Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.Contains: "Big Red Son," "Certainly the End of Something or Other, One Would Sort of Have to Think," "Some Remarks on Kafka's Funniness from Which Probably Not Enough Has Been Removed," "Authority and American Usage," "The View from Mrs. Thompson's," "How Tracy Austin Broke My Heart," "Up, Simba," "Consider the Lobster," "Joseph Frank's Dostoevsky" and "Host."

    Neither a snob nor a shill, Ebert manages in these essays to combine a truly populist appreciation for today's most important form of popular art with a scholar's erudition and depth of knowledge and a sure aesthetic sense. Once again wonderfully enhanced by stills selected by Mary Corliss, former film curator at the Museum of Modern Art, The Great Movies II is a treasure trove for film lovers of all persuasions, an unrivaled guide for viewers, and a book to return to again and again.Films featured in The Great Movies II12 Angry Men · The Adventures of Robin Hood · Alien · Amadeus · Amarcord · Annie Hall · Au Hasard, Balthazar · The Bank Dick · Beat the Devil · Being There · The Big Heat · The Birth of a Nation · The Blue Kite · Bob le Flambeur · Breathless · The Bridge on the River Kwai · Bring Me the Head of Alfredo García · Buster Keaton · Children of Paradise · A Christmas Story · The Color Purple · The Conversation · Cries and Whispers · The Discreet Charm of the Bourgeoisie · Don’t Look Now · The Earrings of Madame de . . . · The Fall of the House of Usher · The Firemen’s Ball · Five Easy Pieces · Goldfinger · The Good, the Bad and the Ugly · Goodfellas · The Gospel According to Matthew · The Grapes of Wrath · Grave of the Fireflies · Great Expectations · House of Games · The Hustler · In Cold Blood · Jaws · Jules and Jim · Kieslowski’s Three Colors Trilogy · Kind Hearts and Coronets · King Kong · The Last Laugh · Laura · Leaving Las Vegas · Le Boucher · The Leopard · The Life and Death of Colonel Blimp · The Manchurian Candidate · The Man Who Laughs · Mean Streets · Mon Oncle · Moonstruck · The Music Room · My Dinner with Andre · My Neighbor Totoro · Nights of Cabiria · One Flew Over the Cuckoo’s Nest · Orpheus · Paris, Texas · Patton · Picnic at Hanging Rock · Planes, Trains and Automobiles · The Producers · Raiders of the Lost Ark · Raise the Red Lantern · Ran · Rashomon · Rear Window · Rififi · The Right Stuff · Romeo and Juliet · The Rules of the Game · Saturday Night Fever · Say Anything · Scarface · The Searchers · Shane · Snow White and the Seven Dwarfs · Solaris · Strangers on a Train · Stroszek · A Sunday in the Country · Sunrise · A Tale of Winter · The Thin Man · This Is Spinal Tap ·Tokyo Story · Touchez Pas au Grisbi · Touch of Evil · The Treasure of the Sierra Madre · Ugetsu · Umberto D · Unforgiven · Victim · Walkabout · West Side Story · Yankee Doodle Dandy

    Sapolsky, America's most beloved neurobiologist/primatologist. Organized into three sections, each tackling a Big Question in natural science, Monkeyluv offers a lively exploration of the influence of genes and the environment on behavior; the social and political -- and, of course, sexual -- implications of behavioral biology; and society's shaping of the individual. From the mating rituals of prairie dogs to the practice of religion in the rain forest, the secretion of pheromones to bugs in the brain, Sapolsky brilliantly synthesizes cutting-edge scientific research with wry, erudite observations about the enormous complexity of simply being human. Thoughtful, engaging, and infused with pop-cultural insights, this collection will appeal to the inner monkey in all of us.

    In her first collection in five years, Anne Carson explores this idea with characteristic brilliance and a tantalizing range of reference, moving from Aphrodite to Antonioni, Demosthenes to Annie Dillard, Telemachos to Trotsky, and writing in forms as varied as opera libretto, screenplay, poem, oratorio, essay, shot list, and rapture. As she makes her way through these forms she slowly dismantles them, and in doing so seeks to move through the self, to its undoing.

    You can spend them slowly, like a tortoise, and live to be two hundred years old, or you can spend them fast, like a hummingbird, and live to be two years old." The heart: it is known as the seat of the soul, the power house of the body, the essence of spirituality. No other bodily organ has so captured the imagination of human beings since the beginning of time. This startling, genuinely unique book moves like a freight train through the scientific, emotional, literary, philosophical, and spiritual understandings of the heart -- from cardiology to courage, from love letters and pop songs to Jesus. The torment of Doyle's own infant son's heart surgery is the thread weaving the strands together, but the wisdom is for every person who seeks a more passionate life, in touch with the heart of God.

    Kathleen Jamie, award winning poet, has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer. Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern narrative, peculiarly alive to her connections and surroundings.

    Whether he is describing his coming of age in America, his formative war experiences, or his life as an artist, this is Vonnegut doing what he does best: being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.

    It is a roller coaster ride of observations, commentary, emotions, tragedy and even humor - in a way that only Rose could find in a devastated wasteland. They are stories of the dead and the living, stories of survivors and believers, stories of hope and despair. And stories about refrigerators. With photographs by British photojournalist Charlie Varley, 1 Dead in Attic freeze frames New Orleans caught between an old era and a new, New Orleans in its most desperate time, as it struggled out of floodwaters and willed itself back to life in the autumn and early winter of 2005.

    Available for the first time in paperback.

    In these twenty-six pieces, Dr. Dalrymple ranges over literature and ideas, from Shakespeare to Marx, from the break-down of Islam to the legalization of drugs. The book includes "When Islam Breaks Down," named by David Brooks of the New York Times as the best journal article of 2004.Informed by years of medical practice in a wide variety of settings, Dr. Dalrymple's acquaintance with the outer limits of human experience allows him to discover the universal in the local and the particular, and makes him impatient with the humbug and obscurantism that have too long marred our social and political discourse.His essays are incisive yet undogmatic, beautifully composed and devoid of disfiguring jargon. Our Culture, What's Left of It is a book that restores our faith in the central importance of literature and criticism to our civilization.

    Wendell Berry, one of the country's foremost cultural critics, addresses the menace, responding with hope and intelligence in a series of essays that tackle the major questions of the day. Whose freedom are we considering when we speak of the “free market” or “free enterprise?” What is really involved in our National Security? What is the price of ownership without affection? Berry answers in prose that shuns abstraction for clarity, coherence, and passion, giving us essays that may be the finest of his long career.

    A. Gill is one of the most feared writers in London, noted--according to the New York Times--for his "rapier wit." Some even consider the mere assignment of a subject to Gill a hostile act. But when the notice "AA GILL IS AWAY" runs in the Sunday Times of London, the city can rest peacefully in the knowledge that the writer is off traveling. "My editor asked me what I wanted from journalism and I said the first thing that came into my head--I'd like to interview places. To treat a place as if it were a person, to go and listen to it, ask it questions, observe it the way you would interview a politician or a pop star," Gill writes. Upon his return, readers are treated to an account of his vacations to places like famine-stricken Sudan, the pornography studios of California's San Fernando Valley, the dying Aral Sea or the seedy parts of Kaliningrad. The result is one of the most fascinating, stylish and irreverent collections of travel writing.

    Here, walking is seen as an autonomous form of art, a primary act in the symbolic transformation of the territory, an aesthetic instrument of knowledge and a physical transformation of the "negotiated" space, which is converted into an urban intervention. From primitive nomadism to Dada and Surrealism, from the Lettrist to the Situationist International, and from minimalism to Land Art, this book narrates the perception of landscape through a history of the traversed city.

    Fiction writer and essayist Charles D'Ambrosio inspects manufactured homes in Washington state; tours the rooms of Hell House, a Pentecostal "haunted house" in Texas; visits the dormitories and hallways of a Russian orphanage in Svrstroy; and explored the textual space of family letters, at once expansive and claustrophobic. In these spaces, or the people who inhabit them, he unearths a kind of optimism, however guarded. He introduces us to a defender of gray whales; the creator of Biosquat, a utopian experiment in Austin, Texas; and a younger version of himself, searching for "culture" in Seattle in 1974. He analyzes the nuances of Mary Kay Letourneau's trial and contemplates the persistence of rain and of memory.

    Volume 2 of the Selected Writings is now available in paperback in two parts.In Part 1, Benjamin is represented by two of his greatest literary essays, "Surrealism" and "On the Image of Proust," as well as by a long article on Goethe and a generous selection of his wide-ranging commentary for Weimar Germany's newspapers.Part 2 contains, in addition to the important longer essays, "Franz Kafka," "Karl Kraus," and "The Author as Producer," the extended autobiographical meditation "A Berlin Chronicle," and extended discussions of the history of photography and the social situation of the French writer, previously untranslated shorter pieces on such subjects as language and memory, theological criticism and literary history, astrology and the newspaper, and on such influential figures as Paul Valery, Stefan George, Hitler, and Mickey Mouse.

    D. Wright takes her title from a line of legal defense, peculiar to Texas courts, in which it is held that if a man kills before having had time “to cool” after receiving an injury or an insult he is not guilty of murder.Cooling Time is a new type of book, an unruly vigil that is an interconnected memoir-poem-essay about contemporary American poetry. Ever focused on possibilities, Wright demonstrates that “the search for models becomes a search for alternatives,” and thereby defines the terms by which poets can chart their own course.These are some of the things I have touched in my life that are forbidden: paintings behind velvet ropes, electric fencing, a vault in an office, gun in a drawer, my brother’s folding money, the poet’s anus, the black holes in his heart—where his life went out of him.Tell me, what is the long stretch of road for if not to sort out the reasons why we are here and why we do what we do, from why we are not in the other lane doing what others do.Poetry is like food remarked one of my first teachers, freeing me to dislike Rocky Mountain Oysters and Robert Lowell. The menu is vast, the list of things I don’t want in my mouth relatively short.C.D. Wright, author of nine books of poetry, teaches at Brown University. She lives in Providence, Rhode Island, with poet Forrest Gander.

    The result is a profound vision of how the human drive to create and understand can guide us in every facet of life. Arranged by theme-from everyday existence with others to the exhilarations of love and the experience of loss, from dealing with adversity to the nature of inspiration-here are Rilke's thoughts on how to infuse everyday life with beauty, wonder, and meaning. Intimate, stylistically masterful, brilliantly translated and assembled, and brimming with the passion of Rilke, Letters on Life is a font of wisdom and a perfect book for all occasions.

    From what was wrong with the pilot to what was right with the Reavers, from the use of Chinese to how correspondence between Joss and network executives might have gone, from a philosopher’s perspective on “Objects in Space” to a sex therapist’s analysis of Inara, Finding Serenity is filled with writing as exciting, funny and enthralling as the show itself.

    Beloved for her sharp analysis, elegant prose and exceptional ability to intuit character, Williams wrote political profiles for the Washington Post and Vanity Fair that came to be considered the final word on the capital's most powerful figures. Her accounts of playing ping-pong with Richard Darman, of Barbara Bush's stepmother quaking with fear at the mere thought of angering the First Lady, and of Bill Clinton angrily telling Al Gore why he failed to win the presidency -- to name just three treasures collected here -- open a window on a seldom-glimpsed human reality behind Washington's determinedly blank façe. Williams also penned a weekly column for the Post's op-ed page and epistolary book reviews for the online magazine Slate. Her essays for these and other publications tackled subjects ranging from politics to parenthood. During the last years of her life, she wrote about her own mortality as she battled liver cancer, using this harrowing experience to illuminate larger points about the nature of power and the randomness of life. Marjorie Williams was a woman in a man's town, an outsider reporting on the political elite. She was, like the narrator in Randall Jarrell's classic poem, "The Woman at the Washington Zoo," an observer of a strange and exotic culture. This splendid collection -- at once insightful, funny and sad -- digs into the psyche of the nation's capital, revealing not only the hidden selves of the people that run it, but the messy lives that the rest of us lead.

    But he finds it wherever he goes - in field or forest, town orvill age, mountain or desert-and in the hearts and minds of people who have given him love and affection for the better part of a life-time.In this collection of prose and poems written specially for this book, Ruskin Bond looks back on his unique relationship with the country and its people, from the time he turned hi back on the Westand came home, still only a boy, to take up the challenge of being a writer in a changing India.

    In Profanations, Agamben has assembled for the first time some of his most pivotal essays on photography, the novel, and film. A meditation on memory and oblivion, on what is lost and what remains, Profanations proves yet again that Agamben is one of the most provocative writers of our time. In ten essays, Agamben ponders a series of literary and philosophical problems: the relation among genius, ego, and theories of subjectivity; the problem of messianic time as explicated in both images and lived experience; parody as a literary paradigm; and the potential of magic to provide an ethical canon.The range of topics and themes addressed here attest to the creativity of Agamben's singular mode of thought and his persistent concern with the act of witnessing, sometimes futile, sometimes earth-shattering. -In Praise of Profanity, - the central essay of this short but dense book, confronts the question of profanity as the crucial political task of the moment. An act of resistance to every form of separation, the concept of profanation reorients perceptions of how power, consumption, and use interweave to produce an urgent political modality and desire: to profane the unprofanable. Agamben not only provides a new and potent theoretical model but describes it with a writerly style that itself forges inescapable links among literature, politics, and philosophy.

    These essays and reviews are among the first to deal with a generation of poets notorious for their refusal to criticize and theorize, assuming the stance that "only the poems matter." The essays are characterized by Notley's strong, compelling voice, which transfixes the reader even in the midst of professional detail. Coming After revives the possibility of the readable book of criticism.

    In Mysteries of the Rectangle, Hustvedt concentrates her narrative gifts on the works of such masters as Francisco Goya, Jan Vermeer, Jean-Baptiste-Simon Chardin, Gerhard Richter, and Joan Mitchell. Through her own personal experiences, Hustvedt is able to reveal things hidden until now in plain sight: an egglike detail in Vermeer's Woman with a Pearl Necklace and the many hidden self-portraits in Goya's series of drawings, Los Caprichos, as well as in his famous painting The Third of May. Most importantly, these essays exhibit the passion, thrill, and sheer pleasure of bewilderment a work of art can produceif you simply take the time to look.

    With characteristic perversity - and trademark originality - THE ONGOING MOMENT is Dyer's unique and idiosyncratic history of photography. Seeking to identify their signature styles Dyer looks at the ways that canonical figures such as Alfred Stieglitz, Paul Strand, Walker Evans, Kertesz, Dorothea Lange, Diane Arbus and William Eggleston have photographed the same scenes and objects (benches, hats, hands, roads). In doing so Dyer constructs a narrative in which those photographers - many of whom never met in their lives - constantly come into contact with each other. Great photographs change the way we see the world; THE ONGOING MOMENT changes the way we look at both. It is the most ambitious example to date of a form of writing that Dyer has made his own: the non-fiction work of art.

    It includes obscure punk shots, including the Bad Brains, Black Flag, Minor Threat, and many more.

    Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces written for great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes. Included are the Booker Prize–winning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remembers herself reading Virginia Woolf's To the Lighthouse at age nineteen, and discusses the influence of George Orwell's 1984 on the writing of The Handmaid's Tale. Atwood's New York Times Book Review piece that helped make Orhan Pamuk's Snow a bestseller can be found here, as well as a look back on a family trip to Afghanistan just before the Soviet invasion, and her "Letter to America," written after September 11, 2001. The insightful and memorable pieces in this book serve as a testament to Atwood's career, reminding readers why she is one of the most esteemed writers of our time.

    Then she was diagnosed with ALS, and her world turned upside down. I Remember Running is Darcy's story of change and loss and challenges during her first year with ALS, as she struggles to make sense of her diagnosis and redefine herself in the face of this terminal illness. With unflagging courage, wit, and eloquence, Darcy shares what she calls her "fast-forward" life, a life in which she applies for disability, leaves her job, and plans her own funeral as well as meets and moves in with her true love, buys a house, and gives birth to her first child in less time than it takes most of us to accomplish even one of these things. Beautifully written and wholly inspiring, I Remember Running proves that it is possible to live a rich, meaningful life after being diagnosed with a terminal illness, and will move readers to see the world in a different light.

    Through Maloof’s engaging, conversational style, each essay offers a lesson in stewardship as it explores the interwoven connections between a tree species and the animals and insects whose lives depend on it--and who, in turn, work to ensure the tree’s survival.Never really at home in a laboratory, Maloof took to the woods early in her career. Her enthusiasm for firsthand observation in the wild spills over into her writing, whether the subject is the composition of forest air, the eagle’s preference for nesting in loblolly pines, the growth rings of the bald cypress, or the gray squirrel’s fondness for weevil-infested acorns. With a storyteller’s instinct for intriguing particulars, Maloof expands our notions about what a tree “is” through her many asides--about the six species of leafhoppers who eat only sycamore leaves or the midges who live inside holly berries and somehow prevent them from turning red.As a scientist, Maloof accepts that trees have a spiritual dimension that cannot be quantified. As an unrepentant tree hugger, she finds support in the scientific case for biodiversity. As an activist, she can’t help but wonder how much time is left for our forests.

    Maybe God isn't who we thought He was. Maybe His thoughts aren't what we have been taught. "God's Blogs" contains some insightful, fresh thoughts that help us see more of God's character, His love, and His grace as He reflects on marriage, death, laughter, dads, and questions like "Why are we here?" and, "What about tsunamis and poverty?" A fascinating read that will make you laugh and cry and search your own thoughts about who He is. What Might God Say on His Blogsite? Basically I'm entering into your blogdom because "somehow the rumor got started that I was kind of boring. "For those of you who bought into that craziness, you should know that I'm the one who created all the stuff you love...all the stuff that makes life exciting. I invented funny and laughter. I created adventure and romance... I laugh a lot. "Divinely inspired. This is an awesome book " Jeff Foxworthy Very funny, smart man who loves God "Fresh thoughts on life with God from one of the most creative--and quirky--communicators I know." Louie Giglio Founder of Passion Conferences and author of "I Am Not But I Know I AM" "This book went through me like liquid fire. It is so inspiring, uplifting, and refreshing." Dolly Parton (everybody knows Dolly) "Wonderfully fresh and imaginative." John C. Maxwell Founder of INJOY Stewardship Services & EQUIP "I found myself reading it out loud to anybody who would listen. You are going to love this book." Andy Stanley Pastor, North Point Community Church Story Behind the Book "Blogging is a huge thing on the Web all over the world. Millions of people are logging on to millions of other people's journals just to see what they have to say. Some blogs have a larger audience than the New York Times. With blogging being so trendy right now, it occurred to me, What might people do if they thought God was blogging online about what He was seeing or what He thought was important? That being the hook, I wanted to take biblical principles written in a form similar to Eugene Peterson's The Message and attempt to use what is cultural to say what is timeless. God's truths about His love and grace and fatherhood, written in a contemporary fashion, might just penetrate the hearts of those who need Him during times of trial, or of those who aren't even sure He exists." -- Lanny Donoho

    In "Written on Water," first published in 1945 and now available for the first time in English, Chang offers essays on art, literature, war, and urban life, as well as autobiographical reflections. Chang takes in the sights and sounds of wartime Shanghai and Hong Kong, with the tremors of national upheaval and the drone of warplanes in the background, and inventively fuses explorations of urban life, literary trends, domestic habits, and historic events.These evocative and moving firsthand accounts examine the subtle and not-so-subtle effects of the Japanese bombing and occupation of Shanghai and Hong Kong. Eileen Chang writes of friends, colleagues, and teachers turned soldiers or wartime volunteers, and her own experiences as a part-time nurse. Her nuanced depictions range from observations of how a woman's elegant dress affects morale to descriptions of hospital life.With a distinctive style that is at once meditative, vibrant, and humorous, Chang engages the reader through sly, ironic humor; an occasionally chatty tone; and an intense fascination with the subtleties of modern urban life. The collection vividly captures the sights and sounds of Shanghai, a city defined by its mix of tradition and modernity. Chang explores the city's food, fashions, shops, cultural life, and social mores; she reveals and upends prevalent attitudes toward women and in the process presents a portrait of a liberated, cosmopolitan woman, enjoying the opportunities, freedoms, and pleasures offered by urban life. In addition to her descriptions of daily life, Chang also reflects on a variety of artistic and literary issues, including contemporary films, the aims of the writer, the popularity of the Peking Opera, dance, and painting.

    Leading authors in the area of women's literature and romance contribute to this fresh collection of essays on everything from Lydia's scandalous marriage to George Wickham to the female-dominated Bennett household and the emphasis placed on courtship and marriage. Contributors include Jo Beverly, Alesia Holliday, Mercedes Lackey, Joyce Millman, and Jill Winters. This compilation is an excellent companion for both those new to Jane Austen and well-versed Austen-philes.

    

    Virginia Woolf's Nose presents a variety of case-studies, in which literary biographers are faced with gaps and absences, unprovable stories and ambiguities surrounding their subjects. By looking at stories about Percy Bysshe Shelley's shriveled, burnt heart found pressed between the pages of a book, Jane Austen's fainting spell, Samuel Pepys's lobsters, and the varied versions of Virginia Woolf's life and death, preeminent biographer Hermione Lee considers how biographers deal with and often utilize these missing body parts, myths, and contested data to fill in the gaps of a life story.In Shelley's Heart and Pepys's Lobsters, an essay dealing with missing parts and biographical legends, Hermione Lee discusses one of the most complicated and emotionally charged examples of the contested use of biographical sources. Jane Austen Faints takes five competing versions of the same dramatic moment in the writer's life to ask how biography deals with the private lives of famous women. Virginia Woolf's Nose looks at the way this legendary author's life has been translated through successive transformations, from biography to fiction to film, and suggests there can be no such thing as a definitive version of a life. Finally, How to End It All analyzes the changing treatment of deathbed scenes in biography to show how biographical conventions have shifted, and asks why the narrators and readers of life-stories feel the need to give special meaning and emphasis to endings.Virginia Woolf's Nose sheds new light on the way biographers bring their subjects to life as physical beings, and offers captivating new insights into the drama of life-writing. Virginia Woolf's Nose is a witty, eloquent, and funny text by a renowned biographer whose sensitivity to the art of telling a story about a human life is unparalleled--and in creating it, Lee articulates and redefines the parameters of her craft.

    From appetizers and drinks to desserts and the traditional after-dinner coffee, the home cook can now prepare dishes from Mexico's diverse regional cuisines. Full-color photographs illustrate special dishes and capture the romantic hacienda-style decor of the restaurant. Selected works from the impressive Fonda San Miguel art collection are also pictured with notes on the artists.

    Sensual, erudite, and operatic in scope, these essays pay homage to the landscape of the American South, to snapping turtles and anti-particles, to iconoclastic physicists and writers from various countries and epochs, to visionary poets and to poetic hoaxes.Forrest Gander pops the hood of the standard-issue essay and hotwires it for the 21st century, re-tuning compelling associations and vivid bursts of insight into the quality of immediate experience. He connects with an ethical vision, a bodily consciousness, and a mode of language that might help us to survive the streams of data, the discombobulating media, and the predatory march of “information” that defines our age.

    K. Chesterton. The essays are on unrelated subjects ranging from losing one s hat, to lying in bed, and manage to be both insightful and amusing. A great addition to any bookshelf, this volume is highly recommended for fans of Chesterton s work - and lovers of witty writing. The essays include: On Running After One's Hat, On Lying in Bed, Cheese, On Philosophy Verses Fiction, The Mistake of the Machine, What I found in My Pocket, The Perfect Game, Topsy-Turvey Land, A Tragedy of Twopence, and many more. Gilbert Keith Chesterton (1874 - 1936) was an English writer, poet, philosopher, dramatist, journalist, theologian, critic, and biographer. We are republishing this antiquarian book now in an affordable, modern edition - complete with a specially commissioned new biography of the author."

    In chapters on the history and destiny of human life, the author covers such topics as the dangers of secularism, the meaning of truth in a pluralistic world, the basis of human morality, the foundations of a good society, and the Christian basis for true hope and love.

    An exceptional companion with whom to share experiences, Salter hikes, skis, and climbs along the way, often with notable sportsman. Some of the pieces are brief and poignant, while others develop slowly and unfold with Salter's inimitable restrained elegance. All of them are infused with the skill of a novelist who just as astutely describes the sheer drop of a ski run as he does the façade of a château.

    This new collection includes articles published subsequent to those volumes and not hitherto gathered, previously unpublished papers on human nature and practical philosophy, together with the classic essay ?Modern Moral Philosophy? and a few otherwise difficult to obtain early pieces such as her Listener article ?Does Oxford Moral Philosophy Corrupt the Youth?? The appearance of this volume is a major publishing event.

    In this new collection of essays, a treat for dedicated fans and new readers alike, Winik explores how she — and other women — face midlife and aging without getting tangled up in the past or the future, all with her trademark humor and insistence on the truth-the good, the bad, and the ugly.The collection is divided into five sections: "Back," about her family and her past; "Underfoot," about being a mom; "In the Mirror," about growing older; "Above us Only Sky," about a key turning point in her life, and "Ahead," about facing the future.

    Lauterbach's dazzling range of formal strategies, her search for methods that engage contemporary issues of identity, event, and description, extend to her prose writings, collected for the first time in "The Night Sky: Writings on the Poetics of Experience. At the center of this new book are a series of seven essays, originally written in the mid-1990s, which engage the interstices between poetics, politics, and memoir. Lauterbach advocates an active engagement with language, at once imaginative, philosophical, and practical; these writings demonstrate a radical relationship between how, and what, we know. By turns meditative and polemical, lyrical and descriptive, they argue for the centrality of art in a democratic society. Also included in this wide-ranging collection are brilliant, provocative essays on Whitman and Emerson, illuminating remarks on poets Fanny Howe, Michael Palmer, Rosmarie Waldrop, and Barbara Guest, as well as considerations of artists David Smith, John Currin, and Joe Brainard.

    Asian American Studies. In his long-overdue first collection of essays, noted journalist and NPR commentator Andrew Lam explores his life-long struggle for identity as a Viet Kieu, or a Vietnamese national living abroad. At age eleven, Lam, the son of a South Vietnamese general, came to California on the eve of the fall of Saigon to communist forces. He traded his Vietnamese name for a more American one and immersed himself in the allure of the American Dream: something not clearly defined for him or his family. Reflecting on the meanings of the Vietnam War to the Vietnamese people themselves--particularly to those in exile--Lam picks with searing honesty at the roots of his doubleness and his parents' longing for a homeland that no longer exists.

    This revolutionary approach, known as Darwinian literary studies, is based on a few simple premises: evolution has produced a universal landscape of the human mind that can be scientifically mapped; these universal tendencies are reflected in the composition, reception, and interpretation of literary works; and an understanding of the evolutionary foundations of human behavior, psychology, and culture will enable literary scholars to gain powerful new perspectives on the elements, form, and nature of storytelling.The goal of this book is to overcome some of the widespread misunderstandings about the meaning of a Darwinian approach to the human mind generally, and literature specifically. The volume brings together scholars from the forefront of the new field of evolutionary literary analysis-both literary analysts who have made evolution their explanatory framework and evolutionist scientists who have taken a serious interest in literature-to show how the human propensity for literature and art can be properly framed as a true evolutionary problem. Their work is an important step toward the long-prophesied synthesis of the humanities and what Steven Pinker calls "the new sciences of human nature."

    Appalachians are known for their love of place, yet many gays and lesbians from the mountains flee to urban areas. Jeff Mann tells the story of one who left and then returned, who insists on claiming and celebrating both regional and erotic identities. In memoir and poetry, Mann describes his life as an openly gay man who has remained true to his mountain roots. Mann first describes his upbringing in Hinton, a small town in southern West Virginia, as well as his realization of his homosexuality, his early experiences of homophobia, his coterie of supportive lesbian friends, and his initial attempts to escape his native region in hopes of finding a freer life in urban gay communities. Mann depicts his difficult search for a romantic relationship, the family members who have given him the strength to defy convention, his anger against religious intolerance and the violence of homophobia, and his love for the rich folk culture of the Highland South. His character and values shaped by the mountains, Mann has reconciled his homosexuality with both traditional definitions of Appalachian manhood and his own attachment to home and kin. Loving Mountains, Loving Men is the compelling, universal story of making peace with oneself and the wider world.AUTHOR INFORMATION---Jeff Mann is a professor of creative writing at Virginia Polytechnic Institute and State University, Blacksburg, Virginia. He is the author of a collection of poetry, Bones Washed with Wine, and a memoir, Edge.SIDEBAR QUOTE---“The sheer beauty of the prose in the memoir and the language of the poetry is incredible. This is one of the great watershed books of Appalachian literature. Its contribution to the field of Appalachian studies and gay/gender studies is significant.”---Danny L. Miller, coeditor of An American Vein: Critical Readings in Appalachian Literature

    For these walks, Cardiff provided gallery-goers with walkmans which led them through the cities relying solely on the acoustic guide. The urban environment thus became the scene of a mysterious narrative in which the visitors became ever more involved. An artist's book with a CD that "guides" readers through the book with regards to text and illustrations.

    The first anthology of its kind to appear in English, this book collects key texts written from the 1950s to the present by the country's most celebrated and controversial photographers, and illuminates a set of ideas, rules and aesthetics that are specific to Japanese culture, but often little known elsewhere. Contributors include Takuma Nakahira and Daido Moriyama, in whose landmark late-60s magazine Provoke a radically new direction in Japanese photography was set; Nobuyoshi Araki, the provocative and prolific chronicler of bound girls (among other subjects); and Eikoh Hosoe, whose collaborations with the Butoh dance master Hijikata and the novelist Mishima made him prominent as an intellectual figure as well as a photographer. In addition, there are selections from modern masters such as Masahisa Fukase, Takashi Homma, Takuma Nakahira and Hiroshi Sugimoto. Each chapter in the book is devoted to a central theme that is particular to Japanese photography, such as the role of nostalgia in a culture that has often sought to jettison its past amid the shadows of a war lost. The writings vary in form from diary entry to scholarly treatise, but all reflect a clear connection between word and image, one so essential that no comprehensive consideration of Japanese photography can be complete without it.

    

    The poets represent a wide range of aesthetics, ethnicities and politics. Although a particular focus of the book is emerging and innovative American poets, the collection also features interviews with Australian, Scottish, Irish, Czech, Slovenian and Kashmiri poets, as well as established American poets such as Hayden Carruth and Charles Wright. A vital record of contemporary poetry and an engaging read.Brian Henry’s poetry collections include Graft, American Incident and Astronaut, and he is the editor of On James Tate.Andrew Zawacki is the author of Anabranch and By Reason of Breakings, co-translator of Ales Debeljak’s Arrow’s Shadow and an editor of Verse since 1995.

    Bataille--poet, philosopher, writer, and self-styled enemy within surrealism--used DOCUMENTS to put art into violent confrontation with popular culture, ethnography, film, and archaeology. Undercover Surrealism, taking the visual richness of DOCUMENTS as its starting point, recovers the explosive and vital intellectual context of works by Picasso, Dal�, Mir�, Giacometti, and others in 1920s Paris. Featuring 180 color images and translations of original texts from DOCUMENTS accompanied by essays and shorter descriptive texts, Undercover Surrealism recreates and recontextualizes Bataille's still unsettling approach to culture. Putting Picasso's Three Dancers back into its original context of sex, sacrifice, and violence, for example, then juxtaposing it with images of gang wars, tribal masks, voodoo ritual, Hollywood musicals, and jazz, makes the urgency and excitement of Bataille's radical ideas startlingly vivid to a twenty-first-century reader. Copublished by Hayward Gallery Publishing, London

    A lifelong student of metaphysics, ethics, aesthetics, and other branches of philosophy, Lovecraft early declared himself a forthright materialist and atheist. Here he defends his views in numerous controversies with colleagues. Such essays as “Idealism and Materialism—A Reflection” and the In Defence of Dagon essays outline the essentials of Lovecraft’s philosophical thought, including such issues as free will, the improbability of theism, and cosmic pessimism. In his later years, the problems of politics and economics came to the forefront of his attention. In the essays “Some Repetitions on the Times,” “A Layman Looks at the Government,” and the unpublished “The Journal and the New Deal” Lovecraft vigorously argues for a moderate socialism to relieve the widespread unemployment brought on by the Depression. The problem of art in the modern age also concerned Lovecraft, and in the unpublished essay “A Living Heritage: Roman Architecture in Today’s America” Lovecraft condemns modern architecture as an inherently ugly product of sterile theory. This volume also contains Lovecraft’s autobiographical essays, including the delightful “A Confession of Unfaith,” describing his shedding of religious belief, and the piquant “Cats and Dogs,” in which cats stand as symbols for the abstract beauty of a boundless cosmos. All texts are extensively annotated, with critical and bibliographical notes, by S.T. Joshi.

    Prefaced with a new introduction by Joan Didion. Live and Learn comprises three of the personal essay collections that established Joan Didion as a major figure in the modern canon - arranged in chronological order so that readers can appreciate not only the qualities of the essays per se, but also their evolution over time. It also includes a new introduction by Joan Didion herself. The stylistic masterpiece Slouching Towards Bethlehem (1968) has become a modern classic, capturing the mood of 1960s America and especially the center of its counterculture, California. The cornerstone essay, an extraordinary report on San Francisco's Haight-Ashbury, sets the agenda for the rest of this book - depicting and America where, in some way or another, things are falling apart and "the center cannot hold". The White Album (1979) is a syncopated, swirling mosaic of the 60s and 70s, covering people and artifacts from the Black Panthers and the Manson family to John Paul Getty's museum. Sentimental Journeys (1992) shifts its perspective slightly to take in Vietnamese refugee camps in Hong Kong, the Reagan campaign trail, and the inequities of Los Angeles real estate. An important collection, Live and Learn is the perfect one-stop primer on Joan Didion, and an essential reference for readers old and new. It confirms the power of this uniquely unbiased, moving writer, and showcases her artful yet simple prose.

    

    Exposing the hypocrisies of liberal multiculturalism, Glave offers instead a politics of heterogeneity in which difference informs the theory and practice of democracy. At the same time, he experiments with language to provide a model of creative writing as a tool for social change. From the death of black gay poet Essex Hemphill to the revelations of abuse at Abu Ghraib, Glave puts forth an ethical understanding of human rights to make vital connections across nations, races, genders, and sexualities.Thomas Glave is assistant professor of English at SUNY Binghamton. He is author of Whose Song? and Other Stories.

    The essays range from Ram�n Men�ndez Pidal's seminal study of how Cervantes dealt with chivalric literature to Erich Auerbachs polemical study of Don Quixote as essentially a comic book by studying its mixture of styles, and include Leo Spitzer's masterful probe into the essential ambiguity of the novel through minute linguistic analysis of Cervantes' prose. The book includes pieces by other major Cervantes scholars, such as Manuel Dur�n and Edward C. Riley, as well as younger scholars like Georgina Dopico Black. All these essays ultimately seek to discover that which is peculiarly Cervantean in Don Quixote and why it is considered to be the first modern novel.

    and the larger world meet. The 26 pieces gathered here--a "hopscotch" of essays, memoirs, interviews, and reports--include a haunting memoir of her first husband, a moth drawn to the flames of the more extreme forms of '60s radicalism, and Coleman's now famous "bad" review of Maya Angelou's "Song Flung Up to Heaven"--"the most controversial piece I've yet written" - and a caustically funny report on its fallout.Of this nonfiction collection, the Los Angeles Times said: "Coleman is best known for her 'warrior voice.' But her voice too can weep elegiac, summoning memories of childhood's neighborhoods - her South L.A.'s wild-frond palms, the smog-smear of pre-ecology consciousness. Her voice hits notes as desperate as Billie Holiday's tours of sorrow's more desolate stretches. But it can also land a wily punch line as solid as that of a stand-up comic."

    This collection of essays leads the reader into the curious and eccentric imagination of Gerald Murnane, one of the masters of contemporary Australian writing, author of the classic novel The Plains, and winner of the Patrick White Literary Award.Delicately argued, and finely written, they describe his dislocated youth in the suburbs of Melbourne and rural Victoria in the 1950s, his debt to writers as unlike as Adam Lindsay Gordon, Marcel Proust and Jack Kerouac, his obsession with racehorses and grasslands and the Hungarian language, and above all, his dedication to the worlds of significance that lie within, or just beyond, the familiar details of Australian life.

    Most of us in the theatre gained our experience by making mistakes and learning from them. David's book lets you gain the experience and skip the mistakes part. Anyone maneuvering the treacherous waters of musicals will find it not nearly so lonely or baffling with this remarkable volume as a companion.Richard Maltby, Jr., Director/Lyricist, Miss Saigon, Ain't Misbehavin', BabyConsider The Musical Theatre Writer's Survival Guide your new best friend in the business.Alan Menken, Oscar recipient and Tony-Award nominee, composer, Little Shop of Horrors and Beauty and the BeastAt long last: a how-to book written by someone who actually knows how to. It hits so many nails on the head I could barely get through it for the sound of all that hammering.Larry Gelbart, Award-winning co-librettist, A Funny Thing Happened on the Way to the Forum and librettist, City of AngelsFor its practitioners, musical theatre is an art, a passion, and a lifelong love. But it's also a complex landscape involving not merely principles of craft about book, music and lyrics, but also principles of collaboration, script/demo presentation, project/production development, venue, business, andeverybody's area of uncertaintypolitics.In The Musical Theatre Writer's Survival Guide, award-winning musical dramatist and teacher David Spencer provides a guide-to-the-game that helps you negotiate all those aspects of the business and more. This professional handbook will walk you through:getting your name and your projects into the hands of producers, instead of the rejection pile choosing the right producer, agent, or director, instead of surrounding yourself with people uninterested in your work and your career-or interested for the wrong reasons bringing your vision to life through stage-savvy writing, instead of watching it sputter due to flaws in craft living a happy, healthy life in musicals, instead of dying a slow, showbiz death. If you're taking your first steps, Spencer's counsel, anecdotes, and instructions will save you years of blindly stumbling about without results. Likewise, if you've been around the block a few times, The Musical Theatre Writer's Survival Guide can rescue you from the kinds of career-stalling traps, bad habits, and false assumptions that lead to dead ends.

    Based on hundreds of hours of interviews, this book tells the story of the makers of the Bible and the community at Saint John's Abbey and University. The day-to-day struggles of such a monumental undertaking included chalenges such as the selection and preparation of more than 250 calf skins, as well as forming a team of caligraphers accustomed to working independently and communicating the concerns of the advisory council in Minnesota with the artists in Wales.Illuminating the Word: The Making of The Saint John's Bible explores a modern version of an age-old relationship between patron and sponsor, and the artistic director, scribes and artists producing this monumentalartwork. It describes lectio divina, the unique method the Benedictine monks use to read the Bible, in which the Holy Scriptures come alive through the power of imagination. It explores the chalenge of creating new images for ancient stories. It chronicles the artistic techniques, the tools and materials and the workshop practices Donald Jackson used to create his lifetime masterpiece. Illuminating the Word reveals the working process behind one of the greatest undertakings of our time and vividly brings to life its chalenges and triumphs.Christopher Calderhead is a visual artist and graphic designer who has exhibited his letter-based works in the United States and Great Britain. He graduated from Princeton with a bachelor's degree in Art History. His ealy interest in the English Arts and Crafts movement and formal pen lettering led him to the Roehampton Institute in London, where he studied caligraphy under Ann Camp. In 1988 he was elected to Fellowship in the Society of Scribes and Illuminators.In 1998 he obtained a Master of Divinity degree from Seabury-Western Theological Seminary. Ordained the same year, he has served parishes in the Church of England and the Episcopal Church USA. He is editor of Alphabet, a journal of the lettering arts published by the Friends of Caligraphy. His series of short radio pieces, Looking for Spirituality at Tate Modern," was broadcast on BBC Radio Cambridgeshire in 2002. His book, One Hundred Mirales, a collection of mirale paintings by the great masters, was published in 2004. He lives and works in New York City.The Saint John's Bible and Illuminating the Word were commissioned by SaintJohn's Abbey and University as an expression of the Benedictine monks' daly focus on scripture and commitment to books, art and religious culture. "

    In more than thirty books and hundreds of essays, he shed new light on the political, ideological, intellectual, and military struggles of the twentieth century—and on the very nature of history itself. This volume serves at once as an introduction to essential aspects of Lukacs’s thought and an indispensable compendium of his most enduring pieces.Remembered Past is the definitive Lukacs collection. When you read it, you will understand why John Lukacs earned acclaim as a “master historian” (Historically Speaking), “one of the outstanding historians of the generation and, indeed, of our time” (Jacques Barzun), the creator of “a body of work unmatched by any American historian of the 20th (let alone 21st) century” (Chronicles), “a marvelously agile writer” (Witold Rybczynski), and a historian unrivaled in his ability to “handle such a variety of problems, persons, and episodes with a touch so personal and an intelligence so profound” (Geoffrey Best).

    Translators include Jadunath Sarkar, C.F. Andrews and Surendranath Tagore.Shesh Lekha is the last testament of Tagore. In most of these untitled poems the language is bare, the imagery striking and the expression spartan. The translator is the noted poet, media person and Member of Parliament, Pritish Nandy.Unlike a conventional autobiography, My Reminiscences (1911) is a series of 'memory pictures'. W.B. Yeats called it 'a rich and most valuable work.' Written with wit, wisdom and more than a little self-mockery, it gives a unique and enduring insight into the life of the great literary genius.

    Each volume's series editor selects notable works from hundreds of periodicals. A special guest editor, a leading writer in the field, then chooses the very best twenty or so pieces to publish. This unique system has made the Best American series the most respected--and most popular--of its kind.The Best American Essays 2005 includesRoger Angell • Andrea Barrett • Jonathan Franzen • Ian Frazier • Edward Hoagland • Ted Kooser • Jonathan Lethem • Danielle Ofri • Oliver Sacks • Cathleen Schine • David Sedaris • Robert Stone • David Foster Wallace • and othersSusan Orlean, guest editor, is the author of My Kind of Place, The Orchid Thief, The Bullfighter Checks Her Makeup, and Saturday Night. A staff writer for The New Yorker since 1982, she has also written for Outside, Esquire, Rolling Stone, and Vogue.La vie en rose / Roger Angell --The sea of information / Andrea Barrett --Storm county / Paul Crenshaw --Joyas voladoras / Brian Doyle --Sister Bernadette's barking dog / Kitty Burns Florey --The comfort zone / Jonathan Franzen --If memory doesn't serve / Ian Frazier --Against exercise / Mark Greif --Small silences / Edward Hoagland --Small rooms in time / Ted Kooser --Speak, Hoyt-Schermerhorn / Jonathan Lethem --Mastering the art of French cooking / E.J. Levy --Contributor's note / Michael Martone --My friend Lodovico / David Masello --Living will / Danielle Ofri --Dog days / Sam Pickering --Speed / Oliver Sacks --Dog trouble / Cathleen Schine --Old faithful / David Sedaris --Six seconds / Paula Speck --Skill display in birding groups / Bert O. States --The prince of possibility / Robert Stone --Dining with robots / Ellen Ullman --Consider the lobster / David Foster Wallace --Satin worship / Holly Welker

    His message of acceptance and engagement is conveyed through the telling of amusing anecdotes, the re-examination of historical events, and his analysis of representative Alaska Native legends, all of which illustrate his fervently held belief in the intrinsic value of every culture."

    Finch's germinal work on the art of verse has earned her the admiration of a wide range of poets, from new formalists to hip-hop writers. And her ongoing commitment to women's poetry has brought Finch a substantial following as a "postmodern poetess" whose critical writing embraces the past while establishing bold new traditions. The Body of Poetry includes essays on metrical diversity, poetry and music, the place of women poets in the canon, and on poets Emily Dickinson, Phillis Wheatley, Sara Teasdale, Audre Lorde, Marilyn Hacker, and John Peck, among other topics. In Annie Finch's own words, these essays were all written with one aim: "to build a safe space for my own poetry. . . . [I]n the attempt, they will also have helped to nourish a new kind of American poetics, one that will prove increasingly open to poetry's heart."Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is co-editor, with Kathrine Varnes, of An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, and author of The Ghost of Meter: Culture and Prosody in American Free Verse, Eve, and Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.

    With voices ranging from Phillis Wheatley in the late eighteenth century to Barack Obama in the twenty-first, Call and Response presents multiple perspectives on key controversies that probe the fundamental relationship between race and democracy.

    Quoted works become provocations for this poet's examination of language and humanness, an examination that disrupts our more comfortable notions while extending insights as to the nature and necessity of poetry. The elegant immediacy of Revell's prose belies the complex virtuosity he demonstrates in his manipulation of the essay's formal constraints as he incorporates the works of writers with whom we may well be familiar, but whose texts will become newly illuminated by the exchange. Besides this series, the collection includes eight more essays-their subjects range from lively considerations of the writings of Henry Thoreau, Pierre Reverdy, Ronald Johnson, John Ashbery and others, to more personal essays in which Revell examines the interrelationships between language and life, memory and culture, and how these impact upon the writing and reception of poetry. Donald Revell tells us "Poetry, the soul of poems, does not reside or rest in them. It goes. We follow." Revell's language-by turns lyrically meditative, demandingly direct, defiantly iconoclastic-draws his reader into a dynamic exchange about what it means to be a reader and writer in today's world.

    Vivid, lyrical, sometimes humorous, always sensitive, her writing leads readers beyond exotic geography and into the rich terrain of the human heart.

    In his view, the historical development of art reached a kind of zenith in the pop period, most famously with Warhol's Brillo Boxes. Danto's five volumes of review essays (all published by FSG) form a kind of chronicle of the art world since the Brillo moment, and a running appraisal of the great variety of significant work made since then. In this new book, he shows how work that bridges the gap between art and life is now the definitive work of our time: Damien Hirst's arrays of skeletons and anatomical models, Barbara Kruger's tchotchke-ready slogans, Renee Cox's nude portrait of herself at the Last Supper. To the obvious question--is this stuff really art?--Danto replies with an enthusiastic yes, explaining, with a philosopher's clarity and an art lover's sense of delight, how these "unnatural wonders" show us who we are.

    This is more difficult than it sounds, particularly in our mediated age, when advances in both theory and technology too often seek to replace the visual evidence before our own eyes rather than complement it. We are surrounded by landscapes charged with our past, and yet from our earliest schooldays we are instructed not to stare out the window. Someone who stops to look isn't only a rarity; he or she is suspect.Landscape and Images records a lifetime spent observing America's constructed landscapes. Stilgoe's essays follow the eclectic trains of thought that have resulted from his observation, from the postcard preference for sunsets over sunrises to the concept of "teen geography" to the unwillingness of Americans to walk up and down stairs. In Stilgoe's hands, the subject of jack o' lanterns becomes an occasion to explore centuries-old concepts of boundaries and trespassing, and to examine why this originally pagan symbol has persisted into our own age. Even something as mundane as putting the cat out before going to bed is traced back to fears of unwatched animals and an untended frontier fireplace. Stilgoe ponders the forgotten connections between politics and painted landscapes and asks why a country whose vast majority lives less than a hundred miles from a coast nonetheless looks to the rural Midwest for the classic image of itself.At times breathtaking in their erudition, the essays collected here are as meticulously researched as they are elegantly written. Stilgoe's observations speak to specialists--whether they be artists, historians, or environmental designers--as well as to the common reader. Our landscapes constitute a fascinating history of accident and intent. The proof, says Stilgoe, is all around us.

    Simply Lasting includes new responses to Kenyon's poetry and reviews and criticism written during her lifetime, as well as never-before-published letters from Kenyon herself. Poet, editor, and longtime friend of Kenyon, Joyce Peseroff has gathered writings that affirm Kenyon's place as one of America's most important recent poets. "That there will be no more writing by Jane Kenyon," Peseroff writes in her Introduction, "is one of the terrible losses that might have been otherwise."Contributors include: Wendell Berry, Robert Bly, Hayden Carruth, Michael Dirda, Donald Hall, Robert Hass, Marie Howe, Galway Kinnell, Peter Kramer, Maxine Kumin, Alice Mattison, Molly Peacock, Robert Pinsky, Jean Valentine, and many others.

    In nine entertaining and instructive essays, novelist and master teacher Debra Spark pursues key questions that face both aspiring and accomplished writers, including: How does a writer find inspiration? What makes a story's closing line resonate? How can a writer "get" style? Where should an author "stand" in relation to his or her characters?While the book will have immediate appeal for students of writing, it will also be of interest to general readers for its in-depth reading of contemporary fiction and for its take on important issues of the day: Should writers try to be more uplifting? How is emotion best conveyed in fiction? Why are serious writers in North America wedded to the realist tradition?When she was only twenty-three, Debra Spark's best-selling anthology 20 Under 30 introduced readers to some of today's best writers, including David Leavitt, Susan Minot, Lorrie Moore, Ann Patchett, and Mona Simpson. Almost twenty years later, Spark brings this same keen critical eye to Curious Attractions, discussing a broad range of authors from multiple genres and generations.A collection of essays in the belles-lettres tradition, Curious Attractions offers lively and instructive discussions of craft flavored with autobiographical reflections and commentary on world events. Throughout, Spark's voice is warm, articulate, and engaging as it provides valuable insights to readers and writers alike.

     Offers discussion and cross-referencing of ideas and figures Provides Appendix on the distinctive nature of French academic culture

    It might then come as quite a surprise, when suddenly, in the middle of our striving to attain or get rid of something, we find our heart opening like a window, revealing to us the spacious vista of an unexpected kind of freedom: the freedom to fully meet ourselves as we are right now; the freedom to fully experience all the situations and emotions that seem to be obstacles to our happiness, without having to believe in or follow their apparent messages. What allows us to abide in that unexpected freedom, finding stillness and clarity in the eye of the storm, is a spacious, embracing awareness of the present moment, which for its liberating qualities lies at the heart of the Buddha’s teaching. This collection of talks is formed around the theme of this potentially limitless awareness.

    The volume includes classic pieces of drama and literature criticism, such as his essays on Shakespeare and Coleridge, as well as less well-known material from his social and political journalism. This collection encourages the reader to reconsider the nature of critical writing, which Hazlitt transforms into an art form.

    She examines how the imagination works with mystery and surprise in a variety of poets from Elizabeth Bishop to Theodore Roethke, from Russell Edson to Larry Levis, from Walt Whitman to Eavan Boland. Combining a richly associative personal style with original insights on poetic texts and historical and cultural musing, Boruch considers how the atomic bomb changed William Carlos Williams’s deepest ambition for poetry, and how Edison’s listening, through his famous deafness, informs our sense of the poetic line. Other essays explore how the car—its danger and solitude—helps us understand American poetry or how Dvorak and Whitman shared darker things than their curious love for trains. Poetry transforms, changing over time in the work of individual poets as well as changing us as we read it or write it.Boruch’s writing has a musical, incantatory style, creating a mood in which many of her subjects are immersed. Her approach isn’t meant to fix or crystallize her ideas in any hard and fast light, but rather to present the music of her thinking.

    This year's selections, chosen from National Magazine Awards finalists and winners, include David Grann's article from the "New Yorker" on the execution of a possibly innocent man; Sheri Fink's report from the "New York Times Magazine" on the alleged euthanization of patients during Hurricane Katrina; and Fareed Zakaria's compelling take from "Newsweek" on Iran's weakening regime."The Best American Magazine Writing 2010" also includes absorbing profiles, arresting interviews, personal essays, and entrancing fiction. "Esquire"'s Mike Sager recounts a promising quarterback's shocking descent into drugs; "Vanity Fair"'s Bryan Burrough shares the confessions of the year's other major Ponzi schemer, and, from "McSweeney's Quarterly," Wells Tower weaves a transporting tale of elemental desire. "GQ"'s Tom Carson offers his critique of America's current vampire craze; Mitch Albom rediscovers Detroit's indomitable spirit in "Sports Illustrated"; and Garrison Keillor sings an ode to the homegrown joys of state fairs in "National Geographic." Additional contributors include Atul Gawande, Megan McArdle, and many others commenting on a range of issues, from health care and the national debt to war movies and the controversy over circumcision. Altogether the writing collected here proves the rich pleasures waiting in the best magazines.

    Ross has been active in the Canadian literary underground for a quarter of a century: he's sold thousands of his books in the streets, published and edited magazines, trained insurgents in his Poetry Boot Camps, and started Canada's first Small Press Book Fair. Where the media focusses only on the glamorous literary lives of its few superstars, Ross gives us a glimpse into How Writers Really Live. In "Confessions," he declares himself the King of Poetry, explores his floundering Jewish identity, wanders into the best bookstore in Canada, offers a crash course in avoiding writing, pisses off his publishers, runs a renegade Canada booth at the International Book Fair in Managua, and begs egomaniacal young writers to stop bugging the hell out of him. Many of these essays are culled from Ross's bimonthly &quote;Hunkamooga&quote; column in "Word: Toronto's Literary Calendar." Others are written specifically for this collection.

    It looks at the theories of major minds of the twentieth-century Right, including Carl Schmitt, Leo Strauss and Friedrich von Hayek; liberal philosophers such as John Rawls, Jurgen Habermas and Norberto Bobbio; and significant figures in the culture of the Left: the historians Edward Thompson, Robert Brenner and Eric Hobsbawm; the classicist Sebastiano Timpanaro; the sociologist Goran Therborn; the novelist Gabriel Garcia Marquez. The book concludes with some comparative observations on the two leading intellectual periodicals of the UK and USA, the London Review of Books and New York Review of Books; and a piece of family history.

    Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art.Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics.The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.

    This new book brings together 24 selected essays and reviews written by an internationally acclaimed authority on music and the mind. Chapters are grouped into four main areas of study. These are, cognitive processes (including music reading, memory and performance), emotion and motivation, talent and skill development, and music in the real world (including functions of music in everyday life and culture). The book ends with a newly written chapter on music psychology and social benefits. The books brings together in one place a range of influential writings, whose links to one another provide a compendious overview of a subject that has come to maturity during the author's career, a career which has significantly contributed to the development of the field.

    Some see Laura Riding and Laura (Riding) Jackson as virtually two separate writers, the former a strikingly original Modernist poet and critic, the latter a supposedly reclusive thinker on man and woman, language, meaning, and truth. However, encountering her work in this rich cross-section, one discovers a remarkable consistency of theme developing throughout, from the earliest poems and stories to the "post-poetic" writings of her final years. The selections presented here span sixty-four years and include famous works of poetry and prose—some long out of print or difficult to find—significant lesser-known writings, and an important previously unpublished late essay, "Body & Mind and the Linguistic Ultimate."Contents:Chronology of Laura (Riding) Jackson's lifeA prophecy or a pleaDimensionsMakeshiftThe sweet asceticTo a cautious friendIf a woman should be MessiahIncarnationsThe maskTake handsLucrece and NaraMortalThe QuidsThe virginBack to the mother breastAs well as any otherThe lullabyThe tigerThe rugged black of angerEchoes, 1-6The map of placesDeath as deathThe troubles of a bookOpening of eyesThe wind suffersYou or youWorld's endRhythms of loveBeyondCome, words, awayAs many questions as answersEarthThe wind, the clock, the weRespect for the deadThere is no land yetThe flowering urnPoet : a lying wordNor is it written (from Three sermons to the dead)Be grave, womanDivestment of beautyThe reasons of eachAfter so much lossDoom in bloomSeizure of the worldNothing so farChapter VI : the making of the poem / Laura Jackson and Robert GravesShame of the personThe mythWhat is a poem?A complicated problemThe corpusThe damned thingFrom Though gentlyExperts are puzzledThe fable of the diceThe second letter : to continue to begin withFrom The word "woman" and other related writings : chapter 4 : being a womanPreface to the first editionDaisy and venisonReality as port huntladyA last lesson in geographyIn the beginningThe exercise of English, sections 1-2In defence of angerFrom The world and ourselves : part V, recommendation 14 (abridged)From Collected poems : to the readerIntroduction for a broadcast; continued for ChelseaPoetry and the goodThe sex factor in social progressHow now to think of womenPreface to Selected poems : in five setsSequel of 1964 and of 1974 to 'A last lesson in geography'On 'In the beginning'What, if not a poem, poems?The road to, in, and away from, poetryIntroduction to The poems of Laura RidingPreface to the second edition of Progress of stories (abridged)Rational meaning, chapter 18 : truth (abridged)Body & mind and the linguistic ultimateNonce prefaceOutlineThe telling

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    Thompson, journalist Michael Swindle shares his most bizarre, laugh out loud accounts of his travels: cockfights in Cajun country and wild boar hunts in the Everglades; "hog dog" rodeo in northern Louisiana and ass-hauling alligators in southern Louisiana; state to state fish throws in Florida to Alabama; and hollerin' contests in North Carolina. Other pieces explore a Haitian military dictatorship involved in voodoo and a story that starts with a Zapatista march on Mexico City and ends with an Anahuac Indian New Year's ceremony for the year 5722. Always entertaining, Swindle has a gift for bringing to life a folksy array of coastal characters, and shows a willingness to unflinchingly examine some controversial subject matter as well.

    Jerry shares his insights on the craft of fishing and creating rods in this fascinating book.

    This tribute to his work includes nearly 150 images and focuses on his post-9/11 output, including a haunting suite inspired by that event, homages to his famous friends the Gee’s Bend quiltmakers, and pieces drawing on his memories of an impoverished Southern childhood. The book also has a rich overview of Dial's pre-9/11 work. An in-depth biography and contextualizing essays by leading art historians shed new light on Dial's life and work.

    Equally at home recounting the lore of her outlaw husband, Stephen Reid, or interpreting the arcane rituals of her teenage girls, Musgrave brings to her literary essays that same invigorating freshness for which she has become known through her fiction and poetry. In settings ranging from the aching solitude of the Queen Charlotte Islands to the sweaty intensity of bandido apartments in Panama, Musgrave muses with her legendary wit and pastiche, while creating graffiti-like impressions of the writer's essential take on those closest to her.

    The first critical analysis of Philip Pullman’s cross-age fantasy trilogy.

    More than 40 poems, stories, and essays demonstrate the power of connectedness among families and neighbors.

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    They consider English literature, the English poets, Mother Russia, American poetry, out of eastern Europe, aspects of novels, correspondences between writers, and contemporary works. Only n

    Asian American Studies. Gay and Lesbian Studies. As a performance artist, Justin Chin has created eight full-length solo performance works and several shorter works, which have been presented nationally and abroad. ATTACK OF THE MAN-EATING LOTUS BLOSSOMS is a collection of performance art texts, documents, and scripts. These writings collect the author's performance work from 1993-2001. "Chin is one of the few national-caliber slam poets who succeed with material that's gut-wrenchingly personal and at the same time loaded with satire and commentary on pop culture"--SF Bay Guardian.

    Three long essays exploring the life of the body and the life of the mind.

    Why did the European spirit succumb to such a devastating fiasco? the young Milosz asks. Half a century later, when Legends of Modernity saw its first publication in Poland, Milosz said: If everything inside you is agitation, hatred, and despair, write measured, perfectly calm sentences... While the essays here reflect a perfect calm, the accompanying contemporaneous exchange of letters between Milosz and Jerzy Andrzejewski express the raw emotions of agitation, hatred and despair experienced by these two close friends struggling to understand the proximate causes of this debacle of western civilization, and the relevance, if any, of the teachings of the Catholic church. Passionate, poignant, and compelling, Legends of Modernity is a deeply moving insight into the mind and emotions of one of the greatest writers of our time.

    Doctorow questions the very notion of the Jewish American writer, insisting that all great writing is secular and universal. Allegra Goodman embraces the categorization, arguing that it immediately binds her to her readers. Dara Horn, among the youngest of these writers, describes the tendency of Jewish writers to focus on anti-Semitism and advocates a more creative and positive way of telling the Jewish story. Thane Rosenbaum explains that as a child of Holocaust survivors, he was driven to write in an attempt to reimagine the tragic endings in Jewish history.Here are the stories of how these writers became who they are: Saul Bellow on his adolescence in Chicago, Grace Paley on her early love of Romantic poetry, Chaim Potok on being transformed by the work of Evelyn Waugh. Here, too, are Philip Roth, Cynthia Ozick, Erica Jong, Jonathon Rosen, Tova Mirvis, Pearl Abraham, Alan Lelchuk, Rebecca Goldstein, Nessa Rapoport, and many more.Spanning three generations of Jewish writing in America, these essays — by turns nostalgic, comic, moving, and deeply provocative- constitute an invaluable investigation into the thinking and the work of some of America’s most important writers.

    These are the practices used by ancient prophets, seers, and sages to control dreams and visions. Shainberg draws upon the ancient Sephardic Kabbalah tradition, as well as illustrative stories and myths from around the Mediterranean, to teach readers how to harness the intuitive power of their dreaming. While the Hebrew Bible and our Western esoteric tradition give us ample evidence of dream teachings, rarely has the path to becoming a conscious dreamer been articulated. Shainberg shows that dreaming is not something that merely takes place while sleeping--we are dreaming at every moment. By teaching the conscious mind to be awake in our sleeping dreams and the dreaming mind to be manifest in daytime awareness, we are able to achieve revolutionary consciousness. Her inner-vision exercises initiate creative and transformative images that generate the pathways to self-realization.

    ?Summer has gone by so fast, ? we often say?the only season for which we say that. Summer does seem to make us keenly aware of time. In our vacations, we step out of time. Watching our gardens, we see the progress of time. Seeing the geese come honking back, we are aware of the passing of time. In essays, poems, and meditations organized around themes of time and our responses to it, twenty-five writers consider summer and its spiritual meanings. Contributors include Anne Lamott, Luci Shaw, Ray Bradbury, Mary Gordon, Richard Selzer, Thomas Lynch, Celia Thaxter, Robert Clark, Michael Pollan, Francis Bacon, Jim Heynen, and Emily Dickinson.

    His many subjects - music legends, movie directors, artistic provocateurs, up-and-coming talents, visionary songwriters - all speak with rare candor about the meanings within and the motivations behind their best work. Many of these interviews - which originally appeared in Rolling Stone, The New York Times and other publications - have been significantly expanded. DeCurtis has also written new introductions that tell the story behind these stories, transforming this collection into an episodic memoir of a life on the front lines of cultural journalism. These gripping conversations will make readers feel that they are sitting, as DeCurtis did, at a dinner table or in a quiet room alone, learning everything they want to know about some of the most revered artists of our time.

    In Ethno-Techno: Writings on Performance, Activism and Pedagogy, he pushes the boundaries still further, exploring what's left for artists to do in a post-9/11 repressive culture of what he calls 'the mainstream bizarre'.Over forty-five photos document his artistic experiments and the text not only explores and confronts his political and philosophical parameters; it offers groundbreaking insights into his, and his company's, methods of production, development and teaching.The result is an extraordinary and inspiring glimpse into the life and work of one of the most daring, innovative and challenging performance artists of our age.

    The bottom fell out of the Cuban economy, and many expected that Castro’s revolution—the one that had inspired the Left throughout Latin America and elsewhere—would soon be gone as well. More than a decade later, the revolution lives on, albeit in a modified form. Following the collapse of Soviet communism, Castro legalized the dollar, opened the island to tourism, and allowed foreign investment, small-scale private enterprise, and remittances from exiles in Miami. Capitalism, God, and a Good Cigar describes what the changes implemented since the early 1990s have meant for ordinary Cubans: hotel workers, teachers, priests, factory workers, rap artists, writers, homemakers, and others.Based on reporting by journalists, writers, and documentary filmmakers since 2001, each of the essays collected here covers a particular dimension of contemporary Cuban society, revealing what it is like to have lived, for more than a decade, suspended between communism and capitalism. There are pieces on hip hop musicians, fiction writing and censorship, the state of ballet and the performing arts, and the role of computers and the Internet. Other essays address the shrinking yet still sizeable numbers of true believers in the promise of socialist revolution, the legendary cigar industry, the changing state of religion, the significance of the recent influx of money and people from Spain, and the tensions between recent Cuban emigrants and previous generations of exiles. Including more than seventy striking documentary photographs of Cuba’s people, countryside, and city streets, this richly illustrated collection offers keen, even-handed insights into the abundant ironies of life in Cuba today.Contributors. Juliana Barbassa, Ana Campoy, Mimi Chakarova, Lydia Chávez, John Coté, Julian Foley, Angel González, Megan Lardner, Ezequiel Minaya, Daniela Mohor, Archana Pyati, Alicia Roca, Olga R. Rodríguez, Bret Sigler, Annelise Wunderlich

    Their overview of this transnational movement reveals important links between environmental management and social justice agendas for sustainable use of resources by local communities. In this volume, leaders who have been instrumental in creating and shaping CBNRM describe their model programs; the countermapping movement and collective claims to land and resources; legal strategies for gaining rights to resources and territories; biodiversity conservation and land stabilization priorities; and environmental justice and minority rights. This book will be of value to instructors, practitioners and activists in anthropology, cultural geography, environmental justice, environmental policy, political ecology, indigenous rights, conservation biology, and CBNRM.