But now Ligotti has pulled together a collection of his favorite fiction, both old and new, representing his best and most characteristic works.Thomas Ligotti's stories are perhaps best described as dark magical realism. Many of his stories center on the distorted perspective of a frequently doomed narrator. The title story, "The Shadow at the Bottom of the World," reimagines a kind of Bradbury-like small town that encounters the appearance of a kind of existential darkness, written with a sharp imagery like that of William S. Burroughs. In story after story in this collection, Ligotti does not merely present his readers with isolated incidents of supernatural horror - he challenges them to confront nightmares that are entwined in the very fabric of life itself.QUOTES:"The best new American writer of weird fiction to appear in years" - The Washington Post"Ligotti is wonderfully original; he has a new vision of a dark and special kind, a vision that no one had before him." - Interzone"Aficianados of the macabre consider Ligotti one of the finest writers in the field" - The Sunday Times"Thomas Ligotti is an absolute master of supernatural horror and weird fiction, and a true original. He pursues his unique vision with admirable honesty and rigorousness and conveys it in prose as powerfully evocative as any writer in the field. I'd say he might just be a genius." - Ramsey Campbell ("Britain's most respected living horror writer," according to the Oxford Companion toEnglish Literature)

    Kiernan's third collection of short fiction, a haunting parade of the terrible things which may lie beyond the boundaries of science, the minds which may exist beyond psychology, and the forbidden places which will never be located in any orthodox globe.

    Yes, even the postman. She has everything a child could want, but not the one thing every child - and every grownup, too - needs. Love. Desperate for a friend, Emmeline makes a wish upon a magical star. It is a wish that will change the lives of everyone she knows forever.

    Howard, presenting all of Howard's work for the pulp magazine Weird Tales meticulously restored to its original magazine texts. Edited by Paul Herman. Introduction by Mark Finn. Cover by Stephen Fabian. This volume contains: Two-Gun Musketeer: Robert E. Howard's Weird Tales, by Mark Finn; Spear and Fang, In the Forest of Villefere, Wolfshead, The Lost Race, The Song of the Bats, The Ride of Falume, The Riders of Babylon, The Dream Snake, The Hyena, Remembrance, Sea Curse, The Gates of Nineveh, Red Shadows, The Harp of Alfred, Easter Island, Skulls in the Stars, Crete, Moon Mockery, Rattle of Bones, Forbidden Magic, The Shadow Kingdom, The Mirrors of Tuzun Thune, The Moor Ghost, Red Thunder.

    G. Ballard has provided thoughtful remarks on the state of the world for decades. J.G. Ballard Conversations brings together several of Ballard's latest interviews and gives readers penetrating insight into the mind of one of the freshest thinkers at work today. Covering topics such at the 9/11 terrorist attacks, the evolution of sexual relationships, and our strange, immersive celebrity culture, this book is a fount of provocative takes on the things that matter. Rounded out with rare photographs of Ballard and supplemental resources, J.G. Ballard Conversations is a necessary item for anyone interested in the modern world.

    At the heart of each is Angie's daughter, Kaya. Angie's dreams end in death, the spreading of hand-shaped bruises across her daughter's throat. Curtis' dreams end in something else, something closer to obsession than love. Angie is worlds away, trying to keep her drug-shattered mind from falling apart, traveling through an American underbelly filled with inhuman shapes, dark whispers and old friends with empty eyes. Curtis is Kaya's new neighbor. He's getting closer to her, and her mentally unstable grandmother, Colleen. He's had families before, but he'd always made mistakes. Mistakes that led to new names, new towns. But this one time, he swears, things will all work out. He's got so much love to give. Siren Promised Featuring an introduction from author Simon Clark, over thirty illustrations by Alan M. Clark and an afterword by the book's creators, Siren Promised sets a new benchmark in visual and written storytelling.

    Lovecraft and the Cthulhu Mythos. With illustrations by Peter A. Worthy and color cover by James Oberschlake.

    Lovecraft's favorite horror stories, those that inspired and awed him!In 1929-30, H.P. Lovecraft made some lists of both literary and popular stories "having the greatest amount of truly cosmic horror and macabre convincingness." These lists of his favorite weird tales make for a truly landmark Lovecraftian anthology. We present Lovecraft's own favorites horrorstories, including some well-known classics, alongside of a number of excellent rare tales by forgotten authors. Many of these stories are classics, inspiring several generations since of the world's best horror authors. Contributors include Edgar Allan Poe, Ambrose Bierce, Arthur Machen, Robert W. Chambers, M. R. James, Algernon Blackwood, M. P. Shiel, A. Merritt, Walter de la Mare, Paul Suter, M. L. Humphreys, H.F. Arnold, Everil Worrell, Arthur J. Burks, and John Martin Leahy. This is the anthology of favorite weird tales that Lovecraft himself hoped to compile!"To understand why Lovecraft regarded these stories as the touchstone for greatness in the literature of supernatural horror is to understand the significance of the genre itself. The classic works included in this collection, along with Lovecraft's own best tales, both justify and represent the essence of this form of human expression." – Thomas Ligotti

    The Ocean and All Its Devices won't disappoint. Spencer's first collection, The Return of Count Electric was acclaimed by reviewers in The Washington Post, The Los Angeles Times, Cemetery Dance, Publishers Weekly and other magazines and newspapers. Science fiction legend Roger Zelazny, once introduced to Spencer's work, became a lifelong devotee. He wrote: William Browning Spencer is one of those rare short story writers who comes along once in a generation -- like Saki, Collier, Sheckley -- and manages to combine all of the virtues within that restricted format. The Ocean and All Its Devices collects some of Spencer's finest published work. Three of these stories appeared in year's best anthologies. Another, The Death of the Novel, was a finalist for a Bram Stoker Award, while The Essayist in the Wilderness was on the final ballot for a World Fantasy Award.Contains: Introduction (The Ocean and All Its Devices) • essayThe Ocean and All Its Devices • (1994) • noveletteThe Oddskeeper's Daughter • (1995) • noveletteThe Death of the Novel • (1995) • short storyDownloading Midnight • (1995) • noveletteYour Faithful Servant • (1993) • short storyThe Foster Child • (2000) • short storyThe Halfway House at the Heart of Darkness • (1998) • short storyThe Lights of Armageddon • (1994) • short storyThe Essayist in the Wilderness • (2002) • novelette

    There has never been a collection of his very best short stories offered to the trade. Hodgson's sea stories have unusual authenticity owing to his having spent a lot of time on merchant's ships-he left his family in 1890 at the age of thirteen to spend eight years at sea, where the experience of mistreatment, poor pay, and worse food was contrasted by Hodgson's immeasurable fascination with the sea. His obsession for the sea fills his writings. This volume collects the very best of Hodgson's sea stories-which has not been done before-with some of the most exciting and dramatic creatures of fantasy on the written page, exhibiting the sea in all her moods: wonder, mystery, beauty, and terror."This collection brings together the very best of his short stories, together with a sampling of his poetry. It includes a variety of his sea horrors along with two non-fantastic pieces: "On the Bridge," a journalistic story written immediately after the sinking of the Titanic which attempts to show some of the various factors which contributed to the tragedy, and the suspenseful nonfiction story "Through the Vortex of a Cyclone," which is based on Hodgson's own experiences at sea." - From the Introduction by Douglas A. Anderson"Among connoisseurs of fantasy fiction William Hope Hodgson deserves a high and permanent rank . . . Few can equal him in adumbrating the nearness of nameless forces and monstrous besieging entities through casual hints and significant details, or in conveying feelings of the spectral and abnormal." - H. P. Lovecraft"Among those fiction writers who have elected to deal with the shadowlandsand borderlands of human existence, William Hope Hodgson surely merits a place with the very few that inform their treatment of such themes with a sense of authenticity." - Clark Ashton Smith

    A lifelong student of metaphysics, ethics, aesthetics, and other branches of philosophy, Lovecraft early declared himself a forthright materialist and atheist. Here he defends his views in numerous controversies with colleagues. Such essays as “Idealism and Materialism—A Reflection” and the In Defence of Dagon essays outline the essentials of Lovecraft’s philosophical thought, including such issues as free will, the improbability of theism, and cosmic pessimism. In his later years, the problems of politics and economics came to the forefront of his attention. In the essays “Some Repetitions on the Times,” “A Layman Looks at the Government,” and the unpublished “The Journal and the New Deal” Lovecraft vigorously argues for a moderate socialism to relieve the widespread unemployment brought on by the Depression. The problem of art in the modern age also concerned Lovecraft, and in the unpublished essay “A Living Heritage: Roman Architecture in Today’s America” Lovecraft condemns modern architecture as an inherently ugly product of sterile theory. This volume also contains Lovecraft’s autobiographical essays, including the delightful “A Confession of Unfaith,” describing his shedding of religious belief, and the piquant “Cats and Dogs,” in which cats stand as symbols for the abstract beauty of a boundless cosmos. All texts are extensively annotated, with critical and bibliographical notes, by S.T. Joshi.

    Crisp, and as such cements the fact that he is a major new talent on the UK small press scene. In this book you will find the bizarre and surreal mixed to such perfection with an older classic influence to bring about unique style and content. Read these stories carefully and be sure to sink fully within them, for they're as deep as the ocean and give clues to the identity and doctrine of the author more accurately than any fingerprint or brain probe.Sometimes writing like a modern Kafka or Schulz, it's hard to pin down the fiction of this author and name any certain influence, but you can be sure the end result is something very special.

    Anthony was opened, thirty-two years after its original internment, the flesh had turned to dust, but the tongue was in a perfect state of preservation. For almost eight-hundred years it was kept mounted on a pin. But now it has been stolen. Padua, Milan, Venice, Florence, Rome. . . . Father Torturo, the neo-decadent anti-hero, moves through a modern Italy reeking of incense and filth. In an adventure stained with magic and garnished with cruelty, he travels on an ambitious journey to popedom, where the only laws that restrain him are those of his own artistic taste.