For intermediate to advanced pianists, written by one of the acknowledged masters of jazz piano playing.

    A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more! Customer reviews on amazon.com for Jazzology average a glowing 5 stars! Here is a typical reader comment: The book's approach is so intuitive, it almost leads you by the hand into the world of jazz. Certainly jazz is freedom of expression, but you have to know what you're doing and this book is the tool for that ... (it) should be standard in every high school with a jazz program and every college lab band.

    As for sax master Sonny Rollins, whose "robust style radiates roundness," could there be a better tribute than a poetic rondeau? In an extraordinary feat, Pulitzer Prize-winning jazz composer Wynton Marsalis harmonizes his love and knowledge of jazz's most celebrated artists with an astounding diversity of poetic forms — from simple blues (Count Basie) to a complex pantoum (Charlie Parker), from a tender sonnet (Sarah Vaughan) to a performance poem snapping the rhythms of Art Blakey to life. Matching Wynton Marsalis's musical cadences note for note is the bold, poster-style art of Paul Rogers, highlighted in two phenomenal foldout spreads. The art's vibrant nostalgic feel is echoed in an exquisite design, with its size simulating an old 78 LP and its endpapers die-cut to mimic a vintage record sleeve. Complete with a discography and brief biographies of the featured musicians as well as notes on the various poetic forms, this is truly an incomparable gift book — for older children learning about jazz, longtime jazz aficionados, lovers of poetry, and readers of all ages who appreciate the finest in book design.

    The result of their collaboration was an amazing collection of photographs and recordings of legendary artists as well as unknown street musicians. The book Jazzlife, the original fruit of their labors, has become a collectors item that is highly treasured among jazz and photography fans. In 2003, TASCHEN began reassembling this important collection of material-along with many never-before-seen color images from those trips. They are brought together in this updated volume, which includes a foreword by William Claxton tracing his travels with Berendt and his love affair with jazz music in general. Jazz fans will be delighted to be able to take a jazz-trip through time, seeing the music as Claxton and Berendt originally experienced it. Featuring photographs of Charlie Parker, Count Basie, Duke Ellington, Muddy Waters, Gabor Szabo, and more.

    Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces.Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than all the notorious errors being fixed: the covers and typeface look the same, the song list is nearly identical, and the price for our edition is even cheaper than the original Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time Includes 400 songs: All Blues * Au Privave * Autumn Leaves * Black Orpheus * Bluesette * Body and Soul * Bright Size Life * Con Alma * Dolphin Dance * Don't Get Around Much Anymore * Easy Living * Epistrophy * Falling in Love with Love * Footprints * Four on Six * Giant Steps * Have You Met Miss Jones? * How High the Moon * I'll Remember April * Impressions * Lullaby of Birdland * Misty * My Funny Valentine * Oleo * Red Clay * Satin Doll * Sidewinder * Stella by Starlight * Take Five * There Is No Greater Love * Wave * and hundreds more

    Large format (10x11"), hard bound with dust jacket, 372 pages, 190 photos, matte paper; complete with discography of all Desmond recordings.

    The saxophone has insinuated itself into virtually every musical idiom that has come along since its birth as well as into music with traditions thousands of years old. But it has also been controversial, viewed as a symbol of decadence, immorality and lasciviousness: it was banned in Japan, saxophonists have been sent to Siberian lockdown by Communist officials, and a pope even indicted it.Segell outlines the saxophone's fascinating history while he highlights many of its legendary players, including Benny Carter, Illinois Jacquet, Sonny Rollins, Lee Konitz, Phil Woods, Branford Marsalis, and Michael Brecker. The Devil's Horn explores the saxophone's intersections with social movement and change, the innovative acoustical science behind the instrument, its struggles in the world of "legit" music, and the mystical properties that seduce all who fall under its influence. Colorful, evocative, and richly informed, The Devil's Horn is an ingenious portrait of one of the most popular instruments in the world.

    The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than all the notorious errors being fixed: the covers and typeface look the same, the song list is nearly identical, and the price for our edition is even cheaper than the original! Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time! This Bb edition includes 400 songs: All Blues * Au Privave * Autumn Leaves * Black Orpheus * Bluesette * Body and Soul * Bright Size Life * Con Alma * Dolphin Dance * Don't Get Around Much Anymore * Easy Living * Epistrophy * Falling in Love with Love * Footprints * Four on Six * Giant Steps * Have You Met Miss Jones? * How High the Moon * I'll Remember April * Impressions * Lullaby of Birdland * Misty * My Funny Valentine * Oleo * Red Clay * Satin Doll * Sidewinder * Stella by Starlight * Take Five * There Is No Greater Love * Wave * and hundreds more! Editions also available in C, E-flat, and Bass Clef. Looking for a particular song? Check out the Real Book Songfinder here.

    Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any copyrights or royalties paid to the master composers who created these musical canons. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference...the covers look the same, the engravings look the same, the songlist is nearly identical, and the price remains fair even on a musician's salary But every conscientious musician will appreciate that these books are now produced legally and ethically, benefitting the songwriters that we owe for some of the greatest music ever written 400 songs, including: Air Mail Special * Birdland * Bye Bye Blackbird * Caravan * Doxy * Fly Me to the Moon (In Other Words) * Georgia * Girl Talk * I Remember You * I Thought About You * In Walked Bud * The Jodi Grind * Just the Way You Are * Killer Joe * Little Sunflower * Mercy, Mercy, Mercy * Moanin' * The Nearness of You * Now's the Time * Old Devil Moon * Phase Dance * St. Thomas * Speak Low * Stardust * Tangerine * Tenor Madness * Watch What Happens * Whisper Not * Willow Weep for Me * Yardbird Suite * and more.

    Designed for any level of player, on any instrument, the book provides numerous exercises throughout to help the reader turn these concepts into musical reality. Endorsed by Jessica Williams, Jerry Bergonzi and others.

    This is a wonderfully accessible work. Richard Cook's passion for jazz and his strongly held opinions make this the liveliest and most trenchantly witty encyclopedia you'll have read. Whether you're trying to find out why Louis Armstrong was called Satchmo (his nickname as a kid was Satchelmouth), what bebop is, or the difference between Gil Evans and Bill Evans - this book has all the answers.

    Other topics include: Chord/scale relationships, modes, broken chord and scale patterns, pentatonic and blues scales, walking bass lines, Latin rhythms and bass lines, the diatonic cycle, secondary dominants, II V I sequences, horizontal and vertical improvisation, tritone substitution, two-handed voicings, rootless voicings, technical exercises and fingering, accompaniment styles, ear-training, discography (suggested listening).28 pieces by the author appear alongside special arrangements of well-known jazz standards, including: Autumn Leaves • Fly Me to the Moon • In a Sentimental Mood • Mannenberg • On Green Dolphin St (Part 1) • Ornithology • Song for My Father • Straight No Chaser • Take the A Train. Also included are transcribed solos by Thelonious Monk and Horace Silver, an invaluable source of authentic jazz techniques.

    The access his subjects allow him and their obvious ease around him give these photographs an unequalled intimacy. This portfolio of Marshall's favorite shots shows the classics of jazz onstage, backstage, in the studioand also in their kitchens and living rooms. Ray Charles, Duke Ellington, Sarah Vaughan, John Coltrane, Miles Davis, Thelonious Monk, Coleman HawkinsMarshall's images capture these faces and many, many more in authentic and unguarded moments. Jazz critic Phil Elwood provides an introduction, and captions throughout present Marshall's reminiscences in his own words, making this book a must-have for both jazz and photography aficionados. By turns illuminating and haunting, Jim Marshall: Jazz confirms his place as one of the great portrait photographers.

    Few only know that he also was a gifted thinker and poet. Sun Ra's poetry leaves everything behind what's called contemporary, and flings out pictures of infinity into the outer space. These poems are for tomorrow. This is the only edition of Sun Ra's complete poetry and prose in one volume. The Contributors James L. Wolf Earned a music degree from Carleton College, and studied ethnomusicology at the University of Washington, Seattle. Now works at the Library of Congress in the Music Division. Active musician in various bands in the DC area. Many contributions to Sun Ra scholarship. Hartmut Geerken Oriental studies, philosophy and comparative religion at the universities of Tbingen and Istanbul. Writer, filmmaker, musician, composer. Since the 1970s, close relationships to Sun Ra and his works, setting up the world's most comprehensive Waitawhile Sun Ra Archive Sigrid Hauff Studied oriental languages and arts, philosophy, and romance studies at the universities of Tbingen and Istanbul. Free lance writer on literary and philosophical subjects. Klaus Detlef Thiel Studied philosophy and history at Trier University, Ph.D. Philosophical author, focussing on theory and history of writing. Brent Hayes Edwards Teaches in the English Department at Rutgers University, New Brunswick, NJ. Author and Co-Editor of works on jazz and literature.

    This autobiography, first published in 1971 and now reissued with a generous collection of rare photographs, was created from 70 hours of interviews with this beloved and influential musician. Foster recounts his seven-decade career with uncanny attention to detail and charming candor, providing an uncensored look at the society in which jazz developed and breathing life into legends such as Jelly Roll Morton, King Oliver, and Sidney Bechet. As he takes us on his journey from plantation to riverboat, New Orleans to New York City, Foster paints an indelible panorama of the jazzman's life while setting the record straight on many crucial points of jazz history.

    Hal, who was the pianist for Cannonball Adderley and Phil Woods, among others, dissects the problem of how the phrasing of many aspiring musicians prevents the music from swinging. Indispensible! Endorsed by Dave Liebman, Bobby Watson, Dr. John Kuzmich and others.

    S. Bach. Now, world-respected jazz pianist and composer Bill Cunliffe has written his own inventions that will benefit every player's understanding and performance of jazz. These great-sounding etudes explore the specific harmonic, melodic, and technical challenges faced by jazz keyboardists, including the ii-V and ii-V-I progressions, outlining changes, chord-tone ornamentation, playing in octaves, tonic patterns, block chords, polytonality, stride piano, and left-hand walking bass.Pieces feature chord symbols, explanatory notes, and preparatory exercises, and each invention is performed on the CD by Bill Cunliffe. 123 pages.. . . perfect for daily warm-up, explores the harmonic and melodic intricacies of jazz, each etude targets a specific technical skill and includes performance notes, inventions gradually become more challenging and the harmonic progressions are varied and very musical . . . a musical feast. -International Association for Jazz Education (IAJE)

    Triads the fundamental building blocks of harmony are a simple and effective remedy for scale dependency in improvisation. In Jazz Improvisation for Guitar: A Melodic Approach, explore the potential of triads and their melodic extensions and learn to connect them using guide tones. You'll learn to create solo phrases in the style of some of the world's finest jazz guitarists like Wes Montgomery, George Benson, Grant Green, Kenny Burrell, and Pat Martino.