S. Lewis. With amazing clarity that captures the tone and style of C. S. Lewis himself, the authors offer a depth of insight that will surprise even the most ardent Lewis fan. Each chapter will help readers gain not only a deeper understanding of the popular Lewis series, but a deeper understanding of God himself.

    For fourteen years, her library has been a meeting place for those who love books. Until now. Now war has come, and Alia fears that the library--along with the thirty thousand books within it--will be destroyed forever.In a war-stricken country where civilians--especially women--have little power, this true story about a librarian's struggle to save her community's priceless collection of books reminds us all how, throughout the world, the love of literature and the respect for knowledge know no boundaries. Illustrated by Jeanette Winter in bright acrylic and ink.Includes an author's note. *From the New York Times, July 27, 2003

    And now they re quickly gathering more fans as an animated series on the Disney Channel.Adorably true-to-childhood and laugh-out-loud funny, Charlie and Lola chronicles the day-to-day moments and interactions in the life of two extremely endearing siblings.In this new tale, Lola has become obsessed with Beetles, Bugs, and Butterflies, the best book in the whole world. It s funny, it has pictures, and it is "very great and extremely very interesting." It s the only book she wants to take out of the library.What will she do when she discovers that somebody else has borrowed her book?"

    Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a broad survey of the range of series and titles published - from early Penguins and Pelicans, to wartime and 1960s Specials, Classics, fiction and reference - this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration and printing techniques.

    The writer is a person. The reader is a rat. They share an old house on Long Island, but have never met. Walter, the rat, would love to know Miss Pomeroy, the writer. Miss Pomeroy is an irritable recluse and has no desire to know ANYONE. How these two lonely creatures discover one another is the essence of this story.

    Lewis's widely-known and universally loved children's stories.

    Since nobody photographs libraries as beautifully as Hofer, it seemed only natural to dedicate one of her publications to the splendid and intimate cathedrals of knowledge across Europe and the US: the Escorial in Spain, the Whitney Museum in New york, Villa Medici in Rome, the Hamburg University library, the Bibliotheque nationale de France in Paris, the Museo Archeologico in Madrid, and Pierpont Morgan Library in New York, to name just a few. Almost completely devoid of people, as is Candida Hofer's trademark, these pictures radiate a comforting serenity that is exceptional in contemporary photography. Now available in an unchanged reprint.

    “The author’s ideas are hidden, and it is up to all of us to figure them out.” In this indispensable reading companion, the Goldstones–noted parent-child book club experts–encourage grownups and young readers alike to adopt an approach that will unlock the magic and power of reading.With the Goldstones help, parents can inspire kids’ lifelong love of reading by teaching them how to unlock a book’s hidden meaning. Featuring fun and incisive discussions of numerous children’s classics, this dynamic guide highlights key elements–theme, setting, character, point of view, climax, and conflict–and paves the way for meaningful conversations between parents and children. “Best of all,” the Goldstones note, “you don’t need an advanced degree in English literature or forty hours a week of free time to effectively discuss a book with your child. This isn’t Crime and Punishment, it’s Charlotte’s Web.”

    With Todd Parr's trademark bright, bold pictures and silly scenes, kids will learn that reading isn't something that just happens at school or at home-it can happen anywhere! Todd shows us all the fun ways we can read- from in the library and in bed to in the bathtub and on the road. Targeted to those first beginning to read, this book invites children to read the main text as well as all the funny signs, labels, and messages hidden in the pictures.

    In many countries, books are delivered in unusual way: by bus, boat, elephant, donkey, train, even by wheelbarrow. Why would librarians go to the trouble of packing books on the backs of elephants or driving miles to deliver books by bus? Because, as one librarian in Azerbaijan says, "Books are as important to us as air or water!" This is the intriguing photo essay, a celebration of books, readers, and libraries.

    Yet for most readers, the living, breathing human beings behind the classics have remained unknown! until now! These concise and readable biographical profiles, anecdotes and behind-the-scenes tales will reveal why Sir Arthur Conan Doyle blamed his wife's death on Sherlock Holmes, how Charles Dickens's pet launched Edgar Allan Poe on his way to literary immortality and the strange connection between Jane Austen and Ernest Hemingway. Chaucer, the Brontes, Wilde, Hardy and Lawrence, you'll never look at these literary giants in the same way again.

    . . From true classics to must-read cult fiction, from the top award-winners to up-to-the minute bestsellers, there's something for everyone.You'll also find special genre features written by expert authors—like E. Lockhart on Love and Relationships, and Patrick Jones on Short and Gripping Books—plus Top Ten Lists by genre for the perfect place to start, and results of our Top Ten Surveys where you decided which books and authors were the best in their categories.Each rave review comes with suggestions for what to read next, so with over 1,000 recommended books total, you'll never be without a good book again!

    Leading authors in the area of women's literature and romance contribute to this fresh collection of essays on everything from Lydia's scandalous marriage to George Wickham to the female-dominated Bennett household and the emphasis placed on courtship and marriage. Contributors include Jo Beverly, Alesia Holliday, Mercedes Lackey, Joyce Millman, and Jill Winters. This compilation is an excellent companion for both those new to Jane Austen and well-versed Austen-philes.

    Readers everywhere welcomed Pearl's encyclopedic but discerning filter on books worth reading, and her Rule of 50 (give a book 50 pages before deciding whether to continue; but readers over 50 must read the same number of pages as their age) became a standard MO. Once again organized by topic, this sprightly follow-up includes an array of titles in nearly 150 eclectic categories, including Plots for Plotzing (highly unusual storylines), Animal Love (in which humans fall in love with animals), The Autobiographical Gesture (memoirs about complex lives), Child Prodigies (child characters who are called on to perform great and sometimes heroic acts), Nagging Mothers, Crying Children (true tales from the frontlines of parenting), and Libraries and Librarians. Both a valuable reference and a vastly enjoyable read, More Book Lust offers a wealth of enthusiastic, quirky reading recommendations.

    Before you know it, a minute turns into an hour, an hour turns into a day, and a day may turn into . . . eternity. Inspired by the likes of Edward Lear, X. J. Kennedy, and Lewis Carroll, the author of Arithme-Tickle and Scien-Trickery has created a collection of original poems about books and reading that range from sweet to silly to laugh-out-loud funny. Newcomer Kyle M. Stone's clever, witty, and endearing paintings make this the perfect treat for book lovers of all ages.

    Each entry includes a synopsis of the work as well as publication history, biographical information about the author of each title, and recommended reading and biographical notes on the contributor. Author Ramsey Campbell also offers a new foreword to the book describing the evolution of horror over the past two decades — from the way it's written by a crop of new and exciting writers to the way it's received by a new market of readers. Horror: Another 100 Best Books will be the definitive guide to the tremendous library of horror fiction available today —a reference that no fan can live without.

    Nancy Pearl’s Book Lust Journal is the perfect place to do these things and more. Based on the famous bestseller, this conveniently sized journal is a great place for readers to expand their reading experience. The template offers plenty of room for internal discussion to recall favorite passages of books, or to think about how the book they’re currently reading reflects their own life. The template also functions as an easy-access reference tool to return to previous entries they have written. A detailed introduction explains how to make the most of the journal, while The Pearl 100 offers informed suggestions on great reads. Additional templates enable readers to record books on their "To Read" list, note book passages to remember, and keep tabs on books lent to friends and family.

    Genres and reading trends are demystified as more than 5,000 titles are classified, with two new chapters on Christian fiction and emerging genres. You'll also find essays by genre experts and the foremost proponents of readers' advisory today.For the past 150 years, America's public libraries have supplied billions of books to billions of people, and most of those books have been (and continue to be) popular fiction. The new edition of Genreflecting explains not only what library patrons are reading, but why. In the process, it casts reading in a new light, demonstrating the way in which it functions as an essential information service that creates communities in culturally democratic ways.Focusing on what today's readers read, this classic guide introduces current genre fiction and popular reading tastes. By defining genres, describing their features and characteristics, and grouping titles by genre, subgenre, and theme, the book helps those who work with readers understand distinct patterns in reading habits and book selection. It thus helps users identify read-alikes and other titles their patrons will enjoy.Genreflecting has become a standard reference and readers' advisory tool for library practitioners, and an insightful text for students of library and information science. Building upon previous editions, this new volume features informative essays on the essence, history, and latest trends of various genres, contributed by top scholars and genre experts, edited by Dr. Wayne Wiegand. New chapters on Christian fiction and emerging genres (women's fiction and chick lit) have been added. In addition, more than 5,000 titles, approximately one-third new to this edition, are classified, focusing on titles published since the last edition along with perennial classics and benchmark titles. The popular feature D's Picks identifies new and noteworthy titles in each genre. Other features new to this edition include lists of selected classic authors and titles in each genre, sections on genreblends in those areas where they occur (e.g., horror/humor, mystery/romance), and three new essays. The Social Nature of Reading by Dr. Wiegand, The Readers' Advisory Interview by Dr. Catherine Ross, and A Brief History of Readers' Advisory by Melanie A. Kimball offer further insight into the nature and importance of this field. A standard professional tool for readers' advisors, and an invaluable collection development guide and text, this is a must-purchase for all libraries. Young adult and adult or Grades 10 and up.

    Contains lists of recommended books for reading to prepare for college Section one divides the books into different genres, with a brief note each, and section two offers a chronological listing, giving snapshots history, and the evolution of the selections.

    

    Don't Forget to Write has exactly that: 54 great writing lesson plans road-tested at 826 writing labs across the country. These range from goofy fun classes like "Writing for Pets," to more practical workshops like "College Application Essay Boot Camp," and all were written by experts. Our favorite authors pitched in, too. If you're a teacher, we think this book will make your life easier. If you're an aspiring writer, we've got lots of great ideas for you too. And if you're a reader, we offer entertainment and food for thought — 54 lesson plans' worth.Written and used by workshop teachers at 826 Valendcia, 826LA, and 826NYC.

    Basbanes offers a lively consideration of writings that have "made things happen" in the world, works that have both nudged the course of history and fired the imagination of countless influential people. In his fifth work to examine a specific aspect of book culture, Basbanes also asks what we can know about such figures as John Milton, Edward Gibbon, John Locke, Isaac Newton, Samuel Taylor Coleridge, John Adams, Frederick Douglass, Abraham Lincoln, Henry James, Thomas Edison, Helen Keller––even the notorious Marquis de Sade and Adolf Hitler––by knowing what they have read. He shows how books that many of these people have consulted, in some cases annotated with their marginal notes, can offer tantalizing clues to the evolution of their character and the development of their thought.

    In nine entertaining and instructive essays, novelist and master teacher Debra Spark pursues key questions that face both aspiring and accomplished writers, including: How does a writer find inspiration? What makes a story's closing line resonate? How can a writer "get" style? Where should an author "stand" in relation to his or her characters?While the book will have immediate appeal for students of writing, it will also be of interest to general readers for its in-depth reading of contemporary fiction and for its take on important issues of the day: Should writers try to be more uplifting? How is emotion best conveyed in fiction? Why are serious writers in North America wedded to the realist tradition?When she was only twenty-three, Debra Spark's best-selling anthology 20 Under 30 introduced readers to some of today's best writers, including David Leavitt, Susan Minot, Lorrie Moore, Ann Patchett, and Mona Simpson. Almost twenty years later, Spark brings this same keen critical eye to Curious Attractions, discussing a broad range of authors from multiple genres and generations.A collection of essays in the belles-lettres tradition, Curious Attractions offers lively and instructive discussions of craft flavored with autobiographical reflections and commentary on world events. Throughout, Spark's voice is warm, articulate, and engaging as it provides valuable insights to readers and writers alike.

    German culture has been central to Europe, and it has contributed the transforming spirit of Lutheran religion, the technology of printing as a medium of democracy, the soulfulness of Romantic philosophy, the structure of higher education, and the tradition of liberal socialism to the essential character of modern American life.In this book leading scholars and critics capture the spirit of this culture in some 200 original essays on events in German literary history. Rather than offering a single continuous narrative, the entries focus on a particular literary work, an event in the life of an author, a historical moment, a piece of music, a technological invention, even a theatrical or cinematic premiere. Together they give the reader a surprisingly unified sense of what it is that has allowed Meister Eckhart, Hildegard of Bingen, Luther, Kant, Goethe, Beethoven, Benjamin, Wittgenstein, Jelinek, and Sebald to provoke and enchant their readers. From the earliest magical charms and mythical sagas to the brilliance and desolation of 20th-century fiction, poetry, and film, this illuminating reference book invites readers to experience the full range of German literary culture and to investigate for themselves its disparate and unifying themes.Contributors include: Amy M. Hollywood on medieval women mystics, Jan-Dirk Muller on Gutenberg, Marion Aptroot on the Yiddish Renaissance, Emery Snyder on the Baroque novel, J. B. Schneewind on Natural Law, Maria Tatar on the Grimm brothers, Arthur Danto on Hegel, Reinhold Brinkmann on Schubert, Anthony Grafton on Burckhardt, Stanley Corngold on Freud, Andreas Huyssen on Rilke, Greil Marcus on Dada, Eric Rentschler on Nazi cinema, Elisabeth Young-Bruehl on Hannah Arendt, Gordon A. Craig on Gunter Grass, Edward Dimendberg on Holocaust memorials.

    Jollytologist" Allen Klein has compiled thousands of positive quotations from notable figures from Plato to Dolly Parton, Shakespeare to Jerry Seinfeld, and Walt Whitman to Oprah Winfrey. THE WISE AND WITTY QUOTE BOOK puts three of Allen Klein's touching and inspirational quote volumes-Up Words for Down Days, The Change-Your-Life Quote Book, and The Lift-Your-Spirits Quote Book-together in a single work as the ultimate motivating, encouraging, and uplifting book to enjoy and share.

    Examines history, methods and practicalities involved.

    They consider English literature, the English poets, Mother Russia, American poetry, out of eastern Europe, aspects of novels, correspondences between writers, and contemporary works. Only n

    The interviews include favorites gleaned from the pages of the Believer magazine along with previously unpublished conversations. The book is rife with astonishing insights and profound quips. To wit:George Saunders: ‘I see writing as part of an ongoing attempt to really, viscerally, believe that everything matters, suffering is real, and death is imminent.’Ian McEwan: ‘The dream, surely, that we all have, is to write this beautiful paragraph that actually is describing something but at the same time in another voice is writing commentary on its own creation, without having to be a story about a writer.’Jamaica Kincaid: ‘All of these declarations of what writing ought to be, which I had myself—though, thank god I had never committed them to paper—I think are nonsense.... You write what you write, and then either it holds up or it doesn't hold up. There are no rules or particular sensibilities. I don't believe in that all anymore.’Janet Malcolm: ‘The narrator of my nonfiction pieces is not the same person I am—she is a lot more articulate and thinks of much cleverer things to say than I usually do.’Paul Auster: ‘In my own case, I certainly don't walk into my room and sit down at my desk feeling like a boxer ready to go ten rounds with Joe Louis. I tiptoe in. I procrastinate. I delay. I come in sideways, kind of sliding through the door.... I don't burst into the saloon with my six-shooter ready. If I did, I'd probably shoot myself in the foot.’Tobias Wolff: ‘Each time out should be a swing for the fences. Don't do base-running drills. You can do those on your own time.’

    One is a history of the transmission and transformation of Jane Austen through manuscripts, critical editions, biographies, and adaptations; a second provides aconspectus of the development of English Studies as a discipline in which the original and primary place of textual criticism is recovered; and a third reviews the role of Oxford University Press in shaping a canon of English texts in the twentieth century. Jane Austen can be discovered in allthree. Since her rise to celebrity status at the end of the nineteenth century, Jane Austen has occupied a position within English-speaking culture that is both popular and canonical, accessible and complexly inaccessible, fixed and certain yet wonderfully amenable to shifts of sensibility and cultural assumptions. The implied contradiction was represented in the early twentieth century by, on the one hand, the Austen family's continued management, censorship, and sentimental marketing of the sweet lady novelist of the Hampshire countryside; and on the other, by R. W. Chapman's 1923 Clarendon Press edition of the Novels of Jane Austen, which subjected her texts to the kind of scholarly probing reserved till then for classical Greek and Roman authors obscured by centuries of attrition. It was to be almost fifty years before the Clarendon Press considered it necessary to recalibrate the reputation of another popular English novelist in this way. Beginning with specific encounters with three kinds of textual work and the problems, clues, or challenges to interpretation they continue to present, Kathryn Sutherland goes on to consider the absence of a satisfactory critical theory of biography that can help us address the partial life, and ends with a discussion of the screen adaptations through which the texts continue to live on. Throughout, Jane Austen's textual identities provide a means to explore the wider issue of what text is and to argue the importance of understanding textual space as itself a powerful agent established only by recourse to further interpretations and fictions.

    Heidi Brayman Hackel argues for a history of reading centred on the traces left by merchants and maidens, gentlewomen and servants, adolescents and matrons - precisely those readers whose entry into the print marketplace provoked debate and changed the definition of literacy. By telling their stories and insisting upon their variety, Brayman Hackel displaces both the singular 'ideal' reader of literacy theory and the elite male reader of literacy history. This interdisciplinary study draws upon portraiture, prefaces, marginalia, commonplace books, inventories, diaries, letters and literature (Spenser, Shakespeare, Sidney, Greene, Dekker, Lyly, Jonson and others). A contribution to literary studies, the history of the book, cultural history and feminist criticism, this accessible book will also appeal to readers interested in our continuing engagement with print and the evolution of reading material.

     An exceptionally broad-ranging and accessible Companion to the study of American fiction of the post-civil war period and the early twentieth century Brings together 29 essays by top scholars, each of which presents a synthesis of the best research and offers an original perspective Divided into sections on historical traditions and genres, contexts and themes, and major authors Covers a mixture of canonical and the non-canonical themes, authors, literatures, and critical approaches Explores innovative topics, such as ecological literature and ecocriticism, children's literature, and the influence of Darwin on fiction

    Easy to use and pleasurable to read, it is the essential guide for book lovers and literary pilgrims. Fully illustrated, each chapter illuminates a different area of the city and includes essential details on author birthplaces and homes; burial places of the literati; sites with a literary connection; restaurants and pubs—from Robert Louis Stevenson’s favorite pub to the café where J.K. Rowling penned much of Harry Potter; literary tours; the city’s best bookstores; and museum exhibits. This unique guide is also packed with useful information on Edinburgh’s book festivals, literary events, libraries, and more.

    

    Through their means of production and the evidence of their utility, prints are explored in a broad social and economic context. Key topics include the complex problem of reconstructing the beginnings of the European woodcut; the practice of copying and dissemination of models endemic to the medium; and the varied functions of the print from the spiritual to the secular. A team of expert authors examines the many ways in which fifteenth-century woodcuts and  metalcuts reflect the nature of piety and visual experience. Replicated images helped to structure private religious practice, transmit beliefs, disseminate knowledge about material facts, and graph abstract ideas. Mass-produced pictures made it feasible for people of all stations to possess them, thereby initiating a change in the role of images that eventually helped alter the definition of art itself.The Origins of European Printmaking is an essential book for art historians, students, and collectors, as well as the general reader with an interest in medieval history and culture.

    At the same time, this book provides the reader with a thorough survey of literary and filmic vampires in both adult and juvenile fictions. Lastly, it blends the realms of legal and literary history by highlighting the changes the image of the serial killer, a close relative of the vampire, underwent at the end of the twentieth century. Blood Obsession is a highly enlightening study for the general reader as well as for students of film, literature, and popular culture.

    M. Barrie. Simultaneously, Barrie surfaced as the subject of two major biographies and a feature film. The engaging essays in Second Star to the Right approach Pan from literary, dramatic, film, television, and sociological perspectives and, in the process, analyze his emergence and preservation in the cultural imagination.

    Michael Dahl, children's author, adds his expertise as coauthor of the volume. Over 300 all new nonfiction booktalks for children K-8 are presented in the same enthusiastic tone as the first two successful books. The books make it easy for you to find the best in children's nonfiction books and offers concrete ideas for presenting them. Booktalks are organized according to topics popular to young readers, making it easy to search for titles that correlate to curriculum areas, topics, and units of study. It also includes tips on booktalking and a bibliography for collection development. Grade levels for books are cited..

    This pioneering volume of essays, written by historians, art historians, and literary scholars, introduces the major issues in the social and cultural history of the book in late imperial China. Informed by many insights from the rich literature on the history of the Western book, these essays investigate the relationship between the manuscript and print culture; the emergence of urban and rural publishing centers; the expanding audience for books; the development of niche markets and specialized publishing of fiction, drama, non-Han texts, and genealogies; and more.

    Margaret Mahy was one of the world's leading authors for younger readers for four decades. In her own country she was popularly known as the writer in the multicoloured wig who wrote marvellously funny picture books and enchanted generations of school children. Her story had its fairy-tale elements. In 1968, a hard-pressed solo mother of two daughters, working as a librarian by day and writing long into the night, she was 'discovered' by a leading American publisher who flew 'to the end of the earth' to offer her a multi-book publishing contract. From those first picture books, through the great novels of the 1980s and new books and awards right up to the year of her death, she came to be regarded as the third in New Zealand's literary pantheon, alongside Katherine Mansfield and Janet Frame. In 2006 her achievements were recognised by IBBY (International Board on Books for Young People), awarding her the Hans Christian Andersen Medal, the world's 'Little Nobel', for her distinguished contribution to children's literature.