brooke and Peter are struggling in their marriage when they are faced with the single worst moment ever. What was supposed to be a pool party for their two daughters and a handful of children ends in disaster. As three-year-old Hayley fights for her life, the Baxter family draws together, not even sure how to pray.Reunion:Plans are being made for a family reunion. Nearly all the adult Baxter children have a reason to celebrate - except one. As the preparations get under way, a deadly diagnosis sends shock waves through the Baxter family and threatens to tear them apart.

    Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."

    The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

    Whether he is describing his coming of age in America, his formative war experiences, or his life as an artist, this is Vonnegut doing what he does best: being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.

    Edited by the poet Alice Notley, Berrigan's second wife, and their two sons, The Collected Poems demonstrates the remarkable range, power, and importance of Berrigan's work.

    "A cultural monument, a journalistic gold mine, an essential research tool, an amazing time machine." What has the "New Yorker" said about Prohibition, Duke Ellington, the Second World War, Bette Davis, boxing, Winston Churchill, "Citizen Kane," the invention of television, the Cold War, baseball, the lunar landing, Willem de Kooning, Madonna, the internet, and 9/11? Eighty years of "The New Yorker" offers a detailed, entertaining history of the life of the city, the nation, and the world since 1925. Every article, every cartoon, every illustration, every advertisement, exactly as it appeared on the printed page, in full color. Flip through full spreads of the magazine to browse headlines, art work, ads, and cartoons, or zoom in on a single page, for closer viewing. Print any pages or covers you choose, or bookmark pages with your own notes. Our powerful search environment allows you to home in on the pieces you want to see. Our entire history is catalogued by date, contributor, department, and subject. 4, 109 ISSUES. HALF A MILLION PAGES. YOURS TO SEARCH AND SAVOR.

    1955-1956 and 1957-1958 packed in a sturdy custom box designed especially for this set. The perfect gift item.The Complete Peanuts 1955-1956 takes us into the mid-1950s as Linus learns to talk, Snoopy begins to explore his eccentricities (including his hilarious first series of impressions), Lucy's unrequited crush on Schroeder takes final shape, and Charlie Brown becomes…well, even more Charlie Brown-ish! Over half of the strips in this volume have never been printed since their original appearance in newspapers a half-century ago! Even the most dedicated Peanuts collector/fan is sure to find many new treasures.In The Complete Peanuts 1957-1958, Peanuts definitively enters its golden age. Linus, who had just learned to speak in the previous volume, becomes downright eloquent and even begins to fend off Lucy's bullying; even so, his security neurosis becomes more pronounced, including a harrowing two-week "Lost Weekend" sequence of blanketlessness. Charlie Brown cascades further down the hill to loserdom, with spectacularly lost kites, humiliating baseball losses (including one where he becomes "the Goat" and is driven from the field in a chorus of BAAAAHs); at least his newly acquired "pencil pal" affords him some comfort. Pig-Pen, Shermy, Violet, and Patty are also around, as is an increasingly Beethoven-fixated Schroeder. But the rising star is undoubtedly Snoopy. He's at the center of the most graphically dynamic and action-packed episodes (the ones in which he attempts to grab Linus's blanket at a dead run). He even tentatively tries to sleep on the crest of his doghouse roof once or twice, with mixed results. And his imitations continue apace, including penguins, anteaters, sea monsters, vultures and (much to her chagrin) Lucy. No wonder the beagle is the cover star not only of this volume but also of the beautiful collector's slipcase to this set!Charles M. Schulz was born November 25, 1922 in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google).In his senior year in high school, his mother noticed an ad in a local newspaper for a correspondence school, Federal Schools (later called Art Instruction Schools). Schulz passed the talent test, completed the course and began trying, unsuccessfully, to sell gag cartoons to magazines. (His first published drawing was of his dog, Spike, and appeared in a 1937 Ripley's Believe It Or Not! installment.) Between 1948 and 1950, he succeeded in selling 17 cartoons to the Saturday Evening Post—as well as, to the local St. Paul Pioneer Press, a weekly comic feature called Li'l Folks. It was run in the women's section and paid $10 a week. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.He started submitting strips to the newspaper syndicates. In the spring of 1950, he received a letter from the United Feature Syndicate, announcing their interest in his submission, Li'l Folks. Schulz boarded a train in June for New York City; more interested in doing a strip than a panel, he also brought along the first installments of what would become Peanuts—and that was what sold. (The title, which Schulz loathed to his dying day, was imposed by the syndicate). The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952.Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Day—and the day before his last strip was published—having completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own hand—an unmatched achievement in comics.

    Will Magneto help his daughter or use her powers to his own benefit? Starring the Astonishing X-Men and the New Avengers!!

    The story of these remarkable sisters — and their central role in shaping the thinking of their day — has never before been fully told. Twenty years in the making, Megan Marshall's monumental biograpy brings the era of creative ferment known as American Romanticism to new life. Elizabeth, the oldest sister, was a mind-on-fire thinker. A powerful influence on the great writers of the era — Emerson, Hawthorne, and Thoreau among them — she also published some of their earliest works. It was Elizabeth who prodded these newly minted Transcendentalists away from Emerson's individualism and toward a greater connection to others. Mary was a determined and passionate reformer who finally found her soul mate in the great educator Horace Mann. The frail Sophia was a painter who won the admiration of the preeminent society artists of the day. She married Nathaniel Hawthorne — but not before Hawthorne threw the delicate dynamics among the sisters into disarray. Marshall focuses on the moment when the Peabody sisters made their indelible mark on history. Her unprecedented research into these lives uncovered thousands of letters never read before as well as other previously unmined original sources. The Peabody Sisters casts new light on a legendary American era. Its publication is destined to become an event in American biography. This book is highly recommended for students and reading groups interested in American history, American literature, and women's studies. It is a wonderful look into 19th-century life.

    Solitary and solemn, it is the table where no one will ever sit.As a special gift to her Uncle John, Katie and her sisters are asked to help set the white table for dinner. As their mother explains the significance of each item placed on the table Katie comes to understand and appreciate the depth of sacrifice that her uncle, and each member of the Armed Forces and their families, may be called to give. "It was just a little white table...but it felt as big as America when we helped Mama put each item on it and she told us why it was so important."We use a Small Table, girls," she explained first, "to show one soldier's lonely battle against many. We cover it with a White Cloth to honor a soldier's pure heart when he answers his country's call to duty.""We place a Lemon Slice and Grains of Salt on a plate to show a captive soldier's bitter fate and the tears of families waiting for loved ones to return," she continued."We push an Empty Chair to the table for the missing soldiers who are not here...""Margot Theis Raven has been a professional writer working in the fields of radio, television, magazines, newspapers, and children's books for 30 years. Margot's first children's book, "Angels in the Dust," won five national awards, including an IRATeacher's Choice Award. Her first book with Sleeping Bear Press, "Mercedes and the Chocolate Pilot," was the runner-up for the 2004 Texas Bluebonnet Award. She lives with her family in Charleston, South Carolina.Mike Benny's illustrations have appearedin" Time, GQ, New Yorker" and "Sports Illustrated"Magazines. He has also been awarded two Gold Medals from the Society of Illustrators. This is Mike's first children's book. He lives in Austin, Texas with his wife Mary Ann and daughter Adele.

    A chef of impeccable pedigree, she got her start cooking at some of the best restaurants in the world–L’Arpège. Olives, and Chez Panisse, to name a few–places where she acquired top-notch skills to match her already flawless culinary instincts. “A great many cooks have come through the kitchen at Chez Panisse,” observes the legendary Alice Waters, “But Suzanne Goin was a stand-out. We all knew immediately that one day she would have a restaurant of her own, and that other cooks would be coming to her for kitchen wisdom and a warm welcome.”And come they have, in droves. Since opening her L.A. restaurant, Lucques, in 1998, Goin’s cooking has garnered extraordinary accolades. Lucques is now recognized as one of the best restaurants in the country, and she is widely acknowledged as one of the most talented chefs around. Goin’s gospel is her commitment to the freshest ingredients available; her way of combining those ingredients in novel but impeccably appropriate ways continues to awe those who dine at her restaurant. Her Sunday Supper menus at Lucques–ever changing and always tied to the produce of the season–have drawn raves from all quarters: critics, fellow chefs, and Lucques’s devoted clientele. Now, in her long-awaited cookbook, Sunday Suppers at Lucques, Goin offers the general public, for the first time, the menus that have made her famous. This inspired cookbook contains:§132 recipes in all, arranged into four-course menus and organized by season. Each recipes contains detailed instructions that distill the creation of these elegant and classy dishes down to easy-to-follow steps. Recipes include: Braised Beef Shortribs with Potato Puree and Horseradish Cream; Cranberry Walnut Clafoutis; Warm Crepes with Lemon Zest and Hazelnut Brown Butter§75 full-color photographs that illustrate not only the beauty of the food but the graceful plating techniques that Suzanne Goin is known for§A wealth of information on seasonal produce–everything from reading a ripe squash to making the most of its flavors. She even tells us where to purchase the best fruit, vegetables, and pantry items§Detailed instruction on standard cooking techniques both simple and involved, from making breadcrumbs to grilling duck§A foreword by Alice Waters, owner and head chef of Chez Panisse restaurant and mentor to Suzanne Goin (one-time Chez Panisse line cook)With this book, Goin gives readers a sublime collection of destined-to-be-classic recipes. More than that, however, she offers advice on how home cooks can truly enjoy the process of cooking and make that process their own. One Sunday with Suzanne Goin is guaranteed to change your approach to cooking–not to mention transform your results in the kitchen.

    Wendell Berry, one of the country's foremost cultural critics, addresses the menace, responding with hope and intelligence in a series of essays that tackle the major questions of the day. Whose freedom are we considering when we speak of the “free market” or “free enterprise?” What is really involved in our National Security? What is the price of ownership without affection? Berry answers in prose that shuns abstraction for clarity, coherence, and passion, giving us essays that may be the finest of his long career.

    It offers new perspectives on Basquiat's achievements, exploring them in the contexts of his key influences, and explores many individual works in detail.

    Poet Laureate for 2004-2006, Ted Kooser is one of America's masters of the short metaphorical poem. Dana Gioia has remarked that Kooser has written more perfect poems than any poet of his generation.In Flying at Night: Poems 1965-1985, Kooser has selected poems from two of his earlier works, Sure Signs and One World at a Time (1985). Taken together or read one at a time, these poems clearly show why William Cole, writing in the Saturday Review, called Ted Kooser "a wonderful poet," and why Peter Stitt, writing in the Georgia Review, proclaimed him "a skilled and cunning writer. . . . An authentic 'poet of the American people.'"

    But who would have a stranger from a foreign land? This biblical fiction has been carefully done so as to be historically accurate. The author pulls from her masters degree and love in history to recreate scenarios that put the reader in the culture and times of the real characters in the story. This fiction is educational.

     Bookworm Bailey Chambers is a pacifist who believes there’s good in everyone. Falling for daring SWAT door-kicker Conall O’Rourke wasn’t in her plan. A glimpse of Con’s risky, violent job scares Bailey into breaking up with him…just when he was about to propose to her. Con never surrenders, and is determined to woo, win, and wed the woman he loves. After all, he smashes barricades for a living. But he can’t win this battle with his usual weapons. Sidelined to await the outcome while Bailey fights to slay her fears is the hardest thing Con’s ever done. When the couple are trapped in a deserted mall with a crew of ruthless bank robbers—who’ve taken their friends hostage—they must work together to overcome formidable odds. As the clock ticks toward the final countdown, Bailey and Con each offer the ultimate sacrifice, desperate to ensure the other will survive the night. But even if they live…will the terrifying battle be the final kill shot that dooms their relationship? Just 24 hours can change your life. Book 1 of 4 in the "24 Hours - Final Countdown" Series. Previously published as Midnight Hero.

    By her lifelong option for the poor and her devotion to active nonviolence, Day fashioned a new face for the gospel in our time. In 2000 the Vatican recognized her cause for canonization, and she was officially termed "Servant of God." To mark the occasion, Orbis is pleased to issue an anniversary edition of Dorothy Day: Selected Writings, widely recognized as the essential and authoritative guide to her life and work.

    This pocket-sized treasury of wisdom from the influential Christian contemplative, political activist, social visionary, and literary figure is abridged from the larger collection Seeds by Robert Inchausti (Shambhala, 2002).

    Created in association with Bob Dylan, the scrapbook is crammed with features including rare photographs, facsimiles of handwritten lyrics and rare memorabilia. The text includes interviews with Dylan and his friends and fellow musicians to form a uniquely personal view of the greatest singer songwriter of his generation. A special bonus audio CD contains sixty minutes of early interviews and a rare performance. "The Bob Dylan Scrapbook" is an altogether handsome slipcased hardback with over 100 photographs and illustrations, and is guaranteed to delight every Dylan fan.top Editorial Reviews - Amazon "The Bob Dylan Scrapbook" is the highly collectable illustrated biography of Dylan's life during the 1950s and 60s. Created in association with Bob Dylan, the Scrapbook is crammed with features including rare photographs, facsimiles of handwritten lyrics and rare memorabilia. The text includes interviews with Dylan and his friends and fellow musicians to form a uniquely personal view of the greatest singer songwriter of his generation. A special bonus audio CD contains sixty minutes of early interviews and a rare performance. In the bestselling tradition of "Lennon Legend" and "Elvis Treasures", "The Bob Dylan Scrapbook" is an altogether handsome slipcased hardback with over 100 photographs and illustrations,and is guaranteed to delight every Dylan fan.Created as a companion piece to Martin Scorsese's PBS documentary No Direction Home: Bob Dylan, The Bob Dylan Scrapbook, 1956-1966 is a visual and educational treat for old and new Dylanphiles alike. Written by Robert Santelli, the director of Seattle's Experience Music Project and curator of the museum's Bob Dylan's American Journey exhibit, the book is very well researched and presented in a scrapbook format filled with removable reproductions, including handwritten lyrics of "Gates of Eden," "Blowin' in th

    He was the opposite of Elvis: a black performer who appealed to white audiences, who wrote his own songs, who controlled his own business destiny. No biography has previously been written that fully captures Sam Cooke's accomplishments, the importance of his contribution to American music, the drama that accompanied his rise in the early days of the civil rights movement, and the mystery that surrounds his death. Bestselling author Peter Guralnick tells this moving and significant story, from Cooke's childhood as a choirboy to an adulthood when he was anything but. With appearances by Martin Luther King Jr., Malcolm X, James Brown, Harry Belafonte, Aretha Franklin, Fidel Castro, The Beatles, Sonny and Cher, Bob Dylan, and other central figures of this explosive era, DREAM BOOGIE is a compelling depiction of one man striving to achieve his vision despite all obstacles--and an epic portrait of America during the turbulent and hopeful 1950s and 1960s. The triumph of the book is the vividness with which Peter Guralnick conveys the astonishing richness of the black America of this era--the drama, force, and feeling of the story.

    

    When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.

    The title refers to the idea that those who are deviant propel the world forward at top speed. Delving into the center of the endless webs of repression against our bodies, desires, politics, and imaginations, are those whose actions and motion cut away at the systemic limitations of society. This collection of poems was written with the inspiration and work of these people in mind.As a working class queer poet, Conrad has had to fight through different stratifications of oppression his entire life. His poems vibrate with the flamboyant desire that manifests itself in queer culture, where the right to act on basic desires can become a battleground, and everyday acts of love and devotion must be enacted as a political form of defiance. The poems that emerge from this life long struggle illustrate the sharp edge of that defiance and desire, where joy is closely linked to death. In a world ruled by those who govern with fear, and in a landscape barbed with those who are terrified of desire, moving at speed of deviants is the only way to transform potential into action, and desire into positive change.

    A boxed, paperback collection of some of Faulkner's most well know & beloved novels.

    Cannon's internationally popular strip features a disturbing and sidesplitting cast of characters that includes latex-clad fathers, sadistic milkmen, vomiting robots, malformed neighbors, incontinent interdimensional beings, decomposing clowns, and dozens of other bizarre Red Meat denziens who will keep you laughing until it hurts. Pure Gold!

    . . mystical, carnal, reflective, wry.”—San Francisco ReviewThis book-length sequence of ecstatic, visionary lyrics recalls Rumi in its search for the beloved and its passionate belief in the healing qualities of art and beauty.Concerning the Book that is the Body of the Beloved is an incantatory celebration of the “Book,” an imaginary and self-gathering anthology of all the lyrics—both poems and songs—ever written. Each poem highlights a distinct aspect of the human condition, and together the poems explore love, loss, restoration, the beauty of the world, the beauty of the beloved, and the mystery of poetry. The purpose and power of the Book is to help us live by reconnecting us to the world and to our emotional lives.I put the beloved In a wooden coffin. The fire ate his body; The flames devoured her. I put the beloved In a poem or song. Tucked it between Two pages of the Book. How bright the flames. All of me burning, All of me on fire And still whole.There is nothing quite like this book—an “active anthology” in the best sense—where individuals find the poems and songs that will sustain them. Or the poems find them.Gregory Orr is the author of eight books of poetry, four volumes of criticism, and a memoir. He has received numerous awards for his work, most recently the Academy Award in Literature from the American Academy of Arts and Letters. Orr has taught at the University of Virginia since 1975 and was, for many years, the poetry editor of The Virginia Quarterly Review. He lives with his family in Charlottesville, Virginia.

    this is a short poem at the end of a long lifesitting here looking at you now then saying adios!

    She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim s families. THE WOMEN OF LOCKERBIE is loosely inspired by a true story, although the characters and situations in the play are purely fictional. Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate. Winner of the silver medal in the Onassis International Playwriting Competition and the Kennedy Center Fund for New American Plays award.

    Speaking in the unique lyrical voice that he called his "Ohioan," Wright created poems of immense sympathy for sociey's alienated and outcast figures and also of ardent wonder at the restorative power of nature.Selected Poems fills a significant gap in Wright's bibliography: that of an accessible, carefully chosen collection to satisfy both longtime readers and those just discovering his work. Edited and with an introduction by Wright's widow, Anne, and his close friend the poet Robert Bly, who also wrote an introduction, Selected Poems is a personal, deeply considered collection of work with pieces chosen from all of Wright's books. It is an overdue--and timely--new view of a poet whose life and work encompassed the extremes of American life.

    Nick Nolte modeled his character in the movie Extreme Prejudice on him. Jackson even had a speaking part of his own in The Good Old Boys with Tommy Lee Jones. But the role that Jackson has always played the best is that of the man who wears the silver badge cut from a Mexican cinco peso coin—a working Texas Ranger. Legend says that one Ranger is all it takes to put down lawlessness and restore the peace—one riot, one Ranger. In this adventure-filled memoir, Joaquin Jackson recalls what it was like to be the Ranger who responded when riots threatened, violence erupted, and criminals needed to be brought to justice across a wide swath of the Texas-Mexico border from 1966 to 1993.Jackson has dramatic stories to tell. Defying all stereotypes, he was the one Ranger who ensured a fair election—and an overwhelming win for La Raza Unida party candidates—in Zavala County in 1972. He followed legendary Ranger Captain Alfred Y. Allee Sr. into a shootout at the Carrizo Springs jail that ended a prison revolt—and left him with nightmares. He captured "The See More Kid," an elusive horse thief and burglar who left clean dishes and swept floors in the houses he robbed. He investigated the 1988 shootings in Big Bend's Colorado Canyon and tried to understand the motives of the Mexican teenagers who terrorized three river rafters and killed one. He even helped train Afghan mujahedin warriors to fight the Soviet Union.Jackson's tenure in the Texas Rangers began when older Rangers still believed that law need not get in the way of maintaining order, and concluded as younger Rangers were turning to computer technology to help solve crimes. Though he insists, "I am only one Ranger. There was only one story that belonged to me," his story is part of the larger story of the Texas Rangers becoming a modern law enforcement agency that serves all the people of the state. It's a story that's as interesting as any of the legends. And yet, Jackson's story confirms the legends, too. With just over a hundred Texas Rangers to cover a state with 267,399 square miles, any one may become the one Ranger who, like Joaquin Jackson in Zavala County in 1972, stops one riot.

    Soo's infamous and suspicious onstage death in 1918 mystified his fellow magicians: he was shot during a performance of "Defying the Bullets," in which he attempted to catch marked bullets on a porcelain plate. When Soo died, his deceptions began to unravel. It was discovered that he was not Chinese but a fifty-eight-year-old American named William Ellsworth Robinson, a former magicians' assistant and the husband of Olive Robinson. But even William Robinson was not who he appeared to be, for he had kept a second family with a mistress in a fashionable home near London. Here is a look at the rough-and-tumble world of turn-of-the-century entertainments, the West's discovery of Oriental culture, and Soo's strange descent into secrecy as he rose to stardom -- written by the foremost chronicler of magic's history and culture. Due to the scandals surrounding Robinson's death, this is the first time his full story has ever been told. Photographs are included.

    The evil Freddy Krueger once again stalks the inhabitants of Elm Street, finding his prey in the world of their nightmares.

    Newton remains one of the most misunderstood political figures of the twentieth century. As cofounder and leader of the Black Panther Party for more than twenty years, Newton (1942-1989) was at the forefront of the radical political activism of the 1960s and '70s. Raised in poverty in Oakland, California, and named for corrupt Louisiana governor Huey P. Long, Newton embodied both the passions and the contradictions of the civil rights movement he sought to advance. In this first authorized biography, Newton's former chief of staff David Hilliard teams up with best-selling authors Keith and Kent Zimmerman to tell the whole story of the man behind the organization that FBI director J. Edgar Hoover infamously dubbed "the greatest threat to the internal security of the country."

    Amoral and irreverent renegade occultist and paranormal detective John Constantine is blessed and cursed with the ability to interact with this secret world. When Constantine teams up with skeptical L.A. policewoman Angela Dodson to solve the mysterious suicide of her twin sister, their investigation catapults them into a catastrophic series of otherworldly events -- even as the forces of Hell conspire against Constantine to claim his immortal soul....

    She started the habit of writing down everything that happened to her when she was no more than eight years old, and now she had six journals completely full. She thought about the prize at school, almost prayed to win, but somehow she could not. “God,” she finally said, “I’ll do my best, and if you’ll help me, that’s all I ask.”Fourteen-year-old Lanie Belle Freeman of Fairhope, Arkansas, has high hopes for her future. Happy on the five-acre family homeplace, she dreams of going to college and becoming a writer. And with her father launching a new business and her mother expecting the fifth baby, the bright days of an early Southern spring seem to herald expansive new beginnings for the Freeman family.But her mother isn’t as strong as she should be, and it’s going to take time for the business to pay back the mortgage. When unexpected tragedy strikes, it is left to Lanie to keep the family together and hold on to their home. In a world shaken by the Great Depression, it is faith in God and love in a tightly knit family that will help Lanie and her siblings overcome the odds and create a future that promises the fulfillment of love.The Homeplace offers a warmhearted and inspiring saga of a courageous young woman who holds her family together through the Depression era.

    Brand new book

    He conveys in the sweet simplicity of grounded language a sense of the self where it belongs, floating between heaven, earth, and underground.”—The Atlantic Monthly“W.S. Merwin is our strongest poet.”—The New York Times Review of BooksIn this new masterwork from one of America’s foremost poets, W.S. Merwin guides his readers to universal themes through worldly specifics. Akin to Neruda’s Elemental Odes, every poem in Present Company directly addresses the people and things of daily life, as in “To the Thief at the Airport” or “To Lingering Regrets.” To This May They know so much more now about the heart we are told but the world still seems to come one at a time one day one year one season and here it is spring once more with its birds nesting in the holes in the walls its morning finding the first time its light pretending not to move always beginning as it goesThese poems to the world are playful, deadly serious, and full of wonder. Whether writing of an unused vehicle in “To Zbigniew Herbert’s Bicycle” or watching fireworks from a distance in “To the Coming Winter,” Merwin’s poems create a rare and compelling intimacy. There is no one writing today like W.S. Merwin.Poet and translator W.S. Merwin has long been committed to artistic, political, and environmental causes in both word and deed. He has received nearly every major literary accolade, including the Pulitzer, Tanning, Lannan, and Bollingen prizes. His most recent award is the International Golden Wreath from the Struga Foundation, a longstanding literary honor that, in its 70-year history, has been offered to only three English-speaking poets. W.S. Merwin lives in Hawaii, where he cultivates endangered palms.

    Unfortunately, the private lives of actors such as John Wayne, Henry Fonda, and Errol Flynn rarely lived up to the idealistic roles they portrayed. However, James Stewart was known as the underdog fighter in many of his films and in real life. He was highly decorated for his bravery during his time as a bomber pilot during World War II and was adored for his earnest and kindly persona.Here many unknown sides of Stewart are revealed: his explosive temper, his complex love affairs, his service as a secret agent for the FBI, his innate shyness, and his passionate patriotism. Munn’s personal touch shines through his writing, as he was a friend of Stewart and his wife, Gloria, and interviewed them as well as their colleagues and friends. This definitive biography reveals the childhood ups and downs that formed this cinema hero, explores the legendary Fonda–Stewart relationship, and recounts Stewart’s experiences making acclaimed films that include The Philadelphia Story, Rear Window, Anatomy of a Murder, It’s a Wonderful Life, and Mr. Smith Goes to Washington.

    McNamara is one of modern America's most controversial figures. His opinions, policies, and actions have led to a firestorm of debate, ignited most recently by Errol Morris's Academy Award-winning film, The Fog of War. In the companion book, editors James G. Blight and janet M. Lang use lessons from McNamara's life to examine issues of war and peace in the 20th century. McNamara's career spans some of America's defining events-from the end of World War I, through the course of World War II, and the unfolding of the Cold War in Cuba, Vietnam, and around the world. The Fog of War brings together film transcripts, documents, dialogues, and essays to explore what the horrors and triumphs of the 20th century can teach us about the future.

    The full story behind the origin of X-23; who she is, where she came from, and the exact nature of her relationship to Wolverine. You think you know, but you have no idea. Pick up this first issue today!

    Now, for the first time, all of the poems in his ten collections–from Sun Out, poems of the 1950s, to Thank You, published in 1962, to A Possible World, published in 2002, the year of the poet’s death–are gathered in one volume.Celebrating the pleasures of friendship, art, and love, the poetry of Kenneth Koch has been dazzling readers for fifty years. Charter member–along with Frank O’Hara, John Ashbery, and James Schuyler–of the New York School of poets, avant-garde playwright and fiction writer, pioneer teacher of writing to children, Koch gave us some of the most exciting and aesthetically daring poems of his generation.These poems take sensuous delight in the life of the mind and the heart, often at the same time: “O what a physical effect it has on me / To dive forever into the light blue sea / Of your acquaintance!” (“In Love with You”).Here is Koch’s early work: love poems like “The Circus” and “To Marina” and such well-remembered comic masterpieces as “Fresh Air,” “Some General Instructions,” and “The Boiling Water” (“A serious moment for the water is when it boils”). And here are the brilliant later poems–“One Train May Hide Another,” the deliciously autobiographical address in New Addresses, and the stately elegy “Bel Canto”–poems that, beneath a surface of lightness and wit, speak with passion, depth, and seriousness to all the most important moments in one’s existence.Charles Simic wrote in The New York Review of Books that, for Koch, poetry “has to be constantly saved from itself. The idea is to do something with language that has never been done before.” In the ten exuberant, hilarious, and heartbreaking books of poems collected here, Kenneth Koch does exactly that.

    A high school football rivalry turns absurd—and deadly. A much-loved cat seems to have been a different animal all along. A pair of identical twins aren’t identical at all—or even related. A man finds his own yellowed birth announcement inside a bureau bought at auction. Set in a small upstate New York town, told in a conversational style, Pieces for the Left Hand is a stream of a hundred anecdotes, none much longer than a page. At once funny, bizarre, familiar, and disturbing, these deceptively straightforward tales nevertheless shock and amaze through uncanny coincidence, tragic misunderstanding, strange occurrence, or sudden insight. Unposted letters, unexpected visitors, false memories—in J. Robert Lennon’s vision of America, these are the things that decide our fate. Wry and deadpan, powerful and philosophical, these addictive little tales reveal the everyday world as a strange and eerie place.

    With a historian’s perspective and a critic’s insight, award-winning author Andrew Delbanco marvelously demonstrates that Melville was very much a man of his era and that he recorded — in his books, letters, and marginalia; and in conversations with friends like Nathaniel Hawthorne and with his literary cronies in Manhattan — an incomparable chapter of American history. From the bawdy storytelling of Typee to the spiritual preoccupations building up to and beyond Moby Dick, Delbanco brilliantly illuminates Melville’s life and work, and his crucial role as a man of American letters.

    This mass movement lasted as long as the war did, and a military strategy originally designed to break the plantations of the American South had unleashed one of the great exoduses in American history.With powerfully vivid storytelling, Schama details the odyssey of the escaped blacks through the fires of war and the terror of potential recapture at the war's end, into inhospitable Nova Scotia, where thousands who had served the Crown were betrayed and, in a little-known hegira of the slave epic, sent across the broad, stormy ocean to Sierra Leone.

    One of our finest writers of history, Wilentz brings to life the era after the American Revolution, when the idea of democracy remained contentious, and Jeffersonians and Federalists clashed over the role of ordinary citizens in government of, by, and for the people. The triumph of Andrew Jackson soon defined this role on the national level, while city democrats, Anti-Masons, fugitive slaves, and a host of others hewed their own local definitions. In these definitions Wilentz recovers the beginnings of a discontenttwo starkly opposed democracies, one in the North and another in the Southand the wary balance that lasted until the election of Abraham Lincoln sparked its bloody resolution. 75 illustrations.

    In the title novella, Brown Dog, a hapless Michigan Indian loved by Harrison's readers, is trying to parent his two step-children and take care of his family's health on meager resources - it helps a bit that his charms are irresistible to the new dentist in town. Republican Wives is a witty satire on the sexual neuroses of the Right, the mystery of why any person desires another, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. Tracking is a meditation on Harrison's fascination with place, telling his own familiar mythology through the places he has seen and the intellectual loves he has known in a vivid stream of consciousness that transfigures how we look at our own surroundings.

    It is a marriage of militarism and utopian ideology--of unprecedented military might wed to a blind faith in the universality of American values. This mindset, the author warns, invites endless war and the ever-deepening militarization of U.S. policy. It promises not to perfect but to pervert American ideals and to accelerate the hollowing out of American democracy. As it alienates others, it will leave the United States increasingly isolated. It will end in bankruptcy, moral as well as economic, and in abject failure. With The New American Militarism, which has been updated with a new Afterword, Bacevich examines the origins and implications of this misguided enterprise. He shows how American militarism emerged as a reaction to the Vietnam War. Various groups in American society--soldiers, politicians on the make, intellectuals, strategists, Christian evangelicals, even purveyors of pop culture--came to see the revival of military power and the celebration of military values as the antidote to all the ills besetting the country as a consequence of Vietnam and the 1960s. The upshot, acutely evident in the aftermath of 9/11, has been a revival of vast ambitions and certainty, this time married to a pronounced affinity for the sword. Bacevich urges us to restore a sense of realism and a sense of proportion to U.S. policy. He proposes, in short, to bring American purposes and American methods--especially with regard to the role of the military--back into harmony with the nation's founding ideals.

    Howard was both a successful author of popular boxing stories and an avid amateur boxer himself. The sixteen stories and three poems collected in this volume show the full range of his talents for action, humor, and fistic philosophy. Ten of the stories feature the sailor Steve Costigan, a lovable, hard-fisted, and innocent semipro pugilist, who takes on dastardly villains in exotic ports of call. Howard’s brilliant blue-collar humor belies his preoccupation with the real-life issues near and dear to his heart—death, honor, pride, and a man’s love for his dog Other stories are more dramatic and somber, including “Iron Men,” which Howard called “the best fight story I ever wrote—in many ways the best story of any kind I ever wrote.” Severely edited and truncated for its original publication in 1930 in Fight Stories magazine, the tale has never been published in its original form—until now. It appears here, completely restored from Howard’s original typescript, in an authoritative version that Howard fans everywhere will appreciate. In these stories Howard created a realistic, richly populated boxing universe, with intertwining characters and histories that carry on from tale to tale. With them he takes his place in a tradition of American boxing writers but always with a uniquely Howardian twist, a gritty brooding atmosphere, and a reserve of humor that captures the often brutal ambiance of the 1930s.

    M. Nouwen, lead readers along a journey of conversion during Lent and Easter week. These periods of penance and celebration, lavish with rituals, help us become more sensitive to our own weaknesses and Christ's victory over sin. Through it all, Father Nouwen comforts and reassures us with reminders that God loves and accepts us even in our human state.Each daily reflection--from Ash Wednesday through the Second Sunday of Easter--begins with thoughts from Father Nouwen on an appropriate theme, supported by Scripture, prayer, and a suggested activity for spiritual growth.View sample pages.Paperback

    This approach, first explored by Rauschenberg in the early 1950s, proved prescient and has become increasingly relevant in the current age of cascading information, when even the most ground-breaking artists are referencing and sampling disparate elements to create new forms. The Combines suggest the fragility of definitions, the fluidity of materials, and the complexity of forms that are characteristic of Rauschenberg's works. The artist's handling of materials provides a precise physical evolutionary link between the painterly qualities of Abstract Expressionism and iconographical, subject-driven early Pop Art. This book focuses on the works created roughly between 1954 and 1964, the most important decade in the artist's 50-year career, and constitutes the most complete survey of the Combines ever presented, as well as the most rigorous analysis of their political, social, autobiographical, and aesthetic significance. An introductory essay by exhibition curator Paul Schimmel titled "Reading Rauschenberg" offers an iconographic analysis of the earlier Combines, based on in-depth conversations with the artist. Other texts help to contextualize the Combines, such as Thomas Crow's essay that calls them the major artistic statement of their time, and the one body of art that could simultaneously hold its own with De Kooning to the rear and Pop art to come.

    The result of their collaboration was an amazing collection of photographs and recordings of legendary artists as well as unknown street musicians. The book Jazzlife, the original fruit of their labors, has become a collectors item that is highly treasured among jazz and photography fans. In 2003, TASCHEN began reassembling this important collection of material-along with many never-before-seen color images from those trips. They are brought together in this updated volume, which includes a foreword by William Claxton tracing his travels with Berendt and his love affair with jazz music in general. Jazz fans will be delighted to be able to take a jazz-trip through time, seeing the music as Claxton and Berendt originally experienced it. Featuring photographs of Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, and more.

    Here, set against the backdrop of America struggling through the Depression, is the world of magic, a realm of stars, sleight of hand, and sin where dreams could be realized-or stolen away. Following the Crash of '29, Dai Vernon, known by magicians as "the man who fooled Houdini," is tramping down Midwestern backroads, barely making ends meet. While swapping secrets with a Mexican gambler, he hears of a guy he doesn't quite believe is real-a legendary mystery man who deals perfectly from the center of the deck and who locals call the greatest cardsharp of all time. Determined to find the reclusive genius, Vernon sets out on a journey through America's shady, slick, and sinful side-from mob-run Kansas City through railroad towns that looked sleepy only in the daytime. Does he find the sharp? Well, Karl Johnson did-after years of research into Vernon's colorful quest, research that led him to places he never knew existed. Johnson takes us to the cardsharp's doorstep and shows us how he bestowed on Vernon the greatest secret in magic. The Magician and the Cardsharp is a unique and endlessly entertaining piece of history that reveals the artistry and obsession of a special breed of American showmen.

    The neighbors think it strange that a grown man enjoys a Tarzan like swing from the roof, but then again, they all think Henry is a little strange. Recently widowed, Henry is an emotionally challenged father being sued by his daughter for financial control of the estate. Henry must prove he is normal - not an easy thing to do when you are not. Henry is different, not quite normal, not quite special. Rumors explaining his behavior run from PTSD in Vietnam to losing his son to SIDS. But Henry has a special gift. In a town divided by the have and have-nots, Henry alone can inspire and touch even the most jaded lost soul. But when tragedy strikes, can he unite his own family?

    Knox’s A Gringo Like Me contains poems at once raucous and sexy, tender and raw. Knox has collected dramatic monologues, personal lyrics, and even screenplays together in a single energetic volume for a genuinely surprising debut. In favorites such as “Hot Ass Poem,” “Cruising for Prostitutes,” and “Chicken Bucket,” Knox’s quirky characters appear ornery, hickish, misogynist, or worse, but each elucidates a truth worth knowing, even if it’s not always welcome. In poems like "A Common American Name" and "Freckles," Knox’s lyrical voice charms readers. Between the poles of her unique range, Knox straddles and tames what she may yet prove to be an artificial divide in American poetry: she's a former slam champion, but also a two-time contributor to The Best American Poetry; she's a hilarious performer on stage, but also a deeply intellectual and formally disciplined poet.

    Who are these teenaged do-gooders and what right do they have to call themselves the Young Avengers?!

    Howard turned to writing comic and dialect Western tales only late in his career, but he found an immediate and continuously successful market for them, and they are in many respects his most accomplished and polished works. The sixteen tales collected here are some of the best of his stories, featuring Breckinridge Elkins, Pike Bearfield, and Buckner J. Grimes—three inimitable characters who lead well-intentioned lives of perpetual confusion, mischance, and outright catastrophe. Fifteen of the stories were published between 1934 and 1937 in Action Stories, Argosy, or Cowboy Stories; the other remained unpublished for more than thirty years. Many of these stories were rewritten for book publication and have never been reprinted in their original form. They are reminiscent of traditional southwestern tall tales, told in dialect, featuring larger-than-life characters, swift action, broad satire, and wry humor.

    In his eighth collection of poetry, Arthur Sze utilizes quipu as a unifying metaphor, knotting and stringing luminous poems that move across cultures and time, from elegy to ode, to create a precarious splendor.Revelation never comes as a fern uncoiling a frond in mist; it comes when I trip on a root, slap a mosquito on my arm. We go on, but stop when gnats lift into a cloud as we stumble into a bunch of rose apples rotting on the ground.Long admired for his poetic fusions of science, history, and anthropology, in Quipu, Sze’s lines and language are taut and mesmerizing, nouns can become verbs—“where is passion that orchids the body?”—and what appears solid and -stable may actually be fluid and volatile.A point of exhaustion can become a point of renewal: it might happen as you observe a magpie on a branch, or when you tug at a knot and discover that a grief disentangles, dissolves into air. Renewal is not possible to a calligrapher who simultaneously draws characters with a brush in each hand; it occurs when the tip of a brush slips yet swerves into flame . . .Arthur Sze is the author of eight books of poetry and a volume of translations. He is the recipient of an Asian American Literary Award, a Lannan Literary Award, and fellowships from the Witter Bynner Foundation and the National Endowment for the Arts. He teaches at the Institute of American Indian Arts and lives in New Mexico.

    With characteristically calculated understatement, he attributed his enormous and varied successes to “my having learnt a little to scribble.”This Library of America collection of Franklin’s works begins with letters sent from London (1757–1775) describing the events and diplomacy preceding the Revolutionary War. The volume also contains political satires, bagatelles, pamphlets, and letters written in Paris (1776–1785), where he represented the revolutionary United States at the court of Louis XVI, as well as his speeches given in the Constitutional Convention and other works written in Philadelphia (1785–1790), including his last published article, a searing satire against slavery.Also included are the delightfully shrewd prefaces to Poor Richard’s Almanack (1733–1758) and their worldly, pungent maxims that have entered our American culture. Finally, the classic Autobiography, Franklin’s last word on his greatest literary creation—his own invented personality—is presented here in a new edition, completely faithful to Franklin’s manuscript.A companion volume includes the complete “Silence Dogood” series, “Busy-Body” essays, and a generous selection of his early writings, including letters to the press, satires, and pamphlets.

    Devilishly thought-provoking, this collection explores some of the darkest aspects of humanity. Travel with the downtrodden and the disillusioned through personal hells of their own making, populated by terrifying monsters and skulking demons. Not for the feint of heart, this collection is a wild ride.

    A cross between William Faulkner (Times-Picayune) and John Irving (Detroit Free Press), Dufresne once again masterfully charts the power of truth and lies and the magic hidden in the mundane.

    Read all about the powerful, rich and beautiful teens of Beverley Hills High in this new collection of the first three titles in the national bestselling series The A-List.

    Reflecting their variety of visions and styles, The Oxford Anthology of African-American Poetry aims to offer nothing less than a definitive literaryportrait of a people. Here are poems by writers as different as Paul Laurence Dunbar and W.E.B. Du Bois; Countee Cullen and Langston Hughes; Gwendolyn Brooks and Amiri Baraka; Rita Dove and Harryette Mullen; Yusef Komunyakaa and Nathaniel Mackey. Acclaimed as a biographer and editor, Arnold Rampersad groups thesepoems as meditations on key issues in black culture, including the idea of Africa; the South; slavery; protest and resistance; the black man, woman, and child; sexuality and love; music and religion; spirituality; death and transcendence. With their often starkly contrasting visions and styles, these poets illuminate some of the more controversial and intimate aspects of the black American experience. Poetry here is not only or mainly a vehicle of protest but also an exploration of the complex and tender subtleties of blackculture. One section offers tributes to celebrated leaders such as Sojourner Truth and Malcolm X, but many more reflect the heroism compelled by everyday black life. The variety of poetic forms and language captures the brilliant essence of English as mastered by black Americans dedicated to theart of poetry. Loving and yet also honest and unsparing, The Oxford Anthology of African-American Poetry is for readers who treasure both poetry and the genius of black America.

    The greed is good mantra on Wall Street spawned the power-dressing, exercise-obsessed Me Generation of Yuppies-high on cash, cocaine, and Calvins. The art world enjoyed the influx of capital; computers and video games ruled in the office and at home; and the Rubik's cube craze swept the nation. Leg warmers were big, shoulder pads were bigger and hair was biggest of all. Whether your heart warms nostalgically at the memory of E.T., marathon Trivial Pursuit sessions, and The Cosby Show; if you think Knight Rider, Alf, and break dancing are totally awesome; or Tiffany, baggy acid wash jeans, and Cabbage Patch Kids make you wanna scream, gag me with a spoon, this book's for you. To all those who still hear the echoes of I want my MTV: All-American Ads of the 80s will leave you ready to reach out and touch someone. So just do it!

    His songwriting with The Byrds and subsequent work as a solo artist and with Dillard & Clark mark him as one of rock's key innovators and a pioneer of folk-rock, psychedelia, and alt-country. Yet Clark's personal demons shadowed him throughout his life, and until now his legacy has been clouded in mystery. Told through the personal recollections of those closest to Clark, Mr. Tambourine Man offers a rare glimpse into his life and work, a revealing portrait of one of rock's greatest bands, and a cautionary tale of the pitfalls of fame. Endorsed by the Gene Clark estate, the book also features rare and previously unseen photos from family and friends.

    But little did he know the effect this new pal, soon-to-be named Norton, would have on his future: celebrity encounters, transatlantic, jet-setting excursions, and lessons about love and commitment that extended way beyond the usual relationship between a man and his feline.The Norton Trilogy is the complete chronicles of Norton, the perfect Scottish Fold who won the hearts of hundreds of thousands through the endearing tales of his adventures with his not-so-perfect human in the three bestselling titles, The Cat Who Went to Paris, A Cat Abroad, and The Cat Who'll Live Forever. Bound together in one complete volume for the first time, these books let readers revel in Norton--his loveable nature, rebellious streak, and very uncatlike demeanor--and follow his often hilarious escapades across two continents.From outshining Sir Anthony Hopkins at a movie premiere in the Hamptons and being feted with a Pounce pizza at Spago by celebrity chef Wolfgang Puck, to making canine friends at the dog run in Washington Square Park and charming the hotel staff at the ritzy Tremoille Hotel in Paris, Norton's uncanny genius and unique relationship with the author touch everyone they meet.Traveling together through France, Italy, Holland and Spain, and culminating in their last cross-country trip in America, we learn about Norton's deeply moving last days and the lessons they taught his devoted human about death and grief and how to appreciate the joyful times we have here on earth.The Norton Trilogy is more than a story about a cat--it is a tribute to true friendship and the extraordinary bond between people and their pets.Peter Gethers, in addition to being the chronicler of his wonderful Scottish Fold cat Norton, is a novelist, screenwriter, and book publisher. He is the author of two novels, The Dandy and Getting Blue. Under the pseudonym Russell Andrews, he is the author of four internationally bestselling thrillers: Gideon, Icarus, Aphrodite and Midas.

    Her poems are “breathtakingly beautiful and resolute in their conviction that words matter, especially in the fact of randomness and moral collapse.” (Bruce Weigl)

    Book by Zirin, Dave

    It is filled with dozens of humorous tales of musician antics and concert meltdowns. Outsiders are rarely allowed such access, but at last you can have your own personal tour of the mystical and magical realm of professional orchestras and the people who play in them. "Real Men Don't Rehearse" was written by Justin Locke, who spent 18 seasons as a professional freelance double bassist in Boston. He played with the Boston Symphony and the Boston Pops, as well as for ballets, operas, and Broadway shows. He is also well known in the symphonic world as the author of "Peter VS. the Wolf" and "The Phantom of the Orchestra," which are internationally acclaimed programs for orchestra family concerts. This is the perfect gift for your favorite music lover! This is a book no musical library should be without!

    Michael Straczynski

    Lovecraft and the Cthulhu Mythos. With illustrations by Peter A. Worthy and color cover by James Oberschlake.

    Zen Baggage is an account of that journey. He weaves together historical background, interviews with Zen masters, and translations of the earliest known records of Zen, along with personal vignettes. Porter’s account captures the transformations taking place at religious centers in China but also the abiding legacy they have somehow managed to preserve. Porter brings wisdom and humor to every situation, whether visiting ancient caves containing the most complete collection of Buddhist texts ever uncovered, enduring a six-hour Buddhist ceremony, searching in vain for the ghost in his room, waking up the monk in charge of martial arts at Shaolin Temple, or meeting the abbess of China’s first Zen nunnery. Porter’s previously published Road to Heaven: Encounters with Chinese Hermits has become recommended reading at Zen centers and universities throughout America and even in China (in its Chinese translation), and Zen Baggage is sure to follow suit.

    You'll learn:- Why God wants His people to give - How to become a good steward - Scriptural guidelines for handling money - How to teach your children to be givers- Why we should give to worthy causes

    . . Dana Levin’s singular voice and talent are unmistakable. Wedding Day is Levin’s quest to synthesize the public and private, to find pattern and connection amid the disparate elements of modern life. Relentless in her examinations, she ultimately puts faith in poetry, believing it is the truest means—and best chance—to bridge the chasms between soul and society. Readers will put faith in Levin’s poetry as well. Dana Levin grew up in California--Robert Pinsky, Washington Post

    Vollmann turns his trenchant eye to the authoritarian cultures of Germany and the USSR in the twentieth century. Assembling a composite portrait of these two warring leviathans and the terrible age they defined, the narrative intertwines experiences both real and fictional—a young German who joins the SS to expose its crimes, two generals who collaborate with the enemy for different reasons, the Soviet composer Dmitri Shostakovich laboring under Stalinist oppression. Through these and other lives, Vollmann offers a daring and mesmerizing perspective on human actions during wartime.

    Nangle suggests itineraries for great trips, such as "Icons of the Maine Coast" and "Lighthouses, Lobster, and L.L. Bean". With detailed information on finding deals at outlet stores and eating in the open-air lobster wharves of Penobscot Bay, Moon Coastal Maine gives travelers the tools they need to create a more personal and memorable experience.

    In this new collection of essays, a treat for dedicated fans and new readers alike, Winik explores how she — and other women — face midlife and aging without getting tangled up in the past or the future, all with her trademark humor and insistence on the truth-the good, the bad, and the ugly.The collection is divided into five sections: "Back," about her family and her past; "Underfoot," about being a mom; "In the Mirror," about growing older; "Above us Only Sky," about a key turning point in her life, and "Ahead," about facing the future.

    Decades before Crockett, Bowie or Houston even set foot in Texas, Frederick Stockman was already there. Author Elizabeth Schwartz, a ninth-generation Texan, has delved deep into her ancestral roots to create this moving story of the Frederick Stockman familys' courageous determination to make Texas their home during the turbulent period between 1806 and 1836. The Texicans was inspired by a Texas history book calling her ancestral clan a "congenial society for evil"--rogues "skilled in many forms of villainy" for their role in the tumultuous years of first Spanish, the Mexican rule. Frederick Stockman and his family immigrate to Spanish Texas in 1806 to ranch, but soon find themselves inexorably drawn into the bitter conflict between Mexico and Spain. They join forces with a dashing young Spanish deserter, Miguel Gonzales, in his successful campaign to liberate Mexico and Texas from Spanish rule. Their ties are further cemented when Gonzales marries into the family. As Heroes of Mexico, the Texicans--staunch supporters of Mexican rule for Texas--find themselves vilified by North American settlers illegally flocking across the unprotected border. These newcomers, calling themselves Texians, view Mexico, Mexicans and Texicans as the enemy. Targets of bigotry, the Texicans themselves are torn along cultural lines as their hero-turned-despot, General Santa Anna, propels them towards a deadly showdown.

    When Dream-of-Jade decides she wants to see His Highness, she simply slips into the empty throne room and sits upon the imperial throne. When Kwan-Yu arrives, she does not give up her seat, but does point out the dangerous state of the emperor’s ceiling. Thus begins the great friendship between an Emperor and a little white cat, who not only saves the emperor’s life at their first meeting, but knows how to cure his ailments, make him laugh, and entertain him, and whose greatest wish is to make Kwan-Yu the best emperor ever to rule China.Lloyd Alexander has written this little masterpiece filled with details from ancient Chinese court life. With his sharp wit, tongue-in-cheek humor, and good-natured satire, he exposes the rigidity of ancient imperial customs and traditions. Dream-of-Jade’s no-nonsense solutions to seemingly insurmountable problems delight children and adults alike, making this tale an unforgettable reading adventure for the entire family.

    In Leonaur's three volume, The Collected Science Fiction & Fantasy of Jack London, his SF and fantasy novels and shorter works are brought together for the first time. Darrell Standing is a university professor and convicted murderer. He's also The Star Rover. During long spells in solitary confinement, his body immobilised by a canvas jacket that prevents all movement, he develops a technique that allows his non-corporeal self to wander through time and home in on lives that were his before he was Darrell Standing. His adventures - engaging, vivid and exciting - offer an eye-witness perspective on a past that might have been. This volume also includes three entertaining shorter works that show Jack London as a more than worthy contemporary of H. G. Wells.

    Starr has written a clear and understandable explanation of why so many people today are suffering from hypothyroidism, despite ‘normal’ blood tests that throw their doctors off the track. This book is a compilation of the overwhelming evidence that not only is the modern laboratory testing used to diagnose hypothyroidism completely inadequate, but also the current treatment for the illness is equally lacking efficacy.

    This revolutionary approach, known as Darwinian literary studies, is based on a few simple premises: evolution has produced a universal landscape of the human mind that can be scientifically mapped; these universal tendencies are reflected in the composition, reception, and interpretation of literary works; and an understanding of the evolutionary foundations of human behavior, psychology, and culture will enable literary scholars to gain powerful new perspectives on the elements, form, and nature of storytelling.The goal of this book is to overcome some of the widespread misunderstandings about the meaning of a Darwinian approach to the human mind generally, and literature specifically. The volume brings together scholars from the forefront of the new field of evolutionary literary analysis-both literary analysts who have made evolution their explanatory framework and evolutionist scientists who have taken a serious interest in literature-to show how the human propensity for literature and art can be properly framed as a true evolutionary problem. Their work is an important step toward the long-prophesied synthesis of the humanities and what Steven Pinker calls "the new sciences of human nature."

    Botolphs or Bullet Park or mid-century Manhattan or some other mythic place, are all recognizable as citizens of Cheever country. Vintage Cheever contains an essential selection of the master’s short stories and selections from the novels The Wapshot Chronicle, Bullet Park, Falconer and Oh What a Paradise It Seems.Vintage Readers are a perfect introduction to some of the great modern writers, presented in attractive, affordable paperback editions.From the Trade Paperback edition.

    Lauterbach's dazzling range of formal strategies, her search for methods that engage contemporary issues of identity, event, and description, extend to her prose writings, collected for the first time in "The Night Sky: Writings on the Poetics of Experience. At the center of this new book are a series of seven essays, originally written in the mid-1990s, which engage the interstices between poetics, politics, and memoir. Lauterbach advocates an active engagement with language, at once imaginative, philosophical, and practical; these writings demonstrate a radical relationship between how, and what, we know. By turns meditative and polemical, lyrical and descriptive, they argue for the centrality of art in a democratic society. Also included in this wide-ranging collection are brilliant, provocative essays on Whitman and Emerson, illuminating remarks on poets Fanny Howe, Michael Palmer, Rosmarie Waldrop, and Barbara Guest, as well as considerations of artists David Smith, John Currin, and Joe Brainard.

    Eva has no desire for romance. She's a self-reliant, celibate Christian who, despite a truly bad marriage, has successfully raised two college-aged sons. Adam wouldn't mind being in love, but women seem to be too much trouble-they just have too many expectations. As a recent cancer survivor, he just wants time to heal, write his books and poetry, and work on his spirituality. But when Eva and Adam unexpectedly meet, their attraction to each other is immediate and undeniable. Struggling with their doubts and seemingly insurmountable pain, they will start to let down their guard-and share a love that only God would understand.

    That book presented the letters of the prominent Presbyterian minister and plantation patriarch Charles Colcock Jones (1804–1863), whose family owned more than one hundred slaves. While extensive, these letters can provide only one part of the story of the Jones family plantations in coastal Georgia. In this remarkable new book, the religious historian Erskine Clarke completes the story, offering a narrative history of four generations of the plantations’ inhabitants, white and black.Encompassing the years 1805 to 1869, Dwelling Place: A Plantation Epic describes the simultaneous but vastly different experiences of slave and slave owner. This “upstairsdownstairs” history reveals in detail how the benevolent impulses of Jones and his family became ideological supports for deep oppression, and how the slave Lizzy Jones and members of her family struggled against that oppression. Through letters, plantation and church records, court documents, slave narratives, archaeological findings, and the memory of the African-American community, Clarke brings to light the long-suppressed history of the slaves of the Jones plantations—a history inseparably bound to that of their white owners.

    In THE THORN all kinds of materials by David Larsen are combined and presented in the form of a first book of poetry. The resulting collection makes no disguise of its debt to Behind the State Capitol by John Wieners, the SELECTED WRITINGS OF CEDAR SIGO, and Friedrich Nietzsche's Ecce Homo, and is distinguished above all for its emotional strenuousness. Major themes include writing, divination, speech and shouting. Also featured are generous samples of the poet's handwriting, and wall drawings from his 2003 show with Marc Bell, Amy Lockhart, and Poorly Rendered editor Will Yackulic. THE THORN is designed to appeal to the reader on all levels but the sense of duty, and will be of special interest to the extremely sensitive.

    Most were written in the 1930s and early 1940s when Williams was already flexing his theatrical imagination. Chosen from over seventy unpublished one-acts, these are some of Williams's finest; several have premiered recently at The Hartford Stage Co., The Kennedy Center, the Manhattan Theatre Club and the Tennessee Williams/New Orleans Literary Festival. Included in this volume:These Are the Stairs You Got to WatchMister ParadiseThe PalookaEscapeWhy Do You Smoke So Much, Lily?Summer At the LakeThe Big GameThe Pink BedroomThe Fat Man's WifeThank You, Kind SpiritThe Municipal AbattoirAdam and Eve on a FerryAnd Tell Sad Stories of the Deaths of Queens...Long associated with Williams, acclaimed stage and film actors Eli Wallach and Anne Jackson provide a fresh and challenging foreword for actors, directors, and readers.

    It is a perfectly realized creation in which nothing is wasted, in which every sentence resonates in unexpected ways. No one but John Crowley could have written this story. And no one who reads it will forget it, or remain untouched by its quiet, understated force.

    This enormously entertaining yet serious novel tells a story of African-American women struggling against all odds to express what lies deepest in their hearts. Like Michael Chabon’s The Amazing Adventures of Kavalier and Clay or E. L. Doctorow’s Ragtime, it ranges freely through time, fact, and fiction to weave an enthralling story about history and art and their place in the lives of three women. “My mother believed in the power of movies and the people in them to change a life, to change her life.” So explains Tamara, daughter of Angela, granddaughter of Mildred — the three women whose lives are portrayed in stunning detail in this ambitious novel spanning three generations of one family. Tulsa, Oklahoma, in 1970 is not a place a smart black girl wants to linger. For Angela, twenty years old and beautiful, the stifling conformity is unbearable. She heads to Los Angeles just as blaxploitation movies are pouring money into the studios and lands a few bit parts before an unplanned pregnancy derails her plans for stardom. For Mildred, movies have always been a blessed diversion in a life marked by the legacy of the 1921 Tulsa race riots. But after Angela leaves Tulsa following a bitter fight, the distance between them grows into a breach that remains for years. It falls to Tamara, a budding documentarian — raised in LA by Angela as though they have no family, no history — to help mother and grandmother confront all that has been silenced and left unsaid in their lives.A bold, beautifully written, and deeply involving novel, Third Girl from the Left deftly examines the pull of the movies, the power of desire, and the bonds of family in a quintessentially American story.

    Bernard (Jeff Daniels), a once successful novelist, and hiswife Joan (Laura Linney), an up-and-coming writer, have given upon their marriage.Their two sons Walt (Jesse Eisenberg), 16, andFrank (Owen Kline), 12, are left to grapple with their confusingand conflicted feelings.The experience is a tender, funny, and ultimatelymoving coming-of-age for Walt and a tortuously prematureone for Frank.The emotional tensions and strains that emergeduring this difficult period for the Berkmans are given a remarkablysubtle and nuanced portrayal.

    Kennedy gave his most impassioned speech about the need for interracial tolerance —Medgar Evers, the NAACP's first field secretary in Mississippi, was shot and killed by an assassin's bullet in his driveway. The still-smoking gun—bearing the fingerprints of Byron De La Beckwith, a staunch white supremacist—was recovered moments later in some nearby bushes. Still, Beckwith remained free for over thirty years, until Evers's widow finally forced the Mississippi courts to bring him to justice. The Autobiography of Medgar Evers tells the full story of one the greatest leaders of the civil rights movement, bringing his achievement to life for a new generation. Although Evers's memory has remained a force in the civil rights movement, the legal battles surrounding his death have too often overshadowed the example and inspiration of his life.Myrlie Evers-Williams and Manning Marable have assembled the previously untouched cache of Medgar's personal documents, writings, and speeches. These remarkable pieces range from Medgar's monthly reports to the NAACP to his correspondence with luminaries of the time such as Robert Carter, General Counsel for the NAACP in the landmark Brown v. Board of Education case. Most important of all are the recollections of Myrlie Evers, combined with letters from her personal collection. These documents and memories form the backbone of The Autobiography of Medgar Evers — a cohesive narrative detailing the rise and tragic death of a civil rights hero.

    Blending personal drama with literary reflection, reportage, and medical history, Dorothy Wall illuminates the conflicts and controversies surrounding Chronic Fatigue Syndrome and graphically depicts the way a virus resculpts a life.

    Utopia in Performance argues with eloquence and insight how theatre makes a difference, and in the process demonstrates that scholarship matters, too. It is a book that readers will cherish and hold close as a personal favorite, and that scholars will cite for years to come."---David Román, University of Southern CaliforniaWhat is it about performance that draws people to sit and listen attentively in a theater, hoping to be moved and provoked, challenged and comforted? In Utopia in Performance, Jill Dolan traces the sense of visceral, emotional, and social connection that we experience at such times, connections that allow us to feel for a moment not what a better world might look like, but what it might feel like, and how that hopeful utopic sentiment might become motivation for social change. She traces these "utopian performatives" in a range of performances, including the solo performances of feminist artists Holly Hughes, Deb Margolin, and Peggy Shaw; multicharacter solo performances by Lily Tomlin, Danny Hoch, and Anna Deavere Smith; the slam poetry event Def Poetry Jam; The Laramie Project; Blanket, a performance by postmodern choreographer Ann Carlson; Metamorphoses by Mary Zimmerman; and Deborah Warner's production of Medea starring Fiona Shaw. While the book richly captures moments of "feeling utopia" found within specific performances, it also celebrates the broad potential that performance has to provide a forum for being human together; for feeling love, hope, and commonality in particular and historical (rather than universal and transcendent) ways.

    A master of modernist experimentation, Callahan explored a range of subjects—from landscapes to city streets to portraits of his wife—and techniques throughout his career.Beautifully designed and produced, this book focuses on understanding how Callahan worked—both his day-to-day photographic explorations and his resulting fifty-year career in photography. Exploring the rich contents of the Harry Callahan Archive at the Center for Creative Photography, the authors look at how Callahan’s choice of subjects and visual ideas emerged from deliberate and improvisational processes, and how such processes might be revealed with archival materials such as negatives, transparencies, proof prints, sequential ordering, and variant printings. This close investigation of Callahan’s individual and experimental approach to materials in turn leads to a larger consideration of his relationship to seemingly contradictory strains in American visual culture of the twentieth century.Reproducing a host of previously unpublished images and documents, this volume juxtaposes select artifacts—such as contact sheets and variants—with final images to explicate Callahan’s life in and influence upon photography. Harry Callahan: The Photographer at Work will offer a rare glimpse into the creative process of an important and fascinating artist.

    However, while these professional hazards are very real, the scholarly focus on the negative potential of the client-counselor relationship often implies that no good can come of allowing oneself to get too close to a client's issues. This sentiment obscures what every therapist knows to be true: that the client-counselor relationship can also effect powerful positive transformations in a therapist's own life. The Client Who Changed Me is Jeffrey Kottler and Jon Carlson's testimony to the significant and often life-changing ways in which therapists have been changed by their patients. Kottler and Carlson draw not only upon their own extensive experience - between them, they have more than fifty years in the field - but also upon lengthy interviews with dozens of the country's foremost therapists and theorists. This novel work presents readers with a truly unique perspective on the business of therapy: not merely how it appears externally, but how practitioners experience it internally. Although these stories paint a complex and multi-layered portrait of the client-counselor relationship, they all demonstrate the profound and unexpected rewards that the profession has to offer.

    His horse had been shot out from under him, and he was left stranded on the battlefield. Suddenly, a rider galloped through enemy fire, pulled Comes in Sight onto the back of her horse, and spirited him to safety. It was Buffalo Calf Road Woman—the warrior’s own sister.While white men refer to this clash as the Battle of the Rosebud, the Cheyenne know it as the battle, “Where the Girl Saved Her Brother.” Days later, Buffalo Calf fought at the Battle of Little Bighorn—the only woman to do so. And now a controversy is brewing over her role in that battle: Did Buffalo Calf strike the fatal blow that killed Custer?In this award-winning novel, authors Rosemary Agonito and Joseph Agonito depict the life and times of this brave young woman and the devastating effects of white man’s westward migration. Based on true events, this epic tale of love and war is an inspiring journey through one of history’s most moving sagas.

    And now this traditional scene is brought to life with all the luminous charm ofthe Kinkade style. Join the Thomas Kinkade Studios in celebrating one of the most recognizable Christmas songs, illustrated here with breathtaking beauty and aglow in the Kinkade light. With a sense of reverence and awe, these paintings connect the true meaning of Christmas to today's holiday season. Away in a Manger is a book to treasure -- to read and enjoy with family and friends year after year.

    Nurkse’s Burnt Island explores tragedy both grand and intimate, in city and country, in our own troubled moment and across the greater scope of geological time. Arranged in three “suites” of lucid, often heart-wrenching verse, the book begins with a city under siege, in a group of poems that becomes a subtle homage to New York after 9/11–a metaphorical “burnt island,” where diggers doze on their shovels, citizens contribute bottles of water, M&M’s, and casseroles to recovery efforts, and survivors, mesmerized by the photos of the missing, compare them “scar by scar with the faces of the living.” Nurkse then takes up the journey of a couple starting again in nature at a specific place called Burnt Island, where the elements instruct them, seeming to mirror their conflicts and strife. Finally, in a charming and profound series of poems centered on marine ecology, he finds the infinite in the infinitesimally small, and offers us, in sparkling, mysterious verses, the strange comfort that comes with observing the life of the ocean.we are like youbecause we are born by the billionsand float into the open ocean–. . . . . . . . . . . . . . . . . .we live another secondor much less, less than a blink,until the code comes to know itselfand the mind dreams another mindthat will survive itthere, in the bright curtain of spray. (from “The Granite Coast”)From the Hardcover edition.

    In New York by 1738, Johnson moved to the frontiers along the Mohawk River, where he established himself as a fur trader and eventually became a landowner with vast estates; served as principal British intermediary with the Iroquois Confederacy; command British, colonial, and Iroquois forces that defeated the French in the battle of Lake George in 1755; and created the first groups of "rangers," who fought like Indians and led the way to the Patriots' victories in the Revolution.As Fintan O'Toole's superbly researched, colorfully dramatic narrative makes clear, the key to Johnson's signal effectiveness was the style in which he lived as a "white savage." Johnson had two wives, one European, one Mohawk; became fluent in Mohawk; and pioneered the use of Indians as active partners in the making of a new America. O'Toole's masterful use of the extraordinary (often hilariously misspelled) documents written by Irish, Dutch, German, French, and Native American participants in Johnson's drama enlivens the account of this heroic figure's legendary career; it also suggests why Johnson's early multiculturalism unraveled, and why the contradictions of his enterprise created a historical dead end.

    This collection brings together more than two hundred letters to Kerouac, Allen Ginsberg, John Clellon Holmes, and other Beat generation luminaries, as well as correspondence between Neal and his wife, Carolyn. These amazing letters cover Cassady’s life between the ages of 18 and 41 and finish just months before his death in February 1968. Brilliantly edited by Dave Moore, this unique collection presents the “Soul of the Beat Generation” in his own words—sometimes touching and tender, sometimes bawdy and hilarious.  Here is the real Neal Cassady—raw and uncut.