From the frozen wilderness beyond the Wall to sun-kissed Dorne, and from the rugged and brutal Iron Islands to the exotic East, the breathtaking sights and memorable characters of George R. R. Martin's best-selling fantasy series are brought to life in this unique compilation.March to the Wall with Jon Snow and the Sworn Brothers of the Night's Watch, and confront the terrible might of the wildling hordes and the bone-chilling horror of the Others. Follow Robb Stark's desperate campaign in the North, from the snow-shrouded Whispering Wood to the green banks of the Trident. Stand with Eddard Stark in the Small Council, and be drawn into the webs of intrigue and deceit spun by Varys the Spider and Cersei Lannister in King's Landing. Ride with Daenerys Targaryen in her great khalasar, as she begins her crusade against the Free Cities across the Narrow Sea.The Art of George R. R. Martin's A Song of Ice and Fire features lavish and lovingly crafted illustrations by renowned fantasy artists such as Jim Burns, John Howe, Steve Stone, Charles Vess, Stephen Youll, and many more. The unforgettable images in this volume are drawn from book covers and special editions, comic books, board and card games, concept art, and fan art personally selected by George Martin from the thousands of illustrations that have been inspired by his work.

    The Art of Fullmetal Alchemist contains over 90 pages of gorgeous painted illustrations, including all the title pages as printed in color in the Japanese magazine Shonen Gangan; Japanese tankobon (graphic novel) and promotional artwork, with source listings; portraits of the main characters; and character designs from the PS2 game Fullmetal Alchemist and the Broken Angel. Includes a special two-page message from Hiromu Arakawa.

    in Japan.

    2001 is a nonverbal experience?. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content.? The philosophy behind Part I borrows from this line of thinking: from the opening sequence of Killer's Kiss to the final frames of Eyes Wide Shut, Kubrick's complete films will be presented chronologically and wordlessly via frame enlargements. A completely nonverbal experience. Part 2: The Creative Process Divided into chapters chronologically by film, Part 2 brings to life the creative process of Kubrick's filmmaking by presenting a remarkable collection of material from his archives, including photographs, props, posters, artwork, set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick's best interviews. Special features ? Part 1 features 800 film stills scanned directly from the original prints and interpositives ? Part 2 presents about 800 items from the archives, most of which have never been published before ? essays by Kubrick scholars Gene D. Phillips, Michel Ciment, and Rodney Hill ? selected articles and essays, including interviews with and essays by Stanley Kubrick ? illustrated Kubrickchronology ? audio CD featuring a 70-minute 1966 interview of Stanley Kubrick by Jeremy Bernstein **BONUS** ? books in the first print run will each include a twelve-frame film strip from a 70mm print of 2001: A Space Odyssey owned by Stanley Kubrick Made in cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick Estate. The editor: Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). Castle also edited TASCHEN's Some Like it Hot. She lives in Paris, home of the world's best cinemas.

    These images would prove so powerful and evocative that they would eventually define the look of Peter Jackson's movie trilogy and earn him a coveted Academy Award.The book is filled with more than 150 of his sketches and early conceptual pieces showing how the project progressed from idea to finished art. It also contains a selection of full-page paintings reproduced in full color, together with numerous examples of previously unseen conceptual art produced for the films and many new works drawn specially for this book.The Lord of the Rings Sketchbook provides a fascinating insight into the imagination of the man who painted Tolkien's vision, first on the page and then in three dimensions on the movie screen. It will also be of interest to many of the thousands of people who have bought the illustrated Lord of the Rings as well as to budding artists who want to unlock the secrets of book illustration.

    When the child gets caught painting everything from the ceiling to the floor, Mama says "Ya ain't a-gonna paint no more!" But nothing will keep this artist from painting! Written to the familiar tune "It Ain't Gonna Rain No More," the text bounces alongside vibrant stylized pen-and-ink drawings, while page-turns offer up a fun read-aloud guessing game in which kids will delightfully participate. What will the child paint next? "So I take some red and I paint my . . . HEAD!" Silliness paired with the ruckus read-aloud appeal will have every reader begging for repeat reads.

    The Plucker is a dark and twisted tale about a Jack-in-the-Box, aptly named Jack, who must fight for the life of his human boy owner against an evil force, called the Plucker (because he plucks your eyeballs out and sucks out your life force).

    Imagine a day when you can ride your bike up a path of falling leaves into the very tree they are falling from. Imagine a day when you release a handful of blue balloons into a cloudy, gray sky to create a postcard-perfect day. Imagine a day when the ordinary becomes the extraordinary...a day when anything is possible. Imagine a Day is the companion book to the critically acclaimed Imagine a Night, which School Library Journal declared "a fascinating foray into the imagination." Renowned Canadian artist Rob Gonsalves once again stretches the limits of visual exploration with his breathtaking paintings and encourages parents and children alike to look beyond the limits of the everyday world and imagine.

    For years George Lucas s handpicked group has created characters costumes droids star ships planetary vistas digi matte paintings and sculpturesevery type of visual imaginable. This extraordinary volume unveils never before seen imagesthus taking readers on a fascinating journey from the first concepts to the final movie. While marveling at hundreds of brilliant pieces of art readers will experience. Darth Vadera look at the sinister chamber where he is created stunning conceptual visions for the climactic light saber duel between Anakin Skywalker and Obi Wan Kenobi. The evolution of General Grievousthe new face of evil from initial sketches to ILM animation art fantastic full color renderings of costumes weapons landscapes and spacecraft intriguing insights from exclusive interviews with the artists whose groundbreaking work helped bring Lucas s ideas to life. New to this editionthe one and only Revenge of the Sith screenplay revealing every beat of the action. For Star Wars fans everywhere this treasure trove of images from the final fateful Star Wars movie will provide a visual feast that promises hours of endless excitement. Format: Trade Paperback 272 pages

    It was published by Chimera Publishing in 2003. The book is 157 pages of art, with a commentary by Amy Brown for every piece of artwork. The Art of Amy Brown has an introduction by the well-known author Charles deLint. There are three editions of this book a paperback, a hardcover, and a special leather-bound edition limited to 750 copies, which will be signed by Amy Brown and Charles de Lint.

    A leading figure in the early twentieth century's Golden Age of Illustration, Rackham interpreted scenes from such diverse material as fairy tales, Wagnerian opera, and Shakespearean comedy. His memorable images, which combine whimsy, romance, and sophistication, continue to enchant children and adults alike.Magnificently reprinted from more than 25 rare early editions, these 86 illustrations were selected from hundreds of possibilities and include many plates that have not been reproduced in decades. They span Rackham's career — from his landmark 1905 edition of Rip Van Winkle to masterworks such as Undine and A Midsummer Night's Dream and his final publication, Wind in the Willows, in 1939. Art lovers, book collectors, and anyone with an appreciation for imaginative visual storytelling will prize this marvelous treasury.

    Barnum, and more. All about fairies, these hilarious letters contain everything from wisdom to suggestions to chastisement. Lady Cottington has made notes in the margins not to mention smashed fairies throughout (will she EVER STOP this nasty habit?!). And the fairies...ah the fairies...they too have done their part, sprinkling magic and mayhem throughout. Lady Cottington's Pressed Fairy Letters, a facsimile reproduction of Lady Cottington's original volume, combines the nutty artistry of the first two Lady Cottington books with delightful novelty components. Containing actual letters, invoices for spiritual services, a fairy Valentine, an invitation from Alice Liddell to tea, and more, this newest interactive addition to the Lady Cottington series is the most innovative to date.

    Corpse Bride carries on in the dark, romantic tradition of Tim Burton's classic films Edward Scissorhands and The Nightmare Before Christmas, Set in a 19th century European village, this stopmotion, animated feature follows the story of Victor (Johnny Depp), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride (Helena Bonham-Carter), while his real bride, Victoria (Emily Watson), waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victor learns that there is nothing in this world, or the next, that can keep him away from his one true love. It's a tale of optimism, romance and a very lively afterlife, told in a classic Tim Burton style. Like Tim Burton's The Nightmare Before Christmas, this official visual companion showcases spectacular movie stills, sketches, paintings, and Tim Burton's own drawings. Covering preproduction, production, and post-production, sections detail character realization, set development and construction, puppet fabrication, costuming, and stop-motion filming. The book's final part retells the film's story in images with synopsis, storyboards, and lyrics. 140 color illustrations.

    It is a celebration of the singularity and connectedness of each and every one of us. It demands of us what it demanded of her: the courage to see things as they are and the grace to permit them to simply be. For Diane Arbus, this is what making pictures was all about.These photographs achieve a lyricism, an emotional purity that sets them apart from all her other accomplishments. "Finally what I've been searching for, " she wrote at the time. The product of her consistently unflinching regard for reality as she found it, the images in this book have less in common with the documentary than with the mythic.

    Actors, including Natalie Portman and Samuel L. Jackson, provide commentary on their experiences during filming, while stunning photographs present the costumes in intimate detail.

    Guided by their instructor, the artists create original design solutions for the environment, characters, props and much more.

    Although original editions of this book are extremely rare, it is now available for the first time in a paperback edition, beautifully reproducing his drawings and watercolours. While the variety and detail of Haeckel's drawings display an impressive understanding of biological structure, the skill with which Haeckel drew these tiny, aquatic protozoa renders them genuine works of art. This volume features commentary and descriptions of each of the radiolarians from Haeckel's work.

    For more than twenty-five years, Barker has awed fans and critics alike with his groundbreaking works of fiction, but what few know is that the heart of his fantastic worlds lies in pictures. Now, for the first time, this book brings out from the dark depths more than 300 of Barker's most stunning drawings and oil paintings. Illuminated with new writings by Barker, this artwork renders with expressionist fervor some of our most primal passions-good, evil, and all that's between. From the graphically terrifying to the ecstatically sensual, Visions of Heaven and Hell takes the reader on a journey through unexplored and forbidden realms. Designed in a luxurious package that recalls a devotional medieval manuscript or the works of Blake and Cocteau, this volume itself has the feel of a talisman from one of Barker's stories. Providing the true key to the mysteries of his imagination, it is a must-have collectible for the legion of Barker's fiction fans. But it also reaches out to an even greater audience of those who follow his films. "Barker has an unparalleled talent for envisioning other worlds." -Washington Post Book World

    At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many fields.Chip Kidd: Book One collects all of his book covers and designs for the first time, as well as hundreds of developmental sketches and concepts-annotated by Kidd and by many of the best-selling authors he's worked with over the years. The result is an important contribution to the design canon today as well as a visually dazzling (and often hilarious) insider's look at the design and publishing process.The book also showcases Kidd's work with comics and graphic novels, including his collaborations with leading artists and writers in the field. Featured are projects for DC Comics, including Batman and Superman, as well as Kidd's award-winning exploration of the art of Charles M. Schulz. Chip Kidd: Book One is sure to enthrall design aficionados, book lovers, pop-culture fanatics, comics fans, and design students.

    He creates these majestic sepia and blue-tone photoscontrasting moments of quintessential stillness with bursts of dramatic actionby engaging with these creatures on an exceptionally intimate level, without the customary use of a telephoto lens. Evocative of classical art, from dignified portraits to sweeping natural tableaux, Brandt's images artfully and simply capture animals in their natural states of being. With a foreword by Alice Sebold and an introduction by Jane Goodall, On This Earth is a gorgeous portfolio of some of the last wild animalsand a heartfelt elegy to a vanishing world.

    Additional demonstrations cover other fantasy creatures, such as wyverns, basilisks, and gargoyles.

    Carter, the creator of the bestselling Bugs in a Box® books.Each of the ten magnificent pop-up sculptures challenges readers to find the one red dot. From the flip-flop flaps to the whimsical wiggle-wobble widgets, each page is an original piece of artwork to cherish and admire.

    In 1992, the year she completed her studies at Glasgow School of Art, her graduation exhibition sold out. Most notably, one painting was bought by Charles Saatchi and, since then, her international reputation has grown at a rapid and steady pace.Jenny Saville is described as a "New Old Master" for the technical proficiency of her oversize nudes that have earned her comparisons to Rubens and Lucian Freud and universal praise from critics and art historians alike. For the conceptual underpinnings of her work, she has been hailed as one of the most interesting artists of the last decade. Her work has been shown alongside that of Damien Hirst and the other Young British Artists in the acclaimed and seminal survey of new British art Sensation at the Royal Academy (London, 1997) and the Brooklyn Museum of Art (New York, 2000).This is the only monograph devoted to the critically acclaimed young artist and features all of Jenny Saville's paintings to date-including many previously unpublished. This volume is being published in association with the Gagosian Gallery in London. The power of her brilliant and relentless embodiment of our worst anxieties about our own corporeality and gender is what distinguishes Saville from other paint-obsessed representers of the naked human body. To my eye, no other artist in recent memory has combined empathy and distance with such visual and emotional impact. -Linda Nochlin, Art in America, March 2000

    It offers new perspectives on Basquiat's achievements, exploring them in the contexts of his key influences, and explores many individual works in detail.

    There are three editions of this book—paperback, a hardcover, and a special leather-bound limited edition.

    Sally Mann came to the attention of the public in 1992, with a series of intimate portraits of her children and her reputation has risen since then.

    Adopting an innovative year-by-year approach, Foster, Krauss, Bois and Buchloh present more than one hundred short essays, each focusing on a crucial event - such as the creation of a seminal work, the publication of an artistic manifesto, or the opening of a major exhibition - to tell the story of the dazzling diversity of practice and interpretation that characterized the art of the period. are explored in depth, as are the frequent and sustained antimodernist reactions that proposed alternative visions of art and the world. Illustrating the authors' fine texts are more than six hundred of the most important works of the century, most reproduced in full colour. The book's flexible structure and extensive cross-referencing allow readers to plot their own course through the book and to follow any one of the many narratives that unfold through the century, whether that be the history of a medium such as photography or painting, the development of art in a particular country, the influence of a movement such as Surrealism or feminism, or the emergence of a stylistic or conceptual category like abstraction or minimalism. and issues surrounding the art. In their perceptive introductions, the four authors set out and explain the different methods of art history at work in the book, providing the reader with the conceptual tools to further his or her own study. Two roundtable discussions - one at mid-century, the other at the close of the book - consider some of the questions raised by the preceding decades and look ahead to the art of the future. A glossary of terms and concepts completes this extraordinary volume.

    Here, walking is seen as an autonomous form of art, a primary act in the symbolic transformation of the territory, an aesthetic instrument of knowledge and a physical transformation of the "negotiated" space, which is converted into an urban intervention. From primitive nomadism to Dada and Surrealism, from the Lettrist to the Situationist International, and from minimalism to Land Art, this book narrates the perception of landscape through a history of the traversed city.

    It was a place so unbelievable that no one dared believe in its existence. Except one man, the extraordinary showman Carl Denham. Many will, of course, remember his show on Broadway and its tragic ending. But New York is not where the story ended, it is where it began.In 1935 a joint expedition of several prominent universities and organizations called Project Legacy was launched. Its stated mission goal was to create the first of several field guides to Skull Island, a land filled with creatures existing outside of their time, where dinosaurs roamed, evolved, and still lived. Only a year later it was discovered that the island was doomed; the geological forces that had formed the island were now tearing it apart. There were only seven more abbreviated expeditions to the island before its destruction and the start of World War II.The journals, sketches, and detailed notes of the scientists who braved Skull Island would have continued to gather dust on shelves across the planet were it not for the work of the authors of this book. Here for the first time is their work, collected in a comprehensive edition of the natural history of this lost island. Here is "The World of Kong."

    Her "floating abstractions," in which lines and free bands of color emerge almost imperceptibly, can be reproduced only with difficulty. Her writings, on the other hand--although certainly not intended as programmatic statements--offer valuable clarity regarding her own works and poetic insight about art in general. Since its original publication in 1991, this volume of Martin's writings has been a fundamental document for libraries of artists, collectors, and critics. Rather than identifying herself with her Minimalist peers, Martin has aligned herself with the ancient Greeks, Egyptians, and Chinese, asserting that "the function of art work is . . . the renewal of memories of moments of perfection." In combination with illustrations of her works, these texts--including lectures, stories recorded by critic Ann Wilson, passages ostensibly arranged in associative sequences, and "fragmentary ideas"--form an eloquent artist's statement by the creator of "silent paintings."

    The unprecedented scope of this collection provides the opportunity to study his more composed, aesthetically structured images alongside his snapshots, which offer a more anecdotal account of Doisneau's Paris. Organized thematically, the book leads us on an entrancing tour through the gardens of Paris, along the Seine, and through the crowds of Parisians who define their beloved city. More than 600 photographs-many rare, forgotten, and previously unpublished-are assembled in this beautiful volume to create a unique portrait of Paris. From toddlers scrambling to cross rue de Rivoli to fresh-faced accordionists, from elegant dog walkers to exuberant roller skaters, and from the indelible kiss in front of the Hétel de Ville to cyclists beneath the Eiffel Tower, the magic of Paris in black and white is a timeless treasure. The photographs, edited by Doisneau's daughter, are complemented by citations from the photographer himself, which reveal his profound fascination with the city where he lived and worked.

    How to Draw and Paint Fairies confronts the fairy labor shortage directly, explaining all the techniques needed to bring fairy art to life. For beginners, explanations of basic techniques and easy-to-follow constructional drawings, plus information on materials, sketching, forms, and color make starting out easy and pleasant. As artists progress, the book offers detailed descriptions and beautiful illustrations of little people--from flower, water, and moon fairies, to nymphs and sprites, to sirens. Basic to advanced techniques on watercolor and mixed media are covered step-by-step, and finished images from leading fairy artists provide inspiration. This beautiful book will make every artist believe in fairies.

    Her new work, The True and the Questions, invites readers to allow themselves to "spill open" and create their own illustrated journal, and leaves plenty of space for them to do so. Sabrina's gorgeous art and moving text are interspersed with thought-provoking prompts to readers, encouraging them to draw, paint, collage, and journal.

    His darkly brilliant, addictively hilarious scrawls from the subconscious have already made him a star in the UK, with a growing legion of fans around the globe. The Book of Shrigley is the most extensiveand the first widely availableshowcase of his edgy but accessible off-kilter vision. Here are bad-tempered pets, strange attractions, work, S-E-X, knitting, wrestling, and a host of other everyday activities, dangers, and amusements laid bare in Shrigley's urgently illustrated panels and wickedly mischievous punch lines. Made up of almost entirely new work and bursting with color and unsettlingly funny truths, The Book of Shrigley is the ideal introduction to this comic genius and the book fans have been waiting for.

    

    Always transcending categorization-he was both a fashion photographer and known as a "poet of portraiture"-Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries? Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half century of rapidly changing social facts, cultural ideals, popular styles, and high fashion. As an artist, Avedon was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects. These ranged from celebrities (Marilyn Monroe), artists (Marguerite Duras, June Leaf), and high-fashion models (Suzy Parker, Dovima) to anonymous people that simply drew his attention. Like the best of art and literature, they evoke rich lives and complex experiences. An incisive essay by art historian Anne Hollander offers an overview of a half century of Avedon's images of women.

    It simply brims with suggestions and instructions. Find out about the wealth of contemporary supplies, from papers and adhesives to paints, pens, and pastels. See how to create the actual journal from scratch, including a quick-to-complete Three Minute Pamphlet. Use the tips for customizing a store-bought book that could use a little flair. Build layered pages, take advantage of the creative potential of transparencies, and more.

    Leonardo da Vinci was a gifted painter, talented musician, and dedicated scientist and inventor, designing flying machines, submarines, and even helicopters.  Yet he had a hard time finishing things, a problem anyone can relate to.  Only thirteen paintings are known to be his; as for the illustrated encyclopedia he intended to create, all that he left were thousands of disorganized notebook pages.  Here is an accessible portrait of a fascinating man who lived at a fascinating time—Italy during the Renaissance.

    Beautifully produced and co-published with La Lux de Jesus, this is an objet d'art in itself, revealing the complexity of Elizabeth McGrath's sweetly twisted creatures, giving a glimpse of what the Island of Misfit Toys might have become had it been saved by Satan rather than Santa.

    Published to accompany the hugely popular Vivienne Westwood exhibition at the V&A, this book is the first in-depth Vivienne Westwood retrospective. It studies her work as a groundbreaking fashion designer and celebrates her visual impact and iconic profile world-wide.

    Alongside drawings by famous artists, the book uses the author's own sketch book as a way to examine attitudes and demonstrate specific techniques.

    His earliest photographs were images of decadent movie palaces built in the 20s and 30s. By timing the exposure of his photos to the exact length of the film being screened, he produced images that depict theater interiors bathed in the magical glare of an all-white screen: pure light. Next Sugimoto began a body of work that he continues to this day, photographing views of the sea from land, traveling around the world to make pictures that, despite their vastly different geographic origins, seem at first to be the same, with only slight variations. Their captions, however, confirm that each is of a different body of water: Caspian, Ligurian, Black. Other series include his out-of-focus impressions of landmark architectural monuments, wherein the Empire State Building, Le Corbusier's "Chapel de Notre Dame du Haut," and Tadao Ando's "Church of Light in Osaka," among others, are essentialized rather than documented. This volume presents a monographic retrospective of Hiroshi Sugimoto's complete body of work, including the projects described above and others. New, mostly unpublished images from his recent color work are featured: impressions of the impeccably proportioned shrine Sugimoto designed in Naoshima Island in Japan, as well as a series entitled "Colors of Shadow," Specially commissioned essays by photography curators David Elliot and Kerry Brougher examine Sugimoto's work in depth, while an exhibition history and bibliography round out the volume.

    

    Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a broad survey of the range of series and titles published - from early Penguins and Pelicans, to wartime and 1960s Specials, Classics, fiction and reference - this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration and printing techniques.

    I would like to give it to everyone I love when they are traveling by choice or necessity.”—John Berger“Could be this year’s quirky Christmas bestseller.”—The Bookseller“A startlingly generous and colorful collection of images, capable of making the most jaded metropolitan refocus and smile.”—The Independent“Bhajju Shyam is causing quite a stir among museum-goers in London. . . . This is London as you’ve never seen it before. An incredible vision.”—BBC World ServiceThis stunning visual travelogue by an Indian tribal artist turns a modern metropolis into an exotic bestiary. Bhajju Shyam, from the Gond tribe in central India, was invited to London two years ago to paint the interiors of a chic Indian restaurant. With radical innocence and great sophistication, Bhajju records his experiences and observations showing a modern city as you’ve never seen it before—the London Underground becomes a giant earthworm, Big Ben merges with a massive rooster, and English people are shown as bats that come out to play at night. It is rare to encounter a truly original vision that is capable of startling us into reexamining familiar sights. By breathing the ancient spirit of wonder back into the act of travel, The London Jungle Book does just that.Bhajju Shyam is one of the finest living artists of the Gond tribe in central India. Intricate and colorful, Bhajju’s work is well known throughout India and has been exhibited in the United Kingdom, Germany, Holland, and Russia. From the walls of his tribal village home to international acclaim, Bhajju’s has been an incredible creative journey.

    Like a bizarro-world Norman Rockwell, he created magazine covers of Frankenstein, the Creature from the Black Lagoon. the Phantom of the Opera, and countless others in horrifying yet dazzling images throughout the 1960s and '70s. His intense colour and bold, impressionistic brushwork gave a unique sense of drama and sophistication to these iconic characters. Today, collectors fight over his original art--but, with this book, every fan can own glowing full-colour reproductions of his most famous work as well as many previously unpublished paintings and drawings.

    Josephine’s world is gentle, and her depiction of our connection to the natural world through colors and light is magical. Filled with vibrant images of goddesses, fairies, and mythological characters, her art inspires visions of imaginary lands and far-away places. Sprinkled with her poetry and prose, Josephine shows us a glimpse into her private world.

    Her subject matter is as wide-ranging as the materials her work has encompassed. In the 1980s, with her earliest figural sculptures in plaster, glass and wax, Smith developed an elaborate vocabulary around the forms and functions of the body and its metaphorical as well as physical relationship to society. By the early 1990s, she began to engage with themes of a more religious and mythological nature. Her re-imaginings of biblical women as inhabitants of physical bodies--rather than as abstract bearers of doctrine--led her to make series of sculptural works related to the figure of the Virgin Mary, Mary Magdalene, Lilith and others. The artist has more recently considered fairy tales and folk narratives as well as nurturing a growing menagerie of work concerned with animals and the natural world. Smith has now earned a considerable reputation as a virtuoso printmaker and draftsperson, and as a re-inventor of the startling sculptural possibilities present in materials ranging from paper and resin to bronze and porcelain. Organized by the Walker Art Center with the full collaboration of the artist, the exhibition Kiki Smith represents the artist's first full-scale monograph.

    Since nobody photographs libraries as beautifully as Hofer, it seemed only natural to dedicate one of her publications to the splendid and intimate cathedrals of knowledge across Europe and the US: the Escorial in Spain, the Whitney Museum in New york, Villa Medici in Rome, the Hamburg University library, the Bibliotheque nationale de France in Paris, the Museo Archeologico in Madrid, and Pierpont Morgan Library in New York, to name just a few. Almost completely devoid of people, as is Candida Hofer's trademark, these pictures radiate a comforting serenity that is exceptional in contemporary photography. Now available in an unchanged reprint.

    Whether playing the online dating game, trying couples therapy, dealing with uncooperative children, discovering the melancholy of middle age, dreaming of a better life, or finally grasping the golden (or at least bronze) ring, these chickens encounter everyday troubles and triumphs as painfully recognizable as they are hilarious. Clever, charming, and endlessly entertaining, Going for the Bronze is a brilliant follow-up to a wholly unique bestseller.

    Crumb Handbook is a brand new take on the life, trials and ideas of one of the most influential cartoonists of the last 40 years. Wry, self-deprecating, and candid, this is an exceptionally revealing and unexpectedly moving visual biography. Crumb is thoughtful and enlightening, with insights into 20th century popular culture that are hilarious, challenging, and acidly satirical. Crumb casts an unblinking eye onto the underbelly of modern life, an urban nightmare of human weakness, lust, terror, and cruelty all seen through the comic lens of satire. Simultaneously, he weaves in the surreal narrative of his personal evolution from his tormented childhood in the 1940s through his coming of age in the psychedelic revolution of the 1960s. With over 80 personal photographs, and 300 images taken from his sketchbooks many of which have never been seen before, comic books, as well as fine art from museums, The R. Crumb Handbook tells it like it is!Described by art critic Robert Hughes as "the Brueghel of the 20th century," Robert Crumb has become the only sixties counter culture artist to break through into the fine art world and today attracts celebrity collectors such as Steve Martin and author Alex Garland.Written with his close friend and fellow cartoonist Peter Poplaski, the new book allows ample room for the "father of underground comics" to express his ideas and opinions on a variety of subjects: fame and celebrity, art and commercialism, sex and drugs, age and death. And what visit to Crumbland would be complete without cameo appearances by Mr. Natural, Fritz the Cat, Devil Girl, and Keep On Truckin'?At over 400 pages, The R. Crumb Handbook is the newest and best compilation ofhis most famous work. The book features over 300 never seen before illustrations from his sketchbooks, 80 personal photos, interviews, and a special CD of 20 songs of R.Crumb's original music. Cartoons? Photos? Music? All in one book? This is a valuable collectible that will be welcomed by all.

    In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published.The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.

    The fighting skeletons of Jason and the Argonauts. And, of course, the angry T. Rex of Island of the Gwangi. All these creations and many more, seared into our collective consciousness, are the work of one man—Ray Harryhausen. The father of special effects, Ray Harryhausen is revered among film historians, animators, special-effects designers, and everyone who’s ever seen his inspired stop-motion creations. In 2004, Watson-Guptill published Ray Harryhausen: An Animated Life to critical acclaim and sales of over 20,000 copies. Now WG is pleased to present a companion book: The Art of Ray Harryhausen. Concise essays and lavish illustrations look at each of Harryhausen’s many specialties, including aliens, prehistoric creatures, mythological monsters, and much more. At last, fans of Harryhausen can see the progression of his work over time, in a visual celebration of his art and artistry.

    The exciting pieces come from an international array of artists, each with a unique perspective. The stylishly varied collection has a little bit of everything: the cups range from handbuilt to wheel-thrown, practical to sculptural, round to square. Benjamin Schulman's "Stacked Teacup Set" takes a strictly functional approach, while Heather O'Brien's "Dessert Cups on Stand" focuses on aesthetic form rather than usefulness. Annette Gates' "Espresso Shot Cups with Rubies" has a surface design of simple abstract lines and dots of glaze and jewels. Some are whimsical, others starkly conceptual. Every one is a treat for the eye.

    Since then, critics and scholars have largely ignored him. Wyeth, however, who is age 88 at the date of publication, has continued to paint, to the delight of his admirers, collectors, and the art-loving public. Now, in association with the High Museum exhibition, Andrew Wyeth: Memory & Magic takes a fresh look at the work of one of America's most beloved artists.In examining his entire oeuvre, the book celebrates the artist's ongoing love affair with everyday life-domestic, natural, and architectural. Found throughout Wyeth's work, these objects form patterns that illuminate core themes and reveal the artist wrestling with issues of memory, temporality, embodiment, and the metaphysical. Organized chronologically and thematically, the book explores how the artist's approach to these subjects was formed in his early career, and has been revisited in new and surprising ways in recent years.Andrew Wyeth: Memory & Magic comprises 150 tempera paintings and 50 drawings and watercolors-including his most-famous works, but also many published here for the first time.

    - Resplendent full-color art on glossy paper with a stylish matte cover. - Original artwork not featured in other Clamp titles. - Features an exclusive how to draw manga section - Printed in Japan with special color inks not available in the United States South Side features art from beloved series such as Man of Many Faces, Duklyon: Clamp School Defenders, Clamp School Detectives, Suki, Wish, CLAMP School Paranormal Investigators, Miyuki-chan in Wonderland, The One I Love, Shirahime-Syo and Legal Drug, as well as original Clamp artwork, a how to draw manga section and a complete catalogue of all featured images with a description of each. The work here spans the period between 1989-2002.

    This luxurious illustration collection archives 120 of Obata's illustrations dating from 2001 to 2006, from Hikaru no Go, Death Note, Ayatsuri Sakon, Bobobobo Bobobo, and more, along with a chapter detailing Obata's drawing techniques, and an illustrated index of works. This deluxe package includes an oversized, hardcover illustration book, a collectable postcard, three glossy double-sided illustrations suitable for framing, and a die-cut, foil embossed slipcase.

    Throughout his life, he wrote to his younger brother, Theo, about his colorful, dynamic paintings. This book pairs the artist's paintings with his own words. Van Gogh's descriptions, arranged as a simple rhyme, introduce young readers to all the colors of the rainbowand beyond. The descriptive words combine with spectacular reproductions of many of the artist's most beloved and important works to create a perfect art book for young and old alike.

    In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture. For the first time, all 289 extant houses are shown here in exquisite color photographs. Along with Weintraub's stunning photos and a selection of floor plans and archival images, the book includes text and essays by several leading Wright scholars. Frank Lloyd Wright: The Houses is an event of great importance and a major contribution to the literature on this titan of modern architecture.

    For those artists (and their long-suffering friends), here is the best book ever. Facial Expressions includes more than 2,500 photographs of 50 faces—men and women of a variety of ages, shapes, sizes, and ethnicities—each demonstrating a wide range of emotions and shown from multiple angles. Who can use this book? Oh, only every artist on the planet, including art students, illustrators, fine artists, animators, storyboarders, and comic book artists. But wait, there’s more! Additional photos focus on people wearing hats and couples kissing, while illustrations show skull anatomy and facial musculature. Still not enough? How about a one-of-a-kind series of photos of lips pronouncing the phonemes used in human speech? Animators will swoon—and artists will show a range of facial expressions from happy to happiest to ecstatic.

    Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. Dada--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in Washington and The Museum of Modern Art in New York presents the hybrid forms of Dada art through an examination of city centers where Dada emerged: Zurich, Berlin, Cologne, Hanover, New York and Paris. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work.Relying on dynamic design and vivid documentary images, Dada takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of each artist--accompanied by Dada-era photographs.

    Framed by essays from luminaries in the music, design, and poster worlds—including Steve Albini, Art Chantry, Greg Kot, and Debra Parr—as well as an interview with Ryan himself, this book offers a unique look into Ryan's unusual approach to poster art.

    This beautiful hardbound book contains sketches, concepts, and final colored art for the following:- All eight races: Dwarf, Gnome, Human, Night Elf, Orc, Tauren, Troll, and Undead- Monsters: from the Ancients to Magnataurs to Yeti- Environments: landscapes and flora, from the magnificent beauty of Emerald Paradise to the bleak wasteland of Desolace- Structures & Weapons: buildings, transports, arms, and armor- Cinematics: from storyboard to finished art- Promotional: full-page artwork, special drawings from Korea, and the Blizzard 2003 Christmas Card

    Children will come away with a deeper appreciation for fine art, as they join in Katie's museum romp.It's a Sunday afternoon, and Katie is bored. But Grandma knows just what will cheer her up -- a visit to the art museum. There, Katie once again finds herself on an unbelievable adventure through the paintings of renowned post-impressionist painters Georges-Pierre Seurat, Camille Pissarro, and Paul Signac. Children will enjoy learning about art, as they join in on Katie's exciting journey.

    She first appeared as a Playmate in the pages of PLAYBOY in January, 1955 in a fetching yuletide photo shot by Bunny Yeager. At the end of the decade, she disappeared, but her legend continued to grow until, by the 1990s, she had become an icon.

    A collection of 260 photographs, many never before published, offers panoramic views of scenes from every region of the world.

    With this imaginative, informative, and amply illustrated guide to drawing, it's amazingly easy for kids to make those art dreams come true. After a brief overview of tools and materials, the entertaining hands-on activities begin with contour drawing techniques. With the help of lots of exercises, budding artists will learn the basic elements of shapes (lines, dots, circles) and see how to combine them to make familiar forms. They'll find out how to produce the illusion of volume with shading techniques; create perspective; accurately recreate landscapes, people, animals, and nature; develop interesting compositions; and more.

    His trademark style is spotted on everything from cocktail napkins and cigarette lighters to his brand identity work for the new Pink Panther film. But Shag is the first opportunity to appreciate the mastery of expression in this artist's primary outputhis paintings. Gathered together here are nearly 200 wry and colorful scenes of signature retro decadence. Wasp-waisted women in Capri pants and turtlenecked, eye-patched men of mystery host parties where deathly specters cavort with cranky wolves, regal bulls, and blas Adams and Eves sipping martinis. A Shag painting often takes place in the middle of a story whose conclusion could be hilarious, catastrophic, or both, creating a world of endless hinted narratives. Lowbrow gallerist Billy Shire and art critic Colin Berry offer keen essays that situate Shag in the artistic and cultural setting that has spurred him beyond the more predictable work of his contemporariescreating a book that is simultaneously a fantasy playground of crisp lines and sharp colors, and a serious look at one of our most up-and-coming painters.

    Shabazz is the best kind of photojournalist: one driven simply by curiosity about other human beings.” —Ken Johnson, The New York Times Once upon a time before crack, inner city communities were blighted by poverty and unemployment—but not by the drug wars that tore families apart, destroying lives with needless violence and mindless addiction. Once upon a time before crack, pride and style were as inseparable as a beatbox and mixtape, or as a pair of shoes and matching purse. Once upon a time before crack, Jamel Shabazz was on the scene, working the streets of New York City, capturing the faces and places of an era that have long since disappeared. Best known as Hip Hop’s finest fashion photographer for his blockbuster best-selling monograph, Back in the Days (powerHouse Books, 2001), Shabazz revisited his archive and unearthed an extraordinary collection of never-before-published documentary photographs collected for his third powerHouse Books release, A Time Before Crack , a visual diary of the streets of New York City from the mid-seventies to the mid-eighties, Shabazz’s distinctive photographs reveal the families, the poses, and the players who made this age extraordinary.

    This survey features more than 400 works from the Polaroid Collection along with essays by Hitchcock, who illuminates the beginnings and history of the Polaroid Corporation.

    This book traces the artist’s successive triumphs as a draftsman, first in the Netherlands and later in France, highlighting the diversity of his technical invention and the striking continuity of his vision. Given the pivotal role drawings played in Van Gogh’s artistic conception and the rich dialectic they enjoyed with his oil paintings, a small selection of related canvases by the artist is also featured.This beautiful book presents approximately 120 works in charcoal, ink, graphite, watercolor, and diluted oils. The authors explore enduring questions that surround Van Gogh’s drawings, including their manufacture, artistic precedents, and contribution to Modernism. In addition, the text discusses the significance of the artist’s drawing practice to his development as a painter. The essays and entries feature the most current research on Van Gogh’s drawings and provide fresh interpretations of the motivating influences that shaped the artist’s contributions to the history of drawing.

    Gathered together for the first time anywhere is anillustrated chronicle of the artistic development of the landmarks, attractions, and shows that constitute Disneyland.Conceptual materials, sketches, layout drawings, andpaintings are meticulously reproduced with lavish production values in abeautiful large-format book that is destined to become a spectacular keepsakefor the Park's fans and art collectors everywhere.

    Translations of Rumi’s writings by the contemporary poet Coleman Barks have sold more than 500,000 copies since 1981. Now acclaimed illustrator Michael Green -- who collaborated with Barks on The Illuminated Rumi -- has produced a new and fabulous mystic fusion of sacred poetry and art. This all-new volume features rare poems of Rumi, some of which have never before been translated. There are many collections of Rumi’s poetry, but few are illustrated-and none as gorgeously as this full-color book. It is well positioned to capture the favor of spiritual seekers of all ages, including today’s spiritually adventurous young adults.

    Allowed only what they could carry, they were given just a few days to settle their affairs and report to assembly centers. Businesses were lost, personal property was stolen or vandalized, and lives were shattered. The Japanese word gaman means "enduring what seems unbearable with dignity and grace." Imprisoned in remote camps surrounded by barbed wire and guarded by soldiers with machine guns, the internees sought courage and solace in art. Using found materials at first and later what they could order by catalog, they whittled and carved, painted and etched, stitched and crocheted. What they created is a celebration of the nobility of the human spirit under adversity. THE ART OF GAMAN presents more than 150 examples of art created by internees, along with a history of the camps.". . . demonstrates the poignancy of the internment experience and the strength of the human spirit."—Alaska Airlines Magazine

    The viewer, at first seduced by what appears to be an idyllic scene, soon discovers subtle off-kilter elements more akin to Film Noir than an NBC comedy. In a work from his Twilight series, yellow school buses are parked outside white wooden houses, and students stand and lounge around in seeming passivity. Something is happening--what, we don't know. The vision is familiar yet unfamiliar, seemingly benign yet threatening. Crewdson goes to great lengths in dramatizing his disturbing suburban scenes, employing elaborate lighting, cranes, props, and extras, espousing a level of behind-the-scenes preparation more akin to the making of a Hollywood movie than the making of a still image. Here perhaps is one place to locate the eerie unreality and narrativity of his pictures, the creepy attention to detail so out of place, come to think of it, in the oh-so-ordinary settings he evokes. Middle-class reality meets the other side of the normal here--by way of Sigmund Freud.

    Some of the prominent illuminations include the Genealogy of Jesus, the Birth of Christ, the Raising of Lazarus, the Crucifixion, Christ Our Light, the Last Supper, the Road to Emmaus, and Pentecost. The Word of God, hand-illuminated through ancient methods by a contemporary master, brings the reader to an epiphany of the sacred. Those who allow themselves to savor the experience unfolding before them will come to see how Gospels and Acts beautifully marries text and image to serve the Word.

    Animated by Dave McKean and written by Neil Gaiman, MirrorMask combines animation and live action with a compelling storyline to take the cinematic experience to a stunning new level. MirrorMask is the story of Helena, a fifteen-year-old girl who works for her family's circus. She juggles, sells popcorn, and longs to run away and join the "real world." Helena also dreams, and one day she wakes up to find herself in a strange new world populated by mysterious creatures…a dream world where she embarks on an amazing journey. Each chapter in The Alchemy of MirrorMask begins with an introduction by McKean and Gaiman and then guides readers through the different types of visuals used to create the film, including sketches, paintings, storyboards, 3-d models, photographs, texture maps, frame blow-ups, and more. Also included are photos taken on the set and during McKean's travels to Venice, Prague, Trieste, Warsaw, and other places that provided inspiration for MirrorMask. Gaiman and McKean's insightful commentary sheds light on the film's journey from concept to screen. Gaiman and McKean fans, cinema buffs, and visual art enthusiasts will all delight in The Alchemy of MirrorMask, a rare, behind-the-scenes look at the making of an extraordinary film.

     I didn't see him. So I asked a lady walking up the avenue, "Have you seen Art?" "MoMA?" asked the lady. "Uh . . . no, he's just a friend." "Just down Fifty-Third Street here. In a beautiful new building. You can't miss it." When this address turns out to be the Museum of Modern Art in New York City, confusion and hilarity ensue. As the narrator continues looking for Art inside MoMA, he is introduced to well-known pieces of art such as Van Gogh's The Starry Night, Matisse's The Red Studio, as well as works by Picasso, Klee, Lichtenstein and others. In a dynamic collaboration that features comical text and playful illustrations alongside full-color reproductions of the artwork, Jon Scieszka and Lane Smith give readers the perfect companion for a visit to MoMA, and an introduction to some of the world's best works of modern art.

    This book, takes into consideration Twombly’s immense and complex body of work from the 1950s up through his current works, offers a thematic and chronological interpretation of his paintings, drawings, sculptures, and collages. Richard Leeman’s study elucidates the symbols found in Twombly’s paintings―pictograms, numbers, words, colors―that, at first glance, constitute diverse and unique entities, but then assemble to form a veritable language, where their often primitive forms mix on the canvas with allusive fragments of a vast culture. From scribbles and drawings to words, Twombly’s work profoundly articulates a language and memory of desire where painting, drawing, and writing meld into a single art form.This exquisitely produced volume, complete with six gatefolds, is an important addition to the existing bibliography of works on one of America’s preeminent contemporary artists.Exhibition Schedule “Cy Twombly: Fifty Years of Works on Paper” Whitney Museum of Art: January 27—May 8, 2005 Menil Collection, Houston, TX: May 27—September 4, 2005

    A crucial figure in California's postwar underground, Berman was a catalyst who traveled through many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture: Wallace Berman & His Circle, a catalogue to the exhibition organized by the Santa Monica Muesum of Art including previously unexhibited works by 52 artists. Anchoring this publication is Semina, a free-form art and poetry journal that Berman published in nine issues between 1955 and 1964. Although privately made and distributed to a mere handful of friends and sympathizers, Semina is a brilliant compendium of the most interesting artists and poets of its time. Showcasing the individuals who came to define a still potent strand of post-war beat counter-culture, Semina Culture subtly outlines the energies, values, and foibles of this fascinating circle. Also reprduced here are works by various artists and writers who appear in Berman's own photographs-approximately 100 of which were recently developed from vintage negatives, and will be seen here for the first time. Includes paintings and drawings by Cameron, John Altoon, Jay DeFeo, Bruce Conner and Joan Brown; collages and assemblages by Robert Alexander, Stuart Perkoff, John Reed, George Herms and Jess; poetry by Robert Duncan, David Meltzer, Philip Lamantia and John Wieners; and photographs by Charles Brittin, Walter Hopps and Patricia Jordan. Edited by Michael Duncan and Kristine McKenna. Essays by Michael Duncan and Kristine McKenna and Stephen Fredman. Hardcover, 9 x 11 in./384 pgs / 242 color and 250 b&w.

    Focusing on the youth-driven phenomenon of otaku (roughly translated as “geek culture” or “pop cult fanaticism”), Takashi Murakami and a notable group of contributors explore the complex historical influences that shape Japanese contemporary art and its distinct graphic languages. The book’s title, Little Boy, is a reference to the atomic bomb dropped on Hiroshima in 1945, thus clearly locating the birth of these new cultural forms in the trauma and generational aftershock of the atomic bomb.This generously illustrated book showcases the work of key otaku artists and designers, many of whom are cult celebrities in Japan, and discusses their feature film and video animations, video games and internet sites, music, toys, fashion, and more. In the process, the following questions are posed: What is otaku, and what does it tell us about contemporary social, economic, and cultural life in Japan and throughout the world? How is it related to the pervasive and curious fixation on “cuteness” evident in Japanese popular culture? What impact did the atomic devastation of World War II have on the development of Japanese art and culture?This brilliantly designed, bilingual (English and Japanese) publication examines these themes to explore how contemporary Japanese art has become inseparable from the subcultural realms of manga and animé (Japanese animation)—a world where meticulous technique, apocalyptic imagery, and high and low cultures meet.Little Boy concludes Murakami’s “Superflat” trilogy, a project conceived in 2000 to introduce a new wave of Japanese artists and to place their work in the historical context of traditional styles and concepts.

    Drawn to Nature comprises excerpts from 25 years of Leslie’s journals devoted to observing and recording the natural world in words, field sketches, and impressionistic watercolors. Delightfully amusing and deeply passionate by turns, this compilation will inspire you to connect with nature, wherever you live.

    Each work is accompanied by a detailed description to enhance the appreciation of the artist's creation.

    . . a ladder without steps, a clock without hands, a racket without strings, a kiss without a mouth. Imagine a world where the hills have faces and wherever you went, you'd have someone to talk to. Imagine flipping a series of flaps to form fantastical creatures or turning a wheel to fit the top of one face on the bottom of another. Imagine that Norman Messenger's quirky, humorous suggestions, ingenious visual puzzles, and beautifully crafted illustrations will open your eyes and mind and reveal that -- with a little imagination -- the world can become a different and mysterious place, where anything is possible.

    Learn what really happened during that magical summer of 1920 when she discovered the secret world of the Flower Fairies.

    His distinctive architectural idiom left its imprint over a vast empire extending from the Danube to the Tigris, and he became the most celebrated of all Ottoman architects.In this lavishly illustrated, major new assessment of Sinan's oeuvre, Gulru Necipoglu challenges standard views of Sinan as a "Turkish Michelangelo" driven solely by an insatiable urge for artistic experimentation. Her innovative analysis shows that Sinan's rich variety of mosque designs sprang from a process of negotiation between the architect and his elite patrons, both men and women. Defined though they were by social and territorial hierarchies and associated notions of identity, memory, and decorum, Sinan's mosques simultaneously shaped these conceptions. "The Age of Sinan" draws on a wealth of primary sources to reveal the chief architect's monuments as bearers of previously unrecognized dimensions of meaning. A sophisticated study of the cultural and social history of Ottoman architecture, interpreting the oeuvre of a seminal figure in the early modern eastern Mediterranean world, it is must reading for scholars and students of art history and other fields with an interest in the Ottoman Empire."

    The book is arranged chronologically and divided into three main sections: early, middle and recent art. A narrative accompanies the paintings with captions for many of the pieces. The pages are also punctuated by quotes from Boris and Julie's peers in the fantasy art field and fans of their work, who pay homage to their art and comment on how their work has inspired them to become better artists.

    In her follow-up to Creative Sketches for Scrapbooking, which has sold nearly 60,000 copies, Becky shares innovative ideas that will make this an essential resource for all scrapbookers. Plus, Becky's world-famous sketches have been improved, with photo sizes listed right on the sketches! Cut down your planning time and spend more time creating well designed layouts, faster. Includes: 56 new scrapbook sketches by Becky 225 sketch-to-page ideas Organized by number of photos per sketch for the ultimate easy-to-use scrapbooking guide

    Now, 28 years later, the 350 most amazing Star Wars movie posters are collected for the first time. This compilation spans the surreal to ultra realistic, the campy to darkly serious: Darth Vader's head exploding in a shower of camera parts; Anakin Skywalker casting an ominous Sith shadow; C-3PO and R2-D2 selling Star Wars shoes; Luke and Vader in mortal battle aboard the Death Star. Classic posters are joined with text by the world's foremost Star Wars collector, Stephen Sansweet, and poster collector Peter Vilmur, behind-the-scenes stories from artists and designers, a scarcity guide to over 2,000 posters, and a bootleg identification guide. Exploding with color, The Star Wars Poster Book illuminates an unexplored corner of Star Wars history. 2005 by Lucasfilm Ltd. & TM. All Rights Reserved.

    Now, in a follow-up to the extraordinarily successful first book from Stephen Green-Armytage, the photographer presents 61 breeds and 5 species, including 14 breeds not previously included in the first book, a new series of chicken couples, and virtually all new images. Capturing with his camera chickens of all sizes, shapes, and colors, he illuminates gorgeous feather patterns worthy of French fabric designers, as well as elaborate wattles, elegant crests, and many other details. Through his exquisite photographs, he captures the surprising and expressive personality of these amazing creatures. Included are breeds developed in Japan, Malaysia, Britain, France, Italy, Belgium, Germany, Holland, Poland, Australia, South America, Canada, the United States, and elsewhere. For breeders and enthusiasts, this volume will be a treasure they must own; for others it will be a revelation, worth having for the sheer enjoyment of the beautiful photographs and the wonderful birds they portray.

    This book will charm you with humorous dialog, creative suggestions, interesting asides, lavish pictures, and even several dragon "personality profiles". This is more than just a project book, it's fun!

    From his earliest sculptures to his recent highly textured paintings, Anselm Kiefer has woven themes of heaven and earth into his work, exploring the polarities of these ideas while struggling to define the transcendent quality that places art squarely in between. Destruction and rebirth, glory and shame, sin and redemption all figure largely in Kiefer's often-controversial depictions of Germany's physical and cultural landscape. This catalog of more than sixty reproductions includes Kiefer's first work, "Heaven," as well as numerous other rare early works. It features watercolors produced specifically for the publication as well as an interview with the artist.

    This approach, first explored by Rauschenberg in the early 1950s, proved prescient and has become increasingly relevant in the current age of cascading information, when even the most ground-breaking artists are referencing and sampling disparate elements to create new forms. The Combines suggest the fragility of definitions, the fluidity of materials, and the complexity of forms that are characteristic of Rauschenberg's works. The artist's handling of materials provides a precise physical evolutionary link between the painterly qualities of Abstract Expressionism and iconographical, subject-driven early Pop Art. This book focuses on the works created roughly between 1954 and 1964, the most important decade in the artist's 50-year career, and constitutes the most complete survey of the Combines ever presented, as well as the most rigorous analysis of their political, social, autobiographical, and aesthetic significance. An introductory essay by exhibition curator Paul Schimmel titled "Reading Rauschenberg" offers an iconographic analysis of the earlier Combines, based on in-depth conversations with the artist. Other texts help to contextualize the Combines, such as Thomas Crow's essay that calls them the major artistic statement of their time, and the one body of art that could simultaneously hold its own with De Kooning to the rear and Pop art to come.

    From his travelogue-sketchbooks of Vienna, London, New York, LA and Taiwan to his finished illustrations and paintings, we get to see a side of the artist that most have not seen. James's artwork blends media such as watercolor, oils, computer work, and sketching -- all of which is collected here in a beautiful hardcover format.

    When she realizes that the dog growls at others and is not going to accept her offers of friendship, she learns to accept that she cannot make every encounter a friendly one and continues to enjoy the friendly animals she does meet.

    1940) made her first iconic pictures when living in Turkey on a Fulbright Fellowship in the mid-1960s. Her photographs of Bombay brothels, shot in the late 1970s, were published in 1981 in Falkland Road, a book that became legendary and confirmed her status as one of the most prominent and provocative documentary photographers working todayMark’s pictures are a celebration of humanity in its most diverse and eccentric forms. Circuses, gypsy camps, children yearning for adulthood, the poor and destitute are some of her recurring themes. Mark has the unique ability to capture gestures and expressions that translate the intense emotions of her subjects. Compassionate but never literal, her pictures can be humorous, tragic, enigmatic, shocking, and oftentimes all of these simultaneouslyThis book presents for the first time a selection of the strongest pictures of Mark’s forty-year career, drawing from emblematic series such as "Falkland Road," "Indian Circus," and "Twins," as well as a selection of previously unpublished images. The photographs are accompanied by an introduction by Weston Naef, and an interview with Mark that provides context and behind-the-scene anecdotes. Together Mark’s images and words provide intimate insights into the lives of others, presenting compelling stories of human strength and suffering

    For centuries, it has been a source of prayer, devotion, and inspiration. Part of the popularity of the Psalms is that they incorporate the entire breadth of human emotion and experience 'joy, fear, anger, love 'al the things we bring to God in our prayer.Visual representations of chants from Benedictine, Native American, Muslim, Taoist and other traditions are the basis for illuminations of the Psalms. The varying pitch of the chants is rendered graphically to provide a motif for the abstract illumination. Every Psalm page features a small gold image that graphically renders the chanting of the monks from Saint John's Abbey. This process of reading of the Psalms is a continuous reminder that the Psalms are to be sacred songs 'and that in such singing God is present.Jackson chose colors to represent different themes, and designs to symbolize the different types of Psalms. He devised a way of weaving the two together that resulted in a unique script, colors and shading. Readers can identify the patterns representing the national history of Israel corresponding with the individual types of Psalms.The way the Psalms appear in The Saint John's Bible provide a way to read our favorite Psalms with new eyes so that we might truly see the Psalms whether they are sung or read poetically.Notes regarding PsalmsIlluminationsDonald Jackson is one of the world's leading calligraphers and the artistic director and illuminator of The Saint John's Bible. He is a Senior Illuminator to the Queen of England's Crown Office and is an elected Fellow and past Chairman of the prestigious Society of Scribes and Illuminators. His 30-year retrospective exhibition, Painting with Words, premiered at the Minneapolis Institute of Arts in Minneapolis, Minnesota, in August,1988 and traveled to 13 museums and galleries. The launch of a national museum tour of the The Saint John's Bible began at The Minneapolis Institute of Arts in Minneapolis, Minnesota in April 2005 where record crowds greeted the inaugural exhibit during its three-month run. The Saint John's Bible will continue its national exhibition tour that includes museums and galleries from throughout the United States and Europe. Learn more about The Saint John's Bible exhibit."

    Full color.

    Within a general atmosphere of a dazed freneticism, he offers uncanny and excessive portraits, synthetically luminous abstractions, and somewhat narrative compilations of drawings, which he creates using a unique photo-chemical process. Together, they exist in a world that can't decide whether it's awake or asleep, gorgeous or vaguely psychedelic. Girls figure largely in Smith's universe. According to the Whitney Museum catalogue, "his stylized portraits and acidic abstractions intimately capture stillness in an ever-encroaching world, while demonstrating a deconstructed neo-punk aesthetic conversant in comic book-style drawing, vivid psychedelic coloration, experimental photographic processes, and traditional draftsmanship." Using his friends and his immediate environment as subjects, Smith renders scenes of youthful ambivalence amid a surplus of surrounding diversions and possessions. Smith's works include acrylic portraits based on scenes from his life and images created using experimental photographic techniques. Central to his work is a balance of seemingly disparate aesthetic modes. Using visual elements from painting, drawing, and photography, Smith achieves a hybrid effect that vacillates between sober realism and electrifying abstraction. This is the first monograph of Smith's work.

    It includes obscure punk shots, including the Bad Brains, Black Flag, Minor Threat, and many more.